SKIRA CATALOGUE SPRING 2026

SKIRA CATALOGUE

INCLUDING NEW TITLES

SANDRO MILLER

BASELITZ. A LIFE IN PRINT

L’ESTAMPE ORIGINALE

PARK SEO-BO

ART IN VINEYARDS

HILDEGARD VON BINGEN

SPRING 2026

SPRING 2026

Skira

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Cover from the volume

Sandro Miller On Earth As It Isn’t In Heaven © photo Sandro Miller

SPRING 2026

5

New Titles

Highlights

Modern and Contemporary Art

Skira for Saudi Arabia Ministry of Culture

Skira for Abu Dhabi Department of Culture and Tourism

Catalogues raisonnés

Museums

Photography

Design, Decorative and Applied Arts

Architecture

69

Limited Editions

75

Milestones

81

Backlist

Modern and Contemporary Art

Skira for Saudi Arabia Ministry of Culture

Catalogues raisonnés

Photography

Design, Decorative and Applied Arts

Architecture

Ancient Art

Japanese Art

Louvre Abu Dhabi

Cultures and Civilizations

Fashion

Cinema

Sports

SkiraKids

231

Trade

Information

2026

NEW TITLES SPRING

Size 23 x 27 cm

(9 × 10½ in.)

288 pages

350 colour illustrations paperback

ISBN 978-88-572-5432-6

£ 65.00, $ 89.00

PUBLICATION

February 2026

EXHIBITION SCHEDULE

Bergen, Kode Museum

3 October 2025 22 February 2026

BASELITZ / SCHÖNEBECK: 1962-66

essays by Richard Shiff, Stephanie Biron, foreword by Max Hollein

Size 24 × 28 cm

BASELITZ

A LIFE IN PRINT

edited by Cornelius Tittel. Texts by Georg Baselitz, Per Kirkeby, Michael Semff, Reiner Michael Mason, Frode Sandvik

The first comprehensive survey of Baselitz’s printmaking

Celebrating six decades of print making, A Life in Print is the first comprehensive book on an important part of Georg Baselitz’ artistic practice. Considered to be one of the greatest painters alive and credited to have revived Figuration in a time when Abstraction ruled the art world, the German artist started to explore different print techniques beginning in 1964, and never stopped to see them as an integral part of his work. While his contemporaries used new offset and screenprint techniques to create what amounted to reproductions in often high editions, Baselitz rejected the Zeitgeist and explored century old techniques like drypoint etchings, aquatinta, wood– and linocuts, while tirelessly pushing his own artistic limits. A Life in Print brings together more than 245 prints and will introduce the reader to all major themes and motives of Baselitz career, from the so-called Heroes of the mid-60ies to his iconic images of Eagles to the manyfold portraits of his wife Elke. Edited by Cornelius Tittel in close collaboration with the Baselitz Archive in Munich, the book will forcefully make the point that no other artist since Picasso has done more for and in that genre than Baselitz.

• The first book to fully explore six decades of Georg Baselitz’s groundbreaking print work.

• Published in close collaboration with the Baselitz Archive, the volume is both a visual celebration and a scholarly resource.

Cornelius Tittel is the editor of the Berlin based art magazine BLAU international. Frode Sandvik is a curator of modern art at Kode Art Museum in Bergen and a Phd affiliate at the University of Oslo. Per Kirkeby (1938-2018) was a Danish painter, poet, film maker and sculptor. Michael Semff was director of the Staatliche Graphische Sammlung in Munich. Reiner Michael Mason, an art historian and curator, is a specialist in printmaking.

Size 21.5 x 24.5 cm (81/2 × 91/2 in.)

248 pages

125 colour illustrations hardcover

ISBN 978-88-572-5435-7 £ 55.00, $ 70.00

PUBLICATION

February 2026

EXHIBITION SCHEDULE

Memphis, Tennessee Dixon Gallery & Gardens 12 October 2025 11 January 2026

October 13, 2025

Lecture by Donna Stein and a guided tour of the exhibition by Stein and the museum curator

L’ESTAMPE ORIGINALE A CATALOGUE RAISONNÉ

by Donna Stein, Foreword by Stuart Denenberg

L’Estampe originale portfolio revisited in landmark Catalogue raisonné

L’Estampe originale graphics portfolio, published in France during the mid 1890s, is widely regarded as one of the greatest collaborations in the history of printmaking. The portfolio features ninety-five works of art by seventy-four influential French, Swiss, Belgian, English and American artists. The visionary Parisian publisher André Marty issued and distributed nine quarterly installments of L’Estampe originale from March 1893 to March 1895 in a limited edition of one hundred. The first eight folios each consisted of ten prints of varying sizes, paper, and media, loose in paper wrappers; the final ninth installment included fourteen prints. In addition to the artist’s pencil or ink signature and an edition number, a unique blind stamp designed by Alexandre Charpentier was embossed on each print. This revised and full color publication of L’Estampe originale. A Catalogue Raisonné highlights the importance of color lithography during the last decade of the nineteenth century. The book includes an enlightening essay based on hundreds of mostly unpublished handwritten original and facsimile letters from the artists and from Marty’s collaborators; these are preserved at the Getty Research Institute in Los Angeles. This vast chorus of voices allows the reader to eavesdrop directly on the past and reveals rich details of the life and working methods of André Marty— an ambitious cultural insider and artist, art historian, critic, editor, prominent and discerning publisher, private dealer and entrepreneur.

• First documentation in full color of this extremely rare portfolio and updated catalogue raisonné for L’Estampe originale, including the latest bibliographical references.

Donna Stein, an art historian and curator, has organized exhibitions in all media, primarily on nineteenth and twentieth century art. Stuart Denenberg is an art dealer, collector, and poet.

Size 28 × 30.5 cm

(9½ × 12 in.)

276 pages

215 colour illustrations hardcover

ISBN 978-88-572-5462-3

£ 60.00, $ 80.00

PUBLICATION

April 2026

EXHIBITION SCHEDULE

Tallahassee, Florida

Agriculture & Mechanical University

12 April 2025

February 2026

Harrisburg, Ella

Elizabeth Hise Museum

14 May 2025

September 2025

Los Angeles, Leica Gallery

5 June – 1 September 2025

SANDRO MILLER ON EARTH AS IT ISN'T IN HEAVEN

An impressive, emotional tribute to humankind by the leading photographer

“A life behind the camera, dedicated to my craft of photography. I live under the notion, ‘If my portraits are not moving you emotionally in some way, a feeling of empathy, confusion, surprise, joy, fear, or just a gut wrenching feeling of awkwardness, then I haven’t done my work as a portrait artist.’

On Earth As It Isn’t In Heaven is my tribute to humankind from birth to death. These portraits are of real people, celebrities, and athletes of every culture, race and gender – all of which are experiencing life as it has been dealt to them. In our journeys from birth to death we will all struggle and will all suffer, and the moments in between may be joy, excitement and even orgasmic. These images are caught at 125th of a second document and provide evidence of one’s journey through life; they are little secrets about a secret. You will find I reveal as much as I don’t reveal and, in the portrait, the more it tells the less you will know. Welcome to a book that I have sunk my heart, soul, blood and tears into. These portraits were not made for me, and they were not made for my sitters, these portraits were created for you, the viewer. To help you feel deeper the joys, the struggles and everything else we feel during that short time we call a life.” –Sandro Miller

• Sandro Miller’s photography captures the raw essence of the human condition—spanning cultures, identities and emotions.

• A powerful photographic storytelling through light, expression and form.

Sandro Miller is a Chicago-based photographic and video artist with an especial sensitivity to people and cultures. Known for his mastery of light and emotional depth, Sandro Miller’s work spans the globe and explores truth, identity and the human condition. With Skira he published Malkovich, Malkovich, Malkovich. Homage to the Photographic masters (2020), and Crowns. My Hair, my Soul, My Feedom (2021).

Size 19 x 25 cm (71/2 × 93/4 in.) 224 pages

100 colour illustrations dutchbound

ISBN 978-88-572-5449-4 £ 40.00, $ 55.00 PUBLICATION November 2025

ART IN VINEYARDS CULTIVATING CULTURE

by Christina Makris editorial coordination by Paola Gribaudo

Ajourney through art, wine, and place—to where the senses meet

Art and wine share a profound connection: each has the power to inspire, transform, and awaken the senses. Art in Vineyards: Cultivating Culture takes readers on a journey through more than thirty extraordinary vineyards worldwide — from France to Chile, Italy to Australia, Greece to the United States, Lebanon to Spain, and beyond — revealing how the story of wine is retold through art.

With exclusive reflections from renowned winemakers at estates such as Château Mouton Rothschild, Maison Ruinart, and Tenuta dell’Ornellaia, and with insights on wine from celebrated artists including James Turrell, Michelangelo Pistoletto, Marinella Senatore, William Kentridge, Vik Muniz, and David Shrigley, the book uncovers how vineyards weave art into their craft and evolve into cultural destinations where tradition meets innovation.

Enriched with evocative photography, first-hand accounts from vingerons, and researched wine history and facts, Art in Vineyards: Cultivating Culture invites readers to explore landscapes where vines and visions intertwine, where art speaks through the terroir, and where every glass tells a story of passion and creativity.

• The book uncovers fascinating stories of vineyards and wineries that merge the worlds of wine and art.

• A gift book for wine lovers and art lovers to appreciate art and discover the cultural history and artistic interpretations of wine.

Christina Makris is a cultural commentator and writer specialising in philosophy and the senses. She is a regular speaker for leading cultural institutions, businesses, and brands. Christina writes on the intersection of art, design, and philosophy, with contributions to The Art Newspaper, Sotheby’s and a monthly column for Apollo, the world’s oldest art magazine.

Size 19 × 26 cm (6¼ × 10¼ in.)

English and Korean editions

2 tomes, 320 pages

230 colour illustrations paperback with slipcase

ISBN 978-88-572-5433-3 E -5434-0 KOR

£ 40.00, $ 45.00

PUBLICATION January 2026

PARK SEO-BO AUTOBIOGRAPHY. GRAPHIC NOVEL

edited by Park Seungho,

illustrations by Cho Jinho

A

homage to a pioneering figure in Korean contemporary art

Park Seo-Bo (1931-2023), a Korean painter and a master of Dansaekhwa, is a key figure in the history of Korean contemporary art. He was born in 1931, during a time when Korea was enduring the historical turmoil of imperial rule, and came of age amid the devastation of the Korean War. The prolonged hardships of this era dismantled the nation’s social and cultural foundations and from what felt like awasteland, Park rose—through fierce determination—to become an internationally acclaimed artist.

This book presents two distinct perspectives on his life. One is an unfiltered autobiography drawn from Park’s own meticulous records going back to his birth and up to the late ’70s. The other offers an external view, illuminating the passionate story of the artist’s entire life through a graphic novel, designed to be accessible and engaging to a wide range of readers. Through this two-volume set, readers can gain both deep and enjoyable understanding of Park Seo-Bo’s life and his artistic philosophy.

• Two perspectives on the life of Park Seo-Bo.

• An artistic record for all ranges of readership, encompassing the professional and the general art lovers, and viewers of all ages.

Park Seungho is the second son of Park Seo-Bo and the inspiration behind the Ecriture series. A longtime professor at Ewha Womans University, he has devoted his career to education. As the chairman of PARKSEOBO FOUNDATION, he now preserves and carries on his father’s legacy while supporting the future of Korean contemporary art through various initiatives. Cho Jinho, the author of the graphic novel, has published several graphic novels on scientific themes, earning acclaim from scholars, critics, and readers alike.

Size 24 × 28 cm

(9½ × 11 in.)

256 pages

200 colour illustrations hardcover

ISBN 978-88-572-5443-2

£ 45.00, $ 60.00

PUBLICATION April 2026

EXHIBITION SCHEDULE

Shenzhen, Museum of Contemporary Art & Urban Planning 10 November 2025 1 March 2026

REALITY, SURREALITY: CHINESE CONTEMPORARY PAINTING

edited by Lü Peng

An in-depth exploration of Chinese Surrealism by the esteemed critic and art historian Lü Peng

This catalogue is the accompanying publication of the exhibition Reality, Surreality—Major Exhibition of Chinese Contemporary Painting, specially organized by renowned art historian and curator Lü Peng at the Museum of Contemporary Art & Urban Planning in Shenzhen. Bringing together 50 artists and more than 100 works, the exhibition reconsiders Surrealism as a broad and evolving concept that has transcended stylistic boundaries. From the legacy of the 1985 New Wave to the innovative practices of a younger generation, the project traces the development of Chinese Surrealism and reveals its new creative directions within a global context.

• This publication accompanies the major exhibition curated by renowned art historian Lü Peng, offering scholarly insight and expert curation from one of the most respected voices in Chinese contemporary art.

• Featuring over 100 works by 50 artists, the book is the most comprehensive overview of Chinese Surrealism, from its roots in the 1985 New Wave to today’s emerging artists (Zhang Zhaoying, Bi Jianye, Ge Yan, Lin Wen, Meng Site, Qi Wenzhang, Shen Muyang, Xiong Tao, Xu Dawei).

• The catalogue situates Chinese Surrealist painting within a broader international context, illustrating how this evolving movement.

Lü Peng is a leading Chinese art curator, critic, and historian. In 1992, he was appointed Artistic Director of the First Guangzhou Biennial Art Fair, China’s first art biennial. He has also authored several important publications and he currently is an Associate Professor in the Department of Art History and Theory at the China Academy of Art in Hangzhou, as well as at the Sichuan Fine Arts Institute, and the Xi’an Academy of Fine Arts. Since 2017, he has served as President of L-Art University. With Skira he recently published Zhang Zhaoying (2025).

Size 24 × 28 cm

(91/2 × 11 in.)

224 pages

150 colour illustrations paperback

ISBN 978-88-572-5438-8

£ 45.00, $ 65.00

PUBLICATION March 2026

EXHIBITION SCHEDULE

Cape Town, Iziko South African National Gallery 22 February 24 September 2025

SUE WILLIAMSON. THERE’S SOMETHING I MUST TELL YOU. A RETROSPECTIVE EXHIBITION

texts by Zoé Whitley, Sean O’ Toole, Sihle Sogaula, Andrew Lamprecht, Sue Williamson

A complete monograph accompanying the first retrospective exhibition of globally acclaimed South African artist

The book is the complete catalogue of Sue Williamson’s long-awaited retrospective at the Iziko South African National Gallery in Cape Town. There’s something I must tell you covers almost fifty years of the artist’s practice – from her iconic 1980s series

A Few South Africans, portraying the women who were the driving force behind the struggle against apartheid, through the Truth Games series, revealing the painful difficulties of a transforming country, to the legacy of colonisation, the story of District Six, and much more. Collaborating with communities and delving into archives, Williamson moves fluidly between drawing, printmaking, photography, video and installation to explore the dark corners of history and document the complex gaps between generations. Through critical essays, texts and images, this book reveals why her life and work have been inspirational to so many.

• For anyone interested in how art can speak to power, in the courage of women, or in making collaborative work that resonates within a community, this is a must-have book.

• This beautifully photographed volume takes readers through the most significant works of the artist’s career—drawings, prints, photographs, videos, and sculptural installations.

Zoé Whitley is an award-winning curator and writer based in London. American-born, she has been Director of the nonprofit Chisenhale Gallery (20202025), and a museum curator at the Victoria and Albert Museum (2003–13); Tate (2013–19); and Hayward Gallery (2019). Sean O’Toole is a writer, editor and curator based in Cape Town. Sihle Sogaula is archivist, curator, and photographer. Andrew Lamprecht is the Curator of Historical Paintings and Sculpture at the Iziko South African National Gallery. Sue Williamson (b. 1941) started making art in the 1970s addressing apartheid, and social issues. Her work is held in such museum collections as the Tate Modern, MoMA NY and the Pompidou.

PUBLICATION

November 2025

THREE AMERICAN PAINTERS THEN AND NOW

edited by Eik Kahng

texts by Eik Kahng, Todd Cronan, Michael Fried, Gordon Hughes, Charles Palermo, James Welling

A

reconsideration of the significance of Michael Fried’s early critical writing and a visual summation of the artists, many of them photographers, endorsed by Fried over the six decades since Size

This is the catalogue is the catalogue of an exhibition that never took place. The show sought to faithfully recreate the historically significant 1965 exhibition Three American Painters, curated by Michael Fried and featuring Kenneth Noland, Jules Olitski, and Frank Stella, while expanding its scope to include contemporary painters, sculptors, and photographers.

Although the exhibition was canceled, this volume preserves its vision through insightful essays, interviews, and a richly illustrated checklist of works.

An essential resource for understanding Fried’s lasting impact on art history and criticism, as well as the ongoing dialogue between past and present American art.

• The book provides a user-friendly introduction to the critical writings of Michael Fried and the contemporary art that he has championed throughout his career.

• It proposes a through line between 1960s Post-Painterly Abstraction and ambitious contemporary art (particularly photography) related to the ideals of what used to be known as high modernism.

• Offers new scholarly interpretations of the implications and significance of Fried’s early criticism as articulated in the introduction for Three American Painters and in relation to his later writings.

Eik Kahng is an independent curator and art historian. Todd Cronan is Professor of Art History at Emory University. Michael Fried is Emeritus Professor of Humanities and History of Art and a member of the Academy at Johns Hopkins University. Gordon Hughes is an Associate Professor in the Department of Art History at Rice University. Charles Palermo is a professor of art history at William & Mary. James Welling is a widely published, exhibited, and collected photographer.

Size 24 × 30 cm

(9½ × 12 in.)

232 pages

131 colour illustrations hardcover

ISBN 978-88-572-5473-9

£ 50.00, $ 70.00

PUBLICATION April 2026

EXHIBITION SCHEDULE

Shanghai, Modern Art Museum

29 June - 8 October 2025

KENNY SCHARF EMOTIONAL

edited by Shai Baitel

A landmark survey of a Pop Surrealist icon, on the occasion of his first museum show in China

Spanning decades of Scharf’s work, Emotional examines the artist’s playful yet meticulous exploration of emotions through a vivid iconography. It features more than 120 multi-disciplinary artworks, including Kenny Scharf’s Beach Club, an installation that transports everyone into the artist’s California beachside utopia. Published on the occasion of Scharf’s largest solo exhibition to date, the book showcases Kenny Scharf’s pioneering street art aesthetic and distinctive visual language. Featuring exaggerated faces and expressive forms, his work connects ancient pictographic languages and modern emoji culture. Long before emojis emerged to fill the emotional gap in digital communication, Scharf developed a visual language that captured the complexities of humanity’s relationship with expression and feeling. As the curator Shai Baitel says, “Kenny Scharf is a giant whose art and influence cannot be overstated. He is one of the most distinctive artists today, having started alongside Jean Michel Basquiat and Keith Haring.” The publication features paintings, sculptures and other objects organized into groups of emotions: Anger, Disgust, Fear, Happiness, Sadness and Awe.

• An original glimpse into emotional expression through art history, focusing on Scharf’s approach to this part of human nature.

• The most comprehensive book of Kenny Scharf’s career to date offering readers a transportive experience into his artistic world.

• Published in collaboration with Almine Rech Gallery, Opera Gallery and TOTAH Gallery.

Shai Baitel is the Artistic Director of the Modern Art Museum (MAM) Shanghai for which he created, among others, the exhibitions and edited the catalogues Marina Abramović: Transforming Energy (Skira, 2024), David Hockney: Paper Trails (Skira, 2024) and Bob Dylan: Retrospectrum (2019).

Size 24 × 28 cm

(91/2 × 11 in.)

304 pages

210 colour illustrations hardcover

ISBN 978-88-572-5427-2

£ 50.00, $ 65.00

PUBLICATION March 2026

EXHIBITION SCHEDULE

José Parlá: Homecoming, Miami, FL

Pérez Art Museum Miami until 6 July 2025

Home Away from Home Tokyo, Japan

Pola Museum (Ginza) and Kotaro Nukaga (Roppongi) opening on 20 June 2025

Ciclos: Bloom of Mold Brooklyn Abstraction: Four Artists, Four Walls Brooklyn, NY Brooklyn Museum until 4 January 2026

JOSÉ PARLÁ CONTEMPORARY PALIMPSESTS

edited by Rey Parlá texts by Jonathan Rider and Iván de la Nuez

The colourful monumental paintings of the CubanAmerican contemporary artist

The publication is an expansive monograph celebrating the remarkable four-decade career of Cuban American artist José Parlá (b. 1973). This first midcareer publication coincides with major milestones, including solo exhibitions in Miami and Tokyo—“Homecoming” at the Pérez Art Museum Miami and “Home Away from Home” at the Pola Museum in Tokyo. The volume traces Parlá’s evolution from his early days of wall markings in Miami to his international acclaim, showcasing his innovative blend of gestural abstraction, calligraphy, and urban textures that have redefined contemporary painting.

Spanning from 1985 to 2025, the richly illustrated book features paintings, murals, rare sketchbooks, and archival materials. It also includes essays by curators Jonathan Rider and Iván de la Nuez, alongside an intimate interview with Rey Parlá, his brother and creative collaborator. Central to the narrative is Parlá’s profound reflection on his near-death experience with COVID-19, which deepens his exploration of home as a mosaic of memories and displacement. Celebrating his role as a cultural bridge, the monograph underscores his connections to a global community of friendships, travels, and collaborations. Parlá emerges as a poetic chronicler of surfaces, textures, and resilience—an artist whose work captures the luminous paths of exploration and belonging.

• First mid-career monograph for artist José Parlá.

• Celebratory publication on the occasion of major institutional milestones – solo exhibitions in both Miami, US and Tokyo, Japan.

Rey Parlá is a Cuban American artist working in photography, experimental film, writing, and visual storytelling. Jonathan Rider is a New York-based an artist, curator and writer. Iván de la Nuez is a Cuban essayist, art critic and curator.

Size 24 × 30 cm

(9½ × 12 in.)

352 pages

180 colour illustrations hardcover

ISBN 978-88-572-5398-5

£ 50.00, $ 65.00

PUBLICATION June 2026

CHANAKYA COLLECTION TO COLLABORATION

edited by Jesal Thacker and Uthra Rajgopal texts by Jesal Thacker, Uthra Rajgopal, Glenn Adamson, Isabella Rosner, Amin Jaffer, Mayank Mansingh Kaul, Karishma Swali

The first comprehensive book about Chanakya and its journey through art, couture and cultural innovation

This book is the first comprehensive publication on Chanakya, tracing its four-decade legacy of craftsmanship and its enduring collaborations across art and couture. Growing from its own collections, this book situates Chanakya’s pivotal role of how Indian heritage skills have elevated the value of embroidery-based collaborations, prising open critical discourses of textiles, fashion and art. It highlights Chanakya’s role which isn’t limited to just preservation of traditional embroidery, instead engages a critical inquiry into material and methodology, intuitively charting a cross-cultural global discourse. Under the direction of Karishma Swali, Creative Director of Chanakya, the artistic practice is conceived as an archive of cultural ethos, where materials and motifs are reimagined as metaphors, shaping a contemporary and discursive visual language. Not just a cultural preservation and revival but a cultural expansion and evolution into newer collaborative forms of artistic expression, has been the effort of Chanakya which the book will accentuate.

• The books brings together leading scholars and curators in the multiple fields of art and textile history, combining interviews and encounters with the artisans.

Jesal Thacker, artist by training, engages with research on modern and contemporary Indian art. Uthra Rajgopal is a curator with expertise in South Asian textiles. Glenn Adamson, curator, writer and historian, is currently Curator at Large for the Vitra Design Museum, Germany, Isabella Rosner is the Curator of the Royal School of Needlework and Research Associate at Witney Antiques. Amin Jaffer is Director of The Al Thani Collection. Mayank Mansingh Kaul is a researcher and curator with a focus on post-independence histories of textiles in India. Karishma Swali is the Creative Director of Chanakya International and Chairperson of the Chanakya Foundation.

FASHION4DEVELOPMENT: AN EMPOWERING JOURNEY

by Stephanie Dillon

The 15-year journey of Fashion4Development, a movement that celebrates the power of fashion to transcend boundaries, bridge cultures, and inspire creativity

This book chronicles the transformative 15-year journey of Fashion4Development (F4D), a pioneering initiative founded by Evie Evangelou that redefined the intersection of fashion, diplomacy, sustainability, and global empowerment. At the heart of this narrative is The First Ladies Luncheon, F4D’s iconic annual event held during the UN General Assembly in New York City, where world leaders, humanitarians, and visionaries converge to celebrate fashion as a force for good. Through exclusive interviews, personal stories, and archival images, Fashion4Development traces the evolution of the organization from a bold concept to a powerful global platform that aligns fashion with the United Nations Sustainable Development Goals (SDGs). Each chapter delves into a different dimension of F4D’s impact from elevating indigenous artisanship and fostering ethical supply chains to creating cross-cultural partnerships that uplift women, preserve culture, our environment and communities across continents.

The book also explores the visionary work of Moda Cares, F4D’s Foundation, spotlighting humanitarian projects and frontline initiatives that blend beauty with purpose. In a world where the fashion industry often oscillates between extravagance and exploitation, this is a story of reclamation of a movement to return fashion to its highest calling: as a language of dignity, progress, and unity.

• With the foreword written by Ban Ki-moon, this book is both a retrospective and a roadmap. It is a celebration of fashion’s potential not only to reflect the world, but to rebuild it.

Stephanie Dillon is an artist, writer, and cultural provocateur. A member of Rolling Stone Culture Council and Forbes Council, she blends activism, art, and storytelling. Writer of Fashion4Development, she explores fashion as diplomacy—where beauty meets purpose, and style becomes a strategy for global change.

Size 9½ × 12½ in. (24 × 32 cm)

244 pages

185 colour illustrations hardcover

ISBN 978-88-572-5417-3

£ 42.00, $ 55.00

PUBLICATION March 2026

HILDEGARD VON BINGEN THE FOUNTAIN OF WISDOM

ARITHMETIC, GEOMETRY, MUSIC, ASTRONOMY

by Sara Salvadori

HILDEGARD VON BINGEN A JOURNEY INTO THE IMAGES

by Sara Salvadori

Size 9½ × 12½ in. (24 × 32 cm)

224 pages, 136 colour illustrations hardcover

ISBN 978-88-572-4015-2

£ 42.00, $ 55.00 back in print

HILDEGARD VON BINGEN IN THE HEART OF GOD

by Sara Salvadori

Size 9½ × 12½ in. (24 × 32 cm)

144 pages

474 colour illustrations hardcover

ISBN 978-88-572-4659-8

£ 28.00, $ 35.00

The third volume in the series dedicated to the multifaceted figure of Hildegard von Bingen, following the success of A Journey into the Images and In the Heart of God

It is the year 1170 when Hildegard, now elderly, embarks on her final journey to recount what she has seen and heard. It a prophetic time when the written word takes form, resonating in great cathedrals, and the Vision becomes the painted word.

A journey into the images visually narrates the way that leads to the heart of God, in the great sphere of creation. The living fountain of wisdom is imprinted in images and numbers, in shapes, colors, sounds, and in the movement of the stars. It sings the wonder of the divine order, imitating the creative act of composing an image by “first drawing it with a compass and only later painting it with colours”.

The richly illustrated volume combines the original format reproductions of the images of the two Hildegard codices with new images, never seen before, hidden within the miniatures. The work, divided into three parts, shows the story of the journey through the cosmos through the sphere of creation until it reaches the sphere of the soul; in the second part, the process of writing and composing hidden images; in the third part, the sapiential code used for the construction of the work and images thanks to the arts of quadrivium, arithmetic, geometry, music and astronomy.

• This book invites the reader on a visionary journey inspired by Hildegard of Bingen, the 12th-century mystic, artist, and prophet.

• In her final years, Hildegard entrusted her spiritual insights not only to written words but to painted images, luminous visions where divine wisdom flows through form, colour, sound, and symbol.

Sara Salvadori, a scholar and musician, has given life to a seminal research approach making the visionary work of Hildegard von Bingen accessible. This volume completes the trilogy begun with the two works already published by Skira, A journey into the images (2019) and In the heart of God (2022).

Size 16.5 × 24 cm

(61/2 × 91/2 in.)

288 pages

200 colour illustrations

Dutchbinding

ISBN 978-88-572-5436-4

£ 58.00, $ 78.00

PUBLICATION

February 2026

EXHIBITION SCHEDULE

Lugano, MUSEC

16 October 2025

25 January 2026

CHEN XI A RABBIT'S TALE

edited by Lü Peng; texts by Francesco Paolo Campione, Jia Fangzhou, Jeff Kelley, Wang Chunchen, Wang Huangsheng, Yang Xiaoyan and Yi Ying

The first comprehensive international monograph on the renowned Chinese contemporary artist

This first international monograph on Chinese artist Chen Xi accompanies her debut solo exhibition in Europe at MUSEC, Lugano. Structured in nine sections, the publication traces her evolution from the 1990s to today, each chapter reflecting a key solo exhibition in her career.

Known for her deeply personal yet socially engaged work, Chen Xi explores the human condition through painting, installation, and conceptual expression—without aligning explicitly with feminist art discourse.

As Lü Peng writes in his foreword, Chen Xi’s work revolves around memory, vulnerability, and identity in an era of rapid change. Her recurring motif of the rabbit—a figure born from literary influence and psychological reflection—embodies the tension between fragility and resilience. From the expressive canvases of her early years to the installation Lost, a monumental wooden sculpture created after the Covid-19 pandemic, Chen Xi continually interrogates the role of the individual within shifting cultural, historical, and technological landscapes.

Combining academic technique with conceptual depth, her practice reflects the broader transformation of Chinese society since the Reform era. This monograph offers a rare window into Chen Xi’s singular voice and visual language—one that captures, with nuance and intensity, the evolving spirit of contemporary China.

• The first in-depth international monograph on Chen Xi, offering an essential resource for understanding one of China’s most compelling contemporary artists.

• Through detailed essays and rich imagery, the monograph situates Chen Xi’s work within the broader transformation of Chinese society.

Lü Peng see page 16

MARK MENNIN. OBSERVANCE

THREE DECADES OF CARVING IN THE LANDSCAPE

Introduction by Dani Shapiro Essay and Interview by Hilary Lewis

Three

decades of carving monumnental sculpture in the landscape: Mark Mennin’s sculptural journey from figurative to large-scale forms

Size 28 × 30 cm (11 × 12 in.)

348 pages

250 colour illustrations hardcover

ISBN 978-88-572-5401-2

£ 65.00, $ 85.00

PUBLICATION

February 2026

Observance is about thirty years of carving monumental sculpture in the landscape. Originally trained as a figure carver in marble, Mark Mennin’s scope grew beyond the figure into the landscape over thirty years ago, carving a large granite wall in the south of France. He became comfortable with the enlarged scale and the more durable material, while always keeping in mind the proportions of the figure in the context of Nature. As with most of Mennin’s titles, Observance has two meanings that include the action of noticing or watching as well as the practice of fulfilling or respecting a ritual. It is a projection of his belief that one needs to know the rules of carving well before breaking them. His approaches to carving a very unforgiving material are both traditional and innovative using hand tools as well as fire, water and machine. His collaborations with the Landscape are often of enormous scale yet respectful of the environs. The physical approach and process demonstrates a sacrifice and reverence toward his contexts that celebrate labor and humanity. The human intervention by the sculptor himself is always present.

• The book features statements by Ursula Von Rydingsvard, Raymond Jungles, Alexis Rockman, Dorothy Spears, Peter Drake, Vincent Desiderio, Benjamin Nickoll, William Tucker, Richard Olcott.

• Mennin’s artistic journey spans continents, from his early work in Italy to exhibitions in Paris and commissions across the U.S., reflecting a rich international influence in his practice.

• His work appears in numerous private and public collections, including Laumeier Sculpture Park, Grounds for Sculpture, and Stanford University Law School, Penn State University.

Dani Shapiro is an American writer, the award-winning author of six novels. She has also written for The New Yorker, Vogue, Elle, The Oprah Magazine. Hilary Lewis is an Architectural historian, curator and educator.

Size 24 × 30 cm

(91/2 × 11¾ in.)

200 pages

225 colour illustrations hardcover

ISBN 978-88-572-5420-3

£ 50.00, $ 65.00

PUBLICATION March 2026

ABBOTT STILLMAN

texts by Barry Schwabsky, Kathy Battista and Daniel Palmer

The first publication of the paintings by the American contemporary artist

The book is the first publication of the contemporary American artist’s paintings. It represents a compendium of the multiple modes of painting the artist utilises, following the numerous paths and approaches he has utilised over the course of the many years of his studio practice. The works depicted in this catalogue are concentrated in the 21st century, though Stillman has been painting privately since the 1980’s. This represents the first publication of any of his paintings, which he did not even agree to show publicly until 2023.

A graduate of MIT’s School of Architecture and Planning, Stillman built a successful career in real estate while painting privately. His art is a combination of ambiguity, exuberance, balance, and harmony all in service to his central, and optimistic, beliefs about the human condition. His paintings are compositions of rich color, often in abstracted grounds and spaces that evoke deep emotional responses. Stillman’s love for painting is pure and abiding. It is driven by a compulsion to create and a desire to offer joy as a counter to suffering, and his reveling in the medium that has a long history of seeking to repair a fractured world. As Stillman himself says, “When I’m doing my best work, it feels like it’s coming through me, instead of from me.”

• First-ever publication on the pictorial work of Abbott Stillman.

Barry Schwabsky is an American art critic, art historian and poet. He is art critic for The Nation and co-editor of international reviews for Artforum; his essays have appeared in many other publications, including Flash Art, Artforum, London Review of Books, Art in America. Kathy Battista is a writer, curator, teacher and author of several books and publishes regularly in academic journals and artist catalogues. Daniel Palmer is chief curator at the SCAD Museum of Art in Savannah, Georgia.

STEINAR JAKOBSEN

with a text by Arve Rød, Mikkel Bogh, Catherine Townsend, Peder Anker

The work of the Norwegian contemporary artist, known for blending traditional painting techniques with innovative materials and tools, creating works that explore the intersection of classical art and modern visual culture

The book is the first English monograph dedicated to Steinar Jakobsen (b. 1967), one of Norway’s most prominent artists.

Steinar Jakobsen graduated from the Oslo School of Drawing and Painting (19861988) and the National Academy of Fine Arts (1989-1993). Since his first solo exhibition at Bomuldsfabriken Kunsthall in Arendal in 1996, Jakobsen contaminated traditional painting with a wide range of different techniques and materials, like aluminum and Plexiglas. He uses tools like sponges, cotton swabs, spray guns, and projectors to create both impressionistic and photorealistic works.

Jakobsen’s works often merge different genres and visual references, drawing on both fine art and broader visual culture. His motifs are usually based on snapshots he has taken himself, and he is inspired by classical painters like Velázquez and Vermeer, as well as by pop culture and postmodern artists such as Gerhard Richter.

• First English monograph on Steinar Jakobsen, recognized as an important figure in contemporary Norwegian art, with his works resonating internationally.

• His innovative use of materials and blending of traditional and modern techniques places him at the forefront of artistic exploration.

• His works are part of prominent collections and have been exhibited in key galleries, positioning him as a significant voice in both Norwegian and international art scenes.

Arve Rød is one of Norway’s most established contemporary art critics. Mikkel Bogh was the Director of SMK, The National Gallery of Denmark, and he currently is Professor and Head of Center for Practice-based Art Studies at the University of Copenhagen. Catherine Townsend is a journalist, licensed private investigator, and creator and host of the true crime podcasts Hell and Gone and Hell and Gone: Murder Line. Peder Anker is a Professor at New York University.

Size 23 × 32 cm

(9 × 121/2 in.)

256 pages

120 colour illustrations hardcover

ISBN 978-88-572-5370-1

£ 52.00

PUBLICATION March 2026

EXHIBITION SCHEDULE

Oslo, Galleri K Spring 2026

Size 26 x 28 cm (10¼ × 11 in.)

260 pages

150 colour illustrations hardcover

ISBN 978-88-572-5338-1

£ 52.00, $ 72.00

PUBLICATION March 2026

EXHIBITION SCHEDULE

Sharjah, Sharjah Art Foundation 18 November 2023

10 March 2024

London, Whitechapel Gallery

12 June – 1 September 2024

GAVIN JANTJES: TO BE FREE! A RETROSPECTIVE 1970 – 2023

edited by Salah M. Hassan

More than five decades of the diverse and distinctive practice of the UK-based South African painter and printmaker

Through over 100 prints, drawings, and paintings, as well as archival material, the publication celebrates Gavin Jantjes (1948) as a significant artist, and critical agent of change, while tracing his development as a painter, printmaker, writer, curator and anti-apartheid activist. Structured into chapters spanning the 1970s to the present, Gavin Jantjes: To be Free! A Retrospective 1970 - 2023 focuses on pivotal phases in the artist’s life, from his formative years in Cape Town, South Africa during the early years of apartheid regime (1948–1994), his transformative role at art institutions in the UK, Germany and Norway, his compelling figurative portrayals of the global Black struggle for freedom, to his recent transition to non-figurative painting. Jantjes’ journey embodies a quest for artistic emancipation, marked by a search for an autonomous form, freed from Eurocentric traditions and the limited expectations of Black creativity.

The book also focuses on Jantjes’ influence on the cultural landscape of London. His anti-apartheid print series A South African Colouring Book was shown at the ICA in 1976, and his role as both exhibiting artist and co-curator in the ground-breaking 1986 Whitechapel Gallery exhibition From Two Worlds cemented his position as a major voice in the UK’s arts scene.

• The book offers a rare overview of Jantjes’ influential career and his leading role in shaping discourse around representation of Africa and its diasporas.

• Organized by the Sharjah Art Foundation in collaboration with The Africa Institute.

Salah M. Hassan is an art historian, art critic and curator, who is currently the Chancellor of Global Studies University (GSU) and Dean of The Africa Institute (GSU), Sharjah, UAE. He has served as Director of The Africa Institute since its founding in 2018.

HAEGUE YANG: LOST LANDS AND SUNKEN FIELDS

in collaboration with the Nasher Sculpture Center texts by Leigh Arnold, Tom McDonough, Yasmil Raymond

An essential publication on Haegue Yang’s work

Over the past three decades, Haegue Yang (born 1971, Seoul, South Korea) has developed a prolific and hybrid body of work that folds quotidian objects and folk traditions into the canon of modern and contemporary sculpture-making. Informed by in-depth exploration into vernacular techniques and related customs and rituals, along with her continual movement through disparate cultures, Yang’s work is both homage to and critique of the modernist project toward singular Western domination. Lost Lands and Sunken Fields documents Yang’s 2025 solo exhibition at the Nasher Sculpture Center, which occupied two levels of the museum’s galleries and gardens and debuted two new bodies of work that represent a significant turn in the artist’s sculptural production. This catalogue includes extensive photo documentation of the exhibition, along with essays by Nasher curator, Leigh Arnold, and scholars and curators Tom McDonough and Yasmil Raymond. Also included within Lost Lands and Sunken Fields is a floorplan of the exhibition and an illustrated list of exhibited works.

• An insightful analysis into Yang’s sculptural language and global influences.

• An essential resource for curators, researchers and contemporary art lovers, the book documents Haegue Yang’s 2025 solo exhibition, showcasing the evolution of her sculptural practice.

Leigh Arnold is Curator at the Nasher Sculpture Center. A scholar of Land art, Minimal and Post-Minimal sculpture, Arnold’s curatorial focus at the Nasher expands to contemporary art and tends to foreground artists whose practice subverts or broadens traditional understandings of sculpture. Tom McDonough, author and editor of several books on postwar art, is Professor of Art History at Binghamton University, State University of New York. Yasmil Raymond is curator and co-curator of several retrospectives.

Size 17 × 24.5 cm

(6½ × 9½ in.)

140 pages

100 colour illustrations hardcover

ISBN 978-88-572-5471-5

£ 40.00, $ 55.00

PUBLICATION April 2026

EXHIBITION SCHEDULE

Dallas, Texas: Nasher Sculpture Center February 1, 2025 April 27, 2025

XAVIER MASCARÓ

Size 23 × 29 cm

(9 × 11½ in.)

dual-language edition

(English-French)

176 pages

100 colour illustrations

paperback

ISBN 978-2-37074-293-3

£ 35.00, $ 50.00

PUBLICATION

April 2026

Xavier Mascaró: where timeless legends meet modern sculpture

This monograph devoted to Xavier Mascaró (1965) presents the work of this Spanish artist fascinated by myths and legends. He draws on archaic iconography –heads, masks, boats, human and animal forms – to give substance to the contradictions of the human soul. His work resonates with the heritage of pre-Columbian art, which he reinvents with power and poetry.

Xavier Mascaró sublimates iron, an ancestral material to which he breathes new energy. Since 2004, he has extended his work to glass, wood, pewter, stone and ceramics.

Over the last ten years, his installations of monumental works of art have become emblematic and are regularly exhibited in public spaces and galleries around the world, from the Santo Domingo convent in Cartagena de Indias, Colombia, to the Warehouse421 in Abu Dhabi, and even the Paseo del Prado in Madrid and the Palais Royal in Paris.

His work has also been the subject of more than 50 solo exhibitions in galleries in New York, Mexico City, Caracas, Buenos Aires, Paris, London, Düsseldorf, Beirut and Dubai. He has taken part in more than 150 group exhibitions as well.

• This monograph explores how Xavier Mascaró blends ancient mythologies and modern artistic vision, using archaic symbols like masks, boats, and totemic forms to reflect the complexities of the human condition.

• Mascaró redefines traditional media through poetic and innovative approaches.

• Mascaró has exhibited widely across the world, with over 50 solo shows and participation in more than 150 group exhibitions.

JEAN MUS THE JOY OF LIVING

Foreword by Marina Picasso, text by Dane Mcdowell

A groundbreaking book retracing the gardens created by the famous landscape artist over the last ten years

Size 23 × 29.5 cm

(9 × 11½ in.)

dual-language edition (English-French)

208 pages

150 colour illustrations hardcover

ISBN 978-2-37074-272-8

£ 40.00

PUBLICATION

March 2026

Jean Mus, Mediterranean landscape gardener, poet of plants and lover of nature, has designed more than 15.000 gardens around the world, from Provence to California. A spiritual heir to Le Nôtre, Ferdinand Bac and Russell Page, he combines rigour, sensuality and naturalness. A patient surveyor, he creates landscapes that respect the genius of the place, the light, the wind and the local species. His gardens combine curving lines, water features, endemic vegetation and harmony of the five senses. Both rooted in tradition and subtly modern, they offer a breath of fresh air in the face of urbanisation.

Each creation celebrates life, beauty, freshness and shade, while telling a story. Mus does not seek to impose his hand, but to reveal nature. For him, a garden is a refuge, a place to share and to marvel. His style, discreet and sensual, enchants and connects man to the earth, with a thoughtful and poetic simplicity.

This book, which retraces the last ten years of the landscape artist’s creative work, is a celebration of the beauty of the world and the joy of living.

• This book offers a rare and intimate look at Jean Mus’ most recent ten years of work.

• More than a design book, this is a celebration of Mus’ philosophy.

Marina Picasso is a writer and patron of the arts. Dane Mcdowell, journalist and academic, is former deputy editor-in-chief of a decorating magazine, author of several books on architecture, gardens and the art of living.

Size 22.5 × 28.5 cm

(8¾ × 11¼ in.)

240 pages

190 colour illustrations hardcover

ISBN 978-88-572-5451-7

£ 50.00, $ 70.00

PUBLICATION April 2026

HA INDOO CYCLONE OF LIGHT

edited by Oh Kwangsu, Bae Wonjung

The first international publication on a pioneer of Korean Abstract Art

Ha Indoo (1930-1989) stands as a pioneering figure in the history of Korean contemporary art. Drawing from traditional Korean aesthetics and Buddhist philosophy, he developed a unique form of geometric, non-formal abstraction that opened new horizons for Korean abstract art. Known for his experimental spirit and distinctive visual language, he left a profound impact on both his peers and subsequent generations.

This richly illustrated monograph is the first comprehensive international publication to chronicle Ha Indoo’s artistic journey, spanning from his early works in the 1950s to his final creations in the 1980s. Through a wide array of paintings, the volume traces the evolution of his practice while shedding light on the philosophical and aesthetic depth embedded in his work. Featuring rare archival materials, photographs of his studio, and key exhibition highlights, the book offers an intimate glimpse into the artist’s creative environment and contemplative process.

• This first in-depth international publication dedicated to Ha Indoo offers an unprecedented look at the life and legacy of a pivotal figure in Korean contemporary art.

• More than a visual record, this volume stands as a vital document that introduces Ha Indoo’s legacy to the global audience, presenting the essence of his artistic vision.

Oh Kwangsu, art critic and writer, renowned as a leading figure in Korean contemporary art criticism. He has shaped Korean art’s identity through critical writing and served as Director of the Gwangju Biennale, Director of MMCA, Korea, and Chairman of the Arts Council Korea. Bae Wonjung, Korean curator, and art critic, currently serves as a curator of MMCA, Korea. She is specialized in East Asian modern art and is actively engaged in exhibition planning and scholarly research based on her studies in the field.

DAN BASEN

foreword by Krystyna Gmurzynska and Mathias Rastorfer preface by Jonathan D. Katz, texts by Ekin Erkan

Rediscovering the forgotten visionary of 1960s Manhattan scene

Size 21 x 29,7 cm

(8½ × 11½ in.)

224 pages

170 colour illustrations

hardcover

ISBN 978-2-37074-292-6

£ 45.00, $ 65.00

PUBLICATION

January 2026

Dan Murray Basen (1939-1970) was a captivating and largely overlooked artist of the 1960s downtown Manhattan scene. Though long neglected by art history, he left a lasting impression on those who knew him, friends, lovers, and fellow artists alike. He helped introduce Allan Kaprow’s Happenings to Baltimore, blurred the line between Pop art and Nouveau Réalisme, and exhibited alongside icons like Andy Warhol, Roy Lichtenstein, and Robert Rauschenberg. Yet he resisted easy classification, critiquing commercial Pop, dabbling in folk art, surrealist film, performance, and assemblage.

This monograph is the first academic art historical treatment of Dan Basen, the result of two years of research drawing on letters, diaries, archival footage, interviews, and long-lost ephemera. From gallery shows to philosophical musings, from queer eroticism to Dadaesque provocations, Basen’s work reveals a complex artist who bridged genres with visionary intensity and often, self-destruction. Dan Basen’s refusal to conform may explain his marginalization. Yet his art was collected by major figures like the Rockefellers and displayed in key institutions. With renewed scholarly interest in outsider and folk traditions, Basen’s legacy, marked by raw experimentation and fierce independence, deserves a rightful place in the broader narrative of postwar American art.

• The first academic art historical treatment of Dan Basen.

• Published with Galerie Gmurzynska.

Krystyna Gmurzynska and Mathias Rastorfer are co-owners of the gallery Gmurzynska in Zurich. Jonathan D. Katz is an art historian, educator and writer. Ekin Erkan is a philosopher, art critic, and art history researcher.

Size 23 × 29 cm

(9 × 11½ in.)

dual-language edition (Italian-English)

240 pages

300 colour illustrations hardcover

ISBN 978-88-572-5470-8

£ 35.00, $ 45.00

PUBLICATION

April 2026

FRANCESCA TULLI

edited by Jonathan Turner

The first complete monograph on the Italian artist and her original and visionary realism

This book is the first indepth publication devoted to the work of Francesca Tulli (1956-2024). Francesca Tulli’s paintings and sculptures have developed as parallel practices, linked by her personal interpretation of a complex and perceptive realism, balanced between the naturalistic and the surreal. Her paintings, in black-andwhite or in bold colour, often depict lush domestic interiors which are seemingly comfortable, yet due to their tilted perspectives and unusual viewpoints, become strangely unsettling. Her final canvases show patterned rugs which appear to be moved by subterranean forces or mysteriously sucked into vortexes. In her sculptures, the artist’s sinuous figures are posed in dynamic equilibrium, sometimes existing as athletes or “mutated” creatures. Made from bronze, terracotta or plaster, her figures shift between classical and futuristic, integrated with different materials including rusty steel, photographs, sand, glass spheres and led-lights. Tulli’s figures are beings which are simultaneously familiar and other-worldly.

• Tulli’s work has been featured in numerous exhibitions including at the Italian Pavilion at the 54th Venice Biennale (2011) and Casa Italia during the Beijing Olympic Games (2008).

• The book documents Tulli’s intertwined bodies of work (painting, sculpture, drawing, photography, video and installation), offering insight into her evolving themes of transformation, identity and the human condition.

Working as a curator and art critic for more than 35 years, Jonathan Turner has organized almost 400 solo shows, group exhibitions and biennale events in museums and art galleries in Europe, Asia, Australia and America, publishing numerous catalogues, books and monographs. Working with Francesca Tulli since the mid-1990s, Turner conceived and edited this unconventional monograph in close collaboration with the artist before her death in 2024.

SUZANNE PERLMAN

texts by Jan Rudolph de Lorm, Jennifer Higgie, Margo Groenewoud, Josée Thissen-Rojer, Jan Castro, Klara Kemp-Welch, Hans Ullrich Obrist

Discover the life and work of Suzanne Perlman, an émigré artist whose art spans

continents and movements

Size 24 × 30 cm

(9½ × 11¾ in.)

200 pages

150 colour illustrations hardcover

ISBN 978-88-572-5464-7

£ 50.00, $ 70.00

PUBLICATION April 2026

This book is the first comprehensive monograph on Suzanne Perlman (1922–2020), a Hungarian-born artist whose life and work spanned continents and artistic movements. Fleeing Europe during World War II, Perlman began painting in Curaçao, where she lived for 50 years, developing a vivid expressionist style that captured the spirit of the island and its people with rare intimacy. She later studied in New York, worked with Oskar Kokoschka, and continued her practice in London into her late 90s.

Published in collaboration with The Estate of Suzanne Perlman, the book brings together leading curators, academics, and critics to explore the full range of Perlman’s oeuvre and life. It features essays and an archival interview that examine key themes in Perlman’s work: her deep-rooted engagement with place, her expressive depictions of everyday life, and her quietly radical artistic independence.

• The first in-depth publication on Suzanne Perlman’s life and work.

• Featuring 150 color images of Perlman’s paintings, alongside essays by leading curators, academics and critics, the book provides an immersive experience into her vivid expressionist style.

Jan Rudolph de Lorm, former curator at the Rijksmuseum, is a leading figure in Dutch art. Jennifer Higgie is a London-based Australian writer and podcast host, known for books on women and art. Dr. Margo Groenewoud is an emerging authority on Caribbean cultural history. Drs. Josée Thissen-Rojer, a leading voice on Curaçaoan contemporary art, is a curator, writer, and advocate. Jan Garden Castro is a New York-based art critic and author, known for work on Georgia O’Keeffe and Sonia Delaunay. Dr. Klara Kemp-Welch is a Professor at The Courtauld Institute of Art, University of London. Hans Ulrich Obrist, Artistic Director of the Serpentine, has curated over 350 exhibitions worldwide.

Size 25 × 29 cm (9¾ × 11½ in.)

English and Arabic editions

496 pages

500 colour illustrations hardcover

ISBN 978-88-572-5000-7 E

ISBN 978-88-572-5001-4 AR

£ 65.00, $ 75.00

PUBLICATION March 2026

BLACK GOLD MUSEUM

edited by Museums Commission of the Saudi Arabian Ministry of Culture texts by Jack Persekian, Christian Janicot, Khalid Al-Ramadan, Philippe Petriat, Gabriel Bauret, Brian Jacobson, Laura Hindelang, Axel Pierru, Majed Al-Moneef

The catalogue of the first permanent museum on oil provides a narration of the history of oil in human life

Since its discovery and commercial exploitation in the late 1850s, oil has been the commodity that has received the most attention worldwide. This is primarily due to its key role in economic, political, and social development, thereby shaping numerous societies and states’ destinies, structures, and interrelations. Its chemical properties, technical and economic implications, versatility, and easy transportation and storage have all made it an integral part of people’s lives and a key component of energy balances since the beginning of the 20th century. Various aspects of life are all innovations of the Age of Oil. Owing to its uses and the intricate web of connections it establishes between producers and consumers, in times of peace and war, stability and unrest, oil has been labeled a “strategic commodity” and called “black gold.” Published to celebrate the inauguration of the Black Gold Museum in Riyadh, the catalogue tells the story of the unique relationship that was formed between man and oil through an innovative artistic journey to review the formations of oil from its crude state to all its amazing branches and dimensions.

• The official catalogue of the first museum dedicated to the Black Gold.

Jack Persekian is an artist and curator. Christian Janicot is artistic director, photographer, author. Khalid Al-Ramadan is professor at King Fahd University of Petroleum and Minerals, Dhahran, Saudi Arabia. Philippe Petriat is Lecturer at Sorbonne, Paris and researcher at the French Centre for Archaeology and Social Sciences (Cefas, Kuwait). Gabriel Bauret is an art critic and curator. Brian Jacobson is a historian of modern visual culture and media. Laura Hindelang is assistant professor of architectural history and preservation at the University of Bern. Axel Pierru is the director of KAPSARC’s Energy and Macroeconomics. Majid Al-Moneef is the Secretary General of the Supreme Committee on Hydrocarbon Affairs of the Kingdom of Saudi Arabia.

WHEN ENERGY BECOMES FORM

edited by Museums Commission of the Saudi Arabian Ministry of Culture texts by Christian Janicot, Arnauld Pierre

The Art of Oil in the works of BP group for the Black Gold Museum’s inaugural

exhibition

For its inaugural exhibition, the Black Gold Museum has partnered with curator Christian Janicot in an experiential exhibition on the material nature of petroleum through selected works of the French artist collective BP. Over the last four decades, BP has associated the fetishizing of modern art with the worship of commercial gods in response to the tutelary power of oil. The shifting nature of the dialogue between past and future continues to provide Renaud Layrac – who has continued the collective’s legacy since 2008 – with ever-shifting approaches and reactions to petroleum products and industry. This catalogue conceptualizes and contextualizes discourses on the shifting nature of this vital and world-changing material. Founded in the early 1980s, BP is a French artist collective formed by Renaud Layrac, Frédéric Pohl, and Richard Bellon. The group emerged spontaneously after discovering British Petroleum stickers, which they adopted as their signature. Since then, BP has focused exclusively on the petroleum world, creating installations using industrial objects such as barrels, gas pumps, and automotive materials. Their work explores themes of appropriation, reuse, and environmental critique, often incorporating used oil as a medium. BP’s distinctive practice challenges the aesthetics and ethics of fossil fuel culture through subversive, site-specific interventions rooted in material transformation.

• The catalogue for the inaugural exhibition of the first museum dedicated to the Black Gold.

• Exploring the intersection of petroleum, society, and art, the exhibition catalogue critically examines the essential yet complex role of oil in contemporary life.

Christian Janicot, curator, works as an art consultant for exhibitions and museums, as a curator, and artistic director. Arnauld Pierre is Professor of Art History at Sorbonne University.

Size 25 × 29 cm

English and Arabic editions

(9¾ × 11½ in.)

60 pages

40 colour illustrations

paperback

ISBN 978-88-572-5044-1 E

-5045-8 AR

£ 20.00, $ 35.00

PUBLICATION

March 2026

EXHIBITION SCHEDULE

Riyadh, KSA, Black Gold Museum opening in November 2025

Size 25 × 28.5 cm

(9¾ × 11¼ in.)

English and Arabic editions

228 pages

75 colour illustrations hardcover with slipcase

ISBN 978-88-572-5440-1 E

-5441-8 AR

£ 85.00, $ 120.00

PUBLICATION April 2026

AL AIN MUSEUM UNCOVERING THE PAST

The catalogue of the renewed Al Ain Museum and of its rich and vital collection

Al Ain Museum stands as a profound testament to the rich cultural heritage and historical identity of Abu Dhabi and the United Arab Emirates, serving as both a guardian and storyteller of the region’s ancient past. Situated in the verdant oasis city of Al Ain, within the emirate of Abu Dhabi, this museum occupies a unique place in the urban fabric of the UAE – a country that has witnessed rapid modernisation and urban growth while remaining deeply rooted in its traditions. The oldest in the UAE, Al Ain Museum was founded in 1969 under the guidance of Sheikh Zayed bin Sultan Al Nahyan, the Father of the Nation, out of a visionary desire to preserve, protect and celebrate the Emirates’ heritage and the deep-rooted history of the region. As an archaeological and ethnographic museum, Al Ain Museum uniquely showcases artifacts from various periods – including the Bronze Age, Iron Age and Islamic eras – providing invaluable insights into the daily lives, trade, craftsmanship and beliefs of the region’s early inhabitants. Its collections emphasize the connection between human settlement, natural environment and cultural evolution, highlighting the oasis’ vital role in sustaining life in an otherwise harsh desert landscape.

This publication aims to guide readers through the stories and significance of the collection of the Al Ain Museum, inviting all to appreciate the rich tapestry of heritage that Al Ain represents within Abu Dhabi and the UAE at large.

• The book presents the Museum’s collection (Ceramics; Metals; Organic; Mixed materials) spanning thousands of years, from the Neolithic period (circa 8000 BCE) through to the Iron Age and into the pre-Islamic era.

• Established in 1969, the Al Ain Museum is the oldest museum in the UAE and a cornerstone of the country’s cultural heritage.

AL AIN MUSEUM BUILDING AND ENVIRONMENT

edited by Peter Sheehan

The Al Ain Museum in context, tracing heritage, architecture and renewal within the UNESCO World Heritage landscape

This publication presents an account of the Al Ain Museum within its broader cultural and archaeological context. Structured in three chapters, it explores the museum’s significance within the UNESCO World Heritage landscape of Al Ain, its architectural and historical evolution, and its recent rehabilitation.

The first chapter situates the museum within the cultural landscape of Al Ain, offering archaeological and historical insights into the region. Contributions by Peter Sheehan and Michel De Vreeze provide foundational context, while Abdul Rahman Al Nuaimi discusses the World Heritage designation. Cartographic inserts and a foldout timeline enhance spatial and temporal understanding. The second chapter focuses on built heritage, particularly Haret Al Hosn and the museum’s historical development. It includes archaeological analyses and conservation perspectives from Peter Sheehan and Amel Chabi. The last chapter addresses the museum’s rehabilitation, emphasising archaeological investigations conducted during construction and before it, as well as the architectural vision by Dabbagh Architects. A foldout floor plan illustrates curatorial zoning and interpretive strategies.

• While grounded in rigorous archaeological and conservation scholarship, the publication is designed for a general audience. Its accessible language and visually engaging layout aim to foster broader public understanding of Al Ain’s cultural heritage and the museum’s role within it.

• The book also serves as a valuable reference for heritage professionals, archaeologists, and conservationists committed to the sustainable stewardship of cultural assets.

Peter Sheehan is an archaeologist who has been working in and around historic buildings and urban landscapes in Egypt and the Middle East for the last 30 years. His particular interests include historic building investigations and preservation, urban site formation processes and the development of cultural landscapes.

Size 21 × 26.5 cm

(8¼ × 10½ in.)

English and Arabic editions

208 pages

150 colour illustrations

hardcover

ISBN 978-88-572-5475-3 E

-5476-0 AR

£ 60.00, $ 80.00

PUBLICATION

April 2026

Size 25 × 28.5 cm

(9¾ × 11¼ in.)

English and Arabic editions

200 pages

200 colour illustrations hardcover

ISBN 978-88-572-5455-5 E -5456-2 AR

£ 60.00, $ 80.00

PUBLICATION April 2026

THE HIDDEN TREASURES OF THE NATURAL HISTORY MUSEUM ABU DHABI

edited by Natural History Museum Abu Dhabi

A timeless journey through the cosmos and life on Earth

Discover the hidden treasures of the Natural History Museum Abu Dhabi, a journey through time that unveils the story of our universe, the formation of our planet, and the evolution of life on Earth.

At the heart of this book are extraordinary specimens from the museum’s growing collection, each chosen for their ability to spark curiosity and deepen our appreciation of the natural world.

Through beautiful images, these treasures illuminate key moments that shaped our Solar System and life on Earth. Guided by the mission of the Natural History Museum Abu Dhabi—an establishment dedicated to research, education, and sustainability—this book reflects the museum’s role as a global resource rooted in the heritage of the Arabian Peninsula. Located within the vibrant Saadiyat Cultural District, it invites readers to embark on an inspiring journey of discovery and connection with natural history.

• The book offers readers an immersive journey through time, unveiling some of the rarest and most iconic marvels of natural history.

• Discover rare treasures from the museum’s collection, brought to life through stunning visuals.

• A celebration of science, sustainability and the Arabian Peninsula’s natural legacy.

GOLDEN INK A JOURNEY THROUGH ARAB & ISLAMIC MANUSCRIPTS

edited by Doaa Nounou

A

journey through time across the Islamic world, guided by exquisite manuscripts and artefacts that reveal unexpected stories

Size 24 × 28 cm

(9½ × 11 in.)

tri-lingual edition (English-Arabic-French)

304 pages

150 colour illustrations hardcover

ISBN 978-88-572-5474-6

£ 50.00, $ 75.00

PUBLICATION

April 2026

EXHIBITION SCHEDULE

Abu Dhabi, Qasr Al Watan

7 October 2025 – 7 April 2026

Montréal, McGill University from January 2027

The official catalogue for Golden Ink: A Journey Through Arab & Islamic Manuscripts accompanies the landmark exhibition opening at Qasr Al Watan, the Presidential Palace in Abu Dhabi, in October 2025 and traveling to McGill University, Montréal, in January 2027.

This trilingual publication (English, Arabic, French) includes over 250 pages of essays and full-color reproductions of rare manuscripts from prestigious collections. It highlights treasures never before published, offering readers an unprecedented opportunity to engage with previously unseen material. The catalogue traces the evolution of Arabic calligraphy, illumination, and manuscript culture, serving as a valuable reference for academic study and general appreciation alike.

As the essential companion to the exhibition, the book is expected to attract strong interest from libraries, museums, universities, and collectors.

• A richly illustrated exploration of Islamic art, calligraphy, and intellectual history across centuries and regions.

• From sacred calligraphy to illuminated texts and scholarly traditions, the book reveals how writing was both an act of devotion and a vehicle for knowledge transmission.

Doaa Nounou, Manuscripts Research Lead at the Abu Dhabi Department of Culture and Tourism.

Size 27 × 34 cm

(10½ × 13¼ in.)

256 pages

300 colour illustrations hardcover

ISBN 978-88-572-5472-2

£ 65.00, $ 85.00

PUBLICATION May 2026

MAGAN REDISCOVERED THE BUILDING OF A BRONZE AGE BOAT THAT SAILED THE ARABIAN GULF

text by Jonathan Gornall; edited by Mo Gannon

Celebrating the UAE’s maritime heritage

The book documents a remarkable experimental archaeology project by Zayed National Museum, in partnership with Zayed University and New York University Abu Dhabi: the recreation of a Bronze Age boat that in 2024 successfully sailed off the coast of the United Arab Emirates, once part of an ancient region known as Magan. Guided by archaeological evidence found across the region, including on Abu Dhabi’s Umm an-Nar Island, a team of scholars and traditional boatbuilders recreated the boat to gain knowledge of how Magan connected with its trading partners and to shed light on the UAE’s maritime heritage. Using only hand tools, the team employed techniques and materials based on clues found in ancient evidence, with reed bundles for the hull, black bitumen for the waterproofing and goat hair for the sail. The boat has a home in Zayed National Museum at the heart of Abu Dhabi’s Saadiyat Cultural District.

Through a fascinating narrative and beautiful design, the book takes a deep dive into the archaeological evidence of Bronze Age boats, the building of the museum’s Magan Boat and two days of sea trials around the islands of Abu Dhabi.

• With rich visuals and compelling storytelling, the book offers a unique insights into ancient boatbuilding and the Arabian Gulf’s role as a key trading centre in the past.

• An original project that blends rigorous scholarship with the hands-on knowledge of traditional boatbuilders, bringing Bronze Age techniques and materials vividly to life.

Jonathan Gornall is a journalist, formerly with The Times of London, who has lived and worked in the United Arab Emirates. He is also a sailor and a very amateur boatbuilder. Mo Gannon, the senior English editor at Zayed National Museum, has worked as a journalist in the Arabian Gulf region since 2008. She spent her childhood sailing along Canada’s West Coast.

“I Paint Your Grace, I Paint Your Pain, I Paint Love”

REZA DERAKSHANI

SELECTED WORKS FROM 10 DIFFERENT SERIES

edited by Necmi Sönmez; texts by Alistair Hicks, Olivia Sand

The

art of the Iranian painter, musician and performance artist

Reza Derakshani

Edited by Necmi Sönmez, this monograph features the works of Reza Derakshani, showcasing his unique art perspective.

Reza Derakshani is a passionate painter. A hallmark of his paintings is their poetic surface; his subjects are figurative but nevertheless not easly deciphered. To understand the historical relevance of Reza Derakshani, his work must be conceived of as the result of a cross between transnational artistic avant-garde, music pratice, and political activity. It operates in synchrony with contemporary avant-garde language and, in profundity, is deeply rooted in Irans Post-Revolution cultural and social context. Since the mid 1980s, Reza Derakshani has been working on his pictorial vocabulary, which is marked by emotional narration, illusive leitmotives and fluent migration references. Derakshani’s work is characterized by a unique lighter scraping technique, greater exposed areas of unprimed canvas, a precarious imaginary, and the introduction of textual traces. His ongoinig series complement this output with mythic, often cryptic, archetypes and allegories. Derakshani’s world of poetic and music quotations is a gateway to a different fluent universe opened up by a multitude of references and ciphers that can be traversed emotively in a Situationist “dérive”.

• Derakshani has been showcased in numerous solo and group exhibitions across the globe.

• Derakshani’s work has been widely recognized in publications and in several international television programs and radio shows.

Dr. Necmi Sönmez is an independent curator who has led international cooperation and worked with different museums. Alistair Hicks is a writer and curator. Olivia Sand, a contributor to Asian Art Newspaper since its launch in 1997, has been among the first journalists to focus on contemporary Asian and Islamic art.

Size 24 × 30 cm

(9½ × 11¾ in.)

352 pages

200 colour illustrations hardcover

ISBN 978-88-572-4924-7

£ 60.00, $ 75.00

PUBLICATION

March 2026

Size 24 × 31 cm

(9½ × 12¼ in.)

208 pages

120 colour illustrations hardcover

ISBN 978-88-572-5454-8 £ 50.00, $ 60.00

PUBLICATION March 2026

EXHIBITION SCHEDULE

Malta, MICAS Malta International Contemporary Art Space from 24 October 2025

MILTON AVERY COLOUR, FORM & COMPOSITION

edited by Edith Devaney

Milton Avery, the poet of colour

“Why talk when you can paint?” the reticent Milton Avery, grand colourist of modern American art, is reported to have once said. As an aphorism it seems to encapsulate the silent world of this prodigious artist whose method of communication was his canvas. Avery was revered by those who saw in him a master of colour, as his works graduated from early Impressionist landscapes, to the flattened forms of colour that critics say paved the way for the Abstract Expressionists of the 1950s. Avery remains an influential painter for today’s generation of contemporary artists.

• The book is published on the occasion of the most comprehensive European survey of Milton Avery’s work to date.

• It includes contributions and works by leading contemporary artists — including March Avery, Henni Alftan, Jonas Wood, and Nicolas Party — responding to Avery’s legacy and use of colour.

Edith Devaney is the artistic director at MICAS. For twenty years she was a senior curator at the Royal Academy of Arts where she was responsible for originating and curating exhibitions.

THE SPACE WE INHABIT

edited by Edith Devaney

The works of six Maltese artists and their relationship with space

Size 24 × 28 cm

(9½ × 11 in.)

176 pages

100 colour illustrations hardcover

ISBN 978-88-572-5452-4

£ 45.00

PUBLICATION February 2026

EXHIBITION SCHEDULE

Malta, MICAS Malta International Contemporary Art Space 14 June 2025 28 September 2025

Throughout the 20th century, Maltese art evolved from traditional academic styles toward modernism, with its artists frequently training in European centres, engaging with global themes while maintaining connections to the island's unique cultural heritage.

The book features the works – including paintings, sculpture, video and sound-based work – of six Maltese artists of different generations, with almost all establishing far-reaching reputations: Caesar Attard, Vince Briffa, Austin Camilleri, Joyce Camilleri, Anton Grech and Pierre Portelli. Arranged around the theme of space – both real and imagined – each of the six artists has responded in different ways, with some evoking a sense of a landscape and others taking a more conceptual view on the idea of space, and by extension, place.

• A celebration of Maltese contemporary art through the works of six renowned Maltese artists offering a distinct perspective on the evolving concept of space.

• The book, and the exhibition, underlines Malta’s rising global presence in contemporary art.

Edith Devaney see above.

OLIVIERO LEONARDI: VITREOUS ENAMEL PAINTINGS

texts by Renato Miracco, Andrea Cortellessa, Stefano Chiodi, Luca Beatrice, Katarina Đošan, Régine Suhas, and Giulia Beatrice

Rediscovering

the work of the Italian artist

This comprehensive publication serves as a compelling academic rediscovery of Oliviero Leonardi (1921 – 2019) through the lenses of its most unique medium: vitreous enamel painting on steel plates. With detailed insights from authoritative contributors in the field and an expertly curated selection of works, the book offers a deep dive into the artist’s innovative techniques, themes, and contributions to the evolution of postwar art in Italy and Europe. This unique publication is meant to become the scientific reference on the artist and offers scholars, curators, art enthusiasts and collectors a rare opportunity to revisit an important, yet overlooked, figure of the postwar Italian art scene.

• A unique publication that revisits for the first time in the last 40 years the forgotten legacy of Oliviero Leonardi, a pioneer in vitreous enamel painting on steel.

Renato Miracco is a scholar, art critic, and curator. Andrea Cortellessa is a literary critic and historian of Italian literature. Luca Beatrice was an art critic, curator, and journalist. Katarina Đošan is an art curator at the National Museum of Serbia. Regine Suhas is the President of Association Oliviero Leonardi. Giulia Beatrice is a Ph.D. candidate in art history at the University of Zurich.

SHAY FRISH: HALO

edited by Shai Baitel

“A halo can be visible or invisible, yet it is always a manifestation of the inner nature of things.” –Shay Frisch

In Halo Shay Frisch reimagines the traditional notions of the halo for a contemporary audience. By drawing on historical, spiritual, and technological themes, the artist invites viewers to engage with energy as both a physical phenomenon and a metaphor for infinite possibility. Halo highlights the artist’s large-scale, site-specific installations where light becomes a visible manifestation of electricity. Frisch’s work connects sacred and secular realms and explores the enduring power of circular motifs to evoke connection, balance, and transcendence. Using circuits, bespoke electrical components, and industrial materials, the artist arranges these elements into geometric forms that emit light, transforming inert objects into dynamic fields of energy.

• Shay Frisch’s works have been shown in various museums and foundations all around the world.

Shai Baitel, exhibition curator and writer, is the artistic director of The Modern Art Museum (MAM) in Shanghai.

Size 24 × 28 cm

(9½ × 11 in.)

dual-language edition (English-Italian)

312 pages

350 colour illustrations hardcover

ISBN 978-88-572-5429-6

£ 60.00, $ 80.00

PUBLICATION

January 2026

Size 24 × 28 cm (9½ × 11 in.)

English-Chinese edition

128 pages

65 colour illustrations

paperback

ISBN 978-88-572-5431-9

£ 40.00, $ 55.00

PUBLICATION

January 2026

EXHIBITION SCHEDULE

Shanghai, Modern Art Museum

30 March – 2 June 2025

Size 25 × 32 cm (9¾ × 12½ in.)

424 pages

300 colour illustrations hardcover

ISBN 978-2-37074-294-0

£ 70.00, $ 90.00

PUBLICATION April 2026

ARIK LEVY: INSIDE OUT

texts by Jean-Claude Carme, Tom Fecht, Hans Irrek, Pitsou Kedem and Jérôme Peignot

The latest monograph of the artist, renowned for his iconic Rock sculptures and monumental installations

Arik Levy is a world-renowned multidisciplinary artist whose creative force spans sculpture, industrial design, photography, video, and contemporary art. Born in Tel Aviv in 1963 and based in Paris, Levy is best known for his iconic Rock sculptures and his monumental public installations that transform spaces into emotional landscapes. Levy’s artistic philosophy is rooted in emotional resonance and spatial dialogue. He sees life as a “system of signs and symbols,” and his works often reflect this sense of coded beauty—objects that provoke reflection, emotion, and interaction.

• Arik Levy’s celebrated Rock series, with its mineral, crystalline forms, has been exhibited and installed in public spaces across the globe—from RockGrowth at the Atomium in Brussels to RockFormationTower in Saint-Paul-de-Vence and major projects in Moscow, Istanbul and Switzerland.

• Levy’s works are included in major collections including the Centre Pompidou (Paris), the Victoria & Albert Museum (London), and the Art Institute of Chicago.

Tom Fecht, artist and scientist. Pitsou Kedem, architect. Hans Irrek, essayist. Jérôme Peignot, poet.

CLÉMENCE VAN LUNEN

texts by Arie Hartog, Harry Bellet, Ludovic Recchia

This monograph reveals how Clémence van Lunen found her artistic voice in ceramics

Size 24 × 28 cm (9½ × 11 in.)

tri-language edition (French-English-German) 184 pages

150 colour illustrations hardcover

ISBN 978-2-37074-288-9 £ 35.00

PUBLICATION January 2026

EXHIBITIONS SCHEDULE Keramis, Centre de la céramique

Louvière (Belgium)

October 2025 – March 2026 Bremen, Germany

Gerhard-Marcks-Haus March–June 2026

This monograph traces the career of Clémence van Lunen, a sculptor who trained in Belgium with Michel Smolders and then at the Beaux-Arts in Paris. Although she first explored materials such as wood and metal latticework, it was in ceramics that she found her true artistic fulfilment. Her commitment to this medium was affirmed through a series of important residencies: first in Spain and France and above all in China, at Jingdezhen, where she has worked regularly since 2004 in a converted former state factory. Passionate about teaching, Clémence van Lunen teaches drawing and sculpture at a number of institutions, including the École Nationale Supérieure d’Art et de Design of Nancy. She was also the Director of the Ateliers Beauxarts of Paris. This publication highlights a dense and coherent career, in which ceramics becomes the vehicle for a personal and demanding sculptural language.

• In collaboration with Galerie Polaris, Keramis - Centre de la Céramique and Gerhard-MarcksStiftung Museum.

Arie Hartog is director of the Gerhard-Marcks-Haus in Bremen. Harry Bellet is a journalist, writer and art historian. Ludovic Recchia is director and curator of the Keramis - Centre de la Céramique in La Louvière (Belgium).

GUY DE MALHERBE

essays by Cyrille Sciamma and Pierre Wat. Foreword by Olivier Kaeppelin

A painter of the French art de vivre

Born in 1958, Guy de Malherbe lives and works between Paris and his studio in Poncé-sur-Loir, Sarthe. His still-lifes are often inspired by memories of shared, convivial moments. With great humor, they combine gastronomy and painting to maliciously illustrate a French art de vivre. Witness to happiness as well as the ephemeral, they are a philosophical reminder of the brevity of life. At the same time, his still-lifes are also an exploration of an artistic heritage: the oyster self-portraits are sometimes pop in the manner of Andy Warhol, sometimes classical in the tradition of Jean Siméon Chardin, sometimes almost surreal, recalling the enigmatic landscapes of Giorgio de Chirico. These pictorial allusions are complemented by a play on self-reference: oysters, shores and rocks are part of a series of paintings that respond to each other over the years.

• A comprehensive portrait of a singular artistic voice.

• The book traces the evolution of Guy de Malherbe’s richly personal and multifaceted work.

Cyrille Sciamma is director of the Musée des impressionnismes in Giverny. Pierre Wat is a French art historian, art critic and university professor. Olivier Kaeppelin is a French curator, art critic and author.

JITISH KALLAT

A monograph on one of the most famous Indian artists of his generation

Born in 1974 in Mumbai, Jitish Kallat is one of the most profound and insightful Indian artists of his generation. He uses artistic media as varied as painting, collage, sculpture, video, photography and installations to establish a philosophical and poetic dialogue between the cosmos and everyday life. Tender, concerned and ironic, his works are inspired by current Indian politics as well as by sociology, biology, astronomy and archaeology. In 2015, the video The Eternal Gradient featured 365 round Indian buns - rotis - imitating each phase of an annual moon cycle, combining the beauty of the stars with that of everyday life. In 2017, after a five-year break, he returned to painting with Palindrome/Anagram Painting, a mysterious herbarium in which oversized fossils stand alongside delicate vegetation. Time, ritual and nature also drive his latest installation: in early 2023, in front of Somerset House in London, Whorled (Here After Here After Here) unrolls 168 metres of concentric spirals made of biodegradable mesh and printed on one side, like road signs, with the names of worldwide locations threatened by rising waters or already destroyed.

• The book explores the profound artistic journey of Jitish Kallat, one of India’s most influential contemporary artists, represented by Galerie Templon in France and Belgium.

Size 22 × 29 cm

(8½ × 11½ in.)

(dual-language edition)

184 pages

100 colour illustrations hardcover

ISBN 978-2-37074-264-3

£ 35.00, $ 45.00

PUBLICATION

January 2026

EXHIBITION SCHEDULE

Paris, Galerie La Forest

Divonne from 6 November 2025

Size 20 × 26 cm

(7¾ × 10½ in.)

dual-language edition

(English-French)

208 pages

150 colour illustrations hardcover

ISBN 978-2-37074-239-1

£ 45.00

PUBLICATION

March 2026

Size 27 × 30 cm

(10½ × 11¾ in.)

196 pages

120 colour illustrations hardcover

ISBN 978-88-572-5437-1

£ 50.00, $ 70.00

PUBLICATION June 2026

EXHIBITION SCHEDULE Malibu, CA

Frederick R. Weisman Museum of Art at Pepperdine University, 2026

RUTH PASTINE: LIMITLESS

edited by Nancy Zastudil. Texts by Shana Nys Dambrot, Andrea Gyorody, Dorothy Kosinski, Julie Perlin Lee

The first comprehensive monograph on the acclaimed artist

Ruth Pastine (b. 1964) is known for her minimalist colour field paintings and multi-panel installations that extend the sensibilities of the 1960s Southern California Light and Space movement. For more than forty years, Pastine has pursued a phenomenological investigation of visual perception, which she explores through the materiality of paint and the elusive and relative qualities of colour, radiance, and depth. This fully illustrated monograph situates the artist’s work in the context of 20th- and 21-century painting, abstraction, minimalism, and perceptual art in relation to Light and Space through an examination of the tensions that drive her practice: materiality and immateriality, the known and the unknown, the finite and the limitless.

• The book contributes new scholarship from practitioners who demonstrate a longstanding commitment to contemporary painting, Light and Space, post-war abstraction, and minimalism, and to the growing swell of critical interest in women artists who have been historically influential but underrepresented and less known internationally.

Nancy Zastudil has been advocating for artists’ voices for nearly two decades. She has edited numerous exhibition catalogues and monographs.

TERESA MARGOLLES

edited by Denise Wendel-Poray. Texts by Imma Prieto, Zairong Xiang, Udo Kittelmann

Contemporary Mexican artist Teresa Margolles and the aesthetics of violence

Size 22 × 28 cm (8½ × 11 in.)

dual-language edition (English-Spanish)

304 pages

150 colour illustrations hardcover

ISBN 978-88-572-5439-5

£ 55.00, $ 75.00

PUBLICATION February 2026

exhibition schedule Contemporáneo de Monterrey (MARCO), Mexico 13 November 2025 1 March 2026

In Mexico, a country that daily faces the brutal reality of femicide, forced migration, institutional violence and social marginalization, Margolles’ work acquires an urgent relevance. Her artistic approach, which delves into the raw and tangible materiality of trauma, enables the public to directly confront realities that are usually invisible or silenced. The strength of her proposals lies precisely in this ability to transfer structural violence to the space of aesthetic contemplation, forcing the viewer to confront the ethical and emotional complexity of contemporary violence.

The book features works dating from 2004 until today. These range from large installation, including sound installation, mixed media works, a collaborative work with embroidered fabric, and performative works.

• Two decades of powerful work by Teresa Margolles, one of the most important conceptual artists working on themes of violence, death, and social injustice in Latin America.

Denise Wendel-Poray is a Canadian writer, editor and curator. Imma Prieto is a Spanish curator, writer, and researcher. Zairong Xiang is a scholar, curator, and writer. Udo Kittelmann is a renowned German curator and museum director.

ADRIANO AMARAL

edited by Germano Dushá

The first publication entirely devoted to the groundbreaking work of Brazilian artist

Spanning his most significant works from 2017 to 2025, this first monographic publication dedicated to the work of the Brazilian artist Adriano Amaral (b. 1982) features newly commissioned essays by Germano Dushá, Margot Norton, and Tamar Clarke-Brown, alongside an in-depth interview conducted by Sarah Johanna Theurer. More than a retrospective survey, the book is conceived as an extension of Amaral’s artistic method—an object that carries the same atmospheric charge and energetic density as his installations. Beyond documentation, it seeks to synthesize the core pursuits, concepts, and visualities that have defined the artist’s practice over the past 15 years.

• Featuring insightful contributions from leading curators and critics, the book offers an in-depth look at Amaral’s evolving practice.

Germano Dushá is a curator, writer, and cultural agent. In the intersection of aesthetics, critical thinking and esoteric traditions, his practice assumes multiple forms—as curatorial, literature, and hypermedia experiments—to investigate social imaginaries, and dwell on the energy fluxes connected to radical subjective experiences and transmutation processes. With Skira he recently published Paulo Monteiro (2024).

THE FINE ARMS: GEOPOLITICS OF CONTEMPORARY ART

edited by Enrico Mascelloni

Contemporary art and its central role in the global geopolitical landscape

Contemporary art, positioned at the intersection of market forces and cultural trends, has become a crucial marker of national influence and identity. Contrary to the widespread belief that contemporary art possesses a unique capacity to resolve conflicts and promote cross-cultural understanding, this book argues that such assumptions are increasingly misplaced. In a context marked by the resurgence of nationalism and geopolitical tensions, contemporary art functions less as a force for reconciliation and more as a strategic tool within international power dynamics. The first part of the book undertakes a critical examination of contemporary art’s interactions with diverse societal domains, including religion, violence, tourism, globalization, and the art market. The second part offers a series of monographic analyses that trace the growing centrality of contemporary art across twenty-five nation-states.

• Written by the renowned curator, a unique geopolitical lens covering 25 countries.

Enrico Mascelloni is an art critic with an interest in geopolitics. His analysis of the relationship between contemporary art and geopolitics has focused on some of the most daring movements of the Western avant-garde, on the visual renewal of Central Asia and Sub-Saharan Africa.

Size 24 × 26 cm

(9½ × 10¼ in.)

224 pages

170 colour illustrations

hardcover

ISBN 978-88-572-5459-3

£ 45.00, $ 65.00

PUBLICATION April 2026

Size 15 × 21 cm

(5¾ × 8¼ in.)

288 pages

b/w illustrations

paperback

ISBN 978-88-572-5460-9

£ 30.00, $ 40.00

PUBLICATION

April 2026

Size 24 × 30 cm

(9½ × 12 in.)

dual-language edition (English-French)

208 pages

150 colour illustrations hardcover

ISBN 978-2-37074-297-1

£ 40.00

PUBLICATION June 2026

NAJIA MEHADJI

edited by Michel Gauthier

A comprehensive retrospective of a unique Franco-Moroccan voice

Najia Mehadji, Franco-Moroccan painter and draughtswoman, explores abstraction, gesture, and spirituality, creating works that span more than forty years of practice. An expressive and contemplative artist, she draws on both Western avant-garde movements and Mediterranean and Sufi traditions. Her paintings and drawings combine fluid movement, intricate arabesques, and a profound sense of rhythm and space. Each piece is an exploration of the invisible, a dialogue between movement, color, and light. Mehadji’s work is at once deeply personal and universally resonant. It balances intensity and serenity, spontaneity and discipline, inviting viewers to contemplate the inner and outer worlds.

• Co-edited by L’Atelier 21 art gallery, an essential monograph highlighting one of the most prominent Morrocan contemporary art female artists.

• Part of the Figures collection curated by Brahim Alaoui, former director of the Museum of the Institut du monde arabe, exhibition curator, and cultural engineering consultant.

Michel Gauthier is art historian, curator at the Centre Pompidou, author of several books on contemporary art and modern painting, and author of this monograph.

ALYMAMAH RASHED: LANDSCAPES OF SPIRIT

edited by Océane Sailly. Texts by Océane Sailly, Sulayman Al Bassam, Genevieve Hyacinthe, Julie Bonnéric, Mathqaf and Alymamah Rashed

The first publication dedicated to the Kuwaiti artist

Size 21 × 30 cm

(8¼ × 12 in.)

144 pages

100 colour illustrations hardcover

ISBN 978-88-572-5480-7

£ 45.00, $ 55.00

PUBLICATION April 2026

This first monograph offers a comprehensive insight into the practice of Alymamah Rashed (b. 1994), the Kuwaiti visual artist who explores topics of identity and the natural environment through the story of her body. The book explores the central themes that shape her work, presenting the philosophy behind her relationship to painting, watercolors, performance, and time-keeping, while also opening the doors of her studio to the reader. Richly illustrated, the monograph reveals how Rashed’s practice is rooted in the body as a vessel, the spirit’s multiplicity, and the dialogue between natural environments, memory, and mythology.

• A visual and conceptual map of Rashed’s evolving artistic universe, with original essays and poems authored by the artist herself, offering readers an intimate access to her voice.

Océane Sailly is the founder and director of Hunna Art, a gallery dedicated to showcasing emerging women artists from the Arabian Peninsula. Sulayman Al Bassam is a Kuwaiti playwright, theatre director and actor. Genevieve Hyacinthe teaches History of Art and Visual Culture at CCA, San Francisco. Dr. Julie Bonnéric is an archaeologist and researcher at the French Institute of the Near East. Mathqaf is a research-based platform and curatorial collective focused on modern and contemporary art from West Asia and North Africa.

MAKNANA: AN ARCHAEOLOGY OF NEW MEDIA ART IN THE ARAB WORLD

edited by Haytham Nawar and Ala Younis

A unique account of Arab New Media Art

New Media art is a dynamic interplay of technology and artistic expression. Organized by Diriyah Art Futures, the first New Media Arts hub in the Middle East and North Africa region, Maknana offers a unique lens into the intersection of art and technology within the Arab world, inviting reflection on both the past and future of artistic expression in a rapidly changing landscape. Maknana is a homage to the collective journey of Arab New Media artists who have found ways to navigate, adapt, and repurpose global technological trends to reflect their unique perspectives.

• Bringing together more than fifty artists from across the Arab world, Maknana highlights a crucial moment in the history of contemporary art

Haytham Nawar is a practicing artist, designer, and scholar in the fields of art and design. He currently serves as Director of Diriyah Art Futures at the Ministry of Culture in Riyadh and a tenured faculty member at the American University in Cairo. Ala Younis is an artist focusing on research, film, and publishing projects. She worked as co-Artistic Director of Singapore Biennale (2022) and research scholar at al Mawrid Arab Center for the Study of Art at NYU Abu Dhabi.

AKADEMY DIALOGUES: INTERVIEWS BY SHAI BAITEL

edited by Shai Baitel

A selection of intimate, thought-provoking interviews with globally influential women

This book presents a curated series of in-depth interviews with a dozen influential members of London’s Akademy Club—a private members club originated in London’s Soho, with extensions in the Emirates and Miami, known for its intellectual rigor and eclectic membership across the arts, sciences, diplomacy, and cultural leadership. The Akademy is a discreet hub for independent thinking, offering an intimate window into contemporary cultural life.

Led by Shai Baitel—artistic director, curator, and cultural interlocutor—Akademy Dialogues serves as a taxonomy of leading women around the world. Each chapter captures a candid conversation with a woman who has reshaped her field.

• From artist Marina Abramović to astronaut Helen Sharman, the book provides a compelling glimpse into London’s Akademy Club.

Shai Baitel, exhibition curator and writer, is the artistic director of The Modern Art Museum (MAM) in Shanghai.

Size 25 × 29 cm (9¾ × 11½ in.)

English and Arabic editions

300 pages

200 colour illustrations hardcover

ISBN 978-88-572-5046-5 E -5047-2 AR

£ 60.00, $ 75.00

PUBLICATION

January 2026

Size 24 × 31 cm

(9½ × 12¼ in.)

252 pages

70 colour illustrations hardcover

ISBN 978-88-572-5446-3

£ 70.00, $ 95.00

PUBLICATION

March 2026

Size 23 × 29 cm

(9 × 11½ in.)

German edition

224 pages

210 colour illustrations paperback ISBN 978-2-37074-295-7

£ 35.00

PUBLICATION

April 2026

EXHIBITION SCHEDULE

Bonn, Kunst und Ausstellungshalle der Bundesrepublik

Deutschland

13 March – 9 August 2026

AMAZÔNIA INDIGENOUS CREATIONS AND FUTURES

edited by Leandro Varison and Denilson Baniwa

Discover the riches of the Amazonian worlds

The Amazônia catalogue presents the contemporary nature of Amazonian worlds across time and space, revealing singular historical and aesthetic concepts.

Despite its fame, this part of the world remains paradoxically little-known. Beyond the virgin forest fantasised by the West, this publication presents the Amazon as a complex ecosystem, through the eyes of the indigenous peoples living in the region. Diverse and plural, they are both ancient and contemporary. With over 200 illustrations – contemporary art, ephemeral or immaterial art (languages, songs, body art), works from the collections of the Musée du Quai Branly, among others – this book invites readers to discover the Amazon as a place of knowledge, creation, and protest deeply rooted in the present.

• The catalogue centers the voices and visions of indigenous Amazonian peoples, offering a rare and authentic look at their cultures.

Leandro Varison is head of research at the musée du quai Branly — Jacques Chirac. Denilson Baniwa is an artist, curator, designer, and activist for the rights of Brazilian indigenous peoples.

MONTRESSO ART FOUNDATION

texts by Estelle Guillié, preface by Jean-Louis Haguenauer

Montresso Art Foundation: 16 years of shaping contemporary art in Morocco and beyond

Size 22 × 32 cm

(8½ × 12½ in.)

dual-language edition (English-French) 208 pages

180 colour illustrations hardcover

ISBN 978-2-37074-296-4

£ 50.00, $ 75.00

PUBLICATION May 2026

Founded in 2009 near Marrakech, the Montresso Art Foundation has been a pioneering force in supporting contemporary art in Morocco. Over the past 16 years, the foundation has fostered artistic creation through its renowned residency program, Jardin Rouge, exhibitions, and a growing collection of contemporary artworks. Jardin Rouge serves as a creative laboratory where international artists can experiment, reflect, and produce new work in a collaborative setting. The foundation's commitment to promoting diverse artistic voices has established it as a key player in the cultural landscape of Morocco and beyond.

• Published to mark the 16th anniversary of the Montresso Art Foundation, one of the few contemporary art foundations in Morocco, and to coincide with the 1-54 Contemporary African Art Fair 2025.

• Through a comprehensive timeline and curated selections, the book offers an in-depth look at the foundation's impact and the artists it has supported.

Jean-Louis Haguenauer is the founder of the Montresso Art Foundation. Estelle Guillié is the artistic director of the Montresso Art Foundation.

WASSEF BOUTROS-GHALI CATALOGUE RAISONNÉ

edited by Lesley Campoy. Texts by Sultan Sooud Al-Qassemi, Barbara MacAdam, Glenn Adamson, Sumayya Vally, Donna Honarpisheh

The first complete catalogue raisonné of the Egyptian artist featuring paintings and works on paper from the 1930s to his last works

Size 24 × 28 cm

(9½ × 11 in.)

496 pages

710 colour illustrations

hardcover with slipcase

ISBN 978-88-572-5366-4

£ 180.00, $ 230.00

PUBLICATION

March 2026

EXHIBITION SCHEDULE

Dubai, Leila Heller

Gallery

October 2025

New York, Albertz Benda

Gallery and Leila Heller

Gallery

January 2026

This is the first comprehensive book dedicated to Egyptian artist Wassef Boutros-Ghali, tracing his artistic evolution across Cairo, Paris, and New York. Working privately and exhibiting selectively, he left behind a body of work that until now has remained largely unexamined. This catalogue brings coherence to that dispersed legacy, presenting a definitive timeline of his artistic evolution. Wassef Boutros-Ghali (1924–2023) was an Egyptian painter and architect whose late-blooming artistic career spanned decades and continents. Though trained in architecture, he painted throughout his life, developing a unique visual language; rooted in abstraction, his bold, geometric works blend vibrant color with architectural precision, reflecting a lifelong pursuit of harmony—what he described as a “visual equilibrium of geometric shapes and colors.” His practice evolved over decades into increasingly lyrical and expressive works.

• Since Boutros-Ghali’s passing in 2023, his work has seen growing curatorial and institutional attention.

• The publication also reflects extensive archival research, brought to life through commissioned texts by a distinguished group of contributors.

Lesley Campoy oversees the art collection of Egyptian painter and architect Wassef Boutros-Ghali—her father-in-law—as its Collection Director. Sultan Sooud Al-Qassemi is a prominent Emirati commentator, cultural advocate, and founder of the Barjeel Art Foundation, known for promoting modern Arab art. Barbara A. MacAdam is an esteemed American art critic, editor, and writer. Glenn Adamson, curator, writer and historian, is the Artistic Director for Design Doha and curator at large for the Vitra Design Museum. Sumayya Vally, South African architect, co-curated the 2023 Islamic Arts Biennale and designed the 2021 Serpentine Pavilion. Donna Honarpisheh, Knight Foundation Associate Curator at ICA Miami, is a scholar and 2025 Vilcek Prize winner for Curatorial Work.

Size 24 × 30 cm (9½ × 12 in.) dual-language edition (English-French) 224 pages

200 colour illustrations

ISBN 978-2-37074-289-6 £ 40.00 PUBLICATION January 2026

COMILOG FOUNDATION CATALOGUE

foreword by Christel Bories, texts by Léod-Paul Batolo, Safi Virginius, Yves Le Fur; essays by Alphonse Ndinga, Fabrice Agyune Ndone, Florence Bikoma, Paulin Kialo

A new lens on African Art in the book accompanying the launch of the Gabonese art museum

While the arts of Gabon and sub-Saharan Africa are often presented in terms of ethnic classifications, this book takes a different approach, highlighting the contacts, borrowings and, more broadly, the porosity between cultures, based on around a hundred works from the Comilog Foundation for Gabonese Art and Culture.

Comilog, a subsidiary of the French group Eramet, is a mining company and the world’s leading producer of manganese, based in Moanda in south-east Gabon. In 2023, it is launching a project to create a museum for Gabonese art and culture, bringing together works of contemporary art (sculpture, painting, photography). This book, which accompanies the opening of the museum, brings together authors from different disciplines: philosophers, ethnologists and art historians, mainly from Gabon and its cultural area. It highlights the continuum between Gabonese cultures, which is apparent in both tangible and intangible production, without erasing their specificities and identities.

• Challenging conventional ethnic classifications, the book offers a dynamic perspective on Gabonese and sub-Saharan African art.

• The publication marks the opening of a major new museum in Moanda, dedicated to both traditional and contemporary Gabonese art.

Christel Bories is Chairman and CEO of Eramet-Comilog. Léod-Paul Batolo is Director and CEO of Comilog SA. Safi Virginius is Project Manager and Director of Human Resources at Comilog SA. Yves Le Fur is Scientific Adviser. Alphonse Ndinga is Dr. in Philosophy, Plastic Arts and Art sciences. Fabrice Agyune Ndone is Dr. in Social and Cultural Anthropology. Florence Bikoma is anthropologist and Paulin Kialo is Humanities researcher.

PAINTING IN THE CALOUSTE GULBENKIAN MUSEUM

by Luísa Sampaio

Five centuries of great European painting in the revised edition of the catalogue of the Calouste Gulbenkian Museum in Lisboa

In April 1899, Calouste Sarkis Gulbenkian acquired his first painting. Between then and 1953, the year in which he added the last canvas to his Collection, over half a century elapsed. The range of works contained in this section of the Collection spans almost five hundred years of art history and reveals a particularly eclectic taste, something that in fact extends to the great diversity of works exhibited at the Calouste Gulbenkian Museum.

A dominant theme of the set of two hundred and twenty-nine paintings acquired and kept by the Collector, of which more than half are in storage, reflects the special interest that he had for portrait and landscape painting. Indeed, these genres are given particular preponderance in the exhibition open to the public at the Calouste Gulbenkian Foundation in Lisbon since October 2nd, 1969. The one hundred and twelve paintings on permanent exhibition in the museum’s galleries, which are published in full here, also confirm this preference.

• The Calouste Gulbenkian Museum in Lisboa presents a group of over 100 paintings dating from the 15th to the late 19th century: from Venetian masters like Ghirlandaio and Carpaccio to the golden age of Dutch painting, from 18th-century French painting to the great French masters Manet, Monet, Renoir and Degas.

• The book offers a sort of visual visit in which each painting is reproduced in its entirety and in close-ups of smaller details.

• An introductory essay provides depth and background to one ofEurope’s most distinct and important collection of classic and modem art.

Luísa Sampaio is curator of the European Painting and Sculpture collections at the Calouste Gulbenkian Museum (since 1999). She has assisted in the organisation of a number of exhibits and collaborated in the publication of various catalogues.

Size 23.5 × 30 cm

(9½ × 11 in.)

248 pages

150 colour illustrations

paperback

ISBN 978-88-572-5479-1

£ 40.00, $ 55.00

NEW EDITION

PUBLICATION April 2026

ISBN 978-88-572-5468-5 £ 75.00, $ 100.00

PUBLICATION April 2026

BRIONI ISLANDS

edited by Reiner Opoku and Sabina Opoku

The first book revealing the full history of the islands

This book is a heartfelt tribute to the Brioni Islands, a place where lush Mediterranean landscapes meet the enduring legacy of Roman villas, Austro-Hungarian elegance, and Tito’s bold socialist experiments. More than a celebration of breathtaking beauty, it explores Brioni as a cultural and ecological landmark—alive with stories, contrasts, and possibility.

Through vivid storytelling and striking imagery, the authors invite readers to rediscover the islands not only as a historical treasure but as a living laboratory for dialogue, sustainability, and the reimagining of our shared future. Once a stage for diplomacy and utopian ideals, Brioni may yet inspire a new era of nonalignedthought – where nature and culture speak in harmony.

• The first comprehensive history of the Brioni Islands, from ancient Roman splendor to Tito’s unique socialist vision.

• With captivating imagery and evocative essays, the book brings the islands to life, inviting readers on a sensory and intellectual journey.

• Endpaper created by Julian Schnabel. Photographs by Tom Wagner.

Reiner Opoku is a Berlin based art consultant and international art agent. He has curated numerous international art exhibitions since the early 1980s, and is representing a variety of renowned contemporary artists. With Skira he recently published Jiri Georg Dokoupil. Venetian Bubbles (2024).

A MOROCCAN PASSION EMBROIDERY, CAFTANS, BELTS FROM THE SEFRIOUI COLLECTION

text by Rachida Alaoui

Caftans, embroidery and belts: three timeless pillars of Moroccan heritage

The caftan, embroidery and belts are an integral part of Morocco’s heritage, embodying its identity and expressing its uniqueness and permanence throughout history.

The caftan, an emblematic ceremonial garment worn by Moroccan women, represents refinement and authenticity. Made from sumptuous fabrics and embellished with silks and brocades, it is adorned with a profusion of original embroidery, which each region has personalised according to its own style and technique.

The richness and diversity of the caftan, embroidery, belts and Moroccan costume in general have never failed to arouse the admiration of travellers, Western ambassadors from the 16th to the 18th century and Orientalist painters of the 19th century, attesting to their timeless aesthetics. Moroccan costume provides a concrete insight into the art of living and way of life of the inhabitants, revealing the ingenuity and talent of the artisans and their ability to open up to the outside world without ever denying their roots.

This box set comprising three books will reveal for the first time the richness of an exceptional collection. A vibrant tribute to Moroccan craftsmanship and art de vivre.

• Three exclusive books in a luxurious box set, revealing the most important collection of Moroccan textile art.

• The first comprehensive presentation of an exceptional private collection, capturing the depth and diversity of traditional Moroccan garments.

• Each volume pays tribute to the refinement, ingenuity and authenticity of Moroccan artisans.

Rachida Alaoui, art historian, specialised in Arab-Muslim costume history, author of various publications on the subject. She is also an exhibition curator and in 2008 organised the exhibition “A Moroccan Passion: Caftans, Embroidery, Jewellery” at the Yves Saint Laurent Foundation in Paris.

Size 24 × 31 cm

(9½ × 12¼ in.)

dual-language edition (English-French)

3 volumes in a box

720 pages

600 colour illustrations

hardcover with slipcase

ISBN 978-2-37074-298-8

£ 90.00, $ 120.00

PUBLICATION May 2026

Size 24 × 28 cm

(9½ × 11 in.)

192 pages

100 colour illustrations hardcover

ISBN 978-88-572-5430-2

£ 45.00, $ 60.00

PUBLICATION February 2026

MOISSAN DIAMONDS

edited by Denise Wendel-Poray. Introduction by Denise Wendel-Poray Texts by Mwape Chama, Olivier Lafont, Bianca Cappello

This publication aims to deepen awareness of Henri Moissan’s legacy and the jewelry inspired by his work

Awarded the Nobel Prize in Chemistry in 1906, Henri Moissan discovered a new mineral—silicon carbide—while studying meteorites from Diablo Canyon, Arizona. This mineral, later named moissanite, is extremely rare in nature, composed of pre-solar grains. Moissan also developed the electric arc furnace, enabling the synthesis of artificial diamonds.

This book highlights the devastating environmental impact of traditional diamond mining. In contrast, lab-created Moissan diamonds offer an eco-friendly, conflict-free solution—appealing to environmentally conscious consumers without compromising beauty or heritage. The editor Denise Wendel-Poray outlines the vision behind the Moissan Company, founded by Jos Sacre and Ernesto Ibarra, rooted in ecological, artistic, and entrepreneurial values. Olivier Lafont reveals Moissan as not just a scientific genius, but also a passionate art collector—combining the minds of a scientist and artist. Mwape Chama critiques traditional diamond mining’s environmental toll: deforestation, biodiversity loss, toxic waste and massive landscape damage, while Moissan diamonds—lab-created and eco-friendly—offer a sustainable alternative, challenging the romanticized view of natural diamonds. Jewelry historian Bianca Cappello explores moissanite’s role in design from the early 20th century onward, including iconic pieces like the Tennis Bracelet and other classic forms such as Cuban Link Chains and engagement rings. • Science, history, ethics and art in a compelling case for sustainable luxury.

Denise Wendel-Poray is a Canadian writer, editor and curator. Mwape Chama is a legal researcher and policy advocate based in Peterborough, UK. Olivier Lafont, a leading chemist and historian of pharmacy, is renowned for his work on Henri Moissan and medicinal chemistry. Bianca Cappello is an art and jewellery historian, curator and author specializing in 18th–20th century jewellery.

BENEDETTO CAMERANA. PROJECTS AND VISIONS FOR THE FUTURE OF ARCHITECTURE

edited by Luca Molinari

Over twenty years of work by the Turin-based architect: a narrative between the past and the future and an opportunity to reflect on the role of the architect in the transformation of the city, public space and the landscape

Size 21.5 x 28 cm

(8½ x 11 in.)

dual-language edition (English-Italian)

320 pages

580 colour illustrations

paperback

ISBN 978-88-572-4172-2

£ 50.00, $ 69.00

PUBLICATION February 2026

What is the future of architecture? Turin-based architect Benedetto Camerana explores this question by reflecting on over two decades of work, blending past projects with a contemporary vision of cities and landscapes.

The book is structured into four key sections, covering his perspectives on architecture, urban spaces, interiors, and landscape. Landmark projects such as EnviPark (1998–2000) and the Torino 2006 Olympic Village showcase his environmentally driven design approach and use of innovative technologies.

Turin has represented the main testing ground for Benedetto Camerana, with restoration and redesign operations on historical heritage works, such as the Church of Maria Madre dei Giovani (2008-2012), as well as contemporary cultural centers like the Juventus Museum (2009-2012) and Camera – Italian Center for Photography (2014-2015) and a series of significant buildings for the workplace. Camerana’s work for iconic Italian automotive brands, such as the complete redesign of the Alfa Romeo Museum in Arese (2014-2015) and Ferrari Museum in Maranello (2018), emphasizes beauty, emotion and speed.

The volume ends with broad overview of the international scene, featuring projects for several Chinese metropolises, the Port of Hamburg and some major Italian cities, reaffirming the centrality of contemporary design and the search for new forms of environmental sustainability for our future.

• Integration between architecture and landscape in the projects designed and built in over twenty years by Benedetto Camerana and his studio.

A curator, critic and historian of architecture, Luca Molinari is a full professor of Theory and Architectural Design at the University of Campania “Luigi Vanvitelli.” He is the editorial director of the magazine Platform Architecture and Design and works as an independent author with Italian and international newspapers and magazines.

SPRING 2026

LIMITED EDITIONS

Size 24 × 30.5 cm

(9½ × 12 in.)

box in plexiglas containing a brochure (16 pp) narrating the birth of this major publication and the volume

French edition

412 pages duo-tone print

30 colour etchings unbound pages

hardback with mono-colour foil-stamped cover

1000 numbered copies

ISBN 978-88-572-3949-1

£ 220.00, $ 300.00

LES MÉTAMORPHOSES

Ovid (Publius Ovidius Naso) illustrated with 30 original etchings by Pablo Picasso, 1931

The facsimile of Ovid’s Métamorphoses, the first volume published by Skira in 1931, illustrated by the extraordinary etchings of Pablo Picasso

In 1931, thanks to the help of Jacqueline Apollinaire, a young Albert Skira, upon the suggestion of Pierre Matisse, convinced Pablo Picasso to illustrate Ovid’s Métamorphoses with 30 etchings. The exceptional edition, in only 145 copies, was the first publication of the newborn Skira. It was soon followed by the Poems of Mallarmé (29 original etchings by Henri Matisse) and Les Chants de Maldoror illustrated by Salvador Dalí (42 etchings).

For the 90th anniversary of the publishing house, Skira issued an anastatic copy of the work, slightly different in format and in agreement with the Picasso Estate. The volume boasts 412 pages including the etchings (15) both in and outside the text (15). The facsimile is perfect. The work is contained in a box that, with the Métamorphoses, also bears an illustrated brochure narrating the birth and history of this legendary volume. Picasso’s etchings out of the text, on 15 myths, are of rare uniformity, in a style with clean edges and discrete eroticism. Instead, the etchings found at the start of the chapters do not relate to the text and portray faces, nudes and the female body.

The book was printed on Picasso’s 50th birthday and was described by Christian Zervos as being “of almost Doric beauty”.

• The facsimile of the legendary Métamorphoses published in 1931 and illustrated with 30 original etchings by Pablo Picasso.

• The book was printed on Picasso’s 50th birthday and was described by Christian Zervos as being “of almost Doric beauty”.

• A true encyclopaedia of classical mythology.

PAINTING THE STAGE BOTTA, FABRE, KABAKOVS, KENTRIDGE

LIMITED EDITION

Denise Wendel-Poray

Four luxury versions, in a wooden sculpture by Mario Botta, enriched with four numbered and signed prints by William Kentridge, Ilya and Emilia Kabakov, and Jan Fabre

BOTTA SCULPTURE

40 × 40 × 15 cm

(15¾ × 15¾ × 6 in.) print 29 × 34 cm (11½ × 13¼ in.)

£ 4000.00, $ 5000.00

JAN FABRE, HELM VAN TANNHÄUSER print run 60

ISBN 978-88-572-4021-3

ILYA AND EMILIA KABAKOV THE FLIES. A MUSICAL PHANTASMAGORIA print run 60

ISBN 978-88-572-4020-6

WILLIAM KENTRIDGE, ALBAN print run 30

ISBN 978-88-572-4019-0

WILLIAM KENTRIDGE, LULU print run 30

ISBN 978-88-572-4046-6

NO RIGHT OF RETURN

Denise Wendel-Poray takes us into uncharted territory. Painting the Stage examines over 200 years of opera stage design, unravelling this rich historical tale through more than 300 illustrations, interviews and accurate reconstructions. The most complete resource book yet on the subject, it will be of great interest to those in the fields of art as well as opera. The exquisite wooden sculpture created and signed by archistar Mario Botta acts like a proscenium theatre framing each one of the numbered prints created exclusively for this publication by artists William Kentridge, the Kabakovs, and Jan Fabre.

There are four distinct versions of this limited edition, with special wood for each: an ash wood sculpture for the two William Kentridge sugar lift aquatints, walnut for the print by the Kabakovs, and durmast for that of Jan Fabre. Mario Botta designed the box exclusively for the project, and Riva1920 made them. All the prints have been numbered and signed by the artists.

• Limited edition with exclusive wooden box designed by Mario Botta.

• All the prints have been numbered and signed by the artists.

Denise Wendel-Poray is a Canadian writer, journalist and curator. She is the author of books and essays concerning the relationship between art, theatre and music. She has been guest curator Wilhelm Lehmbruck Museum in Duisburg Germany (2010-2012); at the Rupertinum Museum in Salzburg (William Kentridge Works for Theatre 2017); Sammlung Friedrichshof Zurndorf, Austria (Wahlverwandtschaften 2018); RX Galerie Marais Paris (Hermann Nitsch Paintings Only 2018); Galerie Éric Dupont Paris (Howard Hodgkin 2015, Sandro Kopp Take Time 2016, Otto Muehl 2018).

Size 35.4 × 47 cm

(14 × 18½ in.)

216 pages

97 b/w illustrations hardcover in canvas and applied plate, hot printing

3 different silkscreens, numbered and authenticated

100 copies for silkscreen, numbered and signed by Lorenzo Mattotti

£ 700.00, $ 850.00

DOLLS

ISBN 978-88-572-3869-2

IMITATIONS

ISBN 978-88-572-3974-3

REFLECTION

ISBN 978-88-572-3975-0

NO RIGHT OF RETURN

LANTERNA MAGICA LIMITED EDITION

Guido Crepax

Three large-format versions, with three numbered silkscreens authenticated by the Archivio Guido Crepax and an artistic plate designed by Lorenzo Mattotti

Published as a tribute to the first edition of the graphic novel dated 1978, the Limited Edition of Lanterna Magica is a large-format book with three numbered silkscreens authenticated by the Archivio Guido Crepax and an artistic plate signed by Lorenzo Mattotti.

The story, entirely created by Crepax, is an example of very modern graphic design and settings and contexts that are “outside historical dimensions”. The first edition was introduced by a text by Gillo Dorfles which is here published in its entirety and repositions the value of the plates of Valentina not only within the creative perspective of Guido Crepax but, above all, within the artistic context of the European scene.

• The 216 pages in this book are printed on precious ivory paper and enriched by a tribute signed by Lorenzo Mattotti made specifically for this publication.

• The Lanterna Magica project, Skira Limited Edition, has a print run of 300 copies and is divided into three versions, each characterised by a silkscreen authenticated by the Archivio Crepax: Imitations, Reflection and Dolls.

• 100 copies for silkscreen, numbered and signed by Lorenzo Mattotti.

• The volume is contained in a box, entirely covered in canvas, with applied plate and hot printed title; each silkscreen is contained in a folder, also covered in canvas, placed on top of the volume.

• The box is wrapped in protective cardboard.

DAIDO MORIYAMA IN COLOR LIMITED EDITION

Filippo Maggia

Colour photographs taken by one of the leading figures in contemporary Japanese photography in a special, luxury edition that includes an original print signed by Moriyama

Framed original and signed photograph

12¾ × 16¾ in.

(32.5 × 42.5 cm)

image 7¾ × 9½ in.

(19.5 × 24.6 cm)

Book Size 17¾ × 13¾ in.

(45 × 35 cm) hardcover with slipcase

£ 1700.00, $ 2200.00

YOKUSUKA EDITION

ISBN 978-88-572-3116-7

SELF-PORTRAIT EDITION

ISBN 978-88-572-3631-5

NOCTURNAL NUDE EDITION

ISBN 978-88-572-3630-8

NO RIGHT OF RETURN

For the first time, the colour photographs taken by Daido Moriyama, one of the leading figures in contemporary Japanese photography.

An extraordinary limited-edition artist book edited by Filippo Maggia, intended for all collectors searching for the magic of a precious and extraordinary product destined to grow in value over time.

Considered one of the great masters of contemporary Japanese photography, Daido Moriyama is a lone traveller whose images recount visions and worlds hidden just beneath the surface of reality. A constant flow of images that is often frenetic or suddenly suspended, following the rhythm of an unfettered, restless life spent travelling the roads of the world.

• An extraordinary limited-edition artist book.

• 3 limited editions each containing a different photo, 100 copies per edition.

• Each edition contains a framed original and signed photograph by Moriyama and the book Daido Moriyama in Color. Now, and Never Again.

• 3 different photographs to choose from: Yokosuka, Moriyama’s “iconic” image of the young girl running down a narrow alleyway; Self-portrait, a recurrent theme in Moriyama’s photography; Nocturnal Nude, a young woman emerging from the darkness of the night.

• Each copy comes in a black cloth slipcase designed especially for this special edition.

• For bibliophiles and collectors searching for the magic of a precious and extraordinary book.

SPRING 2026

MILESTONES

MILESTONES

AT THE HEART OF CREATION

Directed by Denise Wendel-Poray

A new approach to the leading protagonists of contemporary art. A behind the scenes of genius, narrated from an intimate and unique perspective by the artists themselves, in a conversation about their key works, the most crucial moments of their career.

Each book is produced in collaboration with the artist and features original interviews with the artist, an essay by a renowned author and the artist’s biography.

The iconography includes images and plates of the key works explained by the artists themselves and original photoshoots of the artists in their studio.

Complete with abundant illustrations, intimate interviews and insightful essays, Milestones explore the extraordinary art of today’s greatest living masters.

WILLIAM KENTRIDGE MILESTONES:

AT THE HEART OF CREATION

directed by Denise Wendel-Poray with an essay by Stephen Clingman and conversation with Julian Barnes

A new title of Skira Milestones series, dedicated to today’s greatest living artists

Size 24 × 31 cm

(9½ × 12¼ in.)

198 pages

190 colour illustrations

hardcover

ISBN 978-88-572-5342-8

£ 45.00, $ 55.00

Skira’s new series Milestones is a collection of books devoted to today’s greatest living artists. More than retrospectives, Milestones are comprehensive excursions into the daily life and work of exceptional living artists and provide a rare backstage glimpse at their art. Each volume of the series presents one or more intimate interviews with the artist by a curator or a fellow artist, an essay by a renowned author, and the artist’s biography. The iconography of the book includes images and plates of the key works explained by the artists themselves and an original photoshoot of the artist in his studio by leading photographers, as well as a “family album” with previously unpublished shots and personal photos. Born in Johannesburg in 1955, William Kentridge is internationally renowned for the expressionism of his work in numerous media (charcoal, printmaking, sculpture and film), as well as his acclaimed theatrical and operatic productions. As elusive as it is allusive, Kentridge’s art is shaped by apartheid and grounded in the politics of the post-apartheid era, and in science, literature and history.

• A new approach to the leading protagonists of contemporary art, a behind the scenes of genius, narrated from an intimate and unique perspective.

• The book is produced in collaboration with the artist.

Denise Wendel-Poray is a Canadian writer, editor and curator. She is the author of books and essays concerning the relationship between art, theatre and music. Stephen Clingman is distinguished University Professor of English and former Director of the Interdisciplinary Studies Institute at the University of Massachusetts Amherst. Julian Barnes is an internationally acclaimed English writer, winner of the Man Booker Prize in 2011.

GEORG BASELITZ MILESTONES: AT

THE HEART

OF CREATION

directed by Denise

Wendel-Poray

with an interview by Cornelius Tittel

A new title of Skira Milestones series, dedicated to today’s greatest living artists

Skira’s new series Milestones is a collection of books devoted to today’s greatest living artists. More than retrospectives, Milestones are comprehensive excursions into the daily life and work of exceptional living artists and provide a rare backstage glimpse at their art. Each volume of the series presents one or more intimate interviews with the artist by a curator or a fellow artist, an essay by a renowned author, and the artist’s biography. The iconography of the book includes images and plates of the key works explained by the artists themselves and an original photoshoot of the artist in his studio by leading photographers, as well as a “family album” with previously unpublished shots and personal photos. German painter, printmaker, and sculptor Georg Baselitz (1938) is a pioneering postwar artist who rejected abstraction in favor of recognizable subject matter, deliberately employing a raw style of rendering and a heightened palette in order to convey direct emotion. Embracing the German Expressionism, Baselitz returned the human figure to a central position in painting.

• A new approach to the leading protagonists of contemporary art, a behind the scenes of genius, narrated from an intimate and unique perspective.

• The book is produced in collaboration with the artist.

Denise Wendel-Poray is a Canadian writer, editor and curator. She is the author of books and essays concerning the relationship between art, theatre and music. Cornelius Tittel is editor-in-chief of Blau International, a large-format art magazine whose contributors include the French interiors photographer François Halard, the French fashion stylist Marie Chaix and the German astrologer Alexander von Schlieffen.

ALEX KATZ MILESTONES: AT THE HEART OF CREATION

directed by Denise Wendel-Poray with interviews by Robert Storr and Denise Wendel-Poray

A new title of Skira Milestones series, dedicated to today’s greatest living artists

Skira’s new series Milestones is a collection of books devoted to today’s greatest living artists. More than retrospectives, Milestones are comprehensive excursions into the daily life and work of exceptional living artists and provide a rare backstage glimpse at their art. Each volume of the series presents one or more intimate interviews with the artist by a curator or a fellow artist, an essay by a renowned author, and the artist’s biography. The iconography of the book includes images and plates of the key works explained by the artists themselves and an original photoshoot of the artist in his studio by leading photographers, as well as a “family album” with previously unpublished shots and personal photos. Alex Katz (1927) is an American painter celebrated for his iconic portraits of contemporary society and his crisp, confident articulation of colour. Pristine flat surfaces, dramatic cropping, and economy of line are hallmarks of the artist’s work.

• A new approach to the leading protagonists of contemporary art, a behind the scenes of genius, narrated from an intimate and unique perspective.

• The book is produced in collaboration with the artist.

Denise Wendel-Poray is a Canadian writer, editor and curator. She is the author of books and essays concerning the relationship between art, theatre and music. Her books with Skira include The Last Days of the Opera (2022) and Painting the Stage: Artists as Stage Designers (2019). Robert Storr is an American artist, curator and critic. Senior curator in the Department of Painting and Sculpture at the Museum of Modern Art, New York (from 1990 to 2002), he has been a contributing editor at Art in America since 1981 and writes frequently for Artforum, Parkett, Art Press (Paris), Frieze (London).

SPRING 2026

BACKLIST

ISBN 978-88-572-5411-1 £ 50.00, $ 70.00

FRANCESCO VEZZOLI DIVA?

edited by Shai Baitel

Vezzoli’s exploration of visual history, spanning from the glamour of Italian cinema’s golden age to the sacred motifs of religious iconography

Francesco Vezzoli’s work revels in the power of nostalgia, fame, and sorrow, threading cinema, embroidery, and art history into a singular, melancholic vision. His bejeweled tears—stitched onto the faces of film and fashion’s great icons—transform heartbreak into ornament, elevating sorrow to spectacle. This book traces Vezzoli’s engagement with visual history, from the golden age of Italian cinema to the devotional traditions of religious iconography. Through film, needlework, and performance, he reframes longing and loss as a conceptual thread linking cultural memory with contemporary image-making.

Francesco Vezzoli: Diva? is a study in beauty, artifice, and catharsis.

“While Vezzoli went on to embrace film as an essential medium within his multidisciplinary work, his early adoption of embroidery as a signature channel of expression gave him the unique form with which to convey the pathos he discovered on the screen.”—Nancy Spector

• Drawing from different disciplines (cinema, embroidery, art history), Vezzoli’s exploration of cultural memory links the golden age of Italian cinema with religious iconography, creating a rich tapestry that redefines nostalgia and loss in the contemporary context.

• The book features an interview to Francesco Vezzoli by Hans Ulrich Obrist, a conversation between Sophia Loren and Francesco Vezzoli and the essays by Nancy Spector and Donatien Grau.

Shai Baitel, exhibition curator and writer, is the artistic director of The Modern Art Museum (MAM) in Shanghai. With Skira he recently published Marina Abramovic´. Transforming Energy (2024) and David Hockney. Paper Trails (2024).

Size 27 × 30 cm

(10½ × 11¾ in.)

252 pages

200 colour illustrations hardcover

ISBN 978-88-572-5364-0 £ 45.00, $ 55.00

MANOLO VALDÉS MONUMENTAL SCULPTURE

edited

by Javier Molins, with an essay by Rachel Campbell-Johnston

The multiform sculptural works by one of the leading figures of the contemporary international art scene

Edited by Javier Molins, the book features some of the most iconic and impressive monumental works by the Spanish artist from the beginnings to the present. Manolo Valdés (1942) is renowned for his monumental sculptures that blend classical influences with contemporary aesthetics. In 2024, his large-scale works have been displayed in several prestigious locations worldwide, including Venice, where his twelve Reina Mariana and a monumental Infanta Margarita were placed in Piazzetta San Marco. His sculptures also graced the City of Arts and Science in Valencia, the Botanical Garden in New York, the Orchard Road and Botanical Garden in Singapore, and the iconic Dubai, where they created a striking contrast with the modern skyline. In Paris, Valdés’s monumental pieces have been showcased in Paris at Place Vendôme and Palais Royal, adding a new dimension to these historic landmarks. Impassioned by artists of the past ranging from Zurbarán to Velázquez, Matisse to Lichtenstein, Valdés finds more than just inspiration in their paintings; he uses their work “as a pretext” to create an entirely new aesthetic object (a painting or sculpture that while clearly sourced from a known composition is a uniquely brilliant work of art in itself.

• The book offers a fascinating insight into how Manolo Valdés reinterprets classical and modern art to forge his own unique creative universe.

• The publication also documents how the Spanish artist transforms historic sites into dynamic art spaces, with pieces in some of the world’s most prestigious locations.

Contemporary art curator, writer and advisor, Javier Molins has curated exhibitions in leading venues across the globe and worked with some of the 20th and 21st centuries most esteemed artists. Rachel Campbell-Johnston served as the chief art critic of The Times newspaper for 20 years and continues to contribute to The Times.

FRANCIS BACON’S LIBRARY

texts by Monika Keska and Barbara Dawson

Reading Francis Bacon’s art through his personal book collection

Size 24 × 28 cm

(9½ × 11 in.)

240 pages

300 colour illustrations

paperback

ISBN 978-88-572-5407-4

£ 40.00, $ 55.00

This is the first book to deal exclusively with the fascinating subject of Francis Bacon’s collection of books and magazines and its role as visual and intellectual source material for his paintings.

Bacon was a bibliophile who owned around 1300 publications on a host of subjects as diverse as art, photography, cinema, sport, travel, cookery, the occult, politics, philosophy, history, antiquity, medical issues, and many more. His interest in literature ranged from W.B. Yeats, T.S. Eliot, Aeschylus, and Shakespeare to Jane Austen and Agatha Christie.

Francis Bacon’s Library reveals the wealth of material in Hugh Lane Gallery’s archive of Francis Bacon material, which was generously donated by the Estate of Francis Bacon. The richly illustrated book contains texts by Dr Monika Keska, who catalogued Bacon’s library and Dr Barbara Dawson, Director of Hugh Lane Gallery.

• The first book devoted to Francis Bacon’s collection of books and magazine.

• An exclusive exploration of the artist’s personal library, revealing the diverse literary sources that inspired his art.

• An original and comprehensive look at the artist’s bibliophile side.

Monika Keska, Assistant Professor History of Art Department, Granada University and cataloguer of Francis Bacon’s Library. Barbara Dawson, Director of Hugh Lane Gallery (HLG) who secured and managed the relocation of Francis Bacon’s Studio to HLG.

Size 21.5 × 25 cm

(8½ × 9¾ in.)

tri-language edition

(English-French-Hebrew)

480 pages

200 colour illustrations hardcover

ISBN 978-2-37074-278-0

£ 55.00, $ 75.00

BRACHA LICHTENBERG ETTINGER

foreword by Laurent Le Bon and Xavier Rey

A book devoted to the renowned artist, psychoanalyst and philosopher, a pioneer of the concept of matrix space

Bracha Lichtenberg Ettinger is a Franco-Israeli artist, writer, psychoanalyst and philosopher based in France. Born in Mandate Palestine on 23 March 1948, she lives and works in Paris.

Her work, deeply marked by the personal history of her parents, survivors of the Shoah, is part of a century in which modern painting developed in response to individual and collective tragedies. Drawing on both her family heritage and the history of art, she explores notions of generational transmission, trauma, collective memory and amnesia.

The originator of the concept of matrix space, she was exhibited at the Centre Pompidou in 2024. Several of her works have been included in the permanent collections. This catalogue brings together all the works in the exhibition, views of installations, and photographs from her personal notebooks, providing a comprehensive overview of Bracha Lichtenberg Ettinger’s various projects with the Centre Pompidou over nearly forty years.

• Ettinger’s work opens up a profound dialogue between the psychological and the aesthetic, offering a unique lens through which to view human experience and creativity.

• The inclusion of Ettinger’s work in the 2024 exhibition at the prestigious Centre Pompidou solidifies her place in contemporary art history.

Laurent Le Bon is the president of the Centre Pompidou. Xavier Rey is the director of the Centre Pompidou, Paris.

THE EGYPTIAN AVANT-GARDE ARTISTS, POETS, AND REBELS 1936-1973

by Fatenn Mostafa-Kanafani

Reclaiming the Narrative.

The Egyptian avant-garde: Western derivatives or independent pioneers?

Size 16.5 × 24 cm

(6½ × 9½ in.)

312 pages

200 colour illustrations

paperback

ISBN 978-88-572-5404-3

£ 40.00, $ 55.00

Following the success of her highly acclaimed first work, Modern Art in Egypt: Identity and Independence (1850-1936), Fatenn Mostafa-Kanafani’s new book, The Egyptian Avant-Garde: Artists, Poets, and Rebels 1936-1973, reclaims Egypt’s revolutionary art movements, positioning them as independent models within the global art historical canon. Navigating the complex intersection of art, politics, and society, Kanafani demonstrates how Egypt’s two most critical artist collectives—the Art & Liberty Group and the Contemporary Art Group—were at the forefront of a radical reimagining of Egypt, challenging Western-centric predefined frameworks that either label the former as a derivative of international Surrealism or view the latter through the lens of Islam.

The Egyptian Avant-Garde offers the first in-depth comparative study of these progressive cultural forces, fundamentally reshaping our understanding of their ideological and visual disruptions during Egypt’s fight for independence from colonial rule and in the aftermath of the 1952 Revolution.

• The book redefines Egypt’s radical art movements, presenting them as unique and influential models in the global art history.

• The first in-depth exploration of how Egyptian avant-garde movements directly engaged with the political landscape, reshaping both cultural identity and the global understanding of revolutionary art.

Fatenn Mostafa-Kanafani is an art historian and scholar, specializing in modern Egyptian art and the intersections of politics and culture, making her one of the leading figures in the study of Egyptian modernism. Her work has significantly contributed to the understanding of Egyptian cultural movements, and she continues to spearhead a deeper appreciation for Egypt’s role in the global art narrative.

PUBLICATION

November 2025

TAKEHIKO SUGAWARA ECLECTIC JAPANESE ART

texts by Nobuo Tsuji, Koichiro Noji

This landmark volume celebrates the extraordinary artistry of Takehiko Sugawara, offering a profound insight into his career and creative evolution

Richly illustrated and with a compelling narrative, this monograph introduces Sugawara’s evocative work to a global audience, cementing his reputation as a leading figure in contemporary Japanese art.

Born in Tokyo in 1962, Sugawara studied Japanese painting at Tama Art University. His artistic trajectory transformed in 1996 upon encountering Jindaizakura, an ancient cherry tree in Yamanashi Prefecture. This moment sparked his lifelong dedication to depicting nature’s grandeur. His subjects include iconic cherry blossoms and natural landmarks such as Usuzumizakura in Gifu, Miharu Takizakura in Fukushima, and the majestic Kirifuri no Taki waterfall in Tochigi. As a pivotal figure in 21st-century art, Sugawara bridges tradition and innovation, embodying the enduring legacy of Japanese aesthetics. He captures the vitality of nature through a fusion of techniques, employing traditional methods, such as back coloring on Echizen washi paper, alongside innovative practices like allowing burnt pine ink to crack naturally. The result is a body of work that reimagines Japanese painting, marrying age-old craftsmanship with contemporary expression.

• This monograph honors Sugawara’s ability to revitalize traditional art forms while offering a modern perspective, affirming his status as a masterful interpreter of Japan’s natural and artistic heritage.

Nobuo Tsuji is an art historian and professor emeritus at both the University of Tokyo and Tama Art University. He is the author of several influential works, including Lineage of Eccentrics: Matabei to Kuniyoshi (1970) and Playfulness in Japanese Art (1986), and of several other publications on Japanese art. Koichiro Noji is a prominent Japanese author and art historian specializing in modern Japanese art. He is currently the director of the Tokyo Branch of the Sen-Oku Hakukokan Museum.

LIU WEI

texts by Courtenay Finn and Massimiliano Gioni

The first major book devoted to the leading Chinese contemporary artist

Size 24 × 30 cm

(9½ × 12 in.)

272 pages

200 colour illustrations

hardcover

ISBN 978-88-572-5319-0

£ 40.00, $ 50.00

Liu Wei (b. 1972, Beijing, China; lives and works in Beijing, China) explores 21st-century socio-political concepts such as the contradictions of contemporary society and the transformation of developing cities and the urban landscape. In many of his sculptural and installation works, he uses found materials that are re-contextualized to draw new meanings out of the materials from which they are made. Liu Wei frequently uses geometric and architectural forms in his work as a reference to his urban surroundings.

This book will cover the artist’s overall practice and history, highlighting major moments, but focusing on the period from 2019 to 2025, which includes a major presentation at the 2019 Venice Biennale curated by the Hayward’s Ralph Rugoff and the 2019-2020 two part institutional show at the Cleveland Museum of Art and the Museum of Contemporary Art in Cleveland, titled Invisible Cities, which was the artist’s first solo exhibition in the United States. It will also feature his most recent work that will be showcased in an upcoming solo exhibition in New York.

• Liu Wei has not had a major book published not tied exclusively to an institutional show. The last large scale publication for his work was in 2012, Trilogy, tied to his solo show at the Minsheng Art Museum.

• Bringing together scholars from the United States, Europe, and China, the book will serve as a critical tool to expanding the artist’s profile globally.

• Liu Wei’s work is included in numerous collections worldwide.

Courtenay Finn is the Chief Curator & Director of Programs at the Orange County Museum of Art (OCMA) and one half of Frank, a small publishing imprint for artist projects. Massimiliano Gioni, Italian curator and contemporary art critic based in New York, is Artistic Director of the New Museum.

Size 22.4 × 27 cm

(8¾ × 10½ in.)

184 pages

150 colour illustrations hardcover

ISBN 978-88-572-5408-1

£ 40.00, $ 50.00

PUBLICATION

November 2025

EXHIBITION SCHEDULE

Malibu, California, Frederick R. Weisman

Museum of Art at Pepperdine University

17 May – 27 July 2025

KARL HAENDEL LESS BAD

introduction by Aldy Milliken, text by Andrea Gyorody contributions by Analia Saban, Darren Bader, Karla Diaz, Michelle Jane Lee, Ray Anthony Barrett and Hazel Haendel

A study in vulnerability and self-reflection of the American artist known for his thought-provoking hyper-realistic drawings

Published to accompany Karl Haendel’s exhibition “Less Bad”, originating at the Kimball Art Center in autumn of 2024 and traveling to the Frederick R. Weisman Museum of Art at Pepperdine University, the book highlights key thematic elements from Haendel’s 25-year artistic output, focusing in on the artist’s exploration of masculinity, tenderness, friendship, introspection and vulnerability through drawing. The book includes a complete set of installation images from the exhibition, plates highlighting essential works, and selected details of drawings. In addition, a section of the book is devoted to Haendel’s ardent dedication to drawing, highlighting through images his approach, process, materials and distinctive installation strategy.

Less Bad contains an introductory essay by Aldy Milliken, a scholarly essay on Haendel’s work by Andrea Gyorody contextualizing it within the recent trajectory of contemporary art, a graphic essay by Hazel Haendel, the artist’s daughter, a discussion between Haendel and artist Analia Saban, and brief creative contributions by artists Darren Bader, Karla Diaz, Michelle Jane Lee, and Ray Anthony Barrett.

• Less Bad is a testament to LA-based Karl Haendel’s aesthetic innovation, conceptual depth, and ability to engage viewers in dialogues about values and belief systems.

• The book explores a wide range of themes, from intimate experiences like father-hood, love, friendship, and loss to broader issues such as tenderness, masculinity, introspection, and vulnerability.

• The book features more than 60 works, primarily in graphite on paper.

Aldy Milliken is executive director of Kimball Art Center in Park City, Utah. Andrea Gyorody is director of the Frederick R. Weisman Museum of Art at Pepperdine University in Los Angeles.

AARON PARAZETTE

edited by Nancy Zastudil. Texts by Michelle Grabner, Dennis Hollingsworth, Alison de Lima Greene, Aaron Parazette, Matt Warshaw

A detailed exploration of Aaron Parazette’ s artistic journey over three decades

Size 27 × 30 cm

(10½ × 12 in.)

176 pages

100 colour illustrations hardcover

ISBN 978-88-572-5351-0

£ 35.00, $ 45.00

The fully illustrated monograph Aaron Parazette offers an in-depth exploration of the artist’s practice over the past 30 years. Parazette (b. 1960, California) grew up by the beach and in the ocean; his temperament and aesthetics are deeply influenced by “West Coast cool” and surfing culture. His concerns have spanned beauty, originality, form, space, and color, oscillating between critique and reverence. At times ironic and at other times deeply sincere, Parazette has created a rich and compelling oeuvre grounded in abstraction, yet with a keen interest in how painting engages with the world. Featuring commissioned texts and over 100 full-color images, this volume highlights Parazette’s conceptual wit, use of color, geometry, and letterforms, and his engagement with materials and meaning.

• This fully illustrated monograph showcases the evolution of Parazette’s practice and the diverse themes he has engaged with.

• Featuring over 100 images, it captures the depth and range of Parazette’s oeuvre, providing both art lovers and scholars with an in-depth understanding of his impact on contemporary painting.

Independent editor, writer, and curator Nancy Zastudil has been advocating for artists’ voices for nearly two decades. She has held editorial, curatorial, or directorial roles at Arts+Culture Texas, Cynthia Woods Mitchell Center for the Arts, Frederick Hammersley Foundation, Tamarind Institute, and Hyperallergic. A 2024 Rabkin Prize nominee, her writing has been published in Artforum, Arts+Culture Texas, Hyperallergic, Southwest Contemporary, and more, and her research has been supported by Women’s International Study Center, National Endowment for the Arts, Graham Foundation, Utah State University, and others.

Size 23 × 28 cm

(9 × 11 in.)

160 pages

100 colour illustrations hardcover

ISBN 978-88-572-5354-1

£ 35.00, $ 45.00

EXHIBITION SCHEDULE

Breaking the Mold (group show)

Brooklyn Museum at 200 February 2025 – February 2026

Seven Contours, One Collection (group show), permanent view at the Museum of African Contemporary Art (MACAAL), Marrakech since February 2025

CHRIS SOAL TO SHARPEN OUR SENSES AND SOFTEN OUR

TOUCH

introduction by Sean O’Toole; texts by Natasha D. Becker, David Mann interview with the artist by Marta Papini

The work by the awardwinning, emerging South African artist

Chris Soal’s studio-based work is sculptural in its output, working with objects and materials in ways that show a conceptual engagement with the contexts and histories of the objects but that also re-enforce the body as a site for knowledge reception and production. Through his use of discarded and mundane ephemera, such as toothpicks and bottle caps, along with concrete, rebar, electric fencing cable, sandpaper, and other industrial materials, the artist intuitively develops the familiar to the point of the uncanny. Soal’s works can be considered social abstractions influenced by a reinterpreted Arte Povera that is deeply rooted in and reflective of his upbringing in Johannesburg, South Africa. Working symbiotically with his materials, Soal utilises the inherent physical characteristics of the objects to transform them through processes of aggregation, combination, and erosion. He seeks to interrogate views of nature and culture as a binary concept, foregrounding pressing ecological concerns by repositioning the viewer as an active agent within the contemporary environment. Despite the artificiality of his materials, Soal’s process allows them to take on biomorphic qualities or evoke natural phenomena, expressing his interest in their phenomenological quality.

• Soal was selected as one of ten contemporary artists to participate in redesigning three handbags as part of the 5th edition of the Dior Lady Art project.

Natasha D. Becker, a South African curator and expert in contemporary African art, is the head of the permanent collection of historical African art at the Fine Arts Museums of San Francisco. Marta Papini is an independent curator and writer. Nadine Barth has been the editor for over 100 books on fashion, art, architecture, and photography, and a consultant for many more with publishers.

CHE LOVELACE

Texts by Gavin Delahunty, Marsha Pearce and a conversation between Ekow Eshun and Che Lovelace

The first complete monograph devoted to the Caribbean artist whose work combines powerful visual storytelling with a deep exploration of social, political and cultural themes

Size 24 × 30 cm

(9½ × 12 in.)

224 pages

160 colour illustrations

paperback

ISBN 978-88-572-5385-5

£ 40.00, $ 50.00

Che Lovelace (b. 1969, Port of Spain, Trinidad and Tobago) lives and works in his lifelong home of Trinidad. He holds a degree from l’École Régionale des BeauxArts de la Martinique and currently lectures at the University of the West Indies Creative Arts Campus. Rooted in the rural outskirts of Port of Spain, Lovelace considers Trinidad his ultimate subject. The flora, fauna and figures of island life are ever-present in his tropical vistas, painted on board panels split into quadrants. Lovelace’s vibrant, energetic compositions present a nuanced exploration of postcolonial identity, grounded in a deep commitment to the Caribbean landscape and its community. Lovelace’s art is a metaphorical journey through themes of resistance, freedom, mythology, and nature, intertwined with his personal sense of place and politics. His latest solo exhibitions include Day Always Comes at Corvi Mora (2023), Bathers at Nicola Vassell Gallery, New York (2023), and Nighscapes with Palms and Egrets at Various Small Fires, Dallas (2023), among others. His work is in prestigious collections worldwide and his paintings are unapologetically Caribbean, capturing the island’s rich iconography with energy and complexity, while exploring the intersection of culture, community, and identity.

• The book offers a rich exploration of Caribbean culture, identity, and postcolonial issues, providing readers with a deeper understanding of the region’s history and culture.

• Lovelace’s work captures the essence of Trinidad’s natural beauty.

Gavin Delahunty, writer and curator, over the past twenty years has curated over forty exhibitions of modern and contemporary art and published numerous articles, essays, and books. Rujeko Hockley is Assistant curator at the Whitney Museum of American Art. Writer, journalist and curator, Ekow Eshun has been at the heart of creative culture for several decades, authoring books and curating exhibitions.

Size 26 × 32.5 cm

(10¼ × 12¾ in.)

400 pages

350 colour illustrations hardcover

ISBN 978-88-572-5271-1

£ 59.95, $ 75.00

MARINA ABRAMOVIC TRANSFORMING ENERGY

edited by Shai Baitel ´

A monograph on Marina Abramovic´’s work with crystals, a part of her practice that is still underexplored

Marina Abramovic´ (1946) believes in the power of crystals to store the whole history of the earth and carry and transmit their energy. Thus, crystals are mainly linked to the Transitory Objects, a series of objects that the artist created to embody energy and trigger physical and mental experiences in the public through direct interaction, several installations, and exhibitions.

Inspired by one of Abramovic´’s most iconic performances, her walk across the Great Wall in China with German artist Ulay in 1988, and published on the occasion of the comprehensive exhibition at the Museum of Modern Art (MAM) Shanghai, the book includes unseen images of Abramovic’s walk in Great Wall, along with a series of captivating new artworks especially created for the survey. Edited by Shai Baitel, the Artistic Director of MAM Shanghai, in close collaboration with the artist, the book tells the story of how Marina Abramovic´’s discovered and explored the power of stones and crystals, at first, during her performance across the Great Wall with Ulay, and later by visiting mines around Brazil.

• The book offers a unique and vital opportunity to experience the evolution of Marina Abramović’s artistic journey.

• The book is addressed to wider public, as both the healing power of crystals and Marina Abramovic´ are trending topics.

Shai Baitel, exhibition curator and writer, is the artistic director of The Modern Art Museum (MAM) in Shanghai. He conceived the exhibitions Bob Dylan: Retrospectrum in 2019 and Zaha Hadid Architects-Close Up in 2021.

CHIHARU SHIOTA

directed by Denise Wendel-Poray texts by Andrea Jahn and Christel Pélissier-Roy

A tribute to the Japanese artist, a leading figure of the new generation of great contemporary masters

This extensive monograph documents the work of the Japanese artist Chiharu Shiota (born 1972), who has created a distinctive and enthralling body of work – including drawings, sculptures and installations – rarely equalled for its depth and universality.

More than a retrospective, this book is a comprehensive excursion into the daily life and work of this exceptional artist and provides a rare backstage glimpse at the mesmerising, immersive installations and environments for which she is celebrated. Complete with abundant illustrations, an intimate interview and an insightful essay, this book explores the bold experimentation and rigorous critical thinking that lie behind Chiharu Shiota’s masterful works.

• A book produced in collaboration with the artist, featuring original interviews and text about the artist’s personal path, handwritten text or drawings and unpublished visual materials and photographs.

• The Japanese artist was holding the inaugural exhibition at the Grand Palais opening in December 2024.

Canadian writer, editor and curator, Denise Wendel-Poray is the author of books concerning the relationship between art, theatre and music. Her books with Skira include The Last Days of the Opera (2022) and Painting the Stage: Artists as Stage Designers (2019). German curator and writer Andrea Jahn organized Chiharu Shiota’s first institutional exhibition in 2003 at the Württembergische Kunstverein Stuttgart.. Christel Pélissier-Roy is an exhibition curator and writer.

Size 24 × 31 cm

(9½ × 12¼ in.)

dual-language edition (English-French)

240 pages

150 colour illustrations

hardcover

ISBN 978-2-37074-263-6

£ 45.00, $ 55.00

700 colour illustrations hardcover ISBN 978-88-572-5304-6 £ 75.00

REMO SALVADORI

by Studio Celant edited by Antonella Soldaini

An updated and comprehensive monograph devoted to a leading figure of Italian contemporary art

Among the most relevant artists of the contemporary Italian scene, since the 1970s Remo Salvadori (Cerreto Guidi, 1947) has been carrying out research that, based on the interaction between elements such as water, colour, and metals, proposes a renewed formulation of the work defined by alchemical mutations and streams of knowledge, capable of offering the observer a new awareness of the self and the world.

This monograph – the first to have this approach within the artist’s bibliography – traces in an articulate and in-depth way Salvadori’s life and activity from 1947 to 2024 through a rich chronology, resulting two-years research into the artist’s archive. The publication is accompanied by approximately 700 images of solo and group exhibitions, works, events, and documents, many of them previously unpublished, and introduced by the essays by Antonella Soldaini, Davide Bondì, Filippo Bosco, and Sharon Hecker that, through different viewpoints, contribute to broaden the critical analysis of the artist’s work.

• In his long career, Remo Salvadori has exhibited in major Italian and European museums and participated in important international exhibitions.

Studio Celant was established in June 2020 to conceive and produce editorial and exhibition projects, in continuity with Germano Celant’s work methodology. From 2020 to 2023, it finalized the publication of several editorial projects, already embarked on by Celant, including The Story of (my) Exhibitions (2021), Anselm Kiefer. Paesaggi Celesti (2022) and the creation of the exhibition New York 1962-1964 (Jewish Museum, New York, 2022). Antonella Soldaini has collaborated with various archives for monographs or catalogues raisonné of artists.

JAUME PLENSA ONE THOUGHT FILLS IMMENSITY

texts by Jeremy Strick, Clare Lilley, Brooke Kamin Rapaport, Sarah Coulson, Joseph Becherer, Marcello Dantas, and Víctor García de Gomar

A major monograph on the international artist’s practice

Size 27 × 30 cm

(10½ × 12 in.)

348 pages

270 colour illustrations

hardcover

ISBN 978-88-572-5321-3

£ 60.00, $ 75.00

Internationally celebrated Spanish artist Jaume Plensa (b. 1955) is recognized as one of today’s most significant voices in contemporary sculpture. For more than four decades years, Plensa has created a multifaceted body of work that interplays traditional materials with unconventional media on intimate and monumental scales. Traversing the globe – from The Crown Fountain in Chicago to Echo, in Seattle, to Roots in Tokyo – Plensa’s nomadic practice speaks to the capacity and beauty of humanity, celebrating the similarities of the world’s otherwise seemingly divergent cultures. One Thought Fills Immensity is the most comprehensive monograph published on the artist to date with over 200 colour plates and contributions from international curators and scholars including Clare Lilley, Brooke Kamin Rapaport, Jeremy Strick, Sarah Coulson, Joseph Becherer, Marcello Dantas, and Víctor García de Gomar.

• The most comprehensive monograph published on the artist to date.

• Winner of many national and international awards, Jaume Plensa is one of the world’s foremost sculptors working in public space.

Jeremy Strick, Director of the Nasher Sculpture Center, Dallas, Texas, USA. Brooke Kamin Rapaport, Artistic Director and Martin Friedman Chief Curator at Madison Square Park Conservancy, New York, NY, USA. Clare Lilley, Program Director at the Yorkshire Sculpture Park, West Bretton, United Kingdom. Sarah Coulson, Senior Curator at Yorkshire Sculpture Park, West Bretton, United Kingdom. Joseph Becherer, Director and Curator, Raclin Murphy Museum, Indiana, USA. Marcello Dantas, Curator and Artistic Director. Víctor García de Gomar, Artistic Director of the Gran Teatre del Liceu Barcelona, Spain.

Size 20.1 × 26.8 cm (8 × 10½ in.)

dual-language edition (English-German)

336 pages

230 colour illustrations paperback

ISBN 978-88-572-5395-4

£ 45.00

EXHIBITION SCHEDULE

Kunstmuseum Luzern

5 July – 2 November 2025

THESE, ANTITHESE, SYNTHESE – RECONSTRUCTED

edited by Kunstmuseum Luzern

texts by Fanni Fetzer, Stanislaus von Moos, Beni Muhl, Bettina Steinbrügge

The publication explores the history and impact of the iconic exhibition “these, antithese, synthese” featuring essays and a facsimile of the original 1935 catalogue

The publication These, Antithese, Synthese – reconstructed presents, for the first time since the legendary exhibition of 1935, all the works that were shown in the Kunstmuseum Luzern against the backdrop of an increasingly totalitarian Europe. The fantastic project aimed to define a new, abstract, non-elitist art that was for everyone. In 1935, most of the works came directly from the artists’ studios; today, they hang in highly regarded collections across the world. Some were destroyed, others are missing. What were the conditions that led to that exhibition? Who selected the artists? Why were female artists not among them? And what has remained of modernism’s promises for a better life?

This publication brings together historical images, reviews of the time, and the prov-enance of the artworks. It also analyses the historical context of the Kunstmuseum Luzern. The facsimile of the exhibition catalogue designed by Jan Tschichold conveys the visionary graphic design of 1935: Tschichold established new means of expression that continue to inspire today.

• First scientific analysis of the influential 1935 group show “these, antithese, synthese”.

• The book documents the 21st century re-enactment of a trailblazing exhibition.

Fanni Fetzer has served as the director of the Kunstmuseum Luzern since 2011, after having previously held positions at the cultural magazine Du, at Kunstmuseum Thun, and at Kunsthaus Langenthal. Stanislaus von Moos is an art historian and professor emeritus of Modern Art at the University of Zürich. He published on Le Corbusier, Venturi, Scott Brown & Ass. and in 2023 the Swiss Federal Office of Culture awarded him the Grand Prix Meret Oppenheim. Beni Muhl is a Swiss art historian. Bettina Steinbrügge is director of Mudam Luxembourg – Musée d’Art Moderne Grand–Duc Jean.

ANTONY GORMLEY BODY BUILDINGS

texts by Hou Hanru, Stephen Greenblatt, Antony Gormley foreword by Mario Cristiani

The book explores the relationship between the human body and the built environment through sculptures and drawings

by Antony Gormley

Published on the occasion of Antony Gormley’s solo exhibition in Beijing in Spring 2025, Body Buildings interrogates our species’ relationship to the built environment, an increasingly high-rise world we rarely escape. In a significant group of recent sculptures and drawings, Gormley uses clay and iron, two ubiquitous materials of the built world, “to think and feel the body in this condition”. This publication illustrates the work in the exhibition through extensive installation photography, guiding readers from Gormley’s new installation Resting Place II (2024) to a series of sculptures investigating the relation of body to building and finally to a group of drawings published here for the first time. It also features new scholarship from Hou Hanru and Stephen Greenblatt who trace the development of this new body of work as well as Gormley’s 30-year engagement with China and the surrounding region in significant works such as Asian Field (2003), Event Horizon (2007) and Host (2016). A photo essay by the artist also tracks his ongoing dialogue with the region through a series of never-before-seen archival photographs of his first research trip to China in 1995 which took him from the Forbidden City in Beijing to the Terracotta Army in Xi’an.

• Antony Gormley is acclaimed for his sculptures, installations and public artworks that investigate the relationship between the human body and space.

• An essential resource for anyone interested in Gormley and his work.

• Gormley’s work has been widely exhibited internationally.

Hou Hanru is a Chinese-born art curator and art critic. He was artistic director of MAXXI in Rome from 2013 to 2023. Stephen Greenblatt is an American literary historian and author. Mario Cristiani is co-founder of Galleria Continua, the international contemporary art gallery.

Size 19 × 25 cm

(7½ × 9¾ in.)

dual-language edition (English-Chinese)

180 pages

90 colour illustrations hardcover

ISBN 978-88-572-5402-9

£ 45.00, $ 60.00

Size 24 × 32,5 cm (9½ × 12¾ in.)

320 pages

177 colour illustrations hardcover

ISBN 978-88-572-5348-0 £ 55.00, $ 70.00

AFRICAN ART THE ARAK COLLECTION

written by Ashraf Jamal. Artist and artwork selection by Nneoma Angela Okorie, with contributions by Barnabas Ticha Muvhuti and Nneoma Angela Okorie

The definitive and debut publication of the Qatarbased ARAK Collection, home to over 4000 works by artists from Sub-Saharan Africa

The book features artworks from more than 100 artists in the collection. It serves as an essential framing text for the ARAK Collection and provides a much needed perspective on contemporary art from the continent. Through the ARAK Collection, one is able to gain a dynamic, collective vision of Africa. Arranged according to the selectively identified themes of Abstraction, Portraiture, and Place, each with an accompanying contextual essay by art critic and cultural theorist Ashraf Jamal, the publication also features short, informative texts on each artist written by Jamal, curator and researcher Nneoma Angela Okorie, and art historian and writer Barnabas Ticha Muvhuti. Through considered editorial decisions and engaging prose, African Art: The ARAK Collection places African art, and indeed the continent itself, at the centre of the world, and demonstrates why the rest of the globe is beginning to shift its focus toward the work of African artists.

• The ARAK Collection at present comprises over 4000 works by more than 300 artists, spanning 28 countries.

• Housed in Doha, Qatar, it is the largest collection of African art in the Gulf Region, and, as such, a key Afro-Asian cultural interface.

Ashraf Jamal is a Research Associate in the Visual Identities in Art and Design Research Centre, University of Johannesburg. Jamal is the former editor of Art South Africa and Art Africa. Nneoma Angela Okorie is a curator, writer and researcher. Barnabas Ticha Muvhuti, writer and art historian, is interested in practices of contemporary artists based on the African continent.

THE VICKY & MARCOS MICHA LEVY COLLECTION INHABITING ART

edited by Denise Wendel-Poray

The extraordinary Vicky and Marcos Micha Levy Collection and its masterpieces

Size 24 × 30 cm

(9½ × 12 in.)

dual-language edition (English-Spanish)

288 pages

160 colour illustrations

hardcover

ISBN 978-88-572-5290-2

£ 45.00, $ 55.00

This publication honors Mexican collectors Vicky and Marcos Micha Levy and traces their extraordinary artistic journey, bringing to light how, over a period of fifty years, they established a collection of the highest level.

Driven by a keen sense of research, infallible eye, deep knowledge, and a passion for seeking out a great prize they amassed works spanning the development of modernity in Mexico with prevalent figures of Modernism and the national avant-garde such as José Clemente Orozco, Diego Rivera, Manuel Rodríguez Lozano, David Alfaro Siqueiros, Rufino Tamayo, Wifredo Lam, Roberto Matta in juxtaposition to pioneers in modern art with major works by Chagall, Picasso, Duchamp. Later, their interest focused on contemporary artists such as Allen Jones, David Hockney, Anselm Kiefer, Miquel Barceló and Robert Rauschenberg. Other treasures in the Micha Levy collection include Pierre-Auguste Renoir, Berthe Morisot, and Édouard Manet.

Under the direction of Denise Wendel-Poray, the book features essays by the greatest specialists of Latin American art, Taiyana Pimentel Paradoa, Ana Elena Mallet, Ana M. Franco, James Oles, Ana Garduño Ortega and of modern and contemporay European art, Jonas Storsve, Paul B. Franklin, Annie Cohen Solal and Richard Benefield.

• A comprehensive volume on the extraordinary collection of 20th-century art.

Denise Wendel-Poray is a Canadian/ French writer, editor and curator. She is author of books and essays on the relationship between art, theater and music (Painting the Stage, Skira, 2019). She has published artist’s monographs for Skira (Sofia Goscinski 2020, Kalif Tahir Thompson, 2023, Chiharu Shiota, 2024).

224 pages

150 colour illustrations hardcover

ISBN 978-88-572-5295-7 £ 55.00, $ 70.00

PAULO MONTEIRO

edited by Germano Dushá

The work by the Brazilian visual artist

Paulo Monteiro (São Paulo, 1961) began his artistic journey at sixteen, drawn to comic strips. In 1982, he and some schoolmates formed a collective studio that would later be known as Casa 7. The group sought to reinvigorate Brazilian painting while embracing external influences. Following the dissolution of Casa 7, Monteiro experimented with various techniques, taking concepts he had been exploring to new processes and formal solutions. In response to the lasting effects of the Neo-Concrete movement, this period was marked by a deep investigation into the boundaries between drawing, painting, and sculpture – an exploration that would continue to inform his practice. His work on paper and canvas expanded to include objects and installations made from found materials such as iron, rubber, and wood, as well as sculptures cast in iron and lead. Continuously exploring the margins and limits of form, Monteiro delves into the possibilities of the line that acts as both the trace of choreography and a boundary that demarcates different zones. The palette of his paintings oscillates between predominantly cool tones and strong, warm hues, at times, creating a strident contrast. Meanwhile, his sculptures displace handfuls of matter to create novel shapes that swell and crumble, resembling ever-transforming life forms.

• Monteiro’s work is part of permanent museum collections aroun the world.

• Paulo Monteiro was included in two editions of the São Paulo Biennial, in 1985 and 1994, in the Habana Biennial (1986), and the Cuenca Biennial (1997).

Germano Dushá, curator, writer and cultural agent, will be the cocurator of the 38th Panorama of Brazilian Art of the Modern Art Museum of São Paulo –MAM-SP (5 October 2024 – 26 January 2025)

ZHANG ZHAOYING

by Lü Peng

This volume marks the inaugural entry in a series dedicated to the new generation of Chinese contemporary artists, meticulously selected and curated by the esteemed critic and art historian Lü Peng

As the first contribution to the “Chinese New Art” series on the latest generation of Chinese artists, edited by the renowned art historian Lü Peng, this book focuses on the rising star Zhang Zhaoying (b. 1988), whose work blends influences from the Renaissance, European modern art and the avant-garde movements. Drawing on the evolution of Chinese painting since the 1980s, his art spans Realism, Impressionism, Expressionism, Surrealism, and Pop Art, yet breaks away from traditional frameworks to create a distinctive methodology marked by both free technique and controlled execution. His diverse visual language reflects China’s rapid transformation and captures the contradictions of modern life, offering a complex, multifaceted narrative that transcends personal storytelling.

• This book launches an innovative series dedicated to contemporary Chinese artists, curated by Lü Peng, a leading authority in Chinese art. Lü Peng has authored the only comprehensive histories of modern and contemporary Chinese art in multiple languages and has curated major exhibitions both in China and internationally.

• Represented by the prestigious Yibo Gallery in China, Zhang Zhaoying’s works have garnered the attention of prominent collectors, including luminaries such as Wang Guangyi and Zeng Fanzhi, and are housed in esteemed institutions such as the MART Museum of Trento and Rovereto.

Lü Peng is a leading Chinese art curator, critic, and historian. Currently, he is an Associate Professor in the Department of Art History and Theory at the China Academy of Art in Hangzhou, as well as at the Sichuan Fine Arts Institute, and the Xi’an Academy of Fine Arts. Since 2017, he has served as President of L-Art University.

Size 19 × 26 cm

(7½ × 10¼ in.)

144 pages

170 colour illustrations

hardcover

ISBN 978-88-572-5346-6

£ 20.00, $ 25.00

Size 22 × 26 cm

(8½ × 10¼ in.)

272 pages

180 colour illustrations hardcover

ISBN 978-88-572-5269-8 £ 40.00, $ 55.00

PUBLICATION

November 2025

MEHDI FARHADIAN

edited by Hamid Keshmirshekan

A comprehensive insight into the Iranian artist’s work

The work of Mehdi Farhadian (b. 1980) emerges from the fusion of personal visual memories of nature and collective memories preserved in old photographs. The former is deeply individual, while the latter taps into a shared reservoir of collective memory. His paintings are a deliberate effort to activate overlooked histories (forgotten places, neglected public events and monuments erased by time in Iran) portraying the intersection of reality and fiction. Through these images, Farhadian explores the dichotomies of public versus private, past versus present and the forgotten allure of historical images contrasted with the recreation of those memories. Despite incorporating archival images, his artistic pursuits are not solely driven by these materials; they are equally fuelled by the emotional bonds and effective responses he shares with them. This book, comprising scholarly essays accompanied by over 150 colour images, provides a comprehensive insight into Farhadian’s oeuvre. It reveals how he approaches history with a dual perspective – an intellectual appreciation coupled with a profound reverence. For him, a site’s history transcends its physical or archival origin; it also encompasses an emotional projection onto that space.

• Farhadian’s original style of painting combines a great respect for details with a powerful handling of contrasting visual effects, achieved by pouring and dripping paint and wax resist (batik). The use of magical and fantastical imagery in his works evokes both a nostalgic longing for the past and yet also hints at a vision of a futuristic utopia.

Hamid Keshmirshekan is an art historian, art critic and Research Associate at the School of Arts, SOAS, University of London.

CHUN KYUNG-JA

texts by Eleanor Heartney, Dr. Kim Hong-Hee, and Barbara MacAdam

The art of the most prominent female artist of Korean modern and contemporary art history, on the occasion of the centenary of her birth

Size 25.5 × 30.5 cm (10 × 12 in.)

dual-language edition (English-Korean)

276 pages

200 colour illustrations

hardcover

ISBN 978-88-572-5330-5

£ 50.00, $ 65.00

PUBLICATION

December 2025

Celebrating the centenary of her birth, this definitive monograph of the enormously influential South Korean artist Chun Kyung-Ja (1924-2015) presents her artwork alongside selections of her much-loved essays and writings to give personal insight into the life and times of this renegade and idiosyncratic artist. Trained in traditional Asian painting, she developed an innovative style with vivid colors, strong expression, and powerful themes. Her life and art made her a cultural icon, a beacon of individuality in a time of strong conformity.

Published in collaboration with the Chun Kyung-Ja Foundation, founded by the artist’s daughter Sumita Kim, this volume includes essays by Eleanor Heartney, Kim Hong-Hee, and Barbara MacAdam.

• The first monograph on the artist in English and Korean languages.

• Chun Kyung-Ja has often been described by critics as an artist who explored deep human emotions. She is also known by the nickname of “the magician of colors” for her bold and sophisticated color use.

• Chun Kyung-Ja’s paintings captivated the Korean people throughout her long career of seven decades, and even after her death, many regard her as kukmin hwaga, a “people’s artist.”

Eleanor Heartney is an American art critic, curator, art historian, editor and author of many publications, active in New York City. Kim Hong-Hee is an art historian, curator and critic who has served as Director of the Seoul Museum of Art and Commissioner of the South Korean Pavilion at the 50th Venice Biennale. Barbara A. MacAdam is an editor, writer, and curator, who has long worked for ARTnews.

Size 24.5 × 29 cm (9½ × 11½ in.)

256 pages

200 colour illustrations

ISBN 978-88-572-5270-4 £ 60.00, $ 75.00

HANS JOSEPHSOHN

edited by Cornelius Tittel

The work of the Swiss artist Hans Josephsohn (1920-2012), one of the great masters of sculpture of the second half of the 20th century

Born in 1920 in Eastern Prussia from Jewish parents, Hans Josephsohn left Germany in 1937 and settled in Florence with the aim of studying art. Forced to leave due to fascist racial laws, he moved to Switzerland, which became his adoptive country. Josephsohn’s oeuvre has been defined as “existential sculpture”: in a time that was strongly characterised by the physical and moral devastation left by World War II, Hans Josephsohn developed a language capable to talk about the fragile relationship of mankind with the surrounding world. He was concerned with representing the human being as a figure in space throughout his life. His sculptures are characterised by an ambivalence of the almost abstract figure whose individuality is secured by its form, material and surface.

• The book is published on the occasion of the biggest Josephsohn exhibition at the Musée d’Art Moderne in Paris, curated by the german painter Albert Oehlen. It aims to show why Josephsohn, though being little known during his lifetime, is recognized as “the most important sculptor since Giacometti” (Jackie Wullschlager).

• Designed by the acclaimed art director Mike Meiré, the book includes a foreword by Fabrice Hergott, an introduction by the exhibition curator, the artist Albert Oehlen, essays by Thomas Houseago, Danièle Cohn and a photo essay François Halard.

Cornelius Tittel is editor-in-chief of Blau International, a large-format art magazine whose contributors include the French interiors photographer François Halard, the French fashion stylist Marie Chaix and the German astrologer Alexander von Schlieffen.

GLORY OF THE WORLD COLOR FIELD PAINTING (EARLY 1950S TO 1983)

by Bonnie Clearwater

A New Look at mid-twentieth century Color Field painting

Size 24 × 28 cm

(9½ × 11 in.)

168 pages

85 colour illustrations hardcover

ISBN 978-88-572-5221-6

£ 40.00, $ 50.00

This book casts new light on mid-twentieth century Color Field painting from the perspective of the artists’ ambitions for the future of abstract painting. Color Field became a convenient, albeit imperfect term to describe paintings in which vast areas of color appear as the dominant force. Color Field was not an art movement, rather it was a cohort of likeminded artists. While the American Abstract Expressionists cleared a path for this postwar generation to forge ahead with abstract painting, their achievements also challenged artists such as Frank Bowling, Helen Frankenthaler, Sam Gilliam, Morris Louis, Kenneth Noland, Jules Olitski, Larry Poons, Frank Stella and Alma Thomas, to create abstraction anew. Experimenting with non-traditional painting mediums and methods, as well as these artists’ probing of the conventions of painting led to unprecedented works. The book’s title Glory of the World takes its cue from the writings of Frank Stella on the influential artist and teacher Hans Hofmann whose glorious and exalted abstract paintings, produced solely through the straightforward manipulation of pigment, set a high bar for this generation’s aspirations.

• The selection of paintings focuses primarily on the earlier years of Color Field beginning in the 1950s with Frankenthaler’s large stain paintings and ends 1983 when post-modern and imagist painters began to dominate the art scene.

• The book includes reprints of text by Frank Bowling, Clement Greenberg, Alex Greenberger, William Rubin, and Frank Stella.

Bonnie Clearwater is Director and Chief Curator, NSU Art Museum Fort Lauderdale. Formerly she was curator of The Mark Rothko Foundation, New York, and has organized major exhibitions of Frankenthaler, Lichtenstein, Rothko, and Stella.

Size 24 × 30 cm (9½ × 12 in.)

296 pages

250 colour illustrations hardcover

ISBN 978-88-572-4149-4

£ 55.00, $ 70.00

The book is also available in a box including the 4 booklets

WORKS ON PAPER (Vol. 1)

LANDSCAPE PAINTINGS (Vol. 2)

BASKETBALL PAINTINGS (Vol. 3)

PHOTOGRAPHY (Vol. 4)

ISBN 978-88-572-4152-4

£ 120.00, $ 150.00

BARKLEY L. HENDRICKS SOLID!

edited by Zoé Whitley

co-published by Skira and Jack Shainman Gallery

A comprehensive

monograph

which traces the

artist’s

evolution for the entirety of his career

From revolutionizing portraiture to redefining the nude, Barkley L. Hendricks (1945-2017) is rightly known among the foremost American figurative painters of the late 20th century. Yet his six-decade artistic oeuvre encompasses not only large-scale canvases of distinctively dressed (or undressed) individuals, but also includes evocative landscapes, hard-edged geometric abstractions, lush watercolours on paper, and singular photographs informed by his studies with Walker Evans. This definitive volume spans all aspects of the artist’s practice––probing his photographic experimentation as a forbear to contemporary street photography; celebrating his great sensitivity as a colourist whose unique expertise seamlessly combines oil-based and water-based pigments to evoke time and place; highlighting the observational genuineness in his provocative and personal interpretations of women, of unapologetically visible queer identities, and of his own beloved black communities across the African Diaspora.

Socially urgent and aesthetically powerful, Barkley L. Hendricks: solid! is lavishly illustrated by dozens of previously unpublished works and accompanied by original essays by scholars and curators. Like Hendricks himself, this deeply researched catalogue is multifaceted, insightful, and surprising.

• After the four first booklets (Works on Paper; Landscape Paintings; Basketball Paintings; Photography), the complete monograph on the artist.

• Skira and Jack Shainman Gallery have partnered to conceive, develop, and produce this significant project dedicated to the artist.

Zoé Whitley is an American art historian and curator who has been director of Chisenhale Gallery, London since 2020.

MASTERPIECES THE WILLIAM RUBIN COLLECTION

DIALOGUE OF THE TRIBAL AND THE MODERN

by Phyllis Hattis

The book of the Rubin Collection exhibition commemorates the 50th anniversary of the death of Pablo Picasso

Size 25.5 × 29 cm (10 × 11½ in.)

368 pages, 650 colour and b/w illustrations hardcover

ISBN 978-88-572-5145-5

£ 70.00, $ 75.00

This monograph celebrates William Rubin (1927-2006) and his impact on the world of modern art. Renowned as the Director of Painting and Sculpture at the Museum of Modern Art from 1967 to 1988, Rubin is remembered for his unprecedented acquisitions for MoMA’s collection and the ground-breaking exhibitions that showcased them, accompanied by monographs that have become essential readings to art students and historians.

In contrast to previous volumes, this publication focuses on Rubin’s private collection, providing rare introspections on how he lived, what he wrote, and the objects with which he surrounded himself. The 400-page book accompanies a traveling international exhibition of the collection, and is sumptuously illustrated with full-page plates and details. Portrayals of his personal relationships written by artists Frank Stella and Richard Serra, art historians Francis Naumann, Fred Lamp, Bernard de Grunne, and Ulf Küster, writer Adam Gopnik, and fellow collector Ronald Lauder all contribute to our understanding of Rubin’s vision. Phyllis Hattis Rubin, art historian and wife of Rubin, contributes the principal essay: “Living with Bill: an Artful and Art-filled Life.”

• Masterpieces of modern and tribal art from Rubin’s private collection.

• This monograph overlaps with a traveling international exhibition of the collection.

Phyllis Hattis is an art historian, author, and advisor in the Fine Arts.

DAVID HOCKNEY PAPER TRAILS

edited by Shai Baitel

A wide-ranging monograph of over 100 prints by Hockney

David Hockney (b. 1937) is renowned for his distinctive paintings, mostly portraiture and landscape, but also for his approach to works on paper and printmaking, mirroring the vibrancy and diligent indexing seen in his broader body of work. Hockney’s prints often showcase a dynamic interplay of color, form, and perspective, reflecting his keen eye for visual storytelling of intimate elements of his own life.

Throughout his career he has experimented with various printmaking techniques, including etching, lithography, screen printing, and more recently iPads, each method revealing his diligence in manipulating the medium. His visual experiments, always surprising in their outcomes, suggest a rich interior and exterior life, captured in telling bits and fragments, suggesting a montage of quotidian scenes.

Like much of his oeuvre, Hockney’s prints draw from extensive art historical study of the optical devices of Old Master paintings. Recently, his iPad-based art shows an interest in the changing seasons from his own perch in the English countryside, among other vantage points and geographies of interest. Whether depicting landscapes, portraits of friends, or banal scenes, Hockney’s prints exhibit a harmonious blend of traditional craftsmanship and his own distinct playfulness and insight to daily life.

• The works speak to Hockney’s ongoing dedication to capturing and indexing his life and the intimate poetics of the word through intimate portraiture and snapshots from daily life.

Shai Baitel is the Artistic Director of Modern Art Museum (MAM), Shanghai.

ALA EBTEKAR PAINTING THE INVISIBLE

The first comprehensive monograph of Ala Ebtekar, spanning more than twenty years of the artist’s work and practice

Size 24 × 30 cm

(9½ × 12 in.)

252 pages

100 colour illustrations

hardcover

ISBN 978-88-572-5289-6

£ 45.00, $ 60.00

PUBLICATION

November 2025

This comprehensive monograph of San Francisco Bay Area-based artist offers a unique insight into the vast array of his influences and sources.

Ala Ebtekar (b.1978) is a contemporary visual artist whose work frequently orchestrates various orbits and cadences of time, bringing forth sculptural and photographic possibilities of the universe, and time, gazing back at us. This extensive research and making process borrows and physically reworks thousand year old image/object-making traditions up to the latest technological advances in production. His investigations create experiences extending beyond human timelines, exploring the phenomenology of light. Considering light itself as both a concept and medium, and its healing possibilities, Ebtekar uses UV-light emitted from the sun and night exposures produced by moonlight and starlight in his practice. His photographic works, which take an entire night to expose, continue his durational projects viewed as in collaboration with celestial bodies.

• Raised in Iran and the United States, Ala Ebtekar draws from the tradition of Persian miniature painting, and combines imagery from antiquity with that of the present and imagined future, in his mixed-media prints and installation work.

Yasiin Bey formerly known as Mos Def is an American rapper. Venetia Porter, art historian, was Senior Curator for Islamic and Contemporary Middle East art at the British Museum where she is now Honorary Research Fellow. Deena Chalabi is a writer and curator whose work explores relationships between individual expression, critical thought, and public imagination. Hushang Ebtehaj was an Iranian poet of the 20th century. Shiva Balaghi is a cultural historian specializing in the visual culture of the Middle East.

Size 24 × 30 cm

(9½ × 12 in.)

dual-language edition

(English-French)

192 pages

150 colour illustrations hardcover

ISBN 978-2-37074-243-8

£ 35.00, $ 45.00

PAUL PAGK

edited by Denise Wendel-Poray

An in-depth survey of the over twenty-year career of the abstract painter

This richly illustrated volume presents the most in-depth exploration to date of French American painter Paul Pagk’s singular contribution to contemporary abstract painting. Known for his graphic, freehand geometries inscribed in luminous fields of colour, Pagk has cultivated a quietly cosmopolitan sensibility shaped by a transnational upbringing in England, Austria, and France. Since settling in New York in 1988, he has steadily forged a visual language defined by spatial tension, formal and material clarity, and meditative restraint.

Leading voices in art criticism and philosophy – Raphael Rubinstein, Molly Warnock, and Mériam Korichi – examine Pagk’s work from diverse and revealing perspectives. In a text imbued with wit and insight, Adrian Dannatt offers “marginalia” on the artist’s elusive persona and intellectual curiosity.

Together, these contributions form a multifaceted portrait of an artist whose vibrant and contemplative practice continues to challenge and deepen our understanding of the medium of painting.

• First monograph of a major contemporary painter.

• Paul Pagk’s work has been exhibited in several public and private institutions in countries such as France, the United States and South Korea.

Denise Wendel-Poray is a Canadian writer, editor and curator. Adrian Dannatt, writer, cultural journalist and curator. Mériam Korichi, doctor of philosophy, playwright, director and author. Raphael Rubinstein, poet, art critic and curator. Molly Warnock, art critic and art historian specialised in abstract painting.

STANISŁAW FIJAŁKOWSKI

edited by Adam Jas´kiewicz texts by Christina Lodder, Marta Smolin´ska, Post Brothers

A complete monograph devoted to the Polish master of abstract painting, whose compositions play with minimalist forms and colour

Size 24 × 30 cm

(9½ × 12 in.)

184 pages

160 colour illustrations

hardcover

ISBN 978-88-572-5311-4

£ 42.00, $ 55.00

Stanisław Fijałkowski (1922-2020) boasts a direct connection to the very origins of the European avant-garde – he was an assistant of Władysław Strzemin´ ski, who in turn had studied under Kazimir Malevich.

Throughout six decades Fijałkowski maintained a solely unique idiom of mystical painting, hovering between the abstract and the representational. He was also an accomplished engraver, with prints in the collections of Museum of Modern Art, New York and Tate Britain. The artist had significant international presence in his lifetime – he represented Poland at the São Paulo and Venice biennales, lectured in Belgium and Germany, served as Vice-President of the International Society of Wood Engravers XYLON in Winterthur, Switzerland. This comprehensive monograph is a rare opportunity for the international audience to rediscover an artistic vision of such scope and magnitude.

• Fijałkowski’s works are in Museum of Modern Art in New York, Tate Gallery in London, Tretyakov Gallery in Moscow, Graphische Sammlung Albertina in Vienna and in major museums in Poland.

• This book is Fijałkowski’s first English-language complete monograph.

Christina Lodder, honorary fellow in History of Art at the University of York and president of the Malevich Society, has published extensively on Russian art of the early twentieth century, contributing to western understanding of the development of Russian modernism. Marta Smolin´ska is a Polish art historian and critic, exhibition curator, university lecturer, full Professor. Post Brothers is a critical enterprise that includes Matthew Post, an enthusiast, educator, and curator often engaged in artist-oriented projects or cultural production.

Size 22.5 × 28.5 cm

(8¾ × 11¼ in.)

214 pages

120 colour illustrations dutchbound

ISBN 978-88-572-5347-3

£ 35.00, $ 45.00

KATYA MUROMTSEVA OVER THE SLOPES OF SPEECH

text by Christianna Bonin

New paintings by Katya Muromtseva: monumental watercolour triptychs that connect to the multifaceted narratives and histories of women immigrants

Katya Muromtseva explores new forms of existence within society’s hierarchical social and cultural systems. Her interest lies at the intersection of scholarly and artistic imagination. She employs social empathy, expressing it through the mediums of painting and sculpture. Encompassing large-scale paintings, videos, and shadow installations, her practice is rooted in historical contradictions. The starting points for most of her works are the interviews she conducts with representatives of various social groups.

Based on the exhibition Over the Slopes of Speech at NIKA Project Space, Dubai (February-May 2024), the catalogue includes works inspired by conversations the artist had with immigrants, both in the USA and the UAE. These profoundly personal stories form the basis for her watercolor compositions, which capture the resilience of these women and delve into themes of home, borders, refugees, and human destinies.

• Katya Muromtseva is known for her socially engaged practice and large-scale paintings, videos, and installations that refer to personal and collective memory.

• Her exhibitions and individual works were covered by ArtForum, The Economist, The New York Times, The World, TokyoArtBeat among others.

Christianna Bonin is an art educator, writer, and curator. Her scholarship focuses on visual art practices from the mid nineteenth century to the present, in particular interactions between Europe, Russia, and Central Asia. She is also a contributing critic at Artforum and a research assistant for the “Post-Soviet Studies” project at the Garage Museum of Contemporary Art, Moscow.

GISELA

COLÓN.

MATÉRIA PRIMA

edited by Maylin Pérez; essays by Maylin Pérez, Sara Seilert, Joachim Pissarro, Christian Viveros-Fauné, Kristin Korolowicz, with a conversation between Susanna V. Temkin and Gisela Colón; biographical timeline by Lauren DeLand; poem by ClarinhaMar in collaboration with Museu Nacional da República, Brasilia

The monumental Land Art sculptures by Puerto Rican ecofeminist artist

Size 27 × 30 cm

(10½ × 12 in.)

352 pages

240 colour illustrations

hardcover

ISBN 978-88-572-5291-9

£ 65.00, $ 80.00

Gisela Colón is a Puerto Rican-American contemporary artist whose organic, totemic, light-activated sculptures and monumental environmental installations explore human perception challenging viewers to experience transformation in real time and space. Through an artistic process that employs high-tech materials like optical acrylics and carbon fiber, as well as matter harvested from sites of the artist’s own life, Colón is known for pioneering a language of “organic minimalism” that recalls the energy of the earth, ancestral biological memories, and concepts of time, gravity, and universal forces of nature. Colón’s monoliths invoke bullets, projectiles, and missiles, consequently recalling the fraught history of militarized colonialism in the Caribbean generally, and the artist’s complicated personal experiences with gun violence more particularly.

• Colón has exhibited internationally throughout the United States, Europe, the Middle East, Latin America. Standout exhibitions include the Land Art Biennial, Desert X AlUla (Saudi Arabia, 2020), Quantum Shift, Frieze Sculpture (London, 2021) and Forever is Now (Egypt, 2021), presenting a site-specific monument at the Pyramids of Giza, a UNESCO landmark dating back 4,500 years.

Maylin Pérez is a Cuban-born art historian, critic, and independent curator. Art historian, theoretician and curator, Joachim Pissarro is director of the Hunter College Galleries, Hunter College, City University of New York. Christian Viveros-Fauné is a New York-based writer and curator. Kristin Korolowicz is an independent curator and writer. Susanna V. Temkin is Curator at El Museo del Barrio, New York. Sara Seilert is Director of the Museu Nacional da República, Brasilia. Lauren DeLand is a scholar of modern and contemporary art with two decades experience teaching at colleges and universities.

100 colour illustrations hardcover

ISBN 978-2-37074-246-9 £ 30.00, $ 35.00

MARCELLINA OSEGHALE AKPOJOTOR

texts by Marla C. Berns, Bruce Onobrakpeya, Frank Ugiomoh with a conversation between Renée Uba and the artist

The work of the young artist with an international career who employs collaging and traditional painting techniques

Born in 1989 in Lagos, Nigeria, Marcellina Oseghale Akpojotor engaged in drawing, design, stencil work, and calligraphy at an early age under her father’s guidance. Later, she pursued formal education in Art and Industrial Design at the Lagos State Polytechnic, further honing her skills and broadening her artistic horizons.

Akpojotor’s art fascinates audiences worldwide through its thought-provoking narratives and unique media, creating an aesthetic that mixes politics and intimacy around culture, identity, and feminism.

Employing a captivating blend of collaging and traditional painting techniques, Akpojotor’s creations are marked by rich textures, layered compositions, and compelling, colourful visual imagery, delving into themes such as femininity, personal and societal identity, and women’s empowerment. She transforms primarily discarded pieces of Ankara fabric, sourced from local fashion houses, into powerful canvases akin to “intriguing tapestries of twitchy and alluring tactile surfaces”, as Professor Frank Ugiomoh writes in his essay.

• Marcellina Akpojotor’s works have been shown in prestigious exhibitions globally.

• The book also includes a conversation between Renée Uba and the artist.

Marla C. Berns is director of the Fowler Museum at UCLA (Los Angeles). Bruce Onobrakpeya is printmaker, painter and sculptor. Frank Ugiomoh is professor at University of Port Harcourt.

MIGUEL CHEVALIER

texts by Laurence Bertrand Dorléac and Jérôme Sans

One of the pioneers of virtual and digital art, on the occasion of his solo show at Grand Palais Immersif in Paris

Size 24 × 30 cm (9½ × 12 in.)

English and Korean editions

288 pages

250 colour illustrations

hardcover

ISBN 978-2-37074-248-3 E

ISBN 978-2-37074-249-0

KOR

£ 40.00, $ 55.00

A tribute to the leading pioneer of digital and virtual art on the occasion of his major exhibition and of the new partnership of Skira and Chargeurs Museum Studio, its motherhouse, with Grand Palais Immersif.

Located at Place de la Bastille in Paris, Grand Palais Immersif is a new subsidiary specialised in the production, operation and distribution of digital exhibitions for audiences in Paris, France and around the world. The digital exhibitions developed by Grand Palais Immersif and its partners aim to provide an artistic experience, and explain a work, artist or movement, by offering a viewpoint and keys to understanding, arousing emotions whilst remaining scientifically based. Born in 1959 in Mexico City, Miguel Chevalier is a French artist and pioneer of digital and virtual art. His work takes a variety of forms: monumental-scale digital installations, 3D printing and laser-cut sculptures, robot drawings and virtual reality models. Using software designed by computer experts, this visionary artist creates generative and interactive installations that invite visitors to explore the space in a sensory way.

• The book is published on the occasion of Chevalier’s solo exhibition at Grand Palais Immersif in Paris.

• Chevalier’s virtual worlds have been incorporated into the architecture of prestigious venues, and have been featured in international exhibitions.

Laurence Bertrand Dorléac is art historian, professor of art history. Jérôme Sans is director of contemporary art institutions (Palais de Tokyo, UCCA, LagoAlgo), art critic, and curator.

Size 16.5 × 24 cm

(6½ × 9½ in.)

224 pages

50 colour illustrations

Dutch binding

ISBN 978-88-572-4785-4

£ 30.00, $ 45.00

KISHIO SUGA. WRITINGS, VOL. II: 1980–1989

edited by Andrew Maerkle, Ashley Rawlings, Sen Uesaki

introductory essay by Sen Uesaki translated with commentary by Andrew Maerkle

The second volume devoted to one of the key figures of his generation in Japan

KISHIO SUGA WRITINGS VOLUME I: 1969–1979

edited by Andrew Maerkle, Ashley Rawlings, Sen Uesaki translation and commentary by Andrew Maerkle

Size 6½ × 9½ in. (16.5 × 24 cm)

224 pages, 10 colour and 60 b/w illustrations, hardcover

ISBN 978-88-572-4561-4

£ 30.00, $ 45.00

One of the key figures in Japan’s pivotal Mono-ha phenomenon of the late 1960s and early 1970s, artist Kishio Suga has realized a visionary practice of ephemeral, site-specific installations and performative interventions into the everyday environment. Throughout Suga’s career, writing has been an important element in his artistic process, as he uses his texts to interrogate the institution of art and anthropocentric conceptions of the world.

This volume collects Suga’s writings from the period 1980-89, when the Japanese art scene was transformed by a museum-building boom triggered by the country’s rise to unprecedented economic heights. Having challenged conventional definitions of art through his formulations of the “[thing]” and “being left” a decade prior, Suga shifts his focus in the 1980s toward working with the collective logic of the world.

• The groundbreaking translations featured in the volume make the full scope of Suga’s thinking accessible to English readers for the first time; translator Andrew Maerkle contextualizes each text through commentary and notes.

• Included here are the aphoristic fragments that Suga compiled for his retrospective monograph Kishio Suga, 1988–1968, short statements composed for exhibition catalogues, and long-form essays published in art journals and other magazines during the period, many of which appear in English for the first time.

Andrew Maerkle is a writer, editor, and translator based in Tokyo. Ashley Rawlings is a writer specialized in postwar Japanese and Korean art, in particular the Mono-ha and Dansaekhwa movements. Sen Uesaki is an archivist and lecturer at the Keio University Art Center.

THE ART OF KATE MALONE FORCE

OF NATURE

with a text by Dr. James Fox and a conversation by Emma Crichton-Miller with Kate Malone

This highly anticipated monograph of celebrated British artist Kate Malone abounds with beautiful illustrations of her exceptional artworks Size

Kate Malone’s brilliance stems from her relentless sense of curiosity, unique handling of clay and commitment to an artistic vision honed over a career spanning four decades. This sumptuously illustrated publication demonstrates Malone’s ability to distil the power and energy of Nature, this most captivating source of inspiration.

The book demonstrates how Malone’s pots distil the power and energy of nature. Personal observations and fantastical translations of growth patterns and natural abundance continue to inspire her whilst captivating an ever-increasing audience. It also explores Malone’s dedication to glaze research, illustrating a life’s work in the treatment and development of her signature crystalline glazes. Step into her studio and witness how, with an alchemist’s touch, pure forms in bisquefired clay are transformed with an astonishing array of unique and magnetically coloured glazes.

Critical essays from University of Cambridge-Art Historian and BAFTA-nominated broadcaster Dr. James Fox and freelance journalist, writer and editor, Emma Crichton-Miller explore Malone’s background, inspirations and standing within her artistic field.

• Kate Malone is one of UK’s leading ceramic artists with an illustrious career spanning over 30 years.

Dr. James Fox is an art historian teaching at Cambridge University and BAFTA-nominated broadcaster. Emma Crichton-Miller is a freelance journalist, writer, and editor.

Size 21 × 26 cm

(8¼ × 10¼ in.)

176 pages

85 colour illustrations hardcover

ISBN 978-88-572-5226-1

£ 40.00, $ 50.00

CÉZANNE /

RENOIR MASTERPIECES

FROM THE MUSÉE DE L’ORANGERIE AND THE MUSÉE D’ORSAY

edited by Cécile Girardeau and Stefano Zuffi

On the occasion of the 150th anniversary of the birth of the Impressionist movement, a selection of masterpieces traces the life and work of the two masters of 19th and 20th century art

This book delves into the lives and works of two painters instrumental in shaping the Impressionist movement, Paul Cézanne and Pierre-Auguste Renoir, who went on to leave an indelible mark on the artists who came after them. Each developing their own particular style – Cézanne with an emphasis on rigour and geometry, Renoir a focus on harmony and softness – the two masters were pivotal figures of their time, from the last quarter of the nineteenth century into the early twentieth, from the inception of Impressionism to its peak. The two painters met in Paris in the 1960s and forged a lasting friendship based on mutual admiration, exploring questions about their art and cultivating shared interests in genres ranging from still life to landscape, portrait, and the nude. This book showcases masterpieces collected by art dealer Paul Guillaume, who recognized Cézanne and Renoir as pioneers of a style that was both classical and modern. After Guillaume passed away, his widow Domenica Walter continued to build the collection, which is today housed at the prestigious Musée de l’Orangerie and Musée d’Orsay in Paris.

• The book presents fifty masterpieces by Cézanne and Renoir (together with three modern paintings by Picasso and Kees Van Dongen) offering an exhaustive survey of the work of the two artists, from the first canvases of the 1870s to the mature works of the early 20th century.

Cécile Girardeau is conservator and curator at the Musée de l’Orangerie in Paris. Stefano Zuffi, an Italian art historian and exhibition curator, has published numerous books on art from the Renaissance to the 18th century.

POST-IMPRESSIONISM BEYOND APPEARANCES

curated by Jean-Rémi Touzet, in collaboration with Jérôme Farigoule; texts by Jean-Rémi Touzet, Jérôme Farigoule, Estelle Begué, Stéphane Guégan

A survey of the two decades between the mid 1880s and 1905

The term “Post-Impressionism” was coined in 1910 by Roger Fry, an English art critic who was trying to find an expression that could describe Van Gogh, Cézanne, and Gauguin’s painting as well as Seurat, Sérusier, Denis or Redon’s. Post-Impressionism focuses on the two bubbling decades between the mid 1880s and the mid 1900s, from the last collective exhibition of the Impressionists in 1886 to the Autumn Salon of 1905 marked by the “Fauves” scandal: Derain, Matisse and Vlaminck, with their explosive colors. The book shows the full span of pictorial reactions to Impressionism with masterpieces from the musée d’Orsay, by insisting on the richness and complexity of the Post-Impressionist constellation. Taking a monographic and a group approach, the book seeks to highlight the intrinsic qualities of each painter’s work, and the interactions between these artists, who are part of the Impressionist legacy and will inspire avant-garde artists like Braque or Picasso. Rich in images and essays, the book delves into the art of this fascinating and pivotal double decade, during which plastic expression gradually moved away from the representation of reality towards the expression of the psychic, emotional and spiritual worlds of the artists.

• Organized by the musée d’Orsay at the Louvre Abu Dhabi, it follows the great exhibition “Impressionism: Pathways to Modernity” (2022-2023).

Jean-Rémi Touzet is curator of paintings at the musée d’Orsay and curator of the “Post-Impressionism” exhibition. Jérôme Farigoule is chief curator of the modern period at the Louvre Abu Dhabi. Estelle Begué is scientific documentalist in the paintings department of the musée d’Orsay. Stéphane Guégan is art historian and critic, specialist of the 19th and 20th centuries.

Size 19 × 26 cm

(7½ × 10¼ in.)

English and Arabic editions

240 pages

170 colour illustrations

hardcover

ISBN 978-2-37074-256-8 E

ISBN 978-2-37074-257-5 AR

£ 35.00, $ 45.00

Size 24.5 × 29 cm

(9½ × 11½ in.)

88 pages

52 colour illustrations hardcover

ISBN 978-88-572-5093-9

£ 35.00, $ 45.00

EXHIBITION SCHEDULE

Vero Beach (FL)

Vero Beach Museum of Art 13 September 2025 4 January 2026

PICASSO AND THE PROGRESSIVE PROOF LINOCUT PRINTS FROM A PRIVATE COLLECTION

by Richard P. Townsend

On the 50th anniversary of Picasso’s death, a book devoted to the progressive proofs by the leading Spanish master

On the occasion of the 50th anniversary of the death of Pablo Picasso (1881–1973), this book explores in depth an aspect of the Spanish master’s late graphic output: the linoleum block or linocut. Published prints and their related proofs drawn from a notable private collection are examined in the context of themes Picasso developed over his entire career.

Starting with the illuminating set of eight progressive proofs made by Picasso and his printer Hidalgo Arnéra for the artist’s first published linocut, the socalled Cranach II (1958), the volume takes on a decade of work in linocut printmaking inspired by the South of France, where the artist had increasingly spent time since the 1940s. Speaking to the artist’s love affair with the region, he begins a series of linocuts depicting the bullfight. Eight proofs for the Pique II (1959) included in the book attest to this. Likewise, a proof for one of the Bacchanal series demonstrates his love of both the Côte d’Azur as well as for Classical Antiquity.

• Relatively little studied, published and exhibited, these prints provide an extraordinary opportunity to better understand the artistic process of Pablo Picasso, one of the world’s greatest artistic geniuses, and to examine one of printmaking’s most fascinating and demanding mediums, the linogravure.

Independent art historian, former museum director and president of Townsend Art Advisory LLC, Richard P. Townsend has guided the acquisition of major works of art for over thirty years. His experience ranges from old master and 19th-century paintings and drawings to modern and contemporary art, architecture and design. He has advised public and private collections around the US.

ATELIER PICASSO

by Giulia Masia

from a book by Luca

Masia;

introduction by Giancarlo

Ascari

A

great painter and his atelier, in which the lives of leading postwar artists intertwine. A remarkable graphic novel devoted to Pablo Picasso

Size 20 × 28 cm

(7¾ × 11 in.)

176 pages

160 colour illustrations

paperback

ISBN 978-88-572-5099-1

£ 22.00, $ 25.000

The graphic novel Atelier Picasso is the true and timeless story of the Spanish artist’s tailor Michele Sapone, whose life was entwined with that of the great master and many other celebrated artists.

Born in Italy in Bellona, near Caserta, Michele had an innate feeling for art. He became a tailor and moved to Turin in the 1930s; after the war, he settled with his family in Nice, France, where he discovered a fascinating world. He enjoyed a fraternal relationship with Picasso, Giacometti and Hartung, trading tailor-made clothes for artworks. As Sapone himself proudly declared: “I never accepted a penny from a painter”.

His daughter Aika inherited her father’s interests and grew up among his artist friends. She and her husband Antonio opened a gallery that was like a second home to the painters and sculptors who were part of the family. The first solo exhibition was devoted to Picasso himself, but he died just before it opened on 8 April 1973.

• A story of the close friendship between the artist and his tailor remains fresh and unexpected, especially if offered in the form of a graphic novel.

• Relatively new in Italy and France; almost totally unknown in other countries.

Giulia Masia is a freelance illustrator. Since completing her studies at IED in Milan, she has worked for several publishing houses and agencies. She was among the 50 award-winning illustrators at the Golden Pinwheel Young Illustrators Competition. Luca Masia is an advertising creative and author who works in fiction, television, theatre and corporate communication. He has collaborated with the Milan Triennale for over ten years and has written several texts and books.

Size 24.5 × 29 cm

(9½ × 11½ in.)

English and Arabic edition

384 pages

430 colour illustrations hardcover

ISBN 978-88-572-4893-6 E

ISBN 978-88-572-4894-3 AR

£ 60.00, $ 75.00

EXHIBITION SCHEDULE

Jeddah, Red Sea Museum from Fall 2025

THE RED SEA MUSEUM

in collaboration with the Saudi Arabia Ministry of Culture

The Red Sea Museum catalogue embarks the reader on a cross-cultural journey along the Red Sea, exploring its dazzling beauty and rich diversity through time, stories, and coastline cities

The catalogue is inspired by the unique collection of the Red Sea Museum established by Saudi Arabia’s Ministry of Culture in Jeddah, the city that served as the Red Sea’s main port and whose identity was shaped by it. The museum is housed in the iconic Bab Al-Bunt heritage building, which used to be Jeddah’s customs house until the 1950s and has historically symbolized a junction point between dwellers of the Red Sea coast and the world, as Jeddah was a major gateway for pilgrims, merchants, explorers, and global travelers for centuries. Through a rare collection of manuscripts, photographs, maps, and ancient and contemporary artifacts and artworks, the Red Sea Museum and its catalogue recount the stories of the Red Sea and the paths of its dwellers.

The richly illustrated volume echoes the museum’s structure and the exceptional diversity of its collections through four sections: “Living Sea” uncovers the blooming biodiversity of the Red Sea; “Sea of Civilizations” looks at the role played by the Red Sea as a crossroads between East and West connecting various civilizations and geographies through trade, travel, and navigation; “Sea of Faith” allows the readers to travel through time to experience the journeys of the millions of pilgrims who came from all parts of the Islamic world and turned Jeddah into the Gateway to Mecca; “Sea of Inspiration” highlights the vision of modern and contemporary artists and writers on the Red Sea.

• The Red Sea Museum is a cultural and historical window that provides an extraordinary insight into the aesthetic, heritage, and civilizational values of the Red Sea as well as the history of human interactions and cross-cultural encounters that has shaped its identity.

THE GATE OF GATES

by Moath Alofi and Philippe Cardinal

in collaboration with the Saudi Arabia Ministry of Culture

An enchanting visual journey through one of the most iconic edifices in the Kingdom of Saudi Arabia: Bab Al-Bunt heritage building

Size 24.5 × 29 cm

(9½ × 11½ in.)

English and Arabic edition

88 pages

60 colour illustrations

paperback

ISBN 978-88-572-4890-5 E

ISBN 978-88-572-4891-2 AR

£ 18.00, $ 22.00

EXHIBITION SCHEDULE

Jeddah, Red Sea Museum from Fall 2025

Curated by writer Philippe Cardinal, Red Sea Museum’s inaugural exhibition The Gate of Gates showcases a unique collection of photographs by renowned Saudi artist Moath Alofi that revives the soul of Bab al-Bunt, in the heart of Jeddah. Located in al-Balad, for decades, Bab al-Bunt represented the main gateway through the Red Sea for millions of Muslim believers from around the world who traveled to Holy Mecca to perform their pilgrimage. Commissioned by Saudi Arabia’s Ministry of Culture to photograph Bab al-Bunt prior to its renovation and repurposing as a museum, Moath Alofi not only captures the rich architectural details of the place; he also encapsulates the sense of mystery behind the items he found abandoned in the building, objects of the past that recall another era and stand witness to the vitality of the place for hundreds of years.

The sober yet powerful photographs convey a striking impression of serenity and purity; a serenity that probably evokes the quietude of the millions of pilgrims who landed in Jeddah after a long and perilous journey across the Red Sea, awaiting to reach their final destination in the holy city.

• Through this unique corpus of photographs, Moath Alofi uncovers the genius of the place called Bab Al-Bunt, an architectural and historical jewel in the heart of Arabia.

Moath Alofi is a Saudi Arabian artist, researcher, photographer, and explorer. He is the founder of Almthba, an interdisciplinary studio promoting art and assisting researchers in the region of Medina. Philippe Cardinal is a writer and journalist, and former Cairo correspondent for Libération. Exhibition curator, he is also a researcher in Islamology.

Size 16.5 × 24 cm

(6½ × 9½ in.)

English and Arabic edition

5 volumes, 560 pages

60 colour illustrations

paperback in slipcase

ISBN 978-88-572-5010-6 E

ISBN 978-88-572-5011-3 AR

£ 65.00, $ 80.00

GENIUS OF A PLACE: AL-BUNT, JEDDAH

in collaboration with the Saudi Arabia Ministry of Culture

An exceptional immersive journey across time and space to unravel the soul of this iconic building

Located in Al-Balad, Jeddah’s historic old town recognized as a UNESCO World Heritage Site in 2014, Bab Al-Bunt is a magnificent heritage building with a unique aesthetic, architectural, cultural, and historical significance. Serving as Jeddah’s customhouse until the 1950s, the building was an indispensable access point for traders whose dreams of opulence drove them to venture into the Red Sea and enter Arabia through Jeddah. But the over 100-year-old building was also a place where Muslim pilgrims from all over the world gathered before heading to Mecca. Bab Al-Bunt today hosts the Red Sea Museum established by Saudi Arabia’s Ministry of Culture to celebrate the aesthetic and heritage values of the Red Sea coastal cities.

Genius of a Place: Al-Bunt book series is an invitation to travel across time and space to unravel the soul of this iconic building. At the invitation of Saudi Arabia’s Ministry of Culture, five renown photographers and five international writers and poets from Saudi Arabia, the Arab region, and Europe have mobilized their talent to capture the essence and spirit of Al-Bunt. The result is an astonishing collection of rare images accompanied by a compelling narrative, that take the reader on a visual and historic voyage uncovering the “genius of the place” called Al-Bunt.

• Making sense of a “sense of place,” Genius of a Place: Al-Bunt offers a glimpse into an architectural and cultural trove in the heart of Arabia, giving the reader an opportunity to discover its unique charm.

GENIUS OF A PLACE: IRQAH HOSPITAL, RIYADH

in collaboration with the Saudi Arabia Ministry of Culture

A tribute and a documentation of Irqah Hospital, a visual and written chronicle of the iconic building’s essence before its transformation

The book tells the story of an abandoned hospital turned into a multidisciplinary art centre. Located in the Kingdom of Saudi Arabia, in the capital Riyadh, Irqah Hospital is an iconic building with a mysterious character: standing steadfastly with its imposing marble structure, spacious halls and expansive exterior, this distinctive building built in the 1980s was meant to serve as a state-of-the-art hospital. Abandoned ever since its construction, the Saudi Ministry of Culture has repurposed Irqah Hospital into an all-inclusive arts and culture centre: Irqah Creative Arts Lab. Prior to this endeavor, MoC commissioned five artist photographers and five authors to capture the spirit and memory of this iconic building. The result is an astonishing collection of rare images accompanied by a compelling narrative, that take the reader on a visual voyage uncovering the “genius of the place” called Irqah.

• An invitation to embark on an immersive journey across time and space to unravel the spirit of an iconic building, central to Saudi Arabia’s history and cultural heritage.

GENIUS OF A PLACE: ASEER, ABHA

in collaboration with the Saudi Arabia Ministry of Culture

The documentation of al-Muftaha Village’s uniqueness, history, characteristic architectural style, environment as well as the stories related to the spirit of the place

The book sheds light on the aesthetic and heritage value of al-Muftaha Village, a cultural edifice located in the province of Aseer. For over thirty years, this heritage village welcomed local and international artists, and evolved into a cultural hub, a platform for creativity and a space for cultural and knowledge exchange. With a view to preserve al-Muftaha Village and its cultural and artistic value, a group of photographers and writers from the Arab region and other parts of the world were commissioned by the Ministry to capture the essence and spirit of the village. As a result, an astounding collection of photographs, accompanied by engaging texts, was produced, offering an enjoyable visual and intellectual journey into understanding the “genius of the place” and the history of al-Muftaha Village.

• An invitation to embark on an immersive journey across time and space to unravel the spirit of an iconic building, central to Saudi Arabia’s history and cultural heritage.

Size 16.5 × 24 cm

(6½ × 9½ in.)

English and Arabic edition

3 volumes, 336 pages

60 colour illustrations

paperback in slipcase

ISBN 978-88-572-5037-3 E

ISBN 978-88-572-5038-0 AR

£ 65.00, $ 80.00

Size 16.5 × 24 cm

(6½ × 9½ in.)

English and Arabic edition

4 volumes, 448 pages

60 colour illustrations

paperback in slipcase

ISBN 978-88-572-5035-9 E

ISBN 978-88-572-5036-6 AR

£ 65.00, $ 80.00

Size 16.5 × 24 cm

(6½ × 9½ in.)

English and Arabic edition

5 volumes, 560 pages

60 colour illustrations

paperback in slipcase

ISBN 978-88-572-5033-5 E

ISBN 978-88-572-5034-2 AR

£ 65.00, $ 80.00

GENIUS OF A PLACE: SAGGAF PALACE, MAKKAH

in collaboration with the Saudi Arabia Ministry of Culture

The essence and memory of Saggaf Palace in Makkah

In the Genius of a Place: Saggaf Palace series, the Ministry of Culture showcases the historical and aesthetic significance of one of Saudi Arabia’s most iconic palaces – a site that has witnessed key moments in the nation’s history and remains deeply embedded in its collective memory.

Originally, the Saggaf Palace served as the headquarters of the Sharif of Makkah al-Mukarramah before passing into the ownership of the Saggaf family. It was later sold to King Abdulaziz bin Saud, before ultimately being chosen as the headquarters of the Organization of Islamic Cooperation.

To preserve the essence and spirit of this historic site for future generations, the Ministry of Culture commissioned photographers, writers, and poets from Saudi Arabia, the Arab region, and beyond to document the palace’s architectural and aesthetic significance. The initiative culminated in a unique collection of photographs and creative writings that bring the palace’s story to life, immersing readers in a rich visual and intellectual experience.

• An invitation to embark on an immersive journey across time and space to unravel the spirit of an iconic building, central to Saudi Arabia’s history and cultural heritage.

GENIUS OF A PLACE: QASR KHUZAM, JEDDAH

in collaboration with the Saudi Arabia Ministry of Culture

An architectural and historical gem in the heart of Arabia

Size 16.5 × 24 cm (6½ × 9½ in.)

English and Arabic edition

5 volumes, 560 pages

60 colour illustrations

paperback in slipcase

ISBN 978-88-572-5039-7 E

ISBN 978-88-572-5040-3 AR

£ 65.00, $ 80.00

Located in the southeast of Jeddah, Khuzam Palace is one of the most important royal palaces in the Kingdom of Saudi Arabia: built between 1928 and 1932, the palace was central to the founding of the modern Saudi state. Serving as the main residence of King Abdulaziz bin Saud and his son King Saud, the palace witnessed the rise of the Kingdom’s diplomacy, receiving foreign delegations, kings, heads of state, ministers and ambassadors. Turned into a museum in 1983, this iconic building has gradually been abandoned.

In an effort to preserve its unique cultural and historical value, the Ministry of Culture of Saudi Arabia commissioned five artist photographers and five authors to capture the spirit and memory of this iconic building. The result is an astonishing collection of rare images accompanied by a compelling narrative, that take the reader on a visual voyage uncovering the “genius of the place” called Khuzam Palace.

• An invitation to embark on an immersive journey across time and space to unravel the spirit of an iconic building, central to Saudi Arabia’s history and cultural heritage.

RESTORING HERITAGE: AL MANOUFY HOUSE TO THE TARIQ ABDULHAKIM MUSEUM

in collaboration with the Saudi Arabia Ministry of Culture

The role of architecture in preserving a country’s heritage and culture

Located in Al-Balad, Jeddah’s historic downtown recognized as a UNESCO World Heritage Site in 2014, the Beit Al-Manoufy guesthouse is an example of the local Hijazi architecture. In order to protect this iconic heritage building while promoting culture and art, the Saudi Ministry of Culture commissioned Saudi and international heritage architects and exhibition designers (Urban Phenomena, Christophe Martin Architects, La Meduse) to transform the abandoned guesthouse into a permanent museum and music center. The building now hosts the Tariq Abdulhakim Center, whose name pays tribute to the preeminent Saudi Arabian musician. The Center includes a museum showcasing a selection of the late artist’s works and personal belongings, and a music archive center preserving written and audio recordings of Saudi and Arab music.

• This book provides an enlightening account of creative means to preserve heritage buildings while endowing them with a new value.

AN UNSTOPPABLE FORCE THE ART OF ARC

in collaboration with the Saudi Arabia Ministry of Culture

The work by the young emerging Saudi artist

This interactive book features a unique selection of artworks, essays, and interviews by a remarkable Saudi new media artist, Abdullah Rashed AlSahli, famously known in the virtual space as ARC. Born with a rare neuromuscular disorder called SMA that largely shaped his life and his art practices, Abdullah AlSahli found in digital art a passion and a means to escape his harsh reality. He creates refined, intricate, and calculatingly detailed art pieces that defy physics and are whimsical in nature. Inspired by his own experience, Abdullah AlSahli also founded Art Without Limits (AWL), a studio focusing on empowering artists with disabilities to unlock their full artistic potential. By shedding light on his life, work, and story, ARC’s monograph provides an inspirational insight into the practice, methodologies, and philosophies of a successful and popular artist who has sold more than 333 pieces in the form of non-fungible tokens (NFTs).

• First monograph on the artist.

Size 21 × 27 cm

(8¼ × 10½ in.)

112 pages

60 colour illustrations

paperback

ISBN 978-88-572-5009-0

£ 48.00, $ 60.00

Size 25 × 29 cm

(9¾ × 11½ in.)

dual-language edition (English-Arabic)

160 pages

120 colour illustrations

hardcover

ISBN 978-88-572-5012-0

£ 65.00, $ 80.00

978-2-37074-271-1

45.00

CONTEMPORARY ART FROM QATAR THE ABDULLA BIN ALI AL THANI COLLECTION

edited by Brahim Alaoui, text by Charbel Dagher

Masterpieces of contemporary art from an extraordinary collection

The Al Thani Collection contains an exceptional array of artworks spanning the ancient world to the present day. Encyclopaedic in its approach, and representing a diverse range of cultures and civilisations, this extraordinary collection celebrates creativity and the universal power of art through the ages.

The book includse a preface by Abdulla bin Ali Al Thani and an important and rich essay by Charbel Dagher.

• This catalogue brings together the works of contemporary Qatari art in the Abdulla bin Ali Al Thani collection.

Initially a researcher at the Musée d’Art moderne de la Ville de Paris, art historian Brahim Alaoui was director of the museum of the Institut du Monde Arabe in Paris, between 1987 and 2007. He is the author of many written works and catalogues, notably on contemporary Arab artists. Charbel Dagher is a Lebanese professor at the University of Balamand, Koura, Lebanon. He has been an active and prominent voice on the Arab cultural scene, mainly in the fields of poetry, Arabic language and Arab and Islamic arts.

COLLECTING THE FUTURE. VISIONS OF ITALIAN MODERN ART IN THE WORKS OF FONDAZIONE DE FORNARIS

edited

by Francesco Guzzetti, editorial coordination Paola Gribaudo

An original insight into Italian art of the 20th century

This book offers a unique perspective on twentieth-century Italian art, focusing on the works acquired by the Fondazione Guido ed Ettore De Fornaris in Turin over its first forty years, from 1982 onwards. Each chapter addresses a topic central to the global cultural debate, such as the question of the monument, the significance of material in painting, and the concept of representation. The themes are explored through their development by different generations of artists featured in the collection. Particular attention is given to the work of Alberto Burri, Giorgio de Chirico, Arturo Martini, Giulio Paolini, Giuseppe Penone, and Enrico Prampolini.

• Major masterpieces by leading artists of 20th century divided into five chapters: Matter, Monument, Nature, Perspective, Performance.

Francesco Guzzetti is assistant professor of Modern and contemporary art at the University of Florence. Specialised in Italian art from the post-war years to early 1980s and its relationship with that of the United States, he published several essays and curated exhibition both in Italy and the United States.

THE MUSÉE D’ORSAY IN 365 WORKS

with a preface by Paul Perrin

A new, expanded version of the guide to the permanent collections of the Musée d’Orsay, one of France’s greatest museums

A unique opportunity to discover the Musée d’Orsay, recognised as the world’s largest collection of Impressionist and Post-Impressionist paintings, with a “360-degree” presentation of the 365 works carefully selected to represent the collections and reproduced in this book. Each work is accompanied by a technical sheet and a note written by a curator describing the artist, the context in which it was produced, its description and an aesthetic analysis. This didactic work has become a reference in art history: the works are presented in chronological order, demonstrating the artistic wealth of the period from 1830 to 1930. Whether paintings, sculptures, photographs or objects, these works have earned the institution an international reputation, and its compact format means that it accompanies visitors throughout their visit, enabling them to discover the works in an enlightened way.

• A guide to the world’s largest collection of Impressionist and Post-Impressionist paintings.

Paul Perrin is Head of Curatorial and Director of Collections at the Musée d’Orsay.

COLOURS!

forewords by HSH Prince Albert II of Monaco and Laurent Le Bon, introductory text by Didier Ottinger, 13 essays by art, musicology and olfactology specialists

The art and science of chromaticism, featuring masterpieces from the Centre Pompidou Collection

Colours!, which relies on the Centre Pompidou’s collections, was designed from a surprising observation: as obvious as such a subject may seem, there are very few works devoted to the modern artistic use of colour. Through an original itinerary evoking the chromatic disks that fascinated artists in the late 19th and early 20th centuries, Colours! also explores, through immersive rooms, the notion of synesthesia, that mysterious dialogue between sound, smell and visual perception. About one hundred masterpieces – from the early 20th century to the present day –punctuate this journey, raising the question of the “decorative”, inherent in the pictorial use of colour.

• Enriched by 13 essays written by researchers, historians, art historians, musicologists, art critics and Maison Fragonard’s nose, it rigorously explores the iconographic, symbolic and cultural reasons for modern chromaticism, relying on analyses by these specialists.

• Full-page reproductions of each of the works on display, created by Matisse, Magritte, Dalí, Dubuffet, Kooning, Delaunay or Picasso, foster a sensitive experience of colour.

Didier Ottinger is General Curator and Deputy Director of the Musée National d’Art Moderne at the Centre Pompidou, Paris. Laurent Le Bon is President of the Centre Pompidou.

Size 16 × 20 cm

(6¼ × 7¾ in.)

352 pages

350 colour illustrations paperback

ISBN 978-2-37074-285-8

£ 20.00

Size 19 × 26 cm

(7½ × 10¼ in.)

256 pages

200 colour illustrations hardcover

ISBN 978-2-37074-283-4

£ 30.00, $ 35.00

Size 23.5 × 28.5 cm

(9¼ × 11¼ in.)

160 pages

77 duotone illustrations hardcover

ISBN 978-88-572-5352-7

£ 35.00, $ 45.00

LINDA CUMMINGS: SLIPPAGES

edited and with an essay by Kathy Battista

Contributing essays by Elise Morrison, Nancy Princenthal, Emna Zghal

The images of the decade-long performance based photographic project

The book is a landmark publication of photographs by American artist Linda Cummings. The book showcases over 60 high-quality duotone images spanning the decade from 1992 to 2003 and the last vestiges of analog photography. Cummings’ compositions toss expectation to the wind, transposing gender dynamics with a sleight of hand. The images convey Cummings’ innovative approach to photographic narrative through actions performed and photographed by the artist on-site, in locations as varied as steel mills, coal mines, churches, hospitals and stadiums, many long since disappeared. The photographs express the artist’s defiance, exuberance and anxiety amidst the upheavals of a declining industrial age and dawning of the digital era.

• All the photographs were taken on-site with an analog 35-mm manual film camera and printed by hand in a darkroom, with no manipulation post-capture.

Kathy Battista, writer, curator and teacher, founded a MA program in Contemporary Art for Sotheby’s Institute of Art NY.

5-MINUTE BEDTIME STORIES NOW CLOSE OPEN YOUR EYES AND LISTEN

by Maria Gvardeitseva; critical essays by Boris Groys, Dr Bernadette Buckle

Twelve fairy tales by Maria Gvardeitseva based on real stories

Size 16.5 × 22 cm

(6½ × 8½ in.)

144 pages

24 colour illustrations hardcover

ISBN 978-88-572-5149-3

£ 38.00, $ 49.95

In 5-Minute Bedtime Stories Maria Gvardeitseva has reimagined centuries of fairy tales and folklore from a feminist position. In her 21st-century iteration, female characters are no longer helpless princesses without agency; they are incarnations of women reborn with self-love and actualization. Using interviews with real women about their experiences of divorce, Gvardeitseva transforms these into magical tales of reinvention and rediscovery. Images of the author’s artworks are interspersed among the tales. Based on her research into the institution of marriage across several cultures, these artworks are by turns ghoulish and beautiful, creating the perfect visual companions to her ingenious texts. –Kathy Battista

• The book includes critical essays by prominent authors, archival materials, quotes from socio-philosophical and literary reviews of fairytales, and author’s illustrations.

Maria Gvardeitseva is a multi-disciplinary visual artist based in London. Her work deals with memory and grief sublimation. She was a finalist in the national selection to create the exhibition for the Belarusian Pavilion at the 59th Venice Biennale in 2022.

ART MUST BE ARTIFICIAL PERSPECTIVES OF AI IN THE VISUAL ARTS

edited by Jérôme Neutres in collaboration with the Saudi Arabia Ministry of Culture

The computer as a new medium of expression for the artist

The book focuses on how the pioneers of yesterday and the emerging figures of today are depicting a meaningful history of the evolution of the homo digitalis. It aims to demonstrate that digital technology is a true medium of art opening infinite visual possibilities, rather than an experimental school or a fad art movement. Art Must Be Artificial highlights some of the specificities of this new art medium: how it has placed the viewer at the heart of the artistic experience and how it presents the dream of an unlimited artwork, close to an organic creation.

• The book presents the historical and current art practices of leading international and Saudi artists using computer technology, spanning from the 1960s until today.

Jérôme Neutres, leading expert in the field who theorized the concept of “Computing Art” has been Director of the Réunion des Musées Nationaux-Grand Palais and President of the Musée du Luxembourg.

THE HENRAUX COLLECTION

From Henri Moore to Joan Miró and Giò Pomodoro: the extraordinary modern and contemporary sculptures belonging to the Fondazione Henraux

The Fondazione Henraux collection is dedicated to modern and contemporary art, featuring works by international artists such as Henry Moore, Jean Arp, Isamu Noguchi, Joan Miró, Pablo Serrano, Pietro Cascella and Giò Pomodoro. The original core of works was created in the 1950s and 1960s, when Henraux decided to focus on non-figurative statuary. In that process, it forged a close collaboration with the English sculptor Henry Moore, which gave rise to a highly-respected center for contemporary sculpture. The collection was comprised of a number of large and medium format works some of which were taken over by the Banca Commerciale Italiana, owner of the company. Since 2011, with the establishment of the Foundation, the collection has been enriched by new acquisitions, activities associated with the Premio Henraux, and initiatives to support artists and institutions.

• An opportunity to reflect on the marble sculpture of the great masters of the 20th century.

Size 29 × 25 cm

(11½ × 9¾ in.)

English and Arabic edition

180 pages

115 colour illustrations hardcover

ISBN 978-88-572-4782-3 E

ISBN 978-88-572-4783-0 AR

£ 35.00, $ 45.00

Size 24 × 28 cm

(9½ × 11 in.)

160 pages

120 colour illustrations hardcover

ISBN 978-88-572-4846-2

£ 30.00, $ 40.00

24 × 28 cm (9½ × 11 in.)

232 pages

235 colour illustrations hardcover

ISBN 978-88-572-5006-9 £ 45.00, $ 55.00

FUTURE PRESENT. CONTEMPORARY KOREAN ART

edited by Andy St. Louis; texts by Joowon Park, Hyo Gyoung Jeon

An essential resource for readers seeking to discover the brightest young talents from South Korea’s rich and dynamic art scene

This generously illustrated volume surveys the most talented artists to emerge from South Korea’s burgeoning art scene in the past decade. The 25 artists introduced in this book collectively foreground the facets of contemporary Korean culture that have enabled the country’s cultural exports to resonate so strongly worldwide. Comprising a representative cross-section of artists at the forefront of a generational shift in Korean art, this book brings readers up to speed on one of the most exciting and least understood segments of the art market today.

Encompassing fields of painting, sculpture, installation, video and photography, this book spotlights the diversity of contemporary Korean art practices while offering manifold points of access for readers. Inside, expansive full-color presentations of each artist’s oeuvre are accompanied by concise and approachable texts situating their artworks amid the global contemporary art conversation. Two newly commissioned essays offer deeper analysis of the social and cultural changes experienced by these artists during their formative years.

• Artists include: Hejum Bä, Jungki Beak, Haneyl Choi, Yun Choi, Heemin Chung, Soyoung Chung, Jongwan Jang, Hyunsun Jeon, Sojung Jun, Suki Seokyeong Kang, Ayoung Kim, Dew Kim, Heecheon Kim, Kyoungtae Kim, Seeun Kim, Sylbee Kim, Eunsae Lee, Eunsil Lee, Heejoon Lee, Kang Seung Lee, Woosung Lee, GaHee Park, Gwangsoo Park, Min Jung Song and Hyangro Yoon.

Andy St. Louis is a Seoul-based writer, editor, curator and consultant with more than a decade of experience in the field of contemporary Korean art.

MAGDALENA ABAKANOWICZ

Fate and Art

edited by Mary Jane Jacob, editorial coordination Paola Gribaudo

Size 16.5 × 24 cm (61 2 × 91 2 in.)

304 pages, 250 colour illustrations

paperback

ISBN 978-88-572-4395-5

£ 36.00, $ 45.00

AYDIN AGHDASHLOO

edited by Marco Meneguzzo and Takin Aghdashloo

Size 24 × 30 cm (91⁄2 × 12 in.)

304 pages, 260 colour illustrations hardcover

ISBN 978-88-572-4888-2

£ 58.00, $ 70.00

MAGDALENA ABAKANOWICZ

Writings and Conversations

co-editors M.J. Jacob and Jenny

Dally. Published by Skira with the Abakanowicz Arts and Culture Charitable Foundation

Size 16.5 × 24 cm (61 2 × 91⁄2 in.)

320 pages, 50 colour and 10 b/w illustrations, paperback

ISBN 978-88-572-4639-0

£ 35.00, $ 48.00

SHIVA AHMADI

Michelle Yun and Talinn Grigor

Size 24 × 30 cm (91⁄2 × 113⁄4 in.)

128 pages, 80 colour and 400 b/w illustrations, paperback

ISBN 978-88-572-3426-7

£ 36.00, $ 45.00

ZAINUL ABEDIN

Great Masters of Bangladesh

edited by Rosa Maria Falvo

texts by Abul Mansur, Nazrul Islam, Rosa Maria Falvo, Abul Hasnat

Size 25 × 30 cm (93⁄4 × 113⁄4 in.)

336 pages, 315 colour and 14 b/w illustrations, hardcover

ISBN 978-88-572-1077-3

£ 60.00, $ 95.00

ALCANTARA

The material of art

edited by Luca Masia

Size 21 × 28 cm (81⁄4 × 11 in.)

200 pages, 225 colour illustrations hardcover

ISBN 978-88-572-4825-7

£ 42.00, $ 52.00

DIANA AL-HADID

Phantom Limb

edited by Maya Allison

Size 20 × 25 cm (73 4 × 93 4 in.)

dual-language edition (English-Arabic), 152 pages

29 colour illustrations, hardcover

ISBN 978-88-572-3200-3

£ 30.00, $ 45.00

HALIM AL KARIM

Nadine Déscendre

Size 24 × 28 cm (91⁄2 × 11 in.)

dual-language edition (English-French), 200 pages

92 colour illustrations, hardcover

ISBN 978-88-572-1071-1

£ 34.00, $ 55.00

SHAKIR HASSAN AL SAID

The One and Art

edited by Brahim Alaoui

Size 24 × 30 cm (91⁄2 × 113⁄4 in.)

400 pages, 200 colour illustrations hardcover

ISBN 978-2-37074-147-9

£ 42.00, $ 55.00

VALERIO ADAMI

PAINTER OF IDEAS

edited by Marco Meneguzzo

Size 24 × 28 cm (9½ × 11 in.)

dual-language edition (English-Italian), 192 pages

125 colour illustrations

Dutch binding

ISBN 978-88-572-5307-7

£ 35.00

ABBAS AKHAVAN texts by Francisco-Fernando Granados, Omar Kholeif, Vassilis Oikonomopoulos, Marina Roy, Amy Zion

Size 16.5 × 24 cm (61 2 × 91⁄2 in.)

160 pages, 104 colour illustrations paperback

ISBN 978-88-572-3368-0

£ 36.00, $ 45.00

NASSER ALYOUSIF

texts by Melissa Enders-Bhatia, Dr. Maha Azizeh Sultan

Size 24 × 28 cm (91⁄2 × 11 in.)

dual-language edition (English-Arabic), 412 pages

427 colour illustrations, hardcover

ISBN 978-88-572-3815-9

£ 50.00, $ 75.00

GHADA AMER

edited by Susan Thompson

Size 24 × 30 cm (91 2 × 113⁄4 in.)

dual-language edition

(English-French), 208 pages

150 colour illustrations, hardcover

ISBN 978-2-37074-149-3

£ 35.00, $ 45.00

AELITA ANDRE

Prodigy of Colour

Michael Andre,Nikka Kalashnikova edited by Rosa Maria Falvo, and conversation with Aelita Andre foreword by Liudmila Kondratenko and preface by Suy Kang

Size 24 × 28 cm (91⁄2 × 11 in.)

208 pages, 170 colour illustrations hardcover, ISBN 978-88-572-4776-2

£ 35.00, $ 50.00

REZA ARAMESH

ACTION: BY NUMBER

edited by Serubiri Moses with a Catalogue Raisonné compiled by Bjorn Stern

Size 24 × 28 cm (9½ × 11 in.)

256 pages

150 colour illustrations hardcover

ISBN 978-88-572-5256-8

£ 40.00, $ 50.00

DOUG ARGUE

Letters to the Future

edited by Claude Peck, editorial coordination Paola Gribaudo

Size 25.7 × 33.4 cm (10 × 131⁄4 in.)

272 pages, 186 colour illustrations hardcover

ISBN 978-88-572-4327-6

£ 55.00, $ 70.00

ARCHAEOLOGY OF METAPHOR

The Art of Gilah Yelin Hirsch edited by Donna Stein

Size 23.5 × 27 cm (91 4 × 101 2 in.)

184 pages, 120 colour illustrations hardcover

ISBN 978-88-572-4852-3

£ 40.00, $ 50.00

GIORGIO ANDREOTTA CALÒ CITTÀDIMILANO

edited by Roberta Tenconi

Size 17 × 22.8 cm (61⁄2 × 9 in.)

dual-language edition (English-Italian), 160 pages

65 colour and 20 b/w illustrations hardcover

ISBN 978-88-572-4225-5

£ 25.00, $ 30.00

ARE WE THE ALIENS_ ARNE QUINZE X SWIZZ BEATZ

texts by Shai Baitel, Arne Quinze & Swizz Beatz, Hervé Mikaeloff, Reiner Opoku, Jochen Leën

Size 24.5 × 31.3 cm (9½ × 12¼ in.)

208 pages, 150 colour illustrations hardcover

ISBN 978-88-572-5257-5

£ 35.00, $ 45.00

ART ET LIBERTÉ. Rupture, War and Surrealism in Egypt 1938–1948

edited by Sam Bardaouil and Till Fellrath; text by James Gifford

Size 24 × 28 cm (91 2 × 11 in.)

English, German, Spanish and Arabic edition, 224 pages

250 colour illustrations, paperback

ISBN 978-2-37074-031-1 E, -048-9 G, -049-6 S, -050-2 AR, £ 28.00

LEONOR ANTUNES

The Last Days in Galliate edited by Roberta Tenconi

Size 24.2 × 32.5 cm (91⁄2 × 123⁄4 in.)

dual-language edition (English-Italian), 196 pages

103 colour illustrations, hardcover

ISBN 978-88-572-4102-9

£ 28.00, $ 35.00

FRANCESCO ARENA 5,468 days

edited by Vincenzo De Bellis

Size 18.5 × 25 cm (71⁄4 × 93⁄4 in.)

272 pages, 165 colour illustrations hardcover

ISBN 978-88-572-4106-7

£ 55.00, $ 65.00

ART FACTOR

The Pop Legacy in Post-War Italian Art

Size 21 × 28 cm (81 4 × 11 in.)

186 pages, 100 colour illustrations hardcover

ISBN 978-88-572-4352-8

£ 42.00

ART FOR EDUCATION

Contemporary Artists from Pakistan

edited by Salima Hashmi and Rosa Maria Falvo

Size 16.5 × 24 cm (6½ × 9½ in.)

172 pages, 58 colour and 23 b/w illustrations, paperback

ISBN 978-88-572-3945-3

£ 25.00, $ 35.00

ART OF THE TWENTIETH CENTURY

scientific committee: Gabriella Belli, Carlo Bertelli, Germano Celant, Ester Coen, Ida Gianelli editor: Valerio Terraroli

Size 21 × 28 cm (81⁄4 × 11 in.)

4 volumes, 1768 pages 1592 colour illustrations hardcover with slipcase

ISBN 978-88-572-2224-0

£ 135.00, $ 240.00

PABLO ATCHUGARRY

The Life of Matter edited by Marco Meneguzzo

Size 24 × 28 cm (91⁄2 × 11 in.)

328 pages, 215 colour illustrations hardcover

ISBN 978-88-572-4669-7

£ 38.00, $ 50.00

ART OF THE TWENTIETH CENTURY THE ARTISTIC CULTURE BETWEEN THE WARS 1920–1945 (VOL. 2)

Size 21 × 28 cm (81⁄4 × 11 in.)

432 pages, 400 colour illustrations hardcover

ISBN 978-88-7624-804-7

£ 34.00, $ 60.00

ART OF THE TWENTIETH CENTURY THE BIRTH OF CONTEMPORARY ART 1946–1968 (VOL. 3)

Size 21 × 28 cm (81 4 × 11 in.)

448 pages, 343 colour illustrations hardcover

ISBN 978-88-6130-194-8

£ 34.00, $ 60.00

THE ATLANTIC OCEAN Myths, Art, Science edited by Susanne Østby Sæther, Stefanie Hessler, and Knut Ljøgodt

Size 24 × 28 cm (91⁄2 × 11 in.)

160 pages, 140 colour illustrations paperback

ISBN 978-88-572-5223-0

£ 45.00, $ 55.00

AT HOME IN THE WORLD: A MEMOIR

Ibrahim El-Salahi

co-published by Skira and The Africa Institute

Skira / The Africa Institute

Size 16.5 × 24 cm (61⁄2 × 91 2 in.)

256 pages, 100 colour illustrations hardcover

ISBN 978-88-572-4652-9

£ 35.00, $ 45.00

AHMED MORSI A Dialogic Imagination

edited by Hoor Al Qasimi, and Salah M. Hassan; co-published by Skira, The Africa Institute, and Sharjah Art Foundation

Skira / The Africa Institute

Size 16.5 × 23.5 cm (61⁄2 × 91 4 in.)

336 pages, 172 colour illustrations hardcover, ISBN 978-88-572-4565-2

£ 42.00, $ 59.00

L’ATLAS

Paul Ardenne

Size 21 × 28 cm (81⁄4 × 11 in.)

dual-language edition (English-French), 208 pages 150 colour and b/w illustrations hardcover

ISBN 978-2-37074-185-1

£ 32.00

BEYOND THE DOOR OF NO RETURN Confronting Hidden Colonial Histories through Contemporary Art by Selene Wendt; co-published by Skira and The Africa Institute

Skira / The Africa Institute

Size 18 × 24 cm (7¼ × 9½ in.)

144 pages, 69 colour illustrations hardcover

ISBN 978-88-572-4560-7

£ 25.00, $ 35.00

THE ART OF PG THELANDER

Made with No Loss of Time

edited by Necmi Sönmez and Louise Lidströmer

Size 24 × 28 cm (91⁄2 × 11 in.)

264 pages, 300 colour illustrations hardcover

ISBN 978-88-572-3784-8

£ 48.00, $ 65.00

FRANÇOIS AVRIL Paintings

Size 23 × 30 cm (9 × 12 in.)

dual-lnguage edition (English-French)

192 pages

120 colour illustrations hardcover

ISBN 978-2-37074-250-6

£ 35.00, $ 45.00

OMAR BA with texts by Simon Njami and Juliette Singer

Size 23 × 29.5 cm (9 × 111⁄2 in.)

192 pages, 110 colour illustrations hardcover

ISBN 978-2-37074-199-8

£ 33.00, $ 42.00

TRISHA BAGA

“the eye, the eye & the ear” edited by Lucia Aspesi and Fiammetta Griccioli

Size 17 × 22.8 cm (61⁄2 × 9 in.)

dual-language edition

(English-Italian), 160 pages

150 colour illustrations, paperback

ISBN 978-88-572-4456-3

£ 25.00, $ 35.00

NADIAH BAMADHAJ

text by Kathleen Suraya Warden, edited by Rosa Maria Falvo, with an artist interview

Size 24 × 28 cm (91⁄2 × 11 in.)

216 pages, 243 colour illustrations hardcover

ISBN 978-88-572-4098-5

£ 35.00, $ 45.00

JEAN-MICHEL BASQUIAT

edited by Rudy Chiappini

Size 25 × 28 cm (10 × 11 in.)

200 pages, 80 colour and 82 b/w illustrations, paperback with slipcase

ISBN 978-88-7624-264-9

£ 39.95, $ 65.00

MARCO BAGNOLI

Germano Celant

Size 24 × 28 cm (91⁄2 × 11 in.)

512 pages, 703 colour and 9 b/w illustrations, hardcover

ISBN 978-88-572-2238-7

£ 80.00, $ 100.00

PEDER BALKE

Sublime North. Works from the Gundersen Collection edited by Knut Ljøgodt

Size 24 × 28 cm (91⁄2 × 11 in.)

216 pages, 135 colour illustrations hardcover

ISBN 978-88-572-4268-2

£ 40.00, $ 50.00

BAO VUONG

THE CROSSING text by A2Z Art Gallery

Size 24 × 29 cm (9½ × 11½ in.)

dual-language edition (English-French), 96 pages

80 colour illustrations hardcover

ISBN 978-2-37074-254-4

£ 30.00

BEAUFOUR Sculpture Luca Nannipieri

Size 24 × 30 cm (91 2 × 12 in.)

dual-language edition (English-Italian), 188 pages

125 colour illustrations hardcover

ISBN 978-88-572-4734-2

£ 40.00

ITZIAR BARRIO

Selected Works (2010–2023) texts by J. Burton, J.H. Casid, Lia Gangitano, M.Cirauqui, M. Molina Costa, A. Viladrich

Size 24 × 28 cm (91 2 × 11 in.)

tri-language edition (English-Spanish-Basque)

200 pages, 195 colour illustrations paperback, 978-88-572-4999-5

£ 35.00, $ 40.00

FARID BELKAHIA or Art at Liberty

Size 34 × 30 cm (131⁄4 × 113⁄4 in.)

dual-language edition (English-French), 208 pages

150 colour illustrations hardcover

ISBN 978-2-37074-068-7

£ 35.00, $ 50.00

BELKIS BALPINAR THROUGH WOVEN TIMES WORKS FROM FOUR DECADES edited by Necmi Sönmez

Size 25 × 31 cm (9¾ × 12¼ in.)

120 pages

100 colour illustrations hardcover

ISBN 978-88-572-5380-0

£ 30.00, $ 35.00

ALFRED BASBOUS

A modernist pioneer in collaboration with The Basbous Foundation & Museum with an essay written by Roxane Zand and an introduction by Sam Bardaouil

Size 19 × 26 cm (71⁄2 × 101⁄4 in.)

dual-language edition (English-French), 128 pages

70 colour illustrations, hardcover

ISBN 978-2-37074-172-1

£ 20.00, $ 25.00

FARID BELKAHIA and the Casablanca School of Fine Arts, 1962–1974 texts by Fatima-Zahra Lakrissa, M. Gauthier, K. Sefrioui, M. Nissabouri, T. Maraini, Mohammed Chabâa

Size 24 × 30 cm (91 2 × 113⁄4 in.)

dual-language edition (English-French), 208 pages

100 colour illustrations, hardcover

ISBN 978-2-37074-129-5

£ 35.00, $ 45.00

HENRI

FOUAD BELLAMINE

Pascale Le Thorel

Size 24 × 30 cm (91⁄2 × 113⁄4 in.)

dual-language edition (English-French), 208 pages

150 colour illustrations, hardcover

ISBN 978-88-572-1454-2

£ 34.00, $ 55.00

JANE BENSON

A Place for Infinite Tuning texts by Steven Matijcio, Nico Israel, Sara Reisman

Size 24 × 28 cm (91⁄2 × 11 in.)

144 pages, 131 colour illustrations paperback

ISBN 978-88-572-3864-7

£ 25.00, $ 35.00

BLOODLINES

The Zhang Xiaogang Story

Lu Peng, edited by Rosa Maria Falvo and Bruce Doar

Size 24 × 30 cm (91⁄2 × 113 4 in.)

368 pages, 185 colour illustrations hardcover

ISBN 978-88-572-3273-7

£ 58.00, $ 75.00

CECCO BONANOTTE MUSEUM KAZEN

photographs by Alessandra Maria Bonanotte

Size 24 × 28 cm (91⁄2 × 11 in.)

tri-language edition (English-Japanese-Italian)

268 pages, 290 colour illustrations hardcover

ISBN 978-88-572-4917-9

£ 40.00, $ 55.00

LENG BING-CHUAN

Size 28 × 28 cm (11 × 11 in.)

224 pages, 113 colour illustrations hardcover

ISBN 978-88-572-4060-2

£ 60.00, $ 75.00

CHRISTIAN BOLTANSKI SHAY FRISCH

Size 24 × 28 cm (91 2 × 11 in.)

English edition with Italian texts in appendix, 152 pages

100 colour and b/w illustrations paperback

ISBN 978-88-572-4528-7

£ 26.00, $ 35.00

The Search for a Style (1948–1963) edited by Christian Padilla

Size 24 × 28 cm (91 2 × 11 in.)

168 pages, 120 colour illustrations hardcover

ISBN 978-88-572-4186-9

£ 30.00, $ 40.00

AGOSTINO BONALUMI

All the Shapes of Space edited by Francesca Pola under the supervision of the Artist and in collaboration with the Archivio Bonalumi

Size 24 × 28 cm (91⁄2 × 11 in.)

240 pages, 188 colour illustrations hardcover

ISBN 978-88-572-2083-3

£ 50.00, $ 79.00

LOUISE BOURGEOIS

The Fabric Works Germano Celant

Size 24 × 28 cm (91⁄2 × 11 in.)

336 pages, 474 colour illustrations hardcover

ISBN 978-88-572-0654-7

£ 65.00, $ 90.00

DOMINIQUE BLAIN

Displacements

texts by Dominique Blain, Ami Barack, Catherine Bédard, Gérard Wajcman, Louise Dery

Size 21 × 31 cm (81⁄4 × 121 4 in.)

dual-language edition (English-French) , 128 pages

50 colour illustrations, hardcover

ISBN 978-2-37074-125-7

£ 28.00, $ 35.00

CECCO BONANOTTE

The Divine Comedy Inferno / Purgatorio / Paradiso AA.VV.

Size 24 × 28 cm (91⁄2 × 11 in.) tri-lingual edition (E-ITA-JAP)

3 volumes, each 100 pagesand 160 colour illustrations, hardcover 978-88-572-4916-2 Inferno 978-88-572-5100-4 Purgatorio

978-88-572-5101-1 Paradiso

£ 25.00, $ 35.00

SAKTI BURMAN

A Private Universe

edited by Rosa Maria Falvo texts by Professor Brijinder Nath Goswamy and Rosa Maria Falvo

Size 24 × 28 cm (91 2 × 11 in.)

208 pages, 170 colour illustrations hardcover

ISBN 978-88-572-2619-4

£ 60.00, $ 95.00

BOTERO

BURRI. MATERIAL POETRY

edited by Bruno Corà

Size 24 × 28 cm (91⁄2 × 11 in.)

264 pages, 160 colour and b/w illustrations, paperback

ISBN 978-88-572-4675-8

£ 28.00, $ 35.00 back in print

FELIZA BURSZTYN Welding Madness

edited by Marta Dziewanska and Abigail Winograd

Size 16.5 × 24 cm (61 2 × 91⁄2 in.)

248 pages, 150 colour and b/w illustrations, dutch binding

ISBN 978-88-572-4722-9

£ 30.00, $ 40.00

CHEN WEI

Noon Club

texts by Francesco Bonami, David Campany, Venus Lau

Size 18 × 24.5 cm (7 × 91 2 in.)

224 pages, 253 colour illustrations hardcover

ISBN 978-88-572-4035-0

£ 36.00

ANTONI CLAVÉ

Printed Work. Catalogue raisonné

Aude Hendgen, Céline

Chicha-Castex, Thomás Llorens

Size 24.5 × 29.5 cm (91⁄2 × 111 2 in.)

256 pages, 830 colour illustrations hardcover

ISBN 978-2-37074-065-6

£ 85.00, $ 120.00

CAROLINE CHRISTIE-COXON CIRCLE CULTURE

texts by Diana Segantini, Vanessa Trento, Imogen Kotsoglo

Size 24 × 30 cm (9½ × 12 in.)

256 pages

200 colour illustrations

Bodoni-style book-binding

ISBN 978-88-572-5384-8

£ 45.00, $ 55.00

YVES CLERC

edited by Paola Gribaudo text by André Comte-Sponville

Size 30 × 30 cm (12 × 12 in.)

dual-language edition (English-French)

168 pages, 120 colour illustrations hardcover

ISBN 978-2-37074-209-4

£ 36.00, $ 45.00

PEDRO CABRITA REIS. FIELD with a text by Michael Short and a conversation between Nicholas Serota and the artist; exhibition curated by Michael Short

Size 16.5 × 22 cm (61 2 × 81⁄2 in.)

160 pages, 65 colour and b/w illustrations, paperback

ISBN 978-88-572-4820-2

£ 25.00

CHOI JONGTAE. ETERNITY

A Pioneer of Contemporary Korean Art edited by Kim Hyunsook, introduction by Marco Scotini additional texts by Park Choon Ho

Size 22.5 × 28.5 cm (83⁄4 × 111 4 in.)

240 pages, 190 colour illustrations hardcover

ISBN 978-88-572-5240-7

£ 50.00, $ 59.95

GOLDA AND MEYER MARKS COBRA COLLECTION

NSU Art Museum Fort Lauderdale texts by K. Weitering, W. Stokvis, K. Kurczynski, R. Steenbergen, L.N. Marks, B. Zwart

Size 16.5 × 24 cm (61⁄2 × 91⁄2 in.)

208 pages, 161 colour illustrations dutchbinding

ISBN 978-88-572-3635-3

£ 35.00, $ 45.00

YOAN CAPOTE

edited by Charmaine Picard foreword by Alex J. Rosenberg introduction by Hans-Michael Herzog

Size 24 × 30 cm (91 2 × 113⁄4 in.)

328 pages, 290 colour illustrations hardcover

ISBN 978-88-572-2887-7

£ 50.00, $ 65.00

CHUNG SEOYOUNG WHAT I SAW TODAY texts by Jihan Jang, Chus Martinez, Marina Vishmidt, conversation with Sung Hwan Kim

Size 22 × 30 cm (81 2 × 12 in.)

dual-language edition (English-Korean), 240 pages

103 colour illustrations, paperback ISBN 978-88-572-4856-1

£ 35.00, $ 40.00

PHILIPPE COGNÉE Works 2009-2022 with texts by Marc Donnadieu, Guy Tosatto, Julie Chaizemartin

Size 23 × 29.5 cm (9 × 111⁄2 in.)

dual-language edition (English-French), 288 pages

220 colour illustrations hardcover

ISBN 978-2-37074-198-1

£ 40.00, $ 50.00

COLLEZIONE GIUSEPPE IANNACCONE

Volume I. Italy 1920–1945. A New Figurative Art and Narrative of the Self edited by Alberto Salvadori and Rischa Paterlini

Size 21 × 28 cm (81⁄4 × 11 in.)

432 pages, 348 colour illustrations hardcover

ISBN 978-88-572-3503-5

£ 65.00, $ 80.00

PETRA CORTRIGHT

contributions by Martine Syms, Paul Chan and Giampaolo Bianconi

Size 24 × 28 cm (91⁄2 × 11 in.)

152 pages, 100 colour illustrations hardcover

ISBN 978-88-572-4331-3

£ 32.00, $ 40.00

CHRISTOPH DAHLHAUSEN Lightborn with texts by Sophie Rose, Dr. Reinhard Ermen and Dr. Melanie Ardjah as well as a preface by Carl-Jürgen Schroth

Size 24 × 28 cm (91⁄2 × 11 in.)

192 pages, 130 colour illustrations hardcover

ISBN 978-88-572-4548-5

£ 40.00, $ 55.00

COMMON PRACTICE

Basketball & Contemporary Art

edited by Carlos Rolón, Dan Peterson, John Dennis

Size 24 × 28 cm (91 2 × 11 in.)

344 pages, 300 colour illustrations hardcover

ISBN 978-88-572-4397-9

£ 55.00, $ 70.00 back in print

TONY CRAGG

INFINITE AND BEAUTIFUL FORMS

edited by Studio Tony Cragg exhibition by Sergio Risaliti and Stéphane Verger

Size 23 × 28 cm (9 × 11 in.)

dual-language edition (English-Italian), 152 pages

70 colour illustrations, hardcover

ISBN 978-88-572-5349-7

£ 25.00, $ 30.00

DANHÔO. PAINTINGS

with a foreword by Robert Combas; concept and direction: David Rosenberg; coordination: Tatiana Phuong; production: Evia Production

Size 24 × 28 cm (91 2 × 11 in.)

120 pages, 80 colour illustrations hardcover

ISBN 978-88-572-4484-6

£ 32.00, $ 40.00

THE CONDÉ MUSEUM AT THE CHÂTEAU DE CHANTILLY

The Paintings Collection Nicole Garnier-Pelle

Size 24 × 31 cm (91⁄2 × 121⁄4 in.)

296 pages, 230 colour illustrations hardcover

ISBN 978-2-37074-005-2

£ 55.00, $ 85.00

SOMAYA CRITCHLOW

Paintings with an essay by Amanda Renshaw

Size 24 × 28 cm (91⁄2 × 11 in.)

144 pages, 100 colour illustrations hardcover

ISBN 978-88-572-4481-5

£ 32.00, $ 40.00

CONTEMPORARY VOICES

from the Asian and Islamic Art Worlds Olivia Sand

Size 16.5 × 24 cm (61 2 × 91⁄2 in.)

800 pages, 265 colour illustrations hardcover

ISBN 978-88-572-3476-2

£ 58.00, $ 75.00

WANDA CZEŁKOWSKA

Art Is Not Rest edited by Matylda Taszycka

Size 16.5 × 24 cm (61⁄2 × 91 2 in.)

192 pages, 105 colour illustrations Dutch binding

ISBN 978-88-572-4995-7

£ 35.00, $ 40.00

DARK LIGHT

Realism in the Age of Post-Truths Selections from the Tony and Elham Salamé Collection–Aïshti Foundation text by Massimiliano Gioni

Size 24.8 × 28.6 cm (93⁄4 × 111⁄4 in.)

464 pages, 200 colour illustrations hardcover

ISBN 978-88-572-4885-1

£ 50.00, $ 60.00

DAY FOR NIGHT: NEW AMERICAN REALISM. SELECTIONS FROM THE TONY AND ELHAM SALAMÉ COLLECTION - AÏSHTI FOUNDATION edited by Massimiliano Gioni and Flaminia Gennari Santori

Size 24.8 × 28.6 cm (9¾ × 11¼ in.)

480 pages, 270 colour illustrations hardcover

ISBN 978-88-572-5331-2

£ 55.00, $ 70.00

GIORGIO DE CHIRICO

The Changing Face of Metaphysical Art

edited by Victoria Noel-Johnson

Size 24 × 28 cm (91⁄2 × 11 in.)

264 pages, 209 colour illustrations hardcover

ISBN 978-88-572-4058-9

£ 29.95, $ 40.00

DANIEL DEZEUZE

Drawings

texts by Olivier Kaeppelin, Pierre Manuel; co-published with Galerie Daniel Templon

Size 23.5 × 30 cm (91⁄4 × 113⁄4 in.)

304 pages, 300 colour illustrations hardcover

ISBN 978-2-37074-105-9

£ 45.00, $ 55.00

PASCAL DOMBIS

texts by Céline Berchiche, Paula Braga, Clara Figueiredo, Dominique Moulon; interview of the artist by Franck James Marlot

Size 23 × 29 cm (9 × 11½ in.)

dual-language edition (English-French), 224 pages

200 colour illustrations hardcover

ISBN 978-2-37074-265-0, £ 35.00

JAQUELINE DE JONG

VICIOUS CIRCLES

edited with text by Ariella Wolens texts by Alison M. Gingeras and Margriet Schavemaker

Foreword by Bonnie Clearwater

Size 21.5 × 28 cm (8½ × 11 in.)

218 pages, 130 colour illustrations hardcover

ISBN 978-88-572-5386-2

£ 40.00, $ 50.00

ESPEN DIETRICHSON

Seven Years

edited by Demetrio Paparoni

Size 24 × 28 cm (91⁄2 × 11 in.)

152 pages, 140 colour illustrations hardcover

ISBN 978-88-572-3818-0

£ 32.00, $ 45.00

DEMI

texts by Oksana Salamatina and Lynette Bosch editorial coordination Paola Gribaudo

Size 24 × 28 cm (91 2 × 11 in.)

208 pages, 175 colour and 3 b/w illustrations, hardcover

ISBN 978-88-572-3909-5

£ 35.00, $ 45.00

DOKOUPIL

texts by Reiner Opoku, Luca Marenzi, Magda Dokoupilova

Size 24 × 30 cm (91 2 × 113⁄4 in.)

256 pages, 283 colour illustrations hardcover

ISBN 978-88-572-3615-5

£ 45.00, $ 60.00

JOANNA DREW and the Art of Exhibitions

Caroline Hancock

Size 16.5 × 24 cm (61⁄2 × 91⁄2 in.)

224 pages, 80 colour illustrations paperback

ISBN 978-88-572-3952-1

£ 35.00, $ 45.00

VIRGINIA DWAN and Dwan Gallery edited by Germano Celant

Size 16.5 × 24 cm (61⁄2 × 91⁄2 in.)

404 pages, 216 colour and 208 b/w illustrations, paperback

ISBN 978-88-572-2249-3

£ 42.00, $ 55.00

MARC DESGRANDCHAMPS

SILHOUETTES

edited by Pauline Nobécourt

Size 24 × 32 cm (91 2 × 121 2 in.)

dual-language edition (English-French), 160 pages

100 colour illustrations hardcover

ISBN 978-2-37074-208-7

£ 35.00, $ 40.00

JIRI GEORG DOKOUPIL VENETIAN BUBBLES

edited by Reiner Opoku

Size 20,5 × 28 cm (8 × 11 in.)

96 pages 45 colour illustrations hardcover

ISBN 978-88-572-5305-3

£ 28.00

BOB DYLAN

Retrospectrum edited by Shai Baitel

Size 24 × 28 cm (91⁄2 × 12 in.)

256 pages, 150 colour illustrations hardcover

ISBN 978-88-572-4902-5

£ 45.00, $ 55.00

CHIARA DYNYS

edited by Giorgio Verzotti

Size 24 × 30 cm (91 2 × 113⁄4 in.)

dual-language edition (English-Italian), 208 pages

50 colour illustrations hardcover with plexi box

ISBN 978-88-572-4108-1

£ 100.00, $ 125.00

JORGE EIELSON Matter, Sign, Space

edited by Francesca Pola

Size 24 × 28 cm (91⁄2 × 11 in.)

dual-language edition (English-Italian), 96 pages

50 colour illustrations, hardcover

ISBN 978-88-572-4075-6

£ 30.00, $ 40.00

EMERGENCE OF THE PATRIARCH

THE MAO XUHUI STORY

by Lü Peng

Size 18,5 × 25 cm (7¼ × 9¾ in.)

360 pages

290 colour illustrations hardcover

ISBN 978-88-572-5184-4

£ 40.00, $ 55.00

FRIEDEL DZUBAS

edited by Patricia L Lewy

Size 24 × 29 cm (91⁄2 × 111 2 in.)

390 pages, 345 colour and b/w illustrations, hardcover

ISBN 978-88-572-3280-5

£ 50.00, $ 65.00

FRIEDEL DZUBAS’S LAST JUDGMENT

A Masterpiece of Modernist Abstraction

edited by Patricia L. Lewy

Size 24.5 × 30 cm (93 4 × 12 in.)

112 pages, 120 colour and 55 b/w illustrations, hardcover

ISBN 978-88-572-5005-2

£ 28.00, $ 35.00

SLIMEN ELKAMEL

Size 17 × 23 cm (61⁄2 × 9 in.)

208 pages, 150 colour illustrations hardcover

ISBN 978-2-37074-165-3

£ 32.00, $ 45.00

DARREL ELLIS REGENERATION

edited by Antonio Sergio Bessa, Leslie Cozzi. With essays by Makeda Best, Allen Frame, Linda Owen and Scott Homolka, K. Croft

Size 22.5 × 26 cm (8 3⁄4 × 101 4 in.)

192 pages, 164 colour illustrations hardcover

ISBN 978-88-572-4687-1

£ 42.00, $ 52.00

THE EMPRESS AND I How an Ancient Empire Collected, Rejected and Rediscovered Modern Art

Donna Stein

Size 16.5 × 24 cm (61⁄2 × 91⁄2 in.)

278 pages, 178 colour illustrations

paperback

ISBN 978-88-572-4434-1

£ 38.00, $ 45.00

MAX ERNST SURREALISM, ART AND CINEMA

edited by Martina Mazzotta and Jürgen

Pech

Size 24 × 28 cm (9½ × 11 in.)

dual-language edition (English-Spanish), 112 pages

200 colour illustrations

paperback

ISBN 978-88-572-5362-6

£ 25.00

THE LIFE AND WORK OF INJI EFFLATOUN

edited by Sultan Sooud Al Qassemi and Suheyla Takesh

Size 4 × 25 cm (9½ × 9¾ in.)

320 pages, 125 colour illustrations hardcover

ISBN 978-88-572-5339-8

£ 50.00, $ 60.00

DAMIAN ELWES SECRETS OF THE STUDIOS

From Monet to Ai Weiwei text by Sylvie Girardet co-published with the Musée en Herbe

Size 22 × 24.5 cm (81⁄2 × 91 2 in.)

80 pages, 40 colour illustrations

paperback

ISBN 978-2-37074-070-0

£ 12.95

ESCHER

edited by Federico Giudiceandrea, Mark Veldhuysen

Size 24 × 30 cm (91⁄2 × 12 in.)

288 pages, 350 colour illustrations hardcover

ISBN 978-88-572-5143-1

£ 38.00, $ 50.00

JAN FABRE. STIGMATA Actions & Performances 1976-2013

Germano Celant

Size 21 × 29.7 cm (81 4 × 113⁄4 in.)

648 pages, 755 colour illustrations hardcover

ISBN 978-88-572-2124-3

£ 65.00, $ 100.00

BRENDAN FERNANDES: INACTION edited by Alhena Katsof

Size 22 × 28 cm (81⁄2 × 11 in.)

160 pages, 100 colour illustrations paperback

ISBN 978-88-572-5110-3

£ 38.00, $ 50.00

JAN FABRE. TRIBUTE TO HIËRONYMUS BOSCH IN CONGO. TRIBUTE TO BELGIAN CONGO with an introduction by Eckhard Schneider

Size 24 × 30 cm (91⁄2 × 113⁄4 in.)

2 volumes, 260 pages

110 colour illustrations hardcover with slipcase

ISBN 978-88-572-2300-1

£ 55.00, $ 95.00

BRENDAN FERNANDES. RE/FORM with texts by Dr. Juliet Bellow, Andrew Campbell, Hendrik Folkerts and Dakin Hart; design by Platform

Size 24 × 28 cm (9½ × 11 in.)

152 pages, 100 colour illustrations hardcover

ISBN 978-88-572-4559-1

£ 35.00, $ 45.00

FOOD in the Louvre

Yves Pinard, Paul Bocuse

Size 19 × 19 cm (71⁄2 × 71⁄2 in.)

80 pages, 40 colour illustrations hardcover

ISBN 978-2-37074-009-0

£ 9.95, $ 19.95

GEORGY FRANGULYAN

Off-Modern Clayton Press; contributions by Ruth Addison and Valentin Diaconov

Size 28 × 27.3 cm (11 × 103⁄4 in.)

220 pages, 139 colour and b/w illustrations, hardcover

ISBN 978-88-572-4920-9

£ 40.00, $ 50.00

A FALCON’S EYE

Tribute to Sheikh Saoud Al Thani edited by Hubert Bari and Mounia Chekhab-Abudaya

Size 22 × 28 cm (81⁄2 × 11 in.)

English and Arabic edition 216 pages, 212 colour illustrations

paperback

ISBN 978-88-572-4346-7 E

ISBN 978-88-572-4347-4 A

£ 42.00, $ 50.00

FLOWERS in the Louvre

Béatrice Vingtrinier, Michel Lis

Size 19 × 19 cm (71 2 × 71 2 in.)

80 pages, 40 colour illustrations hardcover

ISBN 978-2-37074-008-3

£ 9.95, $ 19.95

FENDRE L’AIR

Art of Bamboo in Japan

texts by Stéphane Martin, Naoko Tomonaga, Masanori Moroyama, Andreas Marks, Shinya Maezaki, Satomi Suzuki, Maiko Takenobu

Size 21 × 32 cm (81 4 × 12½ in.)

304 pages, 220 colour illustrations

paperback

ISBN 978-2-37074-106-6

£ 50.00, $ 70.00

FOOD edited by Adelina von Fürstenberg

Size 20 × 24 cm (73⁄4 × 91⁄2 in.)

188 pages, 114 colour and 17 b/w illustrations, paperback

ISBN 978-88-572-2498-5

£ 34.95, $ 55.00

JESSIE HOMER FRENCH Fish, Fire, and Death with texts by Francesco Bonami, Louise Farr, Jen Sudul Edwards

Size 28 × 33 cm (11 × 13 in.)

128 pages, 95 colour illustrations hardcover

ISBN 978-88-572-5024-3

£ 35.00, $ 40.00

JULIEN FRIEDLER

The Comedy Has Ended edited by Dominique Stella

Size 22 × 26 cm (81 2 × 101⁄4 in.)

tri-language edition (English-French-Italian)

128 pages, 50 colour illustrations hardcover

ISBN 978-88-572-4784-7

£ 25.00

FUTURBALLA

Life Light Speed

edited by Ester Coen

Size 24 × 28 cm (91 2 × 11 in.)

232 pages, 216 colour illustrations hardcover

ISBN 978-88-572-3386-4

£ 32.00, $ 45.00

HAROUTIUN GALENTZ. THE FORM OF COLOUR: FEATURING THE JANIBEKYAN COLLECTION

edited by Vartan Karapetian, Marie Tomb; with texts by Vartan Karapetian, Marie Tomb, Silvia Burini, Armen Yesayants

Size 24 × 28 cm (9½ × 11 in.)

224 pages, 160 colour illustrations hardcover, ISBN 978-88-572-5327-5

£ 35.00, $ 40.00

STEFAN GIEROWSKI

texts by David Anfam, Michel Gauthier and Stach Szablowski

Size 24 × 30 cm (91 2 × 113⁄4 in.)

208 pages, 188 colour illustrations hardcover

ISBN 978-88-572-4482-2

£ 32.00, $ 40.00

ALBERTO GIACOMETTI

Graphics on the Border between Art and Thought edited by Jean Soldini and Nicoletta Ossanna Cavadini

Size 24 × 24 cm (91⁄2 × 91⁄2 in.)

dual-language edition (English-Italian), 400 pages

250 colour illustrations, paperback

ISBN 978-88-572-4399-3

£ 30.00, $ 35.00

WILLIAM J. GLACKENS AND PIERRE-AUGUSTE RENOIR

Affinities and Distinctions

NSU Art Museum Fort Lauderdale; essays by A. Berman, B. Clearwater, M.a Lucy, B. Buhler Lynes

Size 21 × 28 cm (81⁄4 × 11 in.)

144 pages, 101 colour and 148 b/w illustrations, hardcover

ISBN 978-88-572-3950-7

£ 28.00, $ 35.00

GOETHES ITALIENISCHE REISE

Eine Hommage an ein Land, das es niemals gab edited by Peter Assmann, Johannes Ramharter, Helena Pereña in collaboration with Ralf Bormann

Size 21 × 26 cm (81 4 × 101⁄4 in.)

dual-language edition (I-G)

384 pages, 400 colour illustrations hardcover

ISBN 978-88-572-4407-5

€ 30.00, £ 28.00

NANCY GENN Architecture from Within edited by Francesca Valente

Size 24 × 28 cm (91⁄2 × 11 in.)

144 pages, 105 colour and 19 b/w illustrations, paperback

ISBN 978-88-572-3785-5

£ 32.00, $ 45.00

GEOMETRY AND ART in the Modern Middle East edited by Roxane Zand, texts by Roxane Zand and Sussan Babaie

Size 24 × 28 cm (91⁄2 × 11 in.)

168 pages, 72 colour illustrations hardcover

ISBN 978-88-572-4016-9

£ 40.00, $ 50.00

ALBERTO GIACOMETTI

Le réel merveilleux / Marvellous Reality edited by Catherine Grenier and Émilie Bouvard

Size 21 × 32 cm (81⁄4 × 121 2 in.)

256 pages, 230 colour illustrations hardcover

ISBN 978-2-37074-159-2

£ 30.00, $ 40.00

GOOD DREAMS, BAD DREAMS American Mythologies. Selections from the Tony and Elham Salamé Collection Aïshti Foundation edited by Massimiliano Gioni

Size 24.8 × 28.6 cm (93 4 × 111 4 in.)

416 pages, 242 colour illustrations hardcover

ISBN 978-88-572-3238-6

£ 45.00, $ 65.00

LOUIS M. GLACKENS PURE IMAGINATION

edited by Ariella Wolens preface by Avis Berman; texts by Bonnie Clearwater, Richard Samuel West, Ariella Wolens

Size 16.5 × 24 cm (6½ × 9½ in.)

176 pages, 100 colour illustrations Dutch cover

ISBN 978-88-572-5328-2

£ 35.00, $ 45.00

SOFIA GOSCINSKI conversation with Jasper Sharp essays by Hubert Klocker and Denise Wendel-Poray

Size 24 × 30 cm (91 2 × 113⁄4 in.)

146 pages, 100 colour illustrations hardcover

ISBN 978-88-572-4349-8

£ 32.00, $ 40.00

SHEELA GOWDA

Remains

edited by Nuria Enguita, Lucia Aspesi and Sheela Gowda

Size 21.5 × 27 cm (81⁄2× 101⁄2 in.)

240 pages, 153 colour illustrations hardcover

ISBN 978-88-572-4164-7

£ 40.00, $ 50.00

JENNIFER GUIDI

Full Moon

Size 24 × 32 cm (91 2 × 121 2 in.)

144 pages, 90 colour illustrations

paperback

ISBN 978-88-572-5107-3

£ 26.00, $ 30.00

GREENHOUSE

ART, ECOLOGY AND RESISTANCE

edited by Mónica de Miranda and Sónia Vaz Borges

Size 20,5 × 28 cm (8 × 11 in.)

168 pages, 60 colour illustrations hardcover

ISBN 978-88-572-5309-1

£ 30.00, $ 40.00

AMIN GULGEE NO MAN’S LAND

edited by John McCarry

Size 24 × 30,5 cm (9½ × 12 in.)

416 pages

330 colour illustrations hardcover

ISBN 978-88-572-5292-6

£ 55.00, $ 70.00

HAEGUE YANG

FLAT WORKS

texts by Orianna Cacchione exhibition by Janine Mileaf

Size 16.5 × 24 cm (6½ × 9½ in.)

96 pages

110 colour illustrations hardcover

ISBN 978-88-572-5326-8

£ 25.00, $ 35.00

JÓZEF HAŁAS

texts by Marjolaine Lévy, Michel Gauthier, Magdalena Howorus-Czajka

Size 24 × 28 cm (91⁄2 × 11 in.)

144 pages, 80 colour illustrations hardcover

ISBN 978-2-37074-210-0

£ 30.00, $ 35.00

YUSUF GRILLO Paintings. Lagos. Life edited by Chika Okeke-Agulu

Size 24.1 × 29.2 cm (91 2 × 111⁄2 in.)

200 pages, 150 colour illustrations hardcover

ISBN 978-88-572-4280-4

£ 35.00, $ 45.00

GROUP SPIRIT – WILD STYLE

edited by Peres Projects

Size 20.5 × 30.5 cm (8 × 12 in.)

120 pages, 113 colour illustrations hardcover

ISBN 978-88-572-3350-5

£ 38.00, $ 50.00

SUBODH GUPTA

edited by Camille Morineau and Mathilde de Croix, texts by G. Celant, N. Bourriaud, B. Singh. Copublished with Monnaie Paris

Size 19.5 × 25.5 cm (7¾ × 10 in.)

dual-language edition (English-French), 192 pages 80 colour illustrations, paperback

ISBN 978-2-37074-083-0

£ 22.50, $ 30.00

PETER HALLEY

Europe text by Domitille d’Orgeval

Size 24 × 30 cm (91⁄2 × 12 in.)

dual-language edition (English-French), 192 pages

100 colour illustrations hardcover

ISBN 978-2-37074-226-1

£ 40.00, $ 50.00

HA HA HA!

The Humour of Art edited by Nicolas Liucci-Goutnikov

Size 23 × 31 cm (9 × 121 4 in.)

dual-language edition (French-Dutch) with English texts leaflet, 208 pages, 150 colour illustrations, paperback

ISBN 978-2-37074-151-6

£ 32.00, $ 45.00

MOHAMED HAMIDI

Michel Gauthier

Size 24 × 30 cm (91⁄2 × 12 in.)

dual-language edition (English-French), 208 pages

150 colour illustrations, paperback

ISBN 978-2-37074-161-5

£ 35.00, $ 48.00

AND CONTEMPORARY ART

PASCAL HAUDRESSY

edited by David Rosenberg

Size 24 × 32 cm (91 2 × 121 2 in.)

160 pages, 100 colour illustrations hardcover

ISBN 978-2-37074-206-3

£ 35.00, $ 40.00

WILLIAM L. HAWKINS

An Imaginative Geography

Susan Mitchell Crawley, co-published by the Figge Art Museum and The Columbus Museum of Art (Ohio)

Size 30 × 28 cm (113⁄4 × 11 in.)

136 pages, 78 colour illustrations hardcover

ISBN 978-88-572-3634-6

£ 39.95, $ 55.00

HORTENSIA HERRERO COLLECTION

From Calder to Kiefer

edited by Javier Molins, introduction by Hortensia Herrero

Size 24 × 30 cm (91⁄2 × 12 in.)

dual-language edition (English-Spanish), 224 pages

150 colour illustrations, hardcover

ISBN 978-88-572-5111-0

£ 42.00, $ 53.00

THE HISTORY OF THE NUDE

Size 17 × 21 cm (61⁄2 × 81⁄4 in.)

296 pages, 160 colour illustrations flexibound

ISBN 978-88-572-1352-1

£ 19.95, $ 29.95

LENA HERZOG by Giuseppe Barbieri and Silvia Burini

Size 24 × 31 cm (9½ × 12¼ in.)

240 pages

210 colour illustrations hardcover

ISBN 978-88-572-5163-9

£ 40.00, $ 50.00

HOGARTH, REYNOLDS, TURNER

British Painting and the Rise of Modernity edited by Carolina Brooks and Valter Curzi

Size 24 × 28 cm (91⁄2 × 11 in.)

304 pages, 111 colour and 75 b/w illustrations, paperback

ISBN 978-88-572-2271-4

£ 34.95, $ 55.00

GOTTFRIED HELNWEIN

The Epiphany of the Displaced Demetrio Paparoni

Size 24 × 28 cm (91⁄2 × 11 in.)

528 pages, 506 colour illustrations hardcover

ISBN 978-88-572-3989-7

£ 60.00, $ 80.00

JAN HENDERIKSE

Mint

edited by Francesca Pola

Size 24 × 28 cm (91⁄2 × 11 in.)

dual-language edition (English-Italian), 112 pages

63 colour illustrations, hardcover

ISBN 978-88-572-3981-1

£ 30.00

HIGHLIGHTS OF IRAQI MODERN AND CONTEMPORARY ART from the Ibrahimi Collection

Size 24 × 28 cm (91 2 × 11 in.)

512 pages, 880 colour and 210 b/w illustrations hardcover

ISBN 978-88-572-4993-3

£ 65.00, $ 80.00

HISTORICODE Scarcity and Supply

Chief Curator Lu Peng

Size 16.5 × 24 cm (61 2 × 91⁄2 in.)

400 pages, 120 b/w illustrations hardcover

ISBN 978-88-572-3440-3

£ 40.00, $ 50.00

BRAD HOWE. A DANCE OF ATOMS

Designed by Michelle Edelman

Introduction by Asher Edelman

Essays by Charles A. Riley II, Anthony Haden-Guest

Edited by Peter Frank

Size 34 × 30 cm (131⁄4 × 12 in.)

344 pages, 350 colour illustrations hardcover

ISBN 978-88-572-4258-3

£ 50.00, $ 70.00

CB HOYO

I didn’t know how to name this edited by Cesare Biasini Selvaggi and Jack Kyle Franklin

Size 16.5 × 21 cm (61⁄2 × 81 4 in.)

208 pages, 170 colour illustrations hardcover

ISBN 978-88-572-4567-6

£ 28.00, $ 35.00

Flaminio Gualdoni

VOLKER HÜLLER

texts by Scott Indrisek editorial coordination Paola Gribaudo

Size 20.5 × 28 cm (73 4 × 11 in.)

96 pages, 81 colour illustrations hardcover

ISBN 978-88-572-3284-3

£ 25.00, $ 35.00

IN THE WORLD Essays on Contemporary South African Art edited by Ashraf Jamal

Size 16.5 × 24 cm (61 2 × 91⁄2 in.)

416 pages, 112 colour illustrations paperback

ISBN 978-88-572-3563-9

£ 40.00, $ 55.00

BARKLEY L. HENDRICKS

Works on Paper (Vol. 1) co-published by Skira and Jack Shainman Gallery

Size 16.5 × 23.7 cm (61⁄2 × 91⁄4 in.)

96 pages, 50 colour illustrations hardcover

ISBN 978-88-572-4147-0

£ 22.50, $ 25.00

IGOR & MARINA

with a text by Ilya Kutik editorial coordination Paola Gribaudo

Size 24 × 30 cm (91⁄2 × 113⁄4 in.)

96 pages, 70 colour illustrations hardcover

ISBN 978-88-572-3126-6

£ 28.00, $ 40.00

IN VESTED INTERESTS: FROM PASSION TO PATRONAGE

The AbdulMagid Breish Collection of Arab Art edited by Louisa Macmillan; texts by AM Breish, N. Sagharchi, S.M. Yassukovich, M. Kafil-Hussain

Size 24 × 28 cm (91⁄2 × 11 in.)

264 pages, 325 colour illustrations hardcover, ISBN 978-88-572-4267-5

£ 40.00, $ 50.00

BARKLEY L. HENDRICKS

Landscape Paintings (Vol. 2) co-published by Skira and Jack Shainman Gallery

Size 16.5 × 23.7 cm (61⁄2 × 91⁄4 in.)

96 pages, 50 colour illustrations hardcover

ISBN 978-88-572-4151-7

£ 22.50, $ 25.00

IMAGINE PICASSO edited by Androula Michael

Size 23 × 27 cm (9 × 101 2 in.)

64 pages, 50 colour illustrations paperback

ISBN 978-2-37074-177-6

£ 25.00, $ 30.00

ANNE IMHOF. SEX

texts by Carolyn Christov-Bakargiev, Marcella Beccaria, Hendrik Folkerts, Catherine Wood; photo by Nadine Fraczkowski

Size 24 × 28 cm (9½ × 11 in.)

dual-language edition (English-Italian), 464 pages

320 colour and b/w illustrations hardcover, 978-88-572-4754-0

£ 40.00, $ 50.00

IRAN DO ESPIRÍTO SANTO

edited by Samuel Titan texts by Samuel Titan, Lilian Tone, Enrique Juncosa and Nicholas Baume

Size 24 × 30 cm (9½ × 113⁄4 in.)

256 pages, 150 colour illustrations hardcover

ISBN 978-88-572-4492-1

£ 48.00, $ 65.00

BARKLEY L. HENDRICKS

Basketball Paintings (Vol. 3) co-published by Skira and Jack Shainman Gallery

Size 16.5 × 23.7 cm (61 2 × 91 4 in.)

96 pages, 50 colour illustrations hardcover

ISBN 978-88-572-4148-7

£ 22.50, $ 25.00

ITALY OF THE CITIES

Miscellaneous

Artistic coordination by Peter Greenaway

Size 24 × 28 cm (91 2 × 11 in.)

three-language edition (English-Italian-Chinese)

340 pages, 192 colour illustrations paperback

ISBN 978-88-572-0885-5

£ 34.95, $ 55.00

BARKLEY L. HENDRICKS

Photography (Vol. 4) co-published by Skira and Jack Shainman Gallery text by Anna Arabindan-Kesson

Size 16.5 × 23.7 cm (61⁄2 × 91⁄4 in.)

96 pages, 50 colour illustrations hardcover

ISBN 978-88-572-4150-0

£ 22.50, $ 25.00

BAKHODIR JALAL

A Line to Eternity

edited by Rosa Maria Falvo texts by Nigora Akhmedova, Natalya Andakulova, with an interview by Rosa Maria Falvo

Size 24 × 28 cm (91 2 × 11 in.)

208 pages, 170 colour illustrations hardcover

ISBN 978-88-572-3636-0

£ 45.00, $ 65.00

Y.Z. KAMI. WORKS 1985–2018

texts by Robert Storr, Laura Cumming; interview by Elena Geuna

Skira / Gagosian

Size 24 × 31 cm (91⁄2 × 121⁄4 in.)

408 pages, 345 colour illustrations hardcover

ISBN 978-88-572-3939-2

£ 65.00, $ 90.00

JEFF KOONS

Lost in America

edited by Massimiliano Gioni

Size 22.5 × 28.5 cm (83⁄4 × 111 4 in.)

248 pages, 180 colour illustrations hardcover

ISBN 978-88-572-4538-6

£ 42.00, $ 60.00

MARCUS JANSEN

Decade foreword by Steve Lazarides

texts by Noah Becker, Paolo Manazza, Brooke Lynn McGowan, Lawrence Voytekx

Size 28 × 28 cm (11 × 11 in.)

208 pages, 120 colour illustrations hardcover

ISBN 978-88-572-3057-3

£ 42.00, $ 60.00

BARBARA KASTEN

Architecture & Film (2015–2020)

edited by Stephanie Cristello; texts by Stephanie Cristello, Humberto Moro, Mimi Zeiger and an interview by Hans Ulrich Obrist

Size 24 × 30 cm (91 2 × 12 in.)

180 pages, 120 colour illustrations hardcover

ISBN 978-88-572-4719-9

£ 30.00, $ 45.00

YAYOI KUSAMA

Present Infinite edited by Stefano Raimondi

texts by Stella Bottai, Stefano Raimondi, Diego Sileo

Size 28 × 28 cm (11 × 11 in.)

120 pages, 80 colour illustrations hardcover

ISBN 978-88-572-5142-4

£ 35.00, $ 45.00

LYDIA JANSSEN

Dance to Art by Ian Findlay-Brown foreword by Larry Poons edited by Rosa Maria Falvo

Size 27 × 24 cm (101⁄2 × 91⁄2 in.)

144 pages, 80 colour illustrations hardcover

ISBN 978-88-572-4159-3

£ 25.00, $ 30.00

KEROUAC

Beat Painting

edited by Sandrina Bandera, Alessandro Castiglioni, Emma Zanella

Size 16.5 × 24 cm (61 2 × 91 2 in.)

176 pages, 87 colour illustrations hardcover

ISBN 978-88-572-3779-4

£ 30.00, $ 39.95

JEFF KOWATCH

texts by Juliette Singer

Size 23 × 29 cm (9 × 111⁄2 in.)

dual-language edition (English-French), 184 pages

100 colour illustrations

paperback

ISBN 978-2-37074-241-4

£ 35.00, $ 45.00

JR Déplacé·e·s

edited by Arturo Galansino

Gallerie d’Italia | Skira

Size 24 × 28 cm (91⁄2 × 11 in.)

160 pages

115 colour illustrations hardcover

ISBN 978-88-572-4992-6

£ 35.00, $ 40.00

VASILY KLYUKIN

Live Sculptures

introduction by Vasily Klyukin

editorial coordination Paola Gribaudo

Size 24.5 × 33.5 cm (91⁄2 × 13 in.)

224 pages, 106 colour illustrations hardcover

ISBN 978-88-572-4004-6

£ 48.00, $ 65.00

SAEED KOUROS

Picturing Life

edited by Hamid Keshmirshekan

Size 26 × 22 cm (101⁄4 × 81⁄2 in.)

240 pages, 210 colour illustrations hardcover

ISBN 978-88-572-4118-0

£ 42.00, $ 55.00

KOREAN EYE 3

Contemporary Korean Art

edited by Serenella Ciclitira with text by Dimitri Ozerkov

Size 24 × 24 cm (91 2 × 91 2 in.)

368 pages, 765 colour illustrations

paperback

ISBN 978-88-572-4262-0

£ 50.00, $ 60.00

MALAYSIAN EYE

Contemporary Malaysian Art edited by Serenella Ciclitira

Size 24 × 24 cm (91⁄2 × 91 2 in.)

376 pages, 528 colour illustrations

paperback

ISBN 978-88-572-2250-9

£ 39.95, $ 65.00

VIETNAM EYE

Contemporary Vietnamese Art edited by Serenella Ciclitira

Size 24 × 24 cm (9½ × 9½ in.)

376 pages, 528 colour illustrations

paperback

ISBN 978-88-572-3360-4

£ 38.00, $ 50.00

START (2014)

Young Galleries New Artists edited by Serenella Ciclitira

Size 24 × 24 cm (91⁄2 × 91 2 in.)

252 pages, 366 colour illustrations

paperback

ISBN 978-88-572-2479-4

£ 34.95, $ 55.00

LAHORE BIENNALE 01

Reader

edited by Iftikhar Dadi

Size 16.5 × 24 cm (61⁄2 × 91⁄2 in.)

532 pages, 190 colour illustrations

paperback

ISBN 978-88-572-4790-8

£ 38.00, $ 48.00

LAHORE BIENNALE READER 02

edited by Hoor Al Qasimi and Iftikhar Dadi

Size 16.5 × 24 cm (61/2 × 91/2 in.)

532 pages

150 colour illustrations

paperback

ISBN 978-88-572-5343-5

£ 45.00, $ 55.00

SINGAPORE EYE

Contemporary Singapore Art edited by Serenella Ciclitira

Size 24 × 24 cm (91⁄2 × 91⁄2 in.)

376 pages, 528 colour illustrations

paperback

ISBN 978-88-572-2478-7

£ 39.95, $ 65.00

THAILAND EYE

Contemporary Thailand Art edited by Serenella Ciclitira

Size 24 × 24 cm (91⁄2 × 91⁄2 in.)

476 pages, 520 colour illustrations

paperback

ISBN 978-88-572-2982-9

£ 34.95, $ 55.00

START (2015)

Emerging Artists New Art

Scenes

edited by Serenella Ciclitira

Size 24 × 24 cm (91 2 × 91⁄2 in.)

264 pages, 250 colour illustrations

paperback

ISBN 978-88-572-3010-8

£ 34.95, $ 55.00

KESANG LAMDARK

edited by Kenny Schachter

Size 24 × 28 cm (91⁄2 × 11 in.)

304 pages, 210 colour illustrations hardcover

ISBN 978-88-572-4221-7

£ 58.00, $ 75.00

KATALIN LADIK Ooooooooo-pus edited by Hendrik Folkerts

Size 16.5 × 24 cm (61⁄2 × 91 2 in.)

240 pages, 120 colour illustrations Dutch binding

ISBN 978-88-572-4853-0

£ 40.00, $ 50.00

THE LAST DAYS OF THE OPERA / DIE LETZTEN TAGE DER OPER edited by Denise Wendel-Poray, Gert Korentschnig, Christian Kircher

Size 16.5 × 24 cm (61 2 × 91 2 in.)

English and German edition 486 pages, 90 colour illustrations

paperback

ISBN 978-88-572-4359-7 E -4511-9 G, £ 35.00, $ 45.00

LEBANESE PAVILLON

The World in the Image of Man

Size 21 × 27 cm (81⁄4 × 101 2 in.)

dual-language edition (English-French), 192 pages

100 colour illustrations

paperback

ISBN 978-2-37074-192-9

£ 30.00, $ 35.00

ALEXANDRE LENOIR

texts by Joachim Pissarro, Anaël Pigeat

Size 24 × 30 cm (9½ × 12 in.)

dual-language edition (English-French)

208 pages, 150 colour illustrations hardcover

ISBN 978-2-37074-232-2

£ 45.00, $ 60.00

ROMUALDO LOCATELLI

An Artistic Voyage from Rome, the Eternal City, to Bali, the Island of the Gods

edited by Vittorio Sgarbi

Size 24 × 26 cm (91 2 × 101⁄4 in.)

dual-language edition (E-I)

232 pages, 155 colour and b/w illustrations, paperback

ISBN 978-88-572-4048-0

£ 30.00, $ 40.00

KATA LEGRADY

with an introduction by Gino Di Maggio, essays by Arturo Schwarz and Bazon Brock

Size 21.7 × 25.8 cm (81 2 × 101 4 in.)

80 pages, 73 colour illustrations hardcover

ISBN 978-88-572-1965-3

£ 29.95, $ 45.00

LIFANG

foreword by Éric Lefebvre; essays by Maël Bellec, Jean-Louis Poitevin, Selina Ting, Wang Keping; interview by Maëk Bellec

Size 24 × 30 cm (91 2 × 12 in.)

dual-language edition (English-French), 160 pages

100 colour illustrations hardcover, ISBN 978-2-37074-227-8

£ 30.00, $ 35.00

THE LONG CURVE

150 Years of Visionary Collecting at the Albright-Knox Art Gallery

Douglas Dreishpoon, H. E.

Hughes, Mariann W. Smith, Susana Tejada

Size 24 × 28 cm (91⁄2 × 11 in.)

272 pages, 225 colour and 63 b/w illustrations, hardcover

ISBN 978-88-572-1040-7

£ 40.00, $ 65.00

KATA LEGRADY GRAPHIC WORKS once upon a time... edited by David Rosenberg with an essay by Bazon Brock

Size 24 × 28 cm (91⁄2 × 11 in.)

136 pages, 89 colour illustrations hardcover

ISBN 978-88-572-1964-6

£ 34.95, $ 55.00

ANTONIO LIGABUE

The Swiss van Gogh edited by Monika Jagfeld, Renato Martinoni, Sandro Parmiggiani

Size 21.5 × 26 cm (81⁄4 × 101⁄4 in.) dual-language edition (English-German), 192 pages 88 colour and 126 b/w illustrations paperback

ISBN 978-88-572-4069-5

£ 30.00

LONGING FOR ETERNITY

One Century of Iraqi Art from the Hussain Ali Harba Family Collection

edited by Mary Angela Schroth with a text by Aasim Abdul-Ameer

Size 24 × 24 cm (91 2 × 91⁄2 in.)

320 pages, 500 colour illustrations hardcover

ISBN 978-88-572-1876-2

£ 57.00, $ 85.00

MIRA LEHR. ARC OF NATURE

The Complete Monograph essays by Eleanor Heartney, Irving Sandler, Thom Collins, and Joseph Treaster; exclusive new interviews with Mira Lehr

Size 25.4 × 30.5 cm (10 × 113⁄4 in.)

420 pages, 350 colour illustrations hardcover

ISBN 978-88-572-4632-1

£ 58.00, $ 75.00

LIGHTS ON

Norwegian Contemporary Art edited by Gunnar B. Kvaran, Hanne Beate Ueland and Grete Årbu

Size 17 × 28 cm (61⁄2 × 11 in.)

192 pages, 156 colour illustrations

paperback

ISBN 978-88-6130-792-6

£ 22.95, $ 45.00

LOS ANGELES

State of Mind

edited by Luca Beatrice

Gallerie d’Italia | Skira

Size 12 × 17 cm (43 4 × 61 2 in.)

112 pages, 45 colour illustrations hardcover

ISBN 978-88-572-4539-3

£ 15.00, $ 20.00

LOVE

Contemporary Art Meets

Amour edited by Danilo Eccher

Size 21 × 31 cm (81⁄4 × 121⁄4 in.)

320 pages, 200 colour illustrations hardcover

ISBN 978-88-572-3357-4

£ 32.00, $ 45.00

DAVID MANZUR

Eugenio Viola

Editorial coordination Paola Gribaudo

Size 25 × 30 cm (93⁄4 × 12 in.)

456 pages, 300 colour illustrations hardcover

ISBN 978-88-572-4263-7

£ 55.00, $ 75.00

ASTRID MØRLAND

Tone Lyngstad Nyaas. Eli Skatvedt, Irene Haslund, Synne Lea, Frida Forsgren, Anna Lange Malmanger

Size 24 × 28 cm (91⁄2 × 11 in.)

152 pages, 120 colour illustrations paperback

ISBN 978-88-572-4474-7

£ 26.00, $ 35.00

LUX ET VERITAS

Pushing a white wall text by Bonnie Clearwater; introduction by william cordova

Size 24 × 28 cm (91⁄2 × 11 in.)

208 pages, 95 colour illustrations hardcover

ISBN 978-88-572-4855-4

£ 30.00, $ 40.00

CONRAD MARCA-RELLI

Il Maestro Irascibile

(The Irascible Master) edited by Emilie Ryan with the Archivio Marca-Relli; texts by David Anfam, Massimo Belli

Skira / Mattia De Luca

Size 20 × 25 cm (73⁄4 × 93⁄4 in.)

dual-language edition, (E-I)

140 pages, 60 colour illustrations hardcover, ISBN 978-88-572-4732-8

£ 30.00, $ 40.00

ANTONIO MARRAS

Nulla dies sine linea

The Life, Diaries and Notes of a Restless Man edited by Francesca Alfano Miglietti

Size 21.5 × 27.5 cm (81 4 × 111 2 in.)

274 pages, 360 colour illustrations hardcover

ISBN 978-88-572-3482-3

£ 42.00, $ 55.00

MARIA MADEIRA

Kiss and Don’t Tell edited by Natalie King

Size 21 × 29.7 cm (81⁄4 × 111⁄2 in.)

128 pages, 70 colour illustrations hardcover

ISBN 978-88-572-5276-6

£ 30.00

NJA MAHDAOUI

Jafr. The Alchemy of Signs edited by Molka Mahdaoui texts by Rose Issa, Venetia Porter, Martina Corgnati, Charbel Dagher

Size 24 × 28 cm (91 2 × 11 in.)

416 pages, 300 colour illustrations hardcover

ISBN 978-88-572-2264-6

£ 55.00, $ 90.00

ANDRÉ MARFAING

Peintures / Paintings 1948–1986 texts by Christophe Averty, Sophie Rosset Culleron

Size 24.8 × 33 cm (93 4 × 13 in.) dual-language edition (English-French), 288 pages 250 colour and 1750 b/w illustrations, hardcover

ISBN 978-2-37074-173-8

£ 90.00

CHRIS MARTIN

Paintings texts by Glenn O’Brien, Dan Nadel, Nancy Princenthal and Trinie Dalton

Size 24 × 30 cm (91 2 × 113⁄4 in.)

320 pages, 173 colour illustrations hardcover

ISBN 978-88-572-3474-8

£ 60.00, $ 75.00

UMBERTO MARIANI

edited by David Rosenberg

Size 24 × 28 cm (91 2 × 11 in.)

188 pages, 150 colour illustrations hardcover

ISBN 978-88-572-3067-2

£ 32.00, $ 45.00

MATTA & THE FOURTH DIMENSION

edited by John Cauman, David Everitt Howe, Oksana Salamatina;editorial coordination Paola Gribaudo

Size 24 × 31 cm (91⁄2× 121⁄4 in.)

English and Russian edition

200 pages, 148 colour illustrations hardcover, 978-88-572-4026-8 E

ISBN 978-88-572-4027-5 RU

£ 42.00, $ 55.00

THAMEUR MEJRI

texts by Deena Weinstein, Lina Lazaar, Matthieu Lelièvre, Olfa Youssef and Olivier Rachet

Size 19 × 25.5 cm (71⁄2 × 10 in.)

dual-language edition

(English-French), 160 pages

80 colour illustrations, hardcover

ISBN 978-2-37074-183-7

£ 30.00

SUNGI MLENGEYA

text by Tandazani Dhlakama conversation between Jemima Michael and Sungi Mlengeya

Size 24 × 28 cm (9½ × 11 in.)

144 pages, 80 colour illustrations hardcover

ISBN 978-2-37074-266-7

£ 30.00, $ 35.00

MOMENTS

edited by Polimoda / Linda Loppa

Size 21.5 × 29 cm (81 4 × 111⁄2 in.)

512 pages, 500 colour illustrations

paperback

ISBN 978-88-572-3176-1

£ 38.00, $ 55.00

MOHAMED MELEHI

edited by Michel Gauthier

Size 24 × 30 cm (91⁄2 × 113⁄4 in.)

dual-language edition (English-French), 208 pages

150 colour illustrations hardcover

ISBN 978-2-37074-114-1

£ 35.00, $ 45.00

CHARLES MOLINA

text by Capucine Millot; with a statement by Charles Molina

Size 25 × 32 cm (9¾ × 12½ in.)

dual-language edition (English-French)

192 pages, 120 colour illustrations hardcover

ISBN 978-2-37074-269-8

£ 35.00, $ 45.00

MONDIALITÉ

or the Archipelagos of Édouard Glissant

edited by Hans Ulrich Obrist and Asad Raza

Size 15 × 21 cm (6 × 81⁄4 in.)

356 pages, 60 colour illustrations

paperback

ISBN 978-2-37074-057-1

£ 36.00, $ 45.00

HENOK MELKAMZER

TELSEM SYMBOLS AND IMAGERY

edited by Elizabeth W. Giorgis

Size 16.5 × 23.5 cm (6½ × 9¼ in.)

144 pages

160 colour illustrations hardcover

ISBN 978-88-572-5286-5

£ 30.00, $ 40.00

Size 22 × 22 cm (81⁄2 × 81⁄2 in.)

English, German and Norwegian edition, 112 pages, 50 colour and 40 b/w illustrations, hardcover

ISBN 978-88-572-1947-9 E

ISBN 978-88-572-1981-3 G

ISBN 978-88-572-1949-3 NOR

£ 16.95

GIORGIO MORANDI

1890–1964

edited by Renato Miracco and Maria Cristina Bandera

Size 24 × 28 cm (91⁄2 × 11 in.)

336 pages, 116 colour and 250 b/w illustrations, hardcover

ISBN 978-88-6130-716-2

£ 39.95, $ 65.00

MARTA MINUJÍN

Arte! Arte! Arte!

Darsie Alexander and Rebecca Shaykin; with contributions by Rodrigo Alonso and Emily Markert

Size 23.5 × 31 cm (91 4 × 121⁄5 in.)

240 pages, 225 colour illustrations hardcover

ISBN 978-88-572-5008-3

£ 52.00, $ 65.00

EDVARD MUNCH

1863–1944

edited by Mai Britt Guleng, Birgitte Sauge, Jon-Ove Steihaug

Size 25 × 28 cm (93⁄4 × 11 in.)

368 pages, 355 colour illustrations

paperback

ISBN 978-88-572-4485-3

£ 40.00, $ 50.00

GIORGIO MORANDI

Time Suspended

edited by Marilena Pasquali, Marco Zindato, Ilaria Degni

Size 24.5 × 27 cm (91 2 × 101 2 in.)

dual-language edition (English-Italian), 176 pages

80 colour illustrations hardcover

ISBN 978-88-572-4956-8

£ 40.00, $ 50.00

MEET EDVARD MUNCH

CARLOS MOTTA

History’s Backrooms

Size 24 × 30 cm (91 2 × 113⁄4 in.)

dual-language edition

(English-Spanish), 304 pages

367 colour illustrations, hardcover

ISBN 978-88-572-4111-1

£ 50.00, $ 60.00

NABIL MOUSA

Breaking the Chains

John Cauman, Oksana Salamatina; editorial coordination Paola Gribaudo

Size 28 × 28 cm (11 × 11 in.)

100 pages, 108 colour illustrations hardcover

ISBN 978-88-572-3203-4

£ 25.00, $ 35.00

IVÁN NAVARRO

Welcome

José-Manuel Gonçalvès, Alfredo Jaar, and Pablo León de la Barra

Size 20 × 26.8 cm (73⁄4 × 101⁄2 in.)

202 pages, 150 colour illustrations hardcover

ISBN 978-88-572-4453-2

£ 40.00, $ 50.00

HERMANN NITSCH

Hommage texts by Hermann Nitsch with an essay and a chronology by Sarah Imatte

Size 17 × 24 cm (61 2 × 91⁄2 in.)

dual-language edition (English-French), 64 pages

30 colour illustrations, paperback

ISBN 978-2-37074-215-5

£ 17.00, $ 20.00

NEOLUDICA

Art and Videogames

2011–1966

Debora Ferrari and Luca Traini

Size 16.5 × 21 cm (61⁄2 × 81⁄4 in.)

256 pages, 230 colour illustrations paperback

ISBN 978-88-572-1164-0

£ 22.00, $ 35.00

NKANGA When Looking across the Sea Do You Dream? Of Cords Curling around Mountains edited by Carolyn ChristovBakargiev, Marcella Beccaria

Size 24 × 28 cm (91⁄2 × 11 in.)

dual-language edition (English-French), 232 pages

248 colour illustrations, hardcover

ISBN 978-88-572-4756-4

£ 35.00, $ 45.00

ALPHONSE MUCHA

edited by Tomoko Sato

Size 22 × 28 cm (8½ × 11 in.)

248 pages, 256 colour illustrations hardcover

ISBN 978-88-572-3243-0

£ 28.00, $ 40.00 back in print

RAFA NASIRI

Artist Books

Sonja Mejcher-Atassi

Size 24 × 28 cm (91 2 × 11 in.)

176 pages, 120 colour illustrations hardcover

ISBN 978-88-572-3341-3

£ 32.00

NEW SKIN

Selections from the Tony and Elham Salamé Collection–Aïshti Foundation texts by David Adjaye, Jeffrey Deitch and Massimiliano Gioni

Size 24 × 30 cm (91 2 × 113⁄4 in.)

412 pages, 350 colour illustrations hardcover

ISBN 978-88-572-2984-3

£ 42.00, $ 65.00

NOT VITAL

Sculpture by Alma Zevi

Size 30 × 35 cm (113⁄4 × 133⁄4 in.)

468 pages, 830 colour illustrations hardcover

ISBN 978-88-572-4614-7

£ 50.00, $ 65.00

NEW WAVES

edited by Marta Gnyp

Size 16.5 × 24 cm (61 2 × 91 2 in.)

344 pages, 100 colour illustrations paperback

ISBN 978-88-572-4119-7

£ 32.00, $ 40.00

NUVOLO AND POST-WAR MATERIALITY

1950–1965

edited by Germano Celant

Size 24 × 30 cm (91⁄2 × 113 4 in.)

304 pages, 300 colour illustrations hardcover

ISBN 978-88-572-3626-1

£ 60.00, $ 80.00

OTOBONG

OBEY

THE ART OF SHEPARD FAIREY

edited by Shepard Fairey, Giuseppe Pizzuto, Wunderkammern

Size 22 × 28 cm (8½ × 11 in.)

244 pages, 295 colour illustrations hardcover

ISBN 978-88-572-5282-7

£ 40.00, $ 50.00

DENNIS OPPENHEIM

Body to Performance 1969–73

Nick Kaye and Amy van Winkle Oppenheim

Size 24 × 30 cm (91 2 × 113⁄4 in.)

296 pages, 55 colour and 81 b/w illustrations, hardcover

ISBN 978-88-572-3032-0

£ 45.00, $ 65.00

OTHERS

edited by Marco Bartolucci

Size 15 × 22 cm (6 × 81 2 in.)

224 pages, 25 colour illustrations

paperback

ISBN 978-88-572-4537-9

£ 25.00, $ 35.00

OBJECTS OF IMAGINATION

Contemporary Arab Ceramics in collaboration with Kinda Foundation; text by Jessica Gerschultz; photographs by Mohammed Al Shammarey

Size 27 × 30 cm (101 2 × 113 4 in.)

172 pages, 216 colour illustrations hardcover

ISBN 978-88-572-4954-4

£ 45.00, $ 50.00

MERET OPPENHEIM

Works in Dialogue from Max Ernst to Mona Hatoum

edited by Guido Comis and Maria Giuseppina Di Monte

Size 22 × 28 cm (81⁄2 × 11 in.)

224 pages, 144 colour illustrations hardcover

ISBN 978-88-572-3539-4

£ 55.00, $ 65.00

ROXY PAINE

Dioramas

edited by Saul Anton

texts by Mia Kang, Steven Matijicio and Michael Goodman

Size 30 × 28 cm (113⁄4 × 11 in.)

176 pages, 98 colour illustrations hardcover

ISBN 978-88-572-4361-0

£ 42.00, $ 60.00

CHRISTINE ÖDLUND

Aether & Einstein

Richard Julin, Linda Dalrymple Henderson

Size 22 × 30 cm (83 4 × 113⁄4 in.)

160 pages, 114 colour illustrations hardcover

ISBN 978-88-572-3208-9

£ 29.95

FRIDA ORUPABO ON LIES, SECRETS AND SILENCE

edited by Yuvinka Medina and Owen Martin; texts by Portia Malatjie, Mai Takawira, Nina Cramer, C. LeClaire

Size 21 × 28 cm (8¼ × 11 in.)

160 pages, 205 colour illustrations

paperback

ISBN 978-88-572-5310-7

£ 25.00, $ 35.00

ALBERT OEHLEN. TRANCE

texts by Albert Oehlen, Francesco Bonami, Massimiliano Gioni, Tony Salamé, Isabelle Moffat, John Harten, Wolfgang Voigt

Skira / Aishti Foundation

Size 24.8 × 28.8 cm (93 4 × 111⁄2 in.)

272 pages, 190 colour illustrations hardcover

ISBN 978-88-572-4121-0

£ 65.00, $ 85.00

FARAH OSSOULI

Burning Wings: Last Four Decades

edited by Necmi Sönmez; texts by Sussan Babaie, Maryam Ekhtiar, Behrang Samadzadegan

Size 27 × 30 cm (101 2 × 12 in.)

144 pages, 130 colour illustrations hardcover

ISBN 978-88-572-4557-7

£ 30.00, $ 40.00

text by Marco Magnifico and Anna Bernardini

Size 18 × 24 cm (7 × 91⁄2 in.)

dual-language edition (Italian-English), 316 pages

120 colour and 20 b/w illustrations hardcover with slipcase

ISBN 978-88-572-4527-0

£ 40.00, $ 55.00

PARALLELS

Gustav Vigeland and his Contemporaries. Bourdelle, Maillol, Meunier, Rodin

edited by Guri Skuggen and Jarle Strømodden

Size 24 × 28 cm (91⁄2 × 11 in.)

English and Norwegian edition

224 pages, 149 colour illustrations

ISBN 978-88-572-4039-8 E, PB

ISBN 978-88-572-4038-1 NORW, HC

£ 42.00, $ 55.00

THE PANZA COLLECTION

Villa Menafoglio Litta Panza Varese

PARERGON

Japanese Art of the 1980s and 1990s

edited by Mika Yoshitake

Size 27 × 30 cm (101 2 × 113⁄4 in.)

256 pages, 530 colour illustrations hardcover

ISBN 978-88-572-4243-9

£ 50.00, $ 60.00

PHILIPPE PASQUA

Paradise

edited by David Rosenberg

editorial coordination

Paola Gribaudo

Size 24 × 28 cm (91⁄2 × 11 in.)

Russian edition, 160 pages

117 colour and 15 b/w illustrations hardcover

ISBN 978-88-572-0488-8

£ 42.50, $ 65.00

BEVERLY PEPPER Monumenta

edited by R. Hobbs and P. Tuchman

editorial coordination

Paola Gribaudo

Size 30 × 30 cm (113⁄4 × 113⁄4 in.)

300 pages, 215 colour illustrations hardcover

ISBN 978-88-572-1062-9

£ 50.00, $ 80.00

JAUME PLENSA. DRAWINGS

texts by Jean-Louis Andral, Claire Lilley, Jean Frémon

Size 27 × 30 cm (101⁄2 × 12 in.)

dual-language edition (English-French), 312 pages

300 colour illustrations hardcover

ISBN 978-2-37074-186-8

£ 42.00, $ 58.00

EVAN PENNY

Ask Your Body

edited by Michael Short

Size 21 × 26 cm (81⁄4 × 101 4 in.)

112 pages, 80 colour illustrations dutch binding

ISBN 978-88-572-3559-2

£ 36.00, $ 45.00

PERSPECTIVES ON MODERN AND CONTEMPORARY ARAB ART

edited by Brahim Alaoui

Size 16.5 × 24 cm (61 2 × 91⁄2 in.)

376 pages, 250 colour illustrations hardcover

ISBN 978-2-37074-211-7

£ 45.00, $ 50.00

PICASSO

Between Cubism and Neoclassicism 1915–1925 edited by Olivier Berggruen with Anunciata von Liechtenstein

Size 24 × 28 cm (91⁄2 × 11 in.)

256 pages, 227 colour illustrations hardcover

ISBN 978-88-572-3693-3

£ 36.00, $ 50.00

ANU PÕDER

Space for My Body

edited by Cecilia Alemani and Agnieszka Sosnowska

Size 16.5 × 24 cm (61 2 × 91⁄2 in.)

192 pages

130 colour illustrations

Dutch binding

ISBN 978-88-572-5106-6

£ 35.00, $ 40.00

POLITICS AND THEOLOGY IN CHINESE CONTEMPORARY ART

Reflections on the work of Wang Guangyi

Huang Zhuan, essays by Demetrio Paparoni and Marko Daniel

Size 16.5 × 24 cm (61⁄2 × 91⁄2 in.)

192 pages, 126 colour illustrations hardcover

ISBN 978-88-572-2110-6

£ 29.95, $ 45.00

GIUSEPPE PENONE

IMPRINTS OF LIGHT

edited by Francesco Guzzetti, Ruggero Penone, Jonas Storsve

Size 24 × 30 cm (9½ × 12 in.)

dual-language edition (English-Italian), 168 pages

130 colour illustrations hardcover

ISBN 978-88-572-5302-2

£ 30.00, $ 40.00

A PICTURE OF POETRY

The Artist’s Books of Dia al-Azzawi compiled and edited by Louisa Macmillan

Size 24 × 28cm (91⁄2 × 11 in.)

352 pages, 475 colour illustrations hardcover

ISBN 978-88-572-4859-2

£ 55.00, $ 70.00

ARNALDO POMODORO

The Great Theatre of Civilizations edited by Lorenzo Respi and Andrea Viliani

Skira | FENDI

Size 30 × 33 cm (113 4 × 13 in.)

dual-language edition (English-Italian), 192 pages

450 colour illustrations hardcover with slipcase

ISBN 978-88-572-5049-6

£ 80.00, $ 100.00

A POSTCARD FOR FLOYD

A Blind Sight Story by Giangiacomo Rocco di Torrepadula

Size 22 × 28 cm (81⁄2 × 11 in.)

dual-language edition (English-Italian), 296 pages

300 colour illustrations

paperback

ISBN 978-88-572-4880-6

£ 35.00, $ 40.00

DAVIDE QUAYOLA re-coding

Size 16.5 × 24 cm (61⁄2 × 91 2 in.)

300 pages, 250 colour illustrations hardcover

ISBN 978-88-572-4620-8

£ 42.00, $ 58.00

KOUR POUR

Texts by Shiva Balaghi, Masako Tanaka, Alex Bacon

Size 20.5 × 28 cm (73⁄4 × 11 in.)

128 pages, 116 colour illustrations hardcover

ISBN 978-88-572-4063-3

£ 28.00, $ 35.00

LORENZO PUGLISI

Size 24 × 28 cm (91 2 × 11 in.)

dual-language edition (English-Italian), 160 pages

150 colour illustrations hardcover

ISBN 978-88-572-4867-7

£ 40.00, $ 48.00

QIU ZHIJIE. GEOGRAPHY OF KNOWLEDGE. MAPS

2010–2019

texts by Mario Cristiani, Qiu Zhijie, Birgit Hopfener, Davide Quadrio, Qilan Shen; interview with Hans Ulrich Obrist on Maps

Skira / Galeria Continua

Size 24 × 28 cm (91 2 × 11 in.)

224 pages, 200 colour illustrations hardcover

ISBN 978-88-572-4265-1

£ 42.00, $ 55.00

RACING THE GALAXY

an exhibition curated by Jérôme Sans and Dina Baitassova

Size 21.5 × 27.2 cm (81 4 × 101⁄2 in.)

296 pages, 128 colour illustrations hardcover

ISBN 978-88-572-4196-8

£ 50.00, $ 60.00

QAAF

Reza Lavasani texts by Alee Rafiee, Mehrdad Emrani

Size 24 × 30 cm (91⁄2 × 12 in.)

304 pages, 200 colour illustrations hardcover

ISBN 978-2-37074-242-1

£ 55.00, $ 70.00

MARC QUINN

Memory Box

Germano Celant

Size 21 × 29.7 cm (81 4 × 113 4 in.)

568 pages, 489 colour illustrations paperback

ISBN 978-88-572-2030-7

£ 55.00, $ 90.00

RADIANCE THEY DREAM IN TIME

Acaye Kerunen, Collin Sekajugo

edited by Shaheen Merali

Size 22 × 26 cm (81⁄2 × 101⁄4 in.)

dual-language edition (English-Italian), 120 pages

70 colour illustrations, hardcover

ISBN 978-88-572-4818-9

£ 25.00

RENK

Always the Sky

David Rosenberg

Size 23 × 30 cm (9 × 12 in.)

dual-language edition (English-French), 176 pages

150 colour illustrations hardcover

ISBN 978-2-37074-175-2

£ 35.00

ABDELKÉBIR RABI’ edited by Brahim Alaoui text by Pascale Le Thorel

Size 24 × 30 cm (9½ × 12 in.)

dual-language (English-French)

208 pages

150 colour illustrations hardcover

ISBN 978-2-37074-247-6

£ 35.00, $ 42.00

RETHINKING THE CONTEMPORARY ART OF IRAN

edited by Hamid Keshmirshekan

Size 24 × 28 cm (91⁄2 × 11 in.)

368 pages

395 colour illustrations hardcover

ISBN 978-88-572-4966-7

£ 50.00, $ 75.00

RERO

Via Negativa by Théophile Pillault

Size 22 × 32 cm (81⁄2 × 121 2 in.)

dual-language edition (E-F)

208 pages, 150 colour illustrations hardcover

ISBN 978-2-37074-143-1

£ 32.00, $ 40.00

UGO RONDINONE BURN SHINE FLY

edited by Javier Molins, editorial coordination Paola Gribaudo

Size 25 × 32 cm (93 4 × 121⁄2 in.)

dual-language edition

(English-Italian), 200 pages

107 colour illustrations, hardcover

ISBN 978-88-572-4794-6

£ 30.00, $ 45.00

LAURENT REYPENS

In Slow Motion edited by Demetrio Paparoni

Size 24 × 28 cm (91⁄2 × 11 in.)

240 pages, 161 colour illustrations hardcover

ISBN 978-88-572-3782-4

£ 25.00, $ 35.00

ROBIN RHODE

The Geometry of Colour edited by Ashraf Jamal with an interview by Jean Wainwright and an essay by Sean O’Toole

Size 24 × 28 cm (91⁄2 × 11 in.)

168 pages, 269 colour illustrations hardcover

ISBN 978-88-572-3653-7

£ 32.00, $ 40.00

HELENA RUBINSTEIN

Madame’s Collection

Size 19 × 26 cm (71⁄2 × 101 4 in.)

240 pages, 140 illustrations and 130 vignettes, paperback

ISBN 978-2-37074-128-8

£ 29.95, $ 39.95

MAYA RUIZ-PICASSO

Daughter of Pablo edited by Emilia Philippot, Diana Widmaier-Picasso

Size 23 × 30 cm (9 × 12 in.)

288 pages, 400 colour illustrations hardcover

ISBN 978-2-37074-179-0

£ 40.00, $ 54.00

SAMARAS

Album 2

edited by Donald Kuspit

Size 35 × 20.5 cm (133 4 × 73⁄4 in.)

2 volumes, 752 pages

720 colour illustrations hardcover with slipcase

ISBN 978-88-572-3271-3

£ 210.00, $ 250.00

FAISAL SAMRA

Roxana Azimi, Gilles de Bure

Size 24 × 28 cm (9½ × 11 in.)

dual-language edition (English-French), 160 pages

187 colour illustrations, hardcover

ISBN 978-88-572-1097-1

£ 34.00, $ 55.00

TOMÁS SARACENO

Aerocene

Hans Ulrich Obrist, Eva Horn, Timothy Morton and Tim Ingold

Size 20 × 25 cm (73⁄4 × 93 4 in.)

108 pages, 90 colour illustrations dutchbinding

ISBN 978-88-572-3473-1

£ 28.00, $ 35.00

ALEXANDER RODCHENKO

exhibition curator Olga Sviblova exhibition and catalogue in collaboration with Moscow House of Photography / Multimedia Art Museum,Moscow

Size 22 × 28 cm (81⁄2 × 11 in.)

248 pages, 270 colour illustrations hardcover

ISBN 978-88-572-3175-4

£ 36.00, $ 55.00

KAY SAGE AND YVES TANGUY Ring of Iron, Ring of Wool edited by Victoria Noel-Johnson and Marzina Marzetti in collaboration with Derek Des Islets, Matthew Foster and Lorenza Possati

Size 23 × 30 cm (9 × 12 in.)

168 pages, 164 colour illustrations hardcover, ISBN 978-88-572-5061-8

£ 45.00, $ 55.00

NEJAT SATI

Color as Psychological Balance edited by Necmi Sönmez

Size 24 × 28 cm (91⁄2 × 11 in.)

104 pages, 80 colour illustrations hardcover

ISBN 978-88-572-4592-8

£ 30.00, $ 40.00

PAOLO SCHEGGI

The Humanistic Measurement of Space

edited by Francesca Pola

Size 24 × 24 cm (91⁄2 × 91⁄2 in.)

224 pages, 190 colour illustrations hardcover

ISBN 978-88-572-2606-4

£ 39.95, $ 65.00

THE SEA IS HISTORY

edited by Selene Wendt

Size 22 × 28 cm (81 2 × 11 in.)

120 pages, 44 colour illustrations hardcover

ISBN 978-88-572-4017-6

£ 25.00, $ 35.00

PETER SCHUYFF

Works on paper 1984–2018 edited by Edoardo Bonaspetti text by Richard Hell

Size 21 × 27 cm (81⁄4 × 101 2 in.)

128 pages, 75 colour illustrations paperback

ISBN 978-88-572-4104-3

£ 28.00, $ 35.00

MASSINISSA SELMANI

texts by Kaveh Akbar, Mouna Mekouar, Stéphanie Straine foreword by Catherine David

Size 22 × 29 cm (81⁄2 × 111⁄2 in.) dual-language edition (English-French)

192 pages, 130 colour illustrations hardcover

ISBN 978-2-37074-228-5

£ 34.00, $ 40.00

WAEL SHAWKY

edited by Carolyn Christov-Bakargiev and Marcella Beccaria

Size 24 × 28 cm (91 2 × 11 in.)

252 pages, 254 colour illustrations hardcover

ISBN 978-88-572-3492-2

£ 38.00, $ 50.00

THE SHIFT

Art and the Rise to Power of Contemporary Collectors edited by Marta Gnyp

Size 16 × 24 cm (61⁄4 × 91 2 in.)

336 pages, 20 colour illustrations

paperback

ISBN 978-88-572-4396-2

£ 30.00, $ 39.95

SEAN SCULLY. HUMAN

exhibition curated by Javier Molins; texts by Carmelo Grasso, Abate Norberto Villa, Kelly Grovier, Javier Molins

Size 22 × 27 cm (81⁄2 × 101 2 in.)

320 pages, 124 colour illustrations hardcover

ISBN 978-88-572-4123-4

£ 45.00, $ 60.00

NOÉ SENDAS

Vanishing Acts. Photomontage & Assemblage Works 2009-2019 edited by João Silverio

Size 24 × 28 cm (91⁄2 × 11 in.)

200 pages, 100 colour illustrations hardcover

ISBN 978-88-572-4264-4

£ 35.00, $ 45.00

ELISA SIGHICELLI

9 Years edited by Gianluigi Ricuperati

Size 20 × 27 cm (73⁄4 × 101⁄2 in.)

dual-language edition (English-Italian), 296 pages

200 colour illustrations, paperback

ISBN 978-88-572-4341-2

£ 42.00, $ 50.00

SEAN SCULLY

Land Sea edited by Danilo Eccher

Size 24 × 28 cm (91 2 × 11 in.)

168 pages, 200 colour illustrations paperback

ISBN 978-88-572-2758-0

£ 28.00, $ 45.00

KEMAL SEYHAN

Proportional Line. Last Decade edited by Necmi Sönmez texts by Edelbert Köb, Alistair Hicks, Necmi Sönmez

Size 24 × 30.5 cm (91 2 × 12 in.)

104 pages, 88 colour illustrations hardcover

ISBN 978-88-572-3831-9

£ 28.00, $ 40.00

VIBEKE SLYNGSTAD

Paintings 1992–2017 edited by Demetrio Paparoni

Size 24 × 28.5 cm (91⁄2 × 11 in.)

136 pages, 100 colour illustrations hardcover

ISBN 978-88-572-3598-1

£ 35.00, $ 45.00

JOAQUÍN SOROLLA

Painter of Light

edited by Micol Forti and Consuelo Luca de Tena

Size 24 × 28 cm (91⁄2 × 11 in.)

208 pages, 150 colour illustrations hardcover

ISBN 978-88-572-4804-2

£ 35.00, $ 45.00

ANDREW STEVOVICH

Beyond the Figure

edited by Michael Botwinick

Size 27 × 30 cm (101 2 × 113⁄4 in.)

224 pages, 239 colour illustrations hardcover

ISBN 978-88-572-4239-2

£ 45.00, $ 60.00

EDITH SPIRA

Horizons 2000–2020 texts by Brigitte BirbaumerBorchhardt, Manfred Lang, Tone Lyngstad Nyaas, Marjetica Potrc´, Kjell Strand

Size 24 × 28 cm (91 2 × 11 in.)

152 pages, 120 colour illustrations paperback

ISBN 978-88-572-4165-4

£ 25.00, $ 30.00

HITO STEYERL

The City of Broken Windows edited by Carolyn Christov-Bakargiev and Marianna Vecellio

Size 24 × 28 cm (91 2 × 11 in.)

212 pages, 272 colour illustrations hardcover

ISBN 978-88-572-4029-9

£ 40.00, $ 50.00

STUPIDITY EXERCISE MANUAL

Andrea Bianconi

edited by Luca Fiore

Size 10 × 15 cm (4 × 6 in.)

60 pages, 52 colour illustrations spiral binding

ISBN 978-88-572-4873-8

£ 6.95, $ 9.00

ADEELA SULEMAN

Not Everyone’s Heaven edited by Rosa Maria Falvo; foreword by Salima Hashmi text by Hameed Haroon,Quddus Mirza, and Rosa Maria Falvo

Size 24 × 30 cm (91⁄2 × 113⁄4 in.)

128 pages, 98 colour illustrations hardcover

ISBN 978-88-572-4166-1

£ 35.00, $ 45.00

HENRYK STAZEWSKI

Serge Lemoine, Christina Lodder edited by Andrzej Szczepaniak

Size 24 × 28 cm (91⁄2 × 11 in.)

200 pages, 200 colour illustrations hardcover

ISBN 978-88-572-3735-0

£ 36.00, $ 50.00

DANIEL STEEGMANN MANGRANÉ

A Leaf-Shaped Animal Draws The Hand edited by Lucia Aspesi and Fiammetta Griccioli

Size 23 × 28 cm (9 × 11 in.)

English edition with French and Italian texts in appendix , 216 pages

250 colour illustrations, paperback

ISBN 978-88-572-4354-2

£ 32.00, $ 50.00

THE STORYTELLERS

Narratives in International Contemporary Art edited by Selene Wendt

Size 21 × 27 cm (81⁄4 × 101⁄2 in.)

128 pages, 89 colour illustrations hardcover

ISBN 978-88-572-1480-1

£ 22.00, $ 35.00

SUMMER AUTUMN WINTER... AND SPRING

Conversations with Artists from the Arab World Sam Bardaouil and Till Ferath

Size 16.5 × 21 cm (61 2 × 81 4 in.)

144 pages, 20 colour and 10 b/w illustrations, paperback

ISBN 978-88-572-1484-9

£ 22.50, $ 35.00

STRANGE CARGO Essays on Art by Ashraf Jamal edited by Sven Christian

Size 16.5 × 24 cm (61⁄2 × 91 2 in.)

544 pages, 185 colour illustrations dutch binding

ISBN 978-88-572-4655-0

£ 53.00, $ 64.00

SURREALISM THROUGH ITS JOURNALS. LES PORTES DU RÊVE 1924–2024

edited by Franca Franchi

Size 15 × 21 cm (6 × 8¼ in.)

224 pages, 35 colour illustrations

paperback

ISBN 978-88-572-5294-0

£ 30.00, $ 40.00

SUSPENSION

A History of Abstract Hanging Sculpture 1918–2018 edited by Matthieu Poirier and co-published with Olivier Malingue

Size 21 × 31.5 cm (81⁄4 × 121 4 in.)

dual-language edition (E-F)

216 pages, 150 colour illustrations hardcover

ISBN 978-2-37074-101-1

£ 35.00, $ 45.00

RODEL TAPAYA

edited by Arndt Art Agency with texts by Jaklyn Babington and Lisa Ito design by Double Standards

Size 23 × 30 cm (9¼ × 12 in.)

176 pages, 130 colour illustrations hardcover

ISBN 978-88-572-4551-5

£ 40.00, $ 50.00

TILT

Future Primitive

text by Evelyne Toussaint

Size 22 × 30 cm (81 2 × 12 in.)

dual-language edition (English-French), 368 pages

300 colour illustrations

paperback

ISBN 978-2-37074-184-4

£ 50.00, $ 68.00

BECKY SUSS

texts by Michelle Millar Fischer and Peter L’Official inteview by Helen Molesworth

Size 24 × 30 cm (91 2 × 12 in.)

200 pages, 150 colour illustrations hardcover

ISBN 978-88-572-4653-6

£ 42.00, $ 59.00

TONY TASSET

Works 1985–2022

texts by Michelle Grabner and Andrew Russeth

Size 24 × 30 cm (91 2 × 12 in.)

264 pages, 200 colour illustrations hardcover

ISBN 978-88-572-4672-7

£ 42.00, $ 58.00

BARTHÉLÉMY TOGUO by Philippe Dagen

Size 27 × 30 cm (101⁄2 × 113 4 in.)

dual-language edition (English-French), 304 pages

215 colour illustrations, hardcover

ISBN 978-2-37074-144-8

£ 40.00, $ 60.00

STEFAN SZCZESNY

texts by Audrey Azoulay, Hans-Dieter Lucas, Beate Reifenscheid, Hans-Joachim Petersen

Size 24 × 28 cm (91 2 × 11 in.)

140 pages, 50 colour illustrations hardcover

ISBN 978-2-37074-188-2

£ 30.00

SOPHIE TAEUBER-ARP

A Life through Art by Silvia Boadella

Size 21.5 × 26 cm (81 2 × 101⁄4 in.)

dual-language edition (English-German), 224 pages

80 colour and b/w illustrations hardcover

ISBN 978-88-572-4332-0

£ 30.00, $ 39.95

Size 30 × 24 cm (113 4 × 91 2 in.)

232 pages, 260 colour illustrations hardcover

ISBN 978-88-572-4050-3

£ 40.00

KHALIF TAHIR THOMPSON text by Denise Wendel-Poray

Size 23 × 29.5 cm (9 × 111⁄2 in.)

dual-language edition (English-French)

160 pages

100 colour illustrations hardcover

ISBN 978-2-37074-230-8

£ 36.00, $ 45.00

TOMA-L Mala bestia

edited by Théophile Pillault

Size 21.5 × 28.8 cm (81⁄2 × 111 4 in.)

dual-language edition (English-French), 208 pages

150 colour illustrations hardcover

ISBN 978-2-37074-216-2

£ 34.00, $ 40.00

TOM OF FINLAND

An Imaginary Sketchbook edited by Juerg Judin and Pay Matthis Karstens

Size 24.3 × 29.5 cm (91⁄2 × 111⁄2 in.)

128 pages, 69 colour illustrations hardcover

ISBN 978-88-572-4651-2

£ 29.95, $ 39.95

NGUYEN THI MAI

TOM OF FINLAND

Made in Germany

edited by Juerg Judin and Pay Matthis Karstens

coeditor Alice Delage

Size 24.3 × 29.5 cm (91⁄2 × 111⁄2 in.)

212 pages, 200 colour illustrations hardcover

ISBN 978-88-572-4425-9

£ 29.95, $ 39.95

HANNE TYRMI

The Lost Thing edited by Hanne Tyrmi

Size 24 × 28 cm (91 2 × 11 in.)

184 pages, 135 colour illustrations hardcover

ISBN 978-88-572-2261-5

£ 34.95, $ 55.00

TOM TORLUEMKE

LIVE! ON PAPER, 1987 – 2024

edited by Dan Cameron

Texts by Dan Cameron, Jeff Huebner, Robin Dluzen, Alan Pocaro, David Detmer

Size 24 × 28 cm (9½ × 11 in.)

160 pages, 105 colour illustrations hardcover

ISBN 978-88-572-5344-2

£ 35.00, $ 45.00

OBIORA UDECHUKWU

Line, Image, Text

edited by Chika Okeke-Agulu

Size 24.1 × 29.2 cm (91⁄2 × 111 2 in.)

400 pages, 200 colour and 400 b/w illustrations, hardcover

ISBN 978-88-572-3365-9

£ 60.00, $ 75.00

GRAZIA VARISCO

Contemporary Paths 1957–2022

edited by Marco Meneguzzo

Size 24 × 28 cm (91⁄2 × 11 in.)

240 pages, 250 colour illustrations hardcover

ISBN 978-88-572-4408-2

£ 50.00, $ 65.00

NICO VASCELLARI PASTORALE

edited by Sergio Risaliti

Size 21 × 28 cm (8¼ × 11 in.)

dual-language edition (English-Italian), 152 pages

200 colour illustrations

paperback

ISBN 978-88-572-5391-6

£ 30.00, $ 40.00

THE TRICK BRAIN

Selections from the Tony and Elham Salamé Collection Aïshti Foundation introduction by M. Gioni

Size 24.8 × 28.6 cm (93⁄4 × 111⁄4 in.)

448 pages, 280 colour illustrations hardcover

ISBN 978-88-572-3663-6

£ 55.00, $ 70.00

CLIVE VAN DEN BERG texts by Rosalind Morris and Graeme Reid

Size 21 × 27 cm (8¼ × 10½ in.)

256 pages

230 colour illustrations hardcover

ISBN 978-88-572-5287-2

£ 50.00, $ 65.00

JOANA VASCONCELOS TRANSCENDING THE DOMESTIC exhibition by Edith Devaney; edited by Matthew Vella; text by Jonathan Jones, with a conversation with Joana Vasconcelos by Edith Devaney

Size 24 × 30 cm (9½ × 12 in.)

224 pages, 100 colour illustrations hardcover, ISBN 978-88-572-5345-9

£ 40.00, $ 50.00

ZURAB TSERETELI

photographs by James Hill; editorial coordination Paola Gribaudo

Size 17 × 23 cm (63⁄4 × 9 in.)

96 pages, 65 colour illustrations hardcover

ISBN 978-88-572-4040-4

£ 20.00, $ 25.00

VAN GOGH. Masterpieces from the Kröller-Müller Museum

edited by Maria Teresa Benedetti and Francesca Villanti

Size 24 × 28 cm (91⁄2 × 11 in.)

208 pages, 142 colour illustrations hardcover

ISBN 978-88-572-4959-9

£ 35.00, $ 40.00

VEDOVA De America

Germano Celant

Size 24 × 30 cm (91⁄2 × 113 4 in.)

640 pages, 1200 colour illustrations harcover

ISBN 978-88-572-3358-1

£ 95.00, $ 120.00

EMILIO VEDOVA

Scultore

edited by Germano Celant

Size 24 × 28 cm (91 2 × 11 in.)

dual-language edition (Italian-English), 240 pages

287 colour illustrations, hardcover

ISBN 978-88-572-0696-7

£ 50.00, $ 75.00

VISUAL MUSIC MASTERS

Abstract Explorations: History and Contemporary Research

Adriano Abbado

Size 20 × 25 cm (73⁄4 × 93⁄4 in.)

224 pages, 120 colour and 38 b/w illustrations, hardcover

ISBN 978-88-572-2223-3

£ 40.00, $ 55.00

WANG GUANGYI

Obscured Existence

edited by Eike Schmidt and Demetrio Paparoni

Size 24 × 28 cm (91⁄2 × 11 in.)

144 pages, 125 colour illustrations, hardcover

ISBN 978-88-572-5141-7

£ 30.00, $ 35.00

RONALD VENTURA

Works 1998–2017

edited by Demetrio Paparoni

Size 24 × 30 cm (91⁄2 × 113 4 in.)

416 pages, 565 colour illustrations hardcover

ISBN 978-88-572-3286-7

£ 65.00, $ 85.00

VER SACRUM

The Vienna Secession Art Magazine 1898–1903 Valerio Terraroli

Size 28 × 29 cm (11 × 111⁄2 in.)

224 pages, 484 colour illustrations hardcover

ISBN 978-88-572-3876-0

£ 48.00, $ 65.00

MORTEN VISKUM

Works 1993–2016

Demetrio Paparoni conversation with Jean Wainwright; text by Tone Lyngstaad Nyaas

Size 24 × 28 cm (91⁄2 × 11 in.)

384 pages, 565 colour illustrations hardcover

ISBN 978-88-572-2866-2

£ 55.00, $ 70.00

WANG GUANGYI

Works and Thoughts 1985−2012

Demetrio Paparoni

Size 24 × 28 cm (91⁄2 × 11 in.)

416 pages, 542 colour illustrations hardcover

ISBN 978-88-572-1567-9

£ 60.00, $ 95.00

WALASSE TING: PARROT JUNGLE

edited by Ariella Wolens, introduction by Bonnie Clearwater additional texts by Pierre Alechinsky Xiao (Amanda) Ju, Mia Ting

Size 24 × 28 cm (91 2 × 11 in.)

176 pages, 150 colour illustrations hardcover

ISBN 978-88-572-5135-6

£ 30.00, $ 35.00

WANG LUYAN

Visual Thinking and Measured Painting

edited by Huang Du; editorial coordination Paola Gribaudo

Size 24 × 28 cm (91⁄2 × 11 in.)

240 pages, 193 colour illustrations hardcover

ISBN 978-88-572-1128-2

£ 36.00, $ 60.00

HANNAH VILLIGER

Amaze Me edited by Madeleine Schuppli and Yasmin Afschar

Size 16.5 × 24 cm (61⁄2 × 91 2 in.)

160 pages, 115 colour illustrations dutch binding

ISBN 978-88-572-4918-6

£ 40.00, $ 50.00

WALK ON THE WILD SIDE At the Heart of the Carmignac Collection texts by N. Bourriaud, F. Bousteau, E. Carmignac, C. Carmignac, D. Cronenberg, L. Ferry, C. Millet, A. Jodorowsky, C. Morineau, B. Soyer

Size 24 × 28 cm (91⁄2 × 11 in.)

284 pages, 250 colour illustrations hardcover, ISBN 978-2-37074-041-0

£ 55.00, $ 75.00

ROBYN WARD

Walking in the Dark edited by Shai Baitel

Size 24 × 28 cm (91⁄2 × 11 in.)

112 pages, 75 colour illustrations hardcover

ISBN 978-88-572-5087-8

£ 35.00, $ 45.00

WE DO NOT DREAM ALONE

Asia Society Triennial edited by Boon Hui Tan and Michelle Yun

Size 23 × 27 cm (9 × 111 2 in.)

256 pages, 65 colour and 20 b/w illustrations, paperback

ISBN 978-88-572-4383-2

£ 40.00, $ 50.00

WORKING THROUGH THE PAST Nordic Conceptual Art as a Tool for re-Thinking History

edited by Kjetil Røed

Size 16.5 × 24 cm (61 2 × 91 2 in.)

168 pages, 100 colour illustrations paperback

ISBN 978-88-572-3297-3

£ 25.00, $ 30.00

SONG YIGE

Looking Within

edited by Rosa Maria Falvo, with a preface by Zeng Fanzhi text contributions by Heinz Norbert Jocks and Qilan Shen

Size 24 × 30 cm (91⁄2 × 113⁄4 in.)

120 pages, 56 colour illustrations hardcover

ISBN 978-88-572-3857-9

£ 32.00, $ 40.00

THILO WESTERMANN Migrations

curated by and in collaboration with the artist

Size 24 × 30 cm (91 2 × 12 in.)

244 pages, 113 colour and 113 b/w illustrations, hardcover

ISBN 978-88-572-4800-4

£ 40.00

WRITING BY DRAWING When Language Seeks Its Other

edited by Andrea Bellini and Sarah Lombardi

Size 21 × 30 cm (81 4 × 113⁄4 in.)

288 pages, 200 colour illustrations hardcover

ISBN 978-88-572-4350-4

£ 60.00, $ 75.00

YOU, ME AND ART

Artists in the 21st Century edited by Marta Gnyp

Size 16.5 × 24 cm (61⁄2 × 91 2 in.)

296 pages, 85 colour illustrations hardcover

ISBN 978-88-572-3832-6

£ 42.00, $ 55.00

A WINDOW ON THE WORLD From Dürer to Mondrian and Beyond Marco Franciolli, Giovanni Iovane, Sylvie Wuhrmann

Size 22 × 28 cm (81 2 × 11 in.)

336 pages, 311 colour illustrations paperback

ISBN 978-88-572-1697-3

£ 38.00, $ 60.00

CERITH WYN EVANS “....the Illuminating Gas” edited by Roberta Tenconi and Vicente Todolí

Size 24.2 × 29 cm (91⁄2 × 111 2 in.) dual-language edition (English-Italian), 264 pages 250 colour illustrations, hardcover

ISBN 978-88-572-4355-9

£ 50.00, $ 65.00

YOUNG-SÉ LEE

directed by David Rosenberg

Size 24 × 28 cm (9½ × 11 in.)

160 pages, 80 colour illustrations hardcover

ISBN 978-88-572-4546-1

£ 30.00, $ 40.00

XAWERY WOLSKI

texts by Edward Sullivan, Patryk Pawel Tomaszewski, Fernando Vallejo

Size 24 × 28 cm (91⁄2 × 11 in.)

280 pages, 260 colour illustrations hardcover

ISBN 978-88-572-4353-5

£ 40.00, $ 50.00

SU XIAOBAI

edited by Gao Minglu, Benjamin Alexander

Size 28 × 30 cm (11 × 113⁄4 in.)

368 pages, 242 colour illustrations hardcover

ISBN 978-88-572-2684-2

£ 50.00, $ 75.00

ZHANG RUYI

edited by Manuela Lietti

Size 24 × 30 cm (91⁄2 × 12 in.)

dual-language edition (English-Chinese)

172 pages, 140 colour illustrations hardcover

ISBN 978-88-572-4889-9

£ 30.00, $ 40.00

CHEN ZHEN

“Short-circuits”

edited by Vicente Todolí

Size 24 × 28 cm (91⁄2 × 11 in.)

dual-language edition

(English-Italian), 192 pages

192 colour illustrations, hardcover

ISBN 978-88-572-4441-9

£ 45.00, $ 60.00

WANG ZHIYUAN

Bigger, Better, and Cheaper preface by Judith Neilson texts by Rosa Maria Falvo, Bai Jiafeng, and Menene Gras Balaguer

Size 24 × 28 cm (91⁄2 × 11 in.)

240 pages, 190 colour illustrations hardcover

ISBN 978-88-572-3083-2

£ 32.00, $ 45.00

ELIAS ZAYAT

Cities and Legends

edited by Salwa Mikdadi texts by Salwa Mikdadi, Donald Kunze

Size 24 × 28 cm (91⁄2 × 11 in.)

368 pages, 350 colour illustrations hardcover

ISBN 978-88-572-3264-5

£ 50.00, $ 65.00

GIANFRANCO ZAPPETTINI

The Golden Age texts by Martin Holman, Klaus Honnef, Paola Valente

Size 24 × 28 cm (91⁄2 × 11 in.)

dual-language edition

(English-Italian), 200 pages

145 colour illustrations, hardcover

ISBN 978-88-572-4269-9

£ 30.00, $ 40.00

Skira / Archivio Mario Schifano

Size 28 × 28 cm (11 × 11 in.)

2 tomes, 928 pages

1130 colour and b/w illustrations hardcover with slipcase

ISBN 978-88-572-5070-0

£ 290.00, $ 360.00

NO RIGHTS OF RETURN

MARIO SCHIFANO CATALOGUE RAISONNÉ OF THE PICTORIAL WORK 1960-1969

by Monica De Bei Schifano and Marco Meneguzzo

The first volume of the catalogue raisonné dedicated to Mario Schifano’s pictorial work explores the artist’s 1960s-production

The result of an over 14-year research conducted by Archivio Mario Schifano, the catalogue raisonné of the pictorial work of Mario Schifano (1934-1998) is the first and only scientific publication authorized by S.I.A.E. (Italian Society of Authors and Publishers) and recognized by the Heirs and the Archive that serves as the general catalogue of the Master’s works. This volume presents the artist’s works from 1960 to 1969 and includes more than 1,600 images and photographs, mostly unpublished, from Mario Schifano’s private archive as well as from all the most authoritative archives related to those years.

Besides being a catalogue raisonné scientifically compiled according to the strictest archival standards, the publication traces not only the artist’s work, but also his life, and the international atmosphere around him in Rome. Studio photographs, images of action and performance, alongside private photos with people he met and frequented during those years – such as the poet Frank O’Hara, Andy Warhol, Rolling Stones, Anita Pallenberg, Marianne Faithfull, Alberto Moravia, Dacia Maraini, Sandro Penna – contribute to make the excursus through the decade complete, rich and engaging. This is the period when Schifano created the series of so-called Monocromi, Esso and Coca Cola, Paesaggi anemici, Futurismo rivisitato, Vero amore, Tuttestelle, Oasi, Compagni Compagni. In addition, the “narrative” captions in the volume analyse the execution details, the artistic intents, and the stories behind the works and photos.

• The first and only authorized and recognized scientific publication on the artist’s work.

Monica De Bei Schifano, the artist’s wife, is President of Archivio Mario Schifano. Marco Meneguzzo, historian and critic of contemporary art, exhibition curator, is specialized in Italian art from the post-World War II period.

LUCIO FONTANA CATALOGUE RAISONNÉ OF CERAMIC SCULPTURES

edited by Luca Massimo Barbero in collaboration with Silvia Ardemagni and Maria Villa

The first complete catalogue of the ceramic works by the great 20th-century artist

Size 24 × 28 cm

(9½ × 11 in.)

dual-language edition (English-Italian)

2 volumes

720 pages, 250 colour and 2108 b/w

illustrations

hardcover with slipcase

ISBN 978-88-572-3409-0

£ 250.00, $ 335.00

NO RIGHTS OF RETURN

Finally on the way, the Catalogue Raisonné of Ceramic Sculptures is the most complete and updated publication exploring this fundamental ambit of Lucio Fontana’s research and production. The result of a project shared with Enrico Crispolti, curator of the entire Catalogue Raisonné collection of Fontana’s work, this impressive publication is edited by Luca Massimo Barbero – eminent scholar specializing in Fontana’s oeuvre and curator of the Catalogue Raisonné of Works on Paper – in collaboration with Silvia Ardemagni and Maria Villa.

An essential and updated research tool, the volume is the result of the painstakingly accurate archiving and cataloguing activities carried out by Fondazione Lucio Fontana over more than 50 years, presenting a selection of about 2,000 ceramic works made between 1929-30 and 1966. Organized in chronological and thematic order, within the two formal “hemispheres” explored by Fontana’s extraordinary earthenware production – the Figurative and the Spatial –, works are accompanied by entries offering a precise listing of bibliographical and exhibition references.

• After the Catalogue Raisonné and the Catalogue Raisonné of Works on Paper, the complete catalogue of ceramic sculptures by Lucio Fontana.

Luca Massimo Barbero, curator and art historian, is Director of the Fondazione Giorgio Cini Istituto di Storia dell’Arte and Scientific Advisor for Fondazione Lucio Fontana. He has extensively studied post-war Italian and international art and curated numerous exhibitions and publications for major international museums.

Size 24 × 28 cm (9½ × 11 in.)

768 pages, 200 colour and 2500 b/w illustrations

2 volumes hardcover in slipcase

ISBN 978-88-572-4581-2

£ 300.00, $ 370.00

NO RIGHTS OF RETURN

CAROL RAMA CATALOGUE RAISONNÉ 1936–2005

edited by by Maria Cristina Mundici with Raffaella Roddolo and Maria Grazia Messina

The first catalogue raisonné of the work of the provocative artist, awarded a Leone d’Oro alla Carriera in 2003

Edited by Maria Cristina Mundici, with Raffaella Roddolo and Maria Grazia Messina, the catalogue raisonné of the works of Carol Rama analyzes fully, for the first time, the artist’s 70-year career, from 1936 to 2005.

A central and unique figure in the context of Italian art history, Carol Rama (Turin, 1918–2015) spanned the 20th century in a quest for experimentalism in both subject-matter and materials. Since the 2000s she began to be appreciated beyond Italy’s borders and her fame grew after 2015 also thanks to important retrospectives in Europe and the United States.

The catalogue would not have been possible without the vital support of the Fondazione Sardi per l’Arte. The first volume is devoted wholly to historical and critical writings by important scholars of the artist (Fabio Belloni, Maria Cristina Mundici, Raffaella Roddolo, Federica Rovati and Elena Volpato), who analyze her production with new ways of seeing. It is completed by a collection of 200 full-page colour images. The second volume consists in a complete set of illustrated technical and historical descriptions of the works, compiled by Raffaella Roddolo, as well as the accompanying reference sections (appendices, biography, exhibitions, bibliography).

• The most comprehensive catalogue of the artist’s work.

Maria Cristina Mundici, art historian, independent curator and author, is Scientific Director of the Archivio Carol Rama. From 1985–92 she was Head Curator at the Castello di Rivoli Museo d’Arte Contemporanea. Art historians, Raffaella Roddolo and Maria Grazia Messina are both members of the scientific committee of the Archivio Carol Rama.

ENRICO CASTELLANI CATALOGUE RAISONNÉ. VOLUME III

edited by Lorenzo Wirz Castellani and Federico Sardella with an interview by Hans Ulrich Obrist

The third volume of the artist’s Catalogue Raisonné presents his works on canvas, high reliefs, sculptures from 2006 to 2016, and the catalogued works that were not included in the two previous volumes

Size 24 × 28 cm

(9½ × 11 in.)

dual-language edition (English-Italian)

272 pages

567 colour illustrations

hardcover with slipcase

ISBN 978-88-572-4403-7

£ 135.00, $ 179.00

NO RIGHTS OF RETURN

Volume III of Enrico Castellani’s Catalogue Raisonné follows the two volumes published in 2012 documenting his production from 1955 to 2005 and completing the cataloguing of the production of the artist, who passed away in 2017. Organized in multiple sections, this volume collects works on canvas, sculptures, high reliefs, and installations registered at the Fondazione Enrico Castellani Archives, and not included in the first two volumes of the Catalogue Raisonné (Skira, 2012). Promoted by Fondazione Enrico Castellani and edited by Lorenzo Wirz Castellani and Federico Sardella with an interview with Enrico Castellani by Hans Ulrich Obrist, this publication, along with the two previous ones, represents the most comprehensive monograph dedicated to the artist’s work and, besides being an essential tool for the identification of his pieces, fully reflects the spirit and the practice of Enrico Castellani, whose final 10 years of work were particularly prolific.

• This third volume completes the cataloguing related to the works of the artist, who died in 2017.

Established in 2013 in compliance with the artist’s testamentary directions, Fondazione Enrico Castellani conducts study, expertise, and research activities to ensure the protection and preservation of Enrico Castellani’s artistic heritage. Chaired by Lorenzo Wirz Castellani and directed by Federico Sardella, the foundation partners with scholars, institutions, and museums in organizing exhibitions in Italy and abroad and in the realization of books about the artist.

ENRICO CASTELLANI CATALOGUE RAISONNÉ 1955–2005

Archivio Castellani, contributions by B. Corà and M. Meneguzzo

Size 24 × 28 cm (91/2 × 11 in.)

dual-language edition (E-I)

2 volumes, 656 pages, 178 colour and 1177 b/w illustrations hardcover with slipcase

ISBN 978-88-572-1168-8

£ 240.00, $ 390.00

ALBERTO ABATE

Works 1960–2011 by Emma Abate, Cesare Biasini Selvaggi

Size 24 × 28 cm (91 2 × 11 in.)

dual-language edition (English-Italian), 312 pages 250 colour and 600 b/w illustrations hardcover with slipcase

ISBN 978-88-572-4024-4

£ 100.00, $ 125.00

JACQUES CORDIER

Catalogue raisonné

edited by Marie-Isabelle Pinet

Size 24 × 29 cm (91⁄2 × 111 2 in.)

dual-language edition (English-French), 304 pages 1200 colour illustrations hardcover

ISBN 978-2-37074-205-6

£ 65.00, $ 80.00

LUCIO FONTANA

Catalogue raisonné of the works on paper

edited by Luca Massimo Barbero

Size 24 × 28 cm (91 2 × 11 in.)

dual-language edition (E-I)

3 volumes, 1316 pages, 339 colour and 5885 b/w illustrations hardcover with slipcase

ISBN 978-88-572-0482-6

£ 335.00, $ 500.00

AGOSTINO BONALUMI

Catalogue raisonné

edited by Marco Meneguzzo and Fabrizio Bonalumi

Size 24 × 28 cm (91 2 × 11 in.)

dual-language edition (E-I)

2 volumes, 840 pages, 150 colour and over 2000 b/w illustrations hardcover with slipcase

ISBN 978-88-572-2774-0

£ 220.00, $ 340.00

GINO DE DOMINICIS

Catalogue raisonné

edited by Italo Tomassoni

Size 21 × 28 cm (81⁄4 × 11 in.)

dual-language edition (English-Italian), 576 pages

114 colour and 738 b/w illustrations hardcover with slipcase

ISBN 978-88-572-0684-4

£ 210.00, $ 340.00

PAUL GAUGUIN

A Savage in the Making. Catalogue raisonné of the Paintings (1873–1888)

edited by Daniel Wildenstein

Skira / Wildenstein Institute

Size 25 × 30 cm (93 4 × 113⁄4 in.)

2 volumes, 649 pages, 500 colour and 750 b/w illustrations hardcover with slipcase

ISBN 978-88-8491-137-7

£ 225.00, $ 440.00

GIUSEPPE CAPOGROSSI

Catalogue raisonné

1920–1949

edited by Guglielmo Capogrossi and Francesca Romana Morelli

Size 24 × 28 cm (91⁄2 × 11 in.)

dual-language edition (E-I)

448 pages, 120 colour and 700 b/w illustrations, hardcover

ISBN 978-88-572-1506-8

£ 130.00, $ 210.00

RAYMOND DUCHAMP-VILLON

Catalogue raisonné

edited by Patrick Jullien texts by Kevin Murphy, Herbert Molderings, Assia Quesnel

Size 24.6 × 28 cm (91⁄2 × 11 in.)

dual-language edition (E-F)

560 pages, 280 colour illustrations hardcover

ISBN 978-2-37074-141-7

£ 170.00, $ 200.00

ROLF NESCH

The Complete Graphic Works

S. Helliesen and B. Sørensen

Size 24 × 28 cm (91⁄2 × 11 in.)

584 pages, 220 colour and 868 b/w illustrations hardcover with slipcase

ISBN 978-88-572-0051-4

£ 170.00, $ 280.00

CHEN ZHEN

Catalogue raisonné

1977– 2000. 1977–1996 (Vol. 1), 1997–2000 (Vol. 2) edited by ADAC Association des Amis de Chen Zhen

Size 24 × 30 cm (91 2 × 113⁄4 in.)

2 volumes, 904 pages, 1183 colour and 1128 b/w illustrations hardcover with slipcase

ISBN 978-88-572-0648-6

£ 200.00, $ 280.00

LUCIO FONTANA

Catalogue raisonné

Enrico Crispolti in collaboration with Nini Ardemagni Laurini and Valeria Ernesti

Size 24 × 28 cm (91⁄2 × 11 in.)

dual-language edition (E-I)

2 volumes, 1200 pages, 250 colour and c. 4,000 b/w illustrations hardcover with slipcase

ISBN 978-88-7624-058-4

£ 330.00, $ 510.00

AURELIE NEMOURS

Catalogue raisonné

edited by Serge Lemoine, with a text by Évelyne de Montaudoüin

Size 24 × 28 cm (91⁄2 × 11 in.)

2 volumes, 748 pages, 280 colour and 1073 b/w illustrations hardcover with slipcase

ISBN 978-88-572-2672-9

£ 220.00, $ 350.00

MIMMO ROTELLA

Catalogue raisonné

Volume One 1944–1961 edited by Germano Celant

Size 24 × 28 cm (91 2 × 11 in.)

dual-language edition (E-I) 2 volumes, 756 pages 1513 colour and b/w illustrations hardcover with slipcase

ISBN 978-88-572-2241-7

£ 250.00, $ 300.00

LUCIANO VENTRONE

Catalogue raisonné of the Painting 1956–2021 edited by Miranda Gibilisco

Size 24 × 28 cm (91⁄2 × 11 in.)

dual-language edition (English-Italian), 424 pages 970 colour illustrations hardcover with slipcase

ISBN 978-88-572-4839-4

£ 235.00, $ 285.00

MIMMO ROTELLA

Catalogue raisonné

Volume Two 1962–1973

edited by Germano Celant

Size 24 × 28 cm (91 2 × 11 in.)

dual-language edition (Italian-English), 688 pages, 2050 colour and 300 b/w illustrations hardcover with slipcase

ISBN 978-88-572-4270-5

£ 280.00, $ 350.00

ZENG FANZHI

Catalogue raisonné

Volume I. 1984–2004

edited by Gladys Chung

Size 24 × 30 cm (9½ × 113 4 in.)

dual-language edition (English-Chinese), 3 volumes

264 pages (I vol), 416 pages (II vol)

Chinese Addendum, 690 colour and 260 b/w illustrations, hardcover in a box, ISBN 978-88-572-3239-3

£ 210.00, $ 285.00

MAHMOUD SAÏD

Catalogue raisonné

edited by Valérie Didier Hess and Hussam Rashwan

Size 24 × 28 cm (91⁄2 × 11 in.)

2 volumes, 898 pages 1452 colour and b/w illustrations hardcover with slipcase

ISBN 978-88-572-2477-0

£ 220.00, $ 285.00

JEWAD SELIM

Catalogue raisonné of Paintings and Sculptures edited by Nima Sagharchi, Zaineb Jewad Selim

Size 24 × 28 cm (91⁄2 × 11 in.)

376 pages, 250 colour illustrations hardcover with slipcase

ISBN 978-88-572-5002-1

£ 140.00, $ 175.00

Size 23 × 29 cm

(9 × 11½ in.)

dual-language edition (English-French)

208 pages

110 colour illustrations hardcover

ISBN 978-2-37074-275-9

£ 45.00, $ 55.00

EXHIBITION SCHEDULE

Paris, Musée Guimet

11 June – 29 September 2025

SILVER HAIKUS

ASIA PHOTOGRAPHED BY MICHAEL KENNA

foreword by Pico Iyer, with a text by Haely Chang and an interview between Michael Kenna and Édouard de Saint-Ours

This book explores Michael Kenna’s minimalist photography and its deep connections to Asian art and philosophy

Photographer Michael Kenna, internationally renowned as one of the contemporary masters of minimalist photography, has a deep attachment to Asia. Since his first visit to Japan in 1987, he has returned time and time again to capture the continent’s landscapes, examining them with his own distinctive, recognisable eye. What’s more, these numerous trips to Asia have had a significant impact on Michael Kenna’s photography.

This book provides a thematic retrospective of Michael Kenna’s work in Asia over the last 40 years. It explores the connection between his aesthetic and Asian art through formal dialogues between his photographs and works from the Chinese, Korean and Japanese collections of the Musée Guimet. More specifically, this book observes the influence of Asian arts in the photographer’s work, which is first and foremost stylistic: the choice of monochrome, the economy of means, the use of emptiness and the desire to suggest rather than describe evoke the ink paintings of Chinese scholars and Japanese Zen monks. It is also philosophical, with the same acceptance of slowness, the quest for perfection, the repetition of motifs, the asceticism of work and the spiritual dimension.

• A thematic retrospective of Michael Kenna’s 40-year journey through Asia.

• It explores the cultural and philosophical connections between Asian art and Kenna’s photography.

Édouard de Saint-Ours is curator of photographic collections at the Musée Guimet in Paris and curator of the exhibition. Haely Chang is curator of Asian art at the Hood Museum of Art, Dartmouth.

CONSTELLATION MICHAEL KENNA

edited by Sabine Troncin-Denis; preface by Stéphane Tallon foreword by the editor and text by Matthieu Rivallin

A retrospective of Kenna’ s fifty-year career

For more than fifty years, Michael Kenna has tirelessly travelled the globe to capture its fragile beauty in strikingly intense black-and-white photographs. From England to France, Japan to the United States, the 122 photographs in this book constitute a perceptive and poetic constellation of his work.

Born to commemorate the 50th anniversary of Michael Kenna’s artistic career, Constellation features a curated selection of geographical subjects spanning the years from 1973 to 2024, a collection of photographic gems drawn from the artist’s extensive oeuvre, which has taken him across the globe over the course of his career.

• During Kenna’s fifty year career, his photographic prints have been shown in almost five hundred one-person exhibitions and over four hundred group exhibitions in galleries and museums throughout the world.

• Kenna’s photographs are also included in well over a hundred permanent institutional collections.

• The book is the catalogue of the fifty-year retrospective curated by Sabine Troncin-Denis in Nice.

Stéphane Tallon is the Director of the Musée de la Photographie Charles Nègre. Matthieu Rivalin is Head of the Photography Department at the Médiathèque du Patrimoine et de la Photographie (MPP). Sabine Troncin-Denis is Michael Kenna’s European agent.

Size 26 × 30 cm

(10¼ × 12 in.)

dual-language edition (English-French)

176 pages

122 colour illustrations hardcover

ISBN 978-2-37074-284-1

£ 40.00, $ 50.00

PUBLICATION

October 2025

EXHIBITION SCHEDULE

Nice, France, Musée de la Photographie

Charles Nègre

18 October 2025

25 January 2026

Size 28 × 30 cm

(11 × 12 in.)

dual-language edition (English-Italian)

160 pages

110 colour illustrations hardcover

ISBN 978-88-572-5243-8

£ 40.00, $ 55.00

MICHAEL KENNA VENICE. MEMORIES AND TRACES

edited by Sandro Parmiggiani

The magic of Venice through the stunning images by the great photographer

Discover Venice anew through the lens of Michael Kenna. This stunning book offers an in-depth exploration of the British virtuoso’s black-and-white masterpieces, most of which are reproduced with the same format as the original prints. Kenna’s practice is characterised by long exposure times, which can last up to several hours, thus revealing unseen details within the Venetian landscape. His lens captures a wide array of subjects: mist-shrouded chapels and attics, falling stars above bell towers, palace arches, laundry threads, gondola prows, bridges, garden statues, twisted poles emerging from the black lagoon and reminiscent of ancient figures. Michael Kenna’s photographs skilfully play with light, shadow, and reflection to show the poetic intensity of Venice.

From solo exhibitions in prestigious museums to retrospectives that span continents, this compilation of Venetian imagery adds a new chapter to Kenna’s illustrious career. It stands as a testament to his unparalleled ability to capture the timeless allure of Venice, offering viewers a unique and immersive experience through the lens of an exacting master.

• First compilation of Michael Kenna’s photographs of Venice.

Sandro Parmiggiani, art critic and curator, writer for newspapers and magazines (including Il Giornale dell’Arte), is author of essays in volumes and catalogues and curator of catalogues raisonnée of the work of various artists.

MITCH EPSTEIN

AMERICAN NATURE

edited by Brian Wallis

Twenty

years

of images

by the acclaimed American photographer, pioneer of 1970s fine-art colour photography

Size 24 × 28 cm

(9½ × 11 in.)

176 pages

120 colour illustrations

hardcover

ISBN 978-88-572-5312-1

£ 40.00, $ 50.00

The book American Nature is the culmination of a twenty-year odyssey by one of America’s leading photographers. It represents both a political portrait of the nation during this pivotal time and an existential warning about a potentially cataclysmic future. Even though the threat of climate change is very real and it affects us daily, the causes and consequences are often hard to articulate, much less represent.

Mitch Epstein’s monumental achievement in his overarching work of the past two decades has been to communicate the intangible networks of production and power that threaten our environment and to listen to and record the visions of people in protest, as well as the gentle thrum of the enduring forest. American Nature features key selections from his three most recent projects: American Power (2003–09), Property Rights (2017–20), and Old Growth (2020–24). In each of these ambitious, multiyear series, Epstein’s goal was to describe the conflicts between American society and wilderness in the context of global climate change. In addition to these three major photographic projects, there are two new multimedia works: the monumental installation Forest Waves, devoted to the virgin forest of Massachusetts, and Clear Cut, a compilation of still images by early-twentieth-century photographer Darius Kinsey on the deforestation in the American Northwest.

• Epstein’s photographs are in major museum collections all over the world.

Brian Wallis, former Chief curator and director of exhibitions at the International Center of Photography in New York, is executive director of The Center for Photography at Woodstock.

GALLERIE D’ITALIA | SKIRA

Size 22.5 × 26 cm (9¼ × 10¼ in.)

200 pages

115 colour illustrations hardcover

ISBN 978-88-572-5406-7 £ 45.00, $ 55.00

EXHIBITION SCHEDULE

New York, Leslie Lohman Museum of Art 1 October 2025 18 January 2026

DAVID WOJNAROWICZ ARTHUR

RIMBAUD IN NEW YORK

edited by Antonio Sergio Bessa

One

of David Wojnarowicz’s few incursions into photography is a testimony of urban, social and political change in New York in the late 1970s

During his first trip to France in 1978, David Wojnarowicz was keen to immerse himself in the Parisian environs where a century earlier the poet Arthur Rimbaud had tried to live as a runaway teenager in the hope of becoming a poet. Rimbaud’s short and peripatetic youth was memorialized in two volumes of poetry which, in addition to propelling French literature into modernity, have become obligatory reading to young poets across the globe, who, like him, find in poetry a path to transcend the ordinary. Rimbaud was an early model for Wojnarowicz, both for his experiments with poetic form and for his courage in defying the mores of his epoch. Upon his return to the United States, Wojnarowicz was able to put in historical perspective the situation of decay and economic depression that had spread aver the greater New York City starting in the mid-1960s, bringing the city to the brink of collapse. He could intuitively make a parallel between the situation that New York was going through and the state of anarchy that took over Paris during the years of the Commune in the early 1870s. This parallel also allowed him to understand his own predicament as the child of a disrupted household in the streets of New York at a very young age. Considered in this context, the series of photo-performances that Wojnarowicz produced in collaboration with a small coterie of friends between 1978 and 1979 stands as an important document of the era that not only gives us entry into the artist's state of mind at a turning point in his life-as he was making a transition from writing onto the visual arts-but also documents areas of New York City that have been radically transformed.

• A profound exploration of Wojnarowicz’s transition from writer to visual artist.

Antonio Sergio Bessa is chief curator emeritus at The Bronx Museum, New York, where he has organized several exhibitions, including Darrel Ellis: Regeneration (2023, in collaboration with Leslie Cozzi) and Jamel Shabazz: Eyes on the Street (2022).

REEM AL FAISAL STATES OF LIGHT

texts by Haitham Fathallah and Gregory Buchakjian

An

in-depth analysis of the photography of the acclaimed Saudi artist and an glimpse into her innermost feelings

Size 35 × 41 cm

(13¾ × 16 in.)

208 pages

170 b/w illustrations

hardcover

ISBN 978-88-572-5403-6

£ 65.00, $ 80.00

PUBLICATION

November 2025

Born in Jeddah in 1968, Reem Al Faisal is a documentary photographer who lives in Jeddah, Kingdom of Saudi Arabia, and the entire world is her workspace, capturing the moments to be reflected in her artwork.

Her distinctive style is reflected in her photos expressing the spirituality and divine presence in nature and people’s life. Reem has a very strong visual culture that she developed with the bravery of a woman living in a conservative, closed, male-dominant society, one that she has penetrated with her educational intellect and her sense of community. She succeeds by using her lens as a means to express and record her memories of day-to-day life, previously only residing in her imagination. She documents them in the form of photographs stemming from the heart of people’s lives, and presents them to local, Arab and Western societies as a record full of life’s struggles on a global scale.

Featuring a wide selection of Reem Al-Faisal’s b/w photographs, the book highlights the diversity in the subjects of her photographs as she attempts to highlight human feelings in most of her images, along with the historical, artistic architecture of Arab and Islamic culture.

• Reem was the first female photographer to document the entire Hajj, the first Saudi photographer to do extensive work on the Muslim community of America, the first Saudi photographer to exhibit in Palestine, the first Arab photographer to exhibit in China and one of a few that photographed daily life in Iran.

• Her work has been exhibited in many countries around the world.

Haitham Fathallah is an Iraqi author and photographer. Gregory Buchakjian is a Lebanese photographer.

Size 19 × 25 cm (7½ × 9¾ in.)

dual-language edition (English-French)

208 pages

150 colour and b/w illustrations

ISBN 978-2-37074-238-4

£ 34.00, $ 40.00

LISA FONSSAGRIVES-PENN FASHION ICON

preface by Simon Baker, texts by Laurence Benaïm, Vince Aletti; with an interview with Lisa Fonssagrives-Penn by photographer David Seidner

A compelling insight into the life of one of the most iconic models in the world of 20th-century fashion

Lisa Fonssagrives-Penn (1911-1992) was a dancer, photographer, stylist and sculptor, but above all one of the most emblematic models of the 20th-century fashion world. She worked with the greatest fashion photographers of her time from 1935 to 1955: Richard Avedon, Erwin Blumenfeld, Louise Dahl-Wolfe, Fernand Fonssagrives, Toni Frissel, Horst P. Horst, whose favourite model she was, George Hoyningen-Huene, Frances Mclaughlin-Gill, Irving Penn, Georges Platt-Lynes and John Rawlings. She was the first model to feature on the cover of Time magazine in September 1949. Wife of Irving Penn from 1950 until her death in 1992, she was, according to Alexander Liberman, artistic director of Vogue magazine, the subject of his greatest photographs.

The book features around 150 original vintage prints from her personal collection. Some of these images were published in Vogue France, Vogue US or Harper’s Bazaar, and many are previously unpublished, including a large number of photographs of Fernand Fonssagrives, her first husband, and more private portraits taken by Irving Penn.

• An intimate and astonishing collection of mostly unpublished photographs.

• Lisa Fonssagrives-Penn, a name inseparable from fashion photography. With her timeless elegance, she is the embodiment and apotheosis of fashion, immortalised between the 1930s and 1950s by the world’s greatest fashion photographers.

Simon Baker is Director of the Maison Européenne de la Photographie. Laurence Benaïm is journalist and writer, fashion specialist. Vince Aletti is curator, writer and art photography critic, notably for The New Yorker.

CARMEN DELL'OREFICE THE ULTIMATE ROLE MODEL

by Fadil Berisha

A

highly illustrated memoir on the figure of Carmen Dell’Orefice, the world’s oldest working supermodel and actress

Size 24 × 30 cm

(9½ × 12 in.) 224 pages

colour illustrations

ISBN 978-88-572-5389-3

45.00, $ 55.00

Carmen Dell’Orefice began her career at the tender age of fourteen when she appeared in Vogue. When she was fifteen, Salvador Dalí painted a portrait of her. Carmen has been a force in fashion ever since, working for the greatest photographers of all time, including Horst P. Horst, Richard Avedon, Lilian Bassman, Norman Parkinson, and Francesco Scavullo.

Born in New York City on June 3, 1931, she was discovered by photographer Irving Penn, becoming a prominent figure in the fashion industry. Known for her striking beauty and timeless elegance, Carmen has graced the covers of major magazines, including Vogue and Harper’s Bazaar. She is often regarded as one of the longest-serving models in fashion history, having worked continuously for more than 70 years. Despite her age, Dell’Orefice has remained a symbol of grace and sophistication, challenging conventional notions of beauty in the modeling world. Throughout her career, she has represented brands, walked in runway shows, and remained an inspiration for many generations of models.

• A magazine-inspired book devoted to the iconic American model.

• A simple, modern, and yet elegant edition, iconic as the woman it is celebrating.

Fadil Berisha, photographer and long-time collaborator of Carmen Dell’Orefice, will guide the reader through this testament to their creative collaboration, focusing on Carmen from her 60s to her 90s and their prolific professional collaborations. Fadil is the former official cameraman for Miss Universe, Miss USA, and Rolex, and in his career, he has captured some of the world’s most breathtaking women and actresses, such as Halle Berry, and Sharon Stone, but none of them has ever beaten Carmen as his muse and model.

Size 28 × 28 cm (11 × 11 in.)

160 pages

80 colour illustrations hardcover

ISBN 978-88-572-4760-1

£ 40.00, $ 55.00

VILLA D’ESTE

text by Andrea Bruciati

The magnificent Italian gardens and water features of the famous 16th-century villa in a spectacular photo book

Villa d’Este in Tivoli is the ultimate expression of an antiquarian garden in the Renaissance, the result of the genius of artists and intellectuals who conceived and realised monumental fountains, extraordinary grottoes, nymphaeums, basins, and luxuriant decorations.

The residence of Cardinal Ippolito II d’Este, designed by Pirro Ligorio, was built from 1550 onwards on the foundations of an earlier Roman abode. The complex owes its majesty and importance to the presence of the Aniene River, whose flow has allowed human genius to explore the infinite artistic potential of water with marvellous visual and acoustic effects set in a unique context. All these characteristics have made the site of Villa d’Este, inscribed on the UNESCO World Heritage List in 2001, the most famous of the “Gardens of Wonders”.

With the text by Andrea Bruciati, this spectacular photo-book presents stuning photographs documenting in detail this unique masterpiece of the Italian Garden as well as the interiors of the Villa, spread over two levels with grand rooms with unique designs, considered one of the finest examples of Italian Renaissance.

• A stunning coffee-table book on an Italian masterpiece, its history and magnificent Italian gardens.

Andrea Bruciati is an art historian and director of Villa d’Este

HIDDEN ITALY UNVEILING ART, NATURE AND CULTURAL HERITAGE

edited by FAI – Fondo Ambiente Italiano

The extraordinary Italian heritage of art and nature

Size 24 × 28 cm

(91⁄2 × 11 in.)

392 pages, 300 colour illustrations hardcover

ISBN 978-88-572-4260-6

£ 50.00, $ 60.00

The volume is published in a completely revised edition, updated and extended with the inclusion of all new properties, illustrating places and monuments that over the years have become part of the heritage of FAI, the association that takes deals with their conservation and restoration.

This extensive collection of images and critical articles on the various locations and monuments covers the numerous stages of the acquisition of historical mansions, castles, monasteries and citadels with important frescos, art collections and natural reserves in some of the most suggestive corners of the Italian peninsula: from the castles of Avio, Manta and Masino, to the Abbey of San Fruttuoso, from the Bay of Ieranto to the Torba Monastery, from Villa del Balbianello to Villa Della Porta Bozzolo, Villa Necchi Campiglio and Villa Panza in Biumo (with the prestigious collection of contemporary art), from the historic Olivetti Shop in Venice (a Carlo Scarpa’s masterpiece) up to the latest acquisitions such as the millenary Abbey of Santa Maria in Cerrate.

• A stunning photographic book to discovery the hidden treasures of Italy.

• New updated, revised and extended edition

Conceived by Elena Croce, daughter of the great philosopher Benedetto Croce and based on the illustrious model of the British National Trust, the FAI – Fondo Ambiente Italiano was founded on 28 April 1975 with the specific aim of helping to protect, conserve and make the most of Italy’s artistic and natural heritage.

Size 26.75 × 35.5 cm (10½ × 14 in.)

344 pages

420 colour illustrations paperback

ISBN 978-88-572-4768-7 £ 49.00, $ 65.00

NEW YORK 1962–1964

conceived, curated and edited by Germano Celant co-published by the Jewish Museum, New York

The book explores a pivotal moment in art and culture in New York City

The radical changes that occurred in the three years between January 1962 and December 1964 had a profound effect on creative life in New York and around the world, altering not only the fine arts but everything from performance to music to design. Together with these creative innovations, the period from 1962 through 1964 saw a shift in the centre of artistic gravity from Europe to the United States and the rise of a new leadership in the arts, centred on a number of New York-based curators, gallerists, and other impresarios. Inspired by the scale and format of widely read magazines of the time such as  Life and  Look, this lavishly illustrated oversize paperback traces a detailed itinerary of artists and curators, experimental exhibitions and groundbreaking happenings, as well as historical and political events that transformed society during this explosive moment.

• The volume was conceived by the lead curator of the accompanying exhibition, Germano Celant, Artistic and Scientific Superintendent of the Prada Foundation, Milan. The book features interviews by Celant with Christo and Jim Dine with tributes by Claudia Gould and Michael Rock.

Germano Celant (1940-2020), widely influential Italian art historian, critic, and curator who coined the term Arte Povera, wrote more than one hundred publications, including both books and catalogues and curated hundreds of exhibitions in the most prominent international museums and institutions worldwide.

THE ECHO OF OUR VOICES THE DAY MAY BREAK. CHAPTER FOUR

by Nick Brandt; edited by Nadine Barth foreword by Samar Yazbek; introduction by Arianna Rinaldo

The fourth chapter of the celebrated series The Day May Break

The book is the fourth chapter of The Day May Break, Nick Brandt’s global series portraying people and animals impacted by climate change and environmental degradation. The series was photographed in Jordan, one of the most water-scarce countries in the world. It features rural Syrian refugee families currently living there, whose lives have been seriously impacted by droughts intensified by climate change. The photographs show the families’ connection and strength in the face of adversity, that when all else is lost you still have each other. The boxes on which the families gather aim skyward, pedestals for those that in our society are typically unseen and unheard.

• As part of Nick Brandt’s The Day May Break series, this volume powerfully documents the human cost of environmental degradation.

Nick Brandt has had solo museum and gallery exhibitions around the world, including New York, London, Berlin, Stockholm, Paris and Los Angeles. Syrian novelist Samar Yazbek is the author of Where the Wind Calls Home and Planet of Clay Arianna Rinaldo is a photography curator and editor. Nadine Barth has been the editor for over 100 books on fashion, art, architecture, and photography.

JOEL MEYEROWITZ . A SENSE OF WONDER PHOTOGRAPHS 1962–2022

edited by Denis Curti

The entire career of the American photographer

Devoted to Joel Meyerowitz (New York, 1938), one of the protagonists of contemporary photography, and produced in collaboration with the Joel Meyerowitz Photography Archive in New York, the book presents over ninety images organised in thematic sections and includes many of the photographs that have contributed to the redefinition of the concept of street photography, a genre in which Joel Meyerowitz introduces the use of colour to interpret and capture the complexity of the modern world. In the 1960s Meyerowitz emerged as one of the most interesting young avant-garde photographers in New York. The book also features Meyerowitz’s 1980s work, when he gradually shifted his gaze from the street to nature, or his evocative Still lives, or the photos he took in 2001 in the days following the 9/11 terrorist attacks, up to the selfshots taken during the 2020 lockdown.

• An authoritative resource for both photography enthusiasts and scholars.

Artistic director of Stanze della fotografia, Denis Curti for more than fifteen years was the photographic critic for Corriere della Sera and he currently runs Black Camera on the Rolling Stone Italia digital platform.

Size 38.3 × 30.5 cm (15 × 12 in.)

132 pages

70 tritone illustrations hardcover

ISBN 978-88-572-5394-7

£ 60.00, $ 75.00

EXHIBITION SCHEDULE

Paris, Polka Galerie September 2025

Turin, Gallerie d'Italia

11 March – 6 September 2026

Size 24 × 28 cm (9½ × 11 in.)

dual-language edition (English-Italian)

224 pages

110 colour illustrations hardcover

ISBN 978-88-572-5392-3

£ 45.00, $ 55.00

Size 15 × 21 cm

(6 × 8¼ in.)

360 pages

130 colour illustrations

paperback

ISBN 978-88-572-5409-8

£ 26.00, $ 35.00

PUBLICATION

October 2025

DISCOVERING UZBEKISTAN

by Dariya Sirotina

A book to discover the soul of Uzbekistan

This is a beautifully illustrated guidebook, a fascinating story about history and modernity, monuments that have become the heritage of world culture, nature and amazing people, and the unique multicolored nature of Uzbekistan.

The book consists of six chapters dedicated to ancient cities and regions of Uzbekistan and their surroundings: Tashkent, Samarkand, Bukhara, Khorezm, Karakalpakstan and Fergana Valley. Each chapter opens with an essay where the author introduces the reader to the fascinating history of the region and its peculiarities. Each chapter tells several stories of the region’s best artisans, chefs, restaurant owners, and artists. The book also provides the most up-to-date information about museums and craft workshops, designer stores and markets, as well as hotels to stay in, restaurants and teahouses to visit, food and wine to try.

• A fully illustrated and well-structured guide with up-to-date information, including information on Uzbek wine industry and regional cuisine.

Dariya Sirotina is a traveller and travel blogger, author, photographer, and food and wine connoisseur.

PORTRAIT MILAN

text by Luca Masia, foreword by Davide Rampello photographs by Gabriele D’Agostino

Portrait Milan: a new destination for the 16th-century monumental palace in Milan

Size 24 × 30 cm (9½ × 12 in.)

260 pages

170 colour illustrations hardcover with slipcase

ISBN 978-88-572-5376-3

£ 60.00, $ 75.00

A masterpiece of Lombard Baroque, begun in 1565, the ancient former Archiepiscopal Seminary was one of the oldest seminaries in Europe and the world. Today, thanks to a careful renovation project promoted by Lungarno Collection and designed by architects Michele de Lucchi and Michele Bönan, the former Seminary reopens to the city through the Portrait Milano project: an exclusive hotel and an authentic way to experience the heart of the city, with outstanding shopping, gastronomic offerings, and events. This refined photographic volume presents Portrait Milan, a new symbol of elegance and sophistication, discreet yet bold luxury, contemporary yet “timeless.”

• Stunning photography highlights the harmonious balance between historical architecture and contemporary interventions.

Luca Masia, an advertising creative and writer, works in fiction, television, theater dramaturgy, and corporate communication. He collaborated for nearly ten years with the Triennale di Milano and has written texts and books on art, design, and architecture. Davide Rampello, curator, artistic director, creative consultant, is a lecturer at the University of Padua, IULM, and the Politecnico di Milano.

AFRICA

Discovering Wildlife Parks edited by Massimo Zanella

Size 30 × 25 cm (113 4 × 133⁄4 in.)

224 pages, 200 colour illustrations hardcover

ISBN 978-88-572-4857-8

£ 42.00, $ 60.00

NOBUYOSHI ARAKI Polarnography

edited by Filippo Maggia

Special edition

100 colour photographs

8.7 × 10.8 cm in a 9 × 11.5 cm

box nestled in a 30 × 38 cm

canvas and acetate container

ISBN 978-88-572-3488-5

£ 75.00, $ 100.00

edited

BENASSI. THE BELT

by

Antonio Grulli and Maria Luisa Frisa

Skira / Archivio Manteco

Size 24 × 30 cm (91 2 × 12 in.)

English edition with Italian texts in appendix , 224 pages

142 colour illustrations, hardcover

ISBN 978-88-572-4382-5

£ 50.00, $ 65.00

ELEONORA ABBAGNATO

photographed by Massimo Gatti preface by Giuseppe Tornatore with an interview by Valeria Crippa

Size 24 × 28 cm (91⁄2 × 11 in.)

160 pages, 105 colour illustrations hardcover

ISBN 978-88-572-1787-1

£ 30.00, $ 50.00

RICHARD AVEDON

Relationships edited by Rebecca A. Senf

Size 24.5 × 32 cm (91⁄2 × 121⁄2 in.)

196 pages, 116 colour and b/w illustrations, hardcover

ISBN 978-88-572-4840-0

£ 40.00, $ 50.00

ARAB

Bedouin of the Desert Megumi Yo

Size 28 × 30 cm (11 × 113 4 in.)

224 pages, 217 colour illustrations hardcover

ISBN 978-88-572-2218-9

£ 37.50

THE ARAKI EFFECT

edited by Filippo Maggia

Size 24 × 28 cm (91⁄2 × 11 in.)

200 pages, 320 colour illustrations hardcover

ISBN 978-88-572-4195-1

£ 38.00, $ 50.00

GABRIELE BASILICO Metropoli

edited by Giovanna Calvenzi and Filippo Maggia

Size 24 × 28 cm (91⁄2 × 11 in.) dual-language edition (Italian-English), 224 pages 225 duotone and colour illustrations, hardcover

ISBN 978-88-572-4315-3

£ 35.00, $ 45.00

HANS GEORG BERGER

Discipline and Senses

Photographs 1972–2020

edited by Francesco Paolo Campione

Size 22.5 × 26.6 cm (83⁄4 × 101⁄2 in.)

400 pages, 215 colour illustrations hardcover

ISBN 978-88-572-4664-2

£ 42.00, $ 60.00

JODI BIEBER. BETWEEN DARKNESS AND LIGHT

Selected Works: South Africa 1994–2010

edited by Filippo Maggia

Size 28 × 24 cm (11 × 91⁄2 in.)

128 pages, 66 colour and 45 b/w illustrations, paperback

ISBN 978-88-572-3791-6

£ 25.00

GABRIELE BASILICO

Spaces in Between edited by Filippo Maggia; texts by Filippo Maggia and Luca Molinari

Size 24 × 28 cm (91⁄2 × 11 in.)

192 pages, 140 colour illustrations hardcover

ISBN 978-88-572-4684-0

£ 40.00, $ 54.00

ADRIAN BURNS. IMBROGLIO

edited by Denise Wendel-Poray

texts by Olivier Kaeppelin and Philippe Dagen

Size 24 × 29 cm (91⁄2 × 111 2 in.)

dual-language edition (French-English), 192 pages

100 colour illustrations, hardcover

ISBN 978-2-37074-170-7

£ 32.00, $ 45.00

JACOPO

ADRIAN BURNS PAREIDOLIA

edited by Denise Wendel-Poray, with a text by Éric Garandeau

Size 24 × 30 cm (9½ × 12 in.)

dual-language edition (English-French), 208 pages 120 colour illustrations hardcover

ISBN 978-2-37074-260-5

£ 35.00, $ 45.00

CHE GUEVARA

Tú y Todos

edited by Daniele Zambelli, Flavio Andreini, Camilo Guevara March, María del Carmen Ariet

Size 22 × 28 cm (81 2 × 11 in.)

192 pages, 224 colour illustrations paperback

ISBN 978-88-572-3740-4

£ 30.00, $ 39.95

CONTEMPORARY PHOTOGRAPHY FROM INDIA AND SOUTH AMERICA

The Tenth Parallel North edited by Filippo Maggia, Claudia Fini and Francesca Lazzarini

Size 24 × 28 cm (91 2 × 11 in.)

192 pages, 152 colour and 40 b/w illustrations, hardcover

ISBN 978-88-572-1249-4

£ 34.95, $ 55.00

CANOVA

E VENEZIA

Photographs by Fabio Zonta edited by Camilla Grimaldi

Size 22 × 28 cm (81 2 × 11 in.)

dual-language edition

(English-Italian), 112 pages

52 colour illustrations, paperback

ISBN 978-88-572-4915-5

£ 24.00, $ 25.00

CHILDREN OF THE LIGHT Calliope editorial coordination Paola Gribaudo

Size 19 × 24 cm (71⁄2 × 91 2 in.)

200 pages, 150 colour and 50 b/w illustrations, hardcover

ISBN 978-88-572-2234-9

£ 45.00, $ 75.00

CONTEMPORARY PHOTOGRAPHY FROM NORTH-WESTERN EUROPE

History Memory Identity edited by Filippo Maggia

Size 24 × 28 cm (91⁄2 × 11 in.)

168 pages, 180 colour illustrations hardcover

ISBN 978-88-572-2988-1

£ 28.00, $ 45.00

CASA SEGANTINI IN MALOJA edited by Diana Segantini photographs by Gabriele Heidecker

Size 24 × 18 cm (91⁄2 × 7 in.)

dual-language edition (English-Italian) with a text in German, 192 pages, 150 colour illustrations, hardcover

ISBN 978-88-572-5210-0

£ 35.00

CINES DE CUBA

photographs by Carolina Sandretto; editorial coordination Paola Gribaudo; essays by C. Sandretto, C. Garaicoa, G. Jiménez-Singer

Size 28 × 30 cm (11 × 113 4 in.)

396 pages, 541 colour illustrations hardcover

ISBN 978-88-572-3439-7

£ 60.00, $ 75.00

CONTEMPORARY PHOTOGRAPHY FROM THE FAR EAST

Asian Dub Photography edited by Filippo Maggia and Francesca Lazzarini

Size 24 × 28 cm (91⁄2 × 11 in.)

240 pages, 228 colour illustrations hardcover

ISBN 978-88-572-0067-5

£ 34.95, $ 50.00

A CAVE BETWEEN LAND AND SEA

The Wonders of Puerto Princesa Underground River edited by A. De Vivo, Paolo Forti, Leonardo Piccini, Natalino Russo

Size 21 × 29.7 cm (8¼ × 113⁄4 in.)

224 pages, 218 colour illustrations hardcover

ISBN 978-88-572-3968-2

£ 36.00, $ 50.00

COLD INSTINCT photographs by Matthijs Kuijpers

Size 30 × 24 cm (113⁄4 × 91⁄2 in.)

168 pages, 72 colour illustrations hardcover

ISBN 978-88-572-4259-0

£ 40.00, $ 50.00

GREGORY CREWDSON Eveningside edited by Jean-Charles Vergne

Gallerie d’Italia | Skira

Size 32.7 × 24.2 cm (123 4 × 91⁄2 in.)

240 pages, 200 colour illustrations hardcover

ISBN 978-88-572-4842-4

£ 55.00, $ 70.00

CROWNS

My Hair, My Soul, My Freedom Sandro Miller; with a foreword by Angela Bassett and a poem from Patricia Smith edited by Anne Morin

Size 30.5 × 35.1 cm (12 × 133⁄4 in.)

180 pages, 140 colour illustrations hardcover with slipcase

ISBN 978-88-572-4558-4

£ 55.00, $ 75.00

MARCELLO DUDOVICH (1878–1962)

Photography between

Art and Passion

edited by Roberto Curci, Nicoletta Ossanna Cavadini

Size 24 × 24 cm (91 2 × 91 2 in.)

dual-language edition (English-Italian), 368 pages

420 colour illustrations, paperback

ISBN 978-88-572-4285-9

£ 30.00, $ 35.00

ENVIRONMENTAL PHOTOGRAPHY

AWARD 2025

Foundation Prince Albert II of Monaco

Size 28.5 × 25 cm (11½ × 9¾ in.)

dual-language edition (English-French), 104 pages

50 colour illustrations hardcover

ISBN 978-2-37074-273-5

£ 30.00

DE NORA

Stories from a century of life

edited by Luca Masia; photographs by Luca Campigotto

Size 24 × 30 cm (91 2 × 12 in.)

208 pages, 200 colour illustrations hardcover

ISBN 978-88-572-4922-3

£ 35.00, $ 40.00

ENVIRONMENTAL PHOTOGRAPHY AWARD 2024

Foundation Prince Albert II of Monaco

Size 28.5 × 25 cm (111⁄2 × 93 4 in.)

dual-language edition (English-French), 104 pages

50 colour illustrations hardcover

ISBN 978-2-37074-237-7

£ 30.00

Glamour ’n Soul

edited by Luigia Greco Escalar

Size 24 × 32 cm (91 2 × 121⁄2 in.)

dual-language edition (English-Italian), 224 pages

230 colour illustrations, hardcover

ISBN 978-88-572-3027-6

£ 50.00, $ 65.00

DOMON KEN

The Master of Japanese Realism

edited by Rossella Menegazzo, Takeshi Fujimori with the assistance of Yuki Seli

Size 21 × 31.2 cm (81⁄4 × 121⁄4 in.)

184 pages, 161 colour and 13 b/w illustrations, hardcover

ISBN 978-88-572-3275-1

£ 29.95, $ 45.00

ENVIRONMENTAL PHOTOGRAPHY AWARD 2023

Foundation Prince Albert II of Monaco

Size 28.5 × 25 cm (111 2 × 93⁄4 in.) dual-language edition (English-French), 104 pages

50 colour illustrations, hardcover

ISBN 978-2-37074-212-4

£ 30.00

FAIRMONT

Grand by Nature

preface by Susan Sarandon texts by Claire Wrathall and Claire-Marie Angelini-Thiennot

Size 25 × 32.6 cm (103⁄4 × 133⁄4 in.)

328 pages, 500 colour and b/w illustrations, hardcover

ISBN 978-2-37074-171-4

£ 79.00, $ 110.00

DREAMING THE STREET

David Lurie texts by Achille Mbembe, Ashraf Jamal, Daniel Herwitz

Size 30 × 28 cm (12 × 11 in.)

108 pages, 115 colour illustrations hardcover

ISBN 978-88-572-4767-0

£ 32.00, $ 45.00

ENVIRONMENTAL PHOTOGRAPHY AWARD 2022

Foundation Prince Albert II of Monaco

Size 28.5 × 25 cm (111⁄2 × 93⁄4 in.)

dual-language edition (English-French), 104 pages

50 colour illustrations, hardcover

ISBN 978-2-37074-203-2

£ 30.00

Private Sitting texts by Denis Curti, Antonio Mancinelli

Size 24 × 30 cm (91 2 × 113⁄4 in.)

dual-language edition (E-I)

192 pages, 240 colour and b/w illustrations, hardcover

ISBN 978-88-572-4242-2

£ 32.00, $ 40.00

FRANCESCO ESCALAR

GIANLUCA FONTANA

F1 HEROES

Champions and Legends in the Photos of Motorsport Images

edited by Ercole Colombo and Giorgio Terruzzi

Size 28 × 24 cm (11 × 91 2 in.)

192 pages, 210 colour illustrations hardcover

ISBN 978-88-572-4667-3

£ 30.00, $ 42.00

GIOVANNI GASTEL

Masks and Ghosts

edited by Germano Celant

Size 35 × 45.5 cm (133⁄4 × 18 in.)

dual-language edition (English-Italian), 168 pages

80 colour illustrations, hardcover

ISBN 978-88-572-0318-8

£ 50.00, $ 85.00

MURAT GERMEN

edited by Necmi Sönmez

texts by Stephan Berg, Kerstin Stremmel, Necmi Sönmez

Size 40 × 30 cm (153 4 × 113 4 in.)

96 pages, 95 colour illustrations hardcover

ISBN 978-88-572-2869-3

£ 34.95, $ 50.00

A HISTORY OF PHOTOGRAPHY

The Musée d’Orsay Collection 1839–1925

edited by Françoise Heilbrun

Size 24 × 28.5 cm (91⁄2 × 111⁄4 in.)

320 pages, 300 colour illustrations hardcover

ISBN 978-2-37074-004-5

£ 40.00, $ 75.00

GIVE IT YOUR ALL Étoile Diana Vishneva’s Extraordinary Dedication to the Art of Ballet photographs by Yasushi Handa

Size 24 × 30 cm (91⁄2 × 113⁄4 in.)

180 pages, 112 colour illustrations hardcover

ISBN 978-88-572-4030-5

£ 50.00, $ 60.00

AXEL HÜTTE

Fantasmi e Realtà

edited by Filippo Maggia with Claudia Fini

Size 24 × 28 cm (91⁄2 × 11 in.)

dual-language edition (English-Italian), 120 pages

44 colour illustrations, hardcover

ISBN 978-88-572-2225-7

£ 39.95, $ 65.00

GIOVANNI GASTEL

The People I Like. The Book edited by Uberto Frigerio

Size 24 × 30 cm (91⁄2 × 113 4 in.)

208 pages, 230 b/w and 10 colour illustrations, hardcover

ISBN 978-88-572-4471-6

£ 40.00, $ 55.00

A GAZE INTO THE LABYRINTH OF HISTORY

Maurizio Galimberti

Size 30 × 38 cm (113⁄4 × 15 in.)

dual-language edition (Italian-English), 76 pages

70 colour illustrations, hardcover

ISBN 978-88-572-4516-4

£ 30.00, $ 40.00

HANOI

Aafter the War John Ramsden

Size 24 × 28 cm (91⁄2 × 11 in.)

156 pages, 100 colour illustrations hardcover

ISBN 978-88-572-3716-9

£ 30.00, $ 40.00

HERITAGE IN FOCUS texts by Bénédicte de Montlaur, Susan Meiselas, Kristen Mckibben

Size 19 × 25.5 cm (7½ × 10 in.)

dual-language edition (English-French)

144 pages, 100 colour illustrations hardcover

ISBN 978-2-37074-262-9

£ 30.00, $ 40.00

INTO THE HEART OF THE WORLD La Venta. 25 Years of Exploration

edited by Antonio De Vivo, Francesco Sauro

Size 28 × 30 cm (11 × 113 4 in.)

312 pages, 284 colour illustrations hardcover

ISBN 978-88-572-3177-8

£ 50.00, $ 70.00

I WANNA BE AN INFLUENCER

Nicola Tanzini edited by Benedetta Donato

Size 23 × 30 cm (9 × 12 in.)

dual-language edition (English-Italian), 144 pages

110 colour illustrations hardcover

ISBN 978-88-572-4844-8

£ 25.00, $ 30.00

- PHOTOGRAPHY

KENRO IZU

Territories of the Soul

edited by Filippo Maggia and Claudia Fini

Size 24 × 28 cm (91 2 × 11 in.)

dual-language edition (English-Italian), 120 pages

65 colour illustrations, hardcover

ISBN 978-88-572-2475-6

£ 34.95, $ 55.00

KIKI XUE. PORTRAITS

texts by Denise Wendel-Poray

Size 25 × 32 cm (93 4 × 121⁄2 in.)

tri-language edition (English-French-Chinese)

160 pages, 63 colour illustrations hardcover

ISBN 978-2-37074-197-4

£ 35.00, $ 45.00

Solutions for a possibile future edited by Elisa Medde

Edizioni Gallerie d’Italia | Skira

Size 24 × 28 cm (91⁄2 × 11 in.)

144 pages

120 colour illustrations hardcover

ISBN 978-88-572-5138-7

£ 30.00, $ 40.00

JEW

John Offenbach

foreword by Devorah Baum

Size 24 × 32 cm (91⁄2 × 121 2 in.)

168 pages, 140 colour illustrations hardcover

ISBN 978-88-572-4059-6

£ 50.00, $ 65.00

MIMMO JODICE

Archipelago of the Ancient World

edited by Filippo Maggia and Claudia Fini

Size 24 × 28 cm (91⁄2 × 11 in.)

dual-language edition (English-Italian), 112 pages

52 colour illustrations, hardcover

ISBN 978-88-572-2476-3

£ 34.95, $ 55.00

MICHAEL KENNA

Trees / Arbres with an introduction by Chantal Colleu-Dumond and an essay by Françoise Reynaud

Size 24 × 29 cm (91 2 × 111⁄2 in.)

dual-language edition (English-French), 176 pages

120 colour illustrations hardcover, ISBN 978-2-37074-194-3

£ 32.00, $ 45.00

LAMBORGHINI WITH ITALY, FOR ITALY

21 Views for a New Drive

Size 24 × 28 cm (91⁄2 × 11 in.)

248 pages, 200 colour illustrations hardcover

ISBN 978-88-572-4494-5

£ 55.00, $ 70.00

MAGNETIC WEST

The Enduring Allure of the American West in Photography texts by A. Wallace, A. Kensett, V. Sage, R. Young Bear and V. Rose Smith

Size 25.5 × 23 cm (10 × 9 in.)

278 pages, 217 colour illustrations hardcover

ISBN 978-88-572-4420-4

£ 40.00, $ 50.00

MALKOVICH Homage to Photographic Masters

Sandro Miller

Size 26 × 32 cm (101 4 × 121 2 in.)

128 pages, 60 colour illustrations hardcover

ISBN 978-88-572-5113-4

£ 32.00, $ 45.00

SOHAIL KARMANI

THE SPIRIT OF SAHIWAL edited by Francesca Interlenghi

Size 28 × 28 cm (11 × 11 in.)

dual-language edition (English-Italian), 156 pages

142 colour illustrations, hardcover

ISBN 978-88-572-4203-3

£ 36.00, $ 45.00

LAST WORDS

Gabriele Tinti preface by Derrick de Kerchove, images by Andres Serrano

Size 14 × 21 cm (51⁄2 × 81 4 in.)

96 pages, 8 colour illustrations paperback

ISBN 978-88-572-2987-4

£ 12.50, $ 18.95

Size 20 × 30 cm (73⁄4 × 113⁄4 in.)

dual-language edition (English-Italian), 192 pages

200 b/w illustrations, hardcover

ISBN 978-88-572-4440-2

£ 42.00, $ 60.00

LUCA LOCATELLI. THE CIRCLE

MALKOVICH MALKOVICH

CARLO MARI IO MILANO

CARLO MARI PASSAGE THROUGH DAR

Portraits from Tanzania photographs by Carlo Mari

Size 20 × 30 cm (73⁄4 × 113⁄4 in.)

208 pages, 135 duotone illustrations hardcover

ISBN 978-88-572-3998-9

£ 35.00, $ 45.00

MIGHTY SILENCE

Images of Destruction. The Great 2011 Earthquake and Tsunami photographed by Yasushi Handa

Size 21 × 31.2 cm (81⁄4 × 121⁄4 in.)

276 pages, 108 colour illustrations hardcover

ISBN 978-88-572-1557-0

£ 48.00, $ 75.00

THE MODERN HISTORY OF ITALIAN WINE

edited by Walter Filiputti

Size 21 × 28 cm (81⁄4 × 11 in.)

480 pages, 500 colour illustrations hardcover

ISBN 978-88-572-2623-1

£ 42.00, $ 60.00

MARSA MALAZ KEMPINSKY

Precious Jewel on the Sea Eugenio Alberti Schatz photographs by Massimo Listri

Size 30 × 32 cm (113 4 × 121⁄2 in.)

dual-language edition (English-Arabic), 192 pages

100 colour illustrations, hardcover

ISBN 978-88-572-3318-5

£ 65.00, $ 85.00

MILAN Ten Masterpieces edited by Massimo Zanella

Size 15 × 21 cm (6 × 81 4 in.)

80 pages, 43 colour illustrations paperback

ISBN 978-88-572-2414-5

£ 6.99, $ 10.00

MASTER OF PHOTOGRAPHY

2016 edited by Filippo Maggia

Size 16.5 × 24 cm (61⁄2 × 91⁄2 in.)

176 pages, 123 colour illustrations hardcover

ISBN 978-88-572-3117-4

£ 24.95

MASTER OF PHOTOGRAPHY 2017

edited by Filippo Maggia

Size 24 × 28 cm (91 2 × 11 in.)

204 pages, 152 colour illustrations hardcover

ISBN 978-88-572-3714-5

£ 30.00

LEE MILLER · MAN RAY

Fashion – Love – War edited by Victoria Noel-Johnson

Size 22 × 28 cm (81⁄2 × 11 in.)

188 pages, 155 colour illustrations hardcover

ISBN 978-88-572-4415-0

£ 32.00, $ 38.00

SANTU MOFOKENG

A Silent Solitude Photographs 1982–2011 edited by Simon Njami

Size 24 × 28 cm (91⁄2 × 11 in.)

dual-language edition (E-I)

256 pages, 239 duotone and 7 colour illustrations, hardcover

ISBN 978-88-572-3216-4

£ 42.00, $ 60.00

MELISSA MOORE Land Ends texts by Douglas Park, Mark Cousins, Persilia Caton

Size 24.5 × 24.5 cm (93⁄4 × 93 4 in.)

80 pages, 44 colour illustrations hardcover

ISBN 978-88-572-1939-4

£ 25.00

CRISTINA MITTERMEIER A Greater Wisdom in collaboration with National Geographic

Gallerie d’Italia | Skira

Size 30 × 24 cm (12 × 91 2 in.)

176 pages, 95 colour illustrations hardcover

ISBN 978-88-572-5225-4

£ 40.00, $ 50.00

DAIDO MORIYAMA IN COLOR Now, and Never Again Filippo Maggia

Size 21 × 31.2 cm (81⁄4 × 121⁄4 in.)

480 pages, 257 colour illustrations hardcover

ISBN 978-88-572-2226-4

£ 42.00, $ 65.00

BACKLIST - PHOTOGRAPHY

DAIDO MORIYAMA

The World throught My Eyes

edited by Filippo Maggia

Size 16.5 × 24 cm (61 2 × 91⁄2 in.)

440 pages, 250 b/w illustrations hardcover

ISBN 978-88-572-0061-3

£ 39.95, $ 55.00 back in print

JIMMY NELSON

Humanity exhibition curated by Jimmy Nelson, Nicolas Ballario and Federica Crivellaro

Size 24.5 × 32 cm (91 2 × 121 2 in.)

200 pages, 205 colour illustrations hardcover

ISBN 978-88-572-5105-9

£ 40.00, $ 50.00

PANORAMA OF CONTEMPORARY ITALIAN FASHION PHOTOGRAPHY

a project by Pablo Arroyo

Size 21 × 27.5 cm (81 4 × 101⁄4 in.)

dual-language edition (English-Italian), 438 pages

380 colour illustrations

paperback

ISBN 978-88-572-5148-6

£ 55.00, $ 70.00

MOUNTAINS

The Giants of the Earth

edited by Massimo Zanella with a text by Nives Meroi

Size 30 × 35 cm (113⁄4 × 133 4 in.)

224 pages, 200 colour illustrations hardcover

ISBN 978-88-572-4586-7

£ 42.00, $ 60.00

NEW YORK SERENADE

photographs Ciro Frank Schiappa

texts Michele Primi

Size 24 × 30 cm (91⁄2 × 113 4 in.)

124 pages, 50 colour illustrations hardcover

ISBN 978-88-572-3250-8

£ 25.00, $ 35.00

PATRIARCHAL AFRICA

The Last Sunrise. Photo-chronicle of the Vanishing Life photographs by Sergey Yastrzhembsky

Size 21 × 31.2 cm (81 4 × 121 4 in.)

2 volumes, 736 pages

700 colour illustrations hardcover with slipcase + DVD

ISBN 978-88-572-1967-7

£ 110.00, $ 165.00

MTINDO

Style Movers Rebranding Africa

photography Daniele Tamagni preface Waridi Schrobsdorff

Size 20 × 26 cm (8 × 101 2 in.)

208 pages, 133 colour illustrations hardcover

ISBN 978-88-572-3362-8

£ 32.00, $ 45.00

NOLLYWOOD PORTRAITS

A Radical Beauty photographs by Iké Udé forward by Henry Louis Gates Jr.

Size 32 × 38 cm (121⁄2 × 15 in.)

144 pages, 66 colour illustrations hardcover

ISBN 978-88-572-3229-4

£ 58.00, $ 75.00

PAOLO PELLEGRIN

Fragile Wonder. A Journey through Changing Nature edited by Walter Guadagnini essays by Walter Guadagnini and Mario Calabresi

Gallerie d’Italia | Skira

Size 24 × 28 cm (91 2 × 11 in.)

160 pages, 145 colour illustrations hardcover

ISBN 978-88-572-4831-8

£ 42.00, $ 60.00

MULLICAN

Photographs Catalogue 1967–2018

edited by Roberta Tenconi; contributors: Marie-Luise Angerer, Matt Mullican, Tina Rivers Ryan, Anne Rorimer, Roberta Tenconi, James Welling

Size 18 × 23.5 cm (7 × 91⁄4 in.)

600 pages 1800 colour illustrations hardcover, ISBN 978-88-572-4117-3

£ 45.00, $ 60.00

ONE HUNDRED PORTRAITS

Angela Lo Priore

Size 26.2 × 37.8 cm (101⁄4 × 15 in.)

216 pages, 100 colour illustrations hardcover

ISBN 978-88-572-2439-8

£ 60.00, $ 100.00

MURIEL PÉNICAUD

Matrix of Worlds

Size 24 × 28 cm (9½ × 11 in.)

dual-language edition (English-French), 176 pages

150 colour illustrations hardcover

ISBN 978-2-37074-251-3

£ 30.00, $ 40.00

PHOTOGRAPHY

The Origins. 1839–1890 (History of Photography Volume 1)

edited by Walter Guadagnini

Size 21 × 28 cm (81⁄4 × 11 in.)

432 pages, 400 colour and b/w illustrations, hardcover

ISBN 978-88-572-0718-6

£ 39.95, $ 60.00

VINCENT PEREZ

Lights and Shadows

texts by Vincent Perez, Jean-Luc Monterosso

Size 23 × 29 cm (9 × 111⁄2 in.)

dual-language edition (English-French), 144 pages

95 colour illustrations hardcover

ISBN 978-2-37074-252-0

£ 30.00, $ 40.00

PHOTOGRAPHY

A History. 1839–Now edited by Walter Guadagnini

Size 21 × 28 cm (81 4 × 11 in.)

4 volumes, 1376 pages

1165 colour illustrations hardcover with slipcase

ISBN 978-88-572-2682-8

£ 150.00, $ 230.00

PHOTOGRAPHY

A New Vision of the World 1891–1940 (History of Photography Volume 2)

edited by Walter Guadagnini

Size 21 × 28 cm (81 4 × 11 in.)

336 pages, 300 colour and b/w illustrations, hardcover

ISBN 978-88-572-1032-2

£ 39.95, $ 60.00

PHOTOGRAPHING ART

Franz Egon von Fürstenberg

edited by Adelina Cüberyan von Fürstenberg; texts by Lionel Bovier, Alessandra Mammì, Melissa Rérat, D. Zacharopoulos

Size 21.5 × 22.5 cm (81⁄2 × 83 4 in.)

English edition with Italian text in the appendix, 252 pages

234 colour illustrations, hardcover

ISBN 978-88-572-4692-5

£ 38.00, $ 50.00

PHOTOGRAPHS OF SUBMERGED WORLDS

The Allure of the Deep photographs by Vincenzo Paolillo, introduction by Mario Tozzi

Size 24 × 30 cm (91⁄2 × 113⁄4 in.)

240 pages, 200 colour illustrations hardcover

ISBN 978-88-572-4523-2

£ 42.00, $ 60.00

PHOTOGRAPHY

From the Press to the Museum 1941–1980 (History of Photography Volume 3)

edited by Walter Guadagnini

Size 21 × 28 cm (81 4 × 11 in.)

304 pages, 215 colour illustrations hardcover

ISBN 978-88-572-1508-2

£ 39.95, $ 60.00

PHOTOGRAPHS FROM THE OTTOMAN EMPIRE

Bernardino Nogara and the mines of the Near East (1900–1915)

edited by S. Berno, R.Cassanelli

Size 24 × 28 cm (91⁄2 × 11 in.)

dual-language edition (I-E) 208 pages, 160 colour and b/w illustrations, hardcover

ISBN 978-88-572-4533-1

£ 25.00, $ 35.00

THE RED ADVENTURE

A journey on the red sand of Australian outback photographs by Marco Campelli, text by Luca Viglio

Size 24 × 28 cm (91⁄2 × 11 in.) dual-language edition (English-Italian), 160 pages

100 colour illustrations, hardcover

ISBN 978-88-572-4394-8

£ 32.00, $ 40.00

PHOTOGRAPHY

The Contemporary Era 1981–2013 (History of Photography Volume 4)

edited by Walter Guadagnini

Size 21 × 28 cm (81⁄4 × 11 in.)

304 pages, 250 colour illustrations hardcover

ISBN 978-88-572-2054-3

£ 39.95, $ 60.00

PHOTOGRAPHY

Two Centuries of History and Images

Walter Guadagnini

Gallerie d’Italia | Skira

Size 24 × 30 cm (91⁄2 × 12 in.)

352 pages

300 colour illustrations hardcover

ISBN 978-88-572-4649-9

£ 55.00, $ 75.00

REGENERATION3

edited by Anne Lacoste and Lydia Dorner

Size 22 × 30 cm (81⁄2 × 113 4 in.)

176 pages, 156 colour and 25 b/w illustrations, paperback

ISBN 978-88-572-2824-2

£ 39.95, $ 60.00

- PHOTOGRAPHY

FULVIO ROITER

High-Rise New York edited by Victoria Noel-Johnson, produced by Casa Italiana Zerilli-Marimò in collaboration with Fondazione Fulvio Roiter

Size 20 × 30 cm (73 4 × 113 4 in.)

dual-language edition (English-Italian), 128 pages 95 colour ill., dutch binding, 978-88-572-4716-8, £ 30.00, $ 40.00

SEA SHEPHERD

40 Years. The Official Book

Size 28 × 24 cm (11 × 91 2 in.)

208 pages, 443 colour illustrations hardcover

ISBN 978-88-572-3629-2

£ 40.00, $ 55.00

SERGEI ROMANOV

edited by Oksana Salamatina essay by Lyle Rexer

editorial coordination Paola Gribaudo

Size 24 × 28 cm (91⁄2 × 11 in.)

132 pages, 109 b/w illustrations hardcover

ISBN 978-88-572-3910-1

£ 30.00, $ 40.00

ALFRED SEILAND

IMPERIVM ROMANVM

Photographs 2005–2020 edited by Filippo Maggia and Francesca Morandini

Size 24 × 28 cm (91 2 × 11 in.)

dual-language edition (English-Italian), 144 pages

100 colour illustrations, hardcover

ISBN 978-88-572-4406-8

£ 30.00, $ 39.95

HIROSHI SUGIMOTO

Le Notti Bianche

Size 30 × 40 cm (113 4 × 153⁄4 in.)

dual-language edition (English-Italian), 56 pages

20 colour illustrations hardcover

ISBN 978-88-572-3638-4

£ 85.00, $ 120.00

A TIME OF DISTANCE

The COVID-19 Visual Project

edited by Arianna Rinaldo

Gallerie d’Italia | Skira

Size 17 × 22.8 cm (61 2 × 9 in.)

456 pages, 410 colour illustrations hardcover

ISBN 978-88-572-4793-9

£ 42.00, $ 52.00

ROMA. RESILIENT TRADITION

photographs by Anthony Caronia; edited by Simona Zonta with a text by Willem Dafoe, with a sonnet by Enrico Montesano

Size 24 × 28 cm (91 2 × 11 in.)

dual-language edition (English-Italian), 200 pages 160 colour illustrations hardcover, ISBN 978-88-5724925-4, £ 40.00, $ 50.00

SHORT CUTS. ARTISTS IN CHINA

photographs by Thomas Fuesser edited by Rosa Maria Falvo texts by Lorenz Helbling, Shen Qilan, Rosa Maria Falvo, Jean Loh

Size 21 × 28 cm (81⁄4 × 11 in.)

528 pages, 418 colour illustrations hardcover

ISBN 978-88-572-1486-3

£ 48.00, $ 75.00

Size 30 × 28 cm (113⁄4 × 11 in.)

dual-language edition (English-French), 112 pages

60 colour illustrations, hardcover

ISBN 978-2-37074-061-8

£ 40.00

ROME ETERNAL CITY

in the Photographs Collection of the Royal Institute of British Architects edited by Marco Iuliano, Gabriella Musto

Size 24 × 28 cm (91⁄2 × 11 in.)

248 pages, 209 colour and b/w illustrations, hardcover

ISBN 978-88-572-3919-4

£ 35.00, $ 45.00

THE STRANGER

Photographs by Preben Holst edited by Joakim Borda-Pedreira

Size 24 × 30 cm (91⁄2 × 12 in.)

168 pages, 90 colour illustrations hardcover

ISBN 978-88-572-4996-4

£ 40.00, $ 50.00

TWENTIETH-CENTURY AMERICAN PHOTOGRAPHY

Flags of America

Filippo Maggia

Size 24 × 28 cm (91 2 × 11 in.)

136 pages, 68 colour and b/w illustrations, hardcover

ISBN 978-88-572-1738-3

£ 34.95, $ 50.00

THE TRAP Trafficking of Women in Nepal

MAX VADUKUL. THROUGH HER EYES. TIMELESS STRENGTH with Ludmilla Voronkina Bozzetti

Gallerie d’Italia | Skira

Size 24 × 30 cm (91⁄2 × 12 in.)

dual-language edition (English-Italian), 76 pages

50 colour illustrations codex binding

ISBN 978-88-572-5136-3

£ 20.00, $ 25.00

WHY PHOTOGRAPHY?

edited by Bjarne Bare, Behzad Farazollahi, Christian Tunge together with Susanne Østby Sæther

Size 17 × 24 cm (61⁄2 × 91⁄2 in.)

288 pages, 185 colour illustrations hardcover

ISBN 978-88-572-4266-8

£ 35.00, $ 45.00

ZAMBIAN PORTRAITS

Paolo Solari Bozzi

Size 35 × 35 cm (133⁄4 × 133⁄4 in.)

dual-language edition (Italian-English), 176 pages

123 b/w illustrations, hardcover

ISBN 978-88-572-2683-5

£ 42.00, $ 65.00

VENICE 1948–1986

The Art Scene

Luca Massimo Barbero

Size 24.5 × 29.5 cm (10 × 111⁄2 in.)

336 pages, 900 colour and b/w illustrations, hardcover

ISBN 978-88-7624-744-6

£ 36.00, $ 65.00

THE WAY OUT New York Beyond Manhattan Riding Away on a Ducati photographs by Marco Campelli; text by Giulietta Cozzi

Size 24 × 28 cm (91⁄2 × 11 in.)

dual language edition (English-Italian), 160 pages

100 colour illustrations, hardcover

ISBN 978-88-572-4277-4

£ 32.00, $ 39.95

WOW GILLES!

Villeneuve. The Undying Legend photographs by Ercole Colombo texts by Giorgio Terruzzi

Size 30 × 20 cm (113 4 × 73⁄4 in.)

208 pages, 196 colour illustrations hardcover

ISBN 978-88-572-3605-6

£ 40.00, $ 50.00

WRECKS

photographs by Stefano Benazzo edited by Jean Blanchaert

Size 28 × 24 cm (11 × 91⁄2 in.)

144 pages, 110 colour illustrations hardcover

ISBN 978-88-572-3496-0

£ 28.00, $ 35.00

WESTON. EDWARD, BRETT, COLE, CARA

The Weston Photographers edited by Filippo Maggia

Size 24 × 28 cm (91⁄2 × 11 in.)

128 pages, 100 colour illustrations hardcover

ISBN 978-88-572-4770-0

£ 30.00, $ 45.00

THE YOKOHAMA SCHOOL

Photography in 19th-century Japan by Francesco Paolo Campione

Size 24 × 28 cm (91⁄2 × 11 in.)

288 pages, 280 colour illustrations hardcover

ISBN 978-88-572-4413-6

£ 32.00, $ 45.00

CARTIER ISLAMIC INSPIRATION AND

MODERN DESIGN

edited by Judith Henon-Raynaud and Évelyne Possémé

Jewellery and Islamic art, the interweaving of masterpieces

Size 21.5 × 27.5 cm

(8½ × 10¾ in.)

248 pages

320 colour illustrations

hardcover

ISBN 978-2-37074-235-3

£ 38.00, $ 50.00

The book explores the influence of Islamic art on the production of jewellery and precious objects by Cartier, from the early 20th century to the present day. Jewellery and objects from the Cartier collection, masterpieces of Islamic art, drawings, books, photographs and archival documents trace the diversity of sources that inspired the forms and motifs used in Cartier creations. Sometimes easily identifiable, at other times decomposed and recomposed to the point of rendering their source untraceable, motifs and forms from Islamic art and architecture have integrated the stylistic language of designers to the point of constituting part of Cartier’s repertoire to this day, illustrated by contemporary jewellery pieces that complete this journey. The mandorlas, palmettes, fleurons, rinceaux, sequins of Cartier jewellery are inspired in turn by motifs found in book bindings, oriental architecture and antique and contemporary jewellery purchased by Jacques Cartier during his expeditions to India.

A true immersion in Cartier’s creative process, this book documents the renewal of the iconic jewellery house’s forms and manufacturing techniques.

• A survey of the ways Islamic art has inspired Maison Cartier from the early 20th century to today.

Judith Henon-Raynaud is Chief Curator and Deputy Director of the Department of Islamic Art at the Musée du Louvre, Paris. Évelyne Possémé is Former Chief Curator of the Ancient and Modern Jewellery Department at the Musée des Arts Décoratifs, Paris.

ISBN 978-2-3707-4217-9

£ 45.00, $ 55.00

DIAMONDS OF GOLCONDA

by Capucine Juncker

A selection of the most extraordinary diamonds of Golconda

The first publication to be exclusively dedicated to the diamonds of Golconda, this book presents a captivating, in-depth study combining history, geography, gemmology and mythology. The precious stones yielded over the centuries by India’s legendary Golconda mines have fascinated and intrigued the entire world. They are certainly among the most coveted gems by collectors today. This work reviews in detail Golconda’s most famous diamonds, including the Koh-iNoor, the Hope and the Sancy, exploring the stories and secrets of each. Through meticulous research and exciting stories, Capucine Juncker takes us on a unique and dazzling journey that begins in ancient India, continues to the European courts and ends with a magnificent panorama of contemporary creations.

• Despite the uniqueness of Golconda diamonds, due to their ancient cut, they have never been fully studied. This book fills that editorial gap.

• It also focuses on the region’s most famous gems, those in major public and private collections, as well as on pieces that have disappeared.

Capucine Juncker, lecturer and teacher in jewellery history and gemmology. She contributed to publications for experts and the general public on gemstones, jewellery history and designers.

MURANO GLASS AND THE VENICE BIENNALE 1912–1930

edited by Marino Barovier and Carla Sonego

Murano glass production at the prestigious Venetian event from the 1910s to the 1930s

Size 28 × 30 cm (11 × 12 in.)

424 pages 430 colour illustrations

ISBN 978-88-572-5204-9 £ 65.00, $ 80.00

The presence of Murano glass at the Venice Biennale dates back to the early twentieth century when these precious, fragile artefacts were occasionally exhibited at the event. It was only from the 1910s onwards that glass works were exhibited on a regular basis as objects in their own right, appearing in the rooms of the central pavilion from 1912 to 1930. It was not until 1932 that glass and the decorative arts were given their own dedicated space in the Giardini with the construction of the Venezia pavilion.

This volume examines this significant period which saw Murano glass gradually finding its place at the Venice Biennale, first through the artists choosing to use this material for their works, and later through the glassworks, sometimes drawing upon the creativity of painters and sculptors.

This catalogue, which is the result of extensive bibliographic and documentary research in the Biennale historical archive, as well as in public and private archives, features period photographs, drawings, and documents, many previously unpublished, showcasing the works exhibited in the various Biennales. This glass production is exemplified through a careful selection of over 130 works by artists and glassmakers who played a leading role in a historical moment marking the entry of a so-called minor art into the realm of major arts.

• From the series “Le Stanze del Vetro”, a new must title for glass lovers.

Born into one of the oldest families of Murano glass masters, Marino Barovier is considered one of the greatest connoisseurs of 20th and 21st-century glass. Carla Sonego, an expert on the history of 20th-century Murano glass, collaborates on exhibitions, books and catalogues on the subject.

Size 21 × 29.5 cm

(8¼ × 11½ in.)

304 pages

300 colour illustrations hardcover

ISBN 978-2-37074-187-5 £ 45.00, $ 60.00

PULLMAN A LIFE IN MOTION

Luxury

in innovation

Today the word “pullman” has come to mean “a railroad passenger car with especially comfortable furnishings for day or night travel.” But before the word entered the mainstream, it was a name, that of George Mortimer Pullman (1831–1897), a serial entrepreneur, an extraordinary innovator, and one of the cleverest businessmen of America’s Gilded Age. Pullman gave his name first to a coach, then to a train, and finally to a notion, that of luxury travel.

This book retraces the history of Pullman, from the genius innovation of overnight travel, dining wagons, and sleeper beds to a globally recognized brand synonymous with pioneer engineering, premium mobility, and lavish “hotels on wheels.” Pullman’s history is closely tied with the history of 20th-century United States, yet it extended its influence across the world.

• The history of an iconic brand for traveling in style and comfort.

• Pullman became synonymous with the golden age of US railroad travel in the late 19th and early 20th centuries.

• The 19th-century definition of luxury long-distance travel.

DOWNTOWN STYLE LAFFANOUR GALERIE DOWNTOWN PARIS

with an interview between Anne Bony and François Laffanour

Celebrating the opening of the gallery 40 years ago, this book delves into the major design exhibitions organized at Laffanour Galerie Downtown Paris

Size 24 × 29 cm

(9½ × 11½ in.)

dual-language edition (English-French)

256 pages

300 colour illustrations

hardcover

ISBN 978-2-37074-196-7

£ 37.00, $ 45.00

Having exhibited the most iconic works by famous designers – from Charlotte Perriand, Serge Mouille, Jean Prouvé, Le Corbusier, and Ettore Sottsass to Ron Arad, Isamu Noguchi, and Choï Byung –, Laffanour Galerie Downtown Paris has imposed itself locally and internationally as a major reference in design. Focusing on showing a selection of the best objects and pieces of furniture ever designed, this book also testifies to the high-level quality of the gallery’s curatorial work. With exhibitions recreating entire spaces of living, smart staging allows a wonderful immersive experience through the most refined interiors. As the gallery participates in the most renowned art fairs, pictures of its booths are also displayed in the book.

• A book recounting 40 years of activity of the leading design gallery and gathering works by the most famous and iconic designers.

• Laffanour Galerie Downtown Paris is specialized in the work of 20th-century European and American masters of architecture and design. Since its opening in the early 1980s, the gallery has been organizing thematic and monographic exhibitions on designers such as Le Corbusier, Jean Prouvé, Charlotte Perriand, Serge Mouille, Pierre Jeanneret, and Jeanne Royère.

Anne Bony is a French art historian specialized in design. François Laffanour is the founder of Laffanour Gallery Downtown Paris.

THE M.V.M. CAPPELLIN GLASSWORKS

and the Young Carlo Scarpa 1925–1931

edited by Marino Barovier and Carla Sonego

Size 28 × 30 cm (11 × 113⁄4 in.)

560 pages, 2520 colour illustrations hardcover

ISBN 978-88-572-3925-5

£ 65.00, $ 85.00

VENINI. LIGHT 1921–1985

edited by Marino Barovier and Carla Sonego

Size 28 × 30 cm (11 × 12 in.)

640 pages

900 colour illustrations hardcover

ISBN 978-88-572-4903-2

£ 60.00, $ 75.00

BOHEMIAN GLASS: THE GREAT MASTERS

edited by Caterina Tognon, Sylva Petrová

Size 23,5 × 30,5 cm (91 4 × 12 in.)

dual-language edition (English-Italian), 200 pages

240 colour illustrations hardcover

ISBN 978-88-572-4985-8

£ 40.00, $ 50.00

MAURICE MARINOT

The Glass 1911–1934

edited by Jean-Luc Olivié and Cristina Beltrami

Size 23.5 × 30.5 cm (91⁄4 × 12 in.)

224 pages, 200 colour illustrations hardcover

ISBN 978-88-572-4047-3

£ 40.00, $ 50.00

PAOLO VENINI and His Furnace

edited by Marino Barovier and Carla Sonego

Size 28 × 30 cm (11 × 113⁄4 in.)

532 pages, 1722 colour illustrations hardcover

ISBN 978-88-572-3354-3

£ 65.00, $ 85.00

THE GLASS ARK ANIMALS IN THE PIERRE ROSENBERG COLLECTION

edited

by

Giordana Naccari and Cristina Beltrami

Size 23.5 × 30.5 cm (91⁄4 × 12 in.)

320 pages, 900 colour illustrations hardcover

ISBN 978-88-572-4520-1

£ 48.00, $ 65.00

ETTORE SOTTSASS

The Glass

edited by Luca Massimo Barbero

Size 28 × 30 cm (11 × 113 4 in.)

328 pages, 579 colour illustrations hardcover

ISBN 978-88-572-3535-6

£ 58.00, $ 70.00

THOMAS STEARNS at Venini

edited by Marino Barovier and Carla Sonego

Size 28 × 30 cm (11 × 113⁄4 in.)

340 pages, 210 colour illustrations hardcover

ISBN 978-88-572-4100-5

£ 50.00, $ 65.00

TAPIO WIRKKALA at Venini

edited by Marino Barovier and Carla Sonego

Size 28 × 30 cm (11 × 12 in.)

272 pages, 560 colour illustrations hardcover

ISBN 978-88-572-4666-6

£ 48.00, $ 69.95

THE GLASS OF THE ARCHITECTS

Vienna 1900–1937

edited by Rainald Franz

Size 23.5 × 30.5 cm (91 4 × 12 in.)

328 pages, 379 colour illustrations hardcover

ISBN 978-88-572-3244-7

£ 42.00, $ 60.00

TONI ZUCCHERI at Venini

edited by Marino Barovier and Carla Sonego

Size 28 × 30 cm (11 × 12 in.)

264 pages, 400 colour illustrations hardcover

ISBN 978-88-572-4665-9

£ 48.00, $ 69.95

VENICE AND AMERICAN STUDIO GLASS

edited by Tina Oldknow and William Warmus

Size 23.5 × 30.5 cm (91⁄4 × 12 in.)

368 pages, 240 colour illustrations hardcover

ISBN 978-88-572-4387-0

£ 55.00, $ 70.00

ART CARPETS

Cleto Munari and Friends Marco Fazzini

Size 24 × 24 cm (91⁄2 × 91⁄2 in.)

248 pages, 319 colour illustrations hardcover

ISBN 978-88-572-1752-9

£ 34.95, $ 55.00

GIANNI ARNAUDO

Anti-design by Gianni Arnaudo

Size 24 × 28 cm (91 2 × 11 in.)

dual-language edition (English-Italian), 224 pages

250 colour illustrations, hardcover

ISBN 978-88-572-4414-3

£ 36.00, $ 45.00

ASIAN JEWELLERY

Ethnic Rings, Bracelets, Necklaces, Earrings, Belts, Head Ornaments

Bérénice Geoffroy-Schneiter

Size 24 × 28 cm (91 2 × 11 in.)

312 pages, 261 colour illustrations flexibound

ISBN 978-88-572-0870-1

£ 29.95, $ 45.00

CONTEMPORARY JAPANESE

POSTERS

Gian Carlo Calza in collaboration with Elisabetta Scantamburlo

Size 21 × 29.7 cm (81 4 × 111⁄2 in.)

520 pages, 860 colour illustrations hardcover

ISBN 978-88-572-4578-2

£ 50.00, $ 70.00

BEST IN SHOW Italian Car Masterpieces from the Lopresto Collection edited by Andrea Cittadini

texts by Michele P. Casiraghi

Size 28 × 30 cm (11 × 113 4 in.)

dual-language edition (E-I)

204 pages, 175 colour and 20 b/w illustrations, hardcover

ISBN 978-88-572-5465-4

£ 55.00, $ 90.00 back in print

DREAM POOLS

Enchanting pools of Italy’s Emerald Coast

Nico & Giovanni Maria Filigheddu

edited by Adriano Asara

Size 28 × 28 cm (11 × 11 in.)

dual-language edition (E-I)

184 pages, 160 colour illustrations hardcover

ISBN 978-88-572-2417-6

£ 39.95, $ 68.00

THE ART SIDE OF KARTELL

edited by Ferruccio Laviani and Rita Selvaggio

Size 19.5 × 26 cm (71⁄2 × 101⁄4 in.)

dual-language edition (English-Italian), 160 pages 120 colour illustrations, hardcover

ISBN 978-88-572-4115-9

£ 25.00

BMW MOTORCYCLES OF THE CENTURY Guide to Models 1923–2000

Claudio Somazzi and Massimo Bonsignori

Size 24 × 28 cm (91⁄2 × 11 in.)

272 pages, 475 colour and 36 b/w illustrations, hardcover

ISBN 978-88-572-1954-7

£ 39.95, $ 60.00

DU SENS DANS L’UTILE

Françoise Darmon

Size 23 × 31 cm (9 × 121⁄4 in.)

224 pages, 160 colour illustrations

paperback

ISBN 978-2-37074-063-2

£ 42.00, $ 60.00

THE ARTIST AS JEWELER

From Picasso to Jeff Koons edited by Diane Venet, essays by Adrien Goetz and Barbara Rose

Size 25 × 25 cm (93⁄4 × 93⁄4 in.)

240 pages, 220 colour illustrations hardcover

ISBN 978-88-572-1156-5

£ 45.00, $ 70.00

OSVALDO BORSANI

Architect, Designer, Entrepreneur Giampiero Bosoni

Size 28 × 28 cm (11 × 11 in.)

608 pages, 1217 colour and b/w illustrations, hardcover

ISBN 978-88-572-3671-1

£ 85.00, $ 120.00

DYNAMIC BRAND

The new methodology of brand communication edited by Cappelli Identity Design

Size 16.5 × 24 cm (61⁄2 × 91 2 in.)

dual-language edition (English-Italian), 256 pages

540 colour illustrations, paperback

ISBN 978-88-572-4611-6

£ 25.00

FONTANA ARTE

House of Glass

edited by Christian Larsen

Size 23.5 × 30.5 cm (91 4 × 12 in.)

dual-language edition

(English-Italian), 192 pages

130 colour illustrations, hardcover

ISBN 978-88-572-4801-1

£ 34.00, $ 45.00

GLASSTRESS 2017

exhibition curated by Dimitri Ozerkov, Herwig Kempinger, Adriano Berengo with the consultancy of C. Phyllis Davies

Size 24 × 28 cm (91 2 × 11 in.)

304 pages, 250 colour illustrations hardcover

ISBN 978-88-572-3730-5

£ 48.00, $ 65.00

LIVING WITH CHARLOTTE PERRIAND

edited by François Laffanour

texts by Cynthia Fleury, Élisabeth Védrenne and Anne Bony

Size 24 × 29 cm (91 2 × 111⁄2 in.)

dual-language edition

(English-French), 352 pages

300 colour illustrations, hardcover

ISBN 978-2-37074-104-2

£ 40.00, $ 50.00

FRENCH DESIGN

Creativity as Tradition

Alain Lardet, Anne Bony

Size 24 × 28 cm (91⁄2 × 11 in.)

280 pages, 250 colour illustrations hardcover

ISBN 978-88-572-1409-2

£ 40.00, $ 65.00

FROM TAPESTRY TO FIBER ART

The Lausanne Biennials 1962-1995

Giselle Eberhard Cotton, Magali Junet

Size 25 × 25 cm (93⁄4 × 93 4 in.)

224 pages, 150 colour and 60 b/w illustrations, hardcover

ISBN 978-88-572-3471-7

£ 45.00, $ 60.00

JEWELLERY

From Art Nouveau to 3D Printing Alba Cappellieri

Size 24 × 28 cm (91 2× 11 in.)

264 pages, 372 colour illustrations hardcover

ISBN 978-88-572-3737-4

£ 50.00, $ 70.00

THE LONG LIFE OF DESIGN IN ITALY

B&B Italia 50 Years and Beyond

Stefano Casciani; texts by F. de Bortoli, Renzo Piano, D. Sudjic

Size 24.5 × 32 cm (91 2 × 121 2 in.)

360 pages, 684 colour and b/w illustrations, hardcover

ISBN 978-88-572-3180-8

£ 50.00, $ 70.00

LAFERRARI

Dynamic Art edited by Moreno Gentili

Size 24 × 24 cm (91 2 × 91⁄2 in.)

144 pages, 92 colour illustrations paperback

ISBN 978-88-572-1956-1

£ 22.50, $ 35.00

ÉLIE GHARZOUZI

Life in Images texts by Élie Gharzouzi and Fifi Abou Dib

Size 24 × 30 cm (91 2 × 113⁄4 in.)

dual-language edition (English-French), 264 pages

300 colour illustrations, hardcover

ISBN 978-2-37074-110-3

£ 60.00, $ 80.00

RENÉ LALIQUE AT THE CALOUSTE GULBENKIAN MUSEUM

Maria Fernanda Passos Leite

Size 23.5 × 30 cm (91⁄4 × 113 4 in.)

136 pages, 108 colour illustrations paperback

ISBN 978-88-572-4928-5

£ 30.00, $ 35.00 back in print

1000 VASES

edited by Meet My Project and Pier Paolo Pitacco

Size 16.5 × 21 cm (61⁄2 × 81⁄4 in.)

dual-language edition (English-Italian), 928 pages

857 colour illustrations, hardcover

ISBN 978-88-572-4673-4

£ 42.00, $ 60.00

OPENNESS AND IDEALISM

Soviet Posters 1985–1991 produced by Snap Editions with essays by J. Speed Carroll, Andy Willimott, Pepe Karmel; interviews by Bela Shayevich

Size 25 × 28 cm (93⁄4 × 11 in.)

288 pages, 420 colour illustrations hardcover

ISBN 978-88-572-4564-5

£ 50.00, $ 70.00

PENNISI COLLECTION

Three Centuries of High Jewellery 1750–1950 by Alba Cappellieri

Size 21 × 28 cm (81 4 × 11 in.)

dual-language edition (English-Italian), 208 pages

200 colour illustrations hardcover

ISBN 978-88-572-5118-9

£ 35.00, $ 40.00

SOTTSASS

Poltronova 1958–1974

Ivan Mietton

Size 23.5 × 30 cm (91 2 × 12 in.)

dual-language edition (English-French), 208 pages

200 colour illustrations, hardcover

ISBN 978-2-37074-168-4

£ 40.00, $ 54.00

TECNO

A Descreetly Technical Elegance edited by Giampiero Bosoni

Size 24 × 28 cm (91 2 × 11 in.)

336 pages, 532 colour and 44 b/w illustrations, hardcover

ISBN 978-88-572-0984-5

£ 65.00, $ 105.00

PRADA ARCHITECTURE

by Guido Canali edited by Italo Lupi

Size 24 × 29.5 cm (91⁄2 × 111⁄2 in.)

dual-language edition (English-Italian), 320 pages

285 colour illustrations, hardcover

ISBN 978-88-572-4725-0

£ 53.00

FREDRIKSON STALLARD

Works texts by Deyan Sudjic, Glenn Adamson, Richard Dyer, Caroline Roux

Size 24 × 30 cm (91⁄2 × 113⁄4 in.)

352 pages, 266 colour illustrations hardcover

ISBN 978-88-572-3522-6

£ 58.00, $ 75.00

THE TREASURES OF THE GIANMARIA BUCCELLATI FOUNDATION

Size 30 × 32 cm (113 4 × 121⁄2 in.)

252 pages, 424 colour illustrations hardcover

ISBN 978-88-572-3436-6

£ 75.00, $ 100.00

PRECIOUS PAPER

Paper Jewellery Design Bianca Cappello

Size 26 × 26 cm (101⁄4 × 101 4 in.)

dual-language edition (English-Italian), 120 pages hardcover

ISBN 978-88-572-3668-1

£ 22.50

STILE DUCATI

A Visual History of Ducati Design

Size 29 × 36.5 cm (111⁄2 × 141⁄2 in. )

240 pages, 220 colour illustrations hardcover

ISBN 978-88-572-3277-5

£ 70.00, $ 85.00

SCAVOLINI 1961>2011

50 Years of Kitchens

“The best seller from Italy” edited by Massimo Martignoni

Size 24 × 28 cm (91 2 × 11 in.)

200 pages, 350 colour illustrations hardcover

ISBN 978-88-572-0631-8

£ 45.00, $ 65.00

SWAN. A UNIQUE STORY Through 50 Years of Yachting Evolution edited by Bianca Ascenti with a text by Matthew Sheahan

Size 36.5 × 28.5 cm (14 × 111 4 in.)

322 pages, 243 colour illustrations hardcover

ISBN 978-88-572-3181-5

£ 70.00, $ 90.00

TREASURES OF THE MUGHALS AND THE MAHARAJAS

The Al Thani Collection exhibition curated by Amin Jaffer

Size 24 × 28 cm (91⁄2 × 11 in.)

392 pages, 388 colour illustrations hardcover

ISBN 978-88-572-3594-3

£ 50.00, $ 70.00

TWENTIETH-CENTURY FABRICS

European and American Designers and Manufactures edited by Doretta Davanzo Poli

Size 24 × 28 cm (91 2 × 11 in.)

288 pages, 300 colour and 20 b/w illustrations, hardcover

ISBN 978-88-7624-462-X

£ 45.00, $ 90.00

TWENTIETH-CENTURY JEWELLERY

From Art Nouveau to Contemporary Design in Europe and the United States Alba Cappellieri

Size 24 × 28 cm (91 2 × 11 in.)

288 pages, 300 colour and 20 b/w illustrations, hardcover

ISBN 978-88-6130-532-8

£ 60.00, $ 85.00

VAN CLEEF & ARPELS

Time, Nature, Love Alba Cappellieri; contributions from Nicolas Bos, Franco Cologni, Vivienne Becker and Stefano Papi

Size 23.5 × 31 cm (91 4 × 121⁄4 in.)

English and Chinese edition

280 pages, 380 colour illustrations hardcover

ISBN 978-88-572-4727-4 E -4728-1 C, £ 45.00, $ 55.00

100 VASES OF ITALIAN DESIGN

edited by Marco Meneguzzo and Enrico Morteo

Size 22 × 27 cm (81⁄2 × 101⁄2 in.)

dual-language edition (English-Italian), 160 pages

100 colour illustrations hardcover

ISBN 978-88-572-5267-4

£ 30.00, $ 40.00

UNIFOR

A Commitment to Architecture

Fulvio Irace; graphic project by Pierluigi Cerri

Size 21 × 29.7 cm (81⁄4 × 113⁄4 in.)

dual-language edition

(English-Italian), 304 pages

387 colour illustrations, hardcover

ISBN 978-88-572-4071-8

£ 48.00, $ 60.00

WILMOTTE - MURANO texts by Bruno Racine, Marzia Scalon, photographs by Alessandra Chemollo, Luigi “Gigi” Ferrigno

Size 28 × 30 cm (11 × 12 in.)

tri-language edition (French-English-Italian)

176 pages, 150 colour illustrations hardcover

ISBN 978-2-37074-224-7

£ 38.00, $ 50.00

ANDREA VALLICELLI

Yatch Design edited by Valerio Paolo Mosco

Size 28 × 24 cm (11 × 91⁄2 in.)

312 pages, 216 colour and 140 b/w illustrations, hardcover

ISBN 978-88-572-4194-4

£ 60.00, $ 75.00

VAN CLEEF & ARPELS

Time, Nature, Love Alba Cappellieri; contributions from Nicolas Bos, Franco Cologni, Vivienne Becker and Stefano Papi

Size 23.5 × 31 cm (91⁄4 × 121⁄4 in.)

272 pages, 386 colour illustrations hardcover

ISBN 978-88-572-4177-7

£ 45.00, $ 55.00

JEAN-MICHEL WILMOTTE Design texts by Anne Bony

Size 24 × 28 cm (91 2 × 11 in.)

dual-language edition (English-French), 720 pages

1500 colour illustrations, hardcover

ISBN 978-2-37074-189-9

£ 90.00, $ 99.00

WILMOTTE & ASSOCIATES ARCHITECTS

Taco Dibbits, Françoise Madrus

Size 22 × 30 cm (81⁄2 × 113⁄4 in.)

dual-language edition (English-French), 368 pages

315 colour illustrations, hardcover

ISBN 978-2-37074-132-5

£ 50.00, $ 65.00

PIERO PORTALUPPI

edited by Piero Maranghi photographs by Ciro Frank Schiappa

An

exhaustive monograph on the eminent architect, emblematic of Milanese, and also Italian, 20th-century architectural and figurative culture

Size 26 × 34 cm (10¼ × 13¼ in.)

dual-language edition (English-Italian)

400 pages

350 colour illustrations

hardcover

ISBN 978-88-572-4746-5

£ 80.00, $ 95.00

Celebrated in the 1930s, controversial and forgotten during the postwar period, and finally rediscovered today, Piero Portaluppi was an undisputed protagonist of 20th-century Italian architecture. An eclectic protagonist who steered clear of specific styles and schools, a master of hydroelectric architecture, and a great town planner whose projects changed the face of Milan.

Produced in collaboration with the Fondazione Piero Portaluppi, this new exhaustive monograph comprises a large photo album with new colour images of Portaluppi’s architectural projects and interiors, taken by the well-known photographer Ciro Frank Schiappa; three previously unpublished essays, illustrated with vintage photos by Antonio Paoletti; views and models of Portaluppi’s projects; items documenting his personal interests (cartoons, diagrams, sundials, postcards, newspaper cuttings). The volume also features an interview with Portaluppi’s nephew, architect Piero Castellini, by the famous film director Luca Guadagnino; an unpublished essay by architect Paolo Portoghesi; a biography of Piero Portaluppi by Jacopo Ghilardotti; a list of works and a bibliography compiled by Ferruccio Lupi, conservator at Fondazione Piero Portaluppi.

• This monograph, produced in collaboration with Fondazione Portaluppi, features a new photographic campaign and previously unpublished essays.

Piero Maranghi, great-grandson of Piero Portaluppi, is Director of the Fondazione Portaluppi. Ciro Frank Schiappa (Dublin, 1971) is an Italian photographer. His works have been displayed in numerous solo and group exhibitions worldwide.

Size 28 × 24 cm

(11 × 9½ in.)

144 pages

200 colour and b/w illustrations paperback ISBN 978-88-572-5241-4

£ 35.00, $ 45.00

PETER LYNCH. FRAGMENTS AND COHERENCE: ESSAYS AND WORKS OF ARCHITECTURE

edited by Yael Hameiri Sainsaux; foreword by Sergio Martín Blas

Drawing from multiple disciplines, architect Peter Lynch describes a distinct approach to design and composition—what he terms “holding together”

Fragments and Coherence presents writings and works by Peter Lynch, an architect and researcher based in Stockholm. It is both a monograph of original projects and a gentle manifesto on complexity and coherence in architecture. The author draws examples from music, poetry, painting, and landscape architecture to develop his notion of “holding together,” a compositional approach that derives the structure of a work from the character of its heterogeneous parts. Beethoven’s Late Quartets, T.S. Eliot’s poem “The Waste Land,” Marcel Duchamp’s assemblage “The Large Glass,” Hadrian’s Villa, the Old Summer Palace in Beijing, Eileen Gray’s Villa E-1027, John Hejduk’s “Victims” projects, and Peter Lynch’s own Timescape Garden are some of the examples explored in depth. The book proposes a relationship between this way of making things and philosopher Giorgio Agamben’s notion of singularity. Works made up of disjunct elements, reconciled with each other according to their natures, are often singular: examples of themselves alone, not encompassed by any category or rule.

Former head of the graduate department of architecture at Cranbrook Academy of Art and guest professor at Penn State University and KTH Royal Institute of Technology, Peter Lynch has taught at Harvard, Columbia, Rhode Island School of Design, City College of New York, and Parsons School of Design.

• This collection of projects and critical essays draws on Peter Lynch’s thirty years’ experience in architecture research, teaching, and practice.

Sergio Martín Blas is a PhD architect, professor and researcher at the Higher Technical School of Architecture of Madrid. Yael Hameiri Sainsaux, architect, educator, and scholar, is the creator and curator of “Conceiving the Plan” exhibition and publication first on view at the Italian Pavilion of the 17th Venice architectural Biennale.

FENIX MUSEUM THE MUSEUM AS METAPHOR

texts by Ma Yansong, András Szántó, Andrea D’Antrassi, Anne Kremers and Wim Pijbes. Photography by Rubén Dario Kleimeer and Iwan Baan

The major new migration museum opened in Rotterdam in 2025.

A building of iconic design by leading architects MAD

Size 24 × 28 cm

(9½ × 11 in.)

240 pages

210 colour illustrations hardcover

ISBN 978-88-572-5337-4 £ 50.00, $ 75.00

“A building with movement at its heart.”– Financial Times “A museum of migration celebrates people on the move.”– The New York Times

Fenix overlooks the docks of Rotterdam, connecting Europe with the world. The once-largest warehouse ever built, dating back to 1923, has been transformed into a museum with a double-helix staircase that spirals skywards to a viewing platform above the roof.

MAD designed the Tornado, with its swirling form, appearing to be in motion – echoing the movements and stories of the quays below, where the lives of millions took a new turn.

• The official book of FENIX, a major new museum inspired by stories of global migration.

• A museum whose design is in dialogue with the existing building and its surroundings and with a past of stories of migration, memories and uncertainty.

• “FENIX’s story is Rotterdam’s. And its story is the world’s: one of arrivals and departures, and of constant change to face the future. In its landmark new home, FENIX will inspire a profound new curiosity about the world we live in.”

– Anne Kremser, Director

Anne Kremers is the Director of FENIX Museum of Migration in Rotterdam. Ma Yansong, principal architect and founder of MAD Architects, is recognized as an important voice in the new generation of architects. András Szánto advises museums, cultural institutions, and leading brands on cultural strategy. Wim Pijbes is the Director of the Droom en Daad Foundation in Rotterdam.

Size 17 × 24 cm (6½ × 9¾ in.) dual-language edition

144 pages 50 colour illustrations hardcover ISBN 978-2-37074-253-7 £ 30.00, $ 35.00

CROSSED HISTORIES GAE AULENTI, ADA LOUISE HUXTABLE, PHYLLIS

LAMBERT ON ARCHITECTURE AND THE CITY

texts by Catherine Bédard and Léa-Cathérine Szacka

The transformative influence of three pioneering women on the development of the postmodern city

The book focuses on the impact of women on the postmodern city. To do so, it focuses on the personal and professional trajectories of three protagonists who, each in their own way, shaped the intellectual and physical environment of their city: American journalist and architecture critic Ada Louise Huxtable and Canadian and Italian architects Phyllis Lambert and Gae Aulenti. All three share an ambivalent relationship with the concrete-and-steel architecture of the post-World War II modern movement, which was widely criticized in the 1960s for being alienating, standardized and anhistorical. Ada Louise Huxtable, through her articles in the New York Times architecture column; Gae Aulenti, with her conversion of the Gare d’Orsay into a museum and the Piazzale Cadorna in Milan; and Phyllis Lambert, with her philanthropic work and the founding of the Canadian Centre for Architecture in 1979. Architecture is no longer seen through the prism of aesthetics, but through that of the cultural and environmental enhancement of public spaces. Through documentary and archival images, this catalogue documents this turning point in architectural history, when modernity returned to the architectural values of the past and the existing built environment. It also takes a more individual and biographical approach, crossing the paths of three women who played a major role in the construction of the post-modern city.

• Through the personal and professional journeys of Ada Louise Huxtable, Phyllis Lambert and Gae Aulenti, the book sheds light on how these women shaped the environments of their respective cities, challenging and redefining architectural norms.

Catherine Bédard is an art historian, curator and art critic, and a specialist in contemporary Canadian art. Léa-Catherine Szacka is associate professor in architectural studies at the University of Manchester.

ALAIN SARFATI ARCHITECTURE

texts by Thierry Grillet, Christophe Leray and Jean-Claude Ribaut with a foreword by Francis Rambert

A monograph on Sarfati’s entire architectural output

Alain Sarfati is one of the leading figures in modern-day architecture. He excels in working imaginatively within strict constraints – the secret of his success. He breaks new ground, dazzling us with his dexterity again and again. He exalts diversity, never allows himself to be confined to any one trend. His freedom of expression catches us off guard, his style is bursting with creativity, and his architectural designs flow from deep reflection, are eclectic, observing no formal limits. His vision is all-encompassing: he is as interested in places as in landscapes or buildings; nevertheless, his self-discipline still leaves room for fantasy.

• Sarfati’s work is a celebration of diversity and freedom, never bound by a single architectural trend.

• His architectural philosophy goes beyond buildings to embrace landscapes and places.

Francis Rambert is a French architecture critic. Jean-Claude Ribaut is an architect. Thierry Grillet is the Director of Cultural Affairs at the Bibliothèque nationale de France. Christophe Leray is the founder of Chroniques d’Architecture

WHAT ELSE COULD IT MEAN? DRAWINGS & WRITINGS BY JAMES WINES

edited by Phillip Denny

More than fifty years of work by the American artist and architect

The book presents more than five decades of visionary work in art, design, environment, and education by James Wines— artist, architect, and founder of SITE, an environmental arts organization established in New York City in 1970. Featuring rarely seen archival photography, drawings, and essays, this richly illustrated book invites readers to explore Wines’ and SITE iconoclastic critiques and creative redefinitions of art, architecture, and urbanism. More than a retrospective monograph, What Else Could It Mean? is a forward-thinking call to action to address the challenges of our time with wit and imagination. Wines’ work spans visual art, architecture, landscape, and public space design, all rooted in a creative response to their surrounding contexts.

• The book offers an in-depth look at over five decades of James Wines’ groundbreaking work in art, architecture, and environmental design with his practice – SITE.

Phillip Denny is an architectural historian and editor; his writing on architecture and design has been featured in Volume, Metropolis, Harvard Design Magazine, The New York Times, Architectural Digest, and other publications.

Size 24 × 29 cm (9½ × 11½ in.)

dual-language edition (English-French)

368 pages

300 colour illustrations

hardcover

ISBN 978-2-37074-286-5

£ 60.00

PUBLICATION

November 2025

Size 25 × 26 cm

(9¾ × 10¼ in.)

304 pages

200 colour illustrations

paperback

ISBN 978-88-572-5372-5

£ 50.00, $ 65.00

PUBLICATION

November 2025

AEB 1966–2016

Fifty years of architectural design in Qatar

Luca Molinari

Size 24 × 28 cm (91 2 × 11 in.)

328 pages, 229 colour and 204 b/w illustrations, hardcover

ISBN 978-88-572-2880-8

£ 49.95, $ 75.00

RAFIQ AZAM

Architecture for Green Living edited by Rosa Maria Falvo; forward by K. Hill; texts by K. K. Ashraf, P. Goad, R. M. Falvo, and M. Islam

Size 25 × 30 cm (93⁄4 × 113 4 in.)

336 pages, 328 colour illustrations hardcover

ISBN 978-88-572-1780-2

£ 60.00, $ 95.00

CONTEMPORARY PUBLIC SPACE

Un-volumetric Architecture

Aldo Aymonino, Valerio Paolo Mosco

Size 16.5 × 21 cm (61⁄2 × 81⁄4 in.)

396 pages, 433 colour and 121 b/w illustrations, flexibound

ISBN 978-88-7624-273-1

£ 19.95, $ 34.95

ARCHITECTURE

Movements and Trends from the 19th Century to the Present

Luca Molinari

Size 17 × 21 cm (61 2 × 81⁄4 in.)

320 pages, 235 colour and 47 b/w illustrations, flexibound

ISBN 978-88-572-0473-4

£ 25.00, $ 38.95

CHINA GOES URBAN

The City to Come edited by Michele Bonino, Francesco Carota, Francesca Governa, Samuele Pellecchia

Size 24 × 28 cm (91 2 × 11 in.)

dual-language edition (E-I) with Chinese texts, 256 pages 160 colour illustrations, paperback

ISBN 978-88-572-4487-7

£ 36.00, $ 45.00

FEDERICO DELROSSO ARCHITECTS

Pushing the Boundaries edited by Porzia Bergamasco

Size 24 × 28 cm (91⁄2 × 11 in.)

dual-language edition (English-Italian), 184 pages

222 colour and 12 b/w illustrations bodonian binding

ISBN 978-88-572-1982-0

£ 34.95, $ 55.00

AN ATLAS OF RECYCLED LANDSCAPES

Michela De Poli, Guido Incerti

Size 16.5 × 21 cm (61 2 × 81⁄4 in.)

240 pages, 200 colour illustrations flexibound

ISBN 978-88-572-1079-7

£ 29.95, $ 45.00

GAE AULENTI

Margherita Petranzan

Size 17 × 28 cm (63 4 × 11 in.)

256 pages, 300 colour and b/w illustrations, paperback

ISBN 978-88-8491-591-7

£ 18.95

CHRISTOPHER BENNINGER

Architecture for Modern India edited by Ramprasad Akkisetti and Rosa Maria Falvo

Size 25 × 28 cm (93⁄4 × 11 in.)

384 pages 692 colour illustrations hardcover

ISBN 978-88-572-2687-3

£ 60.00, $ 90.00

HELIOPOLIS 21

Architecture: between nature and artifact edited by Maria Perbellini, Thomas Auer and Tom Kovac

Size 16.5 × 24 cm (61⁄2 × 91⁄2 in.)

128 pages, 100 colour and b/w illustrations, paperback

ISBN 978-88-572-4563-8

£ 18.00, $ 25.00

CONCEIVING THE PLAN Nuance and Intimacy in Civic Space edited by Yael Hameiri Sainsaux

Size 30 × 30 cm (12 × 12 in.)

192 pages, 175 b/w illustrations hardcover

ISBN 978-88-572-4654-3

£ 35.00, $ 45.00

THE HISTORY OF QATARI ARCHITECTURE

edited by Ibrahim Jaidah and Malika Bourennane

Size 24 × 28 cm (91 2 × 11 in.)

336 pages, 1000 duotone illustrations, hardcover

ISBN 978-88-6130-793-3

£ 34.99, $ 69.00 back in print

INSPIRING CITIES

edited by Fulvio Irace photographs by Gabriele Basilico and Iwan Baan

Size 24 × 30 cm (9½ × 12 in.)

288 pages

180 colour illustrations

paperback

ISBN 978-88-572-5197-4

£ 60.00, $ 75.00

MILAN ARCHITECTURE

The City and Expo

Maria Vittoria Capitanucci

Size 16.5 × 21.5 cm (61⁄2 × 81 2 in.)

208 pages, 250 colour illustrations paperback

ISBN 978-88-572-2854-9

£ 20.00, $ 30.00

THE ITALIAN LEGACY IN THE UNITED ARAB EMIRATES: the Urban and Industrial Landscape

edited by Lucia Pizzinato

Size 24 × 28 cm (91⁄2 × 11 in.)

192 pages, 143 colour illustrations hardcover

ISBN 978-88-572-4712-0

£ 45.00, $ 50.00

MILANO PORTA NUOVA Italy Rises edited by Luca Molinari and Kelly Russell Catella

Size 24 × 30 cm (91⁄2 × 113⁄4 in.)

360 pages, 449 colour and 34 b/w illustrations, hardcover

ISBN 978-88-572-2243-1

£ 45.00, $ 70.00

OXO Architectes

edited by David Rosenberg texts by Éric Garandeau

Size 24 × 30 cm (91⁄2 × 12 in.)

dual-language edition (English-French), 176 pages

100 colour illustrations hardcover

ISBN 978-2-37074-220-9

£ 34.00, $ 40.00

LIGHTFALL. GENEALOGY OF A MUSEUM

Herta and Paul Amir Building, Tel Aviv Museum of Art

Preston Scott Cohen

Size 24 × 28 cm (91⁄2 × 11 in.)

224 pages, 170 colour illustrations hardcover

ISBN 978-88-572-2692-7

£ 38.00, $ 50.00

ERIC OWEN MOSS

The Uncertainty of Doing

Size 16.5 × 21 cm (61 2 × 81⁄2 in.)

240 pages, 229 colour and 78 b/w illustrations, paperback

ISBN 978-88-7624-276-2

£ 16.95, $ 34.95

99 DOMES

Imam Mohammed bin Abdul Wahab Mosque

edited by Ibrahim Jaidah

Size 25 × 30 cm (93⁄4 × 113⁄4 in.)

200 pages, 180 colour illustrations hardcover

ISBN 978-88-572-2278-3

£ 34.95, $ 50.00

LONDON DIALOGUES

Serpentine Gallery 24-Hour

Interview Marathon

Hans Ulrich Obrist, Rem Koolhaas

Size 16.5 × 21 cm (61 2 × 81⁄2 in.)

384 pages, paperback

ISBN 978-88-572-0059-0

£ 19.95, $ 29.95

DAVIDE MACULLO ARCHITECTS

edited by Philip Jodidio

Size 24 × 28 cm (91⁄2 × 11 in.)

208 pages, 230 colour illustrations hardcover

ISBN 978-88-572-4326-9

£ 38.00, $ 45.00

A ROOF FOR SILENCE

Lebanese Pavilion – Venice

Architecture Biennale

Hala Wardé

Size 22 × 25 cm (81⁄2 × 93 4 in.)

232 pages, 100 colour illustrations paperback, 978-2-37074-167-7

£ 30.00, $ 42.00

ADOLF LOOS

Works and Projects edited by Ralf Bock; photographs by Philippe Ruault

Size 24 × 28 cm (91⁄2 × 11 in.)

312 pages, 140 colour and 250 b/w illustrations hardcover

ISBN 978-88-572-4424-2

£ 70.00, $ 90.00

THE PLACE THAT REMAINS Recounting the Unbuilt Territory edited by Hala Younes

Size 27.3 × 24 cm (101 2 × 91⁄2 in.) dual-language edition (English-Arabic), 216 pages

64 colour illustrations, paperback

ISBN 978-88-572-3902-6

£ 43.00, $ 55.00

SERGEY KUZNETSOV

Architecture Drawings edited by Luca Molinari introductions by Santiago Calatrava and Massimiliano Fuksas

Size 28 × 28 cm (11 × 11 in.)

216 pages, 120 colour illustrations hardcover

ISBN 978-88-572-2543-2

£ 43.00, $ 70.00

SERGEI TCHOBAN

Architecture Drawings edited by Luca Molinari introductions by Santiago Calatrava, Massimiliano Fuksas

Size 28 × 28 cm (11 × 11 in.)

220 pages, 120 colour illustrations hardcover

ISBN 978-88-572-2542-5

£ 43.00, $ 70.00

Paola Giaconia

MANAL RACHDI

BIOMIMICRY. TAKING INSPIRATION FROM NATURE FROM LEONARDO DA VINCI TO THE PRESENT DAY

edited by Pascal Brioist, Andrea Bernardoni; texts by 13 specialists

The connection between Leonardo da Vinci’s visionary designs, Renaissance engineering, and modern biomimicry, highlighting how nature has inspired technological innovation across centuries

The book explores the concept of biomimicry by establishing a dialogue between the work of Leonardo da Vinci and Renaissance engineers on the one hand, and contemporary researchers on the other. It shows the way in which the living can be a source of inspiration for our technological future, and the extent to which the Renaissance, with its innovative vision and deep connection to nature, understood this. Biomimicry brings together original drawings by Leonardo da Vinci, models of machines based on the artist’s drawings – an ornithopter, a mechanical dragonfly, a flying sphere, a bat’s wing, an aerial screw – Renaissance manuscripts, biomimetic robots. In this way, it highlights the extraordinary modernity of Leonardo da Vinci’s work on materials, animal anatomy, bird and fish behaviour, physics and fluid dynamics, and locomotion techniques. It brings together history, art, technology and current scientific developments in a crossdisciplinary approach.

• This book connects the groundbreaking work of Renaissance masters like Leonardo da Vinci with contemporary research in biomimicry, offering a unique perspective on how nature can inspire modern technology.

• The book presents essays by curators, historians, engineers, biologists and architects.

Pascal Brioist is Professor of Modern History at the University of Tours. Andrea Bernardoni is historian of technology at the Museo Galileo in Florence.

LEONARDO DA VINCI

AND THE PERFUMES OF THE RENAISSANCE

edited by Pascal Brioist, Carlo Vecce; texts by 17 specialists

Leonardo da Vinci ’s works, the Renaissance and its perfumes

This exhibition catalogue is a journey into the perfumes of the Renaissance, through the daily life of Leonardo da Vinci and the legacy of his mother Caterina, who came from the shores of the Black Sea where she was sold as a slave. The book delves, among other things, into the scents of this brilliant era: the spices, incense and musks of Constantinople, the perfumed costumes of Venice, Florence, Milan and the court of Francis I of France. The book highlitghts the plants of the Tuscan master’s childhood, such as olive, jasmine, juniper, lemon and orange tree, as well as the smells of the workshop, walnut and linseed oils, rabbitskin glue, resins, waxes and fats. Leonardo himself concocted fragrant recipes, from the most delicate to the most intense, using enfleurage and distillation techniques.

• A dialogue between perfumes, paintings, costumes, statues and reconstitutions of objects designed by Leonardo, such as an alambic or the famous amber necklace from The Lady with an Ermine

• The book includes texts by seventeen contributors who are art historians, historians and 3D-reconstruction experts.

Pascal Brioist is professor of Modern History at the University of Tours. Carlo Vecce is professor of Italian Literature at l’Orientale University of Naples.

LEONARDO DA VINCI AND ANATOMY THE MECHANICS OF LIFE

edited by Dominique Le Nen, Pascal Brioist; texts by 16 specialists

Leonardo anatomist and relevance of his great Renaissance mind

This publication on Leonardo da Vinci the anatomist highlights the mystery of a thought that was both anchored in its time and, combined with a totally new practice (dissection), leading to a new understanding of the nature of life.

Da Vinci was not content with a passive description of the human body; he sought to penetrate the secrets of its functioning by first studying the mechanics of humans (bones, muscles, tendons), then the logic of the senses, and finally all the bodily functions, which led him to use qualitative reasoning. Contrary to popular belief, Leonardo did not carry out his dissections in secret, but in complete agreement with the political and religious authorities, until his materialistic ideas came into conflict with the pontifical authorities, particularly with regard to embryology. The originality of the book is to show how Leonardo’s work as an anatomist and his work as a painter are inseparable.

• The book features originals or copies of Leonardo’s sheets with objects (anatomical waxes, facsimiles of dissecting instruments), books studied by the artist and 3D reconstructions.

Dominique Le Nen is professor at the University of Nantes and orthopaedic surgeon. Pascal Brioist, historian, is professor at the University of Tours.

Size 20 × 26 cm

(7¾ × 10¼ in.)

192 pages

100 colour illustrations

paperback

ISBN 978-2-37074-245-2

£ 25.00, $ 30.00

Size 24 × 28 cm

(9½ × 11 in.)

192 pages

100 colour illustrations

paperback

ISBN 978-2-37074-214-8

£ 25.00, $ 30.00

ANTONELLO DA MESSINA

edited by Caterina Cardona, Giovanni Carlo Federico Villa

Size 24 × 30 cm (9½ × 11¾ in.)

304 pages

200 colour illustrations hardcover

ISBN 978-88-572-3898-2

£ 35.00, $ 45.00

CARAVAGGIO

edited by Rossella Vodret and Francesco Buranelli

Size 24 × 28 cm (91 2 × 11 in.)

248 pages, 70 colour and 4 b/w illustrations, hardcover

ISBN 978-88-572-0458-1

£ 43.00, $ 70.00

GIOVANNI BELLINI

The Last Works

David Alan Brown

Size 24 × 28 cm (9½ × 11 in.)

400 pages, 368 colour and 32 b/w illustrations hardcover

ISBN 978-88-572-3996-5

£ 65.00, $ 85.00

CUADERNO C

Francisco de Goya with a text by José Manuel Matilla Rodríguez

Size 16.5 × 22.5 cm (61⁄2 × 83⁄4 in.)

text in English, French, Spanish, German, Italian, 288 pages

133 colour illustrations paperback in eco-leather

ISBN 978-88-572-4362-7

£ 32.00, $ 45.00

DRAWINGS FOR PAINTINGS in the Age of Rembrandt Ger Luijten, Peter Schatborn, Arthur K. Wheelock, Jr.

Size 24 × 30 cm (91⁄2 × 113 4 in.)

332 pages, 288 colour illustrations hardcover

ISBN 978-88-572-3152-5

£ 50.00, $ 65.00

THE LADIES OF ART

Stories of Women in the 16th and 17th Centuries edited by Annamaria Bava, Gioia Mori, Alain Tapié

Size 22 × 28 cm (81 2 × 11 in.)

240 pages, 250 colour illustrations hardcover

ISBN 978-88-572-4682-6

£ 35.00, $ 45.00

BRAMANTINO

The Renaissance in Lombardy edited by Mauro Natale

Size 24 × 28 cm (9½ × 11 in.)

400 pages, 259 colour illustrations hardcover

ISBN 978-88-572-2369-8

£ 34.95, $ 60.00

I CARAVAGGESCHI. THE CARAVAGGESQUE PAINTERS

A catalogue of the Artists and Works edited by Alessandro Zuccari

Size 24 × 28 cm (9½ × 11 in.)

Italian edition, 2 volumes 864 pages

700 colour and b/w illustrations hardcover with slipcase

ISBN 978-88-8491-282-4

£ 315.00, $ 500.00

GEORGES DE LA TOUR

The Adoration of the Shepherds. Christ with Saint Joseph in the Carpenter’s Shop edited by Valeria Merlini, Daniela Storti, Dimitri Salmon

Size 24 × 28 cm (91⁄2 × 11 in.)

216 pages, 190 colour illustrations hardcover

ISBN 978-88-572-1302-6

£ 29.95, $ 50.00

LEONARDO and the artes mechanicae edited by Romano Nanni

Size 24 × 28 cm (91⁄2 × 11 in.)

320 pages, 253 colour and 65 b/w illustrations, hardcover

ISBN 978-88-7624-574-9

£ 50.00, $ 80.00

AN EVOCATION OF THE BASILICA OF ST. FRANCIS OF ASSISI by Margaret Jean Pont edited by Rosa Maria Falvo

Size 24 × 28 cm (91⁄2 × 11 in.)

184 pages, 80 colour illustrations hardcover

ISBN 978-88-572-4643-7

£ 42.00, $ 59.00

LEONARDO and the Litta Madonna edited by Andrea Di Lorenzo, Pietro C. Marani

Size 24 × 28 cm (91⁄2 × 11 in.)

152 pages, 135 colour illustrations hardcover

ISBN 978-88-572-4247-7

£ 25.00

LEONARDO 1452–1519

The Design of the World

edited by Pietro C. Marani and Maria Teresa Fiorio

Size 24 × 28 cm (91⁄2 × 11 in.)

616 pages, 440 colour illustrations

paperback

ISBN 978-88-572-2909-6

£ 40.00, $ 50.00

RAPHAEL 1520–1483

edited by Marzia Faietti, Matteo Lafranconi with Francesco P. Di Teodoro, Vincenzo Farinella president of the Scientific Committee, S. Ferino-Pagden

Size 24 × 28 cm (9½ × 11 in.)

544 pages, 464 colour illustrations hardcover

ISBN 978-88-572-4309-2

£ 50.00, $ 65.00

Venice in the North edited by Hanna-Leena Paloposki, contributors: Pavanello, Craievic, Artemieva, Olausson and others

Size 24 × 28 cm (91⁄2 × 11 in.)

144 pages, 120 colour illustrations

paperback

ISBN 978-88-572-4356-6

£ 30.00

LEONARDO DA VINCI’S

LAST SUPPER FOR FRANÇOIS I

A Masterpiece in Gold and Silk

edited by Pietro Marani

Size 24 × 28 cm (91 2 × 11 in.)

240 pages, 100 colour illustrations hardcover

ISBN 978-2-37074-126-4

£ 35.00, $ 45.00

THE RENAISSANCE CARTOONS OF THE ACCADEMIA ALBERTINA

edited by Paola Gribaudo

Size 24 × 31 cm (91 2 × 121⁄4 in.)

160 pages, 128 colour illustrations hardcover

ISBN 978-88-572-4475-4

£ 40.00, $ 55.00

OVERSHADOWED

Leonardo da Vinci and Bernardino Luini

David Alan Brown

Size 22 × 28 cm (81⁄2 × 11 in.)

English and Spanish edition

96 pages, 40 colour illustrations hardcover

ISBN 978-88-572-4805-9 E

ISBN 978-88-572-4806-6 SPA

£ 30.00, $ 35.00

SARDINIA. MEGALITHIC ISLAND

From Menhirs to Nuraghi: Stories of Stone in the Heart of the Mediterranean edited by F. Doria, S. Giuliani, E. Grassi, M. Puddu, M.L. Pulcini

Size 24 × 28 cm (91⁄2 × 11 in.)

English and German ed., 320 pages

250 colour illustrations, hardcover

ISBN 978-88-572-4556-0 E

ISBN 978-88-572-4555-3 G

£ 32.00, $ 45.00

TITIAN’S VISION OF WOMEN BEAUTY – LOVE – POETRY

concept by Sylvia Ferino-Pagden

edited by S. Ferino-Pagden, F. Del Torre Scheuch, W. Deiters

Size 24 × 30 cm (9½ × 11 in.)

English and German edition

360 pages, 230 colour illustrations hardcover, ISBN 978-88-572-43924 E, ISBN 978-88-572-4393-1 G

£ 36.00, $ 45.00

VILLA MARGON

The Renaissance in Trento edited by Michelangelo Lupo photographs by Massimo Listri

Size 24 × 30 cm (91⁄2 × 12 in.)

224 pages

200 colour illustrations hardcover

ISBN 978-88-572-4779-3

£ 40.00

ANTONIO AND PIERO DEL POLLAIUOLO

“Silver and Gold, Painting and Bronze...”

edited by Andrea Di Lorenzo and Aldo Galli

Size 21 × 29.7 cm (81 4 × 113⁄4 in.)

288 pages, 184 colour and 19 b/w illustrations, hardcover

ISBN978-88-572-2474-9

£ 29.00, $ 50.00

THE SCROVEGNI CHAPEL Giotto’s Revolution

Giuliano Pisani

Size 16 × 24 cm (61 4 × 91 2 in.)

English and German edition

176 pages

197 colour illustrations

paperback

ISBN 978-88-572-4452-5 E

ISBN 978-88-572-4532-4 G

£ 18.00, $ 20.00

MANTEGNA

SkiraMiniARTbooks

Size 13.5 × 17 cm (51⁄3 × 61⁄2 in.)

96 pages, 50 colour illustrations

paperback

ISBN 978-88-572-0540-3

£ 4.99

RAPHAEL

SkiraMiniARTbooks

Size 13.5 × 17 cm (51⁄3 × 61⁄2 in.)

96 pages, 50 colour illustrations

paperback

ISBN 978-88-572-0537-3

£ 4.99

THE SECRET OF THE GONDOLA

David Alan Brown

Size 12.5 × 17 cm (5 × 61⁄2 in.)

56 pages, 7 colour and 4 b/w illustrations, hardcover

ISBN 978-88-572-1593-8

£ 7.99, $ 12.95

TIEPOLO

UTAMARO, HOKUSAI, HIROSHIGE GEISHA, SAMURAI AND THE CULTURE OF PLEASURE

edited by Francesco Paolo Campione, Marco Fagioli, Moira Luraschi

Size 91 2 × 11 in. (24 × 28 cm)

304 pages, 244 colour and 203 b/w illustrations paperback

ISBN 978-88-572-0106-1

£ 49.95, $ 75.00

The ukiyo-e masters brought together in a volume that illustrates Japan’s “floating world” between the 17th and 19th century

The so-called Edo period (1603–1868) was extremely productive for Japan from a historical and artistic standpoint; later its influence would extend beyond the archipelago, as far as the West, where it gave rise to a real passion for Japanese aesthetics and culture. The term ukiyo-e, which translates as “pictures of a floating world,” refers to the woodblock colour prints that were first created in the Edo period by combining the talents of painters like Utamaro, Hokusai, and Hiroshige with the absolute mastery of block carvers and printers. These prints are the highest aesthetic expression of what could be called a “culture of pleasure,” pervaded by the awareness that the beauties of life must be enjoyed to the full because they are bound to end. The book offers a chance to discover the world of Japanese ukiyo-e prints through over 300 works by some of the most important artists, and the themes that characterize them: from elegant female beauties to delicate flowers and birds, famous kabuki actors, valiant samurai, and even erotic subjects with their insouciant celebration of love.

• From nature to theatre, from samurai to geisha and erotic subjects, a detailed survey of famous ukiyo-e artists along with over 300 masterpieces.

Francesco Paolo Campione teaches Cultural Anthropology at the University of Insubria (Como, Italy, since 2001) and he is the Director of the Museo delle Culture (Lugano, Switzerland, since 2005). Marco Fagioli, art historian and critic, has edited many books and essays on Chinese and Japanese painting, shunga, and Post-Impressionist artists. Moira Luraschi, anthropologist, is curator of the Oriental Collections of the Museo delle Culture in Lugano, for which she has edited several publications on Japanese art.

HIROSHIGE

THE MASTER OF NATURE

Gian Carlo Calza

KAKEMONO FIVE CENTURIES OF JAPANESE PAINTING

edited by Matthi Forrer

A comprehensive survey of the art of the kakemono, classic Japanese paintings on vertical scrolls.

The book presents a selection of 120 kakemono offering a unique opportunity to discover Japanese painting between the sixteenth and nineteenth centuries. Most of the subjects are drawn from nature (flowers, birds and fish), painted realistically in extraordinarily precise detail. They include works of rare beauty by artists such as Maruyama Okyo, Kishi Ganku, Kusumi Morikage.

• First publication on the subject

Matthi Forrer, author and expert on Japanese art and culture, is professor of Material Culture of Pre-Modern Japan at the University of Leiden.

Y O ¯ KAI. THE ANCIENT PRINTS OF JAPANESE MONSTERS

by Paolo Linetti

A fantastic journey of discovery into the Japanese imagination, ranging from the famous manga notebooks by Hokusai (alongside other masterpieces of his) to prints, rare antique books, clothes, swords, and even a samurai suits of armour, in addition to precious netsukes. Stories blending myth, mystery, and thrill in around 200 works of “horror” by the greatest Japanese artists of the 18th and 19th centuries.

• Fantastic Japanese creatures and terrible monsters at the origins of modern manga.

Paolo Linetti, director of the Museo d’Arte Orientale Mazzocchi Collection, in 2019 he curated the exhibition Hokusai, Hiroshige, Utamaro. Masterpieces of Japanese Art

JAPAN. ARTS AND LIFE THE MONTGOMERY COLLECTION

edited by Francesco Paolo Campione in collaboration with Moira Luraschi

This volume presents 170 works from the period between the 12th and 20th centuries – including textiles, furniture, paintings, religious and everyday-objects – carefully selected from the over one thousand objects collected over a lifetime by Jeffrey Montgomery.

• An inner journey into the beauty of simplicity through the masterpieces of one of the largest and best-known collections of Japanese art outside Japan.

Francesco Paolo Campione teaches Cultural Anthropology at the University of Insubria and he is the Director of the MUSEC – Museo delle Culture, Lugano. Moira Luraschi, anthropologist, is Curator of the Japanese Collections and the Photographic Collection of the Yokohama School at MUSEC, Lugano.

Size 8¾ × 10½ in.

(22.5 × 26.5 cm)

208 pages, 210 colour and b/w illustrations

paperback

ISBN 978-88-572-4379-5

£ 30.00, $ 40.00

Size 9½ × 12 in.

(24 × 30 cm)

208 pages

100 colour illustrations

hardcover

ISBN 978-88-572-4816-5

£ 38.00, $ 45.00

Size 8¾ × 10½ in.

(22.5 × 26.5 cm)

288 pages

191 colour illustrations

hardcover

ISBN 978-88-572-4772-4

£ 40.00, $ 54.00

Size 24 × 28 cm

(9½ × 11 in.)

English and Arabic editions

300 pages

200 colour illustrations hardcover

ISBN 978-88-572-5199-8 E

ISBN 978-88-572-5201-8 AR

£ 55.00, $ 65.00

PUBLICATION December 2025

LOUVRE ABU DHABI BIRTH OF A COLLECTION

edited by Guilhem André

The book reveals the next chapter in the evolution of the collection of the Arab world’s first universal museum

The title Birth of a Collection was conceived as a follow-up volume to Birth of a Museum (published 2013) and provides insight into the development of the Louvre Abu Dhabi collection over the past decade. Featuring the most exceptional recent acquisitions, the book is divided into four chronological chapters which follow the order of the museum’s permanent galleries: The Ancient World; The Medieval World; The Early Modern World; The Modern and Contemporary World. It explores topics such as the birth of the figure in art, the crossroads of civilisations and cultural exchanges, objects and representations of power, and emerging art scenes. This 300-page book presents over 200 artworks and objects with scholarly essays and descriptions from approximately 35 different authors – all specialists in their respective fields as art historians, archaeologists, curators and museum professionals. Showcasing 10 years of meticulously curated acquisitions that reinforce Louvre Abu Dhabi’s universal narrative, this beautifully illustrated volume offers a new way to engage and connect with the artworks, providing a deeper understanding of the collection.

• A unique exploration of Louvre Abu Dhabi’s innovative presentation of human creativity from the dawn of time to the present day.

• An in-depth presentation of how masterpieces from around the globe are brought together in dialogue, rather than separated by geography.

• The publication is a co-edition between Louvre Abu Dhabi and Skira.

Guilhem André is a curator of Asian art and serves as Scientific, Curatorial and Collection Management Director of Louvre Abu Dhabi. He previously worked as a curator at the Musée national des arts Asiatiques in Paris. André holds a PhD in Philosophy from the Sorbonne and studied at the Universities of Peking and Sichuan.

THE LOUVRE ABU DHABI A WORLD VISION OF

edited by Jean-François Charnier

ART

A reflection on art history in its most current and global aspects

Size 9¾ × 12½ in. (25 × 32 cm)

English and Arabic edition

400 pages

300 colour illustrations

hardcover

ISBN 978-2-37074-100-4 E

ISBN 978-2-37074-116-5 A

£ 89.00, $ 110.00

BACK IN PRINT

This reference book serves as a manifesto for the Louvre Abu Dhabi. It offers analyses and reflections based on the artworks from the museum collections that are written by world-famous art historians. These essays discuss topics specific to art history, as well as issues of representation, from the Neolithic times until today, across all continents. In other words, this book puts the Louvre Abu Dhabi in its 21st-century framework, while expanding on its role as a universal museum.

LOUVRE ABU DHABI

The Complete Guide direction Jean-François Charnier

Size 61⁄4 × 9 in. (16 × 23 cm)

English and Arabic edition

384 pages, 550 colour illustrations

paperback

ISBN 978-2-37074-072-4 E

ISBN 978-2-37074-073-1 A

£ 28.00, $ 34.95

LOUVRE ABU DHABI

Masterpieces from the Collection direction Jean-François Charnier

Size 81⁄4 × 111⁄2 in. (21 × 29 cm)

English and Arabic edition

128 pages, 150 colour illustrations

paperback

ISBN 978-2-37074-074-8 E

ISBN 978-2-37074-075-5 A

£ 28.00, $ 34.95

LOUVRE ABU DHABI

The Story of Jean Nouvel’s Architectural Project Olivier Boissière

Size 81⁄4 × 111⁄2 in. (21 × 29 cm)

English and Arabic edition

128 pages, 150 colour illustrations

paperback

ISBN 978-2-37074-081-6 E

ISBN 978-2-37074-082-3 A

£ 28.00, $ 34.95

Size 9¾ × 12 in.

(24.5 × 30 cm)

English and Arabic edition 192 pages

200 colour illustrations hardcover

ISBN 978-2-37074-200-1 E

ISBN 978-2-37074-231-5 AR

£ 30.00, $ 35.00

ALULA WONDER OF ARABIA

edited

by Abdulrahman Alsuhaibani and Laïla Nehmé

A crossroads of civilisations

Located at the crossroads of continents, AlUla has been a fantastic meeting point for civilizations who left behind an abundant heritage. For centuries, its oasis has been a crossing point for caravans on the Incense trade route connected Asia, Africa and Europe, transiting spices, myrrh, cotton, ebony and silk.

The oasis city, once named Dedan, has successively been ruled by Ancient North Arabian Kingdoms, then by the Nabataeans, an ancient civilization of Arabian merchants, founded the ancient city of Hegra – sibling of Petra – whose flagship site Madain Saleh, listed as Unesco world heritage since 2008, houses 138 rocky tombs, sanctuaries, wells, decorated frontages, etc.

Then the Roman Empire annexed the Kingdom and marked AlUla Valley with Greek and Latin influence, before Muhammad’s arrival in 630 A.D. during his campaign against the Byzantine army.

Carrying the memory of their predecessors, in the 13th century Muslims reused the stones of the Dedanite and Lihyanite ruins to build what we call today the Old Town of AlUla. All these civilizations stamped the region with their unique culture, leaving exceptional archaeological sites for posterity.

• Discovery of a spectacular archaeological site, first Saoudi site to join the UNESCO in 2008.

Abdulrahman Alsuhaibani Associate Professor of Archaeology at King Saud University, Acting executive director of Collections at Royal Commission for AlUla.

Laïla Nehmé, archaeologist and epigraphist, a specialist in Near Eastern archaeology, and a member of the Orient & Méditerranée research team at CNRS. She was the co-curator of AlUla, Wonder of Arabia at the Institut du Monde Arabe, Paris.

GUIDE TO HEGRA Archaeology in the Land of the Nabataeans of Arabia by Laïla Nehmé; translated from the French by Helen Knox

CIVILIZATIONS

AL-FANN. ART FROM THE ISLAMIC CIVILIZATION

from The al-Sabah Collection edited by Giovanni Curatola entries by M. Keene and S Kaoukji

Size 91⁄2 × 11 in. (24 × 28 cm)

Arabic edition, 344 pages

510 colour illustrations, hardcover

ISBN 978-88-572-3704-6, £ 55.00

THE ARTS OF THE MUSLIM KNIGHT

The Furusiyya Art Foundation Collection

Bashir Mohamed

Size 93 4 × 113⁄4 in. (25 × 30 cm)

432 pages, 569 colour illustrations hardcover

ISBN 978-88-7624-877-1

£ 55.00, $ 100.00

AFRICAN ART

Ezio Bassani

Size 81⁄2 × 121⁄4 in. (21 × 31.2 cm)

304 pages, 297 colour illustrations hardcover

ISBN 978-88-572-0869-5

£ 45.00, $ 70.00

AKBAR

The Great Emperor of India 1542–1605

Gian Carlo Calza

Size 91⁄2 × 11 in. (24 × 28 cm)

288 pages, 208 colour and 148 b/w illustrations, hardcover

ISBN 978-88-572-1525-9

£ 38.00, $ 60.00

CLEOPATRA y la fascinación de Egipto (Cleopatra and the Fascination of Egypt)

Giovanni Gentile

Size 91 2 × 11 in. (24 × 28 cm)

Spanish edition, 320 pages

400 colour illustrations, paperback

ISBN 978-88-572-3078-8

€ 28,00

DISCOVERING TIBET

The Tucci Expeditions and Tibetan Paintings

Deborah Klimburg-Salter

Size 91⁄2 × 11 in. (24 × 28 cm)

292 pages, 154 colour and 76 b/w illustrations, hardcover

ISBN 978-88-572-2251-6

£ 36.00, $ 55.00

ARMENIA

Imprints of a Civilization

Gabriella Uluhogian, Boghos Levon Zekiyan, Vartan Karapetian

Size 91⁄2 × 11 in. (24 × 28 cm)

408 pages, 369 colour illustrations hardcover

ISBN 978-88-572-1244-9

£ 48.00, $ 75.00

EGYPT

Millenary Splendour

The Leiden Collection in Bologna edited by Paola Giovetti and Daniela Picchi

Size 91 2 × 121⁄2 in. (24 × 31.5 cm)

592 pages, 531 colour illustrations hardcover

ISBN 978-88-572-3015-3

£ 55.00, $ 80.00

EGYPT AND THE PHARAOHS edited by

FASHIONING AN EMPIRE.

Patrizia Piacentini

Size 91⁄2 × 12 in. (24 × 30.5 cm)

2 volumes, 416 pages

370 colour and b/w illustrations

paperback with slipcase

ISBN 978-88-572-0834-3

£ 70.00, $ 105.00

TEXTILES FROM SAFAVID IRAN

texts by Nicoletta Fazio, Massumeh Farhad, Sumru

Belger Krody,Tara Desjardins, Tatiana Zhdanova

Size 7 × 9½ in. (18 × 24 cm)

English and Arabic editions

176 pages, 100 colour ill.,paperback

ISBN 978-88-572-5162-2 E

-5175-2 AR, £ 35.00, $ 40.00

THE FORBIDDEN CITY IN MONACO

Imperial Court Life in China

edited by Jean-Paul Desroches

texts by Wang Yuegong, Lyiong Liu, Elisseeff Danielle

Size 111 4 × 83⁄4 in. (28.5 × 22.5 cm)

dual-language edition (English-French), 320 pages

300 colour illustrations, hardcover

ISBN 978-2-37074-056-4

£ 29.95, $ 40.00

GALLOPING THROUGH DYNASTIES by Hou-mei Sung

Size 91⁄2 × 11 in. (24 × 28 cm)

132 pages, 90 colour illustrations hardcover

ISBN 978-88-572-4729-8

£ 35.00, $ 49.95

IDOLS

The Power of Images edited by Annie Caubet

Size 91⁄2 × 11 in. (24 × 28 cm)

288 pages, 282 colour illustrations hardcover

ISBN 978-88-572-3885-2

£ 50.00, $ 70.00

HERITAGE OF ART DIPLOMACY

Memoirs of an Ambassador edited by Olga Nefedova

Size 91 2 × 11 in. (24 × 28 cm)

English and Arabic edition

160 pages, 162 colour illustrations hardcover

ISBN 978-88-572-1841-0 E

ISBN 978-88-572-1843-4 A

£ 55.00

MUSÉE DU QUAI BRANLY

The Collection. Art from Africa, Asia, Oceania and the Americas edited by Yves Le Fur

Size 91⁄2 × 113⁄4 in. (24 × 30 cm)

480 pages, 300 colour illustrations hardcover

ISBN 978-2-37074-007-6

£ 50.00, $ 95.00

BARTHOLOMÄUS SCHACHMAN (1559–1614)

The Art of Travel

edited by Olga Nefedova

Size 11 × 11 in. (28 × 28 cm)

English and Arabic edition

318 pages, 300 colour illustrations hardcover

ISBN 978-88-572-1464-1 E

ISBN 978-88-572-1465-8 A

£ 60.00, $ 100.00

KNOTS. ART & HISTORY

The Berlin Carpet Collection edited by Anna Beselin

Size 81 2 × 113 4 in. (21 × 29.7 cm)

224 pages, 155 colour illustrations hardcover

ISBN 978-88-572-3912-5

£ 35.00, $ 45.00

ON THE MOVE

Reframing Nomadic Pastoralism edited by Lila Abu-Lughod

Size 81⁄2 × 11 in. (22 × 28 cm)

English and Arabic edition

208 pages, 189 colour illustrations paperback

ISBN 978-88-572-4802-8 E

ISBN 978-88-572-4803-5 AR

£ 35.00, $ 45.00

SCRIPTS AND CALLIGRAPHY

PATHS TO THE SOUL

edited by the Ministry of Culture, Saudi Arabia

Size 8¾ × 11½ in. (25 × 29 cm)

English and Arabic edition

272 pages, 200 colour illustrations hardcover

ISBN 978-88-572-4881-3 E

ISBN 978-88-572-4882-0 AR

£ 43.00, $ 50.00

PERFUMES OF THE ORIENT

edited by Hanna Boghanim and Agnès Carayon

Size 20 × 26 cm (7¾ × 10¼ in.)

Arabic edition

168 pages, 120 colour illustrations paperback

ISBN 978-88-572-5279-7

£ 30.00

VISIONS FROM ABROAD

Historical and Contemporary Representations of Arabia

Mona Khazindar; editorial coordination Paola Gribaudo

Size 91 2 × 11 in. (24 × 28 cm)

264 pages, 342 colour and b/w illustrations, hardcover

ISBN 978-88-572-3946-0

£ 60.00, $ 80.00

THE MAJLIS Cultures in Dialogue texts by Faisal Bin Qassim Bin Faisal Al Thani, Kee Wieringa, Moain Sadeq, Jacob Van Gulik, Hamda Al-Sulaiti, Anna Paolini

Size 91⁄2 × 11 in. (24 × 28 cm)

96 pages, 80 colour illustrations hardcover

ISBN 978-2-37074-102-8

£ 18.95

POWER AND PRESTIGE

The Art of Clubs in Oceania edited by Steven Hooper

Size 81⁄4 × 12 in. (21 × 29.5 cm)

320 pages, 308 colour illustrations hardcover

ISBN 978-88-572-4640-6

£ 48.00, $ 66.00

20 YEARS OF COLLECTION ENRICHMENT

Musée du quai BranlyJacques Chirac

edited by Yves Le Fur and Emmanuel Kasarhérou

Size 91⁄2 × 113⁄4 in. (24 × 30 cm)

352 pages, 400 colour illustrations hardcover

ISBN 978-2-37074-120-2

£ 42.00, $ 55.00

POWER MODE. THE FORCE OF FASHION

by Emma McClendon

The power and role of fashion from the 18th century to the present

The book explores the multiple roles which fashion plays in establishing, reinforcing, and challenging power dynamics within society. Published in tandem with The Museum at FIT exhibition of the same title, Power Mode: The Force of Fashion is divided thematically into five chapters that focus on the impact of military uniforms, suits, status dressing, resistance, and sex on the power of fashion. It takes an object-based approach to investigate how certain garments have come to be culturally associated with power, as well as how their meanings have evolved over time. It also examines how fashion designers have interpreted these stylistic archetypes – both to convey and to subvert power. Texts by exhibition curator Emma McClendon are joined by object-based essays from renowned fashion scholars Valerie Steele, Christopher Breward, Jennifer Craik, and Peter McNeil, as well as Pulitzer-Prize-winning journalist Robin Givhan. The book also includes an essay by Kimberly M. Jenkins on the intersection of race, fashion, and power. This collection of texts offers readers a variety of perspectives to help form a theoretical framework for considering the power dynamics inherent in fashion objects.

• Founded in 1969 by the Fashion Institute of Technology, The Museum at FIT is a specialized fashion museum famous for its innovative and award-winning exhibitions.

• MFIT is one of the few university museums to receive accreditation from the American Alliance of Museums.

Emma McClendon is Associate Curator of Costume at MFIT.

125 Years of Italian Magnificence. Grand

Size 111⁄4 × 111 4 in. (28.5 × 28.5 cm)

380 pages, 1000 colour illustrations hardcover

ISBN 978-88-572-0830-5

£ 60.00, $ 95.00

Fashion. Art & Nature

Hélène Farnault

Size 91⁄2 × 11 in. (24 × 28 cm)

240 pages, 416 colour illustrations hardcover

ISBN 978-88-572-4241-5

£ 50.00, $ 60.00

Size 9½ × 11¾ in. (24 × 30 cm)

128 pages

117 colour illustrations hardcover

ISBN 978-88-572-3987-3

£ 34.00, $ 45.00

Size 91⁄2 × 113 4 in. (24 × 30 cm)

300 pages, 250 colour illustrations hardcover

ISBN 978-88-572-2482-4

£ 48.00, $ 80.00

THE AMAZING SHOEMAKER

Fairy tales and legends about shoes and shoemakers

edited by Stefania Ricci

Size 91⁄2 × 11 in. (24 × 28 cm)

320 pages, 517 colour illustrations

paperback

ISBN 978-88-572-1928-8

£ 42.00, $ 50.00

OSCAR CARVALLO

BULGARI

Palais

Amanda Triossi

ELECTRIC FASHION photographs by Frederic Aranda texts by Christine Suppes foreword by Ken Downing

EXHIBITIONISM:

50 Years of The Museum at FIT edited by Valerie Steele and Colleen Hill

Size 91⁄2 × 111 2 in. (24 × 29 cm)

104 pages, 87 colour illustrations hardcover

ISBN 978-88-572-3972-9

£ 22.50, $ 30.00

GIANFRANCO FERRÉ

Drawings

Fondazione Gianfranco Ferré

designed by Luca Stoppini

texts by Rita Airaghi, Giusi Ferré

Size 61⁄2 × 113⁄4 in. (16.5 × 30 cm)

dual-language edition (English-Italian), 456 pages

377 colour illustrations, paperback

ISBN 978-88-572-0641-7

£ 50.00, $ 80.00

ITALIAN PORTRAITS

Tod’s

Donatella Sartorio

Size 121 2 × 15 in. (32 × 38 cm)

148 pages, 154 colour and b/w illustrations, hardcover

ISBN 978-88-572-1599-0

£ 50.00, $ 80.00

THE FABRIC

Vitale Barberis Canonico, 1663–2013

Bruce Boyer

photographs by Fredi Marcarini

Size 121⁄2 × 15 in. (32 × 38 cm)

64 pages, 30 colour illustrations hardcover

ISBN 978-88-572-2032-1

£ 48.00, $ 80.00

GIANFRANCO FERRÉ

Under Another Light Jewels and Ornaments edited by Rita Airaghi, artistic direction Luca Stoppini

Size 61 2 × 113 4 in. (16.6 × 30 cm)

dual-language edition (English-Italian), 276 pages

100 colour illustrations, paperback

ISBN 978-88-572-3669-8

£ 40.00, $ 55.00

ITALIAN TAILORING A Glimpse into the World of Sartorial Masters

Yoshimi Hasegawa; photographs by Luke Carby

Size 81⁄2 × 111⁄2 in. (21 × 28.7 cm)

212 pages, 192 colour illustrations hardcover

ISBN 978-88-572-3828-9

£ 36.00, $ 50.00

SALVATORE FERRAGAMO Equilibrium edited by Stefania Ricci and Sergio Risaliti

Size 91⁄2 × 11 in. (24 × 28 cm)

312 pages, 317 colour illustrations paperback

ISBN 978-88-572-2229-5

£ 34.95, $ 60.00

FUTURE ROOTS

Hogan edited by Donatella Sartorio, photographs by Ornella Sancassani

Size 113⁄4 × 153⁄4 in. (30 × 40 cm)

144 pages, 56 b/w illustrations hardcover

ISBN 978-88-572-1257-9

£ 50.00, $ 80.00

ITALIAN TOUCH

Tod’s

Donata Sartorio photographs by Paolo Leone

Size 91⁄2 × 11 in. (24 × 28 cm)

368 pages, 443 colour and b/w illustrations, hardcover

ISBN 978-88-572-0147-4

£ 65.00, $ 95.00

SALVATORE FERRAGAMO Inspiration and Vision

edited by Stefania Ricci and Sergio Risaliti

Size 101⁄2 × 121⁄4 in. (27 × 31 cm)

168 pages, 200 colour illustrations

paperback

ISBN 978-88-572-1133-6

£ 30.00, $ 50.00

ITALIAN GLAMOUR

The Essence of Italian Fashion. From the Postwar Years to the Present Day. The Enrico Quinto and Paolo Tinarelli Collection

Size 93⁄4 × 11 in. (25 × 28 cm)

320 pages, 700 colour illustrations hardcover

ISBN 978-88-572-2428-2

£ 39.95, $ 65.00

ITALY IN HOLLYWOOD

edited

by

Stefania Ricci

Size 91⁄2 × 11 in. (24 × 28 cm)

480 pages, 630 colour illustrations paperback

ISBN 978-88-572-3887-6

£ 50.00, $ 70.00

BACKLIST - FASHION

BABY CASHMERE

The Long Journey of Excellence

Loro Piana photographs by Bruna Rotunno

Size 11 × 113 4 in. (28 × 30 cm)

184 pages, 116 colour illustrations hardcover

ISBN 978-88-572-0369-0

£ 60.00, $ 100.00

LIFE IS A VORTEX by Linda Loppa

ideated by Polimoda

Size 6 × 81⁄4 in. (15 × 22 cm)

240 pages, 32 colour illustrations paperback

ISBN 978-88-572-4062-6

£ 25.00, $ 30.00

THE

GIFT OF KINGS

The Noblest of Wools Loro Piana photographs by Bruna Rotunno

Size 11 × 113⁄4 in. (28 × 30 cm)

156 pages, 118 colour illustrations hardcover

ISBN 978-88-572-3855-5

£ 60.00, $ 85.00

MARILYN

edited by Stefania Ricci and Sergio Risaliti

Size 91 2 × 11 in. (24 × 28 cm)

320 pages, 280 colour illustrations hardcover

ISBN 978-88-572-1418-4

£ 34.95, $ 55.00

THEOREM[A]

The Body, Emotion + Politics in Fashion

Filep Motwary

ideated by Polimoda

Size 61⁄2 × 91⁄2 in. (16.5 × 24 cm)

192 pages, paperback

ISBN 978-88-572-3913-2

£ 20.95, $ 29.95

TIRELLI 50

The Wardrobe of Dreams

edited by Masolino d’Amico, Silvia d’Amico, Caterina d’Amico, and Dino Trappetti

Size 91 2 × 113⁄4 in. (24 × 30 cm)

352 pages, 420 colour illustrations hardcover

ISBN 978-88-572-2688-0

£ 45.00, $ 70.00

THE LOTUS FLOWER

A Textile Hidden in the Water Loro Piana photographs by Bruna Rotunno

Size 11 × 113⁄4 in. (28 × 30 cm)

144 pages, 100 colour illustrations hardcover

ISBN 978-88-572-0887-9

£ 60.00, $ 95.00

SCHOOL PROJECTS

Alberto Lattuada

Size 71 2 × 13 in. (19 × 33 cm)

184 pages, 144 colour and 13 b/w illustrations, hardcover

ISBN 978-88-572-1846-5

£ 40.00, $ 65.00

VICUÑA

The Queen of the Andes Loro Piana photographs by Bruna Rotunno

Size 11 × 113 4 in. (28 × 30 cm)

180 pages, 117 colour illustrations hardcover

ISBN 978-88-572-1386-6

£ 60.00, $ 95.00

TAMY TAZI. CAFTANS

Nadia Tazi, Daniel Rey photographs by Graziano Villa with an introduction by P. Berger

Size 91⁄2 × 113⁄4 in. (24 × 30 cm) dual-language edition (English-French), 192 pages 180 colour illustrations, hardcover

ISBN 978-88-572-0323-2

£ 50.00, $ 75.00

MARIO VALENTINO

A History of Fashion, Design and Art

Ornella Cirillo

Size 93⁄4 × 113⁄4 in. (24.5 × 30 cm)

248 pages, 206 colour illustrations hardcover

ISBN 978-88-572-3585-1

£ 55.00, $ 75.00

1927 THE RETURN TO ITALY Salvatore Ferragamo and the Twentieth-century Visual Culture edited by Stefania Ricci and Carlo Sisi

Size 91⁄2 × 11 in. (24 × 28 cm)

512 pages, 574 colour illustrations

paperback

ISBN 978-88-572-3569-1

£ 50.00, $ 65.00

Size 11 × 11¾ in.

(28 × 30 cm)

184 pages

190 colour illustrations hardcover

ISBN 978-88-572-4554-6

£ 50.00, $ 60.00

CAMPARI AND THE CINEMA

edited by Gianni Canova

The book describes how Campari’s passion for art and its creativity are closely bound up with its need and desire to communicate and innovate. From the outset, the brand’s predilection for the cinema has constituted the engine of its experimental approach, which has seen it come up with ever-changing, unexpected projects. The essays in the book encapsulate Campari’s cinematic experiences from a wide-ranging perspective that pans out to take in the history of film.

• From Fellini to Sorrentino: Campari and the world of Cinema.

Gianni Canova, film critic, television author, art director and writer, is Full Professor of Film History and Filmology and Rector of IULM University in Milan.

ALFRED HITCHCOCK CINEMA ON THE EDGE OF NOTHING

edited by Gianni Canova

Size 8½ × 11 in.

(22 × 28 cm)

152 pages

81 colour and b/w illustrations hardcover

ISBN 978-88-572-4093-0

£ 29.95, $ 40.00

The book is a fascinating journey through the portrait of this famous filmmaker, the master of suspense and thrillers. It explores the psychology of the characters, the most memorable scenes and Alfred Hitchcock’s personality. What emerges is the portrait of an extraordinary filmmaker who was able to tackle gloomy topics and manage our fears without forgetting irony, a fundamental component to his entire existence.

• An analysis in search of the person who was able to create some of the most important iconic moments in film history.

Canova, see above.

MINIMAL FILM VOLUME THE CINEMATIC WORLD. REIMAGINED THROUGH GRAPHIC DESIGN

Matteo Civaschi

Size 9 × 12½ in.

(22.8 × 32.6 cm)

256 pages

200 colour illustrations hardcover

ISBN 978-88-572-3967-5

£ 24.95, $ 35.00

A book on film narrated through the visual magic of graphic design or a graphic design book told through the evocative magic of cinema. The goal of Minimal Film lies in representing the emotion of cinema through extreme synthesis and simplicity of forms. Shortology is a direct language that can narrate anything through pictograms. This has allowed the author to see cinema from a different perspective, reinterpreting and reviewing it up to isolating its very essence.

• A small “gem” for all film lovers.

Matteo Civaschi, art director and graphic designer, created Shortology, with sixteen books published across the world.

Gianni

ALWAYS MILAN! 1899–2019

edited by Carlo Pellegatti and Umberto Zapelloni

The book traces the history of the leading Italian soccer team AC Milan, from its beginnings to the present. Always Milan!, a team of joys and emotions, victories and triumphs on pitches around the world, a club of players who have brought honour to the shirt, an infinite number of champions who have given us so much entertainment and enjoyment, for that is the story told in these pages that overflow with love for our colours, for the red and black of AC Milan!

Carlo Pellegatti is a sports journalist and commentator. Umberto Zapelloni, sports journalist, has been deputy director of La Gazzetta dello Sport

BARÇA. MÉS QUE UN CLUB 120 YEARS 1899–2019

FC Barcelona is a club like no other. A club with 120 years of history that has become the reference sports center in the world. Barça has some signs of identity that have lasted over time and have become strong through successes and adversities.

Through the book’s pages and images, the reader will delve into the victories obtained by its most emblematic players and coaches, and will discover the evolution and social impact of a club that has managed to transcend the sports field and become a global phenomenon. Endowed with a great visual content and luxuriously produced, the volume portrays in a different and innovative way the complete history of FC Barcelona, from its origins to our days.

INTER 110. FC INTERNAZIONALE MILANO. 110TH ANNIVERSARY 1928–2018: THE OFFICIAL SOCCER STORY OF INTER’S ELEVEN DECADES

edited by Javier Zanetti and Nicolas Ballario

On March 9 1908 the Internazionale F.C. was born from its archrival: Milan. The colours chosen for its shield were gold, black, and light blue, like the stars and the skies. On the occasion of the team’s 110th anniversary, this publication celebrates its most important moments from the past, as well the key players, trainers, and presidents who have made these first 110 years unforgettable.

Javier Zanetti, an extraordinary champion who played a record number of games for Inter, was its captain from 2001 to 2014. Nicolas Ballario is a journalist and editor of the art section for Rolling Stone. He is also a writer and host for RadioUnoRai.

Size 11¼ × 14¾ in.

(28.5 × 37.3 cm)

400 pages

900 colour illustrations dutch binding

ISBN 978-88-572-4116-6

£ 48.00, $ 60.00

Size 11¼ × 14¾ in.

(28.5 × 37.3 cm)

English, Catalan and Spanish edition, 496 pages

500 colour illustrations hardcover

ISBN 978-88-572-4095-4 E -4096-1 CAT, -4097-8 S

£ 48.00, $ 60.00

Size 11¼ × 14¾ in.

(28.5 × 37.3 cm)

432 pages

705 colour illustrations

paperback

ISBN 978-88-572-3827-2

£ 48.00, $ 65.00

GALLERIE D’ITALIA | SKIRA

Size 7½ × 10¼ in. (19 × 26 cm)

48 pages

48 colour illustrations hardcover

ISBN 978-88-572-4668-0 £ 19.00

ON A MISSIONS IN... ITALY

concept and realization by Martina Fuga in collaboration with Arte, Cultura e Beni Storici of Intesa Sanpaolo texts by Stefano Zuffi, illustrations by Zelda was a writer

Italy and its art explained by a European 18th-century traveller

• For kids from 8 years old.

Did you know that from the 1700s onwards travelling to Italy was an important stage in the cultural and human development of young Europeans? The Italian cities – Rome in particular, but also Venice, Florence, and Sicily – were destinations for all those who wanted to complete their education through direct contact with art and classical culture. This travel was called the Grand Tour and we want to introduce it again to our younger readers through this book with captivating illustrations, interesting activities, and unexpected discoveries.

Stefano Zuffi is an art historian, exhibition curator, and writer. He has curated over a hundred books and several cultural series for the general public, especially focusing on the artists and works of both the Renaissance and the Baroque ages. A feature writer in specialized magazines and a guest on radio shows, he has curated numerous exhibitions of modern and ancient art.

ICE THE BEAR and the Boiling Breath text by Valentina Agnesi illustrations by Zelda was a writer

Size 71 2 × 101⁄4 in. (19 × 26 cm)

80 pages, 40 colour illustrations hardcover

ISBN 978-88-572-4572-0

£ 15.00, $ 19.95

ICE THE BEAR and the Burning Land text by Valentina Agnesi illustrations by Zelda was a writer

Size 71⁄2 × 101⁄4 in. (19 × 26 cm)

80 pages, 40 colour illustrations hardcover

ISBN 978-88-572-4573-7

£ 15.00, $ 19.95

Size 71⁄2 × 101 4 in. (19 × 26 cm)

80 pages, 40 colour illustrations hardcover

ISBN 978-88-572-4574-4

£ 15.00, $ 19.95

Gallerie d’Italia | Skira

Size 71 2 × 101⁄4 in. (19 × 26 cm)

48 pages, 20 colour illustrations hardcover with audiobook

ISBN 978-88-572-4436-5

£ 15.00, $ 19.95

ICE THE BEAR and the Evil Sorcerer text by Valentina Agnesi illustrations by Zelda was a writer

ON A MISSION WITH… GIAMBATTISTA TIEPOLO by Martina Fuga with Arte, Cultura e Beni Storici of Intesa Sanpaolo; texts by Stefano Zuffi illustrations by Zelda was a writer

IN THE HEART OF THE RED SEA

text by Raja Alem; illustrations by Giulia Masia

in collaboration with the Ministry

of Culture, Saudi Arabia

The

wonders of the Red Sea in a wonderful children’ s picture book

Size 20 × 24 cm

(7¾ × 9½ in.)

English and Arabic editions

80 pages

40 colour illustrations

codex binding

ISBN 978-88-572-4892-9 E

-5137-0 AR

£ 20.00

A children’s picture book that tells the adventures of Naham in the Red Sea. A child like many others, Naham is nine years old and lives in Jeddah, a city on the coast of the Red Sea in Saudi Arabia. Together with his fisherman uncle, they spend hours at sea.

While Naham spends most of his time by the Red Sea, he doesn’t know the magic it entails. Until one night, amazed by the magical bioluminescent fish, he falls into the water, gets sucked into the depths, and brought before the Genius Loci who guides him to discover the wonders of the sea.

His adventures include going to school with other fish, cheering at a Marlyn speed race, and even attending a magnificent party!

But more importantly, Naham learns to respect and care for this underwater world so close to us yet still unknown.

• A children’s book to discover the magic underwater world of the Red Sea.

Raja Alem, Saudi journalist, novelist and author of children’s books, is considered one of the most important Arabic-language writers of her generation and was awarded several prizes, including the Arabic Women’s Creative Writing Prize on the occasion of the 60th anniversary of the founding of UNESCO in 2005, the Lebanese Literary Club Prize, in Paris in 2008 and the prestigious International Prize for Arabic Fiction (IPAF) in 2011. Giulia Masia, illustrator, has been nominated for some important illustration awards, such as the Annual Illustratori Italiani, 3x3 Annual (USA) and CQ Journal awards. She was among the 50 award-winning illustrators at the Golden Pinwheel Young Illustrators Competition. With Skira she published the graphic novel Atelier Picasso.

SPRING 2026

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