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URTA / REBRAND

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Brand Identity Process

RESEARCH & ANALYSIS

. Brand personality, style, tone & attitude

. Brand positioning compared to other brands

Brand awareness, positives and negatives

Brand image, how your audience views you

. Marketing objectives & challenges

. Present brand moodboards

Further development of logo concept

. Showing color applied to each

. Logo lockup with full name

. Logo lockup with tag line

Logo lockup with sub brands

. Primary color palette

. Corporate font selection

. Logo applications

Logo size & freespace

Application to a real-world applications

. Supplied as digital PDF file

Kick-off meeting

Review name meaning and history

. Evaluate current assets

. Determine unique brand values

. Target audience profiles

Key brand benefits, product offerings

Research top 5 closets competitors

. Based on moodboard selection

Typographic treatments

. Easily identifiable and recognizable

. Present logo directions

Explore logo shape, concept and style

. Designs that combine the best aesthetics

LAUNCH PROGRAM 1 2 3 4 5 6 7

Logo 1, 2 and full color versions

. Further refinement of specific elements

. Lockups with full name, tag line, sub brands

. Master logo vector files

. Print 300dpi CMYK EPS files

Digital 72dpi RGB PNG files

Roll out key marketing materials

Launch strategy (soft & hard)

. Leverage the new brand identity

. Generate digital artwork

. Pre/Post production with venders Printing estimates

URTA

In need of a visual refresh. A fractured brand. Lacking heritage awareness. Known primarily for the URTA’s. Not known for it’s other offers. Off grad students radar.

Meanwhile, the core issue was that:

URTA was a lackluster brand, in need of more drama.
Our

strategic focus became to:

Create a modern identity to attract theatre students and universities.

HISTORY

BUILD ON YOUR STORY:

• Nearly 50 years in the theatrical education and training sector

• Founded in 1969 to help universities and colleges across the U.S. benefit from a combined recruiting process and begin relationships with local theaters looking to hiring recent graduates

• URTA has grown to provide a variety of programs in advertising, payroll services, internships, continuing education and more

• Considered the gold standard in professional training of future artists

• Offers a unique bridge to the next wave of theatre artists

Strategy

STEP 2: DESIGN STRATEGY

Target Audience & Objectives

Moodboards

TARGE TS

URTA’S TARGET AUDIENCE:

1: PRIMARY

• Theatre Faculty

• Students

• Age 18 - 34

skewed towards female

2: SECONDARY

• Sponsors

• Staff/Administrative Marketing, General Manager

• Production Staff

3: TERTIARY

• Agents

• Casting Directors

OBJECTIVES

URTA’S BRAND OBJECTIVES:

Establish a strategic platform that will frame the foundational building blocks to take the URTA brand to the next level and empower the organization to successfully achieve business goals now and in the future.

This includes:

BRAND IDENTITY

To establish a strong and ownable identity that will guide all of URTA’s communications, in print and online

BRAND MESSAGING

To broaden URTA’s existing target audience by clearly communicating the breadth of your offers

BRAND POSITIONING

To further strengthen URTA’s positioning as the gold standard in professional training of future artists

Concept A

STEP 3: Logo Design Exploration

Concept A: Standard letterforms

URTA

Concept A: Identity Design

Boarder represents the stage

Concept A: Identity Design

Symbolic color field represents the energy of a live performance

EXECUTIVE DIRECTOR

A B C D E F G H

I J K L M N O P Q

R S T U V W X Y Z

1 9 6 9 Concept A: 50th Anniversary Poster

WE SET THE STAGE FOR YOU 2 0 1 6 2 0 1 2 2 0 1 3 2 0 1 4 2 0 1 5 2 0 1 0 20 1 2 20 1 3 20 1 4 20 1 5

Concept A: 50th Anniversary Poster

WE SET THE STAGE FOR YOU

2016 NATIONAL UNIFIED AUDITIONS & INTERVIEWS

Actors, Directors, Designers, Technicians, Stage & Theatre Managers

New York City Jan 29 - Feb 2 Chicago Feb 4 - 11

San Francisco Feb 13 - 14

A L L T H E

WORLD’S

A S T A G E

William Shakespeare, 1599

WE SET THE STAGE FOR YOU

BREAK

WE SET THE STAGE FOR YOU

Concept A: Poster campaign

THEATRE IS LIFE CINEMA IS ART

TV IS FURNITURE

WE SET THE STAGE FOR YOU

I ’M N O T REAL I’ M

T H E A T R E Lady Gaga WE SET THE STAGE FOR YOU

Concept B

STEP 3: Logo Design Exploration

Concept B: Identity Design

Concept B: Logo lockup

WE SET THE STAGE FOR YOU

ABCDE FGHI JKLMNOPQ RSTUVWXYZ

Concept B: 50th Anniversary Poster

SETTING THE STAGE SINCE

Concept

B: 50th Anniversary Poster

SETTING THE STAGE SINCE 1969

A U D ITI O NS

Actors

Directors

Designers

Technicians

Stage Managers

Concept B: Launch poster campaign series

Baden, Germany

DRAMA IS REAL LI FE WITH ALL THE BORING PARTS CUT OUT

Alfred Hitchcock, 1956

WE SET THE STAGE FOR YOU

Radio City Music Hall, NYC

Concept B: Merchandise, tote bag

WE SET THE STAGE FOR YOU

University Resident Theatre Association

URTA

STEP 4: Creative Development

URTA

STEP 5: Brand Identity

URTA

STEP 6: Brand Guidelines

COLORS

PANTONE# 7548

PANTONE#

PANTONE#

Turn static files into dynamic content formats.

Create a flipbook
URTA / REBRAND by Spear Design Group - Issuu