THE BOLT January 31, 2013
Sage Hill School, 20402 Newport Coast Drive, Newport Coast, CA 92657
Volume 13, Issue 4
‘Do You Hear the People Sing?’ Tonight, Sage Hill School stages its second performance of Les Misérables. The spring musical will run each night at 7 p.m. in the Black Box Theater through Feb. 2. By Kristen saroyan Staff Writer
The cast of Les Misérables has gathered what they describe as “priceless memories” preparing for the performances, so I spoke with several cast members including Keivon Akbari, Matt Aghaian, Ryan Fishel, Caitlin Cohn, Kristen Tsubota, Gennyvera Pacheco and Brennon Mendez. What’s different about rehearsing for a musical than rehearsing for a play? Keivon Akbari: It takes a lot more energy, especially because you’re singing and acting at the same time. It requires a lot more movement. Matt Aghaian: You need to make sure that you keep your voice in great condition because you’re singing every day. You really have to look out for yourself. What has been the most exciting part about working on this? Keivon Akbari: I would say probably expanding the limits of my vocal range because it turns out I can sing higher and lower than I thought I could. Working on this musical really enhanced my voice. What is your favorite scene to perform and why?
Photo Courtesy of Christopher Andras
Senior Caitlin Cohn, playing Cosette, falls into the arms of Marius Pontmercy played by freshman Jacob Fsh during the tech rehearsal of Sage Hill’s production of Les Miserables tonight.
Keivon Akbari: I think the soliloquy in the beginning is my favorite scene because it sets up the entire story and puts everything in place, and from it, we know my character’s purpose and how badly he wants to change. What is your favorite song to perform? Ryan Fishel: I think I speak for the entire cast when I say our favorite song is Master of the House. It’s by far the most fun scene; Les Misérables is very heavy and emotional, but
Master of the House is funny and exciting. Why is Les Misérables the right play to perform at Sage Hill School? Keivon Akbari: Les Misérables involves so many people, and everyone has something to contribute. Everyone is important in his or her own way to the story. Caitlin Cohn: I think that Les Misérables is the perfect musical for Sage Hill School because the biggest themes of the show are
family and cherishing the time that you have with the people you love and care about. Those themes are also very important here at Sage. How is the Sage Hill performance of Les Misérables different from the performances being done at other schools in the area? Gennyera Pacheco: We are the only high school cast in the area doing a fully blocked run of Les Misérables rather than just a vocal concert. Kristen Tsubota: I think that there’s a lot of passion on the set and in the audience. Even walking around campus, there’s a lot of amp over Les Misérables. Everyone om the cast is just really excited for this production at Sage Hill. Why should everyone come to see your performance? Keivon Akbari: We hope to have a big enough impact on the members of the audience that they learn something and become better people. Matt Aghaian: Les Misérables is a mix of almost every emotion including happiness, sadness, anger and fear. It really touches you when you see it. What aspect of the musical are you most proud of? Brennon Mendez: Whenever we rehearse a scene, we go over the little errors and imperfections, and the next time we run the scene, I see the improvement. One good aspect is that we’re all very focused on our vocals and our blocking; we really try to improve and to do our best. Has the creation of Les Misérables been a bonding experience for the cast? Keivon Akbari: It’s been a huge bonding experience. We see each other every day and relax and motivate each other.
The ‘Godfathers’ ’ Tough Choice By Jenna Shapiro Editor-In-Chief
Between now and the last round of the annual “Assassins” game that occurs each spring at Sage Hill, three tragically prominent shootings struck the United States—not to mention the numerous other “acts of gun violence” are sadly lost in the “not to mention” category. This spring, the game’s “Godfathers” Chris Andras and Coral Lee, along with Jon Poffenberger, dean of School Life, took the lead in making changes to the school-wide competition to be sensitive to the fact that, particularly within the context of these most recent shootings, the game may not be
considered just a “game” anymore for many people. The original rules of “Assassins” were as follows: each player must use a water gun to “shoot” his or her given target without any witnesses. Each player who is “shot” with water is then removed from the game until only one player is left standing. While “Assassins” took place with honest intentions of pure fun, the reward in shooting another person was an unmistakable implication. In Poffenberger’s words, the game became an “unsanctioned but recognized Sage tradition;” more than 25 percent of the student body participates each year. Recently, Poffenberger approached senior Chris Andras about respecting the victims of the recent shootings as Andras
planned this year’s game. “It was one of the easiest conversations I’ve ever had with a student about such a serious discussion,” he remembered. “When I brought it up, Chris had already had some ideas [as to how to alter the game].” In response to the Aurora shooting in a Colorado theater last July, the Sandy Hook Elementary School shooting, the Taft High School shooting and the incident at Fashion Island only 10 minutes away from campus, Andras and Lee begun brainstorming ways to take into account the heartbreaking and frankly scary events. They are currently deciding on a new name to replace “Assassins,” though they have not yet come to an official conclusion. The game will also now call for water bottles,
rather than water guns, as the “tool” to eliminate other players. “I have no issue changing the game,” Andras said. “I believe the game is much more about the strategy rather than the shape or form of the ‘tool.’ My hope is that this change will be permanent; one that will continue in the future” Poffenberger applauds Andras and Lee for their maturity when dealing with the situation. “I felt [the changes] were necessary because, although I understand the nature of the game and that it’s all in good fun, there’s also the glorification of assassinating someone,” he said. “I have to give a lot of credit to Andras. He was prepared and completely on board.”
Our Choices: Best of 2012 inside