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Stop Stealing Sheep, 4th edition Stop Stealing Sheep, 4th edition

Erik Spiekermann

Layout and typesetting

1sT edITIon Erik Spiekermann, MetaDesign San Francisco

2nd edITIon Erik Spiekermann

3rd And 4TH edITIon Erik Spiekermann & Ferdinand Ulrich

Type specimens and photographs

Erik Spiekermann, Ferdinand Ulrich, Norman Posselt, Max Zerrahn, Julie Heumüller, Thomas Nagel

Picture research

Susanna Dulkinys, Ferdinand Ulrich, Norman Posselt, Max Zerrahn

Production management

Daniel Klotz

Index & fact checking

Birgit Schmitz

Typefaces

Primary text typefaces are Equity and FF Real.

The pink and black margins are typeset in FF Real Condensed, a new family just released, used here for the first time.

Matthew Butterick not only donated his typeface, Equity, but he also indulged us by making some adjustments for the typesetting of this book.

Additional fonts were supplied by Adobe, FontShop, FontBureau, Emigre, House Industries, Gerard Unger, P22, Commercial Type, Terminal Design, ITC International Typeface Corporation, Monotype, Sportsfonts, Google Fonts, and many friends and colleagues.

Paper

Fedrigoni Arena White Smooth FsC

Printed in Italy

Grafiche Antiga, Crocetta del Montello, Italy

© 2022 Erik Spiekermann, p98a.berlin

Isbn 978-3-949164-03-3

Sheep drawing courtesy of Chuck Anderson csaimages.com

Stop Stealing Sheep & find out how type works

Fourth Edition: Celebrating 29

years in print!

“ Anyone who would letterspace lower case would steal sheep.”

F reder IC go U dy (1865 –1947), type designer

A FT er A lmos T TH ree de CA des as one of the world’s best-selling introductions to designing with type – including editions in Korean, German, Russian, Portuguese, and even Thai –Stop Stealing Sheep & find out how type works continues to educate, entertain, and enlighten design students and type lovers around the globe. In this fourth edition, Erik Spiekermann brings his type classic fully up-to-date with an all-new chapter on variable typefaces, scores of visual examples on how to effectively communicate with type, and a full selection of new typefaces used and referenced throughout the book. If you use type – and these days, almost everyone does – Spiekermann’s engaging, commonsense style will help you understand how to look at type, work with type, choose the best typeface for your message, and express yourself more effectively through design. Compact, yet rich with anecdotes and visual examples, the handbook’s multilayered design not only makes for a fun, fast read, but it also invites exploration, ensuring you learn something new each and every time you open it up.

Erik Spiekermann is information architect, type designer and author of numerous books and articles on type & typography. A book about him Hello, I am Erik by Johannes Erler was published by Gestalten Verlag in 2014. He now runs p98a.berlin, an experimental letterpress shop.

“Sheepbook” 4.0 The bestselling publication about type & typography since 1993, now in its fourth printing. With new chapters, new typefaces and the same old typographic jokes.

Erik Spiekermann (*1947) studied History of Art and English in Berlin. He is information architect, type designer (FF  Meta, FF  Meta Serif, ITC  Officina, FF  Info, FF  Unit, FF  Unit Slab, FF  Real, LoType, Berliner Grotesk, et al), and many corporate typefaces for The Economist, Cisco, Bosch, Deutsche Bahn, Heidelberg Printing, Mozilla, etc), and author of books and articles on type and typography.

In 1979 he started MetaDesign, Germany’s largest design studio, and in 1989 FontShop, the first independent distributor of electronic fonts. Erik’s many awards and medals would be too boring to list.

Apart from being on the board of Edenspiekermann, he now runs p98a.berlin, an experimental letterpress workshop in Berlin whose motto is “Hacking Gutenberg”. Spiekermann lives and works in Berlin, London and San Francisco. He owns 15 bicycles and has 290,000 followers on Twitter.

Ferdinand Ulrich (*1987) is a typographer. He teaches design fundamentals at Berlin University of the Arts and pursues doctoral research at the University of Reading, UK . His articles are frequently published in Eye, typographica.org, et al.

Julie Heumüller (*1993) is a graphic designer. Next to her work as a freelance designer, she is an associate with the research group “Digital Self-Determination” at Berlin University of the Arts, where she also took her Master degree in Visual Communication.

Norman Posselt (*1985) is a commercial photographer and re-toucher; typography is his hobby By contributing some photographs to this book he mixes both passions. In his spare time he captures antique floor tiles in Berlin and writes for typefacts.com

Daniel Klotz (*1971) is a printer and typesetter. His skillset spans from metal typesetting and letterpress to digital pre-press and printing technologies. At lettertypen.de he prints on a Heidelberg Cylinder and takes good care of production management for publishers.

This book is published in pdf format under a Creative Commons Attribution-No Derivatives 4.0 license. The full text of the license is available at https://creativecommons.org/licenses/by-nd/4.0/

Please Respect the License !

1 Type is everywhere. Type exists. It is a fundamental part of our lives. These simple facts are essential to understanding how to communicate more effectively.

2 What is type?. Between type’s past and its future, our present understanding of type is rooted in who we are and how we communicate. Type is a living entity integrated into society’s moods and trends.

3 Looking at type. Training the eye to recognize type begins with familiar elements on the page. Looking at type from the basic shapes to the finest details is the first step toward understanding how type works.

4 Type with a purpose. Choosing typefaces for a particular purpose need not be more intimidating than planning your wardrobe. Matching an appropriate typeface with the right task is easy.

5 Type builds character. Understanding the tone, or feeling, of text is essential in determining what typeface to use, and how it might be arranged on the page.

6 Types of type. Once understood, basic characteristics of typefaces, can eliminate difficulty with typeface identification. Simple distinctions among typefaces are best understood by analogy to human counterparts.

7 How it works. Legible, readable type depends on a few basic principles: space between individual letters and around words. Choosing the right typeface for the right text also means using the right spacing.

8 Putting it to work. Considering where type is going to live and work will determine its effectiveness. Simple rules of placement create practical page layouts.

9 Type on screen. Type on screen used to be the poor sister of type for print. While technical constraints remain, there are no more excuses for not choosing the appropriate typeface for any project that will appear on a screen.

10 Variable fonts. The variable font format allows a single file to contain all previously separate files (e. g. from Light to Black) in a single, highly efficient one.

11 There is no bad type. Type is a basic element of communication. As the means of communicating changes, type evolves in unique and lively ways.

12 Final form. Bibliography, list of typefaces, index, partners.

We see so much type that we sometimes stop looking. This is not necessarily a bad thing, as in the case of this sign, which tells us that we may not enter this street between eleven and six, nor between eleven and six, and certainly not between eleven and six.

stealing sheep? Letterspacing lower case? Professionals in all trades, whether they be dentists, carpenters, or nuclear scientists, communicate in languages that seem secretive and incomprehensible to outsiders; type designers and typographers are no exception. Typographic terminology sounds cryptic enough to put off anyone but the most hardnosed typomaniac. The aim of this book is to clarify the language of typography for people who want to communicate more effectively with type.

These days people need better ways to communicate to more diverse audiences. We know from experience that what we have to say is much easier for others to understand if we put it in the right voice; type is that voice, the visible language linking writer and reader. With thousands of typefaces available, choosing the right one to express even the simplest idea is bewildering to most everyone but practiced professionals.

Familiar images are used in this book to show that typography is not an art for the chosen few, but a powerful tool for anyone who has something to say and needs to say it in print or on a screen. You will have ample opportunity to find out why there are so many typefaces, how they ought to be used, and why more of them are needed every day.

This is a sidebar. As you can see by the small type, the copy here is not for the faint of heart, nor for the casual reader. All the information that might be a little heady for novices is in these narrow columns; it is, however, right at hand when one becomes infected by one’s first attacks of typomania.

For those who already know something about type and typography and who simply want to check some facts, read some gossip, and shake their heads at our opinionated comments, this is the space to watch.

In 1936, Frederic Goudy was in  New York City to receive an award for excellence in type design. Upon accepting a certificate, he took one look at it and declared that “Anyone who would letterspace black letter would steal sheep.” (Goudy actually used another expression, one unfit for print.) This was an uncomfortable moment for the man sitting in the audience who had hand lettered the award certificate. Mr. Goudy later apologized profusely, claiming that he said that about everything. You might have noticed that our book cover reads “lower case,” while here it reads “black letter” –two very different things. Lower case letters, as opposed to CAPITAL LETTERS , are what you are now reading;

See the changes made to the sign in the last three decades: the small picture on the right is from  this book’s first edition, printed in 1992; the one on its left is from the second edition in 2003, and the small one on the opposite page from Sheep 3.0 in 2014. Big picture is from 2020.

We’re not sure how “black letter” in this anecdote got changed to “lower case,” but we’ve always known it to be the latter; whichever way, it makes infinite sense. By the time you finish this book we hope you will understand and be amused by Mr. Goudy’s pronouncement.

paul WatzlaW ick c hapter 1

paul WatzlaW ick (1922–2007) is author of Pragmatics of Human Communication, a book about the influence of media on peoples’ behavior. “You cannot not communicate” is known as Watzlawick’s First Axiom of Communication.

Typeset in Equity

FF Real Head Thin

h ave you ever been to Japan? A friend who went there recently reported that he had never felt so lost in his life. Why? Because he could not read anything: not road signs, not price tags, not instructions of any kind. It made him feel stupid, he said. It also made him realize how much we all depend on written communication.

Works in most languages, avoiding tasteless mistakes: S for Salt and P for Pepper.

Picture yourself in a world without type. True, you could do without some of the ubiquitous advertising messages, but you wouldn’t even know what the packages on your breakfast table contained. Sure enough, there are pictures on them – grazing cows on a paper carton suggest that milk is inside, and cereal packaging has appetizing images to make you hungry. But pick up salt or pepper, and what do you look for? S and P!

Try to find your way around without type and you’ll be as lost as most of us would be in Japan, where there is plenty of type to read, but only for those who have learned to read the right sort of characters.

You’ve hardly got your eyes open when you have to digest your first bite of type. How else would you know how much calcium fits on your spoon?

Type says much more about a newspaper than just the information it carries.

Breakfast for some people wouldn’t be the same without the morning paper. And here it is again: inevitable type. Most people call it “print” and don’t pay too much attention to typographic subtleties. You’ve probably never compared the small text typefaces in different newspapers, but you do know that some newspapers are easier to read than others. It might be because they have larger type, better pictures, and lots of headings to guide you through the stories. Regardless, all these differences are conveyed by type. In fact, a newspaper gets its look, its personality, from the typefaces used and the way in which they are arranged on the page. We easily  recognize our favorite newspapers on the newsstand, even if we see only the edge of a page, just as we recognize our friends by seeing only their hands or their hair. And just as people look different across the world, so do the newspapers in different countries. What looks totally unacceptable to a North American reader will please the French reader at breakfast, while an Italian might find a German daily paper too monotonous.

Of course, it’s not only type or layout that distinguishes newspapers, it is also the combination of words. Some languages have lots of accents, like French; some have very long words, like Dutch or Finnish; and some use extremely short words, as in a British tabloid. Not every typeface is suited for every language, which also explains why certain type styles are popular in certain countries, but not necessarily anywhere else.

What appears frightfully complex and incomprehensible to people who can read only the Latin alphabet brings news to the majority of the world’s population. Chinese and Arabic alphabets are read by more than half the people on this planet.

áåæäàœöøçß¡¿

Some of the accents, special signs, and characters seen in languages other than English, giving each of them its unique appearance.

Newspaper design changes very slowly: the picture on the right is from this book’s first edition, printed in 1992; the color one in the middle is from the second  edition in 2003, and the photograph on the left was taken for the third edition in 2013.

This brings us back to type and newspapers. What might look quite obvious and normal to you when you read your daily paper is the result of careful planning and applied craft. Even newspapers with pages that look messy are laid out following complex grids and strict hierarchies.

Just as the newspaper on the opposite page is laid out according to an underlying structure of some intricacy, this book is designed within its own constraints.

USA Today, one of the leading newspapers in the United States, is designed to a grid.

The artistry comes in offering the information in such a way that the reader doesn’t get  sidetracked into thinking about the fact that someone had to carefully prepare every line, paragraph, and column into structured pages. Design – in this case, at least – has to be invisible. Typefaces used for these hardworking tasks are therefore, by definition, “invisible.” They have to look so normal that you don’t even notice you’re reading them. And this is exactly why designing type is such an unknown profession; who thinks about people who produce invisible things? Nevertheless, every walk of life is defined by, expressed with, and indeed, dependent on type and typography.

More and more people read the news not on paper, but on TV screens or computer monitors. Type and layout have to be reconsidered for these applications.

The page is divided into equal parts, each of which has the same proportion as the whole page, i.e., 2 :3. The page is made up of 144 rectangles, each one measuring 12 by 18 millimeters, 12 rectangles across and 12 down. This makes the page 144 by 216 millimeters, or roughly 5 21⁄32 by 8 1⁄2 inches. The columns are multiples of the 12-millimeter unit. As there has to be some distance between columns, 3 mm (or more for wider columns) have to be subtracted from these multiples of 12 to arrive at the proper column width.

The distance between lines of type (still archaically referred to as leading – rhymes with heading) is measured in multiples of 1.5 mm.

All typographic elements are positioned on this baseline grid of 1.5 mm, which is fine enough to be all but invisible to the reader, but which helps layout and production. The discipline offered by this kind of fine grid gives the same sort of coherence to a page as bricks do to a building. They are small enough to allow for all styles of architecture, while serving as the common denominator for all other proportions.

If you think that the choice of a typeface is something of little importance because nobody would know the difference anyway, you’ll be surprised to hear that experts spend an enormous amount of time and effort perfecting details that are invisible to the untrained eye.

It is a bit like having been to a concert, thoroughly enjoying it, then reading in the paper the next morning that the conductor had been incompetent, the orchestra out of tune, and the piece of music not worth performing in the first place. While you had a great night out, some experts were unhappy with the performance because their standards and expectations were different than yours.

Food and design: how often do we buy the typographic promise without knowing much about the product? Stereotypes abound – some colors suggest certain foods, particular typefaces suggest different flavors and qualities. Without these unwritten rules we wouldn’t know what to buy or order.

The same thing happens when you have a glass of wine. While you might be perfectly happy with whatever you’re drinking, someone at the table will make a face and go on at length about why this particular bottle is too warm, how that year was a lousy one anyway, and that he just happens to have a case full of some amazing stuff at home that the uncle of a friend imports directly from France.

Does that make you a fool or does it simply say that there are varying levels of quality and satisfaction in everything we do?

Effects that mimic hand lettering, stone carving, sewing, etching or even metal typesetting are all easily achieved electronically.

As they say in England: “Different strokes for different folks.”

The kinds of food and drink known to mankind are almost limitless. No single person could be expected to know them all. One guide through this maze of taste and nourishment, of sustenance as well as gluttony, is offered by the labels on products –as long as they are packaged in containers that can carry information. Without typography we wouldn’t know which contains what or what should be used which way.

Small wonder that type on food packages is often hand lettered, because standard typefaces don’t seem to be able to express this vast a range of tastes and promises. These days, hand lettering sometimes means using software programs, such as Adobe Illustrator, that combine design and artwork at a level unimaginable only a few years ago. Anything a graphic designer can think of can be produced in amazing quality.

While it might be fun to look at wine labels, chocolate boxes, or candy bars in order to stimulate one’s appetite for food or fonts (depending on your preference), most of us definitely do not enjoy an equally prevalent form of printed communication: forms.

The “generic” look of most business forms usually derives from technical constraints. But even when those restrictions no longer exist, the look lingers on, often confirming our prejudice against this sort of standardized communication.

If you think about it, you’ll have to admit that business forms process a lot of information that would be terribly boring to have to write fresh every time. All you do is check a box, sign your name, and you get what you ask for. Unless, of course, you’re filling out your tax return, when they get what they ask for; or unless the form is so poorly written, designed, or printed (or all of the above) that you have a hard time understanding it. Given the typographic choices available, there is no excuse for producing bad business forms, illegible invoices, awkward applications, ridiculous receipts, or bewildering ballots. Not a day goes by without one’s having to cope with printed matter of this nature. It could so easily be a more pleasant experience.

While onscreen forms offer a very reduced palette of typographic choices, they at least provide some automatic features to help with the drudgery of typing your credit card number.

These are some of the new typefaces designed to work well on lowresolution output devices, such as simple printers and small screens.

Typefaces used for business communications have often been designed for a particular technology – optical character recognition, needle printers, monospaced typewriters, and other equipment.

What was once a technical constraint can today become a trend. The “nondesigned” look of ocr B, the good old honest typewriter faces, even the needle printer, and other low-resolution alphabets have all been exploited by designers to evoke certain effects.

If you want to avoid any discussion about the typefaces you’re using in your letters or invoices, you can fall back onto Courier, Letter Gothic, or other monospaced fonts (see page 175), even though they are less legible and take up more space than “proper” typefaces. You could be slightly more courageous and try one of those new designs that were created specifically to address both the question of legibility and space economy, and reader expectations.

Typefaces designed with technical constraints.

When each egg has data stamped on it, we wonder how the type got there. Does each chicken have its own little rubberstamp? Or do all the eggs roll by a machine, which gently impresses onto that most breakable of surfaces? And do different sorts of eggs have different types on them? Brush Script for freerange, (see page 195), Copperplate for the expensive gourmet ones from geese and Helvetica for battery eggs?

Every pc user today knows what a font is, calls at least some of them by their first name (e.g. Helvetica, Calibri, and Times), and appreciates that typefaces convey different emotions. Although what we see on screen are actually little unconnected square dots, that fool the naked eye into recognizing pleasant shapes, we now expect all type to look like “print.”

While there is a tendency to overdesign everything and push technology to do things it was never intended to do, like printing onto raw eggs, at least we can continue our typographic training even when deciding whether the food we bought is good for nourishing or not.

We don’t know whether the makers of Brunello di Montalcino deliberately chose the tall type for the labels on their wine bottles, but the widely spaced figures and the robust caps possess a certain elegance. As Monotype shows with their Andale Mono (which comes free with Microsoft software), there is room for good design even within the constraints of monospaced system fonts. Bar codes and ocr numbers are inseparable, but even that generic alphabet has already inspired a whole new type. And if you must imitate the printing on eggshells, ff  Atlanta has the blotchy outlines needed to do so convincingly. While the makers of dot matrix printers try to emulate real logos, the designers of real fonts deliver the tools to  print your supermarket receipts.

Several countries adopted the British Transport alphabet for their road signage. Unfortunately, somebody made the type much fatter: probably an engineer who thought that more weight is  more legible. The opposite is true.

Some of the most pervasive typographical messages have never really been designed, and neither have the typefaces they are set in. Some engineer, administrator, or accountant in some government department had to decide what the signs on our roads and freeways should look like. This person probably formed a committee made up of other engineers, administrators, and accountants who in turn went to a panel of experts that would have included manufacturers of signs, road safety experts, lobbyists from automobile associations plus more engineers, administrators, and accountants.

You can bet there wasn’t one typographer or graphic designer in the group, so the outcome shows no indication of any thought toward legibility, let alone communication or beauty. Nevertheless we’re stuck with our road signs. They dominate our open spaces, forming a large part of a country’s visual culture.

Traditional type for signs used to be constructed from geometric patterns so that they could be recreated by signmakers everywhere. Type as data travels more easily, so there are no more excuses for not having real type on signs.

Newark Newark

Signage systems have to fulfill complex demands. Reversed type (e.g., white type on a blue background) looks heavier than positive type (e.g., black on yellow), and back-lit signs have a different quality than front-lit ones. Whether you have to read a sign on the move (from a car, for example), or while standing still on a well-lit platform, or in an emergency – all these situations require careful typographic treatment. In the past these issues have been largely neglected, partly because it would have been almost impossible to implement and partly because designers chose to ignore these problems, leaving them up to other people who simply weren’t aware that special typefaces could help improve the situation.

These have now been designed with a series of closely-related weights to offer just the right one, whether it’s for a back-lit dark sign with white type, or for just black words on white, lit by the sun from above. The PostScript™ data generated with these types in drawing and layout applications can be used to cut letters of any size from vinyl, metal, wood, or any other material used for signs.

There are no more excuses for badly designed signs, whether on our roads or inside our buildings.

C Too much weight makes the counters, the space inside the letters, almost disappear. Letters become blobs.
D Reversing out increases that effect. Backlit signs would look even worse (see next page).
A Dark type on a light back ground needs some weight to be legible, but not too much.
B Light type on a dark background has to be a little thinner in order to appear as legible as the other version.

Engineers are still responsible for the signs on our roads and freeways. And they still think  that Arial is the best typeface ever, simply because it is ubiquituous. But there are signs (!) of progress even in those circles: The new German D in (Deutsche Industrie Norm = German Industrial Standard) committee finally acknowledged what a lot of designers have always known: Some characters are easily confused with each other. A figure 1 looking like a lowercase l and a capital I (sic!) are majors offenders. The new D in 1450 suggests a lowercase l with a loop, a capital I with serifs, and a figure 1 with a horizontal bottom stroke.

Why not use serif faces in the first place, you may ask? Interesting question, and unfortunately one not even discussed amongst the engineers on the committee (although there was a real type designer present). They think that serif faces are old-fashioned and could not possibly be used for signage or any other contemporary purpose.

Since this book was first published in 1993, quite a few type designers have turned their attention to this field, although neither fame nor fortune are likely to be made here.

The US freeways now have Clearview, a typeface designed by James Montalbano, based on the existing Highway Gothic, but actually legible and friendly. Airports the world over have adopted Frutiger, the typeface originally designed for Charles de Gaulle airport in Paris in 1976. It has recently been updated with its signage version featuring that special l, the 1 and a dotted 0.

Berlin Transit has had their special version of Frutiger Condensed, called ff  Transit, since 1992. Düsseldorf Airport has signs in ff  Info. Ralf Herrmann designed a typeface called Wayfinding Sans. Vialog was developed by Werner Schneider and Helmut Ness for wayfinding projects, as was Arrival by Keith Chi-hang Tam.

C A thinner version of the typeface needs to be used.
D Now shapes are easier to make out.
A Light type on dark shouldn’t be too bold. B When lit from behind, type appears even bolder.

Another random document with no related content on Scribd:

Patrologia Latina, Migne edition (Paris, 1844–1855).

The Book of The Thousand and One Nights, translated by John Payne (London, 1884).

“Aaron the Just,” 418

INDEX

Abbasside Caliphate, the, 172

Abd-el-Kader, Algerian ruler, 249

Abd-er-Rahman I, 473

Abdul Hamid I, Sultan, 110, 159

Abdul Hamid II, Sultan, 50, 110, 268

Abgar, King, 285, 296

Abraham, Patriarch, 253, 275, 294

Abydas, Strait of, 77

Abyssinia, 312

Achilles, Ashes of, 36

Adadinari IV, 386

Adana, commercial center, 197

Aegean Sea, 90

Afium-Kara-Hissar, 122

Agamemnon, “King of Men,” 87

Agostino, Padre, 263

Aimée Dubuc de Rivery, 110

Albertus Magnus, 6

Alcæus, 105

Aleppo, 255, 263

Alexander I, of Russia, 78

Alexander the Great, 27, 46, 78, 83, 194, 217, 400

Alexandria, 289

Alfold, great central plain of Hungary, 19

Ali, first legitimate Caliph, 445

Al-Khader, 260

Allah, 237

Al-Mamun, Caliph, 420

Al-Mansur, founder of Bagdad, 409

Ameghino, Dr., 453

America, does not know or care about the truth about Turkey, 211

Ammianus Marcellinus, 297

Amru, 316

Amuita, Queen, 488

Anadoli Kavak, 45

Anathema Maran-atha, 327

Anatolia, 183 life of the Osmanlis, 121 ruins of, 106

Anatolian Railway, 99, 121, 157

Anazarbas, 199

Andrae, Dr. Walter, 379

Angel de Villarubbia, Fra, 292

Anglo-French press, hostile to Bagdad railway, 166

Antakia, 255

Anthimos VII, Œcumenical Patriarch, 336

“Antioch the Beautiful,” 218, 255, 289

Antipater, 201

“Apostle and Proto-Martyr among Women,” 172

“Apostle of the Gentiles,” St. Paul, 202

Arabian horses, 441

Arabians, life of the, 442

Arab robbers, protection against, 266

Aracca, the Erech of Scripture, 461

Aramaic language, 272

Aratus, 201

Archimedes, 201

Argonauts, 42

Argos, 44

Arianism, 232

Aristarchus of Samothrace, 106

Aristotle, 83

Armenian question, 208

Armenians, business ability of, 271 massacre of 1909, 205

responsible in great part for massacres, 207

Arrians, 101, 305

Artemidorus, 201

Ashbelkala, 380

Ashurnasirpal III, 380

Asia Minor, 183 great trouble of, 149 rich in natural resources, 184

Aspasia, wife of Pericles, 104

Asshur, city of, 294

“Association Laws,” 292

Assuerus, King, 353

Asur, builder of Nineveh, 345, 379

Assyrian Empire, 347

Astronomy, foundations and practice of, by Babylonians, 501

Asurbanipal, the Grand Monarch of Assyria, 353

“A Thousand Nights and a Night,” 261

Attica, 104

Attila, 23

Augustine of Hippo, 369

Augustus, Emperor, 11

Aurelian, Emperor, 217

Babil, mound of, 475, 477

Babylon, 471–508

bird’s-eye view of desolation of, 506 descriptions of, by ancient writers, 483 great wall of, 483 hanging gardens of, 282, 494 present day, 486 tower of, 491

Bagdad, 41, 260, 402–436 ancient glories of, 412 bazaars of, 432

Carmelite priests of, 403 etymological names of, 410

fall of, 425 founding of, 409 modern, 427 periodically visited by the plague, 431 population one-fourth Jewish, 432 the future of, 435 the women of, 432

Bagdad railway, 151 aim and purpose of, 168 completion of, held up by World War, 370 Germany gets concession for, 158 meeting of Czar and Kaiser in 1910 in regard to, 164 source of far-reaching political cataclysm, 169 splendidly built, 167 tunnels of the, 255

Balkan peninsula, 22 peoples of, hated one another, more than the Turks, 22

Barbarossa, Frederick, 78, 121

Barmecides, Slaughter of the, 419

Barnabas, 171

Basra, 264

Bayazid I, Sultan, 46

Bazaars of Bagdad, 432

Beaconsfield, Earl of, 63

Beames, William, 265

Bedouins, 268 life of, 442

Beirut, 310

BeithAllah, house of God, 235

Belgrade, 19

Belus, first astronomer, 501

Benjamin of Tudela, 414, 480

Berosus, priest of Bel, 348

Berlin, 1

Bessarion, Cardinal, 335

Bethsabee, 275

Bianca Capello, 110

Bilejik, 122

Bir, 281

Birs-Nimrud, 477

Black Forest, 5

Black Obelisk of Salmanasar II, 200

Black Sea, 30

Black Stone, worshiped by Mohammedans, 235

“Blue Mosque,” 175

Bohadin, 417

Borsippa, 480

Bosphorus, 161 plan for tunnel under, 166 proposed bridge over, 166

Bossuet of Meaux, 369

Botta, Paul Emil, 349

Bourse, the, 163

Bozanti Khan, 188

Bralia, 31

Bréau, Quaterfages de, 456

Bronze Horses of Lysippus, 58

Bruin, Cornelius de, 358

Brusa, 94

Budapest, 18

Bukcovitz, Stephen, 114

Bukharest, city of, 29

Bulgar Dagh, the, 189

Burckhardt, discovers black basaltic block, 275

Burnouf, Eugène, 362

Byron, Lord, 43

Byzantine liturgy, 313

Byzantines, 305

Byzas, son of Neptune, 67

Cæsaropapism, 326

Caetani, Prince, 466

Caliphs, triumphs of the, 281

Callicolone, 87

Calmet, Dam, the Benedictine, 459

Calycadnus, the, 191

Camels, trains of, 185

Canals,

Danube-Elbe, 34

Danube-Oder, 34

Danube-Salonica, 34

Ludwig, 33

Suez, 153

Canon law of Mohammedanism, 244

Cantacuzenos, introduces the Osmanlis into Europe, 113

Capistrau, St. John, 20

Capuchins, the, 291

Caravans, 186

kept in communication with friends by homing pigeons, 267 protection against Arab robbers, 266 trade, 264

Carchemish, the, 276, 282

Carmelite priests, of Bagdad, 403

Cassandra, 91

Castle of Simeon, 256

Catherine de Medici, 110

Catherine II, of Russia, 61, 383

Caulaincourt, French Ambassador, 79

Cerularius, Michael, 325

Chalcedon, 97

Chaldean church, 307

Champollion, Jean François, 356

Chansans de Geste, untruths in, concerning Mohammedanism, 222

Chardin, Jean, 358

Charlemagne, 10, 324

Chateaubriand, 52

Chesney, Colonel, 152

Chilat, 298

Chosroes I, 194, 281, 287

Christianity, in relation to Mohammedanism, 247 need of change of attitude of the West toward the East, 251

Chrysopolis, the golden city, 96

Chrysostom, St. John, 71

Churches of the East, 303–340

Church of Holy Wisdom, 56

Cicero, 171

Cilician Plain, or CiliceaCampestris, 189 population of, 198

the Garden of Eden, 214 three decisive battles of the world fought on, 194

Citadel, at Aleppo, 273

“City of Delight,” the, 29

“City of the Blind,” the, 97

“City of the Saints,” Bagdad, 260

Cleopatra, 204

Code of Hammurabi, 345, 364, 504

Coffee, great beverage of the Moslems, 179

Coffeehouse, Oriental, 181

Columbus, 452

Comnena, Princess Anna, 72

Conquest of Constantinople, 328

Constantine IX, Emperor, 325

Constantine Paleologus, 68

Constantine Porphyrogenitus, 414

Constantine the Great, 68, 321

Constantinople, 51 people of, 65

Constanza, 37

Consul Lirius, 84

Coptic church, 312

Copts, of Egypt, 312

Corinth, 217

Cos, 105

Council of Florence, 327

Crassus, 297

Creation, one of the oldest accounts of, discovered, 462

Crescent and the Cross, 27

Crimean War, 99

Crœsus, King of Lydia, 184

Cross and the Crescent, 27

Crusaders, castles built by, 257 in Phrygia and Lycaonia, 187 in the footsteps of the, 171 route of the, 257

Crusade, Fourth, 327 time has come for a new but different, 252

Cunaxa, battle of, 375

Cyaxares, 345

Cydnus, 203

Cydnus, the, 190

Cyrus, Bishop, 297

Cyrus the Great, 433 army of, 171

Cyrus the Younger, 281

Dacia, 26

Dacians, the, 30

Damascus, 289, 313

Damoclean sword, 331

Dandolo, Henricus, 68

Dante Alighieri, 247, 295

Danube, 4, 31

Darius, 194, 281

Darius Hystaspes, 31

“Dates of Akkad,” 472

Dati, Leonardo, 457

David, King, 275

Dawson, J. W., 463

Debora, nurse of Rebecca, 298

Deggendorf, 8

De Lesseps, and the Suez Canal, 165

Delitzsch, Friedrich, 363, 369, 448

Delta of the Nile, 317

Dervishes, dancing or whirling, 173 howling, 96

DeutscheOrient-Gesellschaft, 387

Devil’s Wall, 9

Diana, Temple of, 217

Diering, Professor, on the Germans, 168

Diocletian, 100

Diodorus Siculus, 201, 483

Dionysides, 201

Dioscur, Patriarch of Alexandria, 315

Disraeli, and the Suez Canal, 153

Djerabis, 282

“Doctrine of Addai,” 286

Dominican Sisters of the Presentation of Tours, 308

Dominicans of Mosul, 307

Drangnachosten, Trend toward the East, 155

Duke Leopold, of Austria, 10

Dunkelboden, 7

Earthquakes, 218

Eastern Churches, 303–340

reunion with the Mother Church, 334

Edessa, 284

legend connected with, 284 school of, 297

Egyptian monophysites, 312

Eldred, John, 265, 478

El Farruch, Earth-Divider, 74

Elgin, Lord, 57

Endocia, Empress, 257

Enoch, the Hermes Trismegistes of the Orientals, 284

EntenteCordiale, 165

Ephesus, 103

Epicureans, 201

ErmeniMillet, 318

Eski Bagdad, old Bagdad, 398

Eski-Shehr, 122

Etchimiadzin, monastery of, 311

Eudocea, Empress, 71

Euphrates, the, 278, 488

Eusebius of Cæsarea, 285

Eutyches, 309

Eutychianism, 309

Euxine Sea, 5, 35

Father Damien, 247

“Father of Medicine,” 105

Fatihah, first chapter of the Koran, 96

Feringees, 319

Figueroa, Don Garcia de Sylva y, 357

Fourth Crusade, 327

Fra Diavolo, 195, 196

Fragistan-Europe, 319

France, as a protector of Turkey, 160 fate of the French railway in Near East, 160 has always encouraged scientific research, 349 not willing to give recommendations to Bagdad railway project, 163 on friendly terms with Ottoman Government, 155

Franciscan friars, 262

Francis I, of France, 155

Frankish States, 328

Fra Oderic of Pordenone, 39

Galambocz, 24

Galata, 65

Galatz, 31

Garden of Eden, 214 location of, 447

motoring in the, 437

one of the oldest accounts of creation discovered, 462

Gargar, valley of, 298

Genghis Kahn, 113

Germans, determined to build Bagdad railway unaided, 166 Germany, dream of world power in the East, 155 gets concession for Bagdad railway, 158

Ghazzali, 417

Girgenti, ruins of, 475

Gisdhubar, 281

Giurgero, 29

Gladstone, William, 64

Glaser, E, 465

Glorietta of Schönbrunn, 12

Godefroy de Bouillon, 121

Golden Fleece, 44

Golden Horn, 47

Gordianus III, 297

Goths, the, 217

Gourea, Antonio de, 357

“Granary of Northern Syria,” 278

Grand Opera House, of Paris, 55

“Great Assassin,” Abdul Hamid, 159

Great Britain and the Gold Coast, 250 attitude toward Bagdad railway, 160 attitude toward Turks, 159

does not wish to know the truth about Turkey, 211 fear of protectorate over Turkey by Teutonic powers, 162 not willing to give recommendation to Bagdad railway project, 163

Great Cemetery, 96

Great Chimu, 497

“Great Idea,” 332

“Great Schism,” 325

Great Sweet Water, 48

Great Wall of China, 483

Greece, people of, in ancient days, 274

Greeks, business ability of, 271

Gregorians, 310

Gregory of Nyssa, 369

Grotefend, Georg Friederich, 360

Hadj, annual pilgrimage to Mecca, 244

Haidar Pasha, military hospital, 98

Hainburg, 14

Halicarnasus, 217

Halil Halid, the Anatolian, 210

Hamme, Frère Lieven de, 263

Hammurabi, Code of, 345

Hanging gardens of Babylon, 282, 494

Hannibal, 94

Haran, city of, 293

Harem, explanation of, and meaning, 126–129

Haremlik, 126

Harnack, Professor, 338

Harpies, 44

Harum-al-Rashid, 46, 417

Hazret, Mevlana, 175

Hebron, 275

Hedja railroad, 267

Hellespont, the Thacian, 77

Heraclius, 194, 281

Herbert, Thomas, 358

Hergenroether, Cardinal, 229

Herodotus, 281, 347, 488

Hieron, city of, 46

Higden, Ralph, the Benedictine, 449

Hillah, village of, 349, 471

Hincks, Edward, 362

Hipparchus of Nicæa, 105, 502

Hippocrates, 105

Hippodrome, in Constantinople, 58

Hissarlik, hill of, 86

Hittites, language of undecipherable as yet, 276 third great empire with Egypt and Babylonia, 275

Hogarth, David G., on the Armenian question, 208

Holy City of Jerusalem, 187

Holy Directing Synod, 331

Homer, 36, 81

Hommel, F., 465

Howling Dervishes, 96

Hudibras, 450

Huet, Pierre Daniel, 460

Hugo, Victor, on the Danube, 5

Hulagu Khan, 426

Hunyady Janos, 20

Ibrahim, 117

Iconium, now Konia, 122, 151

Iconoclasts, doctrine of, 102

Ida, 87

Iliadand Odyssey, 81

Illock, 20

Imam, the, 236

Iman Dura, town of, 397

Imperial Museum of Constantinople, 273

Independent Church of the Monastery of Mount Sinai, 331

Indicopleustes, 450

International Commission, for regulation of traffic, 33

Io, priestess of Hera at Argos, 45

Ionia, 104

Irene, Empress, 102

Iron gate, 26

Irrigation, of Babylon, 499

Isaac, 295

Ishtar gate, 494

Islam, creed of, 227

liberal policy of, 116 not opposed to influence of foreign science, law or theology, 243

past and present, 220

“the lay religion par excellence,” 233

Island of Achilles, 36

Ismid, 100

Italy, recent campaigns in Tripoli, 250

Jacobites, 309

Jacob, Patriarch, 284

Janissaries, corps of, 114

Jappa, Gate of Jerusalem, 262

Jason, 44

Jebel Hamrin, 389

Jebel Makhul, 389

Jebel Sinjar, 300

Jelal-ed-din-Rumi, tomb of, 172

Jenghiz Khan, 216

Jerablus, 278

Jerusalem, 263

Jinn, land of the, 261

Joachim III, Œcumenical Patriarch, 334

Joan of Arc, 247

Joseph II, Emperor of Austria, 61

Joseph of Burgos, Fra, 292

Judas Iscariot, 295

Julian, the Apostate, 10

Julius Cæsar, 84

Justinian, 321

Kaaba at Mecca, the, 235

Kadi Keni, town of, 97

Kaempfer, Engelrecht, 358

Kaffa, city of, 41

Kaif, favorite pastime of the Moslems, 138

Kalah Sherghat, mound of, 378

Kalat el Gebbar, 389

Kalat Makhul, 389

Kapist, Count, 154

Katholicos, head of the Nestorian church, 306

Kelek, a trip down the Tigris on a, 370–401

Kerbela, sacred shrine of, 444

“Key of the Danube,” the, 24

Khabur, valley of, 298

Khanikin, 154

Khatti, the, 275

Kheta, the, 275

Knights of St. John of Jerusalem, 217

Kohl, J. G., 17

Koldewey, Dr. Robert, 379, 475

Konia, 151

ancient Iconium, 122 inhabitants of, 176 situation and climate of, 174

Koran, 96, 116 contains many beautiful things, 248

Kublai Khan, 40

Kufah, 466

Kurdish race, 208 Kurdistan, 306

Kutchuk Ali Uglu, 194

Kuyunjik, 365

Lane-Poole, Stanley, 243

Language of Babylonia, 500

Latin Empire in Constantinople, establishment of, 327

Latin, language of Hungary for many years, 16

LatinMillet, 318

Layard, Austen Henry, 350

Leah, 294

Lebanon, 313

Lebanon Range, 294

“Legend of Abgar,” 285

Lemnos, 87

Lenormant, François, 456

Leo, the Mathematician, 423

Leo XIII, Pope, 334, 338

Lesbos, 105

LiberatorofBulgaria, 29

Library of Asurbanipal, 354

Linschoten, John Huyghen Van, 265

Little Sister of the Poor, 248

Little Sweet Water, 48

Lloyd George, David, 64

Lombard, Peter, 449

Loti, Pierre, on the Turks, 140, 144

Louis VII, of France, 121

Lucian, the Greek Voltaire, 346

Lucullus, 297

Ludwig I, of Bavaria, 6

Ludwig Kanal, 33

Lully, Raymond, 252

Mahmud II, Sultan, 110, 156

Malabar, 310

Malik al-Ashraf, 217

Mandeville, Sir John, 378, 451, 482

Manzoni, 8

Marco Polo, 39, 304, 412

Marcus Aurelius, 14

Mardin, city of, 304

MareMagnumor Majus, 39

Margaret de Valdemar, Queen of Norway, Sweden and Denmark, 383

Maria Theresa, Queen, 15

Marie-Joseph, Father, 405

Mark Anthony, 204

Marmora, Sea of, 77

Maronites, 313

Marquise de Pompadour, 110

Marracci, Padre Lodovico, 221, 226

Mar Shimum, Lord Simon, 306

Mar Yohannan, 308

Mausolus, King of Caria, tomb of, 184

Mayo, M., 453

McGahan, Januarius A, 27, 28

Mecca, hadj, or annual pilgrimage to, 224

Medak, or story-teller, 177

Medes, the, 345

Mehemet Ali, 189

Melchites, 310

Merodach, temple of, 490

Mesopotamia, 283

Metz, Gautier de, 449

Mevlana, tomb of, 172

Meyer, Professor Wilhelm, 361

Michael Cerularius, 325

Michael Prellos, 326

Midas, King of Phrygia, 184

Moawiah, Saracen, 61

Mohammed, accomplishments of, 230 and his followers, 224 creed of, 227

erroneous notions concerning, 224 preaches monotheism, 230

reformation of his countrymen by, 229

Mohammedanism, campaign of vilification against, 225 changeless in doctrine, 242

Christianity in relation to, 247 has a reverence for our Saviour, 249

much to respect and admire in, 270 not on the wane, 240

“the lay religion par excellence,” 233 theologians comment on, 238

Mohammed II, Sultan, 57, 68, 108, 311, 321

Mohammed V, Sultan, 125

Monogamy, 125

Monophysitism, 309

Monotheism, preached by Mohammed, 230

Montague, Lady Mary Wortley, on the Turkish women, 181

Mopsuestia, city of, 197, 199

Moslems, by law not allowed to erect tombstones, 259 characteristics of, 134 creed of the, 227 forbidden tobacco, 178 great use of coffee, 179 of a deeply religious nature, 221 orthodox, do not like the dervishes, 173 piety and devotion of, 124 prayers, 237

regard paintings and statues as impious, 175 women, their place in things, 129

Mosques, the, 234

Mosul, 298, 299, 303

Mount Athos, community of, 331

Mummius, 217

Murad II, Sultan, 108

Muslin, derivation of the word, 298

Mustansiriyah College, 417

Nabonnassar, era of, 501

Nabopolassar, 345

Nahr Belikh, 293

Napoleon, 78

Nazienzus, St. Gregory, 71

Near East question, modified by the Bagdad railway, 151

Nebuchadnezzar II, 281, 397, 490

Nehi Yunus, 365

Nejef, sacred shrine of, 444

Nestor, 201

Nestorianism, 297, 305

Nestorius, Patriarch of Constantinople, 305

Nibelungenlied, 11

Nicæa, 101

Nicene Creed, 102

Nicomedia, 101

Niebuhr, Carsten, 349, 358, 480

Nightingale, Florence, 98

Nimrod, 284

Nimrod’s tower, 478

Nimroud, general aspect of, 376 ruins of, 376

Nineveh, 341–369

built by Asur, 345 early history of, 345

“Niobe of nations,” 310

Nippur, ruins of, 364

Nisibis, 289, 296

Nitocris, Queen, 488

Nizamiyah College, 417

Noachian deluge, 351

Nod, land of, 462

Novatians, 305

Norris, Edwin, 362

“Oak of Weeping,” 298

Obbanes, 281

Œcumenical councils, 102

Œcumenical Patriarchs, 330

Olympus, 90

Omar Khayyám, 417

Opis, 400

Oppert, head of French expedition to Mesopotamia, 482

OrientaliumDignitasEcclesiarumof Pope Leo XIII, 340

Orkhan, second ruler of the Osmanlis, 95 son of Osman, 107

Orthodox churches, 320

Osman, founder of the Osmanli dynasty, 107

Osmanlis, characteristics of, 133 great sin, one of omission rather than commission, 219 plea for more tolerance to, 150

Oshœne, kingdom of, 284

Ottoman women, 49

Pæstum, ruins of, 475

Pagans, 304

Palace of the Star, 49

Paleologus, Theodore, 114

Palgrave, on Mohammedanism, 241

Palmyra, 217

Pan-Islamism, a force which Christianity must reckon with, 243 greater missionary force than ever, 244 the strengthening of, 268

Parthenon, 57

Parthian Kings, 491

Parthians, 297

Passau, 7

Patriarch of Alexandria, head of the Copts, 312 PatriarchusAntiochenusMaronitarum, 314

Paulinists, 305

Paul-Simon, Father, 403

Perez, Father, 403

Pergamus, kingdom of, 185

Peripatetics, 201

Persepolis, 356

Persian Gulf, 466

Persian Kings of the Achæmenian dynasty, 356

Persian satraps, 310

Persian shiites, 445

Persians, school of the, 290

Pescennius Niger, 194

Peter the Great, 331

“Peuteringian Table,” 298

Peter the Venerable, Abbot of Cluny, 232, 252

Petervarad, 20

Phanar, the Vatican of the Orthodox church, 330

Philetism, love of one’s race, 330

Photius, 71, 323

Phrygian language, 171

Pietro della Valle, 263

Pillars of Hercules, 325

Pinches, T. F., 462

Plague, in Bagdad, 431

Platonists, 201

“Plato the Divine,” 172

Pliny the Younger, 94

Polygamy, 125

PontusAxenus, 39

Pool of Abraham, 291

Porter, Robert Ker, 480

Potsdam, meeting at, in 1910 of Czar and Kaiser, 164

Poverello of Assisi, 142

Pozsony, 18

Præclara, 335

Prayer, of the Moslems, 237

Priam, city of, 88

Primate of the Melchites, 313

Princes Islands, 99

Prophet Daniel, 375

Prophet Jonas, mound of, 352

Prophet Zephaniah, 345

Psametik, King of Egypt, 171

PylæCiliciæ, or Cilician Gates, 188

Pylæ-Tauri, gate of Taurus, 189

“Queen of the East,” 194

Rachel, 294

Railway, construction of, across Mesopotamia, 152

Rameses II, the greatest of the Pharaohs, 274

Ramsay, Lady, 129

Ramsay, Sir W. M., 129

Raphael’s Madonna of San Sisto, 3

Rashid ud Din, 413

Rassam, Ormuzd, 351

Ratisbon, city of, 3

Rawlinson, Sir Henry, 361, 411

Rebecca, 294

Reign of Terror in France, 212

Rhazes, Mussulman physician, 416

RhenusSuperbus, 8

Rhine, river, 11

Richard Cœur de Lion, 10

Rich, Claudius James, 349, 480

Ricouard, Marie, 404

Rio de Janiero, 66

“Rite of Malabar,” 314

Robinson, Reverend Paschal, 141

Romans, road builders of antiquity, 254

Roumania, 26

Roxalana, the Muscovite, 109

Royal Art Gallery of Dresden, 3

“Royal Road,” 121, 253

RumMillet, 318

Russia, attitude toward the Bagdad railway, 160 campaigns in the Transcaucasia, 250 waives all share in Bagdad railway, 164

Russian Nihilist, Armenian revolutionists inspired by, 206

Russians, 28

Safia, the Venetian, 110

St. Athanasius of Alexandria, 335

St. Augustine, 228

St. Basil’s liturgy, 340

St. Bernard, 299

St. Cyril, Patriarch of Alexandria, 315

St. Dominic, Sons of, 341

St. Ephrem, 290

St. Francis, Sons of, 142

St. George and the dragon, 24

St. Gregory Mazienzen, 333

St. Gregory the Illuminator, 310

St. Jerome, 232, 299

St. John of Chrysostom, 333

St. John of Damascus, 231

St. John of Jerusalem, Knights of, 217

St. Mary of Kanobin, 314

St. Paul, 171, 189

life and career of, 202–205

St. Peter of Alcantara, 406

St. Prosper of Aquitaine, 216

St. Simeon Stylites, 257

St. Stephen, cathedral of, 12

St. Thecla, 172

St. Theodore of Studium, 339

St. Theresa, 247

St. Thomas, church of, in Malabar, 314

St. Vincent de Paul, 247

Sainte-Thérèse, Father Bernard de, 404

Saladin, Sultan, 223 birthplace of, 393

Salmanassar I, 376

Salmanassar II, black obelisk of, 200

Salmanassar III, 386

Sammuramat, or Semiramis, 381

Samothrace, 87

San Marco, Cathedral of, 58

San Stephano, treaty of, 63

Santa Sophia, church of, 53

Sapor I, 297

Sappho, 105

Saracens, 317

Sardanapalus, 203

Sargan II, 386

Sarzec, M. Ernest de, 363

Satyrs, 476

Saulcy, M. de, 362

Schneider, Siegmund, German engineer, 166

Scholarios, George, 328

School of Edessa, 297

“School of the Persians,” 290

Schrader, Eberhard, 363

Second Council of Lyons in 1274, 327

See of Constantinople, 325

Selamlik, 127

Seleucia, city of, 491

Seleucia-Ctesiphon, 305

Seleucids, the, 316

Seleucus Nicator, 491

Seleucus, the Chaldean astronomer, 503

Selim I, Sultan, 108, 117

Seljuk Sultans of Rum, 172

Semiramis, 381

family and connections of, 386

“Semiramis of the North,” the, 61

Sennacherib, 375

Septimus Severus, 14, 194, 297

Serbians, against the Turks, 148

Serpent Column from Delphi, 59

Seven Sleepers, legend of the, 197

Shamsi-Adad V, 380

Simeon, castle of, 256

“Siren of the Nile,” 205

Sister of Charity, 247

Sisters of St. Francis from Lons, 292

Skobeleff, General, 28

Smith, George, 351

Sobieski, John, 13

Solyman the Magnificent, 108

Solyman Pasha, 78

Sons of St. Dominic, 303

Sons of St. Francis, 142

Sanusiyahs, the, 246

Stamboul, 48

Stanley, Dean, 337

Stoics, 201

Stone of Nebi Yunus, 352

Strabo, 201

Suez Canal, 153

Sunnites, the, 445

Syrians, the, 272

Syrian Uniates, 310

Tabriz, city of, 41

Tallyrand, 34

Tarsus, 190, 202 once the center of Greek thought and knowledge, 201

Tartars, 306

Taurus Mountains, 183

Tekrit, 392

Telloh, city of, 364

Temple of Fame, 6

Tenedos, 87

Ten Thousand Greeks, the, 171

Terrestrial Paradise, dispute as to, 447

“Testament of Leo XII,” 335

Teufelsmauer, Devil’s Wall, 9

Teutonic Powers, 162

Thaddée, Father, 403

Thapsacus, 281

Thare, 294

“The Great River” of the Jews, 282

Theodora, daughter of Cautacuzenos, 114

Theodora, Empress, 102

Theodosius II, Emperor, 257

“The Round City,” 411

“The Terrible Turk,” 148

Thévenot, Jean de, 391

“Thirty pieces of silver,” 295

Thracian Hellespont, 77

Tiglath-Pileser I, King of Assyria, 293, 386

Tigris, the, 278

Timok River, 27

Timur, 113, 216

Tobacco, use of, forbidden by Moslems, 178 Tomi, 37

Tonietti, Sig. A., 154

Tower of Babel, mound of Babil not the, 479

Trade routes of the Near East, 253

Trajan, Emperor, 298

Trampe, Herr, 168

Treaty of San Stephano, 63

Trojan War, 319

Troubadours, the, 222

Troy, glory of, immortal, 93 plain of, 88

“Turk,” applied by Osmanlis when referring to a brutal man, 112

Turks, propaganda against, 123 treatment of the women, 131

Turkey, Great Powers cannot, without trouble, treat, as pariah nation, 213

Tyre, city of, 217

Uniate Copts, 313

Uniates, 308

Urban VIII, Pope, 404

Urfa, 284

“Uriah the Hittite,” 275

Ur of the Chaldees, 294

Vale of Bozanti, 188

Valle, Pietro della, 357, 478

Vasco da Gama, 73, 264

Venice, 58

ViaSacra, of Babylon, 497

Vienna, 13

Villamil, Emeterio, 453

Violet, M. H., 399

Vladimir, King of Russia, 339

Volga River, 32

Voltaire, 269 on the Koran, 225 von Bieberstein, Baron Marschall, 158 von Hammer-Purgstall, 304 von Moltke, 156

von Pressel, Wilhelm, German engineer, 166 von Siemens, Dr. George, 156

Wahabis, the, 179

Wallachians, 114

Whirling dervishes, 173

“White City” of Serbia, 21

Whitman, Sidney, on the Turks, 147

Wiseman of Westminster, 369

WoLagdasParadies, 466

Wolf of the Capitol in Rome, bronze, 59

Worship, freedom of, allowed by the Turks, 145

Xenocrates, 97

Xenophon, 46, 189, 281

Xerxes, 59, 77, 83

Yashmak, veil worn by Moslem women, 128

Zab, the, 388

Zenobia, “Queen of the East,” 194

Zeno, Emperor, 201, 297

Zeus, 45, 91

Zikr ul Aawaze, 376

Zobeide, tomb of, 440

Zoroaster, religion of, 256

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Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.