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THURSDAY, APRIL 26, 2007
Volume 6 Issue 141
Santa Monica Daily Press HURLEY KEEPS SMILING SEE PAGE 17
Since 2001: A news odyssey
THE FREAKY DEAKY ISSUE
South Park in Santa Monica BY MELODY HANATANI Daily Press Staff Writer
SANTA MONICA PIER Few subjects are spared from the cutting satire of âSouth Park,â including the homelessness issue in Santa Monica. Having already poked fun at hot-button topics such as teacher-student trysts, Scientology and homosexuality, âSouth Parkâ creators Trey Parker and Matt Stone, whose productions are based in Los Angeles, took direct aim at Santa Monica and its long-standing homeless problem in the season finale. âNight of the Living Homelessâ centers around a new homeless epidemic overtaking South Park, Colo., the fictional setting for the Comedy Central cartoon. The four main characters â Stan, Kyle, Kenny and Cartman â learn that a nearby city had experienced a similar influx of homeless and had chased its down-and-out population to neighboring South Park by creating a brochure advertising
it as a friendly city to the less fortunate. The four young boys decide to lead the homeless away from their hometown to California. Driving a bus to the âPark Community Center,â presumably the âSouth Park Community Center,â the boys engage in their own rendition of âCalifornia Love,â altering the Tupac Shakur song to incorporate a message that âCalifornia is super cool to the homeless.â âIn the city, city of Santa Monica ... lots of rich people, giving change to the homeless.â The episode ends with the homeless marching to the Westside communities of Brentwood, Marina del Rey, Venice and Santa Monica. The last scenes depict the Santa Monica Pier sign and Palisades Park, where Cartman jumps his skateboard over three homeless men sleeping on the Courtesy of Comedy Central
SEE SOUTH PARK PAGE 10
LOOKS FAMILIAR: South Park parodies homeless situation.
EMPLOYMENT
WORKING OUT Santa Monica High School hosts job fair for students
Fabian Lewkowicz fabianl@smdp.com
STORY STORY BY BY KEVIN KEVIN HERRERA HERRERA PAGE PAGE 3 3
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