2026 Architectural Design Portfolio

architectural design

port fo lio

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about me resume

Sophia Villarreal Architectural Designer About

Education

Experience

am a design with experience I Iam skilledprofessional architectural designer withdelivering a strong thoughtful,in functional spaces from concept through execufoundation designing innovative and functional tion. With strong foundation in space planning, technical spaces.

Mya passion for smaller-scale design has indetailing, and cross-disciplinary coordination, I focus on spired me to learn more about interior design, where efficient, well-executed spacesand thatdetailed enhance the I creating can focus on creating personalized user experience. environments.

International Baccalaureate Lamar Academy

2018- Current 2025 - 2026

Contact Address 4200 N 3rd St, McAllen, TX Phone (956) 500- 5506 E-mail sofvilla@yahoo.com

High School Graduate + College Credit

Texas A&M University

Bachelor of Environmental Design Completed in Fall 2024

Competitions

2024 2018 - 2025

Association of Collegiate Schools Architecture Steel Competition Interpretive Center 2025

Skills Autocad Rhino 3D Revit Adobe Programs Sketch Up Enscape & Lumion Rendering Communication Problem Solving Collaboration 3D Max

2023 2024

Cantu Susan Construction Semmelmann Interiors

Architectural Designer Interior Designer As an architectural designer I have As an interior designer I have contributreceived a hands-on experience in ed creative concepts and design develthe architectural field and deepened opment for high-end residential projmy understanding of creating preects,plans translating ideas into cohesive cise and technical drawings. spaces from presentation through installation.

BRW Architects Student Architectural Intern Cantu Construction At BRW, I developed skills in proArchitectural Designer gramming and planning, focusing As creating an architectural designer I have on functional and tailored received a hands-on experience in the designs. architectural field and deepened my understanding of creating precise plans Texas A&M Camp Arch and technical drawings.

Counselor As a camp counselor, I had the reBRW Architects warding opportunity to introduce Student Architectural Intern kids to the world of architecture and At BRW, I developed inspire their creativity.skills in programming and planning, focusing on creating functional and tailored designs.

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table of

contents

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Mass Timber Housing

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San Antonio Ecology Musuem

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02

Transformative Filtration

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Elevated Casa DasSerenity Canoas

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Internships

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Sketches & Graphics

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Ecology Museum

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San Antonio Ecology Museum The San Antonio River Ecology Museum is designed as both a community hub and an educational resource, reflecting the rich ecological history of the San Antonio River while fostering engagement and awareness about its preservation. The museum’s design emphasizes sustainability and inclusivity, with spaces that invite local residents and visitors to connect with the river in meaningful ways.

The museum is structured to host a variety of community events, from educational workshops and lectures to family-friendly activities and cultural performances. It features flexible gathering spaces, including outdoor areas with views of the river, where people can enjoy the natural surroundings and participate in community events. The museum is designed to be accessible, with pathways and green spaces that connect visitors to the riverbank, creating a seamless interaction between the building and its environment..

In essence, the San Antonio River Ecology Museum serves as a bridge between the community and the river, offering a space where people can come together to celebrate, learn about, and actively engage with the river’s ecological and cultural heritage.

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FULL SITE SECTION FULL SITE SECTION

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02

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BUILDING FLOW

EXHIBIT CIRCULATION

Summer Soilstice Sun Angle 76 Summer Soilstice Sun Angle 76

Winter Soilstice Sun Angle 29

85’

Winter Soilstice Sun Angle 29

uction

ccording to the International Build-

construction type that involves a ala Buildbustible and combustible materials. nvolves a ows for a structure where the extematerials. l framing (such as steel or masonhe , butextethe interior can use combustifor floors, walls, or ceilings. Our masone III-B building with steel framing ombustiOVERHANG SHADING you are following a design that s.

Our materials (steel and terracotta) for framing ior elements, while allowing comthat for the interior f inishes. This wood) he IBC's tta) for requirements for f ire ructural ng com- integrity while creating a ally pleasing hes.

This building. f ire eating a

g, Approach and Concept (Summary) 10

nd Concept (Summary)

Concepts Together, these three concepts form a cohesive architectural language that reflects the essence of the San Antonio River, creating a harmonious interplay between the built environment and the natural context. The result is a space that not only serves its functional purpose but also tells a story, celebrating the cultural and ecological significance of the river through thoughtful and deliberate design choices.

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Materials Most materials used are earthy, creating a strong connection to the surrounding natural environment. The combination of terracotta and dark wood adds warmth and texture, while the acid-wash aluminum and perforated steel panels introduce a contemporary yet grounded aesthetic. This material palette bridges the gap between modern design and nature, reinforcing the project’s goal of harmonizing with its environment.

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ENGAGING + INHABITING THE RIVER EDGE The design of tiered seating, complemented by lush planters, guides visitors down toward the river, creating a natural flow that invites relaxation while enhancing the breathtaking view. As guests move through the space, they are surrounded by a curated selection of native plants that reflect the unique ecology of San Antonio. From vibrant wildflowers to hardy grasses and drought-tolerant shrubs, these plants not only bring a splash of greenery but also support local wildlife and promote sustainability. The strategic use of these native species helps to blend the built environment seamlessly with the natural landscape, offering a peaceful space where both the city’s natural beauty and its rich ecological heritage can be fully appreciated.

PLANTING STRATEGY NATIVE GRASS

MEXICAN FEATHER GRASS

NATIVE GRASS

HAMELN DWARF FOUN TAIN GRASS

DROUGH T - TOLERAN T PLAN T

AGAVE

MOSQUI TO - REPELLAN T PLAN T

LAVENDER

NATIVE TREE

MEXICAN SYCAMORE

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model A bone model was created using wooden dowels to represent the structural system of the project. This model demonstrates the necessity of two distinct structural approaches. A linear framed system was used for the interior spaces, ensuring stability and straightforward construction. However, as the design transitions to the curved sections and overhang areas, a different system emerges. Here, shorter members follow the curvature of the design, reflecting the organic, flowing nature of the structure. This shift emphasizes the adaptability required to translate the architectural vision into a tangible form.

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Transform -ative Filteration

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Credit: Jonathan Horstman

Transformative Filteration The project aimed to address air quality concerns in Houston, Texas driven by the city’s increasing pollution levels. To tackle this, the design focused on two key solutions for air filtration and better air quality. The primary feature was a passive cooling tower equipped with an internal air filter, allowing for natural air purification. Passive cooling towers were installed along an elevated city boardwalk, which also featured various activities and stops for public engagement. The other design utilized Prosolve tiles on the building’s façade. The Prosolve tiles were applied to the exterior of an apartment building repurposed from former silos.

These tiles are specifically engineered to reduce pollutants in the air by breaking down harmful particles through their unique geometry and material properties. Together, these elements create a sustainable approach to improving air quality while contributing to the overall environmental resilience of the area.

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19 Credit: Jonathan Horstman

moments

Credit: Jonathan Horstman

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Passive Cooling Tower With Air filter

Credit: Jonathan Horstman

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The building features Prosolve tiles on the exterior, which serve as an air filtration system. Polluted air is drawn into the tiles, passing through vents beneath the floors and into the central atriums located within the reused silos. These atriums allow the filtered, clean air to exit back into the atmosphere, contributing to environmental improvement. This apartment complex not only provides a functional living space for residents but also helps the environment by acting as a large-scale filtration system, improving air quality both inside the building and in the surrounding area .

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Type IV A Housing

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Mass Timber Housing The design for this project leverages the simplicity and strength of Cross-Laminated Timber (CLT) panels, utilizing them as both flooring and wall systems. The architectural expression is further enriched by a facade that features dynamic diagonal extrusions and recessed balconies. This design element emerges naturally from a diagonal grid applied to each unit, creating a visually striking pattern of protruding and set-back balcony spaces.

This interplay of form not only provides functional outdoor areas but also injects a sense of movement and vitality into the overall composition To ensure cohesion between aesthetics and functionality, particular attention was given to the critical intersections of the building envelope and the Mechanical, Electrical, and Plumbing (MEP) systems .

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critical moments

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02

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ELECTRICAL CONDUIT RAIN DRAINAGE

HVAC DUCTS

STEEL

SANDY SOIL MIX

WATERPROOF MEMBRANE DRAINAGE CELLS GEOTEXTILE FABRIC WRAPPING

CLEAN SAND

DRAIN

MEP SECTION

PLANTER BOX SECTION

PLANTER ENVELOPE

SCALE: 1/4” = 1’- 0” 0

2’

4’

8’

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Chunk Planter boxes were strategically integrated at specific levels, contributing to a stair-stepping facade that reinforces the dynamic balcony design. The vertical MEP chases, concealed behind flourishing ivy, create a seamless integration between nature and infrastructure. These chases run vertically along the exterior and connect horizontally at each floor level, allowing for efficient distribution of services.

The prefabricated design features removable panels for easy maintenance and accessibility, housing all necessary MEP disciplines within a single integrated system. This project exemplifies a harmonious balance of form, function, and sustainability

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01

02

WATER MANAGEMENT

MEP VERTICAL CHASE

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1

2

3 2

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6 5 4

7 5

4 3 2 1

LEGEND

LEGEND

(LISTED FROM EXTERIOR TO INTERIOR)

(STARTING FROM INNERMOST LAYER)

1. EXTERIOR FINISH

1. MOLDING

2. VAPOR BARRIER

2. PAINT

3. DRAINAGE CAVITY

3. DRYWALL

4. INSULATION

4. INSULATION

5. AIR BARRIER

5. LIGHT FRAME STUDS

6. 5 PLY CLT

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7. INTERIOR FINISH

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HARD WOOD FLOORING

ELECTRICAL CONDUIT

3 PLY CLT

PLUMBING

2 PLY CLT

layers

Exploring the critical intersections between MEP systems

and the building envelope revealed the intricate, layered nature of both elements and how they must seamlessly interact. Each system—whether mechanical, electrical, plumbing, or the envelope itself—consists of multiple layers, each serving a specific function. From insulation, vapor barriers, and cladding in the envelope to the ductwork, conduits, and piping within the MEP network, every layer contributes to the overall performance and efficiency of the building.

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Accessibility Serenity

Villa Otium Elevated

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Villa Otium ADA Elevated Accessability Serenity Elevated refined balance For thisSerenity project,embodies my team ahad the incredible between grandeur and restraint, where scale, opportunity to travel to Norway and collablight, and materiality in quiet harmony. orate with the U.S. work Embassy in Oslo on VilThe andneed openness la design Otium, explores a historicverticality building in of ADA while maintaining a sense challenge of warmth compliance.

The primary wasand adhuman-centered comfort.

A cohesiveissues, neutralas dressing the exterior accessibility palette, layered textures, and intentional illuthe site only had stairs and lacked ramps. mination create depth and design rhythm throughout, We explored various solutions to allowing each space to feel both expansive and seamlessly integrate ramps while preservintimate. in clean lines, thoughtful proing the Rooted building’s architectural integrity.

Adportion, and we subtle contrast, the the restroom overall comditionally, redesigned layposition sense of sophistication outs toevokes meet aADA standards, ensuringthat they feels both and were bothgrounded functional andeffortlessly inclusive. serene.

This experience strengthened my ability to balance historical preservation with modern accessibility requirements, reinforcing my passion for thoughtful and inclusive design.

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MATERIAL SELECTIONS: ENTRY

Marble

Silestone Quartz

Brass

Credit: Hannah Aldridge

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The design intention centers on creating a balance between prospect and refuge to support the way the family lives and entertains. The common areas are envisioned with openness and visual connectivity, using lighter tonal values and a cohesive palette to amplify natural light and foster an inviting atmosphere for visitors. In contrast, the more private areas are designed as moments of refuge, where deeper hues and layered textures introduce warmth and intimacy. Color plays a pivotal role in distinguishing these experiences, subtly shifting the emotional tone from expansive and social to calm and enveloping. This approach allows the home to feel both welcoming and restorative.

Credit: Olga Khytrenko

MATERIAL SELECTIONS: MEDIA

Wallpaper

Quartz

Carpet

Contributor: Hannah Aldridge

Credit: Olga Khytrenko

powder room concepts For the powder room, the intention is to create something distinctive yet elegant,allowing it to feel like a curated moment within the home. The process begins with exploring multiple conceptual iterations, focusing first on proportion, focal hierarchy, and overall composition before introducing materials. By studying different spatial narratives and levels of contrast, the design direction is refined until the concept feels resolved. Only then are material selections layered in to support the established vision, ensuring that stone, millwork, and finishes enhance the design rather than dictate it.

Internships

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DRISCOLL CHILDREN’S HOSPITAL

TORO’S SOCCER STADIUM

THE VILLAGE TOWNHOUSES

TYPE: HEALTHCARE

TYPE: RECREATIONAL

TYPE: RESIDENTIAL

SITE: MCALLEN, TEXAS

SITE: EDINBURG, TEXAS

SITE: MCALLEN, TEXAS

FIRM: CANTU CONSTRUCTION

FIRM: CANTU CONSTRUCTION

FIRM: CANTU CONSTRUCTION

INVOLVEMENT PHASE:DESIGN DEVELMENT

INVOLVEMENT PHASE: DESIGN DEVELOPMENT

INVOLVEMENT PHASE: GRAPHICS & DESIGN

PROJECT DESCRIPTION: Driscoll Children’s

PROJECT DESCRIPTION: By creating such a

PROJECT DESCRIPTION: The Village on Dove

Hospital is designed to provide a healing and

dynamic and adaptable space, Toro Stadium is

in McAllen, Texas, offers a collection of town-

welcoming environment tailored to young pa-

set to become a new cultural hub for McAllen,

homes situated in the heart of the city, provid-

tients and their families. With thoughtful at-

bringing together people from the local com-

ing a unique living experience that combines

tention to detail, spaces are designed to alle-

munity and beyond to enjoy entertainment and

urban convenience with a sense of community.

viate stress.

social activities in a modern, flexible setting.

Each townhome is thoughtfully designed to cater to a variety of family sizes and lifestyles.

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Internships Within all my internships, I have worked across a wide range of architectural styles and project types, each offering unique insights into design approaches, functionality, and user needs. At Cantu Construction, I learned the importance of precision and functionality in healthcare, struc-

GENEVA HEIGHTS ELEMENTARY

UTA STUDENT CENTER

TYPE: EDUCATION

TYPE: HIGHER EDUCATION

munity-focused design in residential projects. My

SITE: DALLAS, TEXAS

SITE: ARLINGTON, TEXAS

internship in Dallas, focused on educational ar-

FIRM: BRW ARCHITECTS

FIRM: BRW ARCHITECTS

chitecture and taught me to create environments

INVOLVEMENT PHASE: DESIGN PHASE

INVOLVEMENT PHASE: RENDERINGS

that inspire learning and creativity while balanc-

PROJECT DESCRIPTION: This building

PROJECT DESCRIPTION: The Student Center

ing practicality. These experiences enhanced by

holds significant historical value for the

at the University of Arlington is undergoing a

exposure to new software and workflows, shapied

local community. Recognizing its cultural

revitalization aimed at transforming it into a

my adaptability and creativity as a designer. Col-

importance, efforts are underway to pre-

vibrant, dynamic space where students can

laboration has been central to all my roles, rein-

serve the school’s historic features while

gather, socialize, and engage in campus life.

forcing my belief that architecture is a collective

ensuring it meets the modern needs of

With a focus on creating a welcoming atmos-

effort, where teamwork and diverse perspectives

today’s students.

phere, the redesign will enhance both the

lead to innovative, well-rounded design solutions.

functionality and aesthetics of the space.

tural efficiency in large-scale spaces, and com-

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Sketches & Graphics

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HYBRID MASS TIMBER AND CONCRETE CORE STRUCTURE

NAIL LAMINATED TIMBER (NLT) CLT floor slabs with glulam columns and steel connectors

250 ft 200 ft 150 ft 100 ft 50 ft

Partial encapsulation during construction

FIR

SPRUCE

PINE

CEDAR

Height: 33- 220 ft Maturing age: 90- 130 years Maximum age: 500- 800 years Wood type: Softwood

Height: 60- 200 ft Maturing age: 80- 120 years Maximum age: 150- 250 years Wood type: Softwood

Height: 50-100 ft Maturing age: 25-30 years Maximum age: 250-450 years Wood type: Softwood

Height: 60-120 ft Maturing age: 150-205 years Maximum age: 800-1,000 years Wood type: Softwood

MASS PLYWOOD PANELS (MPP) 250 ft 200 ft 150 ft 100 ft 50 ft

Completed construction

Impact sound layer

FIR

LARCH

Height: 33- 220 ft Maturing age: 90- 130 years Maximum age: 500- 800 years Wood type: Softwood

Height: 165-195 ft Maturing age: 15-40 years Maximum age: 100-150 years Wood type: Softwood

DOWEL LAMINATED TIMBER (DLT) 250 ft 200 ft

Envelope

150 ft Mass Timber Core

100 ft 50 ft

ASPEN

CEDAR

PINE

LARCH

BEECH

OAK

Height: 20- 80 ft Maturing age: 50- 60 years Maximum age: 150- 200 years Wood type: Softwood

Height: 60-120 ft Maturing age: 150-205 years Maximum age: 800-1,000 years Wood type: Softwood

Height: 50-100 ft Maturing age: 25-30 years Maximum age: 250-450 years Wood type: Softwood

Height: 165-195 ft Maturing age: 15-40 years Maximum age: 100-150 years Wood type: Softwood

Height: 60- 80 ft Maturing age: 100-140 years Maximum age: 200-300 years Wood type: Hardwood

Height: 40-80 ft Maturing age: 120-200 years Maximum age: 500- 800 years Wood type: Hardwood

CROSS-LAMINATED TIMBER (CLT) Mass Timber Columns

250 ft Structural Walls

200 ft 150 ft 100 ft 50 ft

Concrete Floor

FIR

SPRUCE

PINE

LARCH

Height: 33- 220 ft Maturing age: 90- 130 years Maximum age: 500- 800 years Wood type: Softwood

Height: 60- 200 ft Maturing age: 80- 120 years Maximum age: 150- 250 years Wood type: Softwood

Height: 50- 100 ft Maturing age: 25- 30 years Maximum age: 250- 450 years Wood type: Softwood

Height: 165- 195 ft Maturing age: 15- 40 years Maximum age: 100- 150 years Wood type: Softwood

“Tree Facts, Types, Identification, Diseases, Pictures.” Coniferous Forest, www.coniferousforest.com/plants-trees/cedar#:~:text=Height%3A%2098-130%20ft,%28occasionally%20197%20ft%29. Accessed 5 June 2024.

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WATER MANAGEMENT & MAINTENANCE

RPA PASSIVE HOUSE PRINCIPLES

nce and tions, is

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Termination of the roof membrane: The sealants above the t-bar, counter flashings, and other roof detail components must be re-applied every few years.

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SOLAR ORIENTATION

2

HIGH INSULATION

3

HIGH PERFORMANCE WINDOWS

4

AIR TIGHT ENCLOSURE

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BALANCE VENTILATION WITH HEAT RECOVERY

Coping cap joints: Joints in sheet metal and coping caps must be re-sealed periodically. This is a common source of water intrusion in walls.

Skylights: As sealants age they weaken and can cause leaks.

The tie-in with the roof membrane can be a moisture entry point as well if not properly installed or maintained

The roof: Commonly to as a fifth wall.

The roof must be inspected and repaired annually in order ro keep the building dry.

Tyvek

3X

5

EXHAUST AIR

Masonry Walls: Defects in the masonry walls such as shaling, cracked mortar joints, and efflorescence are evidence of moisture intrusion into the wall.

Windows: windows penetrate thru the building envelope. If they are not properly installed and maintained, leaks are likely to occur.

FRESH AIR SUPPLY

Thru-wall flashing system: Before it enters the building, any water that enters the masonry walls should be diverted to the weep holes in the brick by the thru-wall flashing.

3

gether provided or spray

Sliding

Masonry Control Joints: Necessary to allow building movement, these joints need periodic re-caulking to remain watertight.

Below-grade waterproofing: The below grade waterproofing needs to be installed correctly the first time to prevent foundation leaks.

EIFS Systems: Cracks or punctures in the EIFS (Exterior insulation & finishing system) expose the reinforces mesh allowing water to infiltrate into the EIFS assembly affecting all its components, moisture eventually will invade other components of the wall cavity assembly.

PUNCHED WINDOW VS. STANDARD WINDOW Punched windows are set back from the building’s facade vs standard windows which are installed flush with the building sliding. The design provides several benefits which includes increased energy efficency, better sound insulation and unique more tranditional aesthetic

Brick Siding

Transom window

Seal Tape

Double Hung Window

Tyvek Double hung window

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4 N E

SUMMER

W

WINTER

S

Masonry sill

Sliding

Credit: Richard Pedranti

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EL FIN FIN

Thank you for your interest! The process of design is one I hold with immense respect, and I look forward to continuing to learn, collaborate, and create.

Sophia Villarreal Address 4200 N 3rd St, McAllen, TX Phone (956) 500- 5506

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E-mail sofvilla@yahoo.com