SOGO
Student Orchestras of Greater Olympia 1629 22nd Ave SE, Olympia WA 98501 March 2013
r at View in full colos.org! studentorchestra From
Vol. 13 no. 4
the Podium
Issue
2 Soloist Spotlight 3 Creative Viral Videos 3 Audition Tips
Concert
Sunday, March 24, 4pm Tickets (WCPA) olytix.org | 360.753.8586 Get your tickets today!
Reminders
March 31, April 7 - No Rehearsal April 27 - Instrument Petting Zoo May 19 - Final Concert May 22, 26 - Auditions June 2 - New Member Auditions March 24 Dress Rehearsal Schedule: • Brass Choir load-in 11:00 am • Brass Choir 11:20 - 11:55 am • Debut 12:00 - 12:45 pm • Academy 12:50 - 1:35 pm • Conservatory 1:40 - 3:00 pm • CONCERT CALL TIME 3:30 pm
I am delighted to invite you to an afternoon of dramatic music this Sunday, March 24 at 4:00 pm at the Washington Center for the Performing Arts. The Conservatory Orchestra’s first piece, Light Cavalry, an operetta by Franz von Suppé, is loaded with plot twists and melodrama. Paul Hindemith’s Trauermusik (Mourning Music) is a heartfelt elegy written upon the death of England’s King George V in 1936. We will finish with Ludwig van Beethoven’s 5th Symphony, one of the most recognizable pieces in classical music. Light Cavalry, set in a little town on the Austro-Hungarian border, has all the melodrama of a modern soap opera. Wilma, a beautiful orphan, has been taken in by the mayor and his wife, but treated as a lowly servant. When a group of Hussars (Hungarian cavalrymen) come to protect the town, Wilma is discovered to be the long-lost daughter of the Colonel, who proceeds to settle the score for her maltreatment. Listeners will have no problem recognizing the famous galloping brass theme, but may have trouble keeping their toes from tapping in rhythm with the crashing finale. Hindemith wrote Trauermusik in a mere six hours for a performance by the BBC Symphony. He had been engaged to perform as viola soloist for a BBC concert, but that was cancelled at the King’s passing. The conductor asked Hindemith to write the work as they could find nothing appropriate for the memorial broadcast. The work is comprised of four very short movements, the last being a harmonization with obbligato viola of the Chorale “Here I Stand Before Thy Throne” featuring our amazing violist, Mallory Halbert. Hindemith was unaware at the time, but the tune was very familiar in England as the hymn “Old 100th,” to the words “All Creatures That on Earth do Dwell.” Sad and solemn in character, Trauermusik immediately entered the repertoire of violists, as well as cellists and violinists. As a product of Leonard Bernstein’s Young People’s Concert, I remember well his examination of Beethoven’s method of composition. Many versions of the music exist in manuscripts and Bernstein played different examples of them to show that Beethoven wrote, tried and crossed out many notes in the process. Even though this symphony is so often heard, this is a work for the mature musician. It will challenge the members of the orchestra, but they are relishing in that challenge and the opportunity to perform this piece. One final thought – I would like to challenge all of the members of the Debut and Academy Orchestras and their parents to listen to the Conservatory performance. It is important for the younger musicians to hear the music and experience what they are striving for as they mature as musicians.
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