By Sophie Peterson: 2020 Portfolio

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.

e d u c a t i o n Billy Blue College of Design, 2019-2020 | Graduate Certificate in UX Design & Web Development University of Toronto, Ontario CA, 2018 | John H. Daniels School of Architecture, 2018 Winter Exchange (6 months) University of Sydney, 2016 to 2019 | Bachelor of Design in Architecture Smith's Hill High School, 2010 to 2015 | Graduation with ATAR of 98.4

e x p e r i e n c e 2019 | Bjarke Ingels Group, London Design Assistant, November 2019 to present 2018 | Welsh + Major Architects, Sydney Architectural Assistant, December 2018 to November 2019 (1 year) 2017 | Tactile Theory Inc., Freelance Freelance graphic designer, July to December 2017 (6mths) 2017 | Grimshaw Architects, Sydney Work experience student, February to April (3mths) 2016 | Australian Institute of Architects, Student Organised Network of Architects (SONA) First year representative (1 year) 2013 | Joy Global Inc., Wollongong Project management work experience student, July (one week intensive program) a w a r d s

+

a c h i e v e m e n t s

2019 | Billy Blue College of Design Ambassador Scholarship $10,000AUD tution subsidy based on academic & professional merit.

2018 | Dean’s List of Excellence in Academic Performance 2017 | International Outbound Exchange Scholarship by sophie peterson

CURR

I

U

E

-

Since, I have spent the past year working with Welsh + Major Architects, have worked as a freelance graphic designer for educational start up Tactile Theory Inc. and have been fortunate to work with Grimshaw Architects as a work experience student in their Sydney office.

LU

LU

M VI T A

E

U

2016 | Dean's Merit List Scholarship (top 5 entrants into the Bachelor of Design in Architecture based on ATAR)

2015 | High School Certificate (HSC) achieved with a 98.4 ATAR + 1st in HSC Biology + 1st in HSC Society & Culture + 2nd in HSC Advanced English

C

M VIT A

Born and raised on the south coast of New South Wales, I moved to Sydney in 2016 to pursue my Bachelor's degree in Design in Architecture at Australia's top architecture school, the University of Sydney. My degree also took me to The University of Toronto’s John H. Daniels Faculty of Architecture, where I learnt from some of the top professors from around the world.

2017 | Dean's List of Excellence in Academic Performance

Now more than ever, a desire to pursue sustainable and deeply meaningful work in a collaborative environment drives me forward. This is a glimpse into how I perceive the world.

2011 - 2015 | Various volunteering & fundraising roles for; the RSCPA | Fair Trade Week 2015 | the National Breast Cancer Foundation | the Ovarian Cancer Foundation | the Cancer Council | Scouts Australia

bysophiepeterson.com +61

0402134721

sophie.peterson@hotmail.com

2013 | Bronze Duke of Edinburgh received + 3 months volunteering, learning a new skill, engaging in team sport and team hikes.

U - C RRIC

e d u c a t i o n Billy Blue College of Design, 2019-2020 | Graduate Certificate in UX Design & Web Development University of Toronto, Ontario CA, 2018 | John H. Daniels School of Architecture, 2018 Winter Exchange (6 months) University of Sydney, 2016 to 2019 | Bachelor of Design in Architecture Smith's Hill High School, 2010 to 2015 | Graduation with ATAR of 98.4

e x p e r i e n c e 2019 | Bjarke Ingels Group, London Design Assistant, November 2019 to present 2018 | Welsh + Major Architects, Sydney Architectural Assistant, December 2018 to November 2019 (1 year) 2017 | Tactile Theory Inc., Freelance Freelance graphic designer, July to December 2017 (6mths) 2017 | Grimshaw Architects, Sydney Work experience student, February to April (3mths) 2016 | Australian Institute of Architects, Student Organised Network of Architects (SONA) First year representative (1 year) 2013 | Joy Global Inc., Wollongong Project management work experience student, July (one week intensive program) a w a r d s

+

a c h i e v e m e n t s

2019 | Billy Blue College of Design Ambassador Scholarship $10,000AUD tution subsidy based on academic & professional merit.

2018 | Dean’s List of Excellence in Academic Performance 2017 | International Outbound Exchange Scholarship by sophie peterson

CURR

I

U

E

-

Since, I have spent the past year working with Welsh + Major Architects, have worked as a freelance graphic designer for educational start up Tactile Theory Inc. and have been fortunate to work with Grimshaw Architects as a work experience student in their Sydney office.

LU

LU

M VI T A

E

U

2016 | Dean's Merit List Scholarship (top 5 entrants into the Bachelor of Design in Architecture based on ATAR)

2015 | High School Certificate (HSC) achieved with a 98.4 ATAR + 1st in HSC Biology + 1st in HSC Society & Culture + 2nd in HSC Advanced English

C

M VIT A

Born and raised on the south coast of New South Wales, I moved to Sydney in 2016 to pursue my Bachelor's degree in Design in Architecture at Australia's top architecture school, the University of Sydney. My degree also took me to The University of Toronto’s John H. Daniels Faculty of Architecture, where I learnt from some of the top professors from around the world.

2017 | Dean's List of Excellence in Academic Performance

Now more than ever, a desire to pursue sustainable and deeply meaningful work in a collaborative environment drives me forward. This is a glimpse into how I perceive the world.

2011 - 2015 | Various volunteering & fundraising roles for; the RSCPA | Fair Trade Week 2015 | the National Breast Cancer Foundation | the Ovarian Cancer Foundation | the Cancer Council | Scouts Australia

bysophiepeterson.com +61

0402134721

sophie.peterson@hotmail.com

2013 | Bronze Duke of Edinburgh received + 3 months volunteering, learning a new skill, engaging in team sport and team hikes.

U - C RRIC

Flux Fields maps a dense city network

the building.

into a tension & release dyanmic and can

Further, the material duality of Hawkesbury

emulate this shift of energy. Within music

sandstone and the water surrounding the

and the arts, tension is produced through

building compliment the locality of the

repetition, dynamism, changes in pitch and

site and the properties of the material

deliberate shifts between consonance and

itself, which feed back into the idea of

dissonance, in turn creating a distinctive

change over time due to erosional kinetic

rhythm.

movement.Thus, another layer of tension

proposes

that

void

and

space

and release is geologically embedded in Through a mathematical analysis

the structure.

of rhythmic qualities in Jørn Utzon’s

U -

D

S

FIELDS

-FLUX

X

F

LDS - FL IE

Bagsvaerd Church lofted roof structure, a

These multifaceted rhythms are realised

language to describe the tension-release

through the programmatic and formal

equilibrium became the basis for Flux. In a

approach to the performing arts centre,

curve, points of zero gradient - or change

whereby the melodic curves are arranged

- are known as turning points, whilst

within the stark orthogonal walls in such a

inflexion points lie somewhere between

way as to internalise this moment of release

and indicate a maximum rate of change.

or catharsis. The idea of needing to know

Using this language, fields of high and low

what is inside guides the inhabitant.The

kinetic energy were thus extracted from

forced circulation begins from the exterior,

Sydney’s CBD and cross analysed with

as a reflective pool surrounds the grander

an inquiry into anti-axiality at a smaller

of the walls, revealing only snippets of the

scale on the site. By rejecting the natural

sculptural form within. Users are forced to

axis of flow on the site to create a forced

enter from behind and are guided through

circulation, further tension could grow to

the foyer whereby the bar activates the

emphasise and prolong the anticipation of

walkway within the chasm.The guest takes

their time to truly experience and fully descend into the space wherein a final moment of release can be experienced upon being seated; the triple height sculptural void above and the stage front and centre where the performance too will go through its own unique notions of tension and release. During the day, the cafe and exhibition space act as a more open invitation to the public to experience the building for themselves.

u n i v e r s i t y

o f

s y d n e y 2 0 1 8

FL

UX FI E

L

Flux Fields maps a dense city network

the building.

into a tension & release dyanmic and can

Further, the material duality of Hawkesbury

emulate this shift of energy. Within music

sandstone and the water surrounding the

and the arts, tension is produced through

building compliment the locality of the

repetition, dynamism, changes in pitch and

site and the properties of the material

deliberate shifts between consonance and

itself, which feed back into the idea of

dissonance, in turn creating a distinctive

change over time due to erosional kinetic

rhythm.

movement.Thus, another layer of tension

proposes

that

void

and

space

and release is geologically embedded in Through a mathematical analysis

the structure.

of rhythmic qualities in Jørn Utzon’s

U -

D

S

FIELDS

-FLUX

X

F

LDS - FL IE

Bagsvaerd Church lofted roof structure, a

These multifaceted rhythms are realised

language to describe the tension-release

through the programmatic and formal

equilibrium became the basis for Flux. In a

approach to the performing arts centre,

curve, points of zero gradient - or change

whereby the melodic curves are arranged

- are known as turning points, whilst

within the stark orthogonal walls in such a

inflexion points lie somewhere between

way as to internalise this moment of release

and indicate a maximum rate of change.

or catharsis. The idea of needing to know

Using this language, fields of high and low

what is inside guides the inhabitant.The

kinetic energy were thus extracted from

forced circulation begins from the exterior,

Sydney’s CBD and cross analysed with

as a reflective pool surrounds the grander

an inquiry into anti-axiality at a smaller

of the walls, revealing only snippets of the

scale on the site. By rejecting the natural

sculptural form within. Users are forced to

axis of flow on the site to create a forced

enter from behind and are guided through

circulation, further tension could grow to

the foyer whereby the bar activates the

emphasise and prolong the anticipation of

walkway within the chasm.The guest takes

their time to truly experience and fully descend into the space wherein a final moment of release can be experienced upon being seated; the triple height sculptural void above and the stage front and centre where the performance too will go through its own unique notions of tension and release. During the day, the cafe and exhibition space act as a more open invitation to the public to experience the building for themselves.

u n i v e r s i t y

o f

s y d n e y 2 0 1 8

FL

UX FI E

L

ELDS FI

-

F

L

-

U FIEL D

X

FL U

X

DS

S

L E

-

FLUX

FI

ELDS FI

-

F

L

-

U FIEL D

X

FL U

X

DS

S

L E

-

FLUX

FI

Double Helix House explores

above and below the natural terrain

This fluid form has been

the connections between the binary

manipulating the circulation flows

derived from the obscure property

relationship

and

through the building, as opposed

lines of the site, which are offset on

emergence. Inspired by Adalberto

to isolated planning or materials.

the easterly portion of the site. In

Curzio’s

of Casa

submergence Malaparte,

two

order to offer the occupants further A deliberately hidden entrance

privacy, the form is warped around

a

gives guests of the house two options

this unique shape to reduce view

moment of transcendence through

upon arrival; to walk over the top of

lines from the adjacent eight story

their eventual connection. As a house

the building which flows along the

terraced apartments looking down

for two inhabitants which thrive from

natural gradient of the slope, or to

onto the site. Internal planning is

a spectrum of isolation to explore

walk down into a prolonged set of

further informed by the path of the

their passions as a chef and an artist,

stairs sub- merged into the ground

sun,

to the sharing of their creations in a

whereby the guest walks between

shared spaces and a rooftop garden

more public space, the house moves

the stepped breakpoint of the house

thrive

from a space of compression to

-

expansion through its submergence

emergence. Both paths meet at a

and

moment

isolated, yet inherently connected fluid

circulation

paths

creates

EL

HOU

S

E H

E

DOUBL

IX HO

E

H

US

IX EL

submergence

abundant

courtyards, winter

sun.

becomes

reaching the rooftop terrrace which

emergence binary, guests of the house

finally reveals a panoramic view

are able to experience the house in

The main aim on this east-facing block

of High Park to the east. The two

a manner in which invokes a feeling

was to differentiate each functional

paths become an infinite helix loop

of reflection or ‘coming up for air.’

zone by adjusting the emergence

which gives fluidity to the design.

from

transcendence

By exaggerating this point of connection within the submergence-

emergence

of

in

winter

upon

eventual

the sloped gradient of the site.

-

where

whereby

john

h.

daniels

school

university

of of

architecture toronto2018

-DO

UBL

E

Double Helix House explores

above and below the natural terrain

This fluid form has been

the connections between the binary

manipulating the circulation flows

derived from the obscure property

relationship

and

through the building, as opposed

lines of the site, which are offset on

emergence. Inspired by Adalberto

to isolated planning or materials.

the easterly portion of the site. In

Curzio’s

of Casa

submergence Malaparte,

two

order to offer the occupants further A deliberately hidden entrance

privacy, the form is warped around

a

gives guests of the house two options

this unique shape to reduce view

moment of transcendence through

upon arrival; to walk over the top of

lines from the adjacent eight story

their eventual connection. As a house

the building which flows along the

terraced apartments looking down

for two inhabitants which thrive from

natural gradient of the slope, or to

onto the site. Internal planning is

a spectrum of isolation to explore

walk down into a prolonged set of

further informed by the path of the

their passions as a chef and an artist,

stairs sub- merged into the ground

sun,

to the sharing of their creations in a

whereby the guest walks between

shared spaces and a rooftop garden

more public space, the house moves

the stepped breakpoint of the house

thrive

from a space of compression to

-

expansion through its submergence

emergence. Both paths meet at a

and

moment

isolated, yet inherently connected fluid

circulation

paths

creates

EL

HOU

S

E H

E

DOUBL

IX HO

E

H

US

IX EL

submergence

abundant

courtyards, winter

sun.

becomes

reaching the rooftop terrrace which

emergence binary, guests of the house

finally reveals a panoramic view

are able to experience the house in

The main aim on this east-facing block

of High Park to the east. The two

a manner in which invokes a feeling

was to differentiate each functional

paths become an infinite helix loop

of reflection or ‘coming up for air.’

zone by adjusting the emergence

which gives fluidity to the design.

from

transcendence

By exaggerating this point of connection within the submergence-

emergence

of

in

winter

upon

eventual

the sloped gradient of the site.

-

where

whereby

john

h.

daniels

school

university

of of

architecture toronto2018

-DO

UBL

E

h - y 3

d r o 4

e

1

-

6

k i n

2

s i s 5

outdoor cafe indoor cafe kitchen bathrooms boat launch practise area

In its most primitive form, sailing and the use of boats focuses on how energy moves from the body, through the paddle to create momentum.

below ground

connected with of water through body movements.

1 2 3 4 5 6

[hy-dro-kin-e -sis]; or using the power the perception of

Hydrokinesis focuses on this flow of energy through its fluid form by mapping the points of equilibrium between the body and the paddle which are reiterated, just as the movement of rowing is repeated innumerably.

The terraced form brings this idea of repetition and momentum to life, whilst also complimenting the existing parklands with its seamless planted roofs and hidden boat launch to preserve the existing flow of pedestrian traffic along the harbour.

plans

7

13

14

In doing so, the sailing school becomes a testament to the interaction between people, the sailing of boats and the forces of nature which was once lost to the written and remembered history of Mort Bay’s buried dry dock.

10

12

SI

OKINE

G

H

Y

DR

mezzanine

2017

rooftop terrace mezzanine gallery open learning area

IN

sydney

16 17 18

TBUILD

of

16

OA university

17

18

IN

8

9

11

15

lobby lockers viewing skybridge 9 viewing skybridge boat storage boat launch building area wood workshop material storage metal workshop

ground

7 8 9 10 11 12 13 14 15

BALMA

B

S

-

SC

HOOL

-

h - y 3

d r o 4

e

1

-

6

k i n

2

s i s 5

outdoor cafe indoor cafe kitchen bathrooms boat launch practise area

In its most primitive form, sailing and the use of boats focuses on how energy moves from the body, through the paddle to create momentum.

below ground

connected with of water through body movements.

1 2 3 4 5 6

[hy-dro-kin-e -sis]; or using the power the perception of

Hydrokinesis focuses on this flow of energy through its fluid form by mapping the points of equilibrium between the body and the paddle which are reiterated, just as the movement of rowing is repeated innumerably.

The terraced form brings this idea of repetition and momentum to life, whilst also complimenting the existing parklands with its seamless planted roofs and hidden boat launch to preserve the existing flow of pedestrian traffic along the harbour.

plans

7

13

14

In doing so, the sailing school becomes a testament to the interaction between people, the sailing of boats and the forces of nature which was once lost to the written and remembered history of Mort Bay’s buried dry dock.

10

12

SI

OKINE

G

H

Y

DR

mezzanine

2017

rooftop terrace mezzanine gallery open learning area

IN

sydney

16 17 18

TBUILD

of

16

OA university

17

18

IN

8

9

11

15

lobby lockers viewing skybridge 9 viewing skybridge boat storage boat launch building area wood workshop material storage metal workshop

ground

7 8 9 10 11 12 13 14 15

BALMA

B

S

-

SC

HOOL

-

R

E

N

D

E

R

render

Darlington House is a compact, indoor-outdoor space which prioritises seamless connection with the outdoors and a minimal impact on its environment. A plethora of adaptable openings and the way in which an individual is guided through the house around it’s courtyard core underlines the fact that it is what is not seen that defines the space.

For justice to be achieved humanity must be both flexible and

transparent.

These

concepts

have

been

instilled

throughout Darlington House in its permeability through louvres and windows and adaptability to differing uses.

The prioritisation of compact design and outdoor space has informed every decision, from planning to final execution.

Through the accumulation of small details and thoughts throughout the design process, the space becomes not

N

E

T

ON

N HOUS

HOUS

TO

E

G

-

DARLI

a series of walls and floors, but a place which grows and changes with the seasons, the clients and passage of time.

university

of

sydney 2017

-

DARLIN

G

R

E

N

D

E

R

render

Darlington House is a compact, indoor-outdoor space which prioritises seamless connection with the outdoors and a minimal impact on its environment. A plethora of adaptable openings and the way in which an individual is guided through the house around it’s courtyard core underlines the fact that it is what is not seen that defines the space.

For justice to be achieved humanity must be both flexible and

transparent.

These

concepts

have

been

instilled

throughout Darlington House in its permeability through louvres and windows and adaptability to differing uses.

The prioritisation of compact design and outdoor space has informed every decision, from planning to final execution.

Through the accumulation of small details and thoughts throughout the design process, the space becomes not

N

E

T

ON

N HOUS

HOUS

TO

E

G

-

DARLI

a series of walls and floors, but a place which grows and changes with the seasons, the clients and passage of time.

university

of

sydney 2017

-

DARLIN

G

A

US

RA HOU

O

S

TATHR

H

E

-

A

welsh

+

major

Architects 2018.2019

TH

TH

E - TA

18 Beach Street, Tathra NSW 2550

southern

elevation

northern

elevation

Western

elevation

Tathra Beach House is a response to the tragic bushfires of 2018 and the desire to restore memories of tranquility and calm to the sleepy coastal town six hours south of Sydney. The proposed design is a narrative of material reuse and renewal with the existing chimney standing proudly at the entrance as a journey from old to new as the house opens up towards Tathra Beach. Estimated completion 2020/21.

Project Team: Chris Major + David Welsh, Directors Camille Dauty Dennis, Lead Architect Sophie Peterson, Architectural Assistant

Model

R

A

HOUSE

-T

A

US

RA HOU

O

S

TATHR

H

E

-

A

welsh

+

major

Architects 2018.2019

TH

TH

E - TA

18 Beach Street, Tathra NSW 2550

southern

elevation

northern

elevation

Western

elevation

Tathra Beach House is a response to the tragic bushfires of 2018 and the desire to restore memories of tranquility and calm to the sleepy coastal town six hours south of Sydney. The proposed design is a narrative of material reuse and renewal with the existing chimney standing proudly at the entrance as a journey from old to new as the house opens up towards Tathra Beach. Estimated completion 2020/21.

Project Team: Chris Major + David Welsh, Directors Camille Dauty Dennis, Lead Architect Sophie Peterson, Architectural Assistant

Model

R

A

HOUSE

-T

1907

A L - I

Stairs

Stairs

Laundry

Pantry

Bedroom

Bedroom

s o n

Bedroom Living/ Dining

Pavilion

Hall

r d

1907

Ensuite Porch Bathroom

Bedroom

Ensuite

Powder Room

Roof Garden

Kitchen

Bedroom

Hall

- C o o g e e

V5 01.02.2019

V5 01.02.2019 LOWER GROUND FLOOR PLAN

Alison Road House gives new life to a sleepy

GROUND FLOOR PLAN

S K E T C H

D E S I G N

seaside house. The proposed design tries not to imitate the past, but propose a new way of living within the existing dynamic and flow of the house. By opening up the rear of the house to sharply frame certain views towards Coogee Beach and shield from overlooking neighbours, there is an immense sense of seclusion whilst still respecting the density of the area. Expected completion 2021.

Project Team: David Welsh, Director Chelsea Harper, Lead Architect Sophie Peterson, Architectural Assistant

A

+

DEVELOPED

DESIGN

LISON - A R D O A

D

- ALISON O

A

329 Alison Road, Coogee 2032 NSW

Welsh

+

major

Architects 2018-2019

R

D

-AL

ISON

RO

DA

INTERIORS

+

JOINERY

A

D

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1907

A L - I

Stairs

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Laundry

Pantry

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Bedroom

s o n

Bedroom Living/ Dining

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Hall

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1907

Ensuite Porch Bathroom

Bedroom

Ensuite

Powder Room

Roof Garden

Kitchen

Bedroom

Hall

- C o o g e e

V5 01.02.2019

V5 01.02.2019 LOWER GROUND FLOOR PLAN

Alison Road House gives new life to a sleepy

GROUND FLOOR PLAN

S K E T C H

D E S I G N

seaside house. The proposed design tries not to imitate the past, but propose a new way of living within the existing dynamic and flow of the house. By opening up the rear of the house to sharply frame certain views towards Coogee Beach and shield from overlooking neighbours, there is an immense sense of seclusion whilst still respecting the density of the area. Expected completion 2021.

Project Team: David Welsh, Director Chelsea Harper, Lead Architect Sophie Peterson, Architectural Assistant

A

+

DEVELOPED

DESIGN

LISON - A R D O A

D

- ALISON O

A

329 Alison Road, Coogee 2032 NSW

Welsh

+

major

Architects 2018-2019

R

D

-AL

ISON

RO

DA

INTERIORS

+

JOINERY

A

D

-ALISON R O

PR SS -- P RO O CC E SS CC E

Kirribilli Garden Terrace is an ongoing project which a product of client, director and assistant to combine architectural, heritage and landscaping considerations to create a thoughtful open space for celebration and reflection.

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sketch

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statements

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Chris Major, Director Sophie Peterson, Architectural Assistant

88/108 Kirribilli Avenue, Kirribilli 2061 NSW

welsh

+

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architects 2018-2019

E

IRRIBIL - K L

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PR SS -- P RO O CC E SS CC E

Kirribilli Garden Terrace is an ongoing project which a product of client, director and assistant to combine architectural, heritage and landscaping considerations to create a thoughtful open space for celebration and reflection.

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The Goals

SS C EE SS SS OC RO PR --- P

EE

RO -- PP R O CC EE SS

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SS SS

To take full advantage of Sydney harbourside living by: 1. Creating more usable and layered open space.

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design

developed design

development

authority

application

negotiations

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- 3D modelling + renders

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- Presentation drawings

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drawings

issuing

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- In-house SEE + HIS

- Ongoing client meetings

E

-

LL

I

Project Team:

C

G

A

AR

DEN

DEN TERR

TER

AR

RA

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C

statements

KIRRIBI

Chris Major, Director Sophie Peterson, Architectural Assistant

88/108 Kirribilli Avenue, Kirribilli 2061 NSW

welsh

+

major

architects 2018-2019

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RESPONSIVE

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for yourself - what would you do?

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Imagine you are given three seconds to make a case

O F

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That’s how long a business has to captivate you with their online presence. Toptal reports that 53% of mobile visits are abandoned if a page takes more than three seconds to load (2019).

As an initial introduction to the world of UX design and web development, the first trimester at Billy Blue College of Design asked for

HTML

students to choose an upcoming event for a non-for-profit organisation

REELA - F N

APHIC DE SI

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for yourself - what would you do?

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Imagine you are given three seconds to make a case

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LL

That’s how long a business has to captivate you with their online presence. Toptal reports that 53% of mobile visits are abandoned if a page takes more than three seconds to load (2019).

As an initial introduction to the world of UX design and web development, the first trimester at Billy Blue College of Design asked for

HTML

students to choose an upcoming event for a non-for-profit organisation

REELA - F N

APHIC DE SI

RESPONSIVE

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SI

GR

CSS

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to redesign to improve user experience and engagement.

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N

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billy

blue

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design 1,

2019.

USER

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N

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How much say do you really have in your choice of consumption?

Terephthalic acid Oligomers Benzoic acid Oil Ethyleneglycol Acetic aldehyde Others Gases

51.00% 20.00% 1.00% 6.30% 0.75% 5.10% 5.45% 18.00%

Peanuts Sugar Soybean Oil Molasses Salt

85% 10% 3.75% 1.25% 0.5%

Transparent Peanut Butter encourages its viewer to redefine the concept of object in relation to process and really question what an object is, where it came from and how it was made.

The work takes the household item of peanut butter and breaks it down into the materials the packaging it composed of (print one), a question of how we think of the object (print two) and the ingredients which constitute the food item (print three).

Whilst ultimately playful in nature, the first and third prints breakdown the percentage composition of each material into a two dimensional representation, almost like a pie chart, in order to ask the viewer; what am I really looking at?

TE

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typography and abstraction of form, this question underlies

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Through the choice of a contrasting colour palette, use of

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sydney 2018

R

A - TR NSPA

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How much say do you really have in your choice of consumption?

Terephthalic acid Oligomers Benzoic acid Oil Ethyleneglycol Acetic aldehyde Others Gases

51.00% 20.00% 1.00% 6.30% 0.75% 5.10% 5.45% 18.00%

Peanuts Sugar Soybean Oil Molasses Salt

85% 10% 3.75% 1.25% 0.5%

Transparent Peanut Butter encourages its viewer to redefine the concept of object in relation to process and really question what an object is, where it came from and how it was made.

The work takes the household item of peanut butter and breaks it down into the materials the packaging it composed of (print one), a question of how we think of the object (print two) and the ingredients which constitute the food item (print three).

Whilst ultimately playful in nature, the first and third prints breakdown the percentage composition of each material into a two dimensional representation, almost like a pie chart, in order to ask the viewer; what am I really looking at?

TE

R

A - TR NSPA

typography and abstraction of form, this question underlies

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Through the choice of a contrasting colour palette, use of

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sydney 2018

R

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Re-Implication Series does just this in a bid to test the boundaries of laser cutting and digital fabrication. The following series tests three methods of production and construction to explore new aesthetic and functional properties of the common pendant lamp. university

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sydney 2017

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To what extent do we stop to reconsider the plethora of different production methods behind the objects of our every day life? The

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Re-Implication Series does just this in a bid to test the boundaries of laser cutting and digital fabrication. The following series tests three methods of production and construction to explore new aesthetic and functional properties of the common pendant lamp. university

of

sydney 2017

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sophie lee peterson bysophiepeterson.com +61 0402 134 721 sophie.peterson@hotmail.com

a l l w o r k i s m y o w n s u b j e c t t o c o p y r i g h t l aw s .