2017 Twilight Concert Series - WEEK 6

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FALL SEMESTER BEGINS MONDAY, AUGUST 28 SANTA MONICA COMMUNITY COLLEGE DISTRICT BOARD OF TRUSTEES Dr. Andrew Walzer, Chair; Barry A. Snell, Vice Chair; Dr. Susan Aminoff; Dr. Nancy Greenstein; Dr. Louise Jaffe; Dr. Margaret Quiñones-Perez; Rob Rader; Chase Matthews, Student Trustee; Dr. Kathryn E. Jeffery, Superintendent/President Santa Monica College | 1900 Pico Boulevard | Santa Monica, CA 90405 | smc.edu

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2017 TWILIGHT CONCERT SERIES Schedule WEEK 1 6/22 NEO SOUL

KHALID Bibi Bourelly WEEK 2 6/29 INDIE POP

LEMAITRE Coast Modern WEEK 3 7/13 REGGAE

MARCIA GRIFFITHS

Table of contents

Jah9 WEEK 4 7/20 ROCK

ERIC BURDON & THE ANIMALS Mr. Elevator Arms Akimbo/ Rusty's EAC WEEK 5

HEADLINER PROFILES P5, P7

EVENT MAP P8, P9

MYSTERY PHOTO P15

MUSIC & FOOD

BAND BIOS P10, P13

INSIDERS GUIDE P15

P6

7/27 DANCE

MIAMI HORROR Cleopold WEEK 6 8/3 AMERICANA

VALERIE JUNE & IRMA THOMAS WEEK 7 8/10 LATIN

MON LAFERTE Buscabulla WEEK 8 8/17 INDIE ROCK

WARPAINT Wild Belle

IRMA THOMAS

MON LAFERTE

WARPAINT

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The time has come for Valerie June "

nderstanding the order of time is important to anyone hoping to manifest a dream," says Valerie June. "There is a time to push, and a time to gently tend the garden."

Since the release of her 2013 breakout Pushin' Against A Stone, June has been patiently at work in the garden of song, nurturing seedlings with love and care into the lush bloom that is her stunning new album, The Order Of Time. Some songs grew from seeds planted more than a decade ago, others blossomed overnight when she least expected them to, but every track bears the influence of time. See, time has been on June's mind a lot lately. It's the only constant in life, even though it's constantly changing.

It's the healer of all wounds, the killer of all men. It's at once infinite and finite, ever flowing with twists and turns and brutal, churning rapids that give way to serene stretches of placid tranquility. Fight against the current and it will knock you flat on your ass. Learn to read it, to speak its language, and it will carry you exactly where you're meant to be.

"Time is the ruler of Earth's rhythm," June explains. "Our daily lives revolve around it. Our hearts beat along to its song. If we let it, it can be a powerful guide to turning our greatest hopes and dreams into realities."

June knows a thing or two about turning hopes and dreams into realities. With Pushin' Against A Stone, she went from self-releasing her music as Tennessee's best kept secret to being hailed by the New York Times as one of America's “most intriguing, fully formed new talents."

The New Yorker was captivated by her "unique, stunning voice," while Rolling Stone dubbed her "unstoppable," and NPR called her "an elemental talent born with the ability to rearrange the clouds themselves." She astonished TV audiences from coast-to-coast with spellbinding performances on The Tonight Show, The Late Show, Austin City Limits, Rachael Ray, and CBS Saturday Morning, and graced some of the world's most prestigious stages, from Carnegie Hall to the Kennedy Center. First Lady Michelle Obama invited June to The White House, and she toured with artists like Sharon Jones & The Dap Kings, Sturgill Simpson, Norah Jones, and Jake Bugg in addition to flooring festival crowds at Bonnaroo, Outside Lands, Newport Folk, Hangout, ACL, Pickathon, Mountain Jam and more. In the UK, the reaction was similarly ecstatic. June performed on Later‌with Jools Holland, joined a bill with the Rolling Stones in Hyde Park, and took the press by storm.

Uncut praised her "remarkably careworn vocals," MOJO swooned for her "glorious sound," and The Independent's Andy Gill wrote, "June has the most strikingly individual delivery I've heard in ages."

When it came time to record the follow-up, June felt liberated by the success, fearless and more confident than ever in trusting her instincts and following her muse. There was to be no rushing the music, no harvesting a song before it was ripe on the vine and ready to be plucked. When she sensed the time was right, she headed to rural

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VALERIE JUNE

Guilford, Vermont, with producer Matt Marinelli, spending long stretches through the fall and winter living and recording away from the hustle and bustle of her adopted home of Brooklyn.

"They made us feel so welcome in Vermont," remembers June. "I was cooking amazing food and hanging out with the band all the time. There were long talks and long walks in the snow, and friends would come up for holidays. I felt like I put myself in a place where I could really soar. With the last album, I was absorbing and learning and developing so much in the studio, but this is me taking the things I learned and the things I felt in my heart and fighting for them."

In her heart, June is a songwriter first and foremost, willing and able to blur the lines between genres and eras of sounds. The result is an eclectic blend of folk and soul and country and R&B and blues that is undoubtedly the finest work of her career. Opener "Long Lonely Road" settles in like languid southern heat, as June looks back to the sacrifices of her parents and grandparents, singing in a gentle near-whisper of the sometimes difficult, sometimes beautiful journey we all must undertake in search of brighter days. On the soulful "Love You Once Made," her voice is backed by rich horns

and vintage organ as she makes peace with the specter of loss and the ephemeral nature of our relationships, while the bluesy juke joint rocker "Shake Down" features backup vocals from her brothers, Jason and Patrick Hockett and father, Emerson Hockett recorded at home in Tennessee, and "Man Done Wrong" centers on a hypnotic banjo riff that's more African than Appalachian.

"People shouldn't necessarily think of bluegrass when they see the banjo," explains June. "It was originally an African instrument, and people in America used to play all kinds of banjo: mandolin banjo, ukulele banjo, bass banjo, classical banjo, jazz banjo, there were even banjo orchestras. For some reason people like to limit it and say it just has to be in folk and bluegrass, but to me it can be in anything, and I really wanted to set the banjo free on this record."

The banjo turns up again later as the underpinning of the R&B rave-up "Got Soul," which plays out like a mission statement for the entire album, as June offers to "sing a country tune" or "play the blues" but reveals that underneath it all is her sweet soul. Those genre terms might be simplistic ways to attempt to define her, empty signifiers creating distinctions between sounds where June sees none.

"With You" channels the sprightly, ethereal beauty of Nico with fingerpicked electric guitar and cinematic strings, "Slip Slide On By" grooves with shades of Van Morrison, and "If And" slowly builds over meditative hum that hints at John Cale.

Despite the music's varied nature, the songs all belong to a cohesive family, in part because they're tied together by June's one-of-a-kind voice, and because they're all pieces of a larger rumination on the passage of time and how it affects us. The ultimate takeaway from tracks like "The Front Door" and "Just In Time" is that the present is all we have.

Everything around us (our loved ones, our youth, our beauty) will someday fade and disappear, but that transience is what makes those things all the more magical.

We're given this brief moment to share our love and light with the world, and when, as June sings on the album, "Time's hands turn and point straight towards you," you'd better be ready.

Thankfully for us, June was ready when time told her to harvest these songs. In the garden, as in life, there is a time for everything and the moment has finally arrived to enjoy the fruits of all her labor. With 'The Order Of Time,' Valerie June has prepared a bountiful feast, and there's a seat at the table for everyone.

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he beach, the music and the food is what brings people all over the greater Los Angeles area to the summer tradition, Twilight Concert Series.

The pier is jammed packed with a variety restaurants, giving everyone and their taste buds an option. It also offers food from the Pacific Park food court and food vendors along the Santa Monica Pier.

The famous Bubba Gump Shrimp Co. located near the entrance of the Pier is a fan favorite. The seafood chain restaurant serves delicious Jambalaya, Baja Fish Tacos, steamed Crab Legs and more. Bubba Gump is the place to get your flavorful shrimp fix or even some baby back ribs.

Like Bubba Gump Shrimp Co., Rusty’s Surf Ranch has a certain theme to their restaurant. Rusty’s was designed as a tribute to the surf sports at the core of the local beach culture, surfing, paddling, and more. Their Bamboo bar offers full cocktail service, and there are patio dinning areas at both the front and rear of the building.

Owner, Russell Barnard said, “Rusty’s is not just the only restaurant on the Pier with live music and dancing, it’s the only restaurant in the entire city of Santa Monica where dancing to live music is permitted.”

The restaurant offers late evening entertainment Fridays and Saturdays all year round, and during the summer they host the Twilight Concert after parties.

“The menu features a broad range of choices to serve the diversity of Pier visitors, with a focus on Seafood, Burgers, Salads, and Sandwiches,” said Barnard.

“The most popular dish is the signature Fish & Chips, and a wide selection of burgers from basic to gourmet and BBQ baby back ribs.”

The Albright has been serving locals and visitors of the Pier for 40 years, offering a wide range of seafood options, with a little something for everyone.

The restaurant is locally owned by Santa Monica natives, and the family believes in

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serving a delicious meal but also staying committed to sustainability caught seafood and locally sourced ingredients.

Owner Greg Morena said, “The 40 year anniversary is exciting and we are truly thankful for everyone’s support and we want to use this as a platform to not only serve delicious food but also preach about sustainability.”

A fan favorite of The Albright is the tasty Spicy Seafood Soup as it is a classic, and of course their fish and chips. “We are also wining people over with our new oyster and oyster company,” said Morena.

For people who want a classic Italian meal head over to Ristorante Al Mare.

Offering seafood as well as pizza, zuppe, and pasta, adding a certain je ne sais quoi to their dishes. What makes this restaurant even better is not the delicious Pollo Parmigiana, but their rooftop bar with the perfect view.

If it’s not Italian you are looking for then head to Mariasol for their Mexican cuisines. Mariasol is the last restaurant on the Pier, offering shrimp taquitos, ceviche de camaron, and tasty baja clam chowder. To top it off, order their famous margaritas while watching the fantastic water views.

Looking to satisfy the stomach with a burger instead? Head over to the Pier Burger.

The counter serve food stand is known for their tasty custards and hot crispy fries and is the perfect place for a family day.

Still can not decide what restaurant is best? Head over to the Pacific Park Food Court. The food court features Coffee Bean & Tea Leaf, Beach Burger, Pacific Wheel Pizza Company, Whac-a-mole tacos, Scoops Ice Cream and Treats, Funnel Cakes, Dippin Dots, Themed Food Carts, ICEE Mix It Up station, and Popcornopolic Cart.

Can’t forget the delicious churros that are offered on the Pier by street vendors.

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A living legend continues to build her legacy

IRMA THOMAS

t is difficult to believe that 2009 marked the 50th anniversary of Irma Thomas's first recording session. She remains one of America's most distinctive and classic singers, a treasure from the golden age of soul music who remains as compelling and powerful as ever. As Don McLeese wrote in his review of her Grammy- winning 2006 album, After the Rain, "Most singers who have been recording as long as Thomas resort to tricks, mannerisms, and show-off displays, but she remains the anti-diva, a stylist of exquisite understatement whose every note rings true and hits home."

Irma first achieved prominence with a string of 1960s hits such as "Time Is On My Side," (later covered by the Rolling Stones), "It's Raining" and "Wish Someone Would Care." She toured extensively across the South with her band, The Toronados. Yet, her life has not been without its share of hardship and challenge. Pregnant at age 15, she was forced by her father into what she calls a "shotgun marriage." After the devastating effects of Hurricane Camille in 1969, when she was a single mother with four children to support, she moved her family to Los Angeles and worked for a time at a Montgomery Ward store, recording and performing only intermittently.

Upon returning to Louisiana in the 1970s, she slowly rebuilt her reputation as The Soul Queen of New Orleans, sign-

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ing with Rounder in 1986. In 2005, while she was working in Austin, Texas, Hurricane Katrina flooded her home and destroyed all her possessions, along with her nightclub, The Lion's Den. Now, she and her husband, Emile Jackson, have rebuilt their home (she may have been one of the few who had flood insurance!). In the wake of the tragedy and loss that Katrina brought, her career has enjoyed an unprecedented upswing.

After The Rain, recorded in rural Maurice, Louisiana only weeks after Katrina, won Irma her first Grammy (as well as a Blues Music Award for Soul-Blues Album of the Year and many other accolades). Last year's Simply Grand won a Grammy nomination, as well as another SoulBlues Album of the year award. Irma had previously garnered Grammy nominations for her live album, Simply the Best!, and her collaboration with Marcia Ball and Tracy Nelson, Sing It!, both on Rounder.

Many career highlights have followed her Grammy triumph, including her appearance with Stevie Wonder at the 2008 New Orleans Jazz and Heritage Festival and her recent appearance on ABC's Extreme Makeover: Home Edition. In 2009, she was inducted into the Blues Hall of Fame.

There are many other bright sides to Irma's story. After she graduated from Delgado College in 2001 at the age of 61,

the school initiated the Irma Thomas Wise Women Center. "We provide counseling to young women, and the occasional young man, who may be unsure of the possibilities of furthering their educations," she explained. "We provide encouragement, and I share my own struggles."

Rounder Records celebrates this remarkable milestone in Irma Thomas's career with the release of The Soul Queen of New Orleans: 50th Anniversary Celebration, which features 3 new songs, 9 highlights from her Rounder catalog, and 3 tracks recorded as a guest for special projects on other labels.

For the first time since 1990's live album, Irma and producer Scott Billington chose to record with her working band, The Professionals, a group of New Orleans R&B veterans (who might have a lesson or two for younger neo-soul musicians to learn!). The three new tracks include the uptempo "Got To Bring it With You" (cowritten by Fabulous Thunderbirds frontman Kim Wilson), and the newly-written but ever so classic soul ballad, "Let It Be Me." Irma and her longtime keyboard player Warner Williams co-wrote a new blues, "Your Ship Has Sailed." These songs showcase Irma in her classic element, with no click tracks, auto-tuning or other studio tricks. Nobody does it better.

Other highlights include her joyful interpretation of Dan Penn's "I'm Your

Puppet" (from her Rounder album My Heart's in Memphis), and her deep reading of the Tom Jans song "Loving Arms," originally released on the I Believe To My Soul collection on the Hear Music label. A more obscure track is "There Must Be a Better World Somewhere," recorded as part of a tribute album to the great songwriter Doc Pomus on Rhino Records.

This album also marks the 25th year that Irma and Rounder VP of A&R have worked together, an artist/producer partnership that must be something of an industry record. Says Scott Billington, "It's been a great privilege to work with Irma as we imagine each new recording, and to help her find the right songs. I think we've discovered quite a few good ones over the years, and it's always a thrill to hear her transform each song."

Irma summed up her career in a conversation with New Orleans writer Jeff Hannusch, "I really haven't thought a lot about being in show business that long because I'm having so much fun right now. Recently, I've gotten a lot of acclaim and its all humbling. The Grammy award was especially prestigious, but I'm truly honored and humbled by them all. I might slow up a bit in the future, but I don't ever foresee retirement. I know 50 years is a long time, but when you're doing something you really love, you don't think about the years."

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2017 Twilight Concert Series bios

MON LAFERTE

WEEK 7 8/10 LATIN

MON LAFERTE Buscabulla

MON LAFERTE Singer, Songwriter and Chilean performer from Viña del Mar, Mon Laferte is a winner of double platinum album plus gold in Mexico, winner of two MTV 2016 awards, nominated to two Latin Grammy Awards with a tour that visited the USA, Mexico and Chile with over 70 sold out dates.

She knew what she wanted in life when since she was 14 years old when the guitar turned into her partner and even in her teen years she transmitted her feelings through the verses she was writing.

Musically educated in the streets of Viña del Mar and Valparaiso, she captures popular poetry from her roots that reflect in her tearing yet mellancholic voice.

WARPAINT

WEEK 8 Buscabulla Buscabulla (Spanish slang for troublemaker) is the experimental pop project of Raquel Berrios and Luis del Valle. Heavily influenced by vintage Latin music like salsa gorda, Cuban psych and '80s Argentinian rock, Buscabulla combines both electronic and live instrumentation.

The group create a hybrid sound they like to call the "Caribbean music of the future."

Raquel, a designer, record collector, and producer teamed up with multi instrumentalist and producer Luis del Valle in 2011 and they have since been warming hearts. In 2015, Kitsuné released their self-titled debut EP which was produced

by Dev Hynes of Blood Orange. Their second EP, released in 2017, includes the singles "Tártaro" and "Frío (feat. Helado Negro)," as heard on KCRW. Pitchfork describes "Frío" as a "blissful beach daydream."

8/17 INDIE ROCK

WARPAINT Wild Belle

WARPAINT It’s easy to get the wrong impression about Warpaint. The band’s studio albums (including their most recent full-length, 2014’s Warpaint) tend to emphasize moody atmospheres: gauzy keyboards, hypnotic harmonies and sinister grooves. In concert, however, the Los Angeles quartet—vocalist/guitarist Emily Kokal, vocalist/guitarist Theresa Wayman, bassist/vocalist Jenny Lee Lindberg and drummer/keyboardist Stella Mozgawa—pair this moodiness with bumped-up tempos and sinewy beats.

Of course, confounding expectations has been part of Warpaint’s m.o. since the band formed in 2004. And so when the band convened to make their third studio album, Heads Up, they shared a common goal: to make a faster, dance-oriented record.

“We’ve always had this really jammy, highenergy live show compared to some of our records,” Kokal says. “We all love to dance.

We didn’t want to take away from the emotion or the core feeling of what our band is all about—which I don’t even think we could take out if we wanted, because it is who we are—but we wanted to bump the speed up and have a little bit more fun.”

Warpaint spent only four months in the studio making Heads Up, the quickest they’ve ever made a record. “We have a tendency to over-marinate on certain ideas,” Mozgawa says. “There wasn’t a great deal of laboring over things or doing things a million different ways and overdubbing for months.”

In another switch, Warpaint tended to work one-on-one or in pairs with producer Jake Bercovici (who produced their EP Exquisite Corpse) in the studio. “The doors were a little more open in terms of what was accepted SEE BIOS PAGE 13

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HowToTwilight.com has a map and info of easy options like EXPO, Big Blue Bus, Bike Share, Rideshare and Bike Valets.

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Make sure to give love to all our sweet partners who keep Twilight free and awesome

Scan to unlock the fun on Snapchat

Series co-produced by RH&S Concerts

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BUSCABULLA

BIOS FROM PAGE 10

and what wasn’t, because we were sharing ideas so rapidly between us,” Mozgawa says.

These looser vibes and individual experiences ensured that once Heads Up was complete, even Warpaint themselves were surprised—in a good way—at how the album turned out. “We’ve been on tour, and we’ve been around each and other,” Lindberg says.

“But you need to take a break from that sometimes to get a fresh perspective, and to be excited and inspired about what you’re doing. I feel like we did that.

“I feel really proud of what we made—almost surprised and shocked,”

she continues. “When we were making it, I was like, ‘I wonder what this is going to sound like? How’s this going to come together?’ I love the way that it came together so nicely. I feel so proud of it, and like it’s an evolution of our band. It sounds like a mature version of Warpaint.”

Wild Belle The brother/sister duo started writing music together several years ago, after Elliot Bergman took a sixteen year-old Natalie on tour to play percussion with his acclaimed Afrobeat ensemble, NOMO. Work on the album began in early 2014, in Chicago. They tracked several songs at home in Chicago

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WILD BELLE

last year, and then at the start of 2015, Natalie packed all of her belongings into the Wild Belle van and drove from Chicago to Venice, California. She rented a house where Elliot joined her a couple weeks later.

Recorded at studios in their native Chicago, Natalie Bergman's new home of Los Angeles, Nashville and Toronto, Dreamland — Wild Belle's bold, evolutionary new album — derives from an era in the singer's life when she was struggling to get control of what she describes as the "anger and deep sorrow" that plagued her at the end of her most recent romantic relationship. For a woman whose music has always been inspired by her desire to translate her complicated feelings into immediately relatable songs, there was certainly plenty of grist for the mill.

Dreamland tracks such as "Losing You" and "It

Was You (Baby Come Back)" offer glimpses of the darkness that Natalie battled during the early months writing for the duo's sophomore full-length. But there are also genuine moments of lightness and ecstatic triumph, like "Giving Up On You" — an irresistibly kinetic, punk number Wild Belle recorded with TV On The Radio's Dave Sitek producing.

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THE ORIGINAL BIKE SHOP ON MAIN STREET

SUMMER SALE! COME GET YOUR BIKE TODAY!

310.581.8014

www.bikeshopsantamonica.com

2400 Main Street Santa Monica, CA

Across from Urth Cafe

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mystery photo THE FIRST PERSON WHO CAN CORRECTLY IDENTIFY WHERE THIS IMAGE WAS CAPTURED WINS A PRIZE FROM THE SANTA MONICA PIER. SEND ANSWERS TO INFO@SANTAMONICAPIER.ORG

insider guide TICKETS

CONCERT GARDEN

VOLUNTEER

FIRST AID/LOST & FOUND

No tickets necessary, this is pure free Summer fun (remember that?) all thanks to our partners and sponsors who have brought us another season of awesome free concerts at the beach. Make sure to show them some love.

There is a 21-and-over Concert Garden featuring refreshments from Boulevard and Duvel beers, Deep Eddy Vodka, and an assortment of cocktails and non-alcoholic beverages. Do not miss this view.

We couldn't put on this free amazing event without a little (or a lot) of help from our friends.

Wanna volunteer?

If you need first aid or assistance, please visit the Pier Tent or flag down a security officer. If it is an emergency, please call 911.

FOOD & DRINK

PETS

There are plenty of great food and beverage options on the deck and at the various restaurants on the Pier. Most even have to-go options perfect for munching during the show. As a reminder, alcohol consumption is not permitted in public spaces, but there are several full-service bars in the area.

Friendly dogs are welcome on the Pier only and must be on a leash.

TIME 7PM - 10PM, but those in the know stake out a good spot early.

METRO EXPO Arrive in style on the new EXPO line.

No parking, no traffic, no hassles.

WEATHER & ATTIRE It never gets too cold, but sometimes it gets a little chilly once the sun goes down. So bring something or head up to the Pier Tent on the deck to grab this year's limited-edition sweatshirt or t-shirt!

PARKING We highly recommend alternate transport for a hassle-free experience (EXPO, Bus, Breeze Bike Share, rideshare, skateboard, walk, llama), but if you need to drive, parking is available in the 1550 Pacific Coast Highway Lot next to the Pier on a first-come, first-served basis. Those wanting to avoid long waits and higher fees should try one of the municipal lots a few blocks inland around 2nd/Colorado or 4th/Olympic.

HAPPYHOUR VOTED SANTA MONICA'S MOST LOVED HAPPY HOUR

Everyday from 4pm to 7pm in the bar or outside patio.

174 KINNEY ST, SANTA MONICA

Late night Happy Hour Friday and Saturday 9pm to 11pm

310.392.8366

FREE WINE or 14 oz. BEER with PURCHASE OF APPETIZER DURING HAPPY HOUR Present this coupon or advertisement during purchase to receive a free beverage!

BIKE/SKATEBOARD VALET Park your wheels at the free bike and skateboard valet located next to the beach bike path just south of the Pier. Make it even easier and cruise over on a bike from the new BREEZE bike share.

SMOKING Don't even think about it, it's a 100-year-old wooden Pier, and we really like it.

FRIENDS & FAMILY Bring them, the more the merrier. You will not regret it. This is one epic Summer tradition.

SEATING Seating is not provided, so feel free to bring your own chairs, blankets, etc...

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