2568 “Silpakorn Ceramic International
ได้ถ่ายทอดความรู้ประสบการณ์ด้านศิลปะและออกแบบสร้างสรรค์ผลงานเครื่องเคลือบดินเผา และนำาผลงาน สร้างสรรค์จัดแสดงเผยแพร่ต่อสาธารณชนเพื่อเป็นความรู้หรือแนวทางในการปฏิบัติงานสร้างสรรค์ต่อสังคม
Artist Statement
Memories of the difficult 1980s were expressed in a work using the human body.
Memory – 1980s
Dimension : 24 x 47 x 14 cm.
Technique : Glass Casting
Material : Stoneware
The nature and its influence on the human beings have a deep impact on architecture. The act of immigration, invasion, and expansion of the human civilization finds its expression in architecture and monuments. My sculptures are deeply involved with this journey of human civilization.
It has its root in the villages, terracotta temples.
It has found a wider arena in the urban civilization gradually. I find an emotional involvement in the subconscious while playing with clay.
Artist Statement
After the pandemic and pollution, who will survive?
Survivers
Dimension : 13 x 17 x 17 cm.
Technique : Hand building, Lace, Glaze, Gold paint
Material : Ceramic and Glass
Artist Statement
The Yam Rung collection presents the beauty of gingerbread patterns combined with the light of dawn, conveying brightness, vitality, and hope. This collection highlights the design of intricate and delicate patterns that captivate the eye.
Dimension : 30 x 30 cm.
Technique : Hand forming
Material : Ceramic
The concept is to create a teapot set using clay mined from the Nong Khae region in Thailand. The design highlights the natural characteristics of the local clay through the use of ceramic glaze that showcases an asymmetrical and organic interplay of colors, emphasizing the beauty of imperfection and nature-inspired aesthetics.
Dimension :
Teapot 13 x 10.5 x 19 cm.
Teabowl 8.5 x 8.5 x 5 cm.
Technique : Throwing on Wheel
Material : Nongkae clay
“Wood-Fired Pottery from the East”
Artist Statement
Interdependence of nature.
Freshness
Dimension : 35 x 45 cm.
Technique : Underglaze, Glaze 1200 ำC
Material : Ceramic and Glass
Statement
This artwork reflects the outer image that plays a role in creating impressions and fascination for others. However, what is hidden within, such as genuine thoughts and feelings, often differs and remains beyond expectation.
External and internal reflections
Dimension : 12 x 27 x 67 cm.
Technique : Underglaze Painting
Material : Ceramic
Statement
This work is a story told from a tale. Spiritual leaders, faith, belief and fear have been with humans for a long time. It may be from the fear of the mind that leads to the way to find a place to rely on for protection. I chose to use the tribal chief, who is the highest leader of the tribe, as a representative of the spiritual leader. His role is to take care and protect, comparable to the current society tha has faith and beliefs that come in many forms depending on the perspective and beliefs of each person.
Artist Statement
It sought to achieve a harmony of pink butterflies and white. It was expressed in elaborate bowl shapes using white porcelain clay.
Dimension : 38 x 38 x 12 cm.
Technique Made from a Spinning Wheel
Material : White Porcelain Clay
Statement
I would like to show how clay can change in the modern technique.
“Simbok” is the term for mothers in Javanese culture.
“Simbok is a depiction of women laboring bricks and roof tiles in Balong village, Central Java, Java Island, Indonesia. This work raises the subject of women as masculine and feminine. The symbol symbolizes femininity, nurturing, growth, and new life, and the foundation is a metaphor for nature & the land itself. Where women/mothers are very close to production activities, caring for, and looking after & a special focus on the nurturing and life-giving aspects of nature such as Mother Earth.
Zhang Jingjing
When we think of water, we think of a quiet trickling stream, a babbling brook, or even raging waters. Needless to say water has a beautiful, smooth motion all of its own. In the Chinese culture water is seen as the symbol for harmony.
Based on the Chinese traditional blue and white water separation technique of Jingdezhen, the works use innovative expression techniques to express the perception of life, show the connection between two and three dimensions of space, the dense gathering and dispersing of groups, and the uniqueness of individuals, all of which have their own unique rhythm and rhythm like “solidized music”, hoping to bring strong artistic appeal and visual impact to the viewers.
Dimension : 30 x 30 x 3 cm.
Technique : Blue and White
Material : Porcelain
The artwork was inspired by egrets in a wide field, which are leading to food in the morning, walking with spreading their wings, and courting each other. The artwork shows the perfection of nature that is rarely seen in the present by using Mosaic technique, which used Ceramics and glass as materials to create attractiveness.
Dimension : 35 x 45 cm
Technique : Mosaic
Material : Pocelain
Wathun Boonsorn, Ph.D.
Artist Statement
Creating a sense of abundance through the form of rice grains, expressed by using curved forms to depict overlapping grains.
Familiarity 1-2025
Dimension : 38 x 5 x 23 cm.
Technique : Kiln Casting
Material : Recycled beer bottles
It’s a work that expresses beauty and calm lyricism through several small pebbles made of ceramics and textures of various colors. Soft and smooth, polished pebbles create another landscape with irregular rainbow colors. Each structure is both familiar and heterogeneous in reminiscent of a compressed landscape. Pebbles appear quietly on the earth.
I have always been interested in nature and life themes. The main focus of my work is to create dynamic shapes supported by natural lines that will gradually evolve from an idea on paper to a sculpture in glass. I compose light through the medium of glass by sculpting simple forms from giant blocks of optic crystal. My elegant polished forms reflect internally, then transmit evocative abstract compositions, which appear as pure apparitions of light.
HOUSE #20240920
Dimension : 10 x 16 x 8 cm.
Technique Cast, Fused, Cut & Polished
Material : Optic Glass, Glass Color Powder
A wheel-thrown pond vase that is also a chime. The hammered surface captures the flow of the flames.
Artist Statement
Epidemics” and even “illnesses” are unavoidable challenges that humanity must face. As a result, many individuals are required to take “medication” or “vitamins” regularly, either as part of treatment or to prevent various serious diseases. For some, having chronic illnesses makes taking medication an essential part of their daily routine. While taking medication or vitamins on a daily basis may have negative effects on certain organs in the body, it remains an inevitable necessity for many.
Life is always changing. Whether filled with sorrow or joy, every moment shapes us, helping us grow and learn. Sometimes, we need to pause—to appreciate the little things, embrace fleeting moments, be present, gaze at the sky, and give our hearts the time they deserve.
Sometimes
Dimension : Varies by area , 16 x 50 x 45 cm.
Technique : Glass Blown, Sculpture
Material : Soda lime Glass
This piece reflects how individuals with differences can create something beautiful together. Despite having distinct approaches and techniques, their collaboration can achieve harmony and balance—just like nature, where rocks and flowers coexist beautifully.
Nature leaves traces of colors, textures, and light and vshadow for humans to experience and learn the existing beauty, waiting for us to absorb and convey that beauty.
Surface of Ashes
Dimension : 35 x 40 cm.
Technique Coiling, Slip Decoration
Material : Ceramic
The nature of the human mind’s perception is always changing. There are changes in perception through seeing, hearing, touching, or other things. When the mind perceives various things that arise, it is difficult to shake them off. Increases and decreases naturally occur.
Dimension : 17 x 30 x 5 cm.
Technique Hand forming 1,230 °C oxidation temperature
Material : Ceramic, Copper
Dimension : 6 x 15 x 5 cm.
Technique : Hand forming 1,230 °C oxidation temperature
Material : Ceramic, Copper
Dimension : 18 x 30 x 10 cm.
Technique : Hand forming 1,230 °C oxidation temperature
Material : Ceramic, Copper
Artist Statement
Suvarnabhumi is a melting pot of people living in this land. The combination of lifestyles, beliefs, traditions, and ethnicity has created some symbols that communicate simplicity and harmony with nature.
Suvarnabhumi Symbol
Dimension : 40 x 28 cm.
Technique : Overglaze Painting
Material : Stoneware
Suvarnabhumi Symbol
Dimension : 38 x 29 cm.
Technique : Overglaze Painting
Material : Stoneware
Artist Statement
Uses of a geometric cylindrical shape conveys simplicity, strength, and comfort in use, ensuring stability and durability.
Dimension : 16 x 19 x 30 cm.
Technique : Stoneware, Wheel Throwing and Hand built, White semi matt glaze 1250 °C
Material : Ceramic
Dimension : 13 x 20 x 17 cm.
Technique : Wheel throwing and hand-building techniques, A semi-matte white glaze.
The artworks uses wheel throwing and hand-building techniques, resulting in refined shapes and unique characteristics.
Shining with flowers 2025
Dimension :
(1) 11 x16 x 10 cm.
(2) 12 x 18 x 15 cm.
Technique : Uses wheel throwing and hand-building techniques, A semi-matte white glaze.
Material : Ceramic
Statement
Three trees as the symbol of the relationship which grow beautifully together.
Rising
Dimension : 40 x 120 x 80 cm.
Technique Hand forming 1100 °c
Material : Ceramic
Artist Statement
A blue-green celadon bowl, rich in tradition, serves as both a functional vessel and a symbol of artistry, resonating with those who value cultural heritage and craftsmanship. In contrast, a plastic clock prioritizes practicality, marking time for fast-paced, modern lives, tailored to a broad and utilitarian audience.
Objects: Function Difference
Dimension : 7 cm.
Technique Mix Collage
Material : Stoneware / Plastics
Statement
The cycle of the world’s rotation under the knowledge of science and art.
The Four Noble Truths, the origin of the cycle of rebirth.
The boundary of space, a physical imaginary thing that does not actually.
Vase Border
Dimension : 8 x 14 x 90 cm.
Technique : Soda-lime window Glass and Ceramics slap building with Stained Glass. 1250 °c Oxidation
Material : Glass sheet & Porcelain Colors
Dimension : 9 x 9 x 45 cm.
Technique : Slip casting with Glass blowing 1230 °c Oxidation
Material : Soda-lime Glass & Porcelain
Artist Statement
Maybe the meaning of life is blowing in the wind.
Message from the Universe 20168
Dimension : 35 × 35 x 35 cm.
Technique : Stoneware clay body/ Hand building/ Durian Ash Glaze 1,220 °c Oxidation
Terracotta clay body/ Hand building/ Unglazed 800 °c
Material : Clay
Artist Statement
Blue and White ceramics, a familiar and well-known concept from the past to the present, also conveys a sense of auspiciousness and value through its meaning. It reflects the thoughts and culture of the people from those times very well. At one moment, I’m captured and conveyed the story of my beloved daughter through patterns on pottery, seamlessly intertwined, symbolizing the beginning of a life growing beautifully like a tree flourishing endlessly. The design of each piece of the container is symmetrical, allowing it to be used on both sides, either upside down or right side up. The shape is distinctive and functional, and each piece can be combined to create a variety. The combination of blue and white colored slips, formed by mold casting, creates a free-flowing direction of blue-and-white patterns, resulting in unique variations in each piece, symbolizing the evolving love between me and my daughter.
No.3
Dimension : 1.2 x 1.2 x 2.5 m.
Technique : Slip Casting , Porcelain, 1,230 °C , Gold Decoration
Material : Ceramic
This work was inspired by the sight of cracks on sidewalks or walls, where small plants and grass grow and emerge through the gaps. I was deeply impressed by the shapes of those tiny flowers and leaves. It made me realize that even in dry and cracked places, nature still strives to show its beauty. This observation inspired me to think that if people pay attention to the small things around them, they can easily see the beauty of nature and the world.
Dimension : 20 x 20 cm.
Technique
Material : Porcelain
Space of the beautiful No.2
Dimension : 12 x 13 cm.
Technique : Clay Slab
Material : Porcelain
Space of the beautiful No.3
Dimension : 25 x 27.5 cm.
Technique Clay Slab
Material : Porcelain
It reflects the dynamics of society and nature in a form that combines various techniques, such as the use of multiple materials to create content that is profound and challenges the viewers’ perception. Especially in presenting stories related to lifestyle, beliefs, and emotions in Thai society, as well as the relationship with nature.
Artist Statement
My inspiration come from the forms of vessels used for human survival in ancient Times. I have applied this to research and develop clay and Raku glaze to discover Formulas for high-quality and aesthetically pleasing materials, specifically for contemporary ceramic art.
The Universe
Dimension : 20 x 28 cm., 13 x 23.5 cm.
Technique Simplified hand forming and raku technique (with 1,050 °C firing) applied with stainless-steel.
Material : Copper Matt Raku 1050 °C Reduction
Artist Statement
Fruitf indicates abundance.
Fruit
Dimension : 33 x 21 cm.
Technique : Raku and Glaze resist
Material : Raku Clay
Artist Statement
The bond between two generations An age where life is like a seed that grows and grows more and more. And another age that is like a tree near the shore waiting for the day to fade with time, being fulfilled by blood bonding love. Even though they are two ages where time goes against each other. But it is the age that has the most common needs: love, understanding, and care.
Dimension : 12 x 35 x 38 cm.
Technique Oxidation 1220 °C
Material : Clay
