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Intercamera plastica, 1966-1967
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his Catalogue raisonné on the work of Paolo Scheggi is the most complete publication to date on the artist and is an indispensible tool to understanding and investigating his entire oeuvre. The outcome of painstaking study and attentive collecting of materials like documents, photos, writings, and period publications (mostly never seen before), this catalogue is edited by Luca Massimo Barbero along with the Associazione Paolo Scheggi, and a fundamental contribution by Franca Scheggi Dall’Acqua. Finally investigated in its fundamental forms, the art output of Paolo Scheggi (Settignano, Florence 1940–Rome 1971) is analyzed in sections that illustrate his lively and incessant interdisciplinary research, by presenting over 600 works with a detailed cataloging of his environmental works, maquettes, and performances: from his early experimentation with metal sheet assemblages (1958–1960) to works made from three overlapped monochrome canvases with elliptical and circular openings, respectively the Zone riflesse and Intersuperfici (1961–1971); from his investigations of plastic integration to architecture in the form of environments and spatial modes (1962–1971) and to visual poetry (1962–1965) that led to his urban and theater
Kultermann, he was defined an exponent of the Painting-Object movement, elaborating his own personal idiom that later applied to his environmental works and continued, during the final phase of his career, heading towards theater and performance, with urban happenings later aimed at a metaphysical mythical-political investigation. In contact with international groups and movements, he took part in important exhibitions, in Paris, Buenos Aires, New York, Hamburg, Düsseldorf, and Zagabria, until his untimely death in 1971.
Interfiore, 1968 e-mail Partita IVA / VAT number
Oplà-azione-letturateatro, 1969 oppure / or
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Luca Massimo Barbero is Associate Curator of the Peggy Guggenheim Collection and Director of the Istituto di Storia dell’Arte at the Fondazione G. Cini in Venice. He is a scholar of publications and exhibitions devoted to post-World War II art. As early as 1997 he has analyzed the work of Paolo Scheggi with the show Monocromo/Bianco held in Vicenza. Other exhibitions and publications include Time & Place: MilanoTorino 1958-1968 at the Moderna Museet in Stockholm in 2008; Hot Spots 1956–1969 at the Kunsthaus in Zurich, in 2009; and a tribute to Paolo Scheggi in Postwar. Protagonisti italiani at the Peggy Guggenheim Collection in Venice, in 2013. He is President of the Scholars Committee for the Associazione Paolo Scheggi, Milan. Book specifications Dual-language edition (Italian – English), 24 x 28 cm 496 pages, 120 color images and 650 b/w hardcover with slipcase, ISBN 978-88-572-2874-7 Special offer with advanced order coupon € 162.00 instead of € 250.00 (shipping costs not included: see enclosed rate) Valid through October 31, 2015.
happenings conceptually focused on mythicalpolitical languages (1968–1971). Paolo Scheggi was born in Settignano (Florence) in 1940. After studying art he began bold experimentation that quickly led him to move beyond the informal movement. Starting in 1961 in Milan, he began closely collaborating with Germana Marucelli, slowly becoming part of the city’s art scene and attracting the attention of Lucio Fontana in 1962. Followed by some of the most influential art critics of the age, from Argan to Bucarelli, Belloli to Celant, Dorfles to
Oplà-tick, 1969 In copertina / Cover Zone riflesse, 1964
Scheggi Catalogo ragionato / Catalogue raisonné a cura di / edited by Luca Massimo Barbero