Impressionist & Modern Art

Page 174

50​​​​ Marc​Chagall​​​​

​1 8 87 ​- ​1 9 8 5 ​

​L E ​ r Ê v E ​ D U ​ P E I N T r E ​signed​Marc Chagall​​(lower​right);​signed​Marc Chagall​​on​the​reverse​ ​ il​on​canvas o ​100​by​65cm.​​​​​39⅜​by​25⅝in.​ ​Painted​circa​​1980. ‡ ​£​650,000​-​850,000​​​​

​€​760,000​-​990,000​​​​US$​945,000​-​1,240,000​​

​ rovenance​ P ​Estate​of​the​artist Private​Collection,​USA Acquired​by​the​present​owner​in​2007 ​The​authenticity​of​this​work​has​been​confirmed​by​the​Comité​Marc​Chagall.​

Le rêve du peintre ​is​ a​ quintessential​ example​ of​ the fantastic,​ dream-like​ quality​ of​ Chagall's​ art,​ combining some​ of​ the​ key​ elements​ of​ his​ pictorial​ iconography. Chagall​ found​ a​ strong​ affinity​ between​ painting​ and dreaming,​which​is​expressed​in​both​the​title​and​subject​of this​ composition.​ rather​ than​ representing​ a​ rational arrangement​of​different​elements​within​the​space​of​the painting,​Le rêve du peintre ​is​a​compilation​of​the​artist's favourite​subjects,​connected​by​an​internal​principle​rather than​ by​ a​ logical​ spatial​ relationship.​ With​ its​ fanciful, dream-like​ composition,​ the​ painting​ becomes​ an expression​of​the​artist's​internal​universe​rather​than​and objective​projection​of​the​outside​world.​

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​ his​ work​ is​ a​ bold​ example​ of​ the​ creative​ energy​ that T remained​undiminished​in​the​last​decade​of​Chagall's​life.​A vivid​phantasmagorical​composition,​it​is​roughly​divided​into two​areas:​the​upper​left​of​the​canvas​depicts​an​open​space dominated​by​the​image​of​the​artist​in​front​of​his​easel, illuminated​by​both​the​sun​and​the​moon.​The​lower​right area​is​densely​populated​with​numerous​figures,​representing the​world​of​the​painter's​dream.​Embracing​artistic​freedom of​ expression​ rather​ than​ following​ the​ logic​ of​ everyday appearances,​Chagall​renders​his​figures​on​unrelated​scales, and​two​brightly​coloured​couples​loom​large​over​the​rest​of the​crowd.​This​abandon​to​the​joy​of​creation​reflects​the artist's​confidence​in​his​style​and​technique​and​his​deeply individual​and​subjective​approach​to​painting.​


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