Sweeney Todd - School Edition

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Springfield Arts Council’s Youth Arts Ambassadors production of

SWEENEY TODD - SCHOOL EDITION The Demon Barber of Fleet Street A Musical Thriller

Book by

Music and Lyrics by

HUGH WHEELER

STEPHEN SONDHEIM

From an Adaptation by

CHRISTOPHER BOYD Originally Directed on Broadway by HAROLD PRINCE Orchestrations by JONATHAN TUNICK Originally Produced on Broadway by Richard Barr, Charles Woodward, Robert Fryer, Mary Lea Johnson, Martin Richards, in Association with Dean and Judy Manos.

SWEENEY TODD - SCHOOL EDITION

is presented through special arrangement with Music Theatre International (MTI).

All authorized materials are supplied by MTI. mtishows.com Any video and/or audio recording of this production is strictly prohibited.

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SWEENEY TODD - SCHOOL EDITION CAST OF CHARACTERS Chuck Jahns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney Todd Keagin Ortiz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anthony Hope Gabby Williams . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Beggar Woman Addie Powell . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ms. Lovett Keith Board . . . . . . . . . . . . . . . . . . . . . . . . . Judge Turpin/ Bass Soloist Alijah Jeske. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Beadle Isabella Kerry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Johanna Arlo Larson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tobias Ragg Tyler Barnes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pirelli Em Back . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble Josh Board . . . . . . . . . . . . . . . . . . . . . . Fog/Baritone Soloist Avery Boyer . . . . . . . . . . . . . . . . . . . . . . . Lunatic/Ensemble Colin Carn . . . . . . . . . . . . . . . . . . . . . Policeman/Ensemble Rylin Chassereau . . . . . . . . . . . . . . . . . . . Lunatic/Ensemble Alex Crawford . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble Logan Davidge . . . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble Sean Davidge . . . . . . . . . . . . . . . . . Tenor Soloist/Policeman Elizabeth Dumolt . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble Paige Fritz . . . . . . . . . . . . . . . . . . . . . . . . Lunatic/Ensemble Grace Hay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alto Soloist Elise Hess . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bird Seller Anneliese Jeske . . . . . . . . . . . . . . . . . . . . Lunatic/Ensemble Harper Knight . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble Daniel Lavender . . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble Alyse Linardos . . . . . . . . . . . . . . . . . . . . . Lunatic/Ensemble Allie McKinley . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble Noel Niday . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble Kohl Ortiz . . . . . . . . . . . . . . . . Young Boy/Convict/Ensemble Alivia Penwell . . . . . . . . . . . . . . . . . . . . . . Lunatic/Ensemble Avaleigh Peters . . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble Ever Ristau . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble Cole Scanlan . . . . . . . . . . . . . . . . . . . . . . Lunatic/Ensemble Adrianna Sebastian . . . . . . . . . . . . . . . . . . . . . . . Ensemble Kayleigh Siebold . . . . . . . . . . . . . . . . . . . Lunatic/Ensemble Molly Snider . . . . . . . . . . . . . . . . . . . . . . . Lunatic/Ensemble Sydney Snider . . . . . . . . . . . . . . . . . . . . . . . Soprano Soloist Addy Stelzer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble Aiden Stubler . . . . . . . . . . . . . . . . . . . Policeman/Ensemble Dominic Vito . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble Maddie Vito . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble Blake Wagner . . . . . . . . . . . . . . . . . . . . . . Lunatic/Ensemble Deklan Weber . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble Adalynn Westmoreland . . . . . . . . . . . . . . . . . . . . Ensemble Addi Woolf . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble Olivia Young . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ensemble 4

SWEENEY TODD - SCHOOL EDITION MUSICAL SELECTIONS ACT I

Prelude . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Orchestra The Ballad Of Sweeney Todd . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Company No Place Like London . . . . . . . . Anthony Hope, Sweeney Todd, Beggar Woman The Barber and His Wife . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney Todd The Worst Pies In London . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mrs. Lovett Poor Thing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mrs. Lovett My Friends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney Todd, Mrs. Lovett Green Finch and Linnet Bird . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Johanna Ah, Miss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anthony Hope, Beggar Woman Johanna . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Anthony Hope Pirelli’s Miracle Elixir . . . . . Tobias Ragg, Sweeney Todd, Mrs. Lovett, Company The Contest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pirelli Pirelli’s Death . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pirelli The Ballad Of Sweeney Todd . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Company Kiss Me . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tobias, Joanna Ladies In Their Sensitivities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Beadle Pretty Women . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney Todd, Judge Turpin Epiphany . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney Todd A Little Priest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney Todd, Mrs. Lovett

— Intermission — ACT II

God, That’s Good! . . . . . . . . . . . . . . . . Tobias Ragg, Mrs. Lovett, Sweeney Todd, Beggar Woman, Customers Johanna . . . . . . . . . . . Anthony Hope, Sweeney Todd, Johanna, Beggar Woman

By The Sea . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mrs. Lovett Wigmaker Sequence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Quintet The Letter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Quintet Not While I’m Around . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tobias Parlour Songs (Part 1) . . . . . . . . . . . . . . . . . . . . . . . . . . . The Beadle, Mrs. Lovett Parlour Songs (Part 2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Beadle Parlour Songs (Part 3) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Beadle, Mrs. Lovett City On Fire . . . . . . . . . . . . . . . . . . . . . . . . . . . Lunatics, Johanna, Anthony Hope Searching (Part 1) . . . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney Todd, Mrs. Lovett Searching (Part 2) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Joanna, Anthony Hope Judge’s Return . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney Todd, Judge Turpin Final Scene (Part 1) . . . . . . . . . . Anthony Hope, Beggar Woman, Sweeney Todd, Judge Turpin, Mrs. Lovett, Johanna, Tobias Ragg Final Scene (Part 2) . . . . . . . . . . . . . . . Sweeney Todd, Mrs. Lovett, Tobias Ragg

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SWEENEY TODD - SCHOOL EDITION PRODUCTION TEAM Producers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Krissy Brown, *Donovan Geer Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jason Hanrahan Assistant Director/ Choreographer . . . . . . . . . . . . . . . . . . . . . . . . . *Brady Castillo Assistant Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . *Donovan Geer Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . *Bailey Compston Set Design/Build . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . **Josh Compston Costumer Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . **Jenni Jeske Prop Design/Build . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . **Brad Boyer Lighting Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . *Bailey Compston Run Crew . . . . . . . . . . . . . . . . . . . . . . . . . . . . Aimee Naah, Eve Choi, Terra Choi, Simon Kuss-Shivler, Finn Farr, Will McGraw *YAA Alum

**YAA Parent

SWEENEY TODD - SCHOOL EDITION SPECIAL THANKS Katie Harford Clark State Performing Arts Center Clark State Theater Program The John Legend Theater Springfield Arts Council Board of Directors Our Youth Arts Ambassadors Families, Friends, and Supporters Thank you to those who joined us after our program deadline

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Attend the tale...

Though there was never an actual barber by the name of Sweeney Todd in Victorian London, various stories and legends exist of similar characters in dating back as far as the 14th centruy. These include stories of barbers who slit the throats of their clients and tales of butchers who committed multiple murders. The fictional character “Sweeney Todd” first appeared in a “penny dreadful” called The People’s Periodical in 1846; the title of the short story by Thomas Priest was “The String of Pearls.”

In Victorian society, the class system was divided into five groups: the royalty, the aristocracy, the middle class, the working classes and the poor. The poor were not seen as deserving and led a difficult life, even though they made up more than 1/4 of the population. They lived in poverty which led people down various paths. The streets of London were horrible in the 1700s. Horses (and their waste) filled the streets, people threw the contents of their chamber pots out their windows, and garbage was simply dumped into the streets.

The foul runoff into the water supply was inevitable and people drank alcohol because they were, understandably, afraid to drink the water. Malnutrition, bad water, dirty food, bad hygeine and overcrowding contributed to the high mortality rate.

Just a year after the serial was published, playwright George Dibdin Pitt dramatized the story as The String of Pearls: The Fiend of Fleet Street. For a little more than a century after the first stage version, various adaptations appeared, including a 1936 film and a ballet in 1959. All of these versions had many of the elements we identify with Sweeney Todd.

In the original versions, Todd’s motive was greed. It was not until Christopher Bond’s version in 1970 that Sweeney’s motive became revenge for the wrongs done against him and his family. He is a victim of a social system that is ruled by those with money or positions of power. The audience could now feel a certain amount of sympathy for Sweeney.

Stephen Sondheim saw Bond’s London version of Sweeney Todd in 1974 and he was convinced that the material could be made into a musical. Sondheim’s original concept was to adapt the work into an opera, but soon abandoned that idea when he realized that he couldn’t get the piece to a reasonable length.

In working with director Harold Prince, Sondheim found his inspiration in the Industrial Revolution and its dehumanizing impact on society. Hugh Wheeler was brought in to write the book.

Stephen Sondheim believed that Sweeney Todd is a story of revenge and how it consumes a vengeful person. He asserted, “…what the show is really about is obsession.” Harold Prince believed it to be an allegory of capitalism and its selfish qualities, describing the theme as, “It was only when I realized that the show was about revenge…and then came the factory, and the class struggle to move out of the class in which you’re born.”

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2024-2025 Board of Directors and Staff * EXECUTIVE COMMITTEE

Annie Nereng. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . President Heath Marker. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . President-Elect Arif Mirza. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Past-President Heather Maurer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Secretary April Caulfield . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Treasurer Jimmy Straley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . At-Large Patrick Wicker. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . At-Large

BOARD MEMBERS Laura Boyer Sally Brannan Aaron Clark Mandy Heaton

Austin Litteral Mike Mattison Megan Miller

Steve Morgenstern Chris Rhoden Kara VanZant Dave Weimer

STAFF

Krissy Brown. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Executive Director Kevin W. Brown. . . . . . . . . . . . . . . . Development and Operations Director Donovan Geer . . . . . . . . . . . . . . . . . Education and Logistics Coordinator Ryan Ramirez . . . . . . . . . . . . . . . . . . . . . . . Office Administrative Assistant J. Chris Moore, Director Emeritus

SPRINGFIELD ARTS COUNCIL, INC.

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We Appreciate Our Springfield Arts Council Donors!

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We Appreciate Our Springfield Arts Council Donors!

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We Appreciate Our Springfield Arts Council Donors!

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— IN MEMORY AND OBSERVANCE — Linda Anderson In memory of Fred & Donna Peare

Barbara Hamilton In memory of Jack Hamilton

Sally & Chris Moore In memory of Glenn Collier

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Myrna Glassburn In memory of Loved Ones

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James M. & Sally Pomputius In honor of Dr. Sally Abbott Pomputius

Stephen & Donna Field In honor of Glenn Collier

Shirley Keating In memory of My sisters

Corwin & Anne Georges In honor of Chris & Sally Moore

Tootie Carmosino Kreitz In memory of Donald Kreitz

Marilyn Hackett In memory of Winkie Mitchell

Jill Melfi In memory of Paul Parlato

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Steve & Robyn Schumaker In memory of Michael Vaughn and his love for the Summer Arts Festival Sheila M. Wansing In memory of Alvin Wansing Kiki Wilson In memory of Barbara Barth

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A U T O G R A P H S

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