Simpson Galleries - The Estates of Frances “Sissy” Farenthold and former Senator Hubert Hudson

Seeking Fine Art and Antiques for

On the cover:

LOT 328 ZOLTAN BOHUS (Hungarian 1941-2017)

A GLASS SCULPTURE, “Enfilade (Untitled),” 1997, polished colored layered glass, engraved, signed, and dated at right side, “Bohus ‘97.”

Height: 18 5/8˝ Width: 8 1/2˝ Depth: 3 5/8˝

Estimate: $800 - $1,200

On the back:

LOT 213 YINGZHAO LIU (Chinese b. 1956)

A PAINTING, “Offerings,” 2005, oil on canvas, signed L/R, “Yingzhao Liu / U.S.A.” 47˝ x 43˝

Estimate: $6,000 - $8,000

Above:

LOT 236 ARISTIDE MAILLOL (French 1861-1944)

A SCULPTURE, “La Nuit,” 1902, signed under the feet with the artist’s monogram, “M,” and numbered, “1/6,” marked, “A. Bingen et Costanoble Fondeur Paris.”

Height: 7˝ Width: 4 1/2˝ Depth: 5˝

Sold for $61,000 (February 25, 2023)

SIMPSON GALLERIES

FINE ART & ANTIQUES

20 May 2023

AUCTION

Saturday 20 May 10 am (cst)

VIEWING

Monday 15 May -

Thursday 18 May 10 am to 5 pm

Friday 19 May 10 am to 3 pm

AUCTIONEERS

Ray Simpson Sr. Lic. 6899

Ray Simpson Jr. Lic. 15936

ONLINE CATALOGUE

simpsongalleries.com

invaluable.com

liveauctioneers.com

INQUIRIES

713.524.6751

800.524.0022

International 00.1.713.524.6751

info@simpsongalleries.com

SPECIALISTS

Ray Simpson Sr. Generalist, Historical Manuscripts, Pre-Columbian, Ancient World Art, Carpets, American Furniture, Documents and Texana

Ray Simpson Jr. Fine Art and Sculpture Appraisals

Laura Gonzales Furniture and Asian Works of Art

Thomas Mason Prints and Multiples

HOUSTON TEXAS

MANAGING DIRECTORS

Ray Simpson Sr. Principal Auctioneer

Ray Simpson Jr. President and CEO

Ashley Simpson CFO

Glenda Simpson Comptroller

DIRECTORS

Charisse Green Creative Director

ADMINISTRATION

Laura Bledsoe Auction Coordinator Social Media Manager

Jose Sontay Inventory Manager

Daniel Quiche

Photography Staging Coordinator

Simpson Galleries, LLC

CONDITIONS OF SALE

1. Terms: cash, check, wire, Mastercard, Visa, or Discover (credit card payment accepted up to $5,000 maximum per invoice). All gold and jewelry purchases must be paid by wire transfer or cash. No other forms of payment will be accepted.

2. SIMPSON GALLERIES, LLC, (hereinafter referred to as Simpson Galleries), has endeavored to catalogue and describe the property correctly; however, all property is sold “as is” "where is" and neither Simpson Galleries nor its consignors will be responsible for the description, genuineness, provenance, or condition of the property. All weights and dimensions are to be considered approximate. No statement contained in the catalogue, or made orally at the sale or elsewhere, shall be deemed to be such a warranty, representation, or an assumption of liability. ALL SALES ARE FINAL. NO REFUNDS.

3. In regard to the works of art contained in the catalogue, Simpson Galleries has endeavored to correctly describe and attribute authorship to the best of their knowledge and ability and through the use of outside experts; however, since authentication and/or attribution is a matter of scholarship and therefore subject to change, Simpson Galleries does not make any express or implied warranties, guarantees, or representations and strongly suggests that prior to bidding the buyer avail himself of his own expert, appraiser, or authenticator and rely solely on his advice or judgment.

4. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, the auctioneer shall have absolute discretion either to determine the successful bidder, in which event his determination shall be final, or to re-offer and re-sell the article in dispute. If any dispute arises after the sale, Simpson Galleries' sale record shall be conclusive as to who was the purchaser, the amount of the highest bid, and in all other respects.

5. Floor bids take precedence over any other bids regardless of date or time placed. The live auction console does not differentiate between left bids and live bids; therefore, the date and/or time a particular bid is placed has no bearing on which bid is accepted by the auctioneer. Any bidding service offered by Simpson Galleries, (whether it be absentee, phone, or live bidding), is done so as a courtesy. Simpson Galleries is not responsible for errors or for the failure to execute any bid for any reason.

6. No properties purchased during auction may be removed prior to end of session.

7. Defects are not necessarily noted in the catalogue.

8. NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY DESCRIPTION CONTAINED IN THIS AUCTION. Any description of the items contained in

this auction is for the sole purpose of identifying the items, and no description of items has been made part of the basis of the bargain or has created any express warranty that the goods would conform to any description made by the Auctioneer.

9. All shipping charges will be borne by the successful bidder. Purchased property must be collected within 14 days following the auction. Property not collected within 14 days of the close of the auction will be subject to a storage fee equal to 1.5% of the hammer price per day. Property not collected within 60 days of the close of the auction will be considered abandoned and any monies paid to Simpson Galleries by the purchaser will be considered liquidated damages.

10. A premium of 22% (in-house) of the purchaser’s bid will be added and is payable as part of the total price.

11. Placing a bid will indicate full understanding of and compliance with these conditions of sale.

ABSENTEE/TELEPHONE/INTERNET BIDDING

For more information or to reserve a phone please call 713.524.6751 or toll free 800.524.0022.

Principal Auctioneer

Ray Simpson Sr. License 6899

SHIPPING

Dynamic Shipping & Moving (local delivery) tel 713.517.1579

info@dynamicservices.us

The UPS Store tel 713.781.5651

owner1656@theupsstore.com

PACK-N-SEND tel 713.266.1450

sales@pack-n-send.com

ACTS Crating & Transportation Services tel 713.869.2269

2BOX@ACTSCRATING.COM

Navis Pack & Ship - Patrick Hughes tel 713.352.3038

tx17013@gonavis.com

GUIDANCE FOR PROSPECTIVE SELLERS

If you have quality property you wish to sell at auction, please call 713.524.6751 or email info@simpsongalleries.com for consultation with one of our experts.

INSPECTION OF PROPERTY

You may bring your property or photographs directly to our gallery where our experts will provide auction estimates and advice. There is no charge for this service, but we do request that you telephone ahead for an appointment. Inspection hours can be arranged between 10 am and 4 pm Monday through Thursday. Walkthrough evaluations are available for high quality collections and estates.

Simpson Galleries, LLC

APPRAISALS

Simpson Galleries prepares formal written appraisals for insurance, estates, charitable donations, family division, financial planning, divorce, probate or bankruptcy. Appraisal fees are based on the scope of the work undertaken. If items included on an appraisal are consigned to Simpson Galleries within one year of the date of the appraisal, appraisal fees are all or partially refundable.

Simpson Galleries Offices and Auction Salesroom - 60,000 square foot facility located at 6116 Skyline Drive, Houston, Texas 77057

Simpson Galleries, LLC

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PLEASE NOTE: TO ALLOW TIME FOR PROCESSING BIDS WILL NOT BE ACCEPTED AFTER 6 PM ON THE DAY PRIOR TO THE SCHEDULED SALE. BIDS FOR LOTS TO BE SOLD ON SUNDAY MUST BE SUBMITTED BY 6 PM ON SATURDAY.

Please send completed forms to: 6116 Skyline Drive Suite 1 Houston, TX 77057 or mail@simpsongalleries.com. We cannot be responsible for undelivered, unread, or incomplete forms. All absentee and phone bids should be confirmed by calling 713.524.6751 or 800.524.0022.

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I request that Simpson Galleries, LLC execute bids on the above lot(s) up to but not exceeding the amount(s) shown. These bids will be executed at the lowest amount(s) allowed by the reserve and other bids. If more than one bid of the same value is left, Simpson Galleries will give preference to the first bid received. If you are the highest bidder, your credit card will be charged (credit card payment accepted up to a maximum amount of $5,000).

I understand that all bids are subject to the “Conditions of Sale” printed in each Simpson Galleries catalogue. I understand that if my bid is successful, I will be obligated to pay the purchase price, which is the sum of my final bid plus a buyer’s premium of 22% plus any applicable state or local tax. Any bidding service offered by Simpson Galleries, (whether it be absentee, phone, or live bidding), is done so as a courtesy. Simpson Galleries is not responsible for errors or for the failure to execute any bid for any reason. My signature indicates full understanding of and compliance with the above.

SIGNATURE (We must have your signature and credit card info to execute this bid.)

SIMPSON GALLERIES Auctioneers of Fine Art & Antiques Est.

1962

Simpson Galleries’ spring Fine Art & Antiques auction will be held on Saturday, May 20th, 2023

Celebrating a generational tradition of selecting notable examples of paintings, fine furniture, Asian textiles, sterling metalwork, glazed ceramics, drawings, bronze wildlife and figural sculptures, abstract expressionist prints, diamond jewelry, and with a specialty in regional Texas artists and antique documents; Simpson Galleries takes pride in curating each lot for our bidders.

In this catalog you will discover a world of history. A collection of rare books, documents, and artifacts from various periods in Texas history collected by Texas State Senator Hubert Hudson . Hudson, an avid collector of Texas and Mexican history in the 19th century, lived in Brownsville, Texas, where he amassed this collection.

Fine American furniture from the collection of the late Thomas Dunaway Anderson. Anderson, among many other notable achievements, was the chairman of Museum of Fine Arts, Houston (MFAH), Houston Grand Opera, and Bayou Bend Advisory Committee of MFAH, of which he was first chairman. In the field of health, he was chairman and life member of the Board of Visitors of UT - MD Anderson Cancer Center, beginning in 1962.

The artwork in this auction is largely from the collection of the late Francis Tarlton “Sissy” Farenthold . In 1968, Farenthold was the first woman elected to the 150 member Texas House of Representatives. Later Sissy would became the national face of Texas progressives for more than a generation. In 2009, Sissy was the executive producer of Quest for Honor, a documentary that premiered at the Sundance Film Festival. It was short-listed for an Academy Award for best documentary. Her collection is a direct reflection of her personal policy and public service. Mostly artists from Houston, Texas, with a focus on the contemporary and abstract.

We invite you to view our exhibition, Monday, May 15th, through Friday, May 19th . More than 400 lots will be presented from established Texas and American estates including property from the following:

• Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas

• Estate of Mr. and Mrs. Thomas Dunaway Anderson, Houston, Texas

• Estate of Frances “Sissy” Farenthold, Houston, Texas

• Estate of Theresa Brady, Galveston, Texas

• Estate of Robert William Guynn, Houston, Texas

• Collection of Patti Nommensen, Austin, Texas

• Collection of Robert Schauffler, Anita Springs, Louisiana

Join us online Saturday, May 20th, to participate in the bidding. Bidding for the auction begins promptly at 10 a.m. Bidding will be available online and by phone/absentee.

Simpson Galleries looks forward to our next 60 years in the fine arts, antiques, and auction industry providing the resources and friendly professional service that we hope will earn your continued business. Please call us at (713) 524-6751 with any questions and be sure to visit our website to sign up to bid, to view the entire auction online, and to browse archives of our past sales at www.simpsongalleries.com.

To request information about specifi c lots contact us at 713.524.6751 or info@simpsongalleries.com

William Simpson III

William Simpson

William Simpson II

William and Caroline (auctioneers in training)

1 A 14K YELLOW GOLD, RUBY, AND DIAMOND RING, 1980s,

the nine single cut diamonds, color: H-I, clarity: SI-I, combined approximate weight: 0.12 carats together with eighteen round rubies, color: slightly purplish red, clarity: eye visible inclusions, combined approximate weight: 0.30 carats, marked, “14K,” total approximate weight: 2.89 grams, size: 6 1/2.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $100 - $150

AN ASSEMBLAGE PAINTING, “Dayad Knot,” 1995, iron, burl, and acrylic on wood, reverse signed and with paper gallery label; 20˝ x 19˝, framed 25 1/2˝ x 24 1/2˝.

Provenance: McMurtrey Gallery, Houston, Texas; Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $100 - $200

3 ELM OPEN ESCAPEMENT CLOCK COCKTAIL TABLE, KOREAN/JAPANESE, 1960s-1970s, the clock face top rests under a circular glazed window, centered by an open escapement mechanism and surrounded by engraved and enameled Roman numeral hours and Arabic numeral minutes with winding key, on a pedestal base with pressed cloud motif glazed cupboard doors, raised on casters.

Height: 24˝ Diameter: 35˝

Estimate: $100 - $200

2 DIXIE FRIEND GAY (American/Texas b. 1953)

5 AMERICAN SCHOOL, AN ASSEMBLAGE, SIGNED, 1994, porcelain, brass, commercial arrow, antler on wood, signed and dated in marker on reverse, “1994 J. Breitenbach.”

Height: 11 3/4˝ Width: 9 3/4˝ Depth: 7˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $100 - $200

4

AMERICAN POLITICAL PUBLICATION, REPLY OF GEN. THOMAS J. GREEN TO THE SPEECH OF GENERAL SAM

HOUSTON IN THE SENATE OF THE U.S., AUGUST 1, 1854, print ink on paper booklet, recounts his distaste for Sam Houston, even after years of (beneficial) friendship, recalling a scandal regarding Green’s cloak that was borrowed by Houston and then traded with Santa Anna while a prisoner of war for Santa Anna’s gold snuff box, calling it a bribe from the President of Mexico, as well as blaming Houston for the Meier Expedition failure resulting in deaths of soldiers, p.63-67.

8 3/4˝ x 6˝

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $100 - $200

6 LYNN RANDOLPH (American/Texas b. 1938)

A PAINTING, “Extraterrestrial Angel II,” 1995, oil on masonite, signed L/R with the artist’s initials, “LMR,” a Lynn Goode Gallery, Houston, paper label on reverse; 9 1/2˝ x 10˝, framed 15 1/4˝ x 16 1/2˝.

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $200 - $300

7 BETTY J. MOBLEY (American 1931-2004) A PAINTING, “Horizons,” 20TH CENTURY, oil on wood, signed L/R, “Betty J. Mobley;” 19 1/2˝ x 19 1/2˝, framed 21˝ x 21˝.

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $200 - $300

8 A PAIR OF MODERNIST STYLE STAINLESS STEEL SIDE TABLES, 20TH/21ST CENTURY, polished stainless steel with black rubberized pad at foot. Height: 20 1/2˝ Diameter: 13 3/4˝

Provenance: Estate of Robert William Guynn, Houston, Texas.

Estimate: $200 - $300

9 AMERICAN SCHOOL, TWO FOLK ART SCULPTURES, “Spotted Dogs,” 2012, primitively painted concrete, each signed on the underbelly, “D Colville,” the brown and black dog dated, “2012;” each 13 1/2˝ x 24˝ x 8 1/2˝.

Estimate: $200 - $300

11 A REPUBLIC OF TEXAS COURT SUBPOENA FOR LEGISLATOR MOSELEY BAKER TO GALVESTON COUNTY COURT BY COUNTY CLERK OSCAR FARISH, OCTOBER 15, 1838,

ink engraving and manuscript on cream wove paper, “To the Sheriff of the County of Galveston, Greeting: You are hereby commanded to summons Mosely Baker...to appear before Hon County Court of Galveston County...then and there to give evidence in a case pending in said Court...,” signed by Oscar Farish, Clerk of the County Court.

10˝ x 7 3/4˝

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $200 - $400

10 HAROLD DOUGLASS PRATT JR (American b. 1944)

A PAINTING, “Golden-Cheeked Warbler,” 1974, gouache on paper, signed and dated L/R, “PRATT / 1974;”

11 1/2˝ x 10 1/4˝, framed 19 1/4˝ x 18˝. Note: The Golden-cheeked warbler is the only bird species whose population nests entirely within the state of Texas.

Estimate: $200 - $300

12 NOEL ESPINOZA (Mexican 1931-2014)

A PAINTING, “Sandstorm,” 20TH CENTURY, oil on canvas, signed L/L, “N. ESPINOZA;” 23 1/2˝ x 29 1/2˝, framed 30 1/2˝ x 36 1/2˝.

Estimate: $200 - $400

13 FRITZ SCHOLDER (American 1937-2005)

A PRINT, “White Buffalo,” 1972, etching on wove paper, signed in pencil L/R, “F Scholder,” and titled and numbered in the lower margin, “White Buffalo / 30 . 30,” a Moody Gallery, Houston, Texas, paper label on reverse; 14 3/4˝ x 11˝, framed 17 3/4˝ x 14˝.

Estimate: $200 - $400

14 A CHINESE JADE “DRAGON” BRUSH WASHER ON STAND, 20TH CENTURY, the fearsome writhing dragon emits flames and encircles the central shaped reservoir on wood stand.

Height: 2˝ Width: 9 1/2˝ Depth: 4˝

Estimate: $200 - $400

15 WILLIAM (BILL) WALTER WORRELL (American/ Texas 1935-2021)

A BRONZE SCULPTURE, “Bison,” lost wax cast bronze, signed in bronze, “Worrell,” and with special edition number 5/14, presented on a wood plinth base.

Height: 8 1/2˝ Width: 9˝ Depth: 6 1/2˝

Estimate: $200 - $400

16 A CHINESE ROSE QUARTZ FRUIT COVERED VASE CARVING ON STAND, 20TH CENTURY, in the late Qing Dynasty taste, the pierced branch and apricot finial topped lid over a tapered vase encrusted with a leafy fruiting branch, raised on a wood stand.

Height: 7 1/2˝ Width: 5 1/2˝ Depth: 2 1/2˝

Estimate: $200 - $400

17 CHARLES PHILLIP VAUGHN (American/Texas 19432022)

A DRAWING, “The Alamo,” CIRCA 1985, graphite on paper, signed L/R, “© Charles Phillip Vaughn;” 19˝ x 26 1/2˝, framed 27 1/4˝ x 35˝.

Estimate: $200 - $400

18 A MID CENTURY MODERNIST STYLE CHROME AND GLASS TOP COCKTAIL TABLE, AFTER DESIGNS BY MILO BAUGHMAN, 20TH CENTURY, the beveled edge clear glass top rests over a rectangular polished steel frame raised on “U” shaped legs.

Height: 13 3/4˝ Width: 58˝ Depth: 24˝

Estimate: $200 - $400

19

CABINET, PROBABLY ENGLISH, EARLY 20TH CENTURY, the molded crown over two glazed doors with drop handle flanked by two glazed side windows opening to an interior fitted with adjustable shelves, raised on barley twist legs and bun feet joined by a box stretcher.

Height: 61˝ Width: 40˝ Depth: 16 1/4˝

Estimate: $200 - $400

A DRAWING, “San Antonio Mission #3,” CIRCA 1985, graphite on paper, signed L/R, “© Charles Phillip Vaughn;” 22 1/2˝ x 17 1/2˝, framed 31 3/4˝ x 26 1/2˝.

Estimate: $200 - $400

21 A

DYNASTY STYLE SERPENTINE INCENSE BURNER WITH “DRAGON” COVER ON STAND, 20TH CENTURY,

a crouching writhing dragon finial over two dagon masks and two taotie masks with integral rings over a body with carved feather, waves, braid, and fringe design elements on stand.

Height: 12 1/2˝ Width: 10 1/2˝ Depth: 7˝

Estimate: $200 - $400

A WILLIAM & MARY STYLE OAK GLAZED DISPLAY

20 CHARLES PHILLIP VAUGHN (American/Texas 19432022)

QING

22 AN AMERICAN DESSIN FOURNIR “LOUIS XVI SIDE TABLE,” LOS ANGELES, MODERN, mahogany and bronze, the cockbeaded galleried rectangular top over a single drawer raised on Doric order columns with tapered turned legs ending in sabots on casters joined by an open stretcher shelf.

Height: 29˝ Width: 33˝ Depth: 22˝

Estimate: $200 - $400

23 CHARLES PHILLIP VAUGHN (American/Texas 19432022)

A DRAWING, “San Antonio Mission #1,” CIRCA 1985, graphite on paper, signed L/R, “Charles Phillip Vaughn;” 17 3/4˝ x 26˝, framed 25 3/4˝ x 34 1/4˝.

Estimate: $200 - $400

24 A GÉRARD “ALISTAIR” SIDE TABLE, LOS ANGELES, 20TH CENTURY, with a gold painted metal frame on castors and cream laminate table surface and shelf, a metal label on the underside of the shelf reads, “GÉRARD / LOS ANGELES.”

Height: 27 1/2˝ Width: 26˝ Depth: 22˝

Estimate: $200 - $400

25 KURT SPUREY (Austrian b. 1941)

A SCULPTURE, “Untitled,” 1975, ceramic sculpture on a terrazzo base, with inscribed signature and date, “Spurey 75.”

Height: 15˝ Width: 12˝ Depth: 12˝

Estimate: $200 - $400

26 AN ART DECO 14K WHITE GOLD AND DIAMOND FILIGREE CAMPHOR GLASS PENDANT ON CHAIN, EARLY 20TH CENTURY, the pendant of trapezoidal form centers a round diamond, suspended from a vintage chain, clasp marked 14k, total approximate weight: 7.5 grams, length: 16˝.

Estimate: $200 - $400

27 FOUR R.S. PRUSSIA PORCELAIN SERVING BOWLS, GERMAN, CIRCA 1910, comprising four serving dishes with floral decoration; largest marked “RS Prussia;” widest diameter 14 1/2˝.

Provenance: Estate of Charles and Mary Bracksieck, Houston, Texas.

Estimate: $200 - $400

29 TWO AMERICAN ART DECO POCKET WATCHES, ELGIN AND HAMILTON, 1900-1940s, comprising an Elgin 14k white gold plated pocket watch with gilt arabic numeral hours and second hand subdial cased with black enamel and glow in the dark enamels with a laurel leaf wreath edge, seventeen jewels, G.M. Wheeler, boxed, dial diameter: 1 1/2˝; and a Hamilton gold plated engraved pocket watch, seventeen jewels, on a gilt bronze chain, dial diameter: 1 3/4˝.

Estimate: $200 - $400

28 after HAN HUANG (Chinese 723-787) A BRUSH POT, “Five Oxen,” MODERN, hardwood with relief bulls and seals reproduced after the original, the ends with geometric meander pattern. Height: 6˝ Diameter: 4 1/2˝

Estimate: $200 - $400

30 A CHINESE EXPORT BLUE AND WHITE ROSEWATER SPRINKLER WITH RELIEF DRAGON, PROBABLY JINGDEZHEN, ATTRIBUTED TO THE QING DYNASTY (1644-1912) PERIOD, the finely potted glazed porcelain tapered bottle vase has a double ring around a narrow tapered mouth with a curling high relief blue glazed, carved serpentine ridgeback dragon around puffs of smoke and effervescent flames to a ballooning body with a pair of intricately scaled bearded, horned dragons guarding the flaming pearl of wisdom above a landscape of terrestrial grasses and waves, and raised on a circular foot. Height: 10˝ Diameter: 4 1/2˝

Estimate: $200 - $400

31 A ROOTWOOD SCULPTURE IN THE FORM OF A ROOSTER, CHINESE, 20TH CENTURY, of naturalistic free form with the carved head of a rooster mounted on a painted wood base.

Height: 37 1/2˝ Width: 20˝ Depth: 9˝

Estimate: $200 - $400

32 AN ASSORTMENT OF SEVEN R.S. PRUSSIA PORCELAIN DISHES, GERMAN, CIRCA 1910, comprising two teapots with lids, two large bowls, one small bowl with handles, one sugar bowl with lid and spoon, and one teacup with saucer; one teapot (rounded), the large highsided bowl and the sugar bowl marked “RS Prussia;” tallest height: 6 1/4˝, widest diameter: 9 3/4˝. (12)

Provenance: Estate of Charles and Mary Bracksieck, Houston, Texas.

Estimate: $200 - $400

33 A CHINESE EXPORT BLUE AND WHITE CELADON CERAMIC VASE, 20TH CENTURY, with pale blue celadon glaze and blue painting of mythical creatures.

Height: 23 3/4˝

Estimate: $200 - $400

35 A CAMERON COUNTY RECORD FOR PAREDES TRACT OF LAND ESTABLISHED FROM ESPIRITU SANTO SPANISH LAND GRANT OF 1781 TO 1914, DESCENDANTS OF JOSÉ SALVADOR DE LA GARZA, ABSTRACTOR SIGNED, TEXAS, EARLY 20TH CENTURY, printed ink on paper glued and sewn bound, signed by D.H. Cummins, Abstractor, in manuscript ink; tracing the passage of land through the descendants of José Salvador de la Garza which was to become Brownsville, Texas.

9 3/4˝ x 6 1/8˝

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $200 - $400

34 AN ASSORTMENT OF EIGHT MOSTLY R.S. PRUSSIA PORCELAIN DISHES, GERMAN AND AMERICAN, 20TH CENTURY, comprising a coffee pot with lid, a teapot with lid, one large bowl, one creamer, two teacups, and two saucers; coffee pot marked “R.S. Prussia,” large bowl marked “Wheelock / Trade Mark / Prussia,” creamer marked “Vorenberg & Hecht / Boston, Mass;” tallest height: 10˝, widest diameter: 10 3/4˝.

Provenance: Estate of Charles and Mary Bracksieck, Houston, Texas.

Estimate: $200 - $400

36 SABINE STROMEYER (German/Texas b. 1962)

A COLLAGE, “Movement of Water,” 2015, mixed media on canvas, reverse with an artist’s paper label affixed to the canvas.

30˝ x 30˝

Estimate: $200 - $400

37 A SET OF SIXTEEN MID-CENTURY MODERN CHAMPAGNE FLUTES AND RED WINE GLASSES, PROBABLY PUKEBERG, 20TH CENTURY, comprising eight champagne flutes, height: 8 3/4"; and eight red wine glasses, height: 7 1/2".

Estimate: $200 - $400

A SCULPTURE, “The American Spirit - Model for Harris County War Memorial,” 1984, bronze with brown patina on a red granite plinth, inscribed at base of bronze, “1/50 E. Kaposta 1984.”

Height: 19 1/2˝ Width: 9˝ Depth: 9˝

Estimate: $200 - $400

38 A SAN PACIFIC INTERNATIONAL SCULPTURE, “Mother and Baby Sea Turtles,” 21ST CENTURY, bronze sculpture with green, gold, and brown patina, inscribed at base, “S.P.I.,” on a green marble stand.

Height: 28˝ Width: 15˝ Depth: 9 1/2˝

Provenance: Collection of Alisa Ortegon, Galena Park, Texas.

Estimate: $200 - $400

39 ERIC KAPOSTA (American/Texas b. 1951)

41 PRELUDE TO MEXICAN AMERICAN WAR GEOGRAPHIC STATISTICS ENDORSED BY MARIANO

PAREDES Y ARRILLAGA, 1844, printed by J.M. Lara, leather bound marbled calf skin with gilt tooling and blue tint paste down, signed twice, “Mariano Paredes y Arrillaga.”

12˝ x 8 1/2˝

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $300 - $500

40 THE BIG DRIPPER COFFEE POT, DESIGNED BY MICHAEL GRAVES FOR SWID POWELL, NEW YORK, 1986, with filter holder, parcel gilt and transfer on glazed porcelain comprising a post modern coffee pot, a gilt round finial over a spherical body raised on a cross-form burgundy color glazed integral foot, the reverse marked.

Height: 9˝ Width: 11˝ Depth: 6 1/2˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $200 - $400

42 JOSEPH FRANCIS QUILLAN (American b. 1956)

A SCULPTURE, “Calypso,” 1989, bronze sculpture with mottled blue and brown/gold patina, inscribed at base, “’CALYPSO’ / Joseph Francis Quillan / © 1989 10/36,” on a circular red and white marble stand.

Height: 20˝ Width: 17˝ Depth: 12˝

Estimate: $200 - $400

A CERAMIC SCULPTURE ON STAND, paint, clay, and iron; vase height: 21˝, diameter: 14 1/2˝, stand height: 37 1/2˝, diameter: 14 1/2˝, overall height: 58 3/4˝. Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $300 - $500

44

NATURAL JADE

IN SNOW, 19TH/20TH CENTURY, one example with orange color russet inclusion, the icy part having a clear to very pale lavender color with black fleck inclusions, 61.9 grams; interior width: 2 1/4".

Estimate: $300 - $500

45 A CHINESE JADE VASE AND COVER, DRAGONS GUARDING GUANYIN, ON STAND, 20TH CENTURY, a crouching dragon finial tops the two handled cover resting on a rectangular vase, flanked by dragon mask with long beard handles and small protruding phalanges, centering two high relief carved seated figures of the goddess Guanyin, in an opposing arrangement while the vase rests integrally on the backs of four seated mythical beasts, on a wood stand.

Height: 13˝ Width: 7˝ Depth: 7˝

Estimate: $300 - $500

43 SUSAN BUDGE (American/Texas b. 1959)

TWO CHINESE

BANGLES, MOSS

47 A NEW YORK SUPREME COURT DECISION, BROWNSVILLE/MATAMOROS AREA, DIVISION OF LANDS IN MUSSINA VS. WATROUS, BELDEN, STILLMAN HORD & BASSE, AILLING, 1856, ink and press engraving on wove paper with marbled paper cover booklet, the content detailing a case involving land disputes by way of fraud among speculative investors in developing South Texas.

8 1/2˝ x 5 3/8˝

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $300 - $500

46 A MING DYNASTY STYLE AMETHYST “WRITHING DRAGONS” LAPIDARY PLAQUE ON STAND, 20TH CENTURY, the translucent lavender to opaque plum color mottled composite stone carved in bass relief as two bearded, writhing dragons guarding a flaming pearl of wisdom in a profusion of clouds.

Height: 7˝ Width: 6 3/4˝ Depth: 1 1/2˝

Estimate: $300 - $500

48 AN ANCIENT CHINESE SHANG DYNASTY STYLE JADE “FANGYI” LIDDED RITUAL WINE CONTAINER ON STAND, MODERN, a square finial with incised meander pattern tops a trapezoidal lid with relief taotie masks, over a waisted vase with two cockrell affronté, the whole surrounded by extruding phalanges, raised on a wood stand.

Height: 13˝ Width: 4 1/4˝ Depth: 4 1/2˝

Estimate: $300 - $500

49 A CHINESE JADE CARVING ON STAND, DUAL SIDED CARP AND QILONG ON GOURD, 20TH CENTURY, two jumping carp battle a mythical beast in pursuit of a pearl of wisdom, the reverse carved as an auspicious double gourd, on wood stand.

Height: 8˝ Width: 6 1/2˝ Depth: 1 3/4˝

Estimate: $300 - $500

50

“HARLEQUIN” TOP DEMILUNE CREDENZA, MODERN, the Venetian style “D” shape top with geometric diaper motif and mirrored edge over an arrangement of two large central cupboard doors flanked by two curved doors, each with inset fielded panels and opening to adjustable metallic silvery painted shelves and interior by push open/close mechanism, raised on tapered trapezoidal legs, the whole encrusted with applied beveled mirror plaques with attractive “antique” appearance.

Height: 36˝ Width: 66 1/2˝ Depth: 18 1/4˝

Estimate: $300 - $500

CARVING ON STAND, CHINESE, 20TH CENTURY, the mythical creature is carved of translucent pale green jade with white inclusions, the dragon with antlers and open mouth has a mane of hair and fins, the back with pattern turtle shell and lion tail resting on webbed feet, on wood stand.

Height: 3 1/2˝ Width: 3 1/2˝ Depth: 7 1/2˝

Estimate: $300 - $500

A HOLLYWOOD REGENCY STYLE MIRRORED

51 A JADE DRAGON-TURTLE MYTHICAL BEAST

52 A PAIR OF LOUIS XVI STYLE PARCEL GILT FAUTEUIL ARMCHAIRS, 20TH CENTURY, carved and upholstered with floral and tiger stripe pattern.

Height: 40˝ Width: 27 1/2˝ Depth: 22˝

Estimate: $300 - $500

53 TWO 14K YELLOW GOLD, DIAMOND, AND PRECIOUS GEM “BEE” BROOCHES, the larger bee’s body is encrusted with a mixture of seventeen round brilliant and old European diamonds, color: G-J, clarity: SI-I, combined approximate weight: 0.79 carats, with eyes created by two bezel set emeralds, total approximate weight: 7.16 grams, marked, “14K” length: 1˝, width: 1˝, along with a smaller bee form brooch encrusted with twenty single cut diamonds, color: F-H, clarity: VVS-I, combined approximate weight: 0.52 carats, and eyes created each from a prong-set ruby, total approximate weight: 4.92 grams, length: 3/4˝, width: 3/4˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $300 - $500

54 A CHINESE JADE LIDDED VASE, TAOTIE MASK, 20TH CENTURY, the curling dragon crouches on a ringed mask flanked oval platform over a bell form lid, above a wide collar carved with beast masks, on a flared foot raised on splayed legs, on a wood stand.

Height: 10˝ Width: 6 3/4˝ Depth: 4 3/4˝

Estimate: $300 - $500

55 BILL MCGLAUN (American/Texas 1949-2015)

A BRONZE SCULPTURE, “Cottontail,” SIGNED, cold painted patinated bronze titled, with special edition number 6/12 and signed, “McGlaun,” at base edge, on a wood plinth with baize foot.

Height: 7 1/2˝ Width: 12˝ Depth: 10˝

Estimate: $300 - $500

56 A CHINESE JADE “DRAGON TURTLE” LIDDED CENSER ON STAND, 20TH CENTURY, the dragon turtle beast finial stands over an oval platform with ringed mask ends on a bell form lid, covering a squat and fearsome dragon turtle centering an open well, with flaming multitail on reptilian claw form feet, on wood stand.

Height: 11˝ Width: 10 1/2˝ Depth: 4 1/2˝

Estimate: $400 - $600

57 A LIVE EDGE TROPICAL HARDWOOD HALL TABLE, MODERN, satin smooth sanded tropical hardwood specimen with acrylic fill raised on black vintage inspired hairpin legs.

Height: 30 1/2˝ Width: 81˝ Depth: 32˝

Estimate: $300 - $500

58 A REPUBLIC OF TEXAS BLANK ARTILLERY CARGO DECLARATION AND CLEARANCE DOCUMENT, PORT OF GALVESTON, 1830s-1840s, ink engraving on cream wove paper, unsigned. 5 3/4˝ x 7 1/2˝

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $300 - $500

59 A BRADLEY & HUBBARD GILT METAL OVERLAY SLAG GLASS PANELED LAMP, MARKED, PATENT DATED, CIRCA 1908, the hexagonal truncated pyramidal metal framed shade with flat topped cap and slanted sides issuing reeded conforming frames enclosing pierced overlay of leafy Narcissus foliage, covering rich dark green veined slag glass panels ending before a metal apron centering paired curvaceous stemmed Narcissus blooms in relief, flanked by similar stemmed cast tips and inside long metal placement tabs stamped “PAT’D. OCT.20.08,” surmounted by a hexagonal gilt metal finial and resting on a base fitted with a two section brass cylindrical neck topped by a three light metal fixture with molded “PAT / APL’D FOR,” issuing sockets stamped “BRYANT / 250W. 250V. / PAT’D. NOV 26, 1907,” and each with bead pull ball chain on/ off switch, above a bronze patinated tall slender stem cast with long curling tipped and slightly bombé leaf form paneled sides, ending on a bowed sides square form base within step molded trim and shaped corners, gold painted metal underside with molded “B & H,” enclosing a conforming cast iron pierced weight with mold ringed “B&H” and marked with a raised “58;” total height including finial: 23˝, width: 10˝, depth: 10˝.

Estimate: $300 - $500

60 PAIR OF LIVE EDGE HARDWOOD MEDALLION SIDE TABLES, MODERN, two satin sanded tropical hardwood specimens clear acrylic fill raised on black vintage inspired hairpin legs. Height: 30 1/2˝ Diameter: 23 1/2˝

Estimate: $300 - $500

AN EROTIC ART GLASS PITCHER, SIGNED, 1984, harlequin motifs and layered nude figures presented in clear cut and frosted etched glass, etched signed, “P. Wadlay,” and dated L/L reserve, “84.”

Height: 8 3/4˝ Width: 7 3/4˝ Depth: 5 1/2˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $400 - $600

63 A VENETIAN MURANO ART GLASS POST MODERN SCULPTURE BY “SEGUSO VETRI D’ARTE,” SIGNED, ITALIAN, MID/LATE 20TH CENTURY, blush color transparent glass with cut, sandblasted motif inspired by Archimede Seguso’s Italian postmodern designs, in the form of a spire or cone, engraved signed at base, “Seguso V. D’Arte.”

Height: 12˝ Diameter: 5 1/4˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $400 - $600

A PRINT, “Night,” 1977, lithograph on paper, signed and dated L/L, “RC Gorman 1977,” and with the blind stamp and numbered L/R, “28/30;” 22 1/4˝ x 30˝, framed 26 1/4˝ x 34 1/4˝.

Estimate: $400 - $600

61 PATRICK WADLEY (American/Texas 1950-1992)

62 R.C. GORMAN (American 1931-2005)

64 R.C. GORMAN (American 1931-2005)

A PRINT, “Snowflake Olla,” 1988, lithograph on paper, signed in pencil and dated L/R, “R.C. Gorman 1988,” and numbered L/L, “220/225;”

26˝ x 36˝, framed 38 1/4˝ x 47 3/4˝.

Estimate: $400 - $600

65 A PAIR OF NATIVE AMERICAN PLAINS INDIANS BEADED LEATHER MOCCASINS, PROBABLY LAKOTA SIOUX, 19TH CENTURY, colored glass trade beads, sinew sewn, leather, hard sole, with central lane of “spider woman” style cross pattern. Height: 4 1/4˝ Width: 4˝ Depth: 10˝

Estimate: $400 - $600

66 CÉSAR MANRIQUE (Spanish 1920-1992)

A DRAWING, “Mecanismo Sensorial,” 1969, pen and ink with watercolor, signed and dated L/R, “México / Manrique / 69,” and titled L/R, “mecanismo sensorial;”

9 1/4˝ x 12 1/4˝, framed 14˝ x 17˝.

Estimate: $400 - $600

67 EARL STALEY (American/Texas b. 1938)

A PAINTING, “Big Bend,” 1983, watercolor on paper, signed and dated L/L, “Staley 83;” 19 1/4˝ x 27 1/2˝, framed 22 3/4˝ x 30 1/2˝.

Estimate: $400 - $600

68 A NATIVE AMERICAN PLAINS OR BASIN INDIANS BEADED “CORN” KNIFE SHEATH AND “BLUE BIRD” TAB BAG WITH HORSEHAIR CONE TASSELS, CIRCA 1900, colored glass trade beads on leather, the yellow ground example having small geometric designs throughout with an overall “corn” like presentation, height: 14 1/2˝ width: 6˝; and an Ute style blue ground tab bag having an overall pointed triangular shape with geometric crosses with alternating red, white and blue lanes, the sides with coppered metal tin cones holding tufts of ocher yellow dyed hair tassels, attached to a wide belt, interior inscribed in ink, “Blue Bird,” height: 13 1/2˝, width: 6˝.

Estimate: $400 - $600

69 R.C. GORMAN (American 1931-2005)

A PRINT, “Chela,” 1980, lithograph on paper, signed in pencil and dated L/L, “R.C. Gorman 1980,” and numbered L/R, “3/150,” with the artist’s blind stamps; 22 1/4˝ x 28˝, framed 29 1/4˝ x 34 1/2˝.

Estimate: $400 - $600

70 JANET LIPPINCOTT (American 1918-2007)

A COLLAGE, Untitled, 20TH CENTURY, mixed media collage with ink and applied paper and foil, signed in pencil L/R, “Lippincott;” 7 1/4˝ x 9 1/2˝, framed 12 1/4˝ x 15 1/4˝.

Estimate: $400 - $600

71 A LATE QING DYNASTY STYLE SERPENTINE

“AUSPICIOUS BIRDS” VASE WITH COVER, 20TH CENTURY, the mythical scene with a phoenix and small birds perched about the lid over a vase concealed by a bird filled tree and potted flower plant on an integral rocky base, presented on a wood stand.

Height: 10˝ Width: 6˝ Depth: 4 1/2˝

Estimate: $400 - $600

72 EARL STALEY (American/Texas b. 1938)

A PAINTING, “Big Bend Landscape,” 1983, watercolor on paper, signed and dated L/R, “Staley 83;” 22 1/2˝ x 30˝, framed 25 1/4˝ x 33˝.

Estimate: $400 - $600

73 EMERIC VAGH WEINMANN (Hungarian/French 1919-2012)

A PAINTING, “Old Carmel Home,” 1982, oil on canvas, signed L/L, “EMERIC,” also titled, signed, and dated on reverse, “36) Old CARMEL / HOME / EMERIC / CARMEL 1982.”

30˝ x 40˝

Estimate: $400 - $600

75 LAU CHUN (Chinese/American b. 1942)

A PAINTING, “ Single Boat,” CIRCA 1980, oil on canvas, signed L/R, “Lau Chun,” titled on reverse, “Single Boat,” and with the inventory number, “8204;” 23 1/2˝ x 19 1/2˝, framed 31˝ x 27˝.

Estimate: $400 - $600

74 A 14K YELLOW AND WHITE GOLD, PRECIOUS GEMSTONE, AND DIAMOND BUTTERFLY BROOCH, the body, antennae, and borders of the wings are encrusted with forty-two single cut pavé diamonds, color: G-H, clarity: VS-SI, combined approximate carat weight: 0.07 carats, and the wings are filled with eight round rubies, color: slightly purplish red, clarity: eye visible inclusions, combined approximate weight: 0.018 carats, eight round sapphires, color: slightly greenish blush, clarity: eye visible inclusions, combined approximate weight: 0.018 carats, and eight round emeralds, color: slightly yellowish brown, clarity: eye visible inclusions, combined approximate weight: 0.014 carats, marked, “14K,” total approximate weight: 8.02 grams, height: 1˝, width: 1˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $300 - $500

77 “Documentos Relativos a la Línea Divisoria y Mapas Que Determinan Los Límites Del Estado de Coahuila (Texas) con el de Durango y Zacatecas,” SALTILLO, MEXICO, 1881, ink engraving on wove paper booklet, “Imprenta del Gobierno, á cargo de Miguel M. Pepi,” includes a map “Provincia de Coahuila Map” showing areas of modern day West Texas and North Mexico with parts outlined in red hand color claimed for the Spanish crown extending as far east as San Antonio, Texas; booklet 9˝ x 6 1/2˝, map 13 1/8˝ x 16 15/8˝.

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $400 - $600

76 A CHINESE PARCEL GILT PAINTED WOOD GUANYIN ON FLAMING STAND, QING DYNASTY (1644-1912), ATTRIBUTED TO THE 17TH/18TH CENTURY, probably camphor wood with paint and parcel gilt, the seated figure has a broad leafy figural topped crown resting over long tendrils of dark hair extending over the shoulders centering a downcast, benevolent expression above a beaded necklace and stiffly symmetrical monk robe, her hands resting in a bhairava mudra above crossed legs is raised on a swag carved throne and a rudimentary stylized dual band lotus leaf base, raised and fitted into a square stepped plinth that issues swirling clouds and flaming aureole with central character, on reverse a rectangular lozenge is fitted and seals the back.

Height: 19˝ Width: 8˝ Depth: 5˝

Estimate: $400 - $600

78 A NATIVE AMERICAN NAVAJO ART DECO DOUBLE SADDLE BLANKET, 1930s, wool, on a gray ground centering three serrated diagonal joins and stepped vertical black and white pillars enclosed by a white band and an outer black band; 32 1/2˝ x 53˝, framed 41 1/4˝ x 62 3/4˝.

Estimate: $400 - $600

79 A CHINESE EXPORT FAMILLE JEUNE ENAMELED PORCELAIN VASE, MID/LATE 19TH CENTURY, the parcel gilt flaring mouth with cobalt blue ground band of mint green tendrils above a waisted neck centering two landscape reserves enclosed by pale blue and rose pink dragons and flowering lotus tendrils, the shoulders with a repeating cobalt band with gilt auspicious characters and descending mint green bats over an elongated bulbous body centering insects, peapod vegetables, bamboo stalks, and birds in landscape reserves enclosed by whimsical bat and moth borders, the sides with bat enclosed vasiform reserves with flower ending in a fruiting leaf garland, on a circular foot.

Height: 14˝ Diameter: 7˝

Estimate: $400 - $600

80 TWO ART DECO WHITE GOLD DIAMOND AND SAPPHIRE FILIGREE BROOCHES, 1920s, comprising a 10k white gold rhombus shaped brooch centered by a small diamond flanked by two faceted lancet cut sapphires, height: 1˝, width: 3/4˝, total approximate weight: 1.50 grams; together with a 14k white gold and platinum shield form brooch with a central white crystal, height: 1 1/8˝, width: 5/8˝, total approximate weight: 2.2 grams.

Estimate: $400 - $600

A PAINTING, Untitled, LATE 20TH CENTURY, oil on canvas, signed L/L “Mulhern;” 50˝ x 40˝, framed 51 1/4˝ x 41 1/4˝.

Provenance: Estate of Robert William Guynn, Houston, Texas.

Estimate: $400 - $600

81 MICHAEL MULHERN (Scottish/American 19402012)

82 A PAIR OF B&B ITALIA LAZY ‘05 PLA80 ARMCHAIRS DESIGNED BY PATRICIA URQUIOLA, MADE IN ITALY, each with a removable white bouclé fabric cover and a tubular bright chrome-plated steel sled base, labeled.

Height: 30˝ Width: 30˝ Depth: 30˝

Estimate: $400 - $600

83 RON HOOVER (American/Texas 1944-2008)

A PAINTING, “The Eideary Window,” 1988, oil on canvas, titled, dated, and signed on reverse “THE EIDEARY WINDOW / 1988 / 18˝ x 24˝ / Ron Hoover;”

18˝ x 24˝, framed 19˝ x 25˝.

Provenance: Estate of Robert William Guynn, Houston, Texas.

Estimate: $400 - $600

84 FOUR “EXETER” ARMCHAIRS, DESIGN BY DAVIS ALLEN (1916-1999) 1983, with black seats, each with metal designer Knoll Studio label, dated. Manufactured by Stendig and distributed by Knoll, Inc.

Height: 36 1/2˝ Width: 21 1/2˝ Depth: 18 1/2˝

Estimate: $400 - $600

85 WILLIAM “BILL” ROBERTS (American b.1941) A PAINTING, “The Outrider,” 1980, oil on canvas, signed and dated L/R, “William Roberts 80;” 48˝ x 72˝, framed 48 1/2˝ x 72 1/2˝.

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $400 - $600

86 EMILE LOUIS PICAULT (French 1833-1915)

A SCULPTURE, “Le Travail,” 19TH/20TH CENTURY, bronze sculpture with dark brown patina, inscribed at base, “E. PICAULT,” and titled, “LE TRAVAIL,” on a black oval stand.

Height: 22 3/4˝ Width: 16 1/2˝ Depth: 9 3/4˝

Provenance: Estate of Robert William Guynn, Houston, Texas.

Estimate: $400 - $600

87 A PAIR OF STEEL AND WOOD SIDE TABLES, MODERN, steel frames with stained plywood shelves and surfaces. Height: 22˝ Width: 30˝ Depth: 30˝

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $400 - $600

88 WELMON SHARLHORNE (American b. 1952)

A DRAWING, “Untitled,” 20TH/21ST CENTURY, pen and colored inks on manila paper, signed L/R, “W. Sharlhorne;” 19˝ x 29˝, framed 21 1/2˝ x 31 3/4˝.

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $400 - $600

89 A 14K YELLOW GOLD, SAPPHIRE, DIAMOND, AND PEARL BRACELET, 1970s, the thirteen white with pink sheen bezel set cultured pearls measuring approximately 4.3 mm interspersed between seven round sapphires, color: slightly greenish blue, clarity: eye visible inclusions, combined approximate weight: 0.40 carats, and seven round brilliant cut diamonds, color: G-H, clarity: SI-I, combined approximate weight: 0.35 carats, with a tongue fixed with safety latch, marked, “14K,” total approximate weight: 14.48 grams, length: 7˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $600 - $800

90 KEN PAYNE (American 1938-2012)

A SCULPTURE, “When Freedom is Challenged,” 1980, bronze with brown patina, inscribed at base, “Ken Payne / © 80 / 26/30,” and, “WHEN FREEDOM / IS CHALLENGED,” on a wood stand with a brass identification plate.

Height: 16˝ Width: 25˝ Depth: 9˝

Estimate: $600 - $800

91 A 14K WHITE GOLD, PEARL, AND DIAMOND PENDANT,

the thirteen round cultured pearls are arranged in a grape bunch form, color: yellowish white with a pink sheen, approximate sizes: 7 mm - 5 mm, interspersed with nineteen round brilliant and single cut diamonds, color: G-H, clarity: VS-I, combined weight: 0.46 carats, marked, “14K,” total approximate weight: 11.06 grams, height: 1 1/2˝, width: 1˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $500 - $700

93 A 14K WHITE GOLD AND DIAMOND FLORAL

the central round brilliant cut diamond, color: G-H, clarity: VVS-VS, approximate weight: 0.41 carats, surrounded by twenty-four pave and prong-set single cut diamonds, color: G-H, clarity: VS-I, combined approximate weight: 0.60 carats, total approximate weight: 8.71 grams, size: 8 3/4.

Provenance: Estate of Theresa L. Brady.

Estimate: $600 - $800

92 A VICTORIAN STYLE SLAG GLASS SHADE ON A NEOCLASSICAL STYLE PAINTED WOOD TWO-LIGHT FLOOR LAMP, 20TH CENTURY, the umbrella form shade with cream slag glass reserves backlit to reveal a twisted columns among scrolling foliate panels ending with green slag glass rectangular reserves centering neoclassical style urns among bramble vine, raised on a painted beech wood standard carved in the Italian neoclassical style as bound feathered arrows raised on scrolling tripod legs joined by a stretcher shelf centering an artichoke finial upheld on ball feet; height: 68˝, diameter: 22˝, shade height: 12˝.

Estimate: $600 - $800

MOTIF RING,

94 MARY ANN “TOOTS” ZYNSKY (American b. 1951)

AN ART GLASS BOWL, “Spun (Untitled),” 1981, of slightly compressed conical form, the exterior with a profusion of flossy strands overlaying a clear to opaque lavender bowl with a band of emerald green at mouth, engraved signed, “Mary Ann Toots Zynsky,” and dated on foot.

Height: 4 1/2˝ Diameter: 7 1/2˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $600 - $800

95 A PAIR OF NATIVE AMERICAN PLAINS INDIAN GREEN AND WHITE BEADED LEATHER MOCCASINS, PROBABLY SIOUX, LATE 19TH CENTURY, glass trade beads, fabric, thread leather and sinew sewn, the top band with central alternating green and yellow stripes within cobalt green and yellow stripes over a green bead ground centering a lane of double white with central green, yellow, and blue triangular shape, the sole bordered by a double lane of white and repeating green, yellow, and blue triangular shapes, the ankles lined with red fabric, one with a red woven shoelace ending in a lead pinched end.

Height: 3˝ Width: 4˝ Depth: 8 1/2˝

Estimate: $600 - $800

96 CHARLES MARION RUSSELL (American 1864-1926)

A BRONZE SCULPTURE, “The Last Laugh,” cast bronze, signed in bronze, “C.M. Russell,” fondeur stamped B. Zoppo Foundry, N.Y.

Height: 4˝ Width: 7˝ Depth: 5˝

Estimate: $600 - $800

97 A CHINESE HARDWOOD ALTAR TABLE, DRAGONS

IN PURSUIT OF PEARLS OF WISDOM, 20TH CENTURY, rosewood, a central rectangular inset top within mitred corners and curled ends fitted with pierced writhing dragon and pearl slats joined by a pierced skirt with archaic stylized dragons guarding a central pearl of wisdom, raised on double helix pierced legs with interior serpentine framing, joined by two stretchers.

Height: 33˝ Width: 47 1/4˝ Depth: 16 1/2˝

Estimate: $600 - $800

98 KELLY PRUITT (American 1924-2009)

A PAINTING, “All Trails to the Sunset,” 1968, oil on masonite, signed L/R, “A. Kelly Pruitt,” and dated, “1968,” together with his limited edition book, “Wild Red from Presidio,” signed by Pruitt and numbered, “78 A,” published 1978; 18˝ x 24˝, framed 24 1/2˝ x 30 1/2˝.

Estimate: $600 - $800

99 A SET OF SEVENTY-EIGHT PORCELAIN DINNER

SERVICE BY ROSENTHAL, GERMANY, MID 20TH CENTURY,

in the Eminence pattern with cobalt blue and gold wheat sheath border, each piece marked, “Classic Rose Collection / Rosenthal Group / Germany,” comprising eight dinner plates, eight lunch plates, nine bread plates, eight small side plates, eight small bowls, eight soup bowls, eight saucers for soup bowls, eight teacups, eight saucers for teacups, one creamer, one large serving bowl, one medium serving bowl, one large round platter, and one large oval platter; largest diameter: 15˝.

Provenance: Estate of Klaus Stratmann, Houston, Texas.

Estimate: $600 - $800

100 A TABLE LAMP WITH FROSTED GLASS FIGURE OF A MAIDEN, 20TH CENTURY, frosted glass central figure on a black wooden stand, with metal support rod for cord and metal fittings for bulb, with black cloth shade.

Height: 29˝ Width: 10 1/2˝ Depth: 10 1/2˝

Provenance: Collection of Gerald Peeples, Houston, Texas.

Estimate: $600 - $800

101 TWO MING DYNASTY STYLE JADE WATER BUFFALO, PROBABLY QING DYNASTY, the mottled celadon green nephrite jade, carved with naturalism, is a recumbent ox with swept back horns, a spiraling auspicious urna centers large almond-form eyes over flared nostrils, the seated bovine with wrinkles on his back and ridged back bone rests on folded legs with hairy cloven hooves and the tail curled to the left flank, raised on custom wood stands.

Height: 12 1/2˝ Width: 25˝ Depth: 12˝

Provenance: Appraisal, Lowell Collins, Senior Member American Society of Appraisers, Houston, Texas, January 25, 1982. Appraisal, Claude Sonsino, President, Claude Furniture Imports, Inc., Houston, Texas, April 11, 1981.

Estimate: $600 - $800

102 FRENCH SCHOOL, A SCULPTURE, “Moses,” 19TH/20TH CENTURY, bronze with light brown patina, a later replica of Michelangelo’s “Moses,” inscribed at base, “Michel-Ange,” on a green and black marble stand.

Height: 24˝ Width: 9 1/2˝ Depth: 10˝

Provenance: Estate of Robert William Guynn, Houston, Texas.

Estimate: $600 - $800

103 HENRY RAY CLARK (American/Texas 1936-2006)

A DRAWING, “On My Planet...,” 2004, colored pens and ink on card, signed U/R, “By HR Clark,” inscribed across upper margin, “ON MY PALNET [sic] CALLED EVERYTHING THEY SAY TWO HEADS ARE BETTER THEN [sic] ONE NO MATTER WHERE THEY ARE,” reverse dated and signed, “1/13/04 / The Magnificent / Pretty Boy.” 16˝ x 20˝

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $600 - $800

104 A CHINESE EXPORT SILVER REPOUSSÉ DRAGON MUG, ATTRIBUTED TO TIEN SHANG, PROBABLY HONG KONG, 1870-1925, a writhing dragon handles perches on a cup with rolled mouth over tapered rectangular reserves with figural and flowering landscapes, bamboo, prunus branches, and grasses on a circular foot, stamped, “T.S.” and silver purity “90;” height: 5 3/4˝ width: 6 3/4˝ depth: 3 1/2˝; total approximate weight: 9.785 ozt.

Estimate: $600 - $800

105 HENRY RAY CLARK (American/Texas 1936-2006)

A DRAWING, “I am Zap from the Planet Eyeball,” 20TH CENTURY, colored pens on manila paper laid on card, signed U/R, “By HR Clark,” inscribed across top margin, “I AM ZAP FROM THE PLANET EYEBALL;” 12˝ x 15 1/2˝, framed 19˝ x 22˝.

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $600 - $800

A PRINT, “Vielle Courtisane,” 1937, aquatint printed in colors, on wove paper with the Ambroise Vollard watermark, from the edition of 250, initials and date printed in the plate; sheet 17 1/2˝ x 13 1/4˝.

Estimate: $600 - $800

A SCULPTURE, “Broncs N’ Booger Tumbleweeds,” 1982, bronze sculpture with brown patina, inscribed at base, “Edd Hayes © 1982 “Broncs N’ Booger Tumbleweeds 8/15,” on a rotating shaped wood stand with brass identification plate. Height: 16 3/4˝ Width: 11˝ Depth: 7 1/2˝

Estimate: $600 - $900

108

TWO PAINTINGS, “Untitled Abstract,” 2008, and “Night in the Garden,” 1994, “Untitled Abstract,” watercolor and pastel on paper, signed and dated in pencil L/R, “R Stout ‘08,” inscribed L/L, “D. 78,” 10 1/4˝ x 8 3/4˝, framed 16 1/4˝ x 14 1/2˝; and “Night in the Garden,” watercolor on card, signed and dated L/R, “R. Stout 94;” 9˝ x 12˝, framed 12˝ x 15˝. Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $600 - $900

106 GEORGES ROUAULT (French 1871-1958)

107 EDD HAYES (American/Texas b. 1945)

RICHARD STOUT (American/Texas 1934-2020)

109 LOWELL TALASHOMA SR. (Hopi 1950-2003)

A BRONZE SCULPTURE, “Talavai - Morning Kachina,” ARTIST COPY, 1982, lost wax cast bronze, signed and dated in bronze at base, “Lowell Talashoma Sr.,” with accompanying foundry marks and special edition, “AC - 3/35,” on a circular oak plinth.

Height: 19 1/2˝ Diameter: 8˝

Estimate: $700 - $1,000

111 A HEPPLEWHITE STYLE MAHOGANY DOUBLE PEDESTAL DINING TABLE, 20TH CENTURY, the oval top opening to fit two leaves raised on two tapered, fluted column pedestals each issuing four claw-like legs on square, tapered, spade feet; height: 29 1/2˝, width: 96˝, depth: 48˝, open width: 144˝.

Estimate: $800 - $1,000

110 L’ART ARABE, A THREE VOLUME ELEPHANT FOLIO ART BOOK SET, BEIRUT, 1970s, color plates on cream paper, reprinted and produced by photo-offset lithography at Systeco Press, bound by Antoine Helou, reprinted by Eastern Art, distributed by Khayat Book & Publishing Company, Lebanon, showing details of architecture, arabesques, and tile patterns.

Height: 25˝ Width: 20˝ Depth: 1 1/4˝

Estimate: $500 - $1,000

112 HAROLD E. “HAL” LARSEN (American b. 1935) A PAINTING, “Color Field”, 20TH/21ST CENTURY, acrylic on canvas, signed L/L, “Harold E Larsen;” 60˝ x 70˝, framed 63˝ x 73˝.

Provenance: Property from the DiCecco Estate, Houston, Texas.

Estimate: $600 - $1,000

113 A GEORGE III BRASS BOUND AND INLAID MAHOGANY CELLARETTE WINE COOLER, ENGLISH, CIRCA 1800, the figured mahogany elliptical top with central shell pateræ encircled by a chevron “wheat” string inlay within a flat brass band having a fan shaped pull and cockbead edge opening to a paneled interior with removable painted metal ice bucket liner, the tapering elliptical body flanked by lions mask handles is fitted on the exterior with flat bands of polished brass over a flat skirt and raised on slightly splayed, square tapered legs on spade feet.

Height: 27 3/4˝ Width: 24˝ Depth: 18 1/2˝

Provenance: Theta Antiques Show, Houston, Texas, 1970s; Estate of Mr. And Mrs. Thomas Dunaway Anderson, Houston, Texas.

Estimate: $700 - $1,000

114 A LEPARK RUG FROM GAN RUGS, MODERN, hand-tufted, 80% wool 20% cotton blend, with labels, designed by Enblanc studio, manufactured in India.

128˝ x 81˝

Estimate: $800 - $1,200

A GLASS SCULPTURE, “Opera Head,” 20TH CENTURY, glass with applied pigments, signed and inscribed at base, “P. Wadley 892,” height: 22˝, width: 9˝, depth: 7˝; together with a black steel display stand, height: 15˝, width: 10 1/4˝, depth: 10˝.

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $800 - $1,200

A PAIR OF COLLAGES, “Crosses,” CIRCA 1990, gouache, paper, and mixed media collage on card; each 26˝ x 20˝, framed 29 3/4˝ x 23 3/4˝.

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $800 - $1,200

116 AN AESTHETIC STYLE STAINED GLASS AND METAL FLOOR LAMP, 20TH CENTURY, stained glass and mixed metals including brass, aluminum, and gold painted metal, fitted for six lights.

Height: 86˝ Width: 23˝ Depth: 23˝

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $800 - $1,200

115 PATRICK WADLEY (American/Texas 1950-1992)

117 MICHAEL TRACY (American/Texas b. 1943)

118 DUTCH SCHOOL, A PAINTING, “Floral Still Life,” 19TH CENTURY, oil on canvas; 51 1/4˝ x 37 1/4˝, framed 64 3/4˝ x 51˝. Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $800 - $1,200

119 A WOOD AND STEEL DINING TABLE, LATE 20TH CENTURY, wood surface with cast steel legs and supports, with extra leaf and fitted surface pads.

Height: 29˝ Width: 78˝ Depth: 36˝ Provenance: Collection of Gerald Peeples, Houston, Texas.

Estimate: $800 - $1,200

120 WITOLD-K (Polish b. 1932)

A PAINTING, “ Untitled,” 1974, oil on canvas, signed and dated U/L, “Witold-K 1974,” reverse marked, “#2632 Houston, Texas;” 36˝ x 30˝, framed 37 1/4˝ x 31 1/4˝.

Estimate: $800 - $1,200

121 JAMES POOLE (British 1804-1886)

A PAINTING, “Father and Son at the River,” 19TH CENTURY, oil on canvas, signed L/R, “J. POOLE;” 15 1/4˝ x 23˝, framed 21˝ x 28 1/2˝.

Provenance: Collection of Patti Nommensen, Austin, Texas.

Estimate: $800 - $1,200

122 A CHICAGO FIREARMS CO. “PROTECTOR” PALM PISTOL, AMERICAN, CIRCA 1900, with mother of pearl plates and nickel finish, the rebated barrel with a band of floral engraving, right and left sides with stylized engraving, “CHICAGO FIRE ARMS CO. CHICAGO, ILL,” printed in a circle at the center on both sides, left side plate twists off to reveal the magazine which is numbered “12701” and matches the side plate, rear grip is fitted with a checkered hard plastic panel, .32 caliber.

Height: 2 3/4˝ Width: 5 1/4˝ Depth: 3/4˝

Estimate: $800 - $1,200

123 A MEXICAN AMERICAN WAR ERA BOOK ABOUT CHIHUAHUA, “Noticias Estadísticas del Estado de Chihuahua por J.A. de Escuerdo,” MEXICO, 1834, ink letter engraving on cream laid paper bound in a marbled paper and leather with gilt tool lettering, reprinted by the order of the, “Supremo Gobierno,” in, “...la Oficina del Puente de Palacio y Flamencos Num. 1 por Juan Ojeda,” with details regarding history, raw materials, population, and religion, as well as military intelligence, indigenous customs, and language of the Apache, Navajo, and Jicarilla, some Spanish Colonial history regarding the late 18th to early 19th century state of Chihuahua.

8 3/8˝ x 6 1/4˝

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $800 - $1,200

124 JERRY GREENBERG (American/Texas b. 1946)

A PAINTING, “Majestic View,” 21ST CENTURY, oil on canvas, signed L/R, “Greenberg;” 23 1/2˝ x 29 1/2˝, framed 31 1/2˝ x 37 1/2˝.

Provenance: Collection of Jerry Greenberg, Houston, Texas.

Estimate: $800 - $1,200

125 A REPUBLIC OF TEXAS ERA BROADSIDE, VICENTE FILISOLA ENDORSED, FIRST MEXICAN REPUBLIC

WARNS NOT TO CROSS RIO GRANDE FOR TRADE, 1837, print ink engraving on cream laid paper, “Vicente Filisola, General de división de los ejércitos de la república mexicana y comandante en jefe del del norte,” proclamation forbidding contraband and travel across the Rio Grande to trade with Texian rebels and enemies, “Imprenta del Mercurio de Matamoros,” endorsed in manuscript ink in monogram by Vicente Filisola, “V.F.” and below the phrase, “Por mandarlo de in Texas (for distribution in Texas),” and signed in ink also by Antonio Osorio, secretary.

17˝ x 12 1/2˝

Provenance: Parke-Bernet Galleries Inc., 980 Madison Avenue, New York, N.Y., lot 361; collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $800 - $1,200

126 CLIFTON KARHU (American/Japanese 1927-2007)

A PRINT, “Kyomeisho Tadasugawara,” 1975, woodblock print on paper, signed and dated in pencil L/R, “C Karhu 75,” numbered L/L, “68/100,” and titled L/C, “Kyomeisho Tadasugawara;” 13˝ x 17˝, framed 20 3/4˝ x 24 1/2˝.

Estimate: $800 - $1,200

127 CLIFTON KARHU (American/Japanese 1927-2007)

A PRINT, “Yasaka Roofs - Kyoto,” 1974, woodblock print on paper, signed and dated in pencil L/R, “C Karhu ‘74,” numbered L/L, “13/80,” and titled L/C, “Yasaka Roofs - Kyoto;” diameter 18 1/2˝, framed 26 3/4˝ x 26 3/4˝.

Estimate: $800 - $1,200

128 A TEXAS REVOLUTION ERA MEXICAN BROADSIDE, CONGRESSIONAL DECREE OPENING MATAMOROS

PORTS FOR SUPPLIES TO REACH MEXICAN ARMY, ZACATECAS, JULY 3 - 16, 1836, ink engraving on wove paper, endorsed in manuscript ink by Santiago Villegas and Diego Velasco, Official Mayor, approved by José Justo Corro, president ad interim. 12 1/2˝ x 8 1/2˝

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $800 - $1,200

129 SALVADOR DALÌ (Spanish 1904-1989)

A PRINT, “Arlequin,” 1972, lithograph on paper, signed in pencil L/R, “Dali,” and numbered L/L, “228/300,” one of five images from the “Anamorphosis” suite; 32 1/4˝ x 21 1/2˝, framed 41 3/4˝ x 31˝.

Estimate: $800 - $1,200

131 A 14K YELLOW GOLD LINK BRACELET, the double figure eight chain tongue affixed clasp and safety latch, marked, “Tom, PAT 3308517, 14K,” total approximate weight: 26.37 grams, length: 7 1/4˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $800 - $1,200

130 JANET LIPPINCOTT (American 1918-2007)

A DRAWING, “Four Figures,” 20TH CENTURY, ink on paper, signed L/R, “Lippincott;” 14˝ x 10 1/2˝, framed 21˝ x 17˝.

Estimate: $800 - $1,200

132 MORRIS KESTELMAN (British 1905-1998)

A PAINTING, “Cafe Terminus,” 1932, oil on board, dated and signed L/R, “1932 / M. Kestelman;” 17 1/2˝ x 23 1/2˝, framed 24 1/4˝ x 30 1/4˝.

Provenance: Sotheby’s New York, 7/26/2021, lot 66.

Estimate: $800 - $1,200

133 attributed to ARTHUR QUARTLEY (American 1839-1886)

A PAINTING, “Coming Home at Sunset,” CIRCA 1875, oil on card, reverse bearing the name, “Quartley,” in pencil and with an indistinct address, “41 1/2 W Portland Avenue,” an old label suggesting an attribution to the artist’s father Frederick W. Quartley has been removed from the back of the painting and attached to the present wood backing; 8 3/4˝ x 14 3/4˝, framed 14˝ x 20 1/4˝.

Estimate: $800 - $1,200

134 A CHINESE MING DYNASTY STYLE HUANGHUALI AND MIXED WOODS RUSH SEAT FOLDING CHAIR FOR TWO, POSSIBLY QING DYNASTY (1644-1912), an Imperial Chinese taste folding chair often imitated by noble or wealthy individuals is traditionally used for campaign or outdoor leisure, the double yolk crest rail with protruding ears over two vertical splats with a pierced ruyi mushroom openwork window above inset plaques with relief carved fungi, above a rectangular woven rush seat with relief carved Qilong seat rail within curved “chicken wing” arms with scrolled leafy/feathery bracket supports ending in scrolled hand terminals, folding on an “X” form base, each seat with personal fold-out footrests.

Height: 41 1/2˝

Width: 44˝

Depth: 22˝

Estimate: $800 - $1,200

135 CARL J. SMITH (American/Texas b. 1928)

A PAINTING, “Old Timer,” 20TH CENTURY, oil on board, signed L/R, “Carl J. Smith,” an old High Plains Galleries, Amarillo label reverse; 11˝ x 14˝, framed 19 3/4˝ x 22 1/2˝.

Provenance: Collection of Michael Springs, San Marcos, California.

Estimate: $800 - $1,200

136 CARL J. SMITH (American/Texas b. 1928)

A PAINTING, “Morning Feeding,” 20TH CENTURY, oil on board, signed L/R, “Carl J. Smith,” an old High Plains Galleries, Amarillo label reverse; 11˝ x 14˝, framed 19 1/4˝ x 22˝. Provenance: Collection of Michael Springs, San Marcos, California.

Estimate: $800 - $1,200

137 A 14K GOLD BRAIDED ITALIAN BRACELET, the four braided mesh chains in yellow, white, and rose gold with a tongue clasp and safety, marked, “14K ITALY,” total approximate weight: 27.27 grams, length: 7˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $800 - $1,200

138 SEVEN KNOLL “POLLOCK” BLACK LEATHER EXECUTIVE ARMCHAIRS, MODERN, original design by Charles Pollock in 1963, aluminum band construction on casters, underside with Knoll manufacturing labels.

Height: 35 1/2˝ Width: 26˝ Depth: 22˝

Estimate: $800 - $1,200

A

Estimate: $800 - $1,200

the central flush-mounted, oval cut, greenish blue sapphire, clarity: slightly included, approximate weight: 0.92 carats, with thirty-six round brilliant cut channel-set diamonds, approximate color: G-H, approximate clarity: SI-I, combined approximate weight: 0.40 carats, marked, “18K,” total approximate weight: 5.95 grams, size: 6 1/2.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $800 - $1,200

Estimate: $800 - $1,200

139 JOSE PEREZ (American/Texas b. 1929)

PAINTING, “Conductor,” 20TH/21ST CENTURY, oil on canvas, signed L/L, “Perez;” 16˝ x 20˝, framed 20 1/2˝ x 24 1/2˝.

140 AN 18K YELLOW GOLD, SAPPHIRE, AND DIAMOND RING,

141 JOSE PEREZ (American/Texas b. 1929)

A PAINTING, “The High Pass,” 20TH CENTURY, oil on masonite, signed L/L, “Perez;” 16˝ x 20˝, framed 23 1/2˝ x 27 1/2˝.

142 ARCHIBALD THORBURN (British 1860-1935)

A PAINTING, “Roan Antelope,” EARLY 20TH CENTURY, watercolor and gouache on cardstock, signed in pencil L/R, “A. Thorburn;” 12 1/2˝ x 9 3/4˝, framed 21 3/4˝ x 18 1/4˝.

Estimate: $800 - $1,200

143 A 14K YELLOW GOLD AND DIAMOND BRACELET, with forty-four round brilliant cut diamonds, color: G-H, clarity: SI-I, combined approximate weight: 1 carat, tongue clasp, marked, “PAT 3308517, 14K,” total approximate weight: 17.85 grams, length: 6 3/4˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $800 - $1,200

144 MIKE CURTIS (American 20th Century)

A SCULPTURE, “Bald Eagle,” 1982, bronze sculpture with brown and gold patina, inscribed at base, “Mike / Curtis / © 1982 / 28/50 / TEXAS,” on a molded wood plinth.

Height: 34˝ Width: 26˝ Depth: 20˝

Estimate: $800 - $1,200

145 JOSE PEREZ (American/Texas b. 1929)

A PAINTING, “To Be or Not to Be,” 20TH CENTURY, oil on board, signed L/R, “Perez;” 12˝ x 16˝, framed 16 3/4˝ x 20 3/4˝.

Estimate: $800 - $1,200

146 MICHAEL TAYLOR (American b. 1944)

AN ART GLASS SCULPTURE, “Postmodern Vase,” NEW YORK, 1983, sandblasted colored glass construction, engraved signed, dated, and placed, “- Michael Taylor 83 NY10 -.”

Height: 12 1/2˝ Width: 11 1/2˝ Depth: 5 1/4˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $800 - $1,200

147 FRANK WESTON BENSON (American 1862-1951)

A PRINT,

Estimate: $800 - $1,200

“Wild Fowler,” 1923, etching on paper, signed L/L, “ Frank W Benson,” reverse an old paper label from Kennedy & Co., New York, from an edition of 150, Paff 220; 8 3/4˝ x 12 3/4˝, framed 15˝ x 19˝.

148 FRANCIS BEAUGUREAU (American 1920-2001)

A PAINTING, “Hemis Kachina Dance,” 20TH CENTURY, oil on canvas, signed L/R, “Beaugureau,” reverse with paper label from Galleries Maurice Sternberg, Chicago; 34 1/2˝ x 31 3/4˝, framed 43 1/4˝ x 40 1/2˝.

Estimate: $800 - $1,200

149 A PLATINUM, EMERALD, AND DIAMOND DREICER & CO. ART DECO WATCH, the bezel and upper portion of the band are set with approximately 143 single cut and full cut diamonds, color: H-J, clarity: VS-SI, combined approximate weight: 1 carat, the upper portion of the band also including approximately thirty-two scissor cut emeralds, combined approximate weight: 0.5 carats, with steel blue hands and an adjustable mesh bank with a slide buckle clasp, marked, “Mrs. C.W. Churchman Jenkintown, PA,” total approximate weight: 32.58 grams.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $1,000 - $1,500

150 THOMAS DE DECKER (American b. 1951)

A PAINTING, “Lily Pads,” 2023, oil on masonite, signed L/L, “THOMAS de DECKER,” reverse titled, dated, and signed, “’Lily Pads’ 2023 / by / Thomas de Decker;” 10˝ x 8˝, framed 16˝ x 14˝.

Estimate: $1,200 - $1,500

151 AN AMERICAN ENGLISH ROLL ARM SOFA AND LOVESEAT, KAY GENUA DESIGNS FOR A. RUDIN, LOS ANGELES, CALIFORNIA, NOVEMBER 2011, each with serpentine arms and ruched hand terminal, double cushion back, raised on square upholstered legs, the cushions 75% white goose feather and 25% white goose down, upholstered in 100% sand color wove cotton with matching pipe trim, A. Rudin fabric label; sofa height: 36˝, width: 80˝, depth: 38˝; loveseat height: 36˝, width: 58˝, depth: 38˝.

Estimate: $1,000 - $1,500

152 A 14K YELLOW GOLD, SAPPHIRE, AND DIAMOND BRACELET, 1970s, the eight round brilliant diamonds, color: F-H, clarity: VS-SI, combined approximate weight: 0.84 carats, and four round sapphires, color: slightly greenish blue, clarity, slightly included to eye clean, combined approximate carat weight: 0.24 carats, are prong-set along the gold nugget textured segments with a tongue clasp affixed with safety latch, marked, “14K,” total approximate weight: 21.61 grams, length: 7˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $1,000 - $1,500

153 THOMAS DE DECKER (American b. 1951) A PAINTING, “Serene Sunset,” 2023, oil on masonite, signed L/L, “THOMAS de DECKER,” reverse titled and signed, “’Serene Sunset’ / by / Thomas de Decker;” 10˝ x 8˝, framed 16˝ x 14˝.

Estimate: $1,200 - $1,500

154 FELIX MAURICE CHARPENTIER (French 1858-1924)

A SCULPTURE, “L’Improvisateur,” CIRCA 1915, bronze with brown patina, inscribed at base with the artist’s signature, “Felix Charpentier,” and with the Jollet et Cie., Paris, foundry stamp.

Height: 23 1/2˝ Width: 12˝ Depth: 8˝

Provenance: Estate of Robert William Guynn, Houston, Texas.

Estimate: $1,000 - $1,500

155 AN 18K YELLOW GOLD, EMERALD, AND DIAMOND

BANGLE BRACELET, with eleven round brilliant cut diamonds, color: G-H, clarity: SII, combined approximate weight: 1.10 carats, and ten square step cut emeralds, color: slightly yellowish green, clarity: slightly to moderately included, combined approximate weight: 1.60 carats, with a tongue clasp and safety latch, marked, “ED / 18K / 750,” total approximate weight: 15.69 grams, diameter: 2 1/2˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $1,000 - $1,500

156 JOHN DUILLO (American 1928-2003)

A PAINTING, “Rifle and Saddle,” 1982, oil on canvas, signed and dated L/R, “John Duillo SAHA / © ‘82;” 19 3/4˝ x 24 1/2˝, framed 27 1/2˝ x 32 1/4˝.

Estimate: $1,000 - $1,500

157 ALBERT-ERNEST DE CARRIER-BELLEUSE (French 1824-1887)

A SCULPTURE, “Oliver Cromwell,” 19TH CENTURY, bronze with dark brown patina, inscribed at base, “A. CARRIER,” and titled at front, “CROMWELL.”

Height: 21 1/4˝ Width: 7˝ Depth: 7˝

Provenance: Estate of Robert William Guynn, Houston, Texas.

Estimate: $1,000 - $1,500

159 AN AMERICAN SCHOOL “CAROUSEL” STYLE LIFESIZE WOOD HORSE SCULPTURE, SIGNED, LATE 20TH CENTURY,

wood peg construction, the free standing horse has ecstatic hair, large glass eyes, a flowered tack and central rose breastplate supports a small, high relief carved figure of a seated cowboy playing a guitar, signed, “Felix A.”

Height: 64 1/2˝ Width: 13˝ Depth: 64˝

Estimate: $1,000 - $1,500

158 A 14K YELLOW GOLD AND DIAMOND CYMA QUARTZ WATCH, the bezel of twenty-five single cut diamonds, color: K-L, clarity: I, combined approximate weight: 0.275 carats with a Florentine finished case on a triple strand twisted rope chain band with a buckle clasp, marked, “14K GOLD,” total approximate weight: 11.50 grams, length: 5 1/2˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $1,000 - $1,500

160 JOEL PHILIP MYERS (American b. 1934)

AN ART GLASS VASE, “Cobalt Blue Vase (Untitled),” SIGNED, 1983, blue glass, engraved signed, “Joel Philip Myers,” and dated at foot.

Height: 8 1/2˝ Width: 18 1/2˝ Depth: 3˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $1,200 - $1,600

161 ROI CLARKSON COLMAN (American 1884-1945)

A PAINTING, “Desert Clouds,” 20TH CENTURY, oil on canvas, signed L/L, “R. Clarkson Colman;” 21 1/2˝ x 27 1/2˝, framed 35 1/2˝ x 41 1/2˝.

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $1,000 - $1,500

162 A DANISH MODERN CH445 HANS WEGNER WING CHAIR AND OTTOMAN BY CARL HANSEN AND SONS, DENMARK, CIRCA 2006, both in burgundy red leather upholstery with a stainless steel frame, with metal labels, chair height: 41˝, width: 35˝, depth: 27˝; ottoman height: 13 1/2˝, width: 24˝, depth: 18 1/2˝.

Estimate: $1,200 - $1,800

163 JERRY GREENBERG (American/Texas b. 1946)

A PAINTING, “Bluebonnet Landscape,” 21ST CENTURY, oil on canvas, signed L/R, “Greenberg;” 23 3/4˝ x 29 1/2˝, framed 27 3/4˝ x 33 3/4˝.

Provenance: Collection of Jerry Greenberg, Houston, Texas.

Estimate: $1,000 - $2,000

A DIPTYCH WALL HANGING, “Birds and Sun,” 20TH CENTURY, two mixed media panels with metal, wood, and oil, signed on left panel L/L, “Adickes,” together with central dividing panel and stand; each panel 76 1/4˝ x 41˝, divide 73˝ x 6 3/4˝.

Estimate: $1,000 - $2,000

164 A FEDERAL HEPPLEWHITE INLAID FLAME

MAHOGANY BOOKCASE SECRETARY, AMERICAN, 1790s-1830s, attributed Massachusetts craftsmanship, likely Boston and Salem local, the central string inlaid tablet crest with brass eagle finial joined by restrained flat swag-like curved crown with urn finals over a molded and flat fascia and two cupboard doors with Gothic revival mullioned glazed lancet windows revealing a shelved interior above two small string inlaid drawers with faux keyholes to a fold out green baize lined writing surface resting over two pocket arms, flanking a short drawer over two long drawers with bookmatched, cockbeaded, and string inlaid facades, raised on later added ogee feet joined by a point and serpentine skirt centering a rectangular tablet with zigzag string inlay.

Height: 80˝ Width: 37 1/4˝ Depth: 18 1/8˝

Provenance: The Green Bottle, a handwritten note card, 701 Colquitt St., Houston, Texas, 1990s; Estate of Mr. And Mrs. Thomas Dunaway Anderson, Houston, Texas.

Estimate: $1,000 - $2,000

165 DAVID ADICKES (American/Texas b. 1927)

166 EDWARD BOREIN (American 1872-1945)

A PRINT, “The Last House, Walpi, Arizona,” EARLY 20TH CENTURY, etching and drypoint on wove paper, signed in pencil L/R, “Edward Borein,” Galvin 217; 9 3/4˝ x 12˝, framed 17˝ x 19 1/4˝.

Estimate: $1,000 - $2,000

167 JESSE CARL HOBBY (American 1871-1938)

A PAINTING, “Summer Landscape with Farm Buildings,” 20TH CENTURY, oil on board, signed L/R, “Jess Hobby;” 17 1/2˝ x 23 1/2˝, framed 24˝ x 30 1/4˝.

Estimate: $1,000 - $2,000

168 FRITZ SCHOLDER (American 1937-2005)

A PRINT, “Native Scout with Custer,” 20TH CENTURY, lithograph on paper, signed in pencil L/R, “Scholder,” and numbered L/L, “37 . 100,” a Tamarind Institute blind stamp L/L and a buffalo blind stamp L/R; 14 3/4˝ x 20 3/4˝, framed 21 3/4˝ x 27 3/4˝.

Estimate: $1,000 - $2,000

169 PAUL SEIDE (American b. 1949) A DIPTYCH NEON ART GLASS SCULPTURE ON ILLUMINATED STAND, “Untitled,” 1982, hand blown clear and amethyst glass, the tops with geometric shapes encased in clear glass rippling “fins” on cavernous hollow void bodies; the work comprised of two separate works of art glass, the clear glass with pale yellow color and the amethyst glass with hues from deep plum purple to grape, one etched signed and dated, “Seide 1982,” on a custom wood base fitted with antennae and radio wave transmitter.

Height: 8˝ Width: 17˝ Depth: 6˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $1,000 - $2,000

170 AN 18K YELLOW GOLD, EMERALD, AND DIAMOND RING, ITALIAN, 19TH CENTURY, the central emerald cut emerald, color: slightly yellowish green, clarity: included, approximate weight: 3 carats, surrounded by fourteen round brilliant cut diamonds, color: J-L, clarity: SI-I, combined approximate weight: 1.26 carats, marked, “700, 800, 206 (Italian registry mark),” total approximate weight: 8.96 grams, size: 5 3/4.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $1,000 - $2,000

171 FOURTEEN KEILHAUER LEATHER “ELITE 510” CONFERENCE ARMCHAIRS, MODERN, model 517-5, mid back swivel chair with pneumatic height adjustment, underside manufacturers label.

Height: 36 3/4˝ Width: 26 1/4˝ Depth: 30˝

Estimate: $1,000 - $2,000

172 CECELIA “CE” ROSER (American b. 1925) A PAINTING, “Secret Existence,” MID 20TH CENTURY, oil on canvas, signed L/R, “Ce;” 18˝ x 24˝, framed 18 3/4˝ x 24 3/4˝.

Provenance: Ruth White Gallery, New York.

Estimate: $1,000 - $2,000

173 A MEXICAN-AMERICAN WAR ERA TEXAS COURT DECISION, MERCHANT HUTCHINS VS. U.S. ARMY ALAMO QUARTERMASTER RALSTON, FOR UNPAID DEBT, SIGNED BY JUDGE J.E.B. BAYLOR, DECEMBER 20, 1847, black and blue ink manuscript on cream wove paper, with blindstamp upper left.

12 1/4˝ X 7 1/4˝

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $1,000 - $2,000

174 A CARROCEL FURNITURE HEPPLEWHITE STYLE GILT LACQUERED BESPOKE CONSOLE TABLE, TORONTO, MODERN, bespoke black lacquered and gold painted wood table with “D” shape top over a wide conforming skirt raised on square tapered legs, design and custom manufacture attributed to Carrocel Furniture of Toronto, Canada.

Height: 34˝ Width: 84˝ Depth: 22˝

Estimate: $1,000 - $2,000

175 JOHN PAVLICEK (American/Texas b. 1946)

A PAINTING, “K.M.B.,” 1988, acrylic with mixed media and paper collage on canvas, signed L/L, “Pavlicek,” signed, titled, and dated on reverse, “Pavlicek / K.M.B. 1988.”

96˝ x 72˝

Provenance: Property from the DiCecco Estate, Houston, Texas.

Estimate: $1,000 - $2,000

176 A TROPICAL HARDWOOD LIVE EDGE DINING TABLE, MODERN, satin smooth tropical hardwood specimen with acrylic fill raised on black vintage inspired hairpin legs.

Height: 30 1/4˝ Width: 72˝ Depth: 36˝

Estimate: $1,000 - $2,000

177 ISIDRO ANCHETA (Filipino 1882-1946)

A PAINTING, “Fishing Boats on Manila Bay,” 20TH CENTURY, oil on board, signed L/R, “Ancheta;” 24˝ x 30˝, framed 29 1/4˝ x 35 1/4˝.

Estimate: $1,500 - $2,500

Height: 20˝ Width: 11˝ Depth: 5 1/2˝

Estimate: $1,500 - $2,500

178

Height: 33˝ Width: 22 3/4˝ Depth: 24˝

Estimate: $1,500 - $2,500

180

TWO DRAWINGS, “The Governor’s Mansion - Austin,” and “The Governor Pease Home - Austin,” 1951, graphite on paper, each drawing signed and dated L/R, “EM Schiwetz 51,” and titled L/L, “The Govenor’s [sic] MansionAustin” and “The Govenor [sic] Pease Home - Austin;” each 11 3/4˝ x 15 3/4˝, framed 19˝ x 22 1/4˝.

Provenance: Estate of Mr. And Mrs. Thomas Dunaway Anderson, Houston, Texas.

Estimate: $1,500 - $2,500

EIGHT BAKER “Grande Aegean” DINING CHAIRS, MILLING ROAD ORIGINALS COLLECTION, MODERN, gray linen upholstery raised on “Daybreak” finished oak sabre legs, labeled.

179 A PINK ROSE QUARTZ GUANYIN CARVED STONE FIGURE ON STAND, CHINESE, her downcast gaze crowned by a fluttering headdress, with beaded heart necklace, the goddess sits in folded robes, raised on a fitted wood stand.

EDWARD MUEGGE “BUCK” SCHIWETZ (American/ Texas 1898-1984)

181 GENE KLOSS (American 1903-1996)

A PRINT, “Moonlit Kiva,” 1953, drypoint and aquatint on paper, signed in pencil L/R, “Gene Kloss imp.,” titled and numbered L/L, “Moonlit Kiva Ed 35;” 12 1/2˝ x 15 1/2˝, framed 18 3/4˝ x 21 3/4˝.

Estimate: $1,500 - $2,500

182 A REPUBLIC OF TEXAS PERIOD OPERATION

MANUAL BY MIGUEL BARREIRO FOR THE MEXICAN ARMY, “Resumen Instructivo, Que Publica El Comisario de División del Exército de Operaciones Sobre Tejas,” MARCH 4, 1837, ink engraving on cream laid paper printed by Juan Southwell, “Imprenta del mercurio,” in Matamoros, comprising pink tint wove paper with watermark tendril border appearing on two edges exterior covering pages thirty six pages and two tables, an account by Miguel Barreiro, Comisario General del Exército del Norte of the Mexican Army details the failed expedition into the Republic of Texas in the fall of 1836, presented in a red oilcloth and leather cover and case.

8 1/2˝ x 6˝

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $4,000 - $6,000

183 MICHAEL TRACY (American/Texas b. 1943)

A THREE PIECE SCULPTURE, “Altar Service for Mass in Time of Lent,” CIRCA 1981, acrylic and mixed media on wood, the crosses signed on base and one dated, “1981,” together with original signed invoice from the artist dated 1990; crosses 22˝ x 12 1/2˝ x 6˝, altarpiece 24˝ x 23 1/2˝ x 6˝.

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $2,000 - $3,000

FIVE COLLAGES, “Stations of the Cross to Nicaragua,” 1985, mixed media collages with pigment, paper and foil on card, each with a paper label on backing stating that each piece is signed and inscribed by the artist on the reverse, sold with original invoice signed by the artist dated 1989; each 39˝ x 27 1/2˝, framed 42˝ x 30 1/4˝.

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $2,000 - $3,000

TWO DRAWINGS, “Abner Cook House, Austin,” and “The Ducharmes Palm House, Austin,” 1951, graphite on paper, each drawing signed and dated L/R, “EM Schiwetz 51,” and titled L/L, “Abner Cook House - Colorado St. Austin” and “The Ducharmes Palm House - Austin TX;” each 11 3/4˝ x 15 3/4˝, framed 19˝ x 22 1/4˝.

Provenance: Estate of Mr. And Mrs. Thomas Dunaway Anderson, Houston, Texas.

Estimate: $1,500 - $2,500

LACQUERED EAGLE LEG

EARLY 19TH CENTURY, the serpentine crest centers acanthus leaf furls and a shell fan ending with curled tips and scrolled acanthus leaf encrusted ears, over a trapezoidal shaped upholstered back within two outwardly rolled arms terminating in applied floret medallions upheld by gesso and gilt carved mahogany eagles, twisting and with angled spread wings, the whole in original dark green lacquer paint with gilt details, now covered in aubergine velvet. Height: 39 1/4˝ Width: 96˝ Depth: 31˝

Estimate: $2,000 - $3,000

184 MICHAEL TRACY (American/Texas b. 1943)

185 EDWARD MUEGGE “BUCK” SCHIWETZ (American/ Texas 1898-1984)

186 A RUSSIAN EMPIRE PARCEL GILT GREEN

SETTEE,

187 THOMAS HART BENTON (American 1889-1975)

A PRINT, “The Fence Mender,” 1940, lithograph on paper, signed in pencil L/R, “Benton,” published by Associated American Artists, New York, from the edition of 250, Fath 40; 10 3/4˝ x 14 1/2˝, framed 18˝ x 21 1/2˝.

Estimate: $2,000 - $3,000

188 A FORTY-FIVE PIECE BUCCELLATI “MILANO” FLATWARE SERVICE, MARKED, ITALIAN, MID 20TH CENTURY, dinner service for eight, comprising eight dinner knives with stainless steel blades, 9 7/8˝, eight dinner forks, 8 1/4˝; eight salad forks, 6 3/4˝; eight teaspoons, 6˝; eight desert/place spoons, 7 1/8˝; one flat master butter, 7 5/8˝; one small scalloped spoon, 5 1/4˝; one tablespoon, 8 3/8˝; one large two tine fork, 10 5/8˝; and one sauce ladle, 7 1/4˝; each piece marked, “BUCCELLATI STERLING ITALY,” with a single unmarked cocktail fork. (46)

Provenance: Collection of Richard Griffiths, Houston, Texas. Note: Flatware storage caddy not included.

Estimate: $2,000 - $3,000

189 TOM BEECHAM (American 1926-2000)

A PAINTING, “The American Lion,” 1980, oil on canvas, signed and dated L/L, “T Beecham © 80,” reverse

“THE AMERICAN LION;” 23 1/2˝ x 29 1/4˝, framed 33 1/4˝ x 39 1/4˝.

Estimate: $2,000 - $4,000

titled,

190 A DUCK PRESS, FROM THE HISTORIC RICE HOTEL, HOUSTON, TEXAS, 1920s-1960s, silver nickel plated iron, by “Albert Pick & Co. Chicago.”

Height: 17˝ Width: 14 1/2˝ Depth: 8˝

Note: Duck press authenticated by The Rice Historical Society, “Remember the Rice,” framed, accompanies the present lot, 17 1/2” x 26 1/2”; Portfolio Management of Texas, Private Auction, Lot 36, June 17, 1978; Historic Rice Hotel, Kitchen, Houston, Texas. “For pressing juices from all fowls, wild ducks especially. Heavy gray iron,nickel plated. Gives just as good and even better service than the costly imported ones. Easily operated and cleaned. Ht. 17 in.,” an excerpt from the General Catalog of Equipment Furnishing and Supplies for Hotels, Restaurants, Clubs, and Institutions, 1926.

Estimate: $2,000 - $4,000

191 STEVEN WEINBERG (American b. 1954)

A GLASS SCULPTURE, “Blue Cube,” 2004, colored and etched glass, signed and dated, “WEINBERG 28 04 04.”

Height: 8 3/4˝ Width: 8 3/4˝ Depth 8 3/4˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $2,500 - $3,500

192 DICK WRAY (American/Texas 1933-2011)

A PAINTING, “Townscape in Red,” 1976, oil on canvas, reverse signed and dated, “dick wray / 76;” 65 1/4˝ x 79 1/4˝, framed 66 1/4˝ x 80 1/4˝.

Provenance: Estate of Robert William Guynn, Houston, Texas.

Estimate: $2,000 - $4,000

A PAINTING, “Monk’s Dream,” 1980, acrylic on canvas, titled, signed, and dated on reverse, “MONK’S DREAM / © Dan Christensen / 1980;”

46 1/2˝ x 69 1/2˝, framed 48˝ x 71˝.

Provenance: The Estate of Ferris and Jeanette Nassour, owners of the iconic store, “The Cadeau”, Austin, Texas.

Estimate: $2,000 - $4,000

TAYLOR SIGNED MANUSCRIPT WITH

ENGRAVING, CAMP NEAR MATAMOROS, APRIL 3, 1846, comprising an ink manuscript on cream wove paper with circular blindstamp U/L, dated and placed, response and acknowledgement of communication occuring on March 2nd, 1846 and that which he received en route from Corpus Christi to the Matamoros camp along the Rio Grande encampment, 10˝ x 8˝; and “Portrait of General Zachary Taylor,” 1846-1847, Chestnut St., Philadelphia, Pennsylvania, engraved by Illman & Sons from an original picture, 22˝ x 18˝, framed 29˝ x 24 1/2˝.

Provenance: H.P. Kraus Rare Books and Manuscripts, New York, N.Y., 1950s-1980s; Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Note: Bayou Bend Object No. B.59.59, MFAH Collections. A veteran of the War of 1812, Zachary Taylor came to fams a General in the United States army during the Mexican American War of 1846 to 1848, ultimately serving as President of the United States of America from 1849 until his untimely passing in 1850 while in service as Commander and Chief.

Estimate: $2,000 - $4,000

A

Estimate: $2,000 - $4,000

193 DAN CHRISTENSEN (AMERICAN 1942-2007)

194 A MEXICAN AMERICAN WAR GEN. ZACHARY

PORTRAIT

195 JOHN CHARLES TERELAK (American b. 1942)

PAINTING, “Summer Sailing,” 1971, oil on board, signed and dated L/L, “J.C. TERELAK © 71;” 21 1/4˝ x 27 1/4˝, framed 31˝ x 37˝.

A PHOTOGRAPH, “Kauai Dreaming,” 21ST CENTURY, color digital print, signed L/R, “Peter Lik,” and numbered, “414/950,” with Peter Lik Gallery authentication on reverse as issued; 58 1/2˝ x 19˝, framed 66 1/2˝ x 27 1/4˝.

Estimate: $2,000 - $4,000

A COLLAGE, “Starfish (Untitled),” LATE 20TH CENTURY, mixed media collage, signed M/L, “D. Hood,” also signed U/R, “D. Hood;” 20˝ x 16˝, framed 29 1/4˝ x 25 1/4˝.

Estimate: $2,000 - $4,000

A PAINTING, “River Stones (Untitled),” LATE 20TH CENTURY, oil on canvas, signed L/R, “Bill Shepherd;” 72˝ x 60˝, framed 74˝ x 62˝.

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $2,000 - $4,000

196 DOROTHY HOOD (American/Texas 1918-2000)

197 PETER LIK (Australian b. 1959)

198 BILL SHEPHERD (American b. 1943)

A PAINTING, “String Lake Outlet,” 20TH/21ST CENTURY, oil on board, signed L/L, “Earl Carpenter;” 24˝ x 36˝, framed 35˝ x 46 3/4˝.

Estimate: $2,000 - $4,000

A PAINTING, “Portrait of the Artist’s Mother,” 1928, oil on canvas, signed and dated L/L, “Louis Hayet / 1928;” 21 1/2˝ x 18˝, framed 25 1/2˝ x 21 3/4˝.

Provenance: Ader Nordmann, Paris, 1/26/2021, lot 63.

Estimate: $3,000 - $5,000

A PAINTING, “Marking the Pass,” 1951, watercolor and gouache on paper, signed and dated L/R, “Ew Schiwetz 51;” 12˝ x 16 3/4˝, framed 22 1/2˝ x 26 1/2˝.

Estimate: $3,000 - $5,000

199 EARL L. CARPENTER (American b. 1931)

200 LOUIS HAYET (French 1864-1940)

201 EDWARD MUEGGE “BUCK” SCHIWETZ (American/ Texas 1898-1984)

A PAINTING, “Out of Range,” 1983, watercolor on paper, signed L/R, “BARNES,” reverse with Meredith Long & Company paper label; 21 3/4˝ x 28 1/4˝, framed 30 1/2˝ x 36 3/4˝.

Estimate: $3,000 - $5,000

A PAINTING, “Cotton Fields,” 1960, watercolor and gouache on paper, signed and dated L/R, “EM Schiwetz 60;” 11 1/2˝ x 17 3/4˝, framed 20 1/2˝ x 26 1/2˝.

Provenance: Estate of Mr. And Mrs. Thomas Dunaway Anderson, Houston, Texas.

Estimate: $3,000 - $5,000

A PAINTING, “Icon XIII,” 1990, acrylic on canvas mounted on wood, reverse signed and dated, “Michael Tracy / Summer 1990,” and marked, “XIII,” with original signed artist’s invoice dated 1996. 90˝ x 48˝

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $4,000 - $6,000

202 AL BARNES (American/Texas 1937-2015)

204 MICHAEL TRACY (American/Texas b. 1943)

203 EDWARD MUEGGE “BUCK” SCHIWETZ (American/ Texas 1898-1984)

205 OLEG STAVROWSKY (American/Texas 1927-2020)

A PAINTING, “Love Letter,” 20TH CENTURY, oil on canvas, signed L/R, “Oleg Stavrowsky;” 24˝ x 36˝, framed 34 1/2˝ x 46 1/2˝.

Estimate: $4,000 - $6,000

206 FATHER BARTHOME GARCIA, AN 18TH CENTURY

SPANISH COLONIAL ECCLESIASTICAL TEXT, "Manual para administrar los Santos Sacramentos de Penitencia, Eucharista, Extrema-Uncion, y Matrimonio a los Indios de las Naciones que se hallan en las Missiones del Rio de San Antonio, y Rio Grande, pertenecientes à el Colegio de la Santissima Cruz de la Ciudad de Querétaro."

COLEGIO DE SAN FERNANDO APOSTOLICO, MEXICO

CITY, JULY 10 - OCTOBER 15, 1760, cream color leather bound booklet with watermarked cream laid paper, with pasted library label, "OTIUM SINE LITTERIS

MORS EST, Joaquin Garcia Icazbalceta, inscribed in ink "Ofiscquerio del distinguido bibliografia D. Corlio Ordinare," containing the writings of Spanish missionary Bartholome. Garcia and his brother missionary Josef Guadalupe Prado giving advice on relations between the indigenous and spanish, religious ceremonies and rites including translating from Spanish to the local Texas language, Coahuiltecan.

8˝ x 6˝

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $8,000 - $10,000

207 A TEXAS HOME STATE TRIBUTE THOMPSON

SUB-MACHINE GUN, MODERN, model 1927A-1, semi-automatic, .45 caliber, with drum magazine, the action is plated in 24 karat gold and nickel and etched with scenes of longhorns, the Alamo, Stephen Austin, an armadillo and a Texas star, number 68 from an edition of 250, manufactured by Auto Ordnance Corporation of Worcester, MA, for America Remembers, contained in a separately manufactured oak and glass display box, with Thompson hard shell plastic carrying case and original paperwork; case height: 12˝, width: 46˝, depth: 10 1/2˝.

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $4,000 - $6,000

208 (ROBERT) JULIAN ONDERDONK (American/Texas 1882-1922)

A DRAWING, “11 Miles Out On Blanco Road,” 1921, pencil with gouache heightening on toned paper, dated L/R and indistinctly inscribed across lower margin; 8 3/4˝ x 11˝, framed 17 1/2˝ x 19 3/4˝.

Note: This drawing has been authenticated by Harry Halff. Provenance: Eleanor Onderdonk; La Sirena, Inc., San Antonio, Texas; Harry Halff Fine Art, San Antonio, Texas.

Estimate: $5,000 - $7,000

209 OLEG STAVROWSKY (American 1927-2020)

A PAINTING, “No Argument,” 20TH CENTURY, oil on canvas, signed L/L, “Oleg Stavrowsky,” reverse titled and signed, “’No Argument’ / Oleg Stavrowsky / ©;” 40 1/2˝ x 53 1/2˝, framed 51 1/2˝ x 64 1/2˝.

Estimate: $6,000 - $8,000

210 ÉDOUARD CORTÈS (French 1882-1969)

A PAINTING, “Riviere dans la Vallee,” 1920s-1930s, oil on board, signed L/R, “Edouard Cortes;” 9 1/2˝ x 14˝, framed 18 1/2˝ x 23 1/2˝. Note: This painting is included in the catalogue raisonné for the Complete Works of Edouard Leon Cortes, by Nicole Verdier, vol. II, image 492, pg. 69. It is also included in the virtual catalogue raisonné by Brian Roughton EC00455. Provenance: Atelier Edouard Cortes, 1969; by descent Mme. Jacqueline Simone, daughter of the artist; with Nicole Verdier, expert, Paris; RW Fine Art, Houston, TX, 2002; Carpenter Collection, Bartlesville, Oklahoma.

Estimate: $6,000 - $8,000

211 ITALIAN SCHOOL, A PAINTING, “The Love Sonnet,” 19TH CENTURY, oil on canvas, bears the indistinct inscription on the balustrade at L/L, “EBurton pinx 1838;” 53˝ x 40˝, framed 68 1/2˝ x 55˝.

Estimate: $8,000 - $12,000

212 H.F. WALLING MILITARY MAP, “Map of Texas and Part of New Mexico compiled in the Bureau of Topographical Engrs., Chiefly for Military Purposes,” U.S. WAR DEPT. PRELUDE TO AMERICAN CIVIL WAR, NEW YORK, 1857, lithograph on banknote paper printed for Officers only to reduce belligerent intelligence gathering and thusly scarce, “Printed at H.F. Walling’s Map Establishment..,” with a, “List of Authorities,” including military map surveys and reconnaissances from 1840-1857 with contributions by officers: Johnston, Bryan, Smith, Emory, Marcy, Wool, Hughes and Kearney, also noting the establishment of, “...principal Latitudes and Longitudes, Astronomically determined, which have been used as as basis in the construction of this map, “Lith. of Ritchie & Dunnavant,” with 1/1500,000 scale, uncolored; neatline: 33˝ x 36˝, sheet: 35 1/2˝ x 39 1/2˝, unframed.

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $6,000 - $8,000

213 YINGZHAO LIU (Chinese b. 1956)

A PAINTING, “Offerings,” 2005, oil on canvas, signed L/R, “Yingzhao Liu / U.S.A;” 47˝ x 43˝, framed 53˝ x 49˝.

Estimate: $6,000 - $8,000

214 JOSEPH HAVEL (American/Texas b. 1954)

A SCULPTURE, “Veil,” CIRCA 2000, cast bronze on a concrete plinth. Height: 70˝ Width: 27˝ Depth: 10˝

Estimate: $6,000 - $8,000

215 A TEXAS ANNEXATION ERA BOOK, “Seat of War: Texas and Mexico, in 1846; A General View of the People, History, and Resources of the Two Countries. Accompanied by Map,” JOHN B. NEWMAN, M.D., NEW YORK, 1846, ink print engraving on wove paper, with red paper titled exterior page, sewn bound, “Entered, according to Act of Congress, in the Year 1846 by J.K. Wellman, in the Clerk’s Office of the District Court for the Southern District of New York,” J.K. Wellman, publisher, with fold out map, “Mexico and Texas in 1846 Seat of War,” J.K. Wellman, publisher, Lewis & Brown, lithographers; booklet 9 1/2˝ x 6˝, map 12˝ x 12˝.

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $6,000 - $8,000

216 HERB JACKSON (American b. 1945)

A PAINTING, “Veronica’s Veil LXXXVI,” 1986, acrylic on canvas, inscribed, dated, and signed on reverse, “VV LXXXVI / © 1986 / Herb Jackson,” a Phyllis Weil & Company, New York, paper gallery label on stretcher. 60˝ x 48˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $8,000 - $12,000

217 A REPUBLIC OF TEXAS ERA LETTER REGARDING SANTA ANNA, BETWEEN GENERALS NICOLAS BRAVO

TO FRANCISCO PIZARRO, MATAMOROS, MARCH 9, 1837,

ink manuscript on wove paper, addressed to General Francisco Pizarro from General Nicolas Bravo, the letter dictated by Gen. Bravo communicates that Gen. Santa Anna is traveling from the United States back to Mexico where he will explain his defeat and loss of Texas. 10˝ x 8˝

Note: Edward Eberstadt & Sons., Specialists in Rare Americana, 888 Madison Ave., New York, N.Y., December 23, 1965.

“General Antonio Lopez de Santa Anna was captured by the Texans at the Battle of San Jacinto. He was later released by the Texans and went to Washington D.C...In this letter one of the important Mexican generals of the time writes about Santa Anna’s release and return to Mexico, ‘From your letter of 4 February I finds that General Santa Anna has left Washington and embarked at Baltimore in a steamship bound for Norfolk, VA, from whence he will come to Mexico in the U.S. Ship PIONEER. Now from a special letter from Mexico I learn that he arrived in Veracruz on 20 February ad on the 21st at Manga de Clavo.’ Manga de Clavo was Santa Anna’s famous homestead. Bravo concludes by saying that he is sending Pizarro this important news for fear he has not otherwise learned it.”

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $8,000 - $12,000

A SCULPTURE, “Annunciation,” CIRCA 2000, glazed ceramic sculpture in six parts including three figures and three corresponding bases; tallest height: 77˝.

Estimate: $8,000 - $12,000

218 CHRIS POWELL (American/Texas b. 1957)

Estimate: $60,000 - $80,000

the GIA Certified 2.85 carat central emerald cut fancy vivid yellow diamond with even color distribution, clarity: VS2, surrounded by an undulating spray of twenty-four tapered baguette diamonds, color: F-H, clarity: VVS-VS, combined approximate weight: 1.68 carats, total approximate weight: 9.52 grams, size: 6 3/4.

Note: GIA report 2223907067 accompanies this lot.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $6,000 - $8,000

219 GERALD “G. HARVEY” JONES (American 1933-2017)

A PAINTING, “The Lone Camper, Starry Night,” oil on canvas, signed L/R, “G. Harvey,” on reverse a hand inscribed paper label with artist name and title, and lower a gilt label, “Meinhard Galleries, Paintings, Prints, Picture Framing;” 24˝ x 30˝, framed 35 1/2˝ x 41 3/4˝.

220 A PLATINUM AND FANCY VIVID YELLOW DIAMOND RING,

221 CLAUDE MONET (French 1840-1926)

A PASTEL DRAWING, “Bord de Mer,” CIRCA 1865, pastel on paper, signed L/R, “C. Monet,” inscribed on reverse, “Offert par C. Monet à Theodore Duret et par / ce dernier à L Leroy: 57, rue St Lazare;” 7˝ x 11˝, framed 18 1/4 x 22 1/2˝.

Provenance: Théodore Duret; Louis Leroy, Paris; Madame Rosenberg Collection, France, (before 1953); Galerie Rousso (1953); Georges Albertini, the former owner’s uncle; Danielle Meurgey and Patrick Bouyer (1968); private collection, Paris; M.S. Rau Antiques, New Orleans; private collection, Lake Charles, Louisiana.

Estimate: $500,000 - $700,000

Note: “It is beautiful here (in Le Havre), my friend; every day I discover even more beautiful things. It is intoxicating to me, and I want to paint it all - my head is bursting...It seems to me as if I can see nature and I can catch it all.” - Claude Monet in a letter to his friend Frédéric Bazille, 1864. Bord de Mer is important because it is among the first works to display Monet’s mastery of the “plein air (outdoor),” landscape technique which was essential to the development of impressionism. In 1857-58, when he was only 18 and still living in Le Havre, Monet met the local artist Eugène Boudin who persuaded him to go outside the studio and observe nature and draw and paint directly from it. Prior to this, most landscape paintings were created inside the artist’s studio and depicted scenes that were imagined or put together from sketches. Boudin told Monet to make art that truly observed nature and showed the interplay between solid objects and light, air, and atmosphere. Over the next decade, Monet refined this skill which would be central to his artistic evolution and the style we call impressionism. Bord de Mer was drawn in the mid 1860s during one of Monet’s many excursions to the Normandy coast near Le Havre. In it we can see that his subject matter includes not just sea and rocks, but also the movement of waves, the reflection of light, and the salty atmosphere. Bord de Mer will be included in the supplement of the Catalogue Critique de l’oeuvre de Claude Monet being prepared by Guy Wildenstein and has been authenticated by the Wildenstein Institute. It comes with a letter of authentication signed by Guy Wildenstein dated September 29, 2015.

Exhibited: Courbet et l'impressionnisme, Musée Gustave Courbet, Ornans, France, July 9 - October 17, 2016.

Literature: Courbet et l'impressionnisme, Musée Gustave Courbet, 2016, F. Thomas-Maurin, J. Delmas, and E. Bourdon, p. 145, number 26.

222 GERALD “G. HARVEY” JONES (American 1933-2017)

A PAINTING, “In from the Range,” 1971, oil on canvas, signed and dated L /R, “G. Harvey / Austin / 1971;” 24˝ x 30˝, framed 31˝ x 37˝.

Estimate: $60,000 - $80,000

223 JOHN DISTURNELL, “Mapa de los Estados Unidos de Mejico, Revised Edition,” A MEXICAN AMERICAN WAR MAP, NEW YORK, 1847, hand colored copper plate engraving on paper, known as the, “Treaty of Hidalgo,” or “Treaty,” map is a transitional seventh to eighth edition, attributed as one of the last four editions of the seven editions Disturnell printed in 1847; a cartographic anomaly appears when Santa Fe, New Mexico, is contained within the yellow colored borders of Texas, the Gulf of Mexico with four inset maps, “Map Showing the Battlegrounds of (Palo Alto) the 8th and 9th, May 1846, by J.H. Eaton,” “Plan of Monterrey and its Environs,”

“Chart of the Bay of Veracruz,” and, “Tampico and its Environs,” at far right, “Diagram of the Battleground (of Buena Vista) February 22nd and 23rd 1847,” highlighting the victories of Zachary Taylor, in the lower left, “Table de Distancias.,” “Tabla Estadistica.,” and “Carta de los Caminos & Desde Vera Cruz Y Alvarado a Méjico,” accompanied by two profiles of the routes,“... between Mexico and Veracruz,” and “...between Mexico and Acapulco,” the upper right with engraving of Mexican eagle with snake in its beak, perched on cactus with names of Mexican states lettered on cactus pads, above a bow and arrow; the hand coloring ordered as follows:

“Yellow-Boundary Claimed by the United States,” with quotation, “Prior to the Revolution Texas and Coahuila were united to form one of the Federal States of the Mexican Republic,” showing the old and new borders of Texas at the Rio Grande River, in Red- Routes of Gen. Taylor’s March from south Texas through north Mexico, and Gen. Kearny’s Route in the north tracking his “March of the 1st Dragoons” from Fort Leavenworth, Kansas to Santa Fe, New Mexico, an interesting hand colored element in this map due to Kearny’s foreshortened route ending in Santa Fe, which he would have traversed from June 1846-September 1846 then set forth towards the California coast; the map presented with original gilt embossed green cloth cover board Map of the Republic of Mexico, Published by J. Disturnell, New York and retaining original glued condition to the backboard; 30 5/8˝ x 41 1/4˝, unframed.

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

224 AN ANTIQUE MAP, CHAS. W. PRESSLER’S TRAVELER’S

MAP OF THE STATE OF TEXAS, NEW YORK, CIRCA 1888, lithograph on paper with hand coloring, originally published 1867, “Compiled from the records of the General Land Office, the maps of the Coast Survey, the reports of the Boundary Commission and various other Military surveys and reconnaissances by Chas.

W. Pressler,” the map retailed by, “Levinson Perkins & Co., No. 80 Beaver Street, New York,” in the lower right margin, “Entered According to the Act of Congress in the year 1888 by Chas. W. Pressler in the Clerk’s Office of the District Court of the United States Court for the Southern District of New York.,” with inset view, “Map of the Western Part of Texas,” and “Map of the Northern Part of Texas,” including topographical elevation shown in hachures, showing the State Capitol, County Seats, Villages & Post Offices, railroads, common roads, and bayous, lighthouses, trading posts, military forts, Indian territory, the “Immigrant’s Road to California,” noted with water sources for travelers, and occupied Comanche and Kiowa lands; 39˝ x 37 11/2˝, framed 49 3/4˝ x 47 3/4˝.

Estimate: $30,000 - $50,000

Note: Charles W. Pressler, immigrated to Texas in 1846, establishing himself as a surveyor first with Jacob De Cordova. Pressler lead surveying expeditions for the active surveyor; later establishing a career with the General Land Office of the State of Texas in 1850, serving as Principal Draftsman from 1858-1865. It is during this time that Pressler and colleagues were commissioned to produce the present map. Argued as, “Unquestionably the finest map of Texas of its period,” this map improved the State of Texas and the United States’ understanding of Texas’ geography. The map shows the actual and proposed network of railroad lines, indicating population and inhabited areas of the West Texas territory. The map also details post offices, trails, and roads. Outside of man-made transportation routes, the single most detailed part of this map is the extensive system of waterways run through Texas. Indigenous territories are found near the Red River. The map was so well informed and drafted that not only the State of Texas, but also the United States Federal government consulted this map, and later editions, when resolving land disputes in the 19th century.

Estimate: $20,000 - $30,000

225 DOROTHY HOOD (American/Texas 1918-2000)

A PAINTING, “Homage to H.M.,” CIRCA 1980, oil on canvas, signed U/L, “D. Hood,” reverse signed and titled on the stretcher, “D. Hood - Homage to H.M.,” and inventory number, “G33940,” with a Meredith Long & Company paper label; 70˝ x 60˝, framed 71 1/2˝ x 61 1/2˝.

Estimate: $25,000 - $35,000

226 “The War Between the United States and Mexico Illustrated. Embracing Pictorial Drawings of all the Principal Conflicts,” A PORTFOLIO, NEW YORK AND PHILADELPHIA, 1850-1851, a series of twelve lithographic plates on wove paper with hand coloring presented in a gilt tooled leather book, drawings by Carl Nebel, descriptions of each battle by Geo. Wilkins Kendall, printed in Paris by Plon Brothers, published by D. Appleton & Co., New York and George S. Appleton, Philadelphia, with frontispiece map, “Map of the Operations of the American Army in the Valley of Mexico in August and September 1847.” 24˝ x 18˝

Reference: Sabin 37362 and Howes K76.

Provenance: John Howell Books, San Francisco, California; Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $8,000 - $12,000

227 GERALD “G. HARVEY” JONES (American 1933-2017)

A PAINTING, “Waiting at the Gate,” 1968, oil on canvas board, signed and inscribed at L/L, “G. Harvey / Austin,” reverse with paper label and artist’s inventory number, “327P;” 12˝ x 16˝, framed 19 3/4˝ x 23 3/4˝.

Estimate: $12,000 - $15,000

228 HENNING KOPPEL FOR GEORG JENSEN, A FOUR PIECE STERLING SILVER TEA AND COFFEE SERVICE, MODEL 1017, 20TH CENTURY, the complete set, designed in 1952, comprising a coffee pot with guaiacum wood handle, a teapot with guaiacum wood handle, a creamer, and a sugar bowl, each piece marked, “DESSIN / HK (inscribed in an oval) / DENMARK / GEORG JENSEN (inscribed in a beaded oval) / STERLING / 1017;” coffee pot height: 6 1/4˝.

Note: The teapot 1017 was awarded the Gold Medal at the 1954 Triennale di Milano.

Estimate: $8,000 - $12,000

229 GERALD “G. HARVEY” JONES (American 1933-2017)

A PAINTING, “Summer Haze: Peak at Van Horn, Texas,” 1971, oil on canvas, signed and dated L/R, “G. Harvey 1971;” 12˝ x 16˝, framed 22 1/2˝ x 26 1/2˝.

Estimate: $12,000 - $15,000

230 BERTRAM SAMPLES (American/Texas b. 1955)

A PAINTING, “Surrealist Landscape in Blue,” 1985, oil and acrylic on panel, reverse signed, inscribed, and dated, “BERTRAM E. SAMPLES / Oil & Acrylics on Wood Panel / 39 1/2˝ x 64 1/4˝ / 1985;” 39 1/2˝ x 64 1/4˝, framed 40 1/4˝ x 65 1/4˝. Provenance: Estate of Robert William Guynn, Houston, Texas.

Estimate: $8,000 - $12,000

231 OLEG STAVROWSKY (American 1927-2020)

A PAINTING, “The Hardbodies,” 20TH CENTURY, oil on canvas, signed L/L, “Oleg Stavrowsky,” reverse titled and signed, “’The Hardbodies’ / Oleg Stavrowsky / ©;” 43 1/2˝ x 53 1/4˝, framed 54 3/4˝ x 64 3/4˝.

Estimate: $6,000 - $8,000

232 ALBERT LYNCH (American 1851-1912)

A PAINTING, “Portrait of a Young Beauty,” EARLY 20TH CENTURY, oil on canvas, signed U/L, “Albert Lynch;” 23 1/4˝ x 17 3/4˝, framed 34˝ x 28 1/2˝.

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $6,000 - $8,000

233 ÉDOUARD CORTÈS (French 1882-1969)

A PAINTING, “Bouquet Blanc Devant la Fenêtre,” 20TH CENTURY, oil on board, signed L/R, “Edouard Cortes;” 10˝ x 13 1/2˝, framed 23˝ x 26 3/4˝.

Note: This work is accompanied by a photo certificate number EC 061300/TemC/I200-178-Ce by Nicole Verdier, expert. It is also included in the catalogue raisonné for the Complete Works of Edouard Leon Cortes, by Nicole Verdier, vol. I, pg. 27, #402. It is also included in the virtual catalogue raisonné by Brian Roughton EC00440.

Estimate: $6,000 - $8,000

234 CLEMENS BEWER (German 1820-1884)

A PAINTING, “Erato, Muse of Love Poetry,” 1867, oil on canvas, signed and dated L/R, “C. Bewer / D. 1867;” 57˝ x 42˝, framed 71 1/4˝ x 56˝.

Provenance: Collection of Marty Skolnik, Houston, Texas.

Estimate: $6,000 - $8,000

236 PRELUDE TO TEXAS REVOLUTION, A DESCRIPTIVE BOOK OF TEXAS, “Noticia Estadistica sobre Tejas, por Juan N. Almonte,” MEXICO, JANUARY 1, 1835, ink letter engraving on wove paper, “Impreso por Ignacio Cumplido,” in gilt tooled leather boards.

6˝ x 4˝

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $6,000 - $8,000

235 HENNING KOPPEL FOR GEORG JENSEN, A STERLING SILVER WATER PITCHER, MODEL 992, “The Pregnant Duck,” 20TH CENTURY, designed in 1952, marked at base, “HK (inscribed in an oval) / C11 / DENMARK / GEORG JENSEN (inscribed in a beaded oval) / DENMARK / 925S /992.”

Height: 11 3/4˝ Width: 8 1/2˝ Depth: 5 3/4˝

Estimate: $6,000 - $8,000

237 JON KUHN (American b. 1949)

A STUDIO GLASS SCULPTURE, “Floral Light,” 1996, signed, dated, and titled.

Height: 8 1/2˝ Width: 8 1/2˝ Depth: 8 1/2˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $4,000 - $6,000

A PAINTING, “Vertical White Gray,” 1980, oil and acrylic on linen, reverse titled, signed and dated twice, “VERTICAL WHITE GRAY / VERTICAL WHITE GRAY / Goodnough / 1980 / acrylic + oil / Goodnough / ‘80;” 84˝ x 36˝, framed 85 1/4˝ x 37 1/4˝.

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $4,000 - $6,000

239 BERTRAM SAMPLES (American/Texas b. 1955)

A PAINTING, “Dawn of Orpheus,” 1979, acrylic on board, signed, titled, and dated on reverse, “Bert Samples / Dawn of Orpheus / Acrylic 1979,” a 1985 Museum of Fine Arts, Houston paper label, “Fresh Paint: The Houston School,” affixed to stretcher; 23 1/4˝ x 31 1/4˝, framed 24 3/4˝ x 33˝.

Provenance: Estate of Robert William Guynn, Houston, Texas.

Estimate: $4,000 - $6,000

240 A MEIJI PERIOD JAPANESE EXPORT “DRAGON” COFFEE POT, BY SANJU SAKU, MARKED, PROBABLY YOKOHAMA, 1868-1912, the lid finial designed as a crouching dragon fish among waves lifting over a large teapot with deep relief choppy waves splashing around two dragons, one emerges at the spout and the handle is formed as a whipping fishtail, fearsome, writhing, and clawing through space, raised on a trumpet-form, rolled edge foot, the reverse with Sanju Saku silversmith stamp and purity jungin mark in fan form, height: 15˝ width: 13˝ depth: 7˝; total approximate weight: 59.50 ozt.

Estimate: $4,000 - $6,000

238 ROBERT ARTHUR GOODNOUGH (American 1917-2010)

242 A CASED PAIR OF ENGRAVED BELGIAN PERCUSSION TARGET PISTOLS, MID 19TH CENTURY, eight inch damascus barrels marked with Liege proof, “ELG,” with floral engraving on stepped plates and carved and fluted walnut half stocks and grips, with period correct loading accessories including powder flask, ball mold, percussion cap container, ball starter, cleaning brush, and rod, in original veneered burr walnut case, overall: 3 1/2˝ x 17 1/2˝ x 10 1/2˝.

Provenance: Collection of Dana Brown, Houston, Texas.

Estimate: $3,000 - $5,000

241 AN HERMÈS BIRKIN HANDBAG, GOLD COURCHEVEL 35, FRENCH, 1996, with original gold plated hardware, inside of strap with blindstamp “26 C,” and the year stamp of Z inscribed in a circle, with gold embossed stamp, “HERMÈS / PARIS / MADE IN FRANCE,” and inscribed, “HERMÈS - PARIS,” and with the luxury designer’s brand on the lock plate.

Height: 15˝ Width: 14˝ Depth 7˝

Estimate: $4,000 - $6,000

243 VICENTE FILISOLA PUBLISHES SANTA ANNA’S CORRESPONDENCE AFTER CAPTURE AT BATTLE OF SAN JACINTO, JULY 12, 1836, correspondence with Vicente Filisola, 2nd in command of the Mexican Army begins April 22, 1836, Gen. Santa Anna reveals he is a prisoner of war, deckle edge sewn bound water marked cream laid paper with ink press with a blue tint watermarked laid paper cover presented in a red oilcloth and leather cover and case.

9˝ x 6 3/4˝

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $3,000 - $5,000

244 THOMAS DE DECKER (American b. 1951)

A PAINTING, “Pond Flowers and Lilies,” 2023, oil on masonite, signed L/R, “THOMAS de DECKER,” reverse titled, dated, and signed, “’Pond Flowers + Lilies’ 2023 / by / Thomas de Decker;” 24˝ x 30˝, framed 32 1/2˝ x 38 1/2˝.

Estimate: $2,500 - $3,500

246 AN AMERICAN CHIPPENDALE MAHOGANY SLANT FRONT DESK, GODDARD-TOWNSEND SCHOOL, LIKELY NEWPORT, RHODE ISLAND, 1760s-1790s, the New England style rectangular open dovetailed top over a slant front with old willow brass escutcheon falls open over two sliding arms to reveal a central locking cupboard door flanked by four cubby holes with serpentine divides over two blocked drawers flanked by two banks of three drawers topped by satiny rippling shell fans carved before a generous writing space, surmounting four cascading drawers with cockbead faces resting on a molded base and raised on ogee bracket feet.

Height: 42 1/2˝ Width: 40 1/2˝ Depth: 21 1/2˝

Provenance: Estate of Mr. and Mrs. Thomas Dunaway Anderson, Houston, Texas.

Estimate: $2,000 - $3,000

245 A 14K YELLOW GOLD AND DIAMOND MOVADO QUARTZ WATCH, the scratch-resistant sapphire watch crystal encircled by a bezel of sixteen round brilliant diamonds, color: G-H, clarity: VS, combined approximate weight: 0.49 carats, and twelve single cut diamonds on the face marking the hours, color G-H, clarity: VS, combined approximate weight: 0.12 carats, with a buckle clasp, marked, “14K Gold, E98, 7925271, 53170,” total approximate weight: 39.01 grams, case size: 25 mm, length: 6 1/2˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $3,000 - $5,000

FIVE PAINTINGS, “Black Swan for Nassim Nicholas Taleb,” 2016, oil and watercolor on paper; each 41˝ x 29 1/2˝, framed 43 3/4˝ x 32˝.

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $2,000 - $3,000

248 A 14K WHITE GOLD, PEARL, AND DIAMOND RING, the central cultured pearl, color: yellowish white with a pink sheen, approximate size: 13 mm, surrounded by forty prong set round brilliant cut diamonds, color H, clarity: VVS-VS, combined approximate weight: 4 carats, marked, “14K,” total approximate weight: 11.47 grams, size: 6.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $2,000 - $3,000

249 A CHINESE KANGXI STYLE CANTON BLUE AND WHITE LANDSCAPE VASE, QING DYNASTY (1644-1912), the trumpet form flared mouth with repeating cloud collar over a tapered cylindrical neck painted with a rocky landscape with figures fishing and seated in conversation above a rolled band with “earth and sky” geometric band over a baluster form body with lush watery landscape surrounding a ferryman by pigs, and seated figures on a flared circular foot.

Height: 18 3/8˝ Diameter: 8˝

Estimate: $2,500 - $3,500

247 MICHAEL TRACY (American/Texas b. 1943)

250 T. C. CANNON (American 1946-1978)

A PRINT, “Collector # 5,” CIRCA 1975, woodblock print on paper, numbered and signed in pencil L/L, “71/200 TC Cannon;” 19 3/4˝ x 17 3/4˝, framed 27˝ x 25˝.

Estimate: $2,000 - $3,000

251 JOHN CONARD LEWIS (American b. 1942)

A GLASS MODERNIST COFFEE TABLE, 1990, glass topped table with a cast glass base and applied copper, signed, dated, and numbered, “Lewis 90-123.”

Height: 16˝ Width: 48 Depth: 42˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $2,000 - $3,000

252 SIX DANISH MODERN TEAK AND CANE DINING CHAIRS, FINN JUHL DESIGNS FOR BAKER FURNITURE, 1960’s, the curved backs fitted with cane panels over trapezoidal woven cane seats raised on smooth tapered legs and joined by turned supports.

Height: 30 3/4˝ Width: 21˝ Depth: 23˝

Estimate: $2,000 - $4,000

253 GEORGE LANCE (British 1802-1864)

A PAINTING, “Still Life with Grapes,” 1868, oil on canvas, signed and dated L/L, “George Lance 1868;” 20˝ x 24˝, framed 26 1/2˝ x 31˝.

Provenance: Collection of Patti Nommensen, Austin, Texas.

Estimate: $2,000 - $4,000

254 A FOUR PIECE VICTORIAN STERLING SILVER TEA/COFFEE SET, BY HENRY WIGFULL, HALLMARKED, SHEFFIELD, 1856, in the Rococo Revival taste and each with a rim of leafy scrolls, above a short neck and sides with vertical panels of repoussé blossoming clusters with one side centering a blank cartouche, the coffee pot flanked by an ear form hollowware handle mounted with an acanthus detailed thumb piece, opposite a spout with trailing flowering vine reversing to a large leafy bloom, surmounted by a hinged lid centering a realistically detailed flower finial and raised on scrolling acanthus and lion’s paw form feet, height: 9˝, together with a matching hinge lidded teapot, and cream pitcher with a two-handled bowl, each hallmarked with Sheffield crown, date letter N (1856), lion passant (sterling silver), and silversmith’s stamp, “HN / & Co,” (Henry Wigfull & Co), total approximate weight: 87.5 troy oz.

Estimate: $2,000 - $4,000

255 A MEXICAN AMERICAN WAR ZACHARY TAYLOR GRAPHIC BANDANA, FOR PRESIDENTIAL CANDIDACY AND VICTORY, CIRCA 1848, cotton with blue, red, brown-black dye showing a central thirty star American flag waving over a portrait of Zachary Taylor in his General uniform, the corners with portrait reserves of Gen. Winfield Scott, Lt. Col. C.A. May, Gen. Wool, and Gen. Patterson within a double border of paisleys and geometric entrelac guilloche; 24˝ x 28˝, framed 30˝ x 33 1/2˝.

Reference: Threads of History, Collins, plate 205. Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $2,000 - $4,000

A SCULPTURE, “Run of the Salmon People,” 1997, bronze with green, gold, and brown patinas, signed, numbered, and dated at base, “Regat / 3/55 / 1997.”

Height: 22˝ Width: 34˝ Depth: 8˝

Provenance: Collection of Alisa Ortegon, Galena Park, Texas.

Estimate: $2,000 - $4,000

A PAINTING, “Sailing Boats off the Coast,” 19TH CENTURY,

oil on canvas, with the artist’s estate stamp L/R, “BY THE HAND OF / M.F.H. de HAAS, N.A.,” a photocopy of the estate certification dated December 8, 1895, affixed to the reverse backing; 11 1/2˝ x 18 1/2˝, framed 23 1/4˝ x 30 1/4˝.

Estimate: $2,000 - $4,000

A PRINT, “Row With Me Henry,” 1995, silkscreen on paper, signed L/R, “Rodrigue,” and marked L/L, “Artist Proof;” 28 3/4˝ x 21 3/4˝, framed 38 1/4˝ x 31 1/4˝.

Provenance: Purchased from the artist at the Rodrigue Studio, New Orleans, Louisiana.

Estimate: $2,000 - $4,000

256 JACQUES AND MARY REGAT (American 20th/21st Century)

257 MAURITS FREDERIK HENDRIK DE HAAS (Dutch/ American 1832-1895)

258 GEORGE RODRIGUE (American 1944-2013)

A COLLAGE, “Egypt and Peacock,” CIRCA 1980, mixed media collage on card, signed in pencil L/L, “D Hood,” titled on verso.

Estimate: $2,000 - $4,000

259

A PAINTING, “Out for a Ride,” 20TH CENTURY, oil on board, signed L/R, “Carl J. Smith,” an old High Plains Galleries, Amarillo label on reverse; 24˝ x 30˝, framed 32˝ x 37 1/2˝.

Provenance: Collection of Michael Springs, San Marcos, California.

Estimate: $2,000 - $4,000

261

A PAINTING, “Ocean Dawn,” 20TH CENTURY, oil on canvas, signed L/R, “CHARLES VICKERY,” 12˝ x 16˝, framed 15 1/2˝ x 19 1/2˝.

Estimate: $1,500 - $2,500

CARL J. SMITH (American/Texas b. 1928)

260 DOROTHY HOOD (American/Texas 1919-2000)

30˝ x 20˝

CHARLES VICKERY (American 1913-1998)

A SCULPTURE, “Phoenix Figure of Man,” SIGNED, 1991, ombre cold painted bronze, signed and dated in bronze, “Bobbie Carlyle 1991,” on a black granite and carved mahogany trapezoidal base.

Height: 31˝ Diameter: 14˝

Estimate: $2,000 - $4,000

263

AND

PAULA PORTET DESIGNS FOR A. RUDIN, LOS ANGELES, CALIFORNIA, FEBRUARY 2022, the bespoke design has a canted rectangular back supports two large rectangular back cushions issuing flat squared arms flanking two large rectangular cushions on the sofa and single long cushion on the loveseat, a fabric “A. Rudin” brand label bellow, raised on square matching upholstered feet, joined by a skirt trimmed in blue and cream white double helix and Greek style intertwined ribbon guilloche patterned wide jacquard ribbon, built with all new materials and 100% wove, cream color, cotton upholstery with matching pipe trim, the cushions filled with 75% white goose feathers and 25% white goose down; sofa height: 35˝, width: 86˝, depth: 39 1/2˝; loveseat height: 35˝, width: 72˝, depth: 39 1/2˝.

Estimate: $1,500 - $2,500

A PAINTING, “Vase of Flowers,” 1892, oil on canvas, signed and dated L/L, “Albert Lebourg. 1892;” 15 1/2˝ x 12 1/4˝, framed 20˝ x 16 1/4˝.

Provenance: Ader Nordmann, Paris, 10/08/2019, lot 41.

Estimate: $1,500 - $2,500

262 BOBBIE CARLYLE (American/Colorado b. 1957)

AN AMERICAN TUXEDO STYLE SOFA

LOVESEAT,

264 ALBERT MARIE LEBOURG (French 1849-1928)

266

with two round brilliant diamonds, color: F-H, clarity: VVS-VS, combined approximate weight: 1.12 carats, and two round brilliant diamonds, color F-H, clarity: VVS-VS, combined approximate weight: 0.30 carats, with omega clip backs, marked “14K,” total approximate weight: 3.93 grams, length: 1 1/4˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $1,500 - $2,500

265

A PAINTING, “Hill Country Landscape with Bluebonnets,” 20TH CENTURY, oil on canvas, signed L/L, “Don Warren;” 24˝ x 36˝, framed 34 1/2˝ x 46 1/2˝.

Provenance: Property from the Estate of William and Margie Preece, Austin, Texas.

Estimate: $1,500 - $2,500

TWO DRAWINGS, “C.T. Rabb Home, Austin,” and “The Old French Embassy, Austin,” 1951, graphite on paper, each drawing signed and dated L/R, “EM Schiwetz 51,” and titled L/L, “C.T. Rabb Home - Austin” and “The Old French Embassy - Austin;” each 11 3/4˝ x 15 3/4˝, framed 19˝ x 22 1/4˝.

Provenance: Estate of Mr. And Mrs. Thomas Dunaway Anderson, Houston, Texas.

Estimate: $1,500 - $2,500

A PAIR OF 14K WHITE GOLD AND DIAMOND DROP EARRINGS,

DON WARREN (American/Texas 1935-2006)

267 EDWARD MUEGGE “BUCK” SCHIWETZ (American/ Texas 1898-1984)

268 RINALDO CUNEO (American 1877-1939)

A PAINTING, “California Landscape,” 20TH CENTURY, oil on board, signed L/R, “Rinaldo Cuneo,” verso a William Karges Fine Art label; 15’’ x 18’’, framed 22’’ x 25’’.

Note: Rinaldo Cuneo was an early California artist and was called “The Painter of San Francisco.” He exhibited at the famous Panama Pacific International Exhibition of 1915 and had several one-man shows in the US and Europe. His works are in various museums including the De Young Museum, San Francisco.

Estimate: $1,200 - $1,600

270 A DANISH MODERN DROP LEAF GATELEG DINING

TABLE, NIELS KOEFOED FOR KOEFOED HORNSLET, DENMARK, 1960s, teak wood with integrated joints and “V” shaped legs, stamp engraved, “Made in Denmark,” “Danish Furniture Makers;” height: 28 1/2˝, width: 51˝, depth: 28 1/2˝; open: 76˝.

Estimate: $1,200 - $1,800

269 DOROTHY HOOD (American/Texas 1918-2000)

A PAINTING, “Olmeca,” CIRCA 1950s, oil and stone grit on canvas, reverse signed and titled on stretcher, “D. HOOD - OLMECA,” with Meredith Long & Company, Houston paper label bearing inventory number, “G8264.” 14 1/4˝ x 9˝

Estimate: $1,500 - $2,500

271 THOMAS DE DECKER (American b. 1951)

A PAINTING, “Filtering Sunlight,” 2023, oil on masonite, signed L/L, “THOMAS de DECKER,” reverse titled, dated, and signed, “’Filtering Sunlight’ / 2023 / by / Thomas de Decker;” 5˝ x 7˝, framed 11˝ x 13˝.

Estimate: $1,000 - $1,500

272 A 14K YELLOW GOLD AND DIAMOND FLORAL BOUQUET RING, the sandblasted finish gold flower petals include an arrangement of five round brilliant diamonds and four marquise diamonds, color: F-H, clarity: VVS-VS, combined approximate weight of 1.33 carats, total approximate weight: 8.83 grams, size with ring guard: 5. Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $1,000 - $1,500

273 A LE CORBUSIER LC4 CHAISE LOUNGE FOR CASSINA, MADE IN ITALY, 1960s-1980s, the mid century modern design with a noir black leather bolster headrest and café au lait brown leather seat pad on a black lacquered steel base, label on reverse of cushion. Height: 32˝ Width: 22˝ Depth: 60˝

Estimate: $1,000 - $1,200

274 JOSE PEREZ (American b. 1929)

A PAINTING, “Native American with Horses,” 20TH CENTURY, oil on canvas, signed L/L, “Perez;” 23 1/2˝ x 29 1/2˝, framed 31 1/2˝ x 37 3/4˝.

Estimate: $1,000 - $1,500

275 A 14K YELLOW GOLD, DIAMOND, AND ENAMEL BANGLE BRACELET, the three bezel set round diamonds, color: F-H, clarity VSSI, combined approximate weight: 0.54 carats, in a black enamel surround with a tongue clasp closure with safety chain, marked, “14K, DeES,” total approximate weight: 20.01 grams, interior diameter: 2 1/4˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $1,000 - $1,500

276 A REED AND BARTON FOUR PIECE STERLING SILVER TEA AND COFFEE SET, BURGUNDY PATTERN, MID 20TH CENTURY, comprising a teapot, coffee pot, creamer, and sugar bowl, each piece marked, “X / REED & BARTON / STERLING / 745 / Burgundy;” tallest height: 9 1/2˝.

Estimate: $1,000 - $1,500

278 A 14K YELLOW GOLD BRACELET, 1970s, the double snake chain secured with a box clasp with a safety, marked, “14K,” total approximate weight: 33.21 grams, length: 7 1/4˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $1,000 - $1,500

277 JERRY RUTHVEN (American/Texas b. 1947)

A PAINTING, “Bluebonnets and Cactus in Bloom,” 1976, oil on canvas, signed and dated L/R, “Ruthven / 1976;” 19 1/2˝ x 23 1/2˝, framed 31 1/2˝ x 35 1/2˝.

Estimate: $1,000 - $1,500

279 DAMIAN PRIOUR (American/Texas 1949-2011)

A SCULPTURE, Wave (Untitled), LATE 20TH CENTURY, etched glass, fossilized limestone, and mixed media. Height: 82˝ Width: 20˝ Depth: 20˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $1,000 - $1,500

280 after ANDY WARHOL (American 1928-1987)

A SIGNED EXHIBITION POSTER FOR ACE GALLERY, 1976, offset lithograph, signed in ink at C/R, “Andy Warhol,” together with certificate of provenance from RarePosters.com; 50˝ x 34˝, framed 53˝ x 37˝.

Estimate: $1,000 - $1,500

281 ALBERT-ERNEST DE CARRIER-BELLEUSE (French 1824-1887)

A SCULPTURE, “King Charles I,” 19TH CENTURY, bronze sculpture with dark brown patina, inscribed at base, “A. CARRIER,” and titled, “CHARLES . I er,” also inscribed, “DENI.... Ft.”

Height: 21 1/2˝ Width: 7˝ Depth: 7˝

Provenance: Estate of Robert William Guynn, Houston, Texas.

Estimate: $1,000 - $1,500

282 IBSEN ESPADA (American/Texas b. 1952)

A PAINTING, “Rose Buds,” 2008, oil on canvas, reverse bearing the artist’s name, date, and title, “IBSEN ESPADA / 2008 / ROSE BUDS.”

37 1/2˝ x 30˝

Estimate: $1,000 - $1,500

283 A CHINESE EXPORT GILT LACQUERED BONHEUR DU JOUR LADY’S DESK, QING DYNASTY (1644-1912), 18TH CENTURY, bound for the European market, the desk with broken arch crest centers a deeply carved lotus flower within rondel medallions over a case with two cupboard doors centering oval scenes of beauties in lush courtyards opening to an arrangement of two cubby holes centering a peek-a-boo pocket watch window over a central glazed cupboard door flanked by four short drawers over two long drawers surmounting a table fitted with a campaign style removable box with two doors lifting open to reveal a tray with compartments, pen trays, and concealed storage, lifting out to a slanted mirror or book rest, over a small locking long drawer, over a bombe baroque style gilt painted floral spray waist and curved dragon painted apron, raised on cabriole legs with hairy paw feet.

Height: 62˝ Width: 26˝ Depth: 24 1/2˝

Provenance: Estate of Mr. And Mrs. Thomas Dunaway Anderson, Houston, Texas.

Estimate: $1,000 - $2,000

284 JOHN LEWIS (American b. 1942)

A GLASS SCULPTURE, “Vessel with Stepped Cross Foot,” CIRCA 2008, yellow gold leaf and cast glass in the form of a bowl with stepped motif and “X” form foot raised on a circular plinth base.

Height: 8˝ Diameter: 19 3/8˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $1,000 - $2,000

285 A MEIJI PERIOD JAPANESE EXPORT SILVER

REPOUSSÉ BOWL, “BUTTERFLY AND FLOWER BASKET,” 1868-1912, with compressed round bowl with rolled mouth over a woven basket textured ground with relief auspicious flower blooms and hoovering butterflies, reverse stamped with purity jungin mark, height: 3˝, diameter: 8˝; total approximate weight: 21.30 ozt.

Estimate: $1,000 - $2,000

286 A RARE COIN, PRESENTED TO OFFICERS OF PALMETTO REGIMENT FOR MEXICAN AMERICAN WAR BATTLES OF VERA CRUZ, CONTRERAS, CHURUBUSCO, CHAPULTEPEC AND CARITAS, CIRCA 1850, silver coin presented to Angelo Merlino, total approximate weight: 41.9 grams, diameter: 1 7/8˝.

Provenance: Rare Art Estate Sales, Inc., South Padre Island, Texas; Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $1,000 - $2,000

A BRONZE SCULPTURE, “Showdown,” SIGNED, 1981, patinated bronze, signed in bronze at base, “Veryl Goodnight,” dated and with special edition number 4/25, on a wood plinth base.

Height: 26˝ Width: 17˝ Depth: 27˝

Note: 2016 Cowgirl Museum and Hall of Fame inductee.

Estimate: $1,000 - $2,000

288 A 14K YELLOW GOLD GUILDCREST PEEKABOO WATCH BRACELET, the chevron pattered design band with a hidden hinged door opens to reveal the square watch face and joins on the underside with a hidden box clasp and safety chain, marked, “14K,” total approximate weight: 56.72 grams, length: 6˝, width: 1 1/4˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $1,000 - $2,000

287 VERYL GOODNIGHT (American b. 1947)

289 JOSÉ D. “OQUWA” ROYBAL (American 1922-1978)

A PAINTING, “Native American Dance,” 20TH CENTURY, watercolor and gouache on paper, signed L/R, “JD Roybal;” 10 1/4˝ x 14 1/4˝, framed 16˝ x 20˝.

Estimate: $1,000 - $2,000

290 A NATIVE AMERICAN PLAINS INDIANS BEADED AND QUILLED BUCKSKIN HIDE TOBACCO BAG, PROBABLY SIOUX, 1860s-1890s, colored glass trade beads and naturally dyed yellow and red quillwork in geometric patterns with long fringe.

Height: 41˝ Width: 7˝

Estimate: $1,000 - $2,000

291 HOWARD NORTON COOK (American 1901-1980)

A PRINT, “Taos Pueblo, Morning Smokes,” 1927, wood engraving on paper, signed in pencil L/R, “Howard Cook imp.” and numbered L/L, “75;” 8 3/4˝ x 8 1/2˝, framed 20 1/2˝ x 15 3/4˝.

Estimate: $1,000 - $2,000

292

AN ART GLASS SCULPTURE, “Tête Extatique,” PARIS, 1991, glass with colored pigment, engraved signed, placed, and dated at base.

Height: 11 1/2˝ Width: 13˝ Depth: 9˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $1,000 - $2,000

293

A PAINTING, “Landmark Azure,” 1988, acrylic on canvas, titled, dated, and signed on reverse, “Landmark Azure / 1988 / Allison Stewart;” 41 1/2˝ x 65 1/2˝, framed 46˝ x 69 1/2˝.

Estimate: $1,000 - $2,000

FOUR PRINTS, Untitled, 1990, etchings with aquatint and hand-coloring on paper, the complete suite of four, each signed in pencil L/R, “John Alexander,” and each numbered L/L, “24/35,” each with Moody Gallery, Houston, Texas, paper label on reverse backing; each 25 1/2˝ x 29˝, framed 29 1/2˝ x 33˝.

Estimate: $1,000 - $2,000

CZESLAW ZUBER (Polish b. 1948)

ALLISON STEWART (American b. 1941)

294 JOHN ALEXANDER (American/Texas b. 1945)

295 A NATIVE AMERICAN NAVAJO CHIEF’S BLANKET WEAVING, DINÉ, PROBABLY SECOND PHASE, 1850s-1880s, natural red, brown, shiny and matte white wool, twelve rows of alternating rectangles, the ends with a red and brown “two rectangle” motif centering alternating brown and cream “three rectangle” pattern with red and brown rows; 80˝ x 46 1/2˝, framed 87˝ x 53 1/2˝.

Estimate: $1,000 - $2,000

296 AN ELLIPTICAL TROPICAL HARDWOOD LIVE EDGE DOUBLE PEDESTAL TABLE, MODERN, satin smooth tropical hardwood specimen with acrylic fill raised on two rectangular pedestals.

Height: 31˝ Width: 79 1/2˝ Depth: 53˝

Estimate: $1,000 - $2,000

297 WALTER MATIA (American b. 1953)

A BRONZE SCULPTURE, “Hunting Dog,” cast bronze, signed in bronze on integral base, “Matia,” and with special edition number, “26/48.”

Height: 14 1/4˝ Width: 9˝ Depth: 16˝

Estimate: $800 - $1,000

A SCULPTURE, “Broadway Blue,” CIRCA 1983, mixed media with wood, paint, and lead.

Height: 90˝ Width: 10˝ Depth: 17 1/2˝

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $800 - $1,200

TWO

Provenance: Estate of Frances “Sissy” Farenthold, Houston,

Estimate: $800 - $1,200

Estimate: $800 - $1,200

298 ARDEN SCOTT (American b. 1938)

300 MAI TRUNG THU (Vietnamese/French 1906-1980)

A PRINT, “Mother and Son,” 1954, lithograph on silk, signed and stamped with the seal of the artist L/L; 9˝ x 6˝, framed 21˝ x 17˝.

299 MICHAEL TRACY (American/Texas b. 1943)

PAINTINGS, “In the Garden of the Hummingbirds, Nos. XVII and XIX,” 1992, watercolor, gouache, and oil stick on paper, sold with original signed artist’s invoice; each 22 1/2˝ x 30˝, framed 25˝ x 33 1/2˝.

Texas.

A PAINTING, “Sea Shells,” 1978, oil on canvas, signed and dated L/R, “Oris Robertson 1978;” 30˝ x 40˝, framed 31 1/4˝ x 41 1/4˝,

Estimate: $800 - $1,200

A GLASS SCULPTURE, Untitled, 1982, colored and clear glass sculpture, incised with the initials and date, “DRH 82-5.”

Height: 10 1/2˝ Width: 9 1/2˝ Depth: 6˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $800 - $1,200

A PAINTING,

of a Lady,” LATE 17TH CENTURY, oil on canvas; 45 3/4˝ x 35 1/4˝, framed 52 3/4˝ x 42 1/4˝. Provenance: Estate of Robert William Guynn, Houston, Texas.

Estimate: $800 - $1,200

301 DAVID RICHARD HUCHTHAUSEN (American b. 1951)

303 ANGLO-DUTCH SCHOOL,

“Portrait

302 ORIS ROBERTSON (American/Texas 1937-2002)

A PAINTING, “Beyond Horizon,” CIRCA 2000, oil on canvas, an old exhibition label on stretcher.

60˝ x 72˝

Provenance: Collection of Gerald Peeples, Houston, Texas.

Estimate: $800 - $1,200

A SET OF FOUR PAINTINGS, Untitled, CIRCA 1980s, oil on four separate canvases, signed L/L of L/L canvas, “© WALDRIP.TAYLOR,” reverse of each canvas has a diagram showing the placement of each piece; each canvas 23˝ x 31˝.

Provenance: Collection of Ray Farahani, Houston, Texas.

Estimate: $800 - $1,200

305 A MEXICAN AMERICAN WAR BOOKLET WITH TWO MAPS, DESCRIBING BATTLE OF PALO ALTO AND THE MEXICAN ARMY, MEXICO, JUNE 20,1846, ink engraving on wove paper with blue tinted wove paper cover with green oilcloth and leather cover and case, “Campaña contra Los Americanos del Norte. Primera Parte. Relación histórica de los Cuarenta Días que mando en gefe: el ejército del Norte el Escmo. Sr. general de division D. Mariano Arista, Escrita por un oficial de infantería,” printed by Ignacio Cumplido, an account of military movements and exercises during the Battle of Palo Alto containing two folding maps, “Croquis de la Batalla dada en Palo-Alto El 8 de mayo de 1846,” lithograph in colors, 9˝ x 12 1/4˝ and “Campamento de las Tropas Mexicanas en la Resaca de Guerrero el Dia 9 mayo de 1846,” lithograph on cream wove paper, and the text also with inventory rubric detailing artillery, infantry and cavalry population numbers for Palo Alto and Matamoros, 9˝ x 6˝.

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $800 - $1,200

304 CHERYL KELLEY (American/Texas b. 1968)

306 PATRICIA WALDRIP-TAYLOR (American/Texas b. 1940)

308 JERRY RUTHVEN (American/Texas b. 1947) A PAINTING, “Hill Country Landscape,” 20TH CENTURY, oil on canvas, signed L/R, “Ruthven;” 11 1/2˝ x 15 1/2˝, framed 17 3/4˝ x 21 3/4˝.

Estimate: $800 - $1,200

307 A REMOLINO RAID CORRESPONDENCE BOOKLET, “Correspondencia Diplomática Relativa a las Invasiones del Territorio Mexicano Por Fuerzas de los Estados-Unidos de 1873 a 1877,” RESTORED REPUBLIC OF MEXICO, 1878, a reprinting of international diplomatic letters from May 30, 1873 to October 27, 1877, typeset ink on cream wove paper with blue tint wove paper front cover, “Imprenta de Ignacio Cumplido, Calle de los Rebeldes, Numero 2. 1878,” a response and compilation of correspondences regarding the Remolino Raid.

9 1/8˝ x 6 1/4˝

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $800 - $1,200

309 CLIFTON KARHU (American/Japanese 1927-2007) A PRINT, “Kamishichiken,” 1976, woodblock print on paper, signed and dated in pencil L/R, “C Karhu ‘76,” numbered L/L, “95/100,” and titled L/C, “Kamishichiken;” 17 1/4˝ x 16 3/4˝, framed 26 1/4˝ x 25 3/4˝.

Estimate: $800 - $1,200

310 CHARLES PEBWORTH (American/Texas 1926-2019)

A WALL RELIEF SCULPTURE, “Wherever We Go,” 1975, mixed media metal and stone on wooden support, reverse inscribed indistinctly in pencil with title and artist inventory number, “Wherever We Go / CP-113,” two paper labels on reverse also identify the title and artist inventory number. 67 3/4˝ x 33 1/2˝

Estimate: $800 - $1,200

311 A LARGE CHINESE JADE GUANYIN ON STAND, MODERN, the seated goddess holds prayer beads and a scroll, on wood stand.

Height: 20 1/2˝ Width: 12˝ Depth: 11˝

Estimate: $800 - $1,200

312 JANET LIPPINCOTT (American 1918-2007)

A PAINTING, “Two Nudes,” 1966, ink and watercolor on paper, signed and dated L/L, “Lippincott 66;” 13 1/2˝ x 10 1/2˝, framed 21 1/4˝ x 17 1/4˝.

Estimate: $800 - $1,200

the fourteen round brilliant diamonds, color: F-G, clarity: VS-I, combined approximate weight: 0.87 carats, marked, “18K,” total approximate weight: 12.46 grams, height: 2˝, width: 1˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $800 - $1,200

Estimate: $800 - $1,200

Estimate: $800 - $1,200

313 PETER LIK (Australian/American b. 1959) FOUR PHOTOGRAPHS, Untitled, 21ST CENTURY, four color photographs, each signed L/R, “Peter Lik,” from the Aviator series; each 9 3/4˝ x 9 3/4˝.

315 XAVER SCHWEGLER (Swiss 1832-1902)

A PAINTING, “The Weapons Connoisseur,” CIRCA 1885, oil on canvas, signed L/L, “X. Schwegler;” 24 1/2˝ x 19 1/2˝, framed 33 1/2˝ x 28 1/2˝.

314 AN 18K YELLOW GOLD AND DIAMOND BOUQUET MOTIF BROOCH,

Provenance:

Estimate: $800 - $1,200

A

Provenance:

of

Estimate: $800 - $1,200

the two parallel rope chains frame twenty-four grayish-white pearls set in pairs, measuring approximately 5.9 mm each, between twelve gold ring spacers with eight hidden smooth, round, gold, spacer beads, terminating on each end with a larger corrugated, round, gold bead adjacent to the hidden box clasp with safety catch, marked, “14K,” total approximate weight: 27.07 grams, length: 7 1/4˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $800 - $1,200

316 FRENCH SCHOOL, A PAINTING, “Girl in a Bonnet,” 19TH CENTURY, oil on canvas, indistinctly signed U/L, “Ernestine Co ... y;” 17˝ x 13 1/4˝, framed 27˝ x 23 1/4˝.

Collection of Richard Griffiths, Houston, Texas.

318 CARL J. SMITH (American/Texas b. 1928)

PAINTING, “Lonely Ride,” 20TH CENTURY, oil on board, signed L/R, “Carl J. Smith,” an old High Plains Galleries, Amarillo label reverse; 10 3/4˝ x 13 3/4˝, framed 19 1/4˝ x 22 1/4˝.

Collection

Michael Springs, San Marcos, California.

317 A 14K YELLOW GOLD AND CULTURED PEARL BRACELET,

the domed bombé parasol shade composed of leaded colorful slag glass panels with looped rose garlands suspending stylized foliate pendants, interspersed with same rose garlands suspending flaming torch crossed quiver of arrows lover trophy above blue striated glass framed and amber/honey glass panels, alternating elongated “C” scrolls over a flaring leaf tipped base rim, height: 13 1/2˝, diameter: 27˝; on a modern Art Nouveau style bronze patinated metal floor lamp base, topped by a three light socket fixture with beaded chain on/off switch on a tall reeded cylindrical stem, ending on a circular base with stylized long stemmed radiating tulip buds in relief and raised on shaped short block feet; height with finial: 67˝, diameter: 27˝.

Estimate: $800 - $1,200

EXECUTIVE ARMCHAIRS, MODERN, original design by Charles Pollock in 1963, aluminum band construction on casters, underside with Knoll manufacturing labels.

Height: 35 1/2˝ Width: 26˝ Depth: 22˝

Estimate: $800 - $1,200

A PAINTING, “The Puppeteer,” 20TH CENTURY, oil on canvas, signed L/L, “Perez,” also signed on reverse; 18˝ x 14˝, framed 22 1/4˝ x 18 1/4˝.

Estimate: $800 - $1,200

319 A MODERN VICTORIAN STYLE COLORFUL SLAG GLASS PARASOL FORM FLOOR LAMP, LATE 20TH CENTURY,

320 SIX KNOLL “POLLOCK” BLACK LEATHER

321 JOSE PEREZ (American/Texas b. 1929)

322 A 14K WHITE GOLD AND DIAMOND ENGAGEMENT RING AND WEDDING BAND, the central emerald cut diamond, color: G-1, clarity: VVS-VS, approximate weight: 0.64 carats, surrounded by five baguette cut diamonds, color: G-1, clarity: VVS-VS, combined approximate weight: 0.33 carats, both marked, “14K,” total approximate weight: 4 grams, size: 4 3/4.

Provenance: Estate of Theresa L. Brady.

Estimate: $800 - $1,200

324 A PAIR OF NATIVE AMERICAN PLAINS INDIAN BEADED AND QUILLED LEATHER “COYOTE TRACKS” MOCCASINS, PROBABLY SIOUX, LATE 19TH CENTURY, glass trade beads, red and yellow dyed quill, leather, thread, and sinew sewn.

Height: 4˝ Width: 3 1/2˝ Depth: 10˝

Note: A sinew bound sole is bordered by a lane of sky blue interspersed by square cobalt and yellow glass trade beads. The top with fifteen red quilled rows in an arrangement of clustered groups of three centering cross-form yellow and white “coyote tracks” symbols, spaced by two plain red lines each, and with a folded sewn ankle cuff. The pair attributed for use by a male person and measure approximately ten inches in length.

Estimate: $800 - $1,200

323 LAMAR BRIGGS (American 1935-2015)

A PAINTING, “Autumn Trees,” 1966, oil on board, signed and dated L/R, “Briggs / 66,” reverse with paper gallery labels for Long & Company, Houston and Meinhard Galleries, Houston; 27 1/4˝ x 18 3/4˝, framed 28 1/4˝ x 19 3/4˝.

Estimate: $800 - $1,200

325 A NATIVE AMERICAN PLAINS INDIAN PAINTED BUFFALO ROBE, 19TH CENTURY, black, red, blue, and green pigments on buffalo hide, stitch mounted, linen backed.

62˝ x 56˝

Note: An abundance of geometric mountains, earth, sky, sun, moon and geographical symbols separated by blank space. A pair of bison horns is centered by a star wheel. A generalization of the history is that women often painted geometric patterns, while men painted figural “Visions,” each having deep spiritual meaning to the wearer.

Estimate: $800 - $1,200

326 AN 18K WHITE GOLD, EMERALD, AND DIAMOND RING, the central emerald cut emerald, color: slightly yellowish green, clarity: slightly included, approximate weight: 1.51 carats, flanked by thirty round brilliant cut diamonds, color: G-H, clarity VS-SI, combined approximate weight: 0.21 carats, marked, “750 / TC,” total approximate weight: 5.18 grams, size: 8. Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $800 - $1,200

327

A PAINTING, “Owl,” 20TH CENTURY, gouache on paper, signed L/R, “Harry Rountree;” 17 1/4˝ x 11 1/4˝, framed 22 1/4˝ x 16˝.

Estimate: $800 - $1,200

HARRY ROUNTREE (New Zealander/British 1878-1950)

328 ZOLTAN BOHUS (Hungarian 1941-2017)

A GLASS SCULPTURE, “Enfilade (Untitled),” 1997, polished, colored layered glass, engraved, signed, and dated at right side, “Bohus ‘97.”

Height: 18 5/8˝ Width: 8 1/2˝ Depth: 3 5/8˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $800 - $1,200

329 KEN PAYNE (American 1938-2012)

A SCULPTURE, “Outnumbered,” 1981, bronze sculpture with dark brown patina, inscribed at base, “35/45 / “OUTNUMBERED” / KEN PAYNE / © 81,” on a shaped wood stand with brass identification plate.

Height: 16˝ Width: 16˝ Depth: 8˝

Estimate: $800 - $1,200

330 DAN NAMINGHA (American b. 1950)

A PAINTING, “Kachina Figures,” 1986, acrylic on paper, signed and dated L/R, “Namingha / © 1986;” 28˝ x 22˝, framed 36 1/4˝ x 30 1/4˝.

Estimate: $800 - $1,200

331 A CHINESE EXPORT “PHOENIX AND FLOWERS”

TWO HANDLED VASE, EARLY 20TH CENTURY, the everted mouth over a polished tapered neck with engraved seaweed scrolling collar with meander pattern above a tapered baluster form body with deep relief phoenix and auspicious flowers, above a repeating seaweed scroll band and cloud foot, marked, height: 11˝ width: 6 1/2˝ depth: 4˝; total approximate weight: 29 ozt.

Estimate: $700 - $1,000

332 AN AMERICAN HEPPLEWHITE PARCEL GILT PAINTED BEECH SETTEE, TRIPLE OVERLAPPING

SUNFLOWER CRESTED SHIELD BACK, 1790s-1830s, of wood peg construction, the triple crested back with arched, molded crest rails centering demilune, naturalistic sunflowers in a web with scroll arch over pierced, vertical splats tapering and converging at top fluting, centering the three unusually overlapping shield backs on undulating molded supports over a trapezoidal upholstered bench slip seat flanked by curved armrests, raised on eight legs - at front with four tapered square legs on spade feet and four canted, rounded back legs; the whole painted in “Vert Empire” green with gilt pinstriping.

Height 36˝ Width: 69˝ Depth: 19 1/2˝

Provenance: Estate of Mr. And Mrs. Thomas Dunaway Anderson, Houston, Texas.

Estimate: $700 - $1,000

333

A PAINTING, “Garden Scene with Figures,” 20TH CENTURY, oil on canvas, signed L/L, “F. Wagner;” 19 1/2˝ x 23 1/4˝, framed 27 1/4˝ x 31 1/4˝.

Estimate: $800 - $1,200

FREDERICK R. WAGNER (American 1864-1940)

AN EROTIC ART GLASS SCULPTURE ON STAND, “Eros,”

LATE 20TH CENTURY, clear, opaque white, translucent cranberry to near black cut, engraved and frosted with applied gilt paint, engraved signature on reverse at neck, titled in marker on partial masking tape, the face shape with a long, narrow, neck, and dotted jawline framing a gilt mouth with images of nude male and female figures engraved and frosted at the cheeks, crowned by a phallus with an overall motif of silhouette figures in architectural “ruins” cobblestone texture, and gilt painted elaboration, raised on a custom stand; head height: 22˝, diameter: 7˝, on stand height: 34˝, width: 10˝, depth: 13˝.

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $700 - $1,000

CENTER TABLE, MODERN, a satin smooth sanded tropical hardwood specimen with acrylic fill raised on black vintage inspired hairpin legs.

Height: 31˝ Width: 45 1/2˝ Depth: 54˝

Estimate: $600 - $800

TWO COLLAGES, Untitled, 20TH CENTURY, mixed media collages with ink and metalic foil on paper, each signed in pencil, “Lippincott;” 7 1/4˝ x 9 1/2˝, framed 12 1/4˝ x 15 1/4˝, and 6˝ x 8 1/4˝, framed 9˝ x 11˝.

Estimate: $600 - $800

334 PATRICK WADLEY (American/Texas 1950-1992)

335 JANET LIPPINCOTT (American 1918-2007)

336 A LIVE EDGE TROPICAL HARDWOOD PEAR SHAPE

TAXIDERMY AND LEATHER COVERED CHAIR AND OTTOMAN, MODERN, the square back made of horn with bronze nailheads has a café brown leather back cushion and upholstered headrest over a natural beige color square leather seat issuing triple horn arms, raised on sabre legs joined by horn buttresses together with matching rectangular leather covered ottoman.

Height: 34˝ Width: 27 1/2˝ Depth: 21˝

Estimate: $600 - $800

338 A U.S. HISTORICAL SOCIETY COMMEMORATIVE “PITCAIRN PISTOL,” 20TH CENTURY, an engraved steel replica of an 18th century Scottish Murdoch flintlock pistol, 7 1/2˝ barrel, .58 caliber, manufactured by the Whitney Armory Museum and the U.S. Historical Society, from an edition of 900, numbered, “392,” at base of barrel, contained in a blue velour-lined wooden display case with an interior metal identification plaque and an embossed leather top inscribed, “THE / PITCAIRN PISTOL;” cased: 3 1/4˝ x 17 3/4˝ x 8 3/4˝.

Note: “The shot heard round the world.” This is a replica of a pistol that was owned by Major John Pitcairn of the British Royal Marines who led the advance guard at the Battle of Lexington and Concord on April 19, 1775, and who many historians believe fired the first shot of the American Revolutionary War. His horse threw him during the action at Fiske Hill near Concord and bolted into the American lines. American militiamen recovered two steel and silver engraved pistols from the horse and they ended up with the American Major General Israel Putnam who carried them for the remainder of the war. The originals are now at the Lexington Historical Society.

Estimate: $600 - $800

A BRONZE SCULPTURE, “Snake Priest,” ORIGINALLY CAST 1914, cast bronze on base with nameplate, signed and dated in bronze, “C.M. Russell 1914,” and skull emblem, fondeur marked at side, “B. Zoppo Foundry N.Y.”

Height: 5˝ Width: 9 1/2˝ Depth: 5˝

Estimate: $600 - $800

337 A TEXAS RANCH STYLE CUSTOM HORN

339 CHARLES MARION RUSSELL (American 1864-1926)

AN ART GLASS SCULPTURE, “Cross and Semi-Sphere (Untitled),” 1979, sandblasted cast glass, etched signed U/L, “Weinberg ‘79.”

Height: 7 5/8˝ Width: 7 1/2˝ Depth: 2 3/4˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $600 - $800

A PAINTING, “Sailboat Docked in a Quiet Bay,” 1973, oil on canvas, signed L/R, “RABBY,” signed and dated on reverse, “J Howard Rabby 11/73,” the stretcher and back of canvas are both stamped, “992630 / NOV 7 1973,” an old Westheimer Gallery label on frame; 23 1/2˝ x 29˝, framed 32 1/4˝ x 38 1/4˝.

Estimate: $600 - $800

A MONOPRINT, “Dean,” 1990, lithograph, gouache, and paper collage on paper, signed and dated in pencil L/R, “V. Ostrovsky 90,” numbered L/R, “1/1,” and titled L/C, “Dean;” 15˝ x 12˝, framed 25 1/4˝ x 22 1/4˝.

Estimate: $600 - $800

340 STEVEN WEINBERG (American b. 1954)

341 PETER OSTROVSKY (Canadian/Israeli b. 1949)

342 JIM HOWARD RABBY (American/Texas b. 1947)

343 KELLY PRUITT (American/Texas 1924-2009)

A PAINTING, “Native American Dancer,” 1970, oil on canvas, signed and dated L/R, “A Kelly Pruitt / 1970;” 29 3/4˝ x 15˝ framed, 38˝ x 23˝.

Provenance: Collection of Robert Schauffler, Anita Springs, Louisiana; Spanish Steps Gallery, Taos, New Mexico.

Estimate: $600 - $800

344 A LALIQUE FROSTED GLASS BOWL, 20TH CENTURY, frosted glass, “R. LALIQUE,” etched in stencils at base.

Height: 8 3/4˝ Diameter: 12˝

Provenance: Collection of Gerald Peeples, Houston, Texas.

Estimate: $600 - $800

345 A FRENCH PROVINCIAL DIRECTOIRE STYLE

PAINTED SIX DRAWER SIDEBOARD, MODERN, restrained Louis XVI style, the rectangular top rests over two drawers above a modernized arrangement of four deep drawers with applied geometric fasçades painted in an antique cream and celadon green, raised on six square tapered legs.

Height: 38˝ Width: 72˝ Depth: 24˝

Estimate: $600 - $800

346 AN UPHOLSTERED TAFFETA DIVAN, 20TH CENTURY, with eight matching pillows, two tufted, on a painted wooden frame.

Height: 34 1/2˝ Width: 86˝ Depth: 31˝

Estimate: $600 - $800

347 A COLT THIRD MODEL “THUER” RIMFIRE DERRINGER PISTOL, CIRCA 1880, with nickel finish and walnut grips, “COLT,” engraved on top of barrel, .41 caliber, serial number marked “4048.”

Height: 2 3/4˝ Width: 5˝ Depth: 1˝

Estimate: $600 - $800

348 PRELUDE TO THE TEXAS REVOLUTION, A BOOK ABOUT COAHUILA, “El Telegrafo” PERIODICAL COLLECTION, MEXICO, SEPTEMBER 29, 1833-JANUARY 15, 1834, ink manuscript on watermarked cream laid paper signed by Jose Agustin de Escuerdo twice, containing a series of bound ink engraving newspaper printings with contents regarding Navajos, Jicarilla Apaches, New Mexico, El Paso, Texas and the Santa Fe Trail.

12˝ x 8˝

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $600 - $800

A SPORT FISHING SCULPTURE, “Jumping Rainbow Trout,” SIGNED, silvered metal on stone base, signed in cast, “Ullberg,” with special edition number, “12/20.”

Height: 15˝ Width: 11˝ Depth: 6˝

Estimate: $600 - $800

350 AN AMERICAN FEDERAL STYLE INLAID MAHOGANY UPHOLSTERED SETTEE, 1960s, modeled after Jacqueline Kennedy’s remodel of the White House Green Room, the arched crest rail with cockbead detail is joined by sloped arms upheld by upholstered side panels to cylindrical curved hand terminals on tapered ballooning and lobed support flanking a curved rectangular seat raised on string and lozenge inlaid blocks issuing four repeating ballooning and lobed legs on French toes at front and four square curved back legs, now upholstered in pistachio green and buttercream color leafy flower medallion trellis patterned brocade silk upholstery with matching gimp trim.

Height: 35 1/2˝ Width: 76˝ Depth: 26˝

Provenance: Estate of Mr. And Mrs. Thomas Dunaway Anderson, Houston, Texas.

Estimate: $600 - $800

“BAMBOO AND DRAGONS IN PURSUIT” GOBLET, ATTRIBUTED TO CUMWO, HONG KONG, 1850-1900, the goblet with repoussé dragons in pursuit of a flaming peach, upheld by tripodal “aesthetic” bamboo shoots rooting into a rocky landscape circular foot, marked, “CW,” and with purity mark, “90;” height: 7˝, diameter: 3˝; total approximate weight: 9.145 ozt.

Estimate: $600 - $800

349 KENT ULLBERG (American/Texas b. 1945)

351 A QING DYNASTY CHINESE EXPORT SILVER

352 A QING DYNASTY YELLOW GROUND INCISED “DRAGON AND QILONG” DISH, YONGZHENG MARK (1723-1735),

the compressed egg yolk yellow glazed dish with slightly flared rim is centered by green and brown dragons within a green double band encircled by incised prancing, spotted qilong beasts among swirls, the exterior with repeating motif, on a circular foot with underglaze black zhuanshu mark.

Diameter: 5 3/8˝

Estimate: $500 - $700

Estimate:

the near pair with slightly different color variations of the other with ruyi mushroom pattern mouth, dragon and lotus waisted necks, blooming lotus collar with repeating ruyi mushroom patterned shoulders over a tapered baluster body with verdant watery landscapes filled with lucky cranes, raised on circular lacquered wood bases; vase height: 30 1/2˝, diameter: 16˝.

Estimate: $600 - $900

353 A PAIR OF CHINESE CLOISONNE “CRANE IN LANDSCAPE” FLOOR VASES ON STANDS, 20TH CENTURY,

354 AN IKAT TEXTILE, INDONESIA, 20TH CENTURY, textile with natural dyes; 48˝ x 62˝, framed 65 1/4˝ x 79 1/4˝.

$500 - $1,000

355

the central prong-set round brilliant diamond, color: G-I, clarity: VVS-VS, approximate weight: 0.49 carats with two flushset round brilliant diamonds, color: G-I, clarity: SI-I, combined approximate weight: 0.28 carats, marked, “14K, AK,” total approximate weight: 6.49 grams, size 8 1/2.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $500 - $700

A PAINTING, “Floral Landscape,” 1999, oil on canvas, signed and dated L/R, “pan / 99 . 8;” 47 1/2˝ 59 1/2˝, framed 56˝ x 68˝.

Provenance: Property from the DiCecco Estate, Houston, Texas.

Estimate: $500 - $1,000

A SCULPTURE, “Nude Female Reclining,” SIGNED, black painted, fired terracotta pottery, signed on foot, “Felguerez.”

Height: 10 1/2˝ Width: 20˝ Depth: 10˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $400 - $600

A 14K WHITE GOLD AND DIAMOND MID CENTURY RING,

356 QUAH PAN (Contemporary)

357 MANUEL FELGUEREZ BARRA (Mexican 1928-2020)

358 A 14K YELLOW GOLD, DIAMOND, AND ENAMEL ELIZABETHAN REVIVAL RING, in an elongated octofoil design outlined in black enamel with a central round brilliant diamond, color: G-I, clarity: SI-I, approximate weight: 0.15 carats, surrounded by nine round brilliant diamonds, color: G-I, clarity: SI-I, approximate combined weight: 0.63 carats, marked, “14K,” total approximate weight: 7.01 grams, size: 8 1/2.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $400 - $600

360 A PAIR OF NATIVE AMERICAN PLAINS INDIANS BEADED LEATHER MOCCASINS, PROBABLY LAKOTA SIOUX, 19TH/20TH CENTURY, white, blue, red, green, and yellow glass trade beads, the shoes with white ground beading and geometric motifs, the tongue with beaded tassels.

Height: 4˝ Width: 5˝ Depth: 10˝

Estimate: $400 - $600

359 A

LANDSCAPE”

20TH CENTURY, the brassed metal hexagonal domed shade with circular ivy detailed cap issuing beaded bands of paisley in relief, enclosing a top section of white slag glass panels with “cottage and landscape” metal overlay, above apple green streaked slag glass paneled sides with persimmon trees and long stemmed Carex foliage metal overlay, ending on an undulating base rim centering anthemions in relief, height: 14 1/2˝, diameter: 18 1/2˝; together with an associated Neo-Grec polished brass tripod floor lamp stand with Hubbell twin light sockets on an adjustable cylindrical pipe form standard raised on a base with griffon cast monopodiae and paw feet, wired with brown silk wrapped cord, height: 5´ 3 1/2˝, diameter: 13 1/2˝.

FIRST

Estimate: $400 - $600

HANDEL/SALEM BROS STYLE “SCENIC

METAL OVERLAY AND SLAG GLASS SHADE ON BRASS FLOOR LAMP,

QUARTER

A PRINT, “Pipe Carrier,” 20TH/21ST CENTURY, lithograph on paper, signed in pencil L/R, “Kevin Red Star,” numbered L/C, “23/60,” and titled L/L, “Pipe Carrier;” 29 1/4˝ x 22 1/4˝, framed 38˝ x 30 1/4˝.

Estimate: $400 - $600

361 A PAIR OF MID CENTURY MODERN CLEAR LUCITE TABLE LAMPS, MID/LATE 20TH CENTURY, a rectangular clear finial over cream color circular drum shades above pierced geometric rhombus form base on rectangular bases.

Height: 30˝ Diameter: 18˝

Estimate: $400 - $600

363 FRANK WESTON BENSON (American 1862-1951)

A PRINT, “Here They Come,” 1928, drypoint etching on paper, signed in pencil L/L, “Frank W Benson,” a Schwartz Galleries, New York, paper label on reverse; 14 1/2˝ x 12 1/4˝, framed 21 1/2˝ x 19 1/4˝.

Estimate: $400 - $600

362 KEVIN RED STAR (American b. 1943)

364 A PAIR OF NATIVE AMERICAN PLAINS INDIAN PINK AND BLUE BEADED LEATHER MOCCASINS, PROBABLY CROW, CIRCA 1900, a horizontal lane of turquoise blue beads with dark blue and red squares tops a ground of sky blue opaque trade beads divided by a central lane of dusty rose pink beads with alternating green, dark blue, and yellow rectangles, the soles are bordered by a lane of dusty rose beads with alternating dark blue and yellow stripes, the heels fitted with two small pull handles.

Height: 4 1/4˝ Width: 4˝ Depth: 8˝

Estimate: $400 - $600

365 A FOURNIR DESSIN “KIEN-LONG” CHINOISERIE GILT LACQUERED WOOD CENTER TABLE, LOS ANGELES, MODERN, the circular top with an overall Japonesque motif of floating silver and gilt leaves on a black lacquer faux crackle textured ground, raised on circular legs joined by a tapered star form stretcher.

Height: 30˝ Diameter: 40˝

Estimate: $400 - $600

366 EARL STALEY (American/Texas b. 1938)

A PAINTING, “West Texas Landscape,” 1983, watercolor on paper, signed and dated L/L, “Staley 83;” 19 1/2˝ x 27˝, framed 22 3/4˝ x 30 1/2˝.

Estimate: $400 - $600

BODHISATTVA FIGURE, CHINESE, 20TH CENTURY, the pale primrose pink and white jade carved as a beautifully, languid goddess of compassion with triple crested hairdo and adorned with jewelry over an integral “moss in the snow” style dark green and white base, on wood stand.

Height: 4˝ Width: 7 1/2˝ Depth: 2 1/4˝

Estimate: $400 - $600

A PAINTING, “Frequently the Trees Undress,” 1983, gouache on board, signed L/L, “J. PAINTER ©,” reverse with old Meredith Long & Company paper label on backing; 26 1/2˝ x 39 3/4˝, framed 34 1/2˝ x 48˝.

Note: James Donald Painter studied art at the Museum of Fine Arts, Houston and established himself as a painter of landscapes and historical sites near Round Top, Texas. He has been exhibited at numerous museums and is included in the Texas State Historical Association handbook. He held several one-man and group shows at Meredith Long Gallery in Houston and was honored by the Festival-Institute at Round Top with their inaugural solo show in 1987. It is unusual to have a work by Painter come up for auction.

Estimate: $400 - $600

INCENSE

the ruyi and dragon form finial with rings issued from a double gourd rest over tiled roofs and hexagonal pierced lancet window pillar galleries by pierced walls, atop the back of a double headed dragon with a qilong beast hitching a ride atop it’s flaming tail, drawn on flaming chariot wheels, on a wood stand. Height: 14 3/4˝ Width: 10 1/2˝ Depth: 3 1/2˝

Estimate: $400 - $600

367 A MING DYNASTY STYLE LAVENDER AND SPINACH JADE RECLINING AVALOKITESHVARA GUANYIN

368 JAMES DONALD PAINTER (American/Texas 19061988)

369 A CHINESE GREEN JADE DRAGON BOAT PAGODA

BURNER ON STAND, 20TH CENTURY,

370 studio of RAMSES WISSA WASSEF (Egyptian 19111974) A CONTEMPORARY TAPESTRY TEXTILE, “Field Laborers by Village and Herdsmen on Bridge,” 1950s-1980s, hand-loomed.

63 1/2˝ x 97˝

Estimate: $400 - $600

371 A 14K WHITE GOLD AND DIAMOND FOUR

STRAND PEARL BRACELET, 20TH CENTURY, four strands of off-white, near round pearls measuring approximately 6.20 mm - 6.60 mm each hand knotted on silk and joined to an alligator clasp with hinged safety designed as a vintage “Mikimoto” style glittering spray of twelve prong set round diamonds accenting a tied bow motif, the ribbon with approximately sixteen páve set round diamonds, total approximate weight: 39.9 grams, length: 6 3/4˝.

Estimate: $400 - $600

372 A CHINESE JADE LIDDED CENSER, CROUCHING

QILONG, MODERN, the finial in the form of a writhing, ridged back mythical beast above four integral rings over a round body with integral dragon mask handles and raised on flower knee carved tripodal monopodia.

Height: 9 1/2˝ Width: 9 1/2˝ Depth: 6˝

Estimate: $400 - $600

373 DOUG AND MIKE STARN (American b. 1961)

A PRINT, “Abstract with Green,” 21ST CENTURY, inkjet print on paper, signed in pencil L/R, “Starn,” numbered L/L, “2/3;” 25˝ x 17 1/4˝, framed 33 1/2˝ x 25 1/2˝.

Estimate: $400 - $600

374 A GROUP OF FIVE ENGLISH STERLING SILVER CUPS, LATE 18TH/EARLY 20TH CENTURY, each piece marked and with period decoration, the pitcher is Charles Hougham, London, 1792, others are London and Birmingham 1860 and 1897, another is London 1920, another is 20th century marked with the lion passant and sterling but no other marks, one cup inscribed, “Anna;” tallest height: 5 1/2˝.

Estimate: $400 - $600

375 A MING DYNASTY STYLE “DAOIST EMBLEMS AND LOTUS” CLOISONNÉ ON COPPER INCENSE BURNER ON A STAND, PROBABLY QING DYNASTY (1644-1912), a profusion of the eight auspicious symbols hidden among with pierced enamel lid and applied brass handles on wood stand.

Height: 16 1/2˝ Diameter: 13˝

Estimate: $400 - $600

376 A FRENCH MEDIEVAL STYLE “KNIGHT AND MAIDENS” PARK TAPESTRY, EARLY 20TH CENTURY, woven with silk and wool in autumnal colors, of rectangular form and depicting two maidens wearing long robes strolling towards one another with one holding two leashed hounds, opposite the other with outstretched arms and a small pet dog jumping at her feet, set amidst rolling hills interspersed with various blossoming foliage and bird species with a lone hare escaping from a predatory raptor, before a knight in armor on horseback flanked by tall trees and a distant mountainside castle, enclosed by a conforming border of interlaced vinery centering floral blooms, reverse applied label, “MADE IN FRANCE.”

Height: 65 1/2˝ Width: 7´ 2˝

Estimate: $400 - $600

377 DIXIE FRIEND GAY (American/Texas b. 1953) A PAINTING, “Reclining Nude with Snakeskin,” 1994, oil on panel with steel, snakeskin, glass, and mixed media, reverse signed and dated with the artist’s inventory number, “Dixie Friend Gay / 1994 / #9420,” and McMurtrey Gallery, Houston, TX, label.

22˝ x 40˝

Estimate: $400 - $600

378 SABINE STROMEYER (German/Texas b. 1962) A PAINTING, “Market in Istanbul,” CIRCA 2007, mixed media on canvas, reverse with two affixed identification labels.

36˝ x 48˝

Estimate: $400 - $600

A DRAWING, Untitled, 1979, pastel on paper, signed and dated U/L, “dick 79;” 17˝ x 14˝, framed 19 1/4˝ x 16 1/4˝. Provenance: Estate of Robert William Guynn, Houston, Texas.

Estimate: $400 - $600

A PAINTING, Untitled, 1978, oil on canvas, signed and dated U/R, “Oris Robertson 78.” 47 1/4˝ x 75˝

Estimate: $400 - $600

A SCULPTURE, “Perched Eagle,” 1983, bronze with gold and brown patina, inscribed at base, “MIKE CURTIS / © 1983 / 32/75,” on a circular wooden stand. Height: 18˝ Width: 9 1/2˝ Depth: 9 1/2˝.

Estimate: $400 - $600

379 DICK WRAY (American/Texas 1933-2011)

380 ORIS ROBERTSON (American 1937-2002)

381 MIKE CURTIS (American 20th Century)

BOWL, 20TH CENTURY, of slightly tapered conical form with thick pale blue ground splashed with red and purple splotches.

Height: 3˝ Diameter: 7 3/4˝

Estimate: $400 - $600

A SCULPTURE, Untitled, 20TH CENTURY, bronze with gold patina, signed and inscribed at base, “R Stout / 199 / MEXICO.”

Height: 8˝ Width: 10 1/2˝ Depth: 4 1/2˝.

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $400 - $600

A SCULPTURE, “Surprise Meeting,” 1983, bronze with brown patina, inscribed at base, “Ken Payne / FM © 83 / 355/750.”

Height: 21˝ Width: 14˝ Depth: 13˝

Estimate: $400 - $600

382 A CHINESE JUN YAO GLAZED EARTHENWARE

383 KEN PAYNE (American 1938-2012)

384 RICHARD STOUT (American/Texas 1934-2020)

386 TWO CHINESE JADE BANGLES, LAVENDER AND SPINACH GREEN, MID/LATE 20TH CENTURY, comprising a clear white to pale lavender rose example and a deep green mottled with pale inclusions, both of rounded circular form; pale jade interior width: 2 3/4˝, green jade interior width: 2 3/8˝.

Estimate: $300 - $500

385 A PAIR OF QING DYNASTY FAMILLE ROSE YELLOW GROUND TEA BOWLS, PROBABLY GUANGXU, CIRCA 1900, enameled porcelain bowls with everted rim with blue and pink flower blooms among dense tendrils on a yellow ground, raisedon a circular foot, with iron red six character mark.

Height: 2˝ Diameter: 4 1/2˝

Estimate: $300 - $500

387 A SPANISH COLONIAL MANUSCRIPT, PUEBLO REVOLT ERA, LATE 17TH CENTURY, manuscript ink on watermarked cream laid paper, dated and signed with flourish, in a red oilcloth and leather bound cover and case, in gilt on spine, “Vargas | Entradas Made Into Texas | 1692.”

11 3/4˝ x 8˝

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $300 - $500

388 A LATE QING DYNASTY STYLE SERPENTINE “BIRDS AND FLOWERS” VASE AND COVER, 20TH CENTURY, pale green hardstone, the top with two birds and a variety of auspicious flowers among wilting, naturalistic leaves encrusting the sides of a compressed baluster vase.

Height: 10˝ Width: 8˝ Depth: 3˝

Estimate: $300 - $500

390 TWO CHINESE JADE LIDDED VASES, MYTHICAL BEASTS, LATE 20TH CENTURY, comprising a larger vessel topped by a playful qilong beast hanging from pierced ryui mushroom form finial within beast maks spewing ring hung handles covering a compressed quatrefoil mouth over a conforming lobed body centering a reserve with a low relief lotus flower bloom and tendrils on a wood base, height: 9˝, width: 7˝, depth: 2˝; and a smaller example with guardian foo dog finial on a rectangular shaped canted corner lid above a trapezoidal shaped body centering a low relief taotie animal beast mask on a wood base, a label partial reads, “Anhui Arts...,” height: 6 1/2˝, width: 6 3/4˝, depth: 2 3/4˝.

Estimate: $300 - $500

389 A MEXICAN AMERICAN WAR BOOKLET, “Campaigns of the Rio Grande and of Mexico with Notices of the Recent Work of. Major Ripley,” BY BREVET MAJOR ISAAC L. STEVENS, U.S. ARMY, WASHINGTON AND NEW YORK, MAY 10, 1851, print ink on paper, published by D. Appleton and Company, text disputing Maj. Ripley’s account of the Mexican American War, with marbled exterior boards and gilt tooled leather spine. 9˝ x 5 1/2˝

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $300 - $500

392 A QING DYNASTY STYLE ROSE QUARTZ “BIRD, FRUIT, AND FLOWER” VASE WITH COVER, 20TH CENTURY, the central vase with lid encrusted and concealed by a profusion of flowers, fruits, and birds.

Height: 10 1/2˝ Width: 8˝ Depth: 4 1/2˝

Estimate: $300 - $500

391 A GEORGE II STYLE JAPANNED GILT LACQUERED TRUMEAU MIRROR, BY BAKER FURNITURE, MODERN, the arched crest with pagoda and garden scene over two mirrored plates surrounded by a convex frame with auspicious flowers and cranes in landscape, label on reverse.

Height: 48˝ Width: 34˝

Estimate: $300 - $500

393 AN ANCIENT CHINESE STYLE JADE “DOUBLE RAM” RITUAL WINE ZUN TYPE VESSEL WITH COVER, 20TH CENTURY, the pierced carved blessing fú character finial with ring hung beast handles tops petal form opening of a bottle centered by energetic phalanges within vine form ring hung handles resting on the backs of two mystical celestial rams with flaming dragon head ridge, raised on a wood stand.

Height: 10˝ Width: 6 1/2˝ Depth: 2 1/2˝

Estimate: $300 - $500

394 A QING DYNASTY STYLE JADE LIDDED VASE ON STAND, QUEEN MOTHER OF THE WEST, CHINESE, 20TH CENTURY,

icy pale greenish blue jade, the lid finial carved as the Queen Mother of the West arriving with doves, descending from mystical swirling clouds and crescent moon over a vase fronted by floating robed attendants offering fruit in a lush and flowering landscape, raised on an affixed wood stand.

Height: 9 1/2˝ Width: 9 1/2˝ Depth: 2 1/2˝

Estimate: $300 - $500

395 A 14K YELLOW GOLD, RUBY, AND DIAMOND RING, the fifteen round brilliant diamonds, color: F-H, clarity: SI-I, combined approximate weight: 0.81 carats, interspersed among ten trapezoid cut rubies, color: slightly purplish red, clarity: eye clean to slightly included, combined approximate weight: 0.94 carats, marked, “14,” total approximate weight: 6.07 grams, size: 6.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $300 - $500

396 A PAIR OF JOHN BOONE AND FORTUNY FABRIC NEOCLASSICAL BESPOKE PAINTED ARMCHAIRS, NEW YORK, MODERN,

the antiqued cream and parcel gilt painted armchairs in the English Adams brothers style, designed with an overall Sheraton form, the stepped tablet crest rail with applied gilt rondels over a lattice back issuing sloping arms flanking a mixed down filled cushion, covered in 100% cotton Fortuny “Delfino - String & silvery gold” upholstery, seat with designer label, raised on square legs.

Height: 37˝ Width: 26˝ Depth: 22˝

Estimate: $300 - $500

398

A PAINTING, “52. Bufy, Mon Chien,” painted milky glass, signed L/R, “Jaromír Rybak;” 31˝ x 24 1/2˝, framed 42˝ x 26˝.

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $300 - $500

397 AN AMERICAN ART DECO BRONZE FISH SCALE

OVERLAY SLAG GLASS SHADE ON ASSOCIATED METAL LAMP BASE, POSSIBLY BY BRADLEY & HUBBARD, EARLY 20TH CENTURY, the octagonal bronze framed shade with eight slanting pierced bronze “ fish scale ” patterned overlay panels, covering eight conforming honey/amber colored white slag glass panels, above drop rectangular sides with stylized leafy branch overlay covering dark green striated slag glass panels, height: 6 3/8˝, diameter: 16 1/2˝; resting on an associated Neo classical Revival patinated metal base, 1920s, of slender baluster form and topped by a brown painted modern three socket Leviton fixture with bead pull chain on/off switches, above acanthus leaf detailed sides ending with a beaded base and raised on a circular stepped lobes ringed plinth, underside molded, “321” and impressed, “23;” height: 21 3/8˝, diameter: 16˝.

Estimate: $300 - $500

OFFERING POT, 20TH CENTURY, the Tibetan dhupur style top is hung with multi rings and pierced scrolling foliate and flowers, on a bowl flanked by ring hung dragon mask handles on pierced ring hung standard to a floriform cup form foot.

Height: 27˝ Width: 13˝ Depth: 8˝

Estimate: $300 - $500

399 A SINO TIBETAN SERPENTINE RITUAL RICE

JAROMÍR RYBAK (Czech b. 1952)

400 TWO LIVE EDGE HARDWOOD TABLES, MODERN, satin sanded tropical hardwood specimens with dark acrylic fill raised on black vintage inspired hairpin legs comprising an end table height: 30 1/4˝ width: 24 1/2˝ depth: 36˝; and a hall or sofa table height: 30˝ width: 80˝ depth: 36˝.

Estimate: $300 - $500

401 A 14K YELLOW GOLD, RUBY, DIAMOND, AND PEARL NECKLACE, the central oval ruby, color: slightly purplish red, clarity: included, approximate weight: 0.37 carats, set among twentyone single cut diamonds, color: G-H, clarity: VS-I, combined approximate weight: 0.42 carats, suspended along a strand of sixty-nine cultured pearls, color: yellowish white with pink sheen, approximate size: 5.2 mm, with tongue clasp and safety latch, marked, “14K, 585,” total approximate weight: 18.44 grams, length: 16 1/2˝.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $300 - $500

402 AN AMERICAN SALEM BROTHERS PATINATED METAL AND SLAG GLASS “COTTAGE AND POND” LAMP SHADE, MARKED, NEW YORK, CIRCA 1910, the urn form finial on a verdigris patinated metal domed shade, framing six conforming blue streaked white slag glass panels over six base rim panels of green veined white slag glass, flanked by paisley detailed metal bands enclosing pierced metal overlay modeled as a distant cottage with smoking chimney, before a pond with paired tall trees in foreground and left side hare leaping through bull rush foliage opposite a foraging lion, above an undulating base rim centering an anthemion flanked by foliate details in relief, resting on a Bryant three socket light fixture stamped, “BRYANT / 250W-250V / PAT’D NOV 17, 1910,” on a tapering circular beaded “C” scrolled leaf and drapery swag embellished fluted stem raised on a scalloped hexagonal anthemion paneled cast iron base, underneath maker's molded circular mark enclosing a sailboat on rolling waves with flying banner topped mast and two vertically striped sails with one enclosing, “SALE / M / BROS,” and a large “1” over right sail, brown silk wrapped electrical cord; total height: 23 3/4˝, diameter: 18˝; shade height: 10˝.

Estimate: $300 - $500

403 ARIELLE MASSON (Mexican/Texas

Contemporary)

A PAINTING, “Portal,” 2004, tempera on canvas mounted on board, reverse signed, titled, and dated, “A Masson / ARIELLE MASSON / “PORTAL” / NOVEMBER 2004.”

24˝ x 16˝

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $200 - $300

404 CHARLES PHILLIP VAUGHN (American/Texas 1943-2022)

A DRAWING, “San Antonio Mission #4,” CIRCA 1985, graphite on paper, signed L/R, “Charles Phillip Vaughn;” 18˝ x 26˝, framed 25 3/4˝ x 34 1/4˝.

Estimate: $200 - $400

405 ARIELLE MASSON (Mexican/Texas

Contemporary)

A PAINTING, “Study for Gamete,” 1992, oil and gouache on card, reverse titled, dated, and signed, “’Gamete’ Study - 1992 Arielle Masson;” 11 3/4˝ x 11 3/4˝, framed 12 1/4˝ x 12 1/4˝.

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $200 - $300

406 A MEXICAN AMERICAN WAR SONG BOOK, “The Rough and Ready Songster: Embellished with Twenty-five Splendid Engravings, Illustrative of American Victories in Mexico,” CIRCA 1848, ink engraving on wove paper, 250 pages, ten full page and one frontispiece portrait engravings, original sheep and gilt pictorial spine, used to bolster Zachary Taylor’s bid for presidency, includes song titles; Laud Texas, Battle of the Alamo, The Death of Crockett, Song of the Texian Ranger, Texas War Cry and more, Nafis & Cornish, publishers, St. Louis and New York. 4 3/4˝ x 3˝

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $200 - $300

408 FRITZ SCHOLDER (American 1937-2005)

A PRINT, “Native American with Peace Pipe,” 20TH CENTURY, lithograph on paper, signed in pencil L/L, “Scholder,” and numbered L/R, “12/50,” with the Tamarind Institute blind stamp L/L; 10˝ x 8˝, framed 16 1/4˝ x 14 1/2˝.

Estimate: $200 - $400

407 A NEOCLASSICAL STYLE GLASS TOPPED COFFEE TABLE, MODERN, the 3/4˝ beveled glass top with canted corners, supported on a gold painted metal frame with cabriole legs and stylized cloven hoof feet joined by a double “Y” form stretcher.

Height: 18 3/4˝ Width: 52˝ Depth: 27 1/2˝

Estimate: $200 - $300

409 A LIVE EDGE TROPICAL HARDWOOD SOFA TABLE, MODERN, satin sanded tropical hardwood specimen with acrylic fill raised on black vintage inspired hairpin legs.

Height: 30 1/2˝ Width: 71 1/2˝ Depth: 36˝

Estimate: $200 - $400

410 A 10K WHITE GOLD, TANZANITE, AND DIAMOND RING,

the central cushion cut tanzanite, color: slightly purplish blue: clarity: eye clean, approximate weight: 1.28 carats, flanked by two emerald cut tanzanites, color: slightly purplish blue, clarity: eye clean, combined approximate weight: 0.18 carats, surrounded by twenty single cut diamonds, color: G-H, clarity VS-SI, combined approximate weight: 0.10 carats, marked, “10K / FLI ©,” total approximate weight: 3.87 grams, size: 6 3/4.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $200 - $400

411 AN AMERICAN CIVIL WAR ERA FIVE DOLLAR CONFEDERATE NOTE, LEWIS MOODY, NEW ORLEANS, LOUISIANA, AND JEFFERSON, TEXAS, APRIL 1, 1862, ink engraving on thin wove paper, “On Demand I will pay five dollars [to] the bearer in a Confederate Note, when presented in sums of Twenty Dollars at the Office of Lewis Moody in Jefferson, Texas.;” 3˝ x 7˝, unframed.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $200 - $300

A PRINT, “Native American,” 20TH CENTURY, lithograph on paper, signed in pencil L/R, “Kevin Red Star,” and inscribed L/L, “B.A.T.;” 11 1/2˝ x 9˝, framed 17 1/4˝ x 14 3/4˝.

Estimate: $200 - $400

413 A PAIR OF NATIVE AMERICAN PLAINS INDIANS BEADED LEATHER MOCCASINS, 19TH CENTURY, green, red, white, and blue glass trade beads, sinew and leather with a happy or sun style symbol at top and a vertical lane of colorful zigzag beads on heel, hard sole.

Height: 4˝ Width: 3 1/2˝ Depth: 10˝

Estimate: $200 - $400

A PAINTING, “Peon de Hacienda,” 20TH CENTURY, oil on canvas, signed L/L, “N. ESPINOZA;” 29 1/2˝ x 23 1/2˝, framed 38 1/4˝ x 32 1/4˝.

Estimate: $200 - $400

412 KEVIN RED STAR (American b. 1943)

414 NOEL ESPINOZA (Mexican 1931-2014)

415 RONALD SWEETEN (American/Texas 20th Century)

A SCULPTURE, “Flushed,” 1981, bronze sculpture with gold patina, inscribed at base, “Flushed’ / BY / RONALD SWEETEN,” also inscribed, “© 1981 / 1/15,” on an oval wood stand with brass identification plate. Height: 15˝ Width: 19˝ Depth: 12˝

Estimate: $200 - $400

416 CHARLES PHILLIP VAUGHN (American/Texas 1943-2022)

A DRAWING, “San Antonio Mission #2,” CIRCA 1985, graphite on paper, signed L/R, “© Charles Phillip Vaughn;” 16 3/4˝ x 25˝, framed 25 3/4˝ x 34 1/4˝.

Estimate: $200 - $400

417 A FEDERAL REVIVAL STYLE SCALLOPED EDGE PARCEL GILT WRITING DESK, 20TH CENTURY, with gold paint along top edges and a central long drawer flanked by two short drawers.

Height: 30˝ Width: 54˝ Depth: 30˝

Estimate: $200 - $400

418 A PAIR OF ROBERT ABBEY CHARTREUSE MONOCHROME DOUBLE GOURD VASE TABLE LAMPS, AMERICAN, MODERN, the pear green glazed ceramic lamps with tapered circular cream color shades, each shade marked.

Height: 31˝ Diameter: 19˝

Note: Luxury lighting model number: 1673. Robert Abbey has a permanent showroom in Dallas, Texas.

Estimate: $200 - $400

420 JULIUS PAUL SCHMIDT-FELLING (German 18351920) A SCULPTURE, “Rider with Lance,” Early 20TH CENTURY, bronze with dark brown patina, inscribed at rear, “SCHMIDTFELLING,” on a red marble base.

Height: 18 1/2˝ Width: 12 1/2˝ Depth: 5 1/2˝

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $200 - $400

419 A VINTAGE CHINESE JADE DRAGON ON STAND, 20TH CENTURY, the undulating bearded dragon holds a moon disc or pearl in his mouth, on wood stand.

Height: 5˝ Width: 12 1/2˝ Depth: 3˝

Estimate: $200 - $400

421 AN ANNIE SELKE RECTANGULAR SIDE TABLE WITH DRAWER, MODERN, with cream painted wood surface over a central long drawer, with central shelf and gold painted metal frame, applied metal label on inside of drawer.

Height 27 1/2˝ Width: 32˝ Depth: 19˝

Estimate: $200 - $400

422 A SMALL LATE QING DYNASTY STYLE SERPENTINE CENSER WITH COVER, 20TH CENTURY, the crouching dragon finial hung with rings above a lid with relief qilong beasts in reserves interspersed by pierced windows of bats with coins atop a vessel carved with relief flowers flanked by dragon mask form ring hung handles, on a ruyi mushroom socles and cup form foot with carp.

Height: 9 1/2˝ Width: 8 1/2˝ Depth: 4 3/4˝

Estimate: $200 - $400

423 STEPHEN SCHLANSER (American b. 1949)

AN ART GLASS PLATTER, 2003, with gold Greek key meander design and etched dates and signature at edge, “© 1998 Schlanser ‘03,” on a stepped glass base.

Height: 4 1/4˝ Diameter: 21 1/2˝

Estimate: $200 - $400

424 A TIBETAN BUDDHIST STYLE PALE GREEN STONE

“NESHI DHUPUR” LIDDED RITUAL RICE OFFERING POT, 20TH CENTURY, the opaque pale green stone with dark russet inclusions with a traditional ball finial atop cascading circular segments, issuing scrolling ring hung phalanges, on a dual handled ring hung pot raised on splayed leaf form feet, joined by an integral stretcher. Height: 9 3/4˝ Width: 9 1/4˝ Depth: 5˝

Estimate: $200 - $400

425 JOSEPH PAULMAN (British 19th Century) A PAINTING, “Cows Crossing a Bridge in Landscape,” oil on canvas, signed L/R, “J Paulman;” 11 1/2˝ x 15 1/2˝, framed 19˝ x 23˝.

Estimate: $200 - $400

426 ELIZABETH CHANDLER (American b. 1941)

A COLLAGE, “Untitled No. 11,” 1998, mixed media collage on card mounted on paper, signed and dated L/R, “E. Chandler ‘98,” titled L/L, “Untitled No. 11;” 22˝ x 29 3/4˝, framed 27 1/4˝ x 35˝.

Estimate: $200 - $400

428 A CHINESE CELADON GREEN JADE LAUGHING

BUDDHA WITH CHILDREN, 20TH CENTURY, the pale green celadon jade with some translucency, fatty striations and white color speckled inclusions is carved in seated contrapposto, with an open mouth giggling expression, he is adorned by mischievous children tickling his pendulous earlobes, his plump citron fruit like hands support another sliding down his gelatinous belly and his robes flutter like the lily pad.

Height: 6˝ Diameter: 4˝

Estimate: $200 - $400

427 A CHINESE EXPORT “BOYS AT PLAY” INCISED BLUE AND WHITE ROLWAGEN SLEEVE VASE, PROBABLY JINGDEZHEN, ATTRIBUTED TO THE QING DYNASTY (1644-1912), the flared mouth with a banana leaves over a pinched neck and shoulders with incised scrolling vine collar over a tapered body with a scene of boys with a flag, drum and happy lady wags her finger as a child hides behind her skirt painted in underglaze blue ending with an “earth and sky” incised band, unglazed foot.

Height: 9 3/4˝ Diameter: 3˝

Estimate: $200 - $400

429 AN ASSORTMENT OF SIX R.S. PRUSSIA PORCELAIN DISHES, GERMAN, CIRCA 1910, comprising a coffee pot with lid, two covered sugar bowls, two creamers, and one large bowl; the small creamer and the small sugar bowl are marked “RS PRUSSIA;” tallest height: 10˝, widest diameter: 11˝.

Provenance: Estate of Charles and Mary Bracksieck, Houston, Texas.

Estimate: $200 - $400

430 A SUITE OF FOUR CHINESE FAMILLE ROSE AND RED LACQUER SCREENS, 20TH CENTURY, in the Qing Dynasty taste, bird and flower painted white glazed porcelain tiles are framed within gilt carved red lacquer plaques, each with beautiful flowering vases; presented on decorative metal hooks; each height: 37 3/4˝, width: 15 3/4˝, depth: 1 1/4˝.

Estimate: $200 - $400

431 AN ASSORTMENT OF FOUR R.S. PRUSSIA PORCELAIN PIECES, GERMAN, CIRCA 1910, comprising a coffee pot with lid, two creamers and sugar bowl with lid; all pieces marked “RS Prussia;” tallest: 10 1/2˝, widest: 7 1/2˝. (6)

Provenance: Estate of Charles and Mary Bracksieck, Houston, Texas.

Estimate: $200 - $400

432 TWO STAINLESS STEEL TEAPOTS, ALESSI AND SCHULTE-UFER, ITALIAN AND GERMAN, CIRCA 1990s, Il Conico teapot, stainless steel, designed by Aldo Rossi, marked at base, “OFFICINA / ALESSI / INOX 18/10 / ITALY,” stainless steel and composite teapot marked at base, “SCHULTE-UFER;” tallest height: 8/ 1/4˝.

Provenance: Collection of Gerald Peeples, Houston, Texas.

Estimate: $200 - $400

A PAINTING, “Street Lined with Palms,” 1983, watercolor on paper, signed and dated L/R, “Kitty Welsh-Dudics ‘83;” 7 1/2˝ x 22 1/2˝, framed 11 3/4˝ x 27 1/4˝.

Provenance: Estate of Frances “Sissy” Farenthold, Houston, Texas.

Estimate: $200 - $400

MAP, “Battles of Mexico, Line Operations of the U.S. Army,” PHILADELPHIA, AUGUST 18-19, 1847, ink lithograph on paper, showing the belligerent, “Position of Mexican Reserve - 19th Under General Santa Anna,” with American troops, “Under the Command of Major General Winfield Scott,” signed in plate, “W. Turnbull, Maj. à Corps. Engrs.” with two map legends showing areas of various army locations surrounding the, “Pedregal/Field of Lava,” lithographed by P.S. Duvall, drawn by Lieut. Hardcastle, from “Battles of Mexico, Survey of the Line Operations of the U.S. Army under command of Major General Winfield Scott on the 19th & 20th August & one the 8th, 12th & 13th September;” 23˝ x 28, framed: 29 3/4˝ x 35˝.

434 A MEXICAN AMERICAN WAR

Provenance: Collection of Hubert Hudson, former Texas Senator 1957-1963, Brownsville, Texas.

Estimate: $200 - $400

comprising one coffee pot with lid, one teapot with lid, two creamers one with lid, five teacups, and five saucers; coffee pot marked “RS Prussia;” tallest height: 10˝, width: 7 3/4˝. (17)

Provenance: Estate of Charles and Mary Bracksieck, Houston, Texas.

Estimate: $200 - $400

435 AN ASSORTMENT OF FOURTEEN R.S. PRUSSIA PORCELAIN TEA AND COFFEE DISHES, GERMAN, CIRCA 1910,

433 KITTY WELSH-DUDICS (American/Texas 20th/21st Century)

SURVEY

A SCULPTURE, “Vincere Aut Morior - Vercengetorix,” 19TH/20TH CENTURY, bronze with brown and gold patina, inscribed at base, “E. PICAULT,” and titled, “VINCERE AVT MORIOR.”

Height: 27 1/4˝ Width: 11˝ Depth: 11˝

Provenance: Estate of Robert William Guynn, Houston, Texas.

Estimate: $200 - $400

A SCULPTURE, “Lone Star Law,” 1983, bronze with brown patina, inscribed at base, “Bob G. Wilson / © 1983 3/24,” on an oval wood stand.

Height: 19˝ Width: 19˝ Depth: 10˝

Estimate: $200 - $400

A WALL SCULPTURE, Untitled, 1993, mixed media with metals and stones on a wood support, signed and dated L/C, “C. Pebworth April 29, 1993.”

Estimate: $200 - $400

436 EMILE LOUIS PICAULT (French 1833-1915)

437 CHARLES PEBWORTH (American/Texas 1926-2019)

7 1/2˝ x 4 3/4˝

438 BOB G. WILSON (American 20th Century)

440 A 14K WHITE GOLD, PEARL, AND DIAMOND CROSS PENDANT NECKLACE, the round brilliant cut diamond, color: G-H, Clarity: VS-SI, approximate weight: 0.05 carats, centered in a cross shape by eleven seed pearls, color: grayish white with pink sheen, approximate size: 2.4 mm each, pendant height: 3/4˝, width: 1/4˝, suspended from a 15˝ rope chain with lobster clasp, total approximate weight: 2.33 grams.

Provenance: Estate of Theresa Brady, Galveston, Texas.

Estimate: $100 - $200

439 SUSAN BUDGE (American/Texas b. 1959)

A SCULPTURE, “Hard Hat with Eye (Untitled),” 2011, glazed terracotta, engraved, signed, and dated on reverse, “Budge 2011.”

Height: 5˝ Width: 10˝ Depth: 11˝

Provenance: Collection of Judy Youens, owner of Youens Gallery, specializing in Art Glass, Houston, Texas.

Estimate: $200 - $400

441 A PAIR OF ART DECO STYLE SILVERED PHEASANT SCULPTURES, BY ALFRED LAUDER (1887-1977) 20TH CENTURY, stylized male and female pheasant figures, marked on reverse. Height: 8 1/4˝ Width: 4 1/2˝ Depth: 12˝

Estimate: $100 - $200

442 A SET OF NINE PORCELAIN TEA DISHES, PROBABLY GERMAN, CIRCA 1900, comprising one teapot with lid, one sugar bowl with lid, one creamer, two teacups, two saucers, and two small plates; tallest height: 6 1/2˝, diameter: 6 1/4˝.

Provenance: Estate of Charles and Mary Bracksieck, Houston, Texas.

Estimate: $100 - $200

443 TWO STEEL “MAYA” BOWLS BY ALESSI, ITALIAN, CIRCA 1970s, designed by Giulio Confalonieri, each with stepped sides, one with a black epoxy resin finish for cooking, height: 4˝, diameter: 9 3/4˝, one stainless steel and marked at base, “ALESSI / ITALIA / INOX 18/10 / G Confalonieri,” height: 3˝, diameter: 7 3/4˝, both with original Alessi labels.

Provenance: Collection of Gerald Peeples, Houston, Texas.

Estimate: $100 - $200

444 A NEPALI SEATED BUDDHA SCULPTURE, 20TH CENTURY, engraved copper inlaid with tribal silver.

Height: 14 1/2˝ Width: 10 1/2˝ Depth: 7˝

Estimate: $100 - $200

Adickes, D. Alexander, J. American School

Ancheta, I. Anglo-Dutch School

Barnes, A.

Barra, M.F.

Beaugureau, F.

Beecham, T.

Benson, F.W.

Benton, T.H.

Bewer, C.

Bohus, Z.

Borein, E.

Briggs, L.

Budge, S.

Budge, S.

Cannon, T.C.

Carlyle, B. Carpenter, E.L.

Chandler, E.

Charpentier, F.M.

Christensen, D.

Chun, L.

Clark, H.R.

Colman, R.C.

Cook, H.N.

Cortès, E.

Cuneo, R.

Curtis, M.

Dalì, S.

De Carrier-Belleuse, A.

De Decker, T. De Haas, M.F.H.

Duillo, J. Dutch School

Espada, I. Espinoza, N.

French School

Gay, D.F.

Goodnight, V.

Goodnough, R.A.

Gorman, R.C. Greenberg, J.

Havel, J. Hayes, E.

Hayet, L.

Hobby, J.C. Hood, D. Hoover, R.

INDEX OF ARTIST

Huchthausen, D.R.

Italian School

Jackson, H. Jones, G.H.

Kaposta, E. Karhu, C. Kelley, C. Kestelman, M. Kloss, G. Kuhn, J.

Lance, G. Larsen, H.E. Lebourg, A.M. Lewis, J. Lik, P. Lippincott, J. Liu, Y. Lynch, A.

Manrique, C. Masson, A. Matia, W. Mcglaun, B.

Regat, J. and M.

Roberts, W.

Robertson, O.

Rodrigue, G.

Roser, C.

Rouault, G.

Rountree, H.

Roybal, J.D.

Russell, C.M.

Ruthven, J.

Rybak, J.

Samples, B.

Schiwetz, E.M.

Schlanser, S.

Schmidt-Felling, J.P.

Scholder, F.

Schwegler, X.

Scott, A.

Seide, P.

Sharlhorne, W.

Shepherd, B.

Smith, C.J.

Spurey, K.

Staley, E.

Starn, D. and M. Stavrowsky, O.

Talashoma, L.

J.C.

K.

Vaughn, C.P. Vickery, C.

Wadley, P. Wagner, F.R. Waldrip-Taylor, P. Walter, W. Warhol, A.

D.

S.

E.V.

K.

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