SHREYA DWIVEDI || CV + Portfolio ||Architecture + Design || KRVIA by shreya dwivedi

PORTFOLIO

S H R E Y A D W I V E D I

SELECTED WORKS

a r c h i t e c t u r e

d e s i g n

2015-2020 // K.R.V.I.A

// profile Hello! I am a skilled Architecture graduate seeking a new challenge to expand my knowledge and experience as a Junior Architect with a driven and purpose-led design studio. My time at Architecture school has instilled in me a deep interest in heritage and cultural studies, which I passionately explored during my design dissertation. The ideas of Place-making and designing user-experience centric spaces have driven most of the projects illustrated in my portfolio. As an enthusiastic designer, I constantly experiment with design and materials, often seeking inspiration from films and the everyday.

s h reya

dwi ve di

~ a r c h i t e c t

// education Ka m l a R a h e j a V i d y a n i d h i I n s t i t u t e f o r A r c h i t e c t u r e Mumbai, Maharashtra, India . B.Arch (2015 - 2020)

contact info

University of British Columbia Vancouver , Canada 2019 - Exchange Program

dwivedi.shreya@gmail.com

TU Delft Delft ,Netherlands 2018 - Exchange Program

+ 91 916715 7 0 5 4

La Mar tiniere Girls’ College Lucknow, Uttar Pradesh, India.

L u c k n o w , U . P. w w w. l i n k e d i n . c o m / i n / shreya-dwivedi

2001-2015

// professional experience SJK Architects Internship

l anguages English Hindi

references Available upon request

Jan 2019 - May 2019

Mad(e) in Mumbai Summer Internship May 2018

Freelance Restroom Renovation 2020- Present

// achievements

// software & skills Autocad-2D

Hand Drafting

INTACH Heritage Awards ,Builing Stories:Chakrata

Ve c t o r w o r k s

Model Making

2019, INTACH

Adobe Photoshop

Sketching

First Rank (National Level)

Adobe Indesign

Rendering

Documentation of Architectural Heritage ,Builing Stories:Chakrata

Adobe Illustrator

2018, Council of Architecture *(Collaborative)

Rhinocerous

First Rank

Sketchup

Esquisse- Cross Dressing *(Collaborative Installation)

Garage Band

First Rank (National Level) *(Collaborative)

2017, KRVIA

Third Rank Overall Academics , 2 nd Year B.Arch 2016, KRVI A

First Rank

M u s i c m i x i n g /e d i t i n g Amateur Photography Amateur Video Editing Basic Carpentry

iMovie

Pottery

Microsoft Office

Mac OS / Windows

// workshops & electives

Architecture Design , 2 nd Year B.Arch 2016, KRVIA

// relevant experience

Theorising Culture - Ari Anand Elective,KRVIA

Arc h. Photography - Kunal Bhatia Elective,KRVIA

Te a c h i n g A s s i s t a n t

P o d c a s t - N a m r a t a Ka p o o r

First Year Introductory Workshop , KRVIA

Elective,KRVIA

2019

Po tt er y - N eha Kudc hadkar

Student Co-ordinator 1:1 - Grasshopper Elective by Kedar Unhale , KRVIA 2019

S t u d e n t Wo r k s h o p C o n d u c t o r Bhangra with Saloni Kapoor & Saniya Patil, KRVIA 2016

S t u d e n t Wo r k s h o p C o n d u c t o r

Elective,KRVIA

Lit hography - Aseem Deuskar Elective , KRVIA

Ar t - Justin Ponmany Elective,KRVIA

1 : 1, G r a s s h o p p e r - K e d a r U n h a l e

Bhangra with Saloni Kapoor & Vidushi Aggarwal, KRVIA

Annual Workshop , KRVIA

2017

Theatre - Ramu Ramanat han

S tudy Tr ip Commit ee Member

Annual Workshop , KRVIA

Anegundi , KRVIA 2015

//licenses

// other interests Tr a v e l l i n g Music & Drumming

Registered Arc hitect

Films & Production Design

Council of Architecture , India

Swimming

Concrete Product Designing Fo o d Photography

Adventure Sports

TA B L E O F C O N T E N T S

academic

professional

work

international

exchanges

coll aborative

work

academic projects

Garden of Learning : Reimagining a Park as a Cultural Generator Design dissertation || 5th Year

03 - 38

Institution of Knowledge // Architecture of the Good ,The True and The Beautiful Architecture Design || 5th Year

39 - 48

The Boatclub // Lucknow , Reviving the river Gomti Urban & Architecture Design || 4th Year

49 - 54

Theatre for Life // Architecture as Scaffolding Architecture Design || 2nd Year

55 - 58

Community Center // Institutions of Everyday Architecture Design || 2nd Year

59 - 62

The In-Between // Institutions of Faith Architecture Design || 3rd Year

63 - 68

The Machine // Institutions of Democracy Architecture Design

& Working Drawing || 3rd Year

69 - 74

design dissertation 2020 //

GA R DEN OF L E A R N IN G R E - I M A G I N I N G A PA R K A S A C U LT U R A L G E N E R AT O R

Lucknow is commonly know as the cultural city

of india. The identity has been built by the cultural practices,

for the promotion and propagation of Urdu which can be

the people living in it and the built form. It is this cultural

adopted by the government instead of the current one,

identity which is still very much a part of the memory of

such that the city is able to maintain its individuality giving

people. Today as the forces of globalisation act on the

its people a sense of place.

city the cultural characteristic which differentiated the city

from other places will soon fade into oblivion leading to

a place for learning which moves away from the idea of

gentrification , loss of identity and loss of sense of place.

closed door education. Revival of the heritage structure

The language, Urdu, played a major role in

alongside new scattered interventions will give it value .It

shaping this culture. It was at the very heart of it. Today

will also serve as a connection between the past and the

despite the various schemes and large fund allocations

present, just as the argument of Urdu revival in the present

from the government at the centre and state to promote

day tries to bridge that same gap.

the language and cultural practices in the city, there has been no significant change in the position of Urdu .

1.1 PRESENTATION VIDEO

The aim of the thesis is to explore the architecture

The intervention tries to Re-imagine a park as

Year : 5 Semester : 9 &10

Guide: Ainsley Lewis Location : Lucknow

design dissertation

IT E

E &

GLOBALISATION TT

URE

ECONOMICS

POLITICS CR

H RC

UAG

AF T-

LUCKNOW

FORCES

I , Z A R D O ZI

NKAR

OTHER

IK A

CI TY LOCUS IDENTITY CORE PLACE

E &

TRANSFORMATION

E D U C A TIO N FO

research //

LANG

RUPTURED CORE An online survey was conducted among the people of lucknow to understand what they associated the city with most. Language & Etiquettes and Food gained the majority votes. LOST IDENTITY , GENTRIFICATION , LOSS OF SENSE OF PLACE

The Language, Urdu, played a major role in shaping this culture.

At the time when Urdu was thriving it was never associated/related with religion

It was a language which allowed for -Flexibility -Freedom of expression -Diversity -Open to new ideas

It propagated through debate and discussions

Present day it is completely the opposite , which is a major cause for its downfall

CASE STUDIES There were various institutions in the city which helped

understand the various Institutions where Urdu and other

in the propagation of Urdu . They were not just “language

cultural practices related to it evolved and were practiced. It

learning spaces” but spaces where Urdu in its various forms

does so from the time of the Nawabs to the present day .

was practiced . The following case studies try to map and FIRANGI MAHAL - PALACE OF LEARNING LIVING SPACE STORAGE

+5.41M

BEDROOM (NEW)

+5.41M

DN +5.41M

STORE (NEW)

+5.41M

BEDROOM

The Firangi Mahali family was famed for their religious learnings , they wrote and published a lot .The Mahal has been a centre of learning as well as the cultural centre. They played an important part in the establishment of the Urdu press in lucknow.Maulana Abdul Bari played a leading part in launching the Khilafat Movement(1919-24) .There were secret meeting held in the Firangi Mahal of which Gandhi and Nehru were a part.The building is dilapidated and the institution non existent.

RUIN

+5.41M

WASHING

+5.41M

SITTING ROOM

+5.41M

+5.51M

PARIKHANA

Today the Pari khana houses the Folk art Museum which houses several artefacts, photographs and paintings. DANISH MAHAL

It holds weekly literary meets called the Bazm-e-Danishwaran and the Shaame-Awadh meets.

+5.51M

ROOM (NEW)

STORAGE

ENTRY

DINING

BEDROOM AND KITCHEN (NEW)

+5.51M

THE LANKA

It was demolished by the British and in its place stands the Amir-ud-Daula Library. RAM ADVANI BOOKSTORE

The store shut after Ram Advani Passed

RIFA-E-AAM CLUB

MARRIS COLLEGE/BHATKHANDE

The building works as a dump yard.

It is one place where anyone who wishes to learn dance or music as higher education in the city goes.

LALIT KALA ACADEMY

SANGEET NATAK ACADEMY

Holds handicraft exhibitions

The academy which is neither a teaching nor a performing body, has contributed least towards promoting or sponsoring talent

design dissertation research //

Upon studying the various institutions related to Urdu, both public and private, in the present day the following observations were made:

The Government institutions have more infrastructure and are older as opposed to the newer private festivals and NGOs with less or no infrastructure .

Government institutions have been less successful in promoting Urdu and creating awareness as compared to private festivals and NGOs promoting the Lucknowi Culture.

Institution

Institutions with other cultural activities apart from just one way teaching of Urdu , are more successful.

Analysis

Working members are less throughout.

Places with voluntary youth participation have seemed to achieve more success.

site : rifa-e-aam club Located in the heart of the Kaiserbagh area, the older city , in Lucknow .

It was set up by the Maharaja of Mahmoodabad, in retaliation to the British Clubs present in the city where indians weren’t allowed.

The Progressive Writers’ Association was formed in 1936 , which went on to revolutionize literary writings.

The Lucknow Pact of 1916 , between The Indian National Congress and Muslim League was signed in this building.

The Rifa-e-Aam club has been chosen as the final site for the intervention. Site has been chosen because of its location and its historical connection. It is a site which many people pass by during everyday. Thus making the intervention directly and easily accessible by the general public . PRESENT DAY :

location plan

The site is located in one of

visible site. The site also has

the older parts of the city of

an existing heritage structure

Lucknow, called Kaiserbagh .

which adds to the importance

It lies at the turning of a busy

of the site. The main road

roads and has residential areas

towards the north connects the

on two sides ,a mixed used area

bridge to cross the river Gomti

on the third and city station

.Which connects it to the newer

opposite it. Its location makes

parts of the city.

it an easily accessible and a

200M

800M

design intent

Dearth of open spaces in the surrounding areas

A common space for people to come together whilst trying to make them aware of the language Urdu and its various forms

Urban Park

Re-imagine a park as a place for learning which moves away from the idea of closed door learning .

Monument will also serve as a connection between the past and the present. Just as the argument of Urdu revival in the present day tries to bridge that same gap.

Revive the Heritage structure and give it value, by assigning newer functions to it along with the new scattered interventions on site

.0M

-2

-1

.0M

9. 2.

-3 9.

.0M

8. UP

design //

design dissertation

ground floor plan

A’

VEHICULAR ROAD

0.0M

PA TH

B’

1. PRACTICE PLATFORMS 2.PAVILION 3.URDU LEARNING INSTITUTE 4.HERITAGE MONUMENT 5.WORKSHOP SPACE 6.CAFETERIA 7.AMPHITHEATRE 8.SMALL PAVILION 9. SEATING 0

10M

20M

40M

underground floor plan

.0M

-2

-1

.0M

1. UP

-3

.0M

A’

2. 6.

6. 8.

B’

1.PERFROMING ARTS INSTITUTE 2. URDU LEARNING INSTITUTE 3.PUBLISHING HOUSE 4.PRINTING PRESS 5. AMPHITHEATRE 6.GREEN ROOMS 7.SEATING

10M

20M

40M

design //

design dissertation

overall s

+6.5M

0M -3.6M

URDU LEARNING INSTITUTE

RIFA - E- AAM CLUB

SECTION AA’

+6.5M

0M SECTION BB’

-5.0M

PERFORMING ARTS INSTITUTE

6.5M

-5.0M SECTION CC’

PRACTICE SPACE AND SHOPS

AMPH

sections

PRACTICE SPACE AND SHOPS

0 5M 10M

WORKSHOPS AND PRINTING PRESS

20M

HITHEATRE

AMPHITHEATRE

building diagrams

programmatic layout RIFA-E-AAM CLUB

Grid laid on site taking the dimensions of the monument as reference , to help locate the building on the land.

URDU LEARNING INSTITUTE PERFORMING ARTS INSTITUTE

AMPHITHEATRE

SHOPS AND PRACTICE SPACE

Placing of building masses

WORKSHOP & PRINTING PRESS

nolli plan

Removing grid.

EXISTING STRUCTURE ENCLOSED PRIVATE SPACE

Adding landscape to add the experience of the visitor. Main movements and central axis.

LANDSCAPE The landscape is designed in a way to make the visitor meander, such that when moving through the park the visitor chances upon the activities happening in the various pavilion like structures. There are smaller pavilions and seating spaces integrated within the landscape which act as pause points when walking in the park. They become spaces where people can sit together have discussions, chat with a friend, do yoga or any activity they like. Adding such smaller elements makes the park more inviting to people. It doesn’t remain a place where one would only come to learn or know about a language it becomes more than that.

TREE SPECIES AND USE

IMLI -Tamarindus indica Use - SHADE - VISUAL BARRIER - SOUND BARRIER NEEM -Azadirachta indica Use - SHADE - VISUAL BARRIER - SOUND BARRIER ASHOK -Saraca asoca Use - SHADE - VISUAL BARRIER - SOUND BARRIER BANYAN -Ficus benghalensis Use - SHADE - MARKER GULMOHAR -Delonix regia Use - SHADE - VISUAL BARRIER FIG -Ficus racemosa Use - VISUAL BARRIER

SHEESHAM-Dalbergia sissoo Use - SHADE - VISUAL BARRIER - SOUND BARRIER

KUSUM -Schleichera oleos Use - VISUAL BARRIER

EXISTING TREES

NEW TREES

The site had a variety of existing trees all of which have been retained. The new trees have been strategically planted alongside the existing ones to hide the pavilions . The trees act as sound and visual barriers and give shade while walking through the park. A champa tree is planted in close proximity to each intervention . It acts as a visual marker and guides the visitor with its white fragrant flowers. The singular banyan tree next to the Urdu learning institute acts as an additional marker to the main intervention of Urdu learning.

CHAMPA -Plumeria Use - MARKER - WHITE FLOWER - FRAGRANCE

design //

design dissertation

design

process

PROCESS 1

PROCESS 2

Working with blocks of different sizes according to area of programs. Making permutation combinations of public and private programs to increase interaction with the public.

Designing the landscape such that the formal functions get tucked underneath the earth mounds. Due to the layout of the paths while the person meanders they come across different activities happening in the park . There are several pockets created to pause & rest. The landscape is held inside with the wall on the edge which has openings in different parts to let people inside.

PROCESS 3

PROCESS 4

A grid of 30*30 m was overlaid on the site and follies of 10*10 m were place at the nodes. Programs were allocated to some of the follies and grew around it while others remained as objects of play in the larger site. Paths criss crossed between these objects to direct the person through the site.

A grid in proportion to the size of the existing monument was overlayed on the site. The programs were divided in different categories and grouped. These were then spaced and placed according to their nature within the grid. Underground paths dissecting the grid connected the programs to each other. The edge is designed in a way to increase the interaction of the people with the site ;incorporating small shops and sitting and viewing spaces.

materials The Material choice of sandstone and corton steel in the new interventions in contrast to the lakhori bricks in the heritage structure stemmed from the idea of combining the traditional systems with more modern contemporary building techniques. The combination of sandstone and steel, i.e. a traditional building element and a modern contemporary one , tries to physically manifest that old and new connection. The architecture thus created is contemporary , which is rooted in the combination of historical elements with a modern vocabulary.

proportions and heights

Roof lines of all interventions are aligned with the top of the cornice of the ground floor

Height of the stone piers and walls aligns with the springing line of the arches of the heritage structure

light vs heavy The use of steel on the ground level makes the inserts light and transparent , helping to maintain the openness of the park . The use of the thin steel columns makes the interventions almost invisible amongst the trees in contrast to the heritage structure which has a heavy and imposing presence.

design dissertation design //

M O N U M E N T & U RDU L EARNING INSTITU TE

KEY PLAN 0 20M 40M 100M

The Urdu learning institute has been designed as an annex to the monument with the formal learning spaces underground and a discussion space and gallery on the ground level. More public programs on the ground level aim to draw visitors towards the functions .The opening on the ground level ,looking into the spaces below have been designed such that people are able to see and hear the activities downstairs. On the ground floor is the discussion space which has been designed as a colonnade with columns large enough to give a sense of privacy to people sitting between them. It can be used by people studying below or from outside also.The gallery beside the colonnade can be used for holding exhibitions. The staircase or lifts take one to the underground level or above the gallery. The annex connects to the monument with a path leading directly into the library .The library is a large double height space with additional reading spaces on either side which look out into the garden all around. The ground level of the heritage structure also houses a digital cell, an archival space, association rooms and a shop. The space for the administration is on the first floor . The lower level has the formal learning spaces with a reception , an office, a staff room, an av room and class rooms each opening into a court yard. The seating space in the two central courtyards encourage interaction among the students.

DETAIL SECTION design dissertation

Mr-24® standing seam roof sheets in colorbond® pre-painted steel 3 * 8ft Gutter , 150*150mm in steel Channel, 50*35mm in corton steel Box section ,60 * 40mm in corton steel Box section ,150*150mm in corton steel L section, 75*75*6mm in corton steel, bent to profile welded and bolted to 150*150mm box section Built up column 150*150mm , in corton steel Corton steel railing

design //

Stone coping,100mm thk

GALLERY

Concealed base plate, 250*250mm in metal RCC slab 200mm thk Fascia stone 40mm thk Damp proof course Gravel

LIFT SHAFT

Chajja

STAFF ROOM

Sweet earth (300mm deep green roof , overall depth) Drain board Secondary water proofing Screed Waterproofing Drain pipe Sandstone wall 500mmthk (Ashlar masonry) Form finished RCC slab Fixed glass window Window sill 100mm thk , in stone IPS flooring 25mm thk

Porous paver blocks 100mm pcc bed 230mm rubble Rammed earth Load bearing stepped foundation 100mm pcc bed

design dissertation design //

P E R F O R M ING ARTS INSTITU TE

KEY PLAN 0 20M 40M 100M

The performing arts institute has been designed with the music and dance learning spaces underground and a large pavilion with seating spaces on the ground level .The pavilion could be used as a resting or meditation space by the people coming to the park. Here also there are courtyards beside the seating space which look into the spaces underground. On the ground floor is the pavilion with seating along the edges . A stepped seating has been created from the footpath since the pavilion is at a higher level than the road . A stair case leads one up to the pavilion where there is a lift to go underground. There is also a ramp to come up to the level of the park next to the seating. The underground spaces are accessed from the footpath or lift . The stair case descends down and opens infront of the common gathering space . There are studio spaces for music and dance classes each opening opening into semi private courtyards. There is also a recording and editing studio alongside the office and staff room and other ancillary functions.

design //

design dissertation

DETAIL SECTION Mr-24® standing seam roof sheets in colorbond® pre-painted steel 600Mm * 8ft Gutter , 150mm*150mm in steel Channel, 50mm*35mm in corton steel Box section , 60mm*40mm in corton steel L section, 75mm * 75mm* 6mm in corton steel , bent to profile welded and bolted to 150mm *150mm box section Box section , 150*150mm in corton steel Built up column 150mm * 150 mm , in corton steel Gravel Concrete seat Drain board Secondary water proofing Screed Waterproofing Sweet earth (900mm deep green roof , overall depth) Stone coping 100mm thk Damp proof course Paver blocks Sand bedding Rcc slab 200mm thk Porous paver blocks Drain Lift shaft Form finished concrete

100Mm pcc 230Mm random rubble Rammed earth

design dissertation design //

S H O P S & PRACTICE SPACE

KEY PLAN 0 20M 40M 100M

The practice space sits on the busy edge of the site facing the city station. It has been designed as platforms of various levels to create a differentiation in space. Underneath the higher platforms on the outer edge are shops which open towards the footpath, on the inside the spaces underneath of used to store equipments for park maintenance. The ground floor has space for tea shops etc on the outer edge with well shaded seating spaces on either side. The presence of the shops and seating spaces created a node for people to gather .In this area the boundary of the park has punctures and reduces in height such that people on the outside can for have a visual connection with the inside. The entry to the park is from between the shops .On entering the space one encounters the different levelled platforms on either side with people doing their rehearsals on them or just hanging out . The difference in levels creates a distinction on space , while still maintaining visual connect between each other.

design //

design dissertation

DETAIL SECTION

Box section , 150*150mm in corton steel Mr-24® standing seam roof sheets in colorbond® pre-painted steel 600Mm * 8ft Gutter , 150mm*150mm in steel

Box section , 60mm*40mm in corton steel L section, 75mm * 75mm* 6mm in corton steel , bent to profile welded and bolted to 150mm *150mm box section Built up column 150mm * 150 mm , in corton steel Corton steel railing 25Mm ips flooring 200Mm thk rcc slab Rolling shutter 20Mm thk fascia stone 150Mm thk stone lintel 20Mm thk stone shelves Perforated paver blocks Aggregate 100Mm pcc 230Mm random rubble Rammed earth Stepped foundation 100Mm pcc bed

design dissertation design //

A M PHITHEATRE

KEY PLAN 0 20M 40M 100M

The Amphitheatre acts as the main entrance to the site. The amphitheatre ,the monument and the Urdu learning institute form the main central axis of the project. The amphitheatre is sunk into the ground such that the monument becomes a backdrop to its stage. On the ground level there are ancillary spaces for the amphitheatre and underneath are the green rooms on either side. Since the Amphitheatre is well shaded in the afternoons it can be used as a resting space for the passer-by on a regular basis too. The ground level has the ticket counters ,the sound & light room with access to the roof on either side for equipment setup and two small seating spaces. The stepped seating descends to the stage with two smaller stages at a higher level on either side. The underground green rooms have a lounge , wardrobe, changing rooms , makeup station and a waiting space on side and a practice space and artists room with a waiting space on the other . These two green rooms are connected with a sunk corridor behind the stage . To allow for movement of the artists between the two sides during an event.

design //

design dissertation

DETAIL SECTION L SECTION, 75MM * 75MM* 6MM IN CORTON STEEL , BENT TO PROFILE WELDED AND BOLTED TO 150MM *150MM BOX SECTION

GUTTER , 150MM*150MM IN STEEL CHANNEL, 50MM*35MM IN CORTON STEEL MR-24® STANDING SEAM ROOF SHEETS IN COLORBOND® PREPAINTED STEEL 600MM * 8FT

BUILT UP COLUMN 150MM * 150 MM , IN CORTON STEEL

BOX SECTION , 150*150MM IN CORTON STEEL

STONE COPING 450MM RAIN CHAIN

BOX SECTION , 60MM*40MM IN CORTON STEEL

STONE PIER 350MM*350MM STONE SEAT 25MM IPS FLOORING

200MM THK RCC SLAB DAMP PROOF COURSE

INFILTRATION BED

FORM FINISHED CONCRETE SLAB 100MM THK PCC 230MM RANDOM RUBBLE RAMMED EARTH LOAD BEARING STEPPED FOUNDATION PCC BED 100MM

GUTTER DETAIL(A) MR-24® STANDING SEAM ROOF SHEETS IN COLORBOND® PRE-PAINTED STEEL 600MM * 8FT L-ANGLE CHANNEL IN CORTON STEEL 50*35MM CLOSER PLATE IN CORTON STEEL WELDED TO END OF GUTTER HOLLOW BOX SECTION 150*150MM CHANNEL WELDED TO CLOSER PLATE CLOSER PLATE IN CORTON STEEL WELDED TO END OF BOX SECTION CLOSER PLATE IN CORTON STEEL WELDED TO CHANNEL GI GUTTER 200MM * 200MM

FACIA STONE DETAIL(B) 100 MM THK COPING STONE DRIP MOULD 200 *300 MM RCC BEAM WATTA 200MM THK RCC SLAB 40MM THK FASCIA STONE 12MM THK PLASTER 10MM THK SCREED LOAD BEARING SANDSTONE WALL

design dissertation design //

WO R K S H O P S & PRINTING PRESS

KEY PLAN 0 20M 40M 100M

The workshop and printing press has been designed with the printing press and publishing house underground and workshops studios and cafeteria on the ground level with courtyards looking below. The ground floor is is accessed from two places either from the central space ,accessed from the narrow pedestrian path, with the reception , office , waiting space and workshop studios or from the cafeteria , accessed from the main street footpath ,with an ordering counter and kitchen and pantry. The two stair cases and lifts take one underground , one to the printing press the other to the publishing house . There is also a freight lift with a loading unloading space to transfer material between the two floors.The presence of the cafeteria on the edge towards the road could act as a magnet for people walking by. At the underground level there are two separate zones; the printing press and the publishing house .They are connected with a passage with parallel seating on either side in the courtyard. The printing section has an office and printing workshop .The freight lift opens into the storage space for the printing press. There is also a locker room for the workers with spillover spaces in the large courtyards. In the publishing section is also a reception, waiting area ,a private office and a common working space for the other staff which has a spill over space into the courtyard.

design //

design dissertation

DETAIL SECTION

L SECTION, 75MM * 75MM* 6MM IN CORTON STEEL , BENT TO PROFILE WELDED AND BOLTED TO 150MM *150MM BOX SECTION BUILT UP COLUMN 150MM * 150 MM , IN CORTON STEEL 450MM STONE COPING REVOLVING GLASS DOOR-FRAMED IN CORTON STEEL REVOLVING GLASS WINDOW FRAMED IN CORTON STEEL RCC CHAJJA CORTON STEEL RAILING 100MM THK STONE COPING 25MM IPS FLOORING PERFORATED PAVER BLOCKS AGGREGATE DRAIN DAMP PROOF COURSE 200MM THK RCC SLAB STONE WALL CANTILEVERED RCC BENCH 230MM RANDOM RUBBLE GRAVEL RAMMED EARTH STEPPED FOUNDATION 100MM PCC BED

design //

design dissertation

COLUMN DETAIL

FENESTRATION DETAIL

REVOLVING WINDOWS CLOSED SYSTEM SHUT

L SECTION, 75MM * 75MM* 6MM IN CORTON STEEL , BENT TO PROFILE WELDED TO BASE PLATE

20 MM COVER STONE OVER BASE PLATE BOLTS BASE PLATE 250MM *250MM COPING STONE 450 MM THK

SANDSTONE STONE PIER UNCOURSED ASHLAR MASONRY

REVOLVING WINDOWS+DOOR

WINDOW OPEN

DOOR OPEN

RAIN CHAI

IN DETAIL

RAIN WATER HARVESTING SYSTEM GI GUTTER 200MM * 200MM

ROOF DRAIN

GI GUTTER 200MM * 200MM

DOWN-TAKE PIPE IN CORTON STEEL ATTACHED TO GUTTER OPENING

BOLT TO HANG RAIN CHAIN TO THE GUTTER GALVANISED IRON RAIN CHAIN

GALVANISED IRON RAIN CHAIN

INFILTRATION TRENCH

PERFORATED PAVER BLOCKS

SAND BED

GRAVEL 2” TO 4” TO ABSORB IMPACT OF WATER FALLING

GRASS BUFFER STRIP

SINCE RAIN WATER COLLECTED IS NOT ENOUGH TO BE USED FOR EVERYDAY USE , HENCE IT WILL BE USED IN THE LANDSCAPE TO RECHARGE GROUND WATER .

PROTECTIVE LAYER OF FILTER FABRIC

POURED CONCRETE TO ANCHOR RAIN CHAIN

ROOF RUNOFF SAND FILTER

INFILTRATION BEDS RAIN GARDEN+ INFILTRATION BED

institution of knowledge 2019 //

IN S T IT UT ION OF K N OWLEDG E studio : ARCHITECTURE AS AN EXPRESSION OF THE GOOD THE TRUE AND THE BEAUTIFUL

This studio looked at research, design and proposal of

encouraged each student to select a design project and

architectural concepts, languages and environments

develop it to the level of architectural expression in terms

that envisioned, expressed and supported a way of living

of space, scale, tectonic values, materials, light and formal

that was rich and diverse without being exploitative and

characteristics.

destructive.

This was achieved by studying myths, stories, literature,

place of learning as a place of exploration & inquiery ,

the visual arts,forms of the performing arts as well as

where the passion of encounter is more important than

architectures from various times and places. History,

the discipline of submission to accepted norms and

social and anthropological writings, political and economic

customs.

theories, philosophy and religious thought allowed the

1.2

The institution of knowledge reimagines The

The Institution is essentially a space for gaining

contextualisation of the study.

knowledge about life and skills ,thus narrowing it down

The studio also included, amongst other

to a place for Philosophical learning and a place for Arts

exercises, studies of transformation,translation and

and Crafts. Both separaed and tied together by a stream

mutation of architectural forms in history. Based on the

and the amphitheather between them. It is designed to

understandings built up by such exercises, the studio

increase interaction and encounters among the people.

PROCESS PROCESS 22 SECTION PROCESS 2PROCESS 2A SECTION 1:500 1:500A PROCESS 4 PROCESS 2 1:500 Guide: 1:500 SECTION B Neelkanth Chhaya , Ami Gokani 1:500 SECTION B Location : Maboon 1:500

Year : 5 Semester : 9

PROCESS 5 SECTION A 1:500

PROCESS 4 SECTION A 1:500

PROCESS PROCESS 22 SECTION SECTION B B 1:500 1:500

PROCESS 5 SECTION B 1:500

PROCESS 6 SECTION A 1:500

SCHEMA PROCESS 4 4 PROCESS PROCESS 4 SECTION B SECTION SECTION AA 1:500 1:500 1:500

PROCESS 3PROCESS 3 STONE AGESTONE AGE PROCESS 1:5006 1:500 SECTION B 1:500

1:500

PROCESS 6PROCESS 6 SECTION BSECTION B 1:500 1:500

•Ceremonial architecture - complexes , plazas , monuments , sunken courts , aqueducts , walled plazas.

1:500

PROCESS 2 PROCESS 2 PROCESS 6PROCESS 6 1:500 BRONZE AGE BRONZE AGE

EXT

1:50,000

TIMELINE 1:5000

1:500

( In500BC present day Peru) SECTION B

1:500

PROCESS 2 PROCESS 6PROCESS 6 1:500 BRONZE AGE BRONZE AGE 1:500

1:500

PROCESS 4

PROCESS 3 STONE AGE 1:500

•People disperse to colonise more.

SECTION B 1:500

PROCESS 5

1:500

PROCESS 4

•More and more was people were migrating to aeras the coasts the •Agriculture spreading over large of thefrom continent.

PROCESS 2 SECTION B 1:500

PROCESS 3 STONE AGE 1:500

1500BC 500BC

PROCESS 5 PROCESS 1:500 PROCESS 55 A SECTION SECTION SECTION BA PROCESS 5 1:500 PROCESS 5PROCESS 1:500 PROCESS 5PROCESS 1:500 55 SECTION A

1:500

PROCESS 5 SECTION A 1:500 1000BC

PROCESS 3 PROCESS 3

PROCESSPROCESS 2 1:500

4 SECTION A 1:500

TIMELINE

PROCESS 3 STONE AGE 1:500

1:5000

They remaining 60 people6 were on the move again looking for food and shelter. PROCESS

PROCESS 2 1:500

PROCESS 5 SECTION A

PROCESS PROCESS 55 STONE AGE STONE AGE 1:500 1:500

CONTEXT

3 PROCESSPROCESS 3 STONE AGE STONE AGE 1:500

p r o c e s s

PROCESS 3 STONE AGE 1:500

p r o c e s s

PROCESS 3 STONE AGE 1:500

FAR AWAY PLANS AND ELEVATION

PROCESS 6 BRONZE AGE 1:500

1:5000

PROCESS 6 SECTION A 1:500

PROCESS 3 PROCESS 6 STONE AGE SECTION B 1:500 1:500

1:500

PROCESS 5 PROCESS 5

passsion BRONZE AGEof encounter is more important than the discipline of submission to accepted 1:500 BRONZE AGE passsion of encounter is more important than the discipline of submission to accepted 1:500 1:500 PROCESS 6 norms and customs” norms and customs”Both wanted lands SECTION B near the coast. PROCESS 6 PROCESS 6PROCESS PROCESS 6 1:500 PROCESS 66 There was friction between the two communities, the fishing moved to the other side of the river. SECTION B SECTION BSECTION SECTION B SECTION BB The fishermen prayed to the moon- it controlled marine life and water levels. 1:500 PROCESS 5 1:500 1:500 1:500 STONE AGE 1:500

They built mounds of earth to raise the level from the ground. Their houses were built on these mounds .

The fishing community needed land to dry the fishes, nets and for going into the bay for fishing. The agricultural community needed land for their fields and houses

Farmers considered the sun as their god -helped crops to grow.

1:500

Settlements grew, irrigation and temple complexes appeared.

PROCESS 6 SECTION B 1:500

PLAN WITH ELEMENTS

PROCESS 6 BRONZE AGE 1:500

ARCHITECTURE OF THE GOOD , THE TRUE AND THE BEAUTIFUL DESIGN SKETCHES

Scanned with CamScanner

3500BC

•Most of America is inhabited by hunter gatherers. •Settlements have started to emerge near coasts &river valleys; readily available water supply,edible plants & seafood. •In some larger settlements , ceremonial platforms were also being built.

•More and more people were migrating to the coasts from the inlands because of improvements in agriculture.

2500BC PROCESS 3 STONE AGE •It was an interdependant society , fishing & agriculture 1:500

•Pottery weaving also started.

PROCESS 6 •Cotton was being used for textiles , fishing nets & trade. BRONZE AGE 1:500

PROCESS 6 BRONZE AGE

Scanned with CamScanner

PROCESS 5 STONE AGE 1:500

•People learnt to irrigate farms- waterponds & channels. •Large civilizations started with agriculture as a way of sustenence & building temple mounds etc.

1000BC PROCESS 4

500BC

BRONZE AGE •Settlement kept getting larger. 1:500 PROCESS 5 PROCESS 5 STONE AGE •Groups of people move to places to colonise more places. STONE AGE 1:500 1:500 •Increased trade between inland & coast caused culturesto travel giving rise to a single type of culture flourishing.

•Settlements around large circular pl

•Walled villages for defence protec

•People disperse to colonise mor

•Ceremonial architecture - complexes , plazas , monuments , sunken courts , aqueducts , walled plazas.

1:500 1:500

PROCESS 5

PROCESS 5 STONE AGE 1:500

•Agriculture was spreading over large aeras of the continent.

•There were elaborate artworks , mounds to safeguard from floods , temples.

PROCESS 5 STONE AGEof •Evidence PROCESS PROCESS 6 6 class based society , single power controlling people. •Trade between inland & coastal settlements. 1:500 BRONZE AGE BRONZE AGE

•People were harvesting various edibles & had domesticated cotton and maize. PLAN WITH ELEMENTS

PLAN WITH ELEMENTS

Institution of Knowledge M1500BC aboon

DESIGN SKETCHES

MABOON of Knowledge M a b o o n 3500 BC 500BC STONE AGE

“The place of learning might be seen as a place of exploration and inquiry , where the Institution passsion of encounter is more important than the discipline of submission to accepted norms and customs” PROCESS PROCESS 6 PROCESS 66 PROCESS PROCESS 46 BRONZE AGE BRONZE AGE BRONZE AGE B SECTION 1:500 RUINED PLAN WITH 1:500 SECTION B A group of 100 hunter gatherers were temporarily staying in the HAKAN hills. They drifted along the length of the river MAMBO and after a few days reached the bay of CHAAC. 1:500 PROCESS PROCESS 55 CONTEXT 1:500 1:500 PROCESS 4 marine life, edible STONE AGE There was an earthquake, after which the QI volcano burst. Finding abundant plants and fresh water they decided to settle in the place.

DESIGN SKETCHES

FAR AWAY PLANS AND They built mounds of earth to raise the level from the ground. Their houses were built on these mounds . ELEVATION

STONE AGE PROCESS 1:500 BRONZE People AGE divided work amongst themselves and worked towards building an new more permanent settlement.

The people considered nature as god.

1:500 A R C HRUINED I T E C TPLAN U R E WITH O F T H E G O O D1:500 , THE TRU E A N D T H E BSTONE E A FAR UAGE T I AWAY F U L PLANS AND PROCESS PROCESS 66 BRONZE AGE CONTEXT I n s t i t u t i o n o f K1:500 n o w l e d g e ELEVATION BRONZE AGE 1:500 PROCESS 4 1:500 Maboon BRONZE AGE ARCHITECTURE 1:500 A R C H I T E C T U R E O FRUINED T H EPLAN G OWITH O D , T H E T R U E A N D T H E BFAR E AAWAY U T PLANS IELEVATION F U LAND CONTEXT PROCESS 4 I n s t i t u t i o n o f K n o wFAR l eAWAY d gPLANS e AND BRONZE AGE RUINED PLAN WITH PROCESS RUINED PLAN WITH FAR AWAY PLANS AND PROCESS 44 CONTEXT 1:500 PROCESS 4 BRONZE AGE M a b o o ELEVATION n CONTEXT ELEVATION PROCESS 4 BRONZE AGE The lava killed many people and destroyed everything around. The hills became inhabitable.

Some people went fishing, some picked edibles from trees, some identified crops ; domesticated them -agriculture started and some were into construction.

They remaining 60 people were on the move again looking for food and shelter.

Overtime a clear divide starts happening between the fishing community and the farmers.

The fishermen prayed to the moon- it controlled marine life and

Farmers considered the sun as their god -helped crops to grow Settlements grew, irrigation and temple complexes appeared.

OF THE GOOD

p r o c e s s

PROCESS 4 BRONZE AGE PROCESS 3 1:500 STONE AGE PROCESS 4

1:500

RUINED PLAN WITH CONTEXT PROCESS 4

1:500 PROCESS 4 1:500 BRONZE AGE BRONZEPROCESS AGE5 1:500 STONE AGE 1:500 1:500

BRONZE AGE 1:500

FAR AWAY PLANS AND ELEVATION

PROCESS 4

PROCESS 5 PROCESS BRONZE AGE 5 STONE AGE 1:500 AGE STONE 1:500

There was friction between the two communities, the fishing m

The agricultural community needed land for their fields and houses

PROCESS 4 BRONZE AGE 1:500

PROCESS 3 STONE AGE 1:500

Both wanted lands near the coast.

The fishing community needed land to dry the fishes, nets and for going into the bay for fishing.

PROCESS 4 BRONZE AGE 1:500

Scanned with CamScanner

PROCESS PROCESS 33

PROCESS 5 SECTION B 1:500

PROCESS 3 STONE AGE 1:500

The level of the river rose and fell frequently making any permanent settlement almost impossible to sustain on that terrain.

PROCESS 5 PROCESS 5 PROCESS 5 SECTION A B SECTIONSECTION A 1:500 1:500 1:500

STONE AGE CONTEXT PROCESS 3 STONE AGE CONTEXT PROCESS 3 1:500 1:500 STONE AGE STONE AGE 1:500 1:500 PROCESS 5 6 PROCESSPROCESS 5 SECTION B A SECTIONSECTION B 1:500 1:500

PROCESS BRONZE A 1:500

PROCESS 5 STONE AGE 1:500

PROCESS PROCESS 44 BRONZE AGE PROCESS 6BRONZE AGE 1:500 1:500

PROCESS 4 BRONZE AGE 1:500

PROCESS 5 PROCESS 55 PROCESS PROCESS 5 5 SECTION A PROCESS STONE AGE SECTION A STONE AGE SECTION B 1:500 1:500 1:500 1:500 1:500

PROCESS 3 STONE AGE 1:500

•People disperse to colonise more.

Settlements followed an layout pattern, growing around places of power

TIMELINE

p r o c e s s 1:500

PROCESS 5 SECTION A 1:500

ARCHITECTURE OF THE GOOD 1:500, T H E T R U E A N D T H E B E A U T I F U L

SECTION A 1:500

PROCESS 3 STONE AGE 1:500

PROCESS 6 BRONZE AGE 1:500

•People disperse to colonise more.

Scanned with CamScanner

PROCESS 5 STONE AGE 1:500

PROCESS 5 1:500 STONE AGE 1:500 PROCESS 5

PROCESS 4 PROCESS 4 B 1:500

SECTION B AND FAR AWAY PLANS SECTION ELEVATION 1:500

•Walled villages for defence protection.

Overtime a clear divide starts happening between the fishing community and the farmers.

PROCESS PROCESS 55 STONE AGE STONE AGE 1:500 1:500

1:5000

PROCESS 6

RUINED PLAN WITH 2 SECTIONPROCESS A CONTEXT PROCESS 4 SECTION B BRONZE AGE 1:500 1:500 1:500

•Groups of people move to places to colonise more places.

PROCESS PROCESS 33 STONE AGE STONE AGE 1:500 1:500

The people considered nature as god.

SECTION B6 6 PROCESS PROCESS 1:500 A A SECTION SECTION 1:500 1:500

1:500

PROCESS 6 FAR AWAY PLANS AND PROCESS 5 “The place of learning might beSECTION seen asB a place of exploration and inquiry , where the “TheELEVATION place of learning might be seen as a place of exploration and STONE inquiry , where the AGE PROCESS 1:500 PROCESS 44

PROCESS 5 SECTION SECTION BB 1:500 PROCESS 6 A 1:500 SECTION Some people went fishing,1:500 some picked edibles from trees, some identified crops ; domesticated them -agriculture started SECTION A and some were into construction. 1:500 The level of the river rose and fell frequently making any permanent settlement almost impossible to sustain on that terrain.

PROCESS 6 BRONZE AGE 1:500

PROCESS 4 BRONZE AGE 1:500

•Walled villages for defence protection.

FAR AWAY PLANS AND 500BC ELEVATION

•Increased trade between inland & coast caused culturesto travel giving rise to a single type of culture flourishing.

People divided work amongst themselves and worked towards building an new more permanent settlement. PROCESS 6

1:50,000

s t u d y

PROCESS 4 PROCESS 4 SECTION B SECTION B 1:500 1:500

PROCESS PROCESS 66 SECTION SECTION BB 1:500 1:500

PROCESS 6 SECTION B 1:500

PROCESS 5 STONE AGE 1:500

1:500 SECTION B PROCESS 4 1:500 PROCESS 4

PROCESS 5

500BC

•Settlements around large circular plazas.

•Ceremonial architecture - complexes , plazas , monuments , sunken courts , aqueducts , walled plazas.

SECTION A Finding abundant marine 1:500life, edible plants and fresh water they decided to settle in the place.

PROCESS 6 SECTION B 1:500

PROCESS 5 STONE AGE 1:500

PROCESS 4 SECTION B 1:500

PROCESS 6 BRONZE AGE 1:500

PROCESS 3 PROCESS 2 PROCESS 6PROCESS 6 STONE AGE AGE PROCESS 2 PROCESS 6PROCESS 6 1:500 BRONZE BRONZE AGE 1:500 BRONZE AGE BRONZE AGE 1:500 PROCESS 1:5004 1:500

PROCESS PROCESS 44 BRONZE AGE BRONZE AGE 1:500 1:500

RUINED PLAN WITH PROCESS 6 CONTEXT SECTION B 1:500 PROCESS 4 PROCESS 6 BRONZE AGE SECTION B They drifted along the length river MAMBO and after a few days reached the bay of CHAAC. 1:500 PROCESS 6 of the PROCESS 5 1:500

PROCESS 6 BRONZE AGE 1:500

PROCESS 21:500 1:500

PROCESS PROCESS 4 PROCESS42 PROCESS 4 1:500B SECTION SECTION A SECTION A1:500 1:500 1:500

PROCESS PROCESS 44 BRONZE AGE BRONZE AGE 1:500 1:500

PROCESS 6 SECTION A PROCESS 2 1:500 SECTION B

PROCESS PROCESS 33 STONE AGE STONE AGE 1:500 1:500

PROCESS 2 1:500

SECTION B

PROCESS 5 STONE AGE 1:500

1:500

•Settlements around large circular plazas.

PROCESS 2 PROCESS 6PROCESS 6 1:500 BRONZE AGE BRONZE AGE RUINED PLAN WITH PROCESS 6 CONTEXT 1:500 1:500 PROCESS 4 BRONZE AGE BRONZE AGE 1:500 1:500

PROCESS 6 BRONZE AGE 1:500

TIMELINE

PROCESS 4 PROCESS 4 SECTION A SECTION A 1:500 1:500

PROCESS PROCESS55 PROCESS SECTION PROCESS 55 A SECTION 1:500A SECTION SECTION BA 1:500 1:500 1:500

PROCESS PROCESS 4 5PROCESS 5 STONE AGESTONE AGE BRONZE AGE 1:500PROCESS 1:5006 1:500

1:5,00,000

PROCESS PROCESS 5 2 SECTION A SECTION B 1:500 1:500

PROCESS 6 SECTION B6 6 PROCESS PROCESS 1:500 A A SECTION SECTION 1:500 1:500

PROCESS 6 BRONZE AGE 1:500

A group of 100 hunter gatherers were temporarily staying in the HAKAN hills.

PROCESS 6

•People learnt to irrigate farms- waterponds & channels.

•Large civilizations started with agriculture as a way of sustenence & building temple mounds etc.

PROCESS 5 SECTION B 1:500

There was an earthquake, after which the QI volcano burst.

•People disperse to colon

PROCESS 6 PROCESSpasssion 6 of encounter is more important than the discipline of submission PROCESS to accepted 6 SECTION A PROCESS 6 SECTION PROCESS 6 1:500 SECTION BB PROCESS SECTION A SECTION B464 6 PROCESS PROCESS PROCESS 5 SECTION B6 6 PROCESS 1:500norms and customs”PROCESS BRONZE AGE PROCESS BRONZE 1:500 AGE SECTION A 1:500 1:500 PROCESS 6 PROCESS 6 SECTION 1:500 ASECTION 1:500 A A 1:500 SECTION PROCESS 6 1:500 SECTION A 1:500 PROCESS 6 1:500 “The place of learning might be seen as a place of exploration and inquiry , where the 1:500 1:500 PROCESS 4 PROCESS 6 PROCESS 6 passsion of encounter is more important than the discipline of submission to accepted SECTION SECTION BB SECTION A norms and customs” 1:500 1:500

PROCESS 6 PROCESS 5 SECTION B SECTION A 1:500 1:500

PROCESSTheSECTION 2lava killed many BPROCESS people and 6 destroyed everything around. 1:500 The hills1:500 became inhabitable.

1:500

PROCESS 2 1:500 1:500

PROCESS 4 PROCESS 2 PROCESS 2PROCESS 2 1:500PROCESS 2 SECTION A 1:500 1:500 1:500

•Evidence of class based society , single power controlling people. •Trade between inland & coastal settlements.

1:500

PROCESS 5 SECTION A 1:500

A PROCESS 3 SECTION 1:500

PROCESS 6 SECTION A 1:500

RUINED PLAN WITH 1000BC CONTEXT PROCESS 4 •Settlement kept getting larger. BRONZE AGE 1:500

1500BC

•Agriculture was spreading over large aeras of the continent.

1:5,00,000

M a b o o n

PROCESS 2 PROCESS 2 SECTION B SECTION B 1:500 1:500

PROCESS 5 CONTEXT PROCESS 3AGE STONE STONE1:500 AGE 1:500

•Walled villages for defence

PROCESS 2 PROCESS 6PROCESS 6 1:500 BRONZE AGE BRONZE AGE

PROCESS 4

PROCESS 4PROCESS 4 PROCESS 6 5 PROCESS AGE STONE AGESTONE PROCESS 4 5PROCESS BRONZE AGE BRONZE AGE BRONZE AGE STONE AGESTONE 1:500 SECTION B 6 6 AGE PROCESS 1:500 BRONZE AGE 1:500 PROCESS 1:500 1:500 1:500 1:500 1:500 1:500 A SECTION A SECTION PROCESS 6 1:500 1:500 BRONZE AGE 1500BC 1:500

1:50,000

PROCESS 2 SECTION B

FAR AWAY PLANSPROCESS AND 2 1:500 ELEVATION

PROCESS PROCESS 33 STONE AGE STONE AGE 1:500 1:500

PROCESS 6 PROCESS 6 SECTION A 1:500

PROCESS 5

•Settlements around large ci

PROCESS 5 SECTION A 1:500

PROCESS 5 STONE AGE 1:500

PROCESS 5 A SECTION PROCESS 1 1 SECTION SECTION BAPROCESS 1:500 1:500

PROCESS PROCESS 4 5PROCESS 5 STONE AGESTONE AGE BRONZE AGE 1:500 1:500 1:500

•There were elaborate artworks , mounds to safeguard from floods , temples.

1:500

STONE AGE 1:500

500BC

•Settlement kept getting larger.

PROCESS 5 SECTION A 1:500

•Settlements around large circular plazas.

MABOON STONE AGE AGE MABOON passsion of encounter is more important than the STONE discipline of submission to accepted 1:500 1:500 MABOON AGE 3500 BC 500BC norms and of customs” STONE AGESTONE 3500 BC 500BC “The place learning might be seen as a place of exploration and inquiry , where the STONE AGE PROCESS 6 (3500 BC- 500BC)

•Pottery weaving also started.

PROCESS 4 BRONZE AGE 1:500

1000BC

PROCESS 5 over large aeras of the continent. •Agriculture was spreading

PROCESS 4 SECTION B 1:500

SECTION 1:500 1:500 SECTION BA PROCESS 3 1:500 1:500 1:500 PROCESS PROCESS 4 5PROCESS 5

•It was an interdependant society , fishing & agriculture

SECTION B was being PROCESS used for 5textiles , fishing nets & trade.

PROCESS 5 STONE AGE 1:500

PROCESS 6 SECTION A 1:500

PROCESS 6 SECTION B 1:500

PROCESS 6 place of learning might be seen as a place of exploration and inquiry , where the SECTION B“The PROCESS PROCESS 66 PROCESS 3 STONE 1:500 passsion SECTION of encounter is more important than the discipline of submission PROCESS to PROCESS accepted 5AGE 5 SECTION AA 1:500 PROCESS SECTION B 1:5006norms and customs” 1:500 1:500 SECTION B PROCESS 6 PROCESS 66 PROCESS PROCESS 3 PROCESS 6 “The place of learning might be seen as a place of exploration and inquiry , where the 5 STONE AGE 1:500 A A SECTION PROCESS SECTION SECTION 1:500 SECTION BB 1:500 SECTION B is more important than the discipline of submission to accepted 1:500 1:500passsion of encounter BRONZE AGE SECTION A 1:500 1:500 1:500 1:500 SECTION A PROCESS 5 RUINED PLAN WITH FAR AWAY PLANS AND norms and customs” 1:500CONTEXT 1:500 ELEVATION SECTION B PROCESS 5 PROCESS 4 PROCESS 1:500 BRONZE AGE PROCESS 66 1:500 SECTION SECTION BB 1:500 “The place of learning might be seen as a place of exploration and inquiry , where the 5 PROCESS 1:500 PROCESS PROCESS 33

1:5,00,000

PROCESS 2 SECTION B 1:500

STONE AGE STONE AGE 1:500 1:500

PROCESS 5 SECTION B 1:500

1:500

1000BC •It was an interdependant society , fishinglarger. & agriculture •Settlement kept getting

PROCES BRONZE 1:500

PROCESS 2 SECTION A 1:500

PROCESS 2 PROCESS 6PROCESS 6 1:500 BRONZE AGE BRONZE AGE

PROCESS 5 STONE AGE 1:500

2500BC

PROCESS •More and more people were4 migrating to the coasts from the STONE AGE SECTION B inlands because of improvements in agriculture. PROCESS 6 1:500 BRONZE AGE 1:500 1:500 PROCESS 5 •People were harvesting various edibles & had domesticated cotton SECTION B and maize. PROCESS 4 BRONZE AGE 1:500 •Cotton

1:500

MABOON

PROCESS 6 BRONZE AGE 1:500

PROCESS 4 SECTION B 2500BC 1:500

1500BC

PROCESS 6 SECTION B 1:500

PROCESS 4 PROCESS 4 SECTION B BRONZE AG 1:500

PROCESS 5 STONE AGE 1:500

CONTEXT PROCESS 3

1:500

PROCESS 4

PROCESS 5 SECTION A 1:500

PROCESS 4 SECTION B 1:500

PROCESS 5

PROCESS 5 STONE AGE 1:500

SECTION A 1:500

3500BC

PROCESS 5 SECTION B

1:500

PROCESS 4PROCESS 4 BRONZE AGE BRONZE AGE 1:500 1:500

PROCESS 3 STONE AGE 1:500

1:500 PROCESS 6 “The place of 1:500 learning might be seen as a place of exploration and inquiry , where the SECTION A STONE AGE (3500 BC- 500BC) 1:500 passsion PROCESS of encounter discipline of4submission to accepted 4 is more important than the PROCESS norms and customs” PROCESSSECTION 5 SECTION A B PROCESS 6 1:500 PROCESS 6 W PROCESS 5B SECTION 1:500 PROCESS 5 PROCESS SECTION B 5 1:500 SECTION A SECTION1:500 A

3500BC

•Most America is inhabited by hunter gatherers. •It wasofan interdependant society , fishing & agriculture

PROCESS 1 POVERTY POINT 1:500 PROCESS 4PROCESS 4 1730BC- 1350BC PROCESS 4 BRONZE BRONZE AGE PROCESS 2 AGE PROCESS 6PROCESS 64PROCESS ( In present day Louisiana) BRONZE AGE BRONZE AGE 1:500 PROCESS 1:500 4 1:500 BRONZE AGE BRONZE AGE SECTION B 1:500 1:500 1:500

PROCESS PROCESS 1 1

PROCESS 4PROCESS 4 BRONZE AGE BRONZE AGE 1:500 1:500

1:500

•Walled villages for defence protection.

SECTION A PROCESS 4 PROCESS 1:500 PROCESS 55 SECTION A SECTION B

PROCESS 6 SECTION A 1:500

PROCESS 1 1:500

PROCESS PROCESS 1 1

•Settlements around large circular plazas.

courts , aqueducts , walled plazas.

BRONZE AGE 2500BC

1:500 PROCESS 5

PROCESS 4 SECTION B 1:500

•Most of America is inhabited by hunter gatherers.

SECTION B PROCESS PROCESS 2 2 1:500 1:500 1:500 1:500

PROCESS 6

RUINED PLAN WITH CONTEXT PROCESS 4 5 PROCESS BRONZE AGE SECTION B 1:500

BRONZE AGE

SECTION B 1:500 1:500

PROCESS 2 SECTION B PROCESS 3 PROCESS 3 1:500

PROCESS 5 PROCESS 2 PROCESS 2 1:500 PROCESS 3 1:500

PROCESS 2 PROCESS PROCESS 25 1:500 1:500 SECTION A PROCESS1:500 5 PROCESS 6 SECTION A4 PROCESS SECTION B SECTION A 1:500 PROCESS 1:500 1:500 PROCESS 44 PROCESS 5 BRONZE AGE BRONZE AGE 1:500 1:500 PROCESS 45 SECTION A PROCESS 6 PROCESS SECTION A SECTION B 1:500 SECTION PROCESS 51:500 A 1:500 SECTION1:500 B PROCESS 5 1:500 SECTION A 1:500 PROCESS 5 PROCESS 5 PLAN WITH ELEMENTS PROCESS 3 SECTION B SECTION STONE AGE B PROCESS 4 1:500 1:500 1:500 SECTION B PROCESS 6 PROCESS 1:500 3

PROCESS PROCESS 22 •Ceremonial architecture - complexes , plazas ,1:500 monuments , sunken 1:500 1:500

PROCESS 4 SECTION A 1:500

PROCESS 14 PROCESS PROCESS 1

NORTE CHICO PROCESS 2 1300BC1800BC

PROCESS PROCESS 4 5PROCESS 5 STONE AGESTONE AGE BRONZE AGE 1:500 1:500 1:500

SECTION SECTION 1:500 B B 1:5006 PROCESS 1:500 PROCESS 6 SECTION A SECTION B6 6 PROCESS PROCESS 1:500 1:500 SECTION SECTION A A PROCESS 6 1:500 1:500 BRONZE AGE 1:500 PROCESS 6 SECTION B6 6 PROCESS PROCESS 1:500 A A SECTION SECTION PROCESS 6 1:500 1:500

1:5,00,000

EXT

PROCESS 2 SECTION A 1:500

M a b o o n

1:50,000

PROCESS 5 SECTION A 1:500

1:50,000

PROCESS 2 1:500

1:50,000

EXT

PROCESS 6 1:500 SECTION A

PROCESS PROCESS 44 SECTION SECTION BB 1:500 1:500

PROCESS 2 PROCESS 6PROCESS 6 1:500 BRONZE AGE BRONZE AGE 1:500 1:500

SECTION B 1:500 1:500

BRONZE AGE 1:500

PROCESS 5 SECTION B 1:500

PROCESS 2 SECTION B 1:500

PROCESS 5 STONE AGE 1:500

AMERICAS PROCESS 4 PROCESS 2 BCSTONE AGE (3500 SECTION A500BC)

1:500 SECTION •Increased trade betweenAinland & coast caused culturesto travel PROCESS 6 1:500 giving rise to a single type of culture flourishing.

PROCESS 5 SECTION A 1:500

PROCESS 2 SECTION A 1:500

inlands because of improvements in agriculture. PROCESS •People learnt villages to irrigate farms- waterponds & channels. •Settlements have started to emerge near coasts &river from valleys; •There were elaborate artworks , mounds to safeguard from floods •Groups of people move to places to colonise more places. 55 •People learnt to irrigate farms- waterpondsPROCESS &SECTION channels. •There were elaborate artworks , mounds to safeguard floods , •Groups people move places colonise more places., •Walled “The place of of learning mighttobe seentoas a place of exploration and inquiry , where the for defence protection. readily available water supply,edible •People were harvesting various edibles & had domesticated cotton temples. SECTION BB temples. plants & seafood. 1:5006 passsion of encounter is more important than the discipline of•Large submission to accepted PROCESS civilizations started with agriculture a way of sustenence & •Increased trade between inland & coast caused culturesto travel 1:500 PROCESS 3 •Large civilizations startedand withmaize. agriculture as a way of sustenence & •Increased trade between inland & coast caused culturesto travel •People disperse to coloniseas more. building temple mounds etc. •Evidence of class based society , single power controlling people. giving rise to a single type of culture flourishing. PROCESS 4 norms and customs” building temple mounds etc.SECTION A giving rise to a single type of culture flourishing. STONE AGE 1:500 •Pottery weaving also started. •Trade between inland & coastal settlements. SECTION A PROCESS PROCESS 66 1:500 1:500 •Ceremonial architecture - complexes , plazas , monuments , sunken SECTION•Ceremonial B architecture - complexes , plazas , monuments , sunken •Cotton was being used for textiles , fishing nets & trade. SECTION B courts , aqueducts , walled plazas. courts , aqueducts , walled plazas. 1:500

PROCESS 6 SECTION B 1:500

PROCESS 2 have started to1:500 emerge near coasts &river valleys; PROCESS•Settlements 2 readily available water supply,edible plants & seafood. SECTION A SECTION•InAsome larger settlements , ceremonial platforms5were also being PROCESS 1:500 built. 1:500 SECTION B

PROCESS 3 STONE AGE 1:500

1:500

PROCESS 5 PROCESS 5 SECTION A SECTION A 1:500 1:500

1:500

PROCESS 4 SECTION B 1:500

2 PROCESS 6PROCESS 6 O M C PROCESS 1:500 BRONZE AGE BRONZE AGE 1:500 1:500 C PROCESS 4

PROCESS 6 SECTION A 1:500

•In some larger ceremonial platforms were also being •Evidence ofsettlements class based ,society , single power controlling people. built. & coastal settlements. •Trade between inland

PROCESS 4 4 PROCESS 3 PROCESS 4 PROCESS 3PROCESS 3 PROCESS PROCESS 3 STONE AGE PROCESS 4 STONE AGESTONE AGE SECTION A STONE2AGE 1:500 PROCESS SECTION B A PROCESS 1:5006 1:500 SECTION 1:500 MABOON SECTION A 1:500 SECTION B PROCESSMABOON 21:500 1:500 PROCESS 2 1:500 1:500 3500BC 1:500

TIMELINE

PROCESS 6 SECTION B6 6 PROCESS PROCESS 1:500 A A SECTION SECTION 1:500 1:500

1:50,000

4 B

1:500

PROCESS 4 BRONZE AGE 1:500

SCHEMA

PROCESS 2

PROCESS 5 STONE AGE 1:500

PROCESS 2 SECTION A 1:500

PROCESS 5 SECTION A 1:500

SECTION B

PROCESS 6 •Pottery weaving also started. 2 SECTIONPROCESS A PROCESS PROCESS 22 1:500 SECTION A •Cotton was being used for textiles 1:500 1:500 , fishing nets & trade.

PROCESS 2

PROCESS 2PROCESS CONTEXT SECTION A 32 PROCESS 1:500 SECTION ASTONE AGE SECTION A 1:500 1:500 1:500

PROCESS 1 1:500

PROCESS 2 1:500

4 B

inlands because of improvements in agriculture. PROCESS 2

•People were harvesting various edibles &1:500 had domesticated cotton and maize.

PROCESS 4 PROCESS 3 SECTION A STONE AGE 1:500 1:500

1:500

PROCESS 1 1:500

PROCESS 6 BRONZE AGE 1:500

PROCESS 1 1:500

PROCESS PROCESS 33 STONE AGE STONE AGE 1:500 1:500

SCHEMA

PROCESS 3 STONE AGE 1:500

PROCESS 6 SECTION SECTION BB 1:500 2500BC 1:500 •More and more people were migrating to the coasts from the

SECTION B

•People disperse to colonise more.

PROCESS 2 SECTION B 1:500

1:5,00,000

PROCESS 2 1:500

PROCESS 5 SECTION B 1:500

3500BC

PROCESS 6PROCESS 6 SECTION BSECTION B 1:500 1:500

PROCESS SECTION B 1:500 PROCESS 4 SECTION A 1:500

1:500

PROCESS 4

PROCESS 4PROCESS 4 BRONZE AGE BRONZE AGE 1:500 1:500

PROCESS 4 SECTION A 1:500

PROCESS 5 PROCESS 2

•PeopleSECTION disperse to A colonise more. PROCESS PROCESS 22 1:500 SECTION SECTION B B 1:500 1:500 1:500 PROCESS 6 PROCESS 6PROCESS 6 SECTION A SECTION ASECTION A 1:500

SCHEMA

500BC

PROCESS 5 SECTION B 1:500

PROCESS SECTION A 1:500

1:500

PROCESS 5 SECTION B 1:500

1:500

PROCESS 544 PROCESS 2 PROCESS PROCESS PROCESS 5PROCESS PROCESS 4PROCESS 4 PROCESS 4 SECTION BB SECTION PROCESS 5 SECTION A “The placeSECTION of SECTION learning might be4 Bseen as a place of exploration B PROCESS B SECTION B PROCESS 55 A and inquiry , where the SECTION SECTION 1:500 1:500 SECTION BSECTION SECTION B SECTION BA 1:500 1:500 1:500 1:500 1:500 1:500 1:500 1:500 important than the discipline 1:500 passsion of encounter more of submission to accepted 1:500 PROCESS PROCESS 6 is 1:500 1:500 PROCESS 22 PROCESS 6 PROCESS 2 PROCESS 3 SECTION B6 6 PROCESS SECTION B PROCESS 5 norms and customs” PROCESS SECTION B 1:500 A A SECTION PROCESSA 5 SECTION SECTION 1:500 1:500 PROCESS 6 1:500 1:500

1:500

TIMELINE

1:500

STONE AGE 1:500

1:5000

4 A4 1 BROCESS 1:500

PROCESS 2 1:500

1:500

•Walled villages for defence protection.

•Increased trade between inland & coast caused culturesto travel giving rise to a single type of culture flourishing.

1:500

PROCESS PROCESS 1 1

PROCESS 2 PROCESS PROCESS 2 2 1:500 SECTION A 1:500

PROCESS 500BC PROCESS PROCESS 22 55 PROCESS SECTION SECTION SECTION SECTION B B B B•Settlements around large circular plazas. 1:5001:5006 •Walled villages for defence protection. PROCESS 1:500

PROCESS 5 SECTION B 1:500

PROCESS 6 SECTION A 1:500

•Settlements around large circular plazas.

PROCESS 2 SECTION B 1:500

PROCESS 2 SECTION B PROCESS 2 PROCESS 6PROCESS 6 1:500 1:500 BRONZE AGE BRONZE AGE

PROCESS 2 PROCESS 6PROCESS 6 1:500 BRONZE AGE BRONZE AGE

PROCESS 4

PROCESS 5 SECTION A 1:500

SECTION PROCESS 4

SECTION A •Ceremonial architecture - complexes , plazas , monuments , sunken PROCESS 5 1:500 courts , aqueducts , walled plazas. SECTION A

PROCESS 1 1:500

PROCESS 4 SECTION B 1:500

PROCESS 5

PROCESS 5 STONE AGE

PROCESS 5 A

PROCES SECTION 1:500

PROCESS 2 SECTION A 1:500

PROCESS 2 SECTION B 1:500

PROCESS 6PROCESS 6 SECTION ASECTION A 1:500 1:500

PROCESS 2 SECTION A 1:500

SCHEMA

•Groups of people move to places to colonise more places.1:500

•Large civilizations started with agriculture as a way of sustenence & building temple mounds etc.

1:500SECTION BSECTION B 1:500 1:500

1:500

PROCESS 6PROCESS 6 SECTION BSECTION B 1:500 1:500

PROCESS 5PROCESS 5 SECTION ASECTION A 1:500 1:500

PROCESS 2 3PROCESS 3 PROCESS 2 PROCESS STONE AGESTONE AGE SECTION PROCESS 2PROCESS 2A PROCESS SECTION 1:5006 1:500 1:500 1:500A B PROCESS 1:5002 SECTION 1:500 1:500 SECTION B PROCESS 5 SECTION1:500 B

4 •Increased trade between inland & coast causedPROCESS culturesto PROCESS 4 SECTIONtravel B SECTION B1:500 giving rise to a single type of culture flourishing. SECTION A 1:500 1:500 1:500 PROCESS 6 •Ceremonial architecture - complexes , plazas , monuments , sunken SECTION A courts , aqueducts , walled plazas. 1:500

SCHEMA

PROCESS 6PROCESS 6 PROCESS 2 PROCESS 6PROCESS 6 SECTION BSECTION B

PROCESS 5PROCESS 5 SECTION ASECTION A 1:500 1:500

PROCESS 6 SECTION A 1:500

SCHEMA PROCESS 3PROCESS 3 PROCESS 3PROCESS 3 PROCESS 4 4 STONE AGESTONE AGE PROCESS 3PROCESS 3 PROCESS PROCESS PROCESS 55 1500BC 1000BC PROCESS 4 STONE AGESTONEPROCESS AGE AGESTONE AGE 5 A 1:5006 1:500STONE SECTION B APROCESS PROCESS SECTION 1:5006 1:500 SECTION SECTION SECTION A SECTION B SECTION6 B PROCESS 2 PROCESS SECTION BA 1:500 1:500 1:500 1:500 1:500 1:500 1:500 PROCESS 6PROCESS 6 •Agriculture was spreading over large aeras of the continent. •Settlement kept B getting larger. 1:500 1:500 SECTION 1:500 1:500 PROCESS PROCESS 3 PROCESS 4 5PROCESS 5 PROCESS PROCESS 3PROCESS 3 6 SECTION BSECTION B STONE AGESTONE AGE STONE AGE BRONZE AGE 1:500 STONE AGESTONE AGE 1:500 1:5001:500 1:500 1:500 1:500 SECTION B to6 places PROCESS •People learnt to 2irrigate farms- waterponds & channels. •Groups people to colonise PROCESS 6 of PROCESS PROCESS 3 more places. 1:500 1:500 move

•It was an interdependant society , fishing & agriculture PROCESS 2PROCESS 2 •There were1:500 elaborate1:500 artworks , mounds to safeguard from floods , temples.

PROCESS 2

SECTION A 1:500

PROCESS 4 SECTION B 1:500

1000BC •Settlement kept getting larger.

1:500

PROCESS 5PROCESS 5 SECTION BSECTION B 1:500 1:500

PROCESS 2 PROCESS 2PROCESS PROCESS 22 SECTION B PROCESS 5PROCESS 5 SECTION B1:500 SECTION B B BSECTION B 1:500SECTION SECTION 1:500 1:500 1:500 1:500 1:500

PROCESS 5 PROCESS PROCESS 55 A SECTION SECTION SECTION BA 1:500 1:500 1:500 PROCESS PROCESS 4 5PROCESS 55 PROCESS STONE AGESTONE AGE BRONZE AGE PROCESS PROCESS 55 A 1:500 1:500 1:500 SECTION SECTION PROCESS 3 SECTION BA LA VENTA OLMEC 1:500 PROCESS 54 -400BC PROCESS PROCESS 1:500 PROCESS 5( 4In1200BCPROCESS 4 4 54 1:500 PROCESS PROCESS 5PROCESS PROCESS 4PROCESS present 4 SECTION BPROCESS SECTION A day Mexico) SECTION B PROCESS STONE AGE STONE AGE BRONZE AGE B A SECTION A SECTION PROCESS 22 SECTION BSECTION SECTION A 1:500 4 4 1:500 1:500 PROCESS 1:500 1:500 PROCESS SECTION 1:500 PROCESS 4 1:500 SECTION AA 1:500 SECTION 3 1:500 PROCESS 6 BA1:500 SECTION A 1:500 PROCESS 1:5002PROCESSPROCESS SECTION 6 1:500 1:500 1:500 SECTION BSECTION A B 6 6 SECTION1:500 PROCESS PROCESS 1:500 PROCESS 1:500 A A SECTION 1:500 5 5 PROCESS SECTION 1:500 SECTION 1:500 SECTION BB 1:5006 PROCESS 1:500 SECTION A 1:500

•Evidence PROCESS of class 5based society , single power controlling people. STONE AGE •Trade between inland & coastal settlements. 1:500

PROCESS 5 SECTION A 1:500

SECTION B 1:500

PROCESS 6 BRONZE AGE 1:500

1000BC

PROCESS 6 SECTION A 1:500

PROCESS 3 STONE AGE 1:500

1500BC

•People learnt to irrigate farms- waterponds & channels.

SECTION •Settlement kept getting larger. 1:500

PROCESS 1 PROCESS 4 1:500

PROCESS 4 SECTION A 1:500

PROCESS 3

1:500

•Agriculture was spreading over large aeras of the continent.

•Groups of people move to places to colonise more places. SECTION A

1:500

PROCESS 4

AGE500BC) (3500 BC- 500BC) PROCESS 4 STONE AGESTONE (3500 BC1 1:500PROCESS 1:500 PROCESS 2 •Agriculture was spreading over large aeras of the continent. •Most of America is inhabited by hunter gatherers. •More and more people were migrating to the coasts from the •It was an interdependant society , fishing & agriculture •Settlement kept getting larger. 1:500 “The place of learning might be seen as a place of exploration and inquiry , where the PROCESS 5 SECTION B inlands because of improvements in agriculture. 1:500 PROCESS 5 •People learnt to irrigate farms- waterponds & channels. •Settlements have started to emerge near coasts &river valleys; •There were elaborate artworks , mounds to safeguard from floods , •Groups of people move to places toAcolonise more places. passsion of encounter is more important than the discipline of submission to accepted SECTION CONTEXT readily available water supply,edible plants & seafood. •People were harvesting various edibles & had domesticated cotton temples. PROCESS 3 PROCESS 1 PROCESS 2and maize. •Large civilizations started with agriculture as a way of sustenence & 1:500 •Increased trade between inland & coast caused culturesto travel PROCESS 4 1500BC 2500BC 3500BC 500BC 1000BC norms and customs” 1:500 “The place placerise of exploration andofinquiry where the SECTION B building temple mounds etc. of learning might be seen as agiving •In some larger settlements , ceremonial platforms were •Evidence of class based society , single power controlling people. to a single type culture, flourishing. SECTION B also being STONE AGE PROCESS 6 1:500 weaving also started. passsion of encounter is more important than the discipline of submission to accepted built. •Pottery between inland plazas. & coastal settlements. •Agriculture was spreading over large aeras of the continent. •Most of America is inhabited by hunter gatherers. •More and more people were migrating to the coasts from the •It was an interdependant society , fishing & agriculture •Settlement kept getting larger. •Settlements•Trade around large circular 1:500 PROCESS 6 •Ceremonial architecture - complexes , plazas , monuments , sunken norms and customs” inlands because of improvements in agriculture. SECTION 1:500 SECTION B B •Settlements have started to emerge near coasts &river valleys; was being fortotextiles , fishing nets & trade. courts , aqueducts , walled plazas. PROCESS 6 •People learnt to irrigate farms- waterponds & channels. •There were elaborate artworks , mounds to safeguard from floods , •Groups •Cotton of people move to used places colonise more places. •Walled villages for defence protection. PROCESS 4 PROCESS 6 1:500 ( 3 55 0 0 B C - 5 0 0 B C ) SECTION PROCESS SECTION readily available water supply,edible plants & seafood. •People were harvesting various edibles & had domesticated cotton temples. PROCESS B2 2 PROCESS 1:500 SECTION BB PROCESS PROCESS 5 PROCESS 55 1:500 •Large civilizations started with agriculture as a way of sustenence & and maize. •Increased trade between inland & coast caused culturesto travel •People disperse to colonise more. 1:500 1:500 1:500 1:500 SECTION A STONE AGE SECTION building temple mounds etc. •In some larger settlements , ceremonial platforms were also being •Evidence of class based society , single power controlling people. giving rise to a single type of culture flourishing. SECTION BB 1:500 1:500 built. •Pottery weaving •Trade between inland & coastal settlements. PROCESS 5 also started. PROCESS 6 CONTEXT 1:5006 PROCESS 3 PROCESS •Ceremonial architecture - complexes , plazas , monuments , sunken 1:500 STONE AGE BRONZE AGE PROCESS 4 PROCESS •Cotton was being used for textiles , fishing nets & trade. courts , aqueducts , walled plazas. PROCESS 55 STONE AGE SECTION A SECTION A PROCESS 5 1:500 1:500 SECTION 1:500 SECTION BB 1:500 PROCESS 5 SECTION A 1:500 1:5006 PROCESS 5PROCESS PROCESS 1:500 PROCESS 4 PROCESS 55 PROCESS 5 PROCESS 2 1:500 SECTION B SECTION A SECTION A PROCESS SECTION BSECTION PROCESS 55 B SECTION B SECTION A PROCESS 4 SECTION B 1:500 SECTION A 1:5006 1:500 PROCESS 4 PROCESS 5 PROCESS 6 PROCESS 1:500 SECTION 1:500A 1:5006 1:500 1:500 PROCESS SECTION B

PROCESS 3

1:5000

CONTEXT PROCESS 3 STONE AGE 1:500

1:5000

1:500

TIMELINE 1:5,00,000

1:50,000

PROCESS 5 STONE AGE 1:500

PROCESS 6 SECTION SECTION BB 1:500 1:500

4 A

PROCESS PROCESS 4 2 SECTION B SECTION 1:500 B 1:500

1:500 1:500

“The place of 5 learning might be seen as a place of exploration and inquiry , where STONE the AGE PROCESS 1:500 passsion of encounter is more important than the discipline of submission to accepted PROCESS 2 SECTION A norms and customs” 1:500 PROCESS 2 PROCESS 6

4 S 22 A

1500BC

•People learnt to irrigate farms- waterponds & channels.

PROCESS 4 SECTION A 1:500

STONE AGESTONE AGE BRONZE AGE 1:500 1:500 1:500

PROCESS PROCESS 11

•Large civilizations started with agriculture as a way of sustenence & building temple mounds etc. •Evidence of class based society , single power controlling people. PROCESS •Trade between inland & coastal settlements. PROCESS 22

PROCESS 5 SECTION A 1:500

PROCESS 5 PROCESS PROCESS 55 A SECTION SECTION SECTION BA 1:500 1:500 1:500 PROCESS PROCESS 4 5PROCESS 5

•Pottery weaving also started.

1:5000

•Pottery weaving also started. •Cotton was being used for textiles , fishing nets & trade.

PROCESS 6 SECTION B6 6 PROCESS PROCESS 1:500 A A SECTION SECTION 1:500 1:500

SECTION A 1:500

•Agriculture was spreading over large aeras of the continent.

•There were elaborate artworks , mounds to safeguard from floods , temples.

1:500

PROCESS PROCESS 11 1:500 1:500

PROCESS 2 SECTION B PROCESS1:500 2 PROCESS 4 SECTION B SECTION B 1:500 1:500 PROCESS 2 SECTION B PROCESS 2 1:500 SECTION B 1:500 PROCESS 2 SECTION B 1:500

PROCESS 4PROCESS 4 BRONZE AGE BRONZE AGE 1:500 1:500

PROCESS 6 BRONZE AGE 1:500

PROCESS 2 •More and more people were migrating to the coasts PROCESS from the 2 1:500 inlands because of improvements in agriculture. 1:500 PROCESS 4 •People were harvesting various edibles & had domesticated cotton2 PROCESS 6 PROCESS SECTION B 1:500 SECTION B and maize. 1:500 1:500 PROCESS 4

1:500

•People were harvesting various edibles & had domesticated cotton and maize.

•Cotton was being used for textiles , fishing nets & trade. 1:500 1:500 PROCESS PROCESS1 2 SECTION B 1:500

PROCESS 1 PROCESS 1PROCESS 2500BC 1 PROCESS 1 1:500PROCESS 1 PROCESS 1 1:500 1:500 •It was an interdependant 1:500 society , fishing & agriculture 1:500 1:500

1:500

PROCESS 2 PROCESS 2 SECTION B SECTION B 1:500 1:500

1:500

TIMELINE

1:5,00,000

SECTION A 1:500 PROCESS 1 PROCESS 2 PROCESS 4 1:500 PROCESS 1 SECTIONSECTION A A PROCESS 2 1:500 PROCESS 1 1:500 1:500 SECTION A 1:500 PROCESS 4 1:500 PROCESS 2 SECTION A PROCESS 2 SECTION B 1:500 SECTION A 1:500 1:500

PROCESS 2 SECTION SECTION BB 1:500 PROCESS 6 SECTION B 1:500 SECTION A 1:500 1:500

PROCESS PROCESS 6 SECTION1:500 A 1:500

PROCESS 2 SECTION B 1:500

2500BC

PROCESS 1 1:500

•Most of America is inhabited by hunter gatherers.

•Settlements have started PROCESS 2 to emerge near coasts &river valleys; readily available water supply,edible plants & seafood.

•More and more people were migrating to the coasts from the inlands because of improvements in agriculture.

PROCESS •In some larger settlements , ceremonial PROCESS 5 5 platforms were also being built.

PROCESS 4 SECTION A 1:500

PROCESS 2 SECTION A 1:500

•In some larger settlements , ceremonial platforms were also being built.

PROCESS 5 STONE AGE 1:500 PROCESS PROCESS 1 1

1:5,00,000

PROCESS 2

PROCESS 2 PROCESS 6PROCESS 6 1:500 BRONZE AGE BRONZE AGE 1:500 1:500

PROCESS 4

1:5,00,000

u d y

PROCESS 3PROCESS 3 STONE AGESTONE AGE PROCESS 1:5006 1:500 SECTION B 1:500

PROCESS 2 3500BC SECTION B 1:500

•Most of America is inhabited by hunter gatherers. •Settlements have started to emerge near coasts &river valleys; readily available water supply,edible plants & seafood.

2 SECTION A 1:500

PROCESS 5 SECTION A 1:500

PROCESS 4 SECTION A 1:500

PROCESS 5 SECTION A 1:500

1:500

PROCESS 6PROCESS 6 SECTION ASECTION A 1:500 1:500

SECTION B 1:500

PROCESS 4 4 PROCESS PROCESS 4 SECTION B A SECTION SECTION A 4 PROCESS 1:500 SECTION 5 B PROCESS 1:500 1:500 1:500

PROCESS 2 1:500

STONE AGESTONE AGE BRONZE AGE 1:500 1:500 1:500

•Large civilizations started with agriculture as a way of sustenence & building temple mounds etc.

based society , single power controlling people. •Trade between inland & coastal settlements.

•Pottery weavingPROCESS also started.

3500BC

PROCESS 1 1:500

PROCESS 2

SCHEMA

PROCESS 2 SECTION A 1:500 •Evidence of class

1:5000

PROCESS 3 STONE AGE 1:500

PROCESS 5 PROCESS PROCESS 55 A SECTION SECTION SECTION BA 1:500 1:500 1:500

PROCESS 5

SECTION B, mounds to safeguard from floods , •There were elaborate artworks 1:500 temples.

•Cotton was being used for textiles , fishing nets & trade.

PROCESS 1 1:500

PROCESS 2

1:5000

SECTION SECTION BB 1:500 1:500

PROCESS PROCESS 4 5PROCESS 5 STONE AGESTONE AGE BRONZE AGE 1:500

SECTION A SECTION PROCESS 2 BB SECTION PROCESS 21:500 PROCESS 2 1:500 1:5001:500 1:500

1:50,000

TIMELINE

PROCESS 5 SECTION B 1:500

1:500 1:500 PROCESS 6

PROCESS 2 PROCESS 2 SECTION A SECTION A 1:500 1:500

•In some larger settlements , ceremonial platforms were also being built.

1:500

•People disperse to colonise more.

PROCESS SECTION B 1:500

PROCESS 3 STONE AGE 1:500

PROCESS 4PROCESS 4 SECTION BSECTION B 1:500 1:500

PROCESS 2 PROCESS 6PROCESS 6 1:500 BRONZE AGE BRONZE AGE

PROCESS 5 PROCESS 22 PROCESS 2 PROCESS SECTION B SECTION 1:500 SECTION A SECTION BB 1:500 1:500 PROCESS 2 1:500

PROCESS PROCESS 4 5PROCESS 5 STONE AGESTONE AGE BRONZE AGE 1:500 1:500 1:500

•Settlements around large circular plazas. AGE 1:500 •Walled villages for defence protection.

•Ceremonial architecture - complexes , plazas , monuments , sunken courts , aqueducts , walled plazas.

PROCESS 2 1:5006 SECTION APROCESS 1:500 1:500 PROCESS 2 SECTION A

SECTION B PROCESS 1:500 PROCESS 11 1:500 1:500 •It was an interdependant society , fishing & agriculture

•More and more people were migrating to the coasts from the inlands because of improvements in agriculture.

PROCESS 5 SECTION A 1:500

PROCESS 5 PROCESS 3 PROCESS PROCESS 55 SECTION PROCESSA4A SECTION PROCESS 4 B PROCESS PROCESS 5 5 SECTION SECTION A 1:500 SECTION SECTION A 1:500 SECTION BB 1:500 PROCESS 5 1:500 PROCESS PROCESS 4 5 1:500

PROCESS 1 •Increased trade between inland & coast caused culturesto travel 1:500 giving rise to a single type of culture flourishing.

PROCESS 5 SECTION A 1:500

PROCESS 4PROCESS 4 SECTION BSECTION B 1:500 1:500 PROCESS 2

PROCESS 2PROCESS 2 PROCESS 4 1:500 1:500 SECTION A 1:500

•Settlement kept gettingBRONZE larger. STONE AGESTONE AGE

•Large civilizations started with agriculture as a way of sustenence & building temple mounds etc.

•People were harvesting various edibles & had domesticated cotton and maize.

PROCESS 4 SECTION B 1:500

500BC

1000BC

1:500 •Groups of people move to places to colonise more places.

2500BC

3500BC

•Most of America is inhabited by hunter gatherers. •Settlements have started to emerge near coasts &river valleys; readily available water supply,edible plants & seafood.

PROCESS 1 PROCESS 1 1:500 PROCESS 3 1:500 STONE AGE

1:5,00,000

PROCESS 2 SECTION A PROCESS PROCESS 2 21:500

PROCESS 3 STONE AGE

•People learnt to irrigate farms- waterponds & channels.

1:500

PROCESS 2

SECTION A 3 PROCESS 1:500

1:500

PROCESS 6PROCESS 6 SECTION BSECTION B 1:500 1:500

PROCESS 2 1:500

1:500PROCESS 2PROCESS 2 1:500 1:500

SECTION A 1:500

1:50,000

1:50,000 TIMELINE

PROCESS 6PROCESS 6

PROCESS PROCESS 22 SECTION A SECTION 1:500 1:500A PROCESS 1:5002

PROCESS 1PROCESS 1 PROCESS 2PROCESS 2 1:500 1:500

PROCESS 4 SECTION B 1:500

1:500

•Evidence of class based society , single power controlling people. •Trade between inland & coastal settlements.

•Pottery weaving also started.

PROCESS 3

1:500 PROCESS 2 1500BC PROCESS SECTION A PROCESS 1 1:500 •Agriculture was spreading over large aeras of the continent.

•It was an interdependant society , fishing & agriculture •There were elaborate artworks , mounds to safeguard from floods , temples.

SECTION BSECTION B •Cotton was being used for textiles , fishing nets & trade.

PROCESS 3 STONE AGE 1:500

PROCESS 5 SECTION A

PROCESS 2 SECTION A PROCESS 4 4 PROCESS PROCESS 4 SECTION B A SECTION 1:500 SECTION A 1:500 1:500

PROCESS 4 SECTION B 1:500

2500BC

•People were harvesting various edibles & had domesticated cotton and maize.

•In some larger settlements , ceremonial platforms were also being built.

PROCESS 5 SECTION A 1:500

PROCESS 2 1:500

PROCESS 4PROCESS 4 BRONZE AGE BRONZE AGE 1:500 1:500

PROCESS 2

PROCESS 2 1:500 SECTION A 1:500

1:50,000

PROCESS 4 SECTION A 1:500

PROCESS PROCESS 22 SECTION PROCESS 2PROCESS 2A SECTION 1:500 1:500A PROCESS 1:5002 1:500 SECTION B 1:500

1:500

SECTION ASECTION A PROCESS 3 1:500 1:500 •More and more people were migrating to the coasts from the STONE AGE inlands because of improvements in agriculture. 1:500

STONE AGESTONE AGE BRONZE AGE 1:500 1:500 1:500

PROCESS SECTION A 1:500

PROCES SECTION 1:500

1:500SECTION ASECTION A 1:500 1:500

1:500

PROCESS 4PROCESS 4 SECTION ASECTION A 1:500 1:500

1:500 SECTION B PROCESS 2 PROCESS 2PROCESS 1:5002 PROCESS 2 SECTION PROCESS 2PROCESS 2A 1:500

PROCESS SECTION PROCESS 1:500 SECTION SECTION B 1:500 1:500

PROCESS 2 SECTION A PROCESS 6PROCESS 6 1:500 PROCESS 6PROCESS 6 SECTION ASECTION A

PROCESS 5PROCESS 5 SECTION BSECTION B 1:500 1:500 PROCESS 6PROCESS 6 SECTION ASECTION A 1:500 1:500

PROCESS 4 SECTION A 1:500

PROCESS 5 SECTION A 1:500

PROCESS 4 SECTION B 1:500

PROCESS 5PROCESS 5 SECTION BSECTION B 1:500 1:500

PROCESS 2PROCESS 2 SECTION BSECTION B 1:500 1:500

SECTION B 1:500 PROCESS 4PROCESS 4

PROCESS 4

1:500

( In present day Louisiana)

SECTION ASECTION A 1:500 1:500

PROCESS 4 SECTION A SECTION 1:500 B 1:500

1:500

POVERTY POINT 1730BC- 1350BC

PROCESS 54 PROCESS 5 SECTION BSECTION B PROCESS 4PROCESS 1:500 1:500SECTION BSECTION B AGE BRONZE 1:500AGE 1:500 2BRONZE 1:500 1:500

PROCESS SECTION A 1:500

PROCESS 4PROCESS 4 5PROCESS 5 PROCESS BRONZE AGE BRONZE AGE ASECTION A SECTION 1:500 1:500

PROCES

PROCESS 5PROCESS 5

PROCESS 2PROCESS 2 SECTION ASECTION A 1:500 1:500

PROCESS 2PROCESS 2 SECTION BSECTION B PROCESS 2 1:500 1:500 SECTION B 1:500

PROCESS PROCESS 44 SECTION SECTION BB 1:500 1:500

PROCESS 4 SECTION A 1:500

1:500

PROCESS 5PROCESS 5 SECTION1:500 ASECTION A 1:500 1:500

SECTION A 1:500 PROCESS 2

1:500

PROCESS 4PROCESS 4 BRONZE AGE BRONZE AGE 1:500

1:500 PROCESS PROCESS 1 1

PROCESS PROCESS 1 1

SECTION ASECTION A PROCESS 5 PROCESS 2SECTION A 1:500 1:500 PROCESS 1:5002 SECTION B 1:500 SECTION A SECTION B 1:500 1:500 1:500 PROCESS PROCESS 5 PROCESS 22 SECTION SECTION AA SECTION A 5 PROCESS 1:5002 1:500 PROCESS SECTION B PROCESS 5 PROCESS PROCESS 1:500 55 A MABOON PROCESS PROCESS 55 A SECTION 1:500 SECTION SECTION SECTION BA SECTION STONE 1:500 1:500 SECTION BA AGE (3500 BC- 500BC) 1:500 1:500 1:500 PROCESS 3 1:500 PROCESS PROCESS 4 5PROCESS 5

PROCESS 1PROCESS 1 1:500 1:500

PROCESS 1 1:500

PROCESS PROCESS 1 1

PROCESS 6PROCESS 6

3500BC •Most of America is inhabited by hunter gatherers.

•Settlements have started to emerge near coasts &river valleys; readily available water supply,edible plants & seafood.

PROCESS 1 1:500

1:500

1:50,000

N M

1:5000

PROCESS 3PROCESS 3 STONE AGESTONE AGE PROCESS 1:5006 1:500 SECTION B 1:500

1:500

PROCESS PROCESS 44 SECTION SECTION BB 1:500 1:500 PROCESS PROCESS 4 4 SECTION SECTION BB 1:500 1:500

PROCESS 4 SECTION A 1:500

PROCESS 5PROCESS 5 SECTION BSECTION B 1:500 1:500

PROCESS 5 PROCESS PROCESS 55 A SECTION SECTION SECTION BA 1:500 1:500 1:500 PROCESS PROCESS 4 5PROCESS 5

5 0PROCESS 0 B C1PROCESS ) B2 SECTION 1:500

PROCESS 2

PROCESS 6

PROCESS SECTION A 2 1:500 SECTION A 1:500 PROCESS 2

PROCESS 4 SECTION A 1:500

PROCESS PROCESS 44 SECTION SECTION BB 1:500 1:500

( 3 5 0 0 B C -

PROCESS 4PROCESS 4 SECTION BSECTION B 1:500 1:500

PROCESS 2 SECTION A 1:500

SECTION B 1:500

PROCESS 2 SECTION A PROCESS 4 PROCESS 1:500 2 SECTION A

PROCESS 4 SECTION A 1:500

PROCESS 1 1:500

A m e r i c a

PROCESS 3 STONE AGE 1:500

SCHEMA

PROCESS 4 SECTION B 1:500

•People disperse to colonise more.

giving rise to a single type of culture flourishing.

PROCESS 5PROCESS 5 SECTION ASECTION A 1:500 1:500

SECTION B 1:500

PROCESS 4 4 PROCESS PROCESS 4 SECTION B A SECTION SECTION A 1:500 1:500 1:500

1:500

1:5000

1:500

PROCESS PROCESS 22 SECTION SECTION BB 1:500 1:500

PROCESS 5 SECTION B 1:500

PROCESS 2 SECTION A 1:500

TIMELINE

started with agriculture as a way of sustenence & building temple mounds etc.

PROCESS 1PROCESS 1 1:500 1:500

PROCESS 3PROCESS 3 STONE AGESTONE AGE PROCESS 1:5006 1:500 SECTION B 1:500

PROCESS PROCES SECTION B SECTION 1:500 1:500

PROCESS 5PROCESS 5 PROCESS 5PROCESS 5 SECTION ASECTION A 1:500 1:500SECTION ASECTION A 1:500 1:500

PROCESS 1 1:500

PROCESS 2PROCESS 2 PROCESS 1 PROCESS 1SECTION SECTION A A 1:500 1:500 1:500 1:500

( In present day Peru)

PROCESS 5 SECTION A 1:500

PROCESS 2

PROCESS PROCESS 44 SECTION SECTION BB 1:500 1:500

•Walled villages for defence protection.

MABOON PROCESS 1 STONE AGE 3500 BC 500BC

2 SECTION A SECTION A 1:500 PROCESS 2 1:500 PROCESS 2 SECTION B PROCESS 2 SECTION1:500 A 1:500

1:500 1:500

1:500

PROCESS 2 SCHEMA PROCESS

1:500 1:500 1:500 SECTION A 1:500 NORTE CHICO 1:500 1300BC- 1800BC

•Settlements around large circular SECTIONplazas. A

•Groups of people move to places to colonise more places.

PROCESS PROCESS 11 •Increased 1:500 trade between inland & coast caused culturesto travel 1:500

•Cotton was being used for textiles , fishing nets & trade.

PROCESS 4 SECTION A 1:500

1:5,00,000

institution of knowledge

•Evidence of class based society , single power controlling people. •Trade between inland & coastal settlements.

PROCESS 6 SECTION A 1:500

AMERICAS PROCESS 4 4 STONE AGE STONE AGE PROCESS PROCESS 4 PROCESS 6 PROCESS 5 SECTION 1:500 1:500 SECTION STONE AGE (3500 BC-B500BC) SECTION AA SECTION B

500BC

•Settlement kept getting larger.

•People learnt to irrigate farms- waterponds & channels. PROCESS 4PROCESS 4 SECTION BSECTION B •Large civilizations 1:500 1:500

PROCESS 3PROCESS 3 STONE AGESTONE AGE

PROCESS 2 1:500

1:500

PROCESS 4PROCESS 4 SECTION ASECTION A 1:500 1:500

PROCESS 2 SECTION A 1:500

SECTION A 1:500

process diagrams

1000BC

•Agriculture was spreading over large aeras of the continent.

•It was an interdependant society , fishing & agriculture •There were elaborate artworks , mounds to safeguard from floods , temples.

•Pottery weaving also started.

PROCESS PROCESS 44

design //

1500BC

2500BC PROCESS 5 PROCESS 1PROCESS 1

•More and more people were migrating SECTION A 1:500to the coasts from the 1:500 1:500 inlands because of improvements in agriculture.

•In some larger settlements , ceremonial platforms were also being built.

4 A S 22

PROCESS PROCESS 22 SECTION SECTION BB 1:500 1:500

PROCESS 5 SECTION B 1:500

PROCESS 1PROCESS 1 1:500 1:500 PROCESS 2

PROCESS 1:5006 1:500 PROCESS 5 SECTION B SCHEMA SECTION A 1:500 1:500 PROCESS 3PROCESS 3

SECTION B A4 SECTION PROCESS SECTION A PROCESS 1:500 1:500 4 B SECTION 1:500 SECTION B LA VENTA - OLMEC 1:500 1200BC- 400BC ( In present day Mexico) 1:500

PROCESS 2 PROCESS 4PROCESS 4 1:500

•People were harvesting various edibles & had domesticated cotton and maize.

1:500

PROCESS 4 4 PROCESS PROCESS 4 SECTION B

SECTION PROCESS SECTION AA PROCESS 44 1:500 SECTION B1:500 SECTION B1:500 PROCESS 4 4 1:500 PROCESS 1:500 PROCESS 4

TIMELINE

1:5000

PROCESS PROCESS 22 SECTION PROCESS 2PROCESS 2A SECTION 1:500 1:500A PROCESS 1:5002 1:500 SECTION B 1:500

3500BC •Most of America is inhabited by hunter gatherers. •Settlements have started to emerge near coasts &river valleys; readily available water supply,edible plants & seafood.

S 22

PROCESS 6 SECTION A

( In present day Louisiana)

PROCESS 1 1:500

PROCESS 2PROCESS 2 SECTION BSECTION B 1:500 1:500

PROCESS 2 1:500

SECTION ASECTION A 1:500 1:500

S 22

PROCESS 4 SECTION A 1:500

POVERTY POINT 1730BC- 1350BC

( In present day Peru)

PROCESS 6PROCESS 6 SECTION ASECTION A 1:500 1:500

PROCESS 4 SECTION A 1:500

PROCESS 4 SECTION B 1:500

SECTION B 1:500

1:500 1:500 1:500

NORTE CHICO 1300BC- 1800BC

PROCESS 2PROCESS 2 SECTION ASECTION A 1:500 1:500

SCHEMA1:500

PROCESS 4 SECTION B 1:500

4 B

PROCESS 2 1:500

( In present day Mexico)

LA VENTA - OLMEC 1200BC- 400BC

1:500

1:50,000

1:50

PROCESS 2 SECTION B 1:500

PROCESS PROCESS 11 1:500 1:500

PROCESS 6 BRONZE AGE 1:500

Settlements followed an layout pattern, growing around places

plans GROUND FLOOR PLAN A

A B FIRST FLOOR PLAN

One enters either building through tight spaces which open up and give a glimpse of what is beyond . Moving further in one encounters larger spaces ie. the collonades which primarily function as congregation and discussion spaces. The large size of the columns is essential since they provide a sence of privacy while still giving a sense of openness. The smaller spaces house functions which require a certain level of privacy ,each with their own spill out space. A combination of these two kinds of spaces gives rise to a form which enourages interaction among the people , giving them a chance to learn from one another.

design //

institution of knowledge

sect

43 SECTION AA’

tions SECTION BB’

SECTION CC’

SECTION DD’

design //

institution of knowledge

detail plan

45 A

B B

A’

detail section SECTION AA’

SECTION BB’

model //

institution of knowledge

SITE

PART DETAI

MODEL

ILED MODEL

the boatclub 2018 //

T HE BOATC LUB studio :LUCKNOW , REVIVING THE RIVER GOMTI

1.3

The studio looked at re-establishing connects of the

Babu Stadium complex and provides for the necessary

city of Lucknow to the river Gomti . Over the years,

infrastructure for water sports to take place in the city.

the relationship of the river Gomti to the city has been

It is ideal since the stadium regularly holds rowing

in a constant state of flux . The studio tried to uncover

competitions without the necessary infrastructure. The

these relations through history and manifest them in the

boat club would be a dedicated facility for the same.

present day. It was achieved with the introduction of tools

The intentition of the project is to draw more people

of reading urban form , the “soft city” - the lived city as

to the river front using water sports as a medium. The

it is experienced. The Studio primarily looked at ways of

design creates an axis from the stadium complex , to the

reviving the riverfront getting more people to engage with

boatclub .This axis splits to create three paths of public

it as opposed to the present senario . A common idea

movement one over the roof of the boatclub ,one through

through the exercise was the recognition of the Gomtis’

the boatclub and one through the public plaza (central

potential at be a possible mode of local transport for

to the temple , heathcare center , aquatics center and

the city. Hence the idea of proposing a boat club/ferry

boatclub). to the river. The different watersport progams

terminals at important nodes.

are separated from each other and extend as fingers over

The Boatclub is an extension to the existing K.D. Singh

the embankment in to the flood plain.

Year : 4 Semester : 7

Guide: Sonal Sundararajan Location : Lucknow

design //

the boatclub

model

process

site plan

BOAT CLUB-programs WATERSPORTS ROWING SAILING

CANOEING

BOATHOUSE CLUBHOUSE ROWING TANK

TRAINING GYMNASIUM ROOM CHANGING ROOM SAILING GEAR

CHANGING ROOM BOAT STORAGE OTHER PROGRAMS CLUBHOUSES EATERIES WAREHOUSE PARKING

AQUATIC CENTER SWIMMING TRAINING DIVING POOL COMPETITION

PHYSIOTHERAPY

CONTROL ROOM RESCUE POINTS LAUNCHING FACILITIES WET AND DRY ZONES MULTI USE SPACES

the boatclub

ground floor plan

design //

B’

C D

first floor plan

B’

C D

theatre for life 2016 //

T HEATR E F OR LIF E studio : ARCHITECTURE AS SCAFFOLDING

The Third Semester Architectural Design studio explores

the intervention is to provide for basic amenities of lodging

the role that architecture can have as ‘scaffolding’ upon

and sanitation to the daily wage migrant labourers working

which urban citizens can build their lives. The project

in the neighbourhood.

explores the role of architecture by suggesting public

The design aims to create a semi open space which is

infrastructure insertions in different areas of the city to be

in close contact with nature, cut off from the street and

built by the Municipal Corporation.

the life outside; thus creating a world within. The internal

To arrive upon the strategy, we explored a particular

spaces spread and rise from the ground to different levels

geography of the city through a transect walk ; we then

creating spaces that seamlessly flows into each other. The

explored narratives of communities who lie along the walk

intersection of the ground plane at different levels creates

through postcards that look into different aspects of the

spaces and corners where the dormitory, public toilets,

neighbourhood. These narratives then indicate the nature

recreational facilities and places of interaction for the

of the infrastructure needed for that particular geography.

migrant labour are tucked in. The thin metal cage acts as

Sitting in the dense fabric of Saki-Naka , the intent of

1.4

a huge pergola encapsulating the heavy structure within.

Year : 2 Semester : 3

Guide: Rohan Shivkumar & Vinit Nikumbh Location : Mumbai

design //

theatre for life

model

process

ground floorplan A

plans & sections A

SECTION AA’

FRONT ELEVATION

community center 2016 //

C O MMUN ITY CEN TER s t u d i o : I N S T I T U T I O N S O F E V E R Y D AY L I F E NARRATIVES ‘UNDER THE MOONLIGHT AN OLD WOMAN DRESSED IN SILVER PLEASES THE DEITY.’ ‘I WORE MY NEW T-SHIRT AND JEANS, JELLED MY HAIR IN A MOHAWK AND LEANED AGAINST THE WALL HOPING THAT THEY WOULD NOTICE.’ ‘IN THE SILENCE OF THE VALLEY YOU HEAR THE WHISPERS OF THE WOMEN,AS THEY WASH THE CLOTHES DOWN THE STREAM.’

The moment when body, time and space collapse

to impress/please someone , attract attention all in a very

is the ‘Event’. These events can be important or

calm environment.Hence the program narrowed down to a

inconsequential. They can be celebrations, meetings, love

public performance space & community center.

affairs. Architecture is within these. It is created by these

The Community center sits on the extreme edge of Sawra

and in turn allows them to exist. What is the relationship

amidst the higher class houses, secluding it from rest of

between the idea of the institution and that of the everyday

the village. The design aims to create spaces which can be

life? While one is steeped in creating value systems that

used by people of all castes , to train them in performing

transcend the everyday, the other is steeped in the rhythms

arts ,for performances and for public gatherings.It tries to

of eating, sleeping, working. This is the space that shall

do so by pulling lines from the site,which turn into walls of

be explored in the Architectural Design Studio through the

different materials which rise and fall ,wrapping around,

creation of an ‘Institution of Everyday Life’ in the villages

making spaces within them that seamlessly flow into one

that have been studied . The Studio shall be the place to

other. The ground plane like cascading terraces merges

create spaces for these events to occur. Events that range

into the landscape. It contains what is within , at the same

from the intimate to the public

time blends into the site effortlessly,overlooking the scenic

One thing common in the given narratives is the need

1.5

valley.

Year : 2 Semester : 4

Guide: Ginella George Location : Sawra, Chakrata

community center

ground floor plan

design //

D C A

process

site plan

sections SECTION AA’

SECTION BB’

SECTION CC’

SECTION DD’

the in-between 2017 //

T HE IN - B ETWEEN studio :EXAMINING INSTITUTIONS OF FAITH

“SHUT THE DOOR AND LISTEN FROM THE OUTSIDE”

The studio is an interrogation of the architecture of

connection to these relations can be shut off. This then

Institutions. The institutions to be examined in this

opens up new possibilities and relationships to be formed.

semester are those related with religious practices and

By decentralising Qawali , as an art form , detached

their relationship with the communities that they serve.

from it traditional and devotional values, one tries to

The study of the Dargah used ‘biography’ as the method

achieve a level playing field for all artists , be it the qawals

of understanding this relationship. Interviews conducted

or modern day artists. It creates opportunities for fusion

with actors in and around the Dargah examined the nature

and exchange of culture and art between troupes from

of the relationship of the visitors and inhabitants of the old

around the world.

city with the institutional systems in the city.

1.6

The Intervention is a public interface between the

The given oblique strategy and interaction with people

dargah and the street. The terraces created cascade from

on site lead one to rethink and re-imagine the position

the street into the dargah complex, thus creating spaces

of the Qawal and Qawalli, its relation to the dargah and

within them. This shuts off the door to the building from

the audience in current times.To see how the strategy

within the dargah , opening it up only to street(outside),

can be put to use, one tries to read/uncover the various

creating pockets where one can hear the musical activities

connections they have to the dargah, the audience and

within the building without actually making the listener a

also with the lyrics; trying to find ways in which the door/

part of it.

Year : 3 Semester : 6

Guide: Mayuri Sisodia, Vinit Nikumbh Location : Ajmer

the inbetween design //

An imaginary barrier of space and time , separating qawal troupes from each other.

An Imaginary barrier between the qawal and pilgrim, eliminating interaction.

A membrane which allows for spacial connect , at the same time barring visual relationship.

A membrane which allows for elements to seep through yet experimenting with new ones.

SHARED LEARNING

QAWALI BROADCASTING

RECORDING AND ARCHIVING

EXPERIMENTAL JAMMING STUDIOS

process The crowd density map of pilgrims formed by collapsing a days’ data roughly indicates the Langar area at the back to be of least density allowing for supplementary Qawali functions to take place smoothly without any Acoustical Disturbance. This is further supported by the pedestrian road abutting the site.Intrestingly this road houses most of the Qawal homes, allowing for easy access either to the recording facilities or to the performance spaces opposite the shrine.

FRONT ELEVATION

design //

the inbetween

PLAN AT +3.20 M

PLAN AT -0.2 M

The terraces created cascade from the street into the dargah complex creating spaces within them , which are accessible only when enters from the street edge . This, in turn shuts off the door to the building from within the complex , opening it up only to street (outside) , and creates pockets where one can hear the musical activities happening within the building without actually making the listener a part of it. To the pilgrim the building is only experienced from the outside.

SITE PLAN

PLAN AT +4.15 M

SECTION AA

D SECTION BB

SECTION DD

SECTION CC

the MACHINE 2017 //

T HE M AC HIN E A C O U RT H O U S E T H R O U G H T H E LO O K I N G G L AS S s t u d i o : I N S T I T U T I O N S O F D E M O C R ACY

The studio explored the architecture of the institutions created by the modern Indian state to administer and

- a local court, family court, etc.

maintain it’s democracy .These institutions of democracy

The design tries to metaphorically compare the Bombay

imagine the citizen and ‘public’ in different ways. This

City Civil and Sessions Court to a machine. In this analogy

affects the way that the programme of the project is

we call the courthouse a “Judicial Machine”.A Machine

shaped, as well as the architectural gestures chosen-

is the sum total of the various functions it performs ,

organisationally, and symbolically. As landmarks,these

these functions working together attribute to its optimal

buildings stand outside everyday life as monuments to

functioning . Similarly this judicial machine is the sum

ideals that are seen as ‘timeless’. In this attempt they often

of all “Processes” and “Activities” that take place inside it

alienate the very public that they claim to represent.

everyday: Filing,Recording,Hearing etc.

As infrastructure, the metaphor of the machine leads to

The design can be seen as a dissection of the machine

an architecture that it placeless and banal. The country is

which exposes the “machinery “. Each program being

littered with many of these born out of the structures of

expressed as an individual volume.One can see the various

the minimum necessary.

actions and processes being performed in different parts

The study looks into the paradigms through which the

1.7

study sites were chose from the lowest tier of the pyramid

institutions of democracy can be re-imagined. For this

of this machine while walking up or down the viewing ramp.

Year : 3 Semester : 5

Guide: Mayuri Sisodia, Deepti Talpade Location : Mumbai

WEAKNESS

WATER SUPPLY

PROVIDED PARKING

EATERIES

TRAFFIC

Close proximity to Western Express Highway and having a bus depot next to it makes the site easily accessible.

Very far from Goregaon Railway Station

ROAD SLOPE INCREASES Roads on the southern and western sides of the building slope noticeably, which allows one with the opportunity of designing with the terrain. SITE BOUNDARY EXTENSION

THREAT

Close proximity to Oberoi Mall

process

OPPORTUNITY

PARKING SPILL OFF

design //

the machine

STRENGTH

The Park at the back end of the site can be incorporated into the site, providing a much needed open space.

Proximity to the slums High rises very close to the court decrease privacy The slope of the road proves to be an opportunity and a threat as it can cause water logging during monsoons.

SITE PLAN

ELEVATION AA’

FIRST FLOOR PLAN B

B’

A’

SECTION BB’

VIERENDEEL GIRDER SHEAR WALL

100*150MM BOX SECTION STEEL DECKING

the machine

150*200MM BOX SECTION

150*150MM LATTICE GIRDE

500MM STEEL BOX SECTION

LASERCUT METAL SHEET PARTITION(MOZ DESIGNS)

+12.4M +10.9M +9.4M STEEL SUSPENDED STAIRCASE

+7.1M

10 9

+4.8M BISON BOARD 75MM

TOUGHENED GLASS 20MM

working drawing //

+18.32M

+2.7M

+0.6M

+0.6M STEEL RAILING

0.0M

TOUGHENED GLASS 20MM(GSC GLAS

ALUMINIUM FRAME 60*40

500MM STEEL BOX SECTION WPC PANELS CLADDED CAPSULE WITH STEEL FRAMEWORK

COPING PARAPET WALL

+9.0M TERRACE LEVEL

EDGE BEAM

+3.0M MEZZANINE FLOOR

+0.6M PLINTH LEVEL

+0.45M

0.0M GL

FIXED GLASS 20MM

PIVOTED GLASS WINDOWS 20 MM PLINTH BEAM ISMB 300 STRINGER FOUNDATION 100MM PCC 230MM RANDOM RUBBLE RAMMED EARTH RIBBED SLAB 500MM DEEP

7 2

VIERENDEEL GIRDER SHEAR WALL

100*150MM BOX SECTION STEEL DECKING 150*200MM BOX SECTION

GROUND FLOOR PLAN

TOUGHENED GLASS 20MM

150*150 LATTICE GIRDER BOX SECTION LASERCUT METAL SHEET PARTITION

ELEVATION EE' DETAIL B

+12.2M THIRD FLOOR LEVEL 300*300 BOX SECTION

+9.4M SECOND FLOOR LEVEL STEEL SUSPENDED STAIRCASE 100*100 BOX SECTION

REFLECTED CEILING PLAN SCALE 1:500

+6.9M MEZZANINE LEVEL 200*200 BOX SECTION DETAIL A

ROOF STRUCTURE PLAN (F)SCALE 1:100

STAINLESS STEEL RAILING

M P LEVEL +4.8M FIRST FLOOR

WPC PANEL GUTTER DETAIL F G G'

WALL SECTION WITH WPC PANEL CAPSULE DETAIL SITE PLAN SCALE 1:1000

ER BOX SECTION 500MM STEEL BOX SECTION

WPC PANELS CLADDED CAPSULE WITH STEEL FRAMEWORK

+0.6M PLINTH LEVEL 0.0M GL

1.ALL DIMENSIONS ARE IN MILLIMETERS. 2.DO NOT SCALE THE DRAWINGS. 3.FOLLOW WRITTEN DIMENSIONS ONLY. 4.THIS DRAWING IS THE PROPERTY OF THE ARCHITECT AND SHOULD NOT BE COPIED WITHOUT HIS/HER PERMISSION. THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE ARCHITECT. 5.ALL STRUCTURAL DIMENSIONS ARE TO BE REFERRED FROM THE STRUCTURAL ENGINEER'S DRAWING. 6.ALL SERVICES TO BE REFERRED FROM THE SERVICE CONSULTANTS' DRAWINGS. DETAIL A 7.FOR ALL OTHER DETAILS REFER TO OTHER RELEVANT DRAWINGS. 8.ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCEMENT OF WORK 9.IN CASE OF ANY DISCREPANCY ,IT SHOULD BE IMMEDIATELY BROUGHT TO HE NOTICE OF THE CONSULTANT. G DETAIL C G'

NOTES:

-3.0M BASEMENT LEVEL

COLLEGE STAMP AND SIGNATURE

DETAIL A

ROOF PLAN SCALE 1:500

BIASON BOARD 75MM TOUGHENED GLASS 20MM(GSC GLASS LTD)

SECTIONCC ALUMINIUM FRAME 60*40 BIASON BOARD 68MM

SS LTD)

DETAIL A

SITE : DINDOSHI,MUMBAI PROGRAM : COURTHOUSE SCALE: 1:100 NAME : SHREYA DWIVEDI ROLL NUMBER: 3RD YR. B.ARCH 1205 SHEET: ELEVATION

DETAIL B

1.ALL DIMENSIONS ARE IN MILLIMETERS. 2.DO NOT SCALE THE DRAWINGS. 3.FOLLOW WRITTEN DIMENSIONS ONLY. 4.THIS DRAWING IS THE PROPERTY OF THE ARCHITECT AND SHOULD NOT BE COPIED WITHOUT HIS/HER PERMISSION. THIS DRAWING IS THE COPYRIGHT DETAIL D PROPERTY OF THE ARCHITECT. 5.ALL STRUCTURAL DIMENSIONS ARE TO BE REFERRED FROM THE STRUCTURAL ENGINEER'S DRAWING. 6.ALL SERVICES TO BE REFERRED FROM THE SERVICE CONSULTANTS' DRAWINGS. 7.FOR ALL OTHER DETAILS REFER TO OTHER RELEVANT DRAWINGS. 8.ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCEMENT OF WORK 9.IN CASE OF ANY DISCREPANCY ,IT SHOULD BE IMMEDIATELY BROUGHT TO HE NOTICE OF THE CONSULTANT.

NOTES:

ELEVATION GG'

REFLECTED CEILING PLAN SCALE 1:500

DETAIL A SCALE:- 1:5

DETAIL B

LONG ELEVATION

DETAIL B SCALE:- 1:5 KAMLA RAHEJA VIDYANIDHI PARAPET DETAIL WPC PANEL JOINERY AND ROOF FRAMEWORK INSTITUTE FOR ELEVATION EE' SCALE 1:50 ARCHITECTURE ANDDETAIL ENVIRONMENTAL STUDIES N DATE:23.04.2018 SIGN:

ROOF STRUCTURE (F)SCALE 1:100 DETAIL PLAN AT C PLAN SCALE 1:2

ELEVATION FF'

SHEET NUMBER: 12

COLLEGE STAMP AND SIGNATURE

WPC PANELS CLADDED CAPSULE WITH STEEL FRAMEWORK

1.ALL DIMENSIONS ARE IN MILLIMETERS. A' A 2.DO NOT SCALE THE DRAWINGS. 3.FOLLOW WRITTEN DIMENSIONS ONLY. 4.THIS DRAWING IS THE PROPERTY OF THE ARCHITECT E' AND SHOULD NOT BE COPIED WITHOUT HIS/HER PERMISSION. THIS DRAWING IS THE COPYRIGHT F PROPERTY OF THE ARCHITECT. 5.ALL STRUCTURAL DIMENSIONS ARE TO BE REFERRED FROM THE STRUCTURAL ENGINEER'S DRAWING. 6.ALL SERVICES TO BE REFERRED FROM THE SERVICE CONSULTANTS' DRAWINGS. 7.FOR ALL OTHER DETAILS REFER TO OTHER RELEVANT SITE PLAN SCALE 1:1000 DRAWINGS. 8.ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCEMENT OF WORK 9.IN CASE OF ANY DISCREPANCY ,IT SHOULD BE IMMEDIATELY BROUGHT TO HE NOTICE OF THE CONSULTANT. ENTRY

NOTES:

DETAIL A

DETAIL C SCALE:- 1:5

SITE : DINDOSHI,MUMBAI PROGRAM : COURTHOUSE SCALE: AS SPECIFIED NAME : SHREYA DWIVEDI 3RD YR. B.ARCH ROLL NUMBER: 1205 SHEET: CLADDING AND SLAB DETAIL KAMLA RAHEJA VIDYANIDHI INSTITUTE FOR ARCHITECTURE AND ENVIRONMENTAL STUDIES

ROOF PLAN SCALE 1:500

DETAIL PLAN AT C SCALE 1:2 COLLEGE STAMP AND SIGNATURE A

ELEVATION EE' SCALE 1:50 DETAIL B

A' ENTRY

DETAIL SECTION ATC SCALE 1:2

SITE PLAN SCALE 1:1000

STRIP ELEVATION GG' SCALE:- 1:25

REVOLVING PANEL DETAIL PLAN DETAIL A SCALE:- 1:5 DETAIL C

DETAIL A SCALE 1:5

DETAIL D SCALE:- 1:5

1.ALL DIMENSIONS ARE IN MILLIMETERS. 2.DO NOT SCALE THE DRAWINGS. 3.FOLLOW WRITTEN DIMENSIONS ONLY. 4.THIS DRAWING IS THE PROPERTY OF THE ARCHITECT AND SHOULD NOT BE COPIED WITHOUT HIS/HER PERMISSION. THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE ARCHITECT. 5.ALL STRUCTURAL DIMENSIONS ARE TO BE REFERRED FROM THE STRUCTURAL ENGINEER'S DRAWING. 6.ALL SERVICES TO BE REFERRED FROM THE SERVICE CONSULTANTS' DRAWINGS. 7.FOR ALL OTHER DETAILS REFER TO OTHER RELEVANT DRAWINGS. 8.ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCEMENT OF WORK 9.IN CASE OF ANY DISCREPANCY ,IT SHOULD BE IMMEDIATELY BROUGHT TO HE NOTICE OF THE CONSULTANT.

NOTES:

DATE:23.04.2018 NOTES:

SIGN:

SHEET NUMBER: 14

PROGRAM : DETAIL B SCALE:- 1:5 1.ALL DIMENSIONS ARE IN MILLIMETERS. 2.DO NOT SCALE THE DRAWINGS. 3.FOLLOW WRITTEN DIMENSIONS ONLY. 4.THIS DRAWING IS THE PROPERTY OF THE ARCHITECT AND SHOULD NOT BE COPIED WITHOUT HIS/HER PERMISSION. THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE 5.ALL STRUCTURAL DIMENSIONS ARE TO BE ARCHITECT. REFERRED FROM THE STRUCTURAL 6.ALL SERVICES TO BE REFERRED FROM THE ENGINEER'S DRAWING. SERVICE CONSULTANTS' DRAWINGS. DETAIL SECTION ATC 7.FOR ALL OTHER DETAILS REFER TO OTHER RELEVANT DRAWINGS. 8.ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCEMENT OF 9.IN CASE OF ANY DISCREPANCY ,IT SHOULD BE WORK IMMEDIATELY BROUGHT TO HE NOTICE OF THE CONSULTANT.

SITE : DINDOSHI,MUMBAI COURTHOUSE SCALE: 1:100 NAME : SHREYA DWIVEDI ROLL NUMBER: 3RD YR. B.ARCH COLLEGE STAMP AND SIGNATURE

1205

SHEET: SECTION AND ELEVATION SCALE 1:2

ELEVATION 10 9 3 STEEL DECKING 21MM WPC PANELS 100MM CHANNEL GI GUTTER

KAMLA RAHEJA VIDYANIDHI INSTITUTE FOR ARCHITECTURE AND SITE : DINDOSHI,MUMBAI ENVIRONMENTAL STUDIES DETAIL PLAN AT B SCALE 1:2 N 1:5 DETAIL C SCALE:DATE:23.04.2018 COLLEGE STAMP AND SIGNATURE SIGN:

+18.32M

300*300 BOX SECTION TOUGHENED GLASS 20MM

ELEVATION EE' SCALE 1:50

PLINTH DETAIL

DETAIL A SCALE 1:5

DETAIL PLAN AT C SCALE 1:2 A

PROGRAM : COURTHOUSE SCALE: AS SPECIFIED

A' ENTRY

DETAIL D

DETAIL C

SECTION DD

ELEVATION HH' SITE PLAN SCALE 1:1000

NAME : SHREYA DWIVEDI SHEET NUMBER: 3RD 11YR. B.ARCH ROLL NUMBER: 1205 SHEET: CLADDING AND SLAB DETAIL

150*150 LATTICE GIRDER BOX SECTION LASERCUT METAL SHEET PARTITION

+12.2M THIRD FLOOR LEVEL 300*300 BOX SECTION

+9.4M SECOND FLOOR LEVEL STEEL SUSPENDED STAIRCASE 100*100 BOX SECTION

SITE : DINDOSHI,MUMBAI KAMLA RAHEJA VIDYANIDHI PROGRAM : COURTHOUSE INSTITUTE FOR ARCHITECTURE SCALE: AS SPECIFIED AND ENVIRONMENTAL STUDIES NAME : SHREYA DWIVEDI 3RD YR. B.ARCH ROLL NUMBER:

SITE : DI PROGRA SCALE: NAME : S 3RD YR. B.AR

DETAIL PLAN AT B SCALE 1:2

SECTION SCALE 1:20 STRIPSTRIP SECTION GG' AA' SCALE:1:25

+6.9M MEZZANINE LEVEL 200*200 BOX SECTION

STRIP ELEVATION GG' SCALE:- 1:25

DETAIL D SCALE:- 1:5 SITE PLAN SCALE 1:1000

STAINLESS STEEL RAILING

+4.8M FIRST FLOOR LEVEL DETAIL D

KAMLA RAHEJA VIDYANIDHI INSTITUTE FOR ARCHITECTURE AND ENVIRONMENTAL STUDIES N DATE:23.04.2018

COLLEGE STAMP AND SIGNATURE

1205 SHEET NUMBER: SIGN: SHEET: GLAZING DETAIL ENTRANCE LOBBY 14

DATE:23.04.2018

KAMLA RA INSTITUTE FO AND ENVIRO

DATE

DETAIL D SCALE 1:5 +0.6M PLINTH LEVEL 0.0M GL

DETAIL SECTION ATC SCALE 1:2

DETAIL PLAN AT B SCALE 1:2

SCALE: AS SPECIFIED NAME : SHREYA DWIVEDI 3RD YR. B.ARCH ROLL NUMBER: 1205 SHEET: GLAZING DETAIL ENTRANCE LOBBY KAMLA RAHEJA VIDYANIDHI INSTITUTE FOR ARCHITECTURE AND ENVIRONMENTAL STUDIES DETAIL D SCALE 1:5

SITE : DINDOSHI,MUMBAI SHEET NUMBER: SIGN: PROGRAM : COURTHOUSE 13

SITE : DINDOSH PROGRAM : COU SCALE: AS SPE SIGN: NAME : SHREYA 3RD YR. B.ARCH RO

DETAIL A SCALE 1:5 -3.0M BASEMENT LEVEL STRIP SECTION AA' SCALE 1:20

KAMLA RAHEJA V INSTITUTE FOR ARC AND ENVIRONMENT

10 9

SHORT SECTION STRIP SECTION GG' SCALE:- 1:25 ELEVATION GG' DETAIL PLAN AT B SCALE 1:2

DATE:12.03. N SIGN:

N SIGN:

DATE:23.04.2018 SHEET NUMBER: 13

SECTIONCC

DETAIL PLAN AT B SCALE 1:2 COLLEGE STAMP AND SIGNATURE

SITE : DINDOSHI,MUMBAI

SITE : DINDOSHI,MUMBAI PROGRAM : COURTHOUSE SCALE: AS SPECIFIED

professional work

Koba Jain Museum // SJK Architects Exhibition Design

77 - 84

Sarovar Bodhgaya // SJK Architects Interior Design

85 - 94

Restroom Design // SJK Architects Interior Design

95 - 98

Pavement Toilet // Mad(e) in Mumbai Architecture Design

99 - 102

Restroom Design // Freelance Interior Design

103 - 106

SJK ARCHITECTS 2019 //

KOBA JAIN M US EUM Typology : Museum Location : Koba, Gujrat Area : 75,000 sq. ft. Phase : Construction Involvement : Design Development - Gallery 7

The Koba Jain Museum is a building that draws its plan

While on this project I was involved in the design

from the Mandala, but lifts itself off the ground completely

development for the The Ratna Pratima gallery - Gallery 7,

on stilts with a shallow water body in the centre within

which is the largest and is to house gemstone idols . I had

which the existing neem trees nestle. The building draws

the chance to discuss designs and work with the principal

all its light and ventilation from this shaded and filtered

architect for the same . The Design idea for this gallery

courtyard and presents a calm lime plastered exterior with

was to create the most dramatic of spaces and it being

inlaid Jain graphics and glass jharokhas. The internal skin

a dark gallery, the play with lights and creating different

of the building facing the courtyard is entirely composed

spacial experiences allowed for some drama to seep in.

of vertical louvers of white marble jali that bring in the air

Production of 3d views , renders , Layout development,

and ventilation in a highly modulated manner responding

Display case designs and meetings with the Museum

to simulated studies on sun and wind paths.

consultants , presentations for the client was done while

There are a number of galleries in the Museum each focusing on the extensive collection of miniatures, exquisite bronzes and rare scrolls among other things.

2.1

on this project.

* Render done by office

D 5000

21500

G 5000

M 5000

5000 5925

1 16

17 18

Fifth landing +10.05 m

Fourth landing +9.3 m

1200

2 Gallery Below

Double Height Space

5000

D11

16500

5000

5000 20575

+10.725 m

LS 2 2.0Tn Through-type

Lobby FIRE ESCAPE 15.85 sq m STAIRCASE 3 D11

5000

13500

Lobby 56.82 sq m

J 5000

FF 2

H 5000

Third landing +8.55 m

D11

10500

5000

LS 1 2.5Tn Through-type

Gallery Below

Floor landing +10.3 m

F 5000

FIRE ESCAPE STAIRCASE 2

E 17

5000

C 5000

2700

B 5000

11500

A 1

D13

Floor Landing +10.3m

Third Landing +8.58m

DN 17

15 8500

Fifth Landing +10.09m

Fourth Landing +9.33m

Lobby 20 sq m +10.725 m

D11

FF 3

5000

29 28

5000

26 27

10000

Cutout in Ceiling

Chauvisi - Ratna Mandir

4 5000

5000

9900

5000

5 5000

41000

5000

66500

14 GALLERY 5 488 sq m

30000

+10.725 m

5000

16065 GALLERY 7 1100 sq m

9 5000

5000

+10.725 m

D11

FIRE ESCAPE STAIRCASE 1

10 5000

21 22

8 7

FLIGHT 3

ELV

ELV 2

FLIGHT 1

ELE 2

6 5

1600

28 29

+10.725 m D13

5000

DB + ELE

Second Floor Level Connector 131.5 sq m

5000

FIRE EXIT

Fourth Landing +9.33m

D11

5000

D11

Fifth Landing +10.09m

Lobby (7 sq m) +10.725 m

16 15

ELE 1

18 17 19

MID LANDING 2 (+9.17 M)

28400

26 25

ELE + LV + DB

Third Landing +8.58m

27 28

5000

FF 1

D13 13 14

Floor Landing +10.7m

FLOOR LANDING (+10.625 m)

FF 4

FIRE ESCAPE STAIRCASE 4

Gallery below

5000

10000

5000

10000

GALLERY 6 231.2 sq m

Gallery Below

5000

12 8

Cutout in Ceiling

12 7

5000

Cutout in Ceiling

33500

CHILLED WATER PIPES

5000

exhibition design

// koba jain museum

overall plan

+10.725 m

14 5925

5000

34650

5000

5925

Hrim

5000

* Plan done by office

ratna pratima gallery

process Navkar Mantra

Chauvisi-II Navkar Mantra

Navkar Mantra

Large Ashtapad With related stories

Bench

Bench Large Ashtapad With related stories

Navkar Mantra

D11

EXIT

Gallery Below

EXIT

Gallery Below

D11

LS 2 2.0Tn Through-type

Bench

D11 12

Floor Landing +10.3m

Third Landing +8.58m

D11 12

Fifth Landing +10.09m

Fourth Landing +9.33m

Third Landing +8.58m

Standing Tirthankar

Vis Viharmans -II

16 17

Vis Viharmans -2

FF 3

18 19 20

D11

Large Ashtapad With related stories

FF 3

Lobby 20 sq m +10.725 m

17 18 19

Floor Landing +10.3m

Standing Tirthankar

LS 2 H7 2.0Tn Through-type

Lobby FIRE ESCAPE 15.85 sq m STAIRCASE 3

H7 SA

Fifth Landing +10.09m

Fourth Landing +9.33m

Lobby 20 sq m +10.725 m

D11

Lobby FIRE ESCAPE 15.85 sq m STAIRCASE 3

Chauvisi -II

Bench

Samavsaran

Chaumukhis

EXIT

Gallery Below

D11

CHILLED WATER PIPES

Chaumukhis

Deities

LS 2 2.0Tn Through-type

Lobby FIRE ESCAPE 15.85 sq m STAIRCASE 3

Navgraha

Deities & Special idols

Parshwanath Navgraha

D11 12

Floor Landing +10.3m

Third Landing +8.58m

Parshwanath

Standing Tirthankar

Vis Viharmans -II

FF 3

Munisuvrat

GALLERY 7 1100 sq m

GALLERY 7 1100 sq m +10.725 m

+10.725 m

Lobby 20 sq m +10.725 m

Munisuvrat

Vis Viharmans -I

Chauvisi -II

Vis Viharmans -I

MID LANDING 2 (+9.17 M)

9 8

ELV

7 6

ELV 2

ELE 2

FLIGHT 1

1600

DB + ELE

22 8

ELV

7 6

24 25

FIRE ESCAPE STAIRCASE 4

Jeenalaya

ENTRANCE

Jeenalaya

Ashtapad

FIRE EXIT

GALLERY 6 231.2 sq m

Charan

Navkar Mantra

Navkar Mantra Bench

Bench Large Ashtapad With related stories

Large Ashtapad With related stories

EXIT

Gallery Below

Floor Landing +10.3m

Standing Tirthankar

D11

Fourth Landing +9.33m

28 27

Lobby 20 sq m +10.725 m

FF 3

Fourth Landing +9.33m

Third Landing +8.58m

Standing Tirthankar

Vis Viharmans -II 16 17

FF 3

18 19

Fifth Landing +10.09m

Chauvisi -II

Fourth Landing +9.33m

Lobby 20 sq m +10.725 m

Chauvisi -II

Bench

Samavsaran

Chaumukhis

Special Idols & Deities

Lobby 20 sq m +10.725 m

Bench

Navgraha

19 20

Fifth Landing +10.09m

Chauvisi -II

Floor Landing +10.3m

Standing Tirthankar

Vis Viharmans -II 16 17

Navgraha Navgraha

Deities & Special idols

Third Landing +8.58m

Fifth Landing +10.09m

FF 3

D11

29 27 26

17 18 19

Vis Viharmans -II

Third Landing +8.58m

D11

LS 2 H7 2.0Tn Through-type

Lobby FIRE ESCAPE 15.85 sq m STAIRCASE 3

D11 12

Gallery Below

D11

LS 2 H7 2.0Tn Through-type

Lobby FIRE ESCAPE 15.85 sq m STAIRCASE 3

EXIT

Gallery Below

D11

LS 2 2.0Tn Through-type

D11

Floor Landing +10.3m

D11

EXIT D11

Lobby FIRE ESCAPE 15.85 sq m STAIRCASE 3

PLAN 1:200

Navkar Mantra

Chaumukhis

Gallery Below Hrim

+10.725 m

Past Chauvisi

Bench

Past Chauvisi

Future Chauvisi

Charan

GALLERY 6 231.2 sq m

Gallery Below

Present Chauvisi

Hrim

+10.725 m

FF 4

Present Chauvisi

Future Chauvisi

Samavsaran

D11

FLOOR LANDING (+10.625 m)

5 Tirthankars

Gem stones

Lobby (7 sq m) +10.725 m

D11

FIRE EXIT

UP FF 4

Cutout in Ceiling

ENTRANCE

Lobby (7 sq m) +10.725 m

Bench

Gem stones

Ashtapad

5 Tirthankars

ELE 2

Special Idols ELV 2

Fourth Landing +9.33m

FLIGHT 1

FLIGHT 3

1600

DB + ELE

D11

19 20

Fifth Landing +10.09m

Navgraha

Deities Parshwanath

Parshwanath

Munisuvrat

Parshwanath

Munisuvrat

GALLERY 7 1100 sq m

GALLERY 7 1100 sq m +10.725 m

+10.725 m

Vis Viharmans -I

Ashtapad

9 8

ELV

7 6

ELE 2

ELV 2

FF 4

FLOOR LANDING (+10.625 m)

FIRE ESCAPE STAIRCASE 4

Future Chauvisi GALLERY 6 231.2 sq m

Present Chauvisi Charan

Present Chauvisi

Charan

Gallery Below

Hrim

+10.725 m

Future Chauvisi

ENTRANCE

Jeenalaya

Ashtapad

Cutout in Ceiling

Jeenalaya Jeenalaya

FF 4

FLOOR LANDING (+10.625 m)

FIRE ESCAPE STAIRCASE 4

Present Chauvisi

Past Chauvisi

Future Chauvisi

Charan

Gallery Below

Gallery Below Hrim

Hrim

Past Chauvisi

D11

FIRE EXIT

Lobby (7 sq m) +10.725 m

D11

FIRE EXIT

ENTRANCE

5 Tirthankars

Gem stones

FF 4

FIRE ESCAPE STAIRCASE 4

5 Tirthankars

DN FLOOR LANDING (+10.625 m)

Lobby (7 sq m) +10.725 m

D11

FIRE EXIT

Gem stones

ENTRANCE

Lobby (7 sq m) +10.725 m

Gem stones

Ashtapad

+10.725 m

5 Tirthankars

FLIGHT 1

1600

9 8

ELV

7 6

ELE 2

ELV 2

FLIGHT 1

1600

DB + ELE

21 9

22 8

ELV

7 6

24 25

MID LANDING 2 (+9.17 M)

ELE 2

ELV 2

FLIGHT 1

FLIGHT 3

1600

DB + ELE

Special Idols

GALLERY 7 1100 sq m

DB + ELE

MID LANDING 2 (+9.17 M)

Munisuvrat

PLAN 1:200

PLAN (1:200)

Navkar Mantra

Vis Viharmans -I

Navkar Mantra

Bench

MID LANDING 2 (+9.17 M)

Bench

Large Ashtapad With related stories

EXIT

Gallery Below

D11

Gallery Below

9 8

LS 2 2.0Tn Through-type

Lobby FIRE ESCAPE 15.85 sq m STAIRCASE 3

D11

FLIGHT 1

D11 14

Third Landing +8.58m

Fourth Landing +9.33m

Vis Viharmans -II Standing Tirthankar

16 17

Chauvisi -II

FF 3

18 19

Lobby 20 sq m +10.725 m

Third Landing +8.58m

29 26

Fifth Landing +10.09m

Fourth Landing +9.33m

Lobby 20 sq m +10.725 m

Chauvisi -II

Ashtapad

D11

FIRE EXIT

Lobby (7 sq m) +10.725 m

Gem stones

5 Tirthankars

Fifth Landing +10.09m

FF 3

Floor Landing +10.3m

Standing Tirthankar

Vis Viharmans -II 16

D11

Floor Landing +10.3m

D11

ELV

7 6

ELV 2

ELE 2

1600

DB + ELE

D11

LS 2 2.0Tn Through-type

Lobby FIRE ESCAPE 15.85 sq m STAIRCASE 3

ENTRANCE

FF 4

Bench

FLOOR LANDING (+10.625 m)

Bench

Samavsaran

FIRE ESCAPE STAIRCASE 4

Samavsaran

Chaumukhis

Deities

Jeenalaya Cutout in Ceiling

Navgraha

Deities

Parshwanath

Munisuvrat

Present Chauvisi

Parshwanath

Munisuvrat

GALLERY 7 1100 sq m

+10.725 m

Vis Viharmans -I

MID LANDING 2 (+9.17 M)

21 22

ELV

7 6

Cutout in Ceiling

Present Chauvisi Charan

Future Chauvisi

UP D11

D11

ENTRANCE

FIRE EXIT

Lobby (7 sq m) +10.725 m

Ashtapad

FIRE ESCAPE STAIRCASE 4

5 Tirthankars

DN FLOOR LANDING (+10.625 m)

Gem stones

D11

Lobby (7 sq m) +10.725 m

UP FF 4

Jeenalaya

GALLERY 6 231.2 sq m

+10.725 m

FIRE EXIT

Cutout in Ceiling

ENTRANCE

Hrim

5 Tirthankars

Gem stones

ELE 2

ELV 2

FLIGHT 1

1600

FLIGHT 3

22 23 24 25

FLIGHT 3

DB + ELE

9 8

ELV

7 6

ELE 2

ELV 2

FLIGHT 1

1600

Special Idols

Gallery Below Ashtapad

+10.725 m

MID LANDING 2 (+9.17 M)

DB + ELE

Special Idols

Past Chauvisi

Future Chauvisi

Charan

GALLERY 6 231.2 sq m

DN FLOOR LANDING (+10.625 m)

FF 4

FIRE ESCAPE STAIRCASE 4

Jeenalaya

Future Chauvisi

Past Chauvisi GALLERY 6 231.2 sq m

Gallery Below Hrim

+10.725 m

PLAN (1:200)

Present Chauvisi

Charan

Gallery Below

Hrim

Past Chauvisi

PLAN (1:200)

PLAN 1:200

exhibition design

// koba jain museum

gallery

layout

exhibition design

// koba jain museum

gallery

y views

SJK ARCHITECTS 2019 //

SAR OVAR BODHG AYA Typology : Hotel Location : Bodhgaya Area : 70,000 sq.ft. Phase : Ongoing Involvement : GFCs, Design

Bodhgaya is perhaps one of the holiest and oldest sites

2.2

for Buddhist pilgrims.

of pilgrimage for the Buddhist world. This context as well

Working on this project I was responsible for the

as the skills and materials relevant to the area informed

production of the interior design GFC drawings for the

the design for this hotel, which makes extensive use of

Residential and Public block . The Drawings ranged

brick – a cottage industry that has remained active in

from guest rooms, restrooms, public spaces design and

the area over the last 2000 years. The vocabulary of the

drawings for lights and furniture . I also had a chance to

building, using the craftsmanship of brick vaults, pillars

give my inputs for the design of the banquet and produce

and architraves also attempts to convey the emotions that

3D Models and Renders for the same. I was part of the

most embody the Buddhist practice – wisdom, courage,

design meetings with the client as well. Another major

compassion, forbearance and perseverance.

aspect was coordination with the Fabric and Rug vendors;

Spread over 4.5 acres, the courtyards and water-bodies

which involved procuring the catalogues for the office,

as well as the sloping roofscapes create the conditions for

selection of fabrics and colours and conveying the same

an ecologically sustainable and highly contextual resort

back to the vendor.

* Render done by office

gfc drawings and interior design

// sarovar bodhgaya

suite & library elevations

DETAIL B

1400

DETAIL C

450

banquet elevations

niche design-banquet

DETAIL A

424

ELEVATION AA

424

334

25 20

334

DETAIL B

195

1554

1464

DETAIL B

450

1400

DETAIL C

DETAIL A

270

260

ELEVATION AA

DETAIL C (1:10)

SHEET SIZE: A3

REV NO: R0 DATE OF REVISION:

50 PMC: PMC:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

CLIENT: CLIENT:

SAROVAR BODHGAYA MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

VERANDAH

PLAN (1:200)

NOTES:

PROJECT:

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

PURPOSE: FOR MOCK UP

1. All Dimensions Are In MILLIMETERS Unless Otherwise Specified 2. All Dimensions Specified Are UnFinished Dimensions, Unless Otherwise Specified. 3. All Structural Dimensions Shall Be Confirmed As Per Consultants' Drawings. 4. Any Discrepancies In the Drawings Shall Be Brought To The Notice Of The Architect,Prior to Execution. 5. DO NOT SCALE Drawing

TITLE: BANQUET LINE WORK

DRAWING NO:

SCALE: AS SPECIFIED

DATE OF DRAW

REV NO: R0 DATE OF REVISION:

SHEET SIZE: A3

PURPOSE: FOR

5mm-copper strip

35 25

20 20

25 20

ARCHITECT: ARCHITECT:

DATE OF DRAWING: 22/02/2019

DETAIL A (1:5)

195

SCALE: AS SPECIFIED

ELEVATION AA

BANQUET

5mm-copper strip

DRAWING NO:

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

TITLE: BANQUET LINE WORK

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

VERANDAH

PLAN (1:200)

NOTES:

PROJECT:

260

CLIENT: CLIENT:

BANQUET

5mm-copper strip

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PMC: PMC:

DETAIL A (1:5)

1400

20 20 35 25 ARCHITECT: ARCHITECT:

ELEVATION AA

25 20

1554

PRE FUNCTION

35 20 20 25 1464

DETAIL C (1:10) DETAIL C (1:5)

PRE FUNCTION

270

260

DETAIL C

DETAIL C DETAIL A (1:5)

450

195

25 20

260

270

DETAIL C (1:10) DETAIL C (1:5)

PRE FUNCTION

ARCHITECT: ARCHITECT:

PMC: PMC:

niche design - residential block A

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PROJECT:

SAROVAR BODHGAYA

MASTERS PMC

109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

NOTES:

35 25

20 20

DETAIL A (1:5)

CLIENT: CLIENT:

5mm-copper strip

BANQUET

VERANDAH

DRAWING NO:

SCALE: AS SPECIFIED

DATE OF DRAWING: 22/02/2019

PLAN (1:200) TITLE: BANQUET LINE WORK

REV NO: R0 DATE OF REVISION:

20mm deep niche A

Backing coat plaster with Birla Putty.

155 225 NICHE A DETAIL (1:5)

75 mm high skirting in Moon Crema Marble

155

15 30

Niche profile in plaster, edges and surfaces levelled with Birla putty as a base preparation to take paint

Internal backing coat plaster, with 1.5 mm thk Birla Putty to take Asian Paints Apex Emulsion

Levelled wall surface finished in Asian Paints Apex Emulsion

155

Internal backing coat plaster, with 1.5 mm thk Birla Putty to take Asian Paints Apex Emulsion

30 Levelled wall surface finished in Asian Paints Apex Emulsion

PLAN AA (1:5)

DRAWING NO: ID-RB-DET-02 DATE OF DRAWING: 25-10-2018 PURPOSE: GFC

TITLE: CORRIDOR NICHE - B

SCALE: 1:5 SHEET SIZE: A4 SAROVAR BODHGAYA REV NO: DATE OF REVISION: This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned. 302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

MASTERS PMC New Udyog Mandir No. 2, Unit No. 7 , Kamanwala Chambers, Mogal Lane, Mahim (West) Mumbai 400 016 TEL.NO.: +91 22 6456 7600 Email: sujata.gupte@masterspmc.com Website: www.masterspmc.com

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

CLIENT:

PROJECT:

TITLE: CORRIDOR NICHE - A

DATE OF DRAWING: 05-02-2019 SCALE: 1:5 SHEET SIZE: A4 SAROVAR BODHGAYA REV NO: PURPOSE: GFC DATE OF REVISION: This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned. 302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

MASTERS PMC New Udyog Mandir No. 2, Unit No. 7 , Kamanwala Chambers, Mogal Lane, Mahim (West) Mumbai 400 016 TEL.NO.: +91 22 6456 7600 Email: sujata.gupte@masterspmc.com Website: www.masterspmc.com

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

54 65

LOUNGE

GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 4.PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to item execution. 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect as for approval & sign offs, prior to its execution & installation. 6.Each drawing shall be referred for its respective purpose only. 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drgs. 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 10.Do not Scale this drawing.

Levelled Wall surface finished in approved shade of Asian Paints Apex Emulsion (Lobby).

LOBBY

RECEPTION

200

SECTION- 1:10

10mm thk internal plaster 20mm thk internal plaster 200 mm thk AAC blockwork

RECEPTION

268 376 400

Niche cast in RCC, plastered in internal sand faced smooth finish plaster, levelled with Birla Putty to achieve finished size as shown, to take approved paint from Asian Paints Royale Luxury Emulsion LED light detail as per KSA's specification

KEY PLAN- 1:200

PLAN- 1:10

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PMC:

CLIENT:

109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

PROJECT:

REVISIONS:

SAROVAR BODHGAYA

MASTERS PMC MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

TITLE: LOUNGE NICHE DETAIL SCALE: AS SPECIFIED REV NO: DATE OF REVISION:

SHEET SIZE: A3

DRAWING NO: ID-PB-N-DET-02 DATE OF DRAWING: 08/02/2019 PURPOSE: GFC

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

DRAWING NO: ID-RB-DET-02 DATE OF DRAWING: 25-10-2018 PURPOSE: GFC

ELEVATION- 1:10

PART ELEVATION- 1:20

ARCHITECT:

GENERAL NOTES: GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days3.Both of PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOODisFOR clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. CONSRUCTION'. 4.PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or 4.PMC design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to design item execution. item execution. 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect for 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect for approval & sign offs, prior to its installation. approval & sign offs, prior to its installation. 6.Each drawing shall be referred for its respective purpose only. 6.Each drawing shall be referred for its respective purpose only. 7.For all structural member size & details,refer structural consultants drgs. 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drawings 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drawings 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 10.Do not Scale this drawing. 10.Do not Scale this drawing. PMC: ARCHITECT: DRAWING NO: ID-RB-DET-03

60 FFL +0 mm

200

NICHE B DETAIL (1:5)

PLAN AA (1:5)

PROJECT:

10mm thk internal smooth finish sandfaced plaster, levelled in Birla putty, finished in approved shade and texture of Asian Paints Royale Luxury Emulsion

125

225

195

30 15

CLIENT:

Niche cast in RCC, plastered in internal sand faced smooth finish plaster, levelled with Birla Putty to achieve finished size as shown, to take approved paint from Asian Paints Royale Luxury Emulsion

Niche -PW3D

1225

Niche profile in plaster, edges and surfaces levelled with Birla putty as a base preparation to take paint

PMC:

Niche cast in RCC, plastered in internal sand faced smooth finish plaster, levelled with Birla Putty to achieve finished size as shown, to take approved paint from Asian Paints Royale Luxury Emulsion

35 30

30 15 30

ARCHITECT:

144 Niche finished in levelled POP to take approved shade of Asian Paints Royale Luxury Emulsion

Backing coat plaster with Birla Putty.

20mm thk internal plaster, with recess as a provision for light fixture

60 65

1510

Levelled wall surface to take approved shade of Asian Paints Royale Luxury Emulsion

1510

430

325

356

1178

LED Light detail as per KSA's specifications LED light detail as per KSA's specifications

Levelled plastered wall surface, edges and surfaces levelled with putty as a base preparation to take paint

20mm deep niche

PURPOSE: FOR MOCK UP

340

490

Levelled plastered wall surface, edges and surfaces levelled with putty as a base preparation to take paint

SHEET SIZE: A3

1510

105

hall Be Confirmed As Per Consultants' Drawings. awings Shall Be Brought ,Prior to Execution.

1360

METERS Unless Otherwise Specified UnFinished Dimensions,

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

Center of Diwan

Aluminium fixed window fitted on PCC threshold

Center of TV

Center of the wall

Mirror with Wooden Frame (ID-RB-LF-MR)

SHOWER +100.63 m

BATHTUB

Symbol

ST3

CORRIDOR +100.65 FFL

E F

n -iv

m -iv

SAROVAR BODHGAYA

MASTERS PMC

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

(ID-RB-S-LF-02)

Side table

(ID-RB-S-LF-01)

Double Bed Matress size : 78" x 78"

(ID-RB-DR-LF-D1)

Study chair

(ID-RB-S-LF- 01)

Diwan

(ID-RB-S-LF-01)

ST2

Under counter storage for basin

ST3

Side console- Minibar + Tea/ coffee Kettle stand

SCALE: VARIES

h -iv

(ID-RB-S-LF-ST3)

ARCHITECT:

DRAWING NO: ID-RB-S-PLN-01

SHEET SIZE: A3

CORRIDOR +100.65 FFL

j -iv k -iv l -iv

i -iv

PMC:

CLIENT:

PURPOSE: GFC

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

n -iv

h -iv

j -iv k -iv l -iv

ARCHITECT:

PMC:

CLIENT:

SAROVAR BODHGAYA

MASTERS PMC

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

NOTES:

PROJECT:

109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

DETAIL -D- 1:25

480

480 1080

e.q. e.q.

SB4A

Bedside table to be located as per furniture line-out plan

aligned to the centre of the T.V

150

65 D2

ST2

65 SB08B

SB08

2545 aligned to centre of the counter

SB16B SB16C

75 SB09

435 SB02

aligned to edge of the counter

h -iv

j -iv k -iv l -iv

i -iv

GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 4.PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to item execution. 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect for approval & sign offs, prior to its installation. 6.Each drawing shall be referred for its respective purpose only. 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drawings 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 10.Do not Scale this drawing. ARCHITECT:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PMC:

CLIENT:

PROJECT:

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

NOTES:

REVISIONS:

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

CORRIDOR +100.65 FFL

SB01 aligned to centre of nicherefer elevation

m -iv

200 1245

Levelled POP False Ceiling. F.C. bottom at 2450mm from FFL

1905

ST1

RC1

Recessed Ceiling Downlight (above the coffee table)

RC2

Recessed Ceiling Downlight(shower area)

RC3

Recessed Ceiling Downlight (toilet)

1515

600

ST1

1500

Center of the wall

POWDER ROOM

Floor lamp

RB3

Recessed Built in Under Basin Counter

SW4

Surface wall mounted decorative fixture (Bedside lamp)

SW5

Surface wall mounted decorative fixture (Bathroom Mirror)

400

RC1

RC1 D1

RC6

Recessed Ceiling Non-dimmable Downlight

RB2

Recessed Built in Wardrobe light

CORRIDOR +100.65 FFL

j -iv k -iv l -iv

Table lamp

SF1

1060 300 300

SW5 RC3 SW5 RB3

Align to Center of Luggage Rack

ST1

Align to centre line of WB

MEP FIXTURES LEGEND Pendant type Sprinkler

n -iv

m -iv

Side wall Sprinkler

Fresh Air Inlet Return Air Grill Exhaust Grill IP CCTV Camera Indoor Dome Type

Smoke Detector with Sounder Base

Smoke Detector

PMC:

CLIENT:

PROJECT:

PURPOSE: GFC

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

NOTES:

REVISIONS:

TITLE:

Speaker

REFELCTED CEILING PLAN

SCALE: VARIES

SHEET SIZE: A3

REV NO: R1 DATE OF REVISION: 15/02/2019

"drawing" is theand copyright of be SJK Architects and shallother not be used forfor any purpose that for which it has been loaned. This "drawing" is the copyright This of SJK Architects shall not used for any purpose than that which it has other been than loaned.

Typology

Room entrance

970 mm

Bell/ DND / MMR

Vestibule

875mm

2-way switch, key card, DND, MMR

SB03

Above side tableVestibule side Above side tablewindow side

100mm

6 Amp switch - 1nos, USB1nos, 6/16 Amp switch socket- 1 nos.

575mm

6 Amp switch socket-1nos, USB,Two way switch

240mm

Telephonepoint, WIFI

SB4A

Below side tablewindow side

SB05

Near T.V.-window side

100mm

6 A universal switch socket

T.V. panel

1219 mm

6 Amp socket- 3 nos, 6Amp switch conduit for T.V. - 1nos,

T.V. wallNext to the door

1200mm

2 Way switch-2 nos.

SB07

SB08

Powder room

1200 mm

6 Amp switch

SB08A

Adjacent to W.C

868 mm

Telephone point

SB8B

Powder room-Above wash basin counter

900 mm

Hard wired hole for shaver cum hair dryer

SB09

SB09A

side consolerestroom side

875 mm

Side consoleRestroom side

685 mm

SB10

Bedroom entry

825 mm

SB11

Bedroom T.V.

Control Push bell/ DND/ MMR RC1,RC4

Module size Colour and finish of SB

n -iv

Wardrobe and luggage rack(W2)

Sofa (S1)

Bedside Table(T1) +100.65 M FFL 75 mm high TW. Skirting

75 mm high TW. Skirting (3"x3")2M

RC1, RC4

SW5, RC3

ELEVATION-AA

White colour

Bottom of F.C. at 3100mm from FFL Concealed pelmet with curtain track

Feature window with double openable shutters Levelled wall surface finished in Asian Paints Royale Luxury Emulsion as per approved shade Aluminium fixed window fitted on stepdown cill Exposed brick wall

Tea kettle

6/16 Amp

Minibar

6/16 Amp

RC4, RC5, RC6

2 way switch- 1nos.

3M 3M

Study Table(T4)

Black colour

1219 mm

SB12

Bedroom T.V. Window side

825 mm

USB, 6/16 Amp switch and socket-1nos, 2Way switch-1nos

RC1

SB13

Bedroom T.V. Wall window side

100 mm

6Amp universal only socket-1 nos

SF1

RC4, RC5, RC6, SF1

3M + 4M

SB14

Bedside(window)

675 mm

6 Amp universal switch, USB, 2 Way switch- 2nos.

Under the side table

240 mm

Telephone and WIFI combo unit- 1nos

675 mm

6 Amp universal switch, USB, 2 Way switch- 2nos, 6 Amp switch- 1nos.

Bedside (restroom)

1200mm

6 Amp switch- 1 nos.

RC3, SW5

Inside the restroom

950 mm

6 Amp switch- 1 nos.

RC2,RC3

Behind W.C

868 mm

Hard wired hole for telephone

900mm

Hard wired hole for shaver cum hair dryer

Above basin counter

TITLE: SWITCHBOARD LAYOUT SCALE: VARIES

SHEET SIZE: A3

REV NO: R1 DATE OF REVISION: 15/02/2019

RC1, SF1

75 mm high TW. Skirting

GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 4.PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to item execution. 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect for approval & sign offs, prior to its installation. 6.Each drawing shall be referred for its respective purpose only. 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drawings 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 10.Do not Scale this drawing.

3M + 4M

DRAWING NO: ID-RB-ST-PLN-06 DRAWING NO:

ARCHITECT:

PMC:

CLIENT:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

PROJECT:

SAROVAR BODHGAYA

DATE OF DRAWING: 11/02/2019 PURPOSE: GFC

Bottom of F.C. at 3100 mm from FFL POP False Ceiling finished in Asian Paints Royale luxury emulsion - As per approved shade Concealed pelmet with curtain track Aluminium fixed window on stepdown cill Exposed brick wall Levelled wall surface finished in Asian Paints Royale Luxury Emulsion as per approved shade Feature window with double openable shutters Dining Table(T2a) Dining chairs (C2) Diwan (S2) Coffee table (T3) Sofa (S1) +100.65 M FFL

ELEVATION-BB

White colour (3"x3")2M

Outside the restroom

SB16C

SB4A

75 mm high TW. Skirting

SB16

SB16B

45mm thk Fabric headboard fitted on levelled wall surface +100.65 M FFL

SB15

SB16A

SB4

Double bed (D1)

6 Amp socket 0 3nos,6 Amp switch conduit fir T.V. -1 nos.

SB14A

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which

45mm thk Fabric headboard fitted on levelled wall surface Double Bed (D1)

+100.65 M FFL

PURPOSE: GFC

Proposed Artwork

SB09

SB02

Coffee table (T3)

4M+3M

RC1

ARCHITECT:

DATE OF DRAWING: 11/02/2019

Levelled wall surface finished in Asian Paints Royale Luxury Emulsion as per approved shade Exposed brick wall

D2 SB16

Side console- minibar+ tea/ coffee kettle stand- ST3 Armchair (C3)

DRAWING NO: ID-RB-S-PLN-04

POP False Ceiling finished in Asian Paints Royale luxury emulsion - As per approved shade

Mirror with Wooden Frame

2M + 3M

Wi-Fi

Bottom of F.C. at 3100mm from FFL

Dining chair(C3)

SB09A

110

Height -B.O.P (Bottom Of Plate)

SB02

SB08A

3160

D3A

DRAWING NO:

SB03

aligned to centre of the side table

SB16

SB16A 150

Location

SB01

SB04

SB07

ARCHITECT:

DATE OF DRAWING: 11/02/2019 302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

Supply Air Grill (refer to main door elevation drawing)

Proposed Artwork

SB11

50 e.q. e.q.

SB15

SHEET SIZE: A3

ARCHITECT:

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which

Bottom of F.C. at 3100mm from FFL

SB04

SB12 SB06

DRAWING NO:

DRAWING NO: ID-RB-S-PLN-03

2400 x 610 mm

PURPOSE: GFC

Levelled wall surface finished in Asian Paints Royale Luxury Emulsion - as per approved shade

SB05

SB10

RC3 360 400

455

Align to centre of WC

Jodhpur sand tile dado

aligned to centre of the side table e.q. e.q.

SB14

545

SHOWER

RB3

i -iv

2350 x 550 mm

DATE OF DRAWING: 11/02/2019

FALSE CEILING LEGEND

SUITE +100.65 FFL

h -iv

SHEET SIZE: A3

GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 4.PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to item execution. 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect for approval & sign offs, prior to its installation. 6.Each drawing shall be referred for its respective purpose only. 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drawings 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 10.Do not Scale this drawing.

n -iv

m -iv

No.

aligned to the edge of table

SW5

Align to centre of WC

RC2

RC3

460 RC3

2320 x 575 mm

DRAWING NO: ID-RB-S-PLN-02

WI-FI

REV NO: R1 DATE OF REVISION: 15/02/2019

SB13

565 SW5

Flooring in Moon Crema Marble

SCALE: VARIES

aligned to the centre of theT.V

Align

TITLE: FLOORING LAYOUT

SB14A

565

RC3

SECTION EE'

REVISIONS:

SW5

Threshold in Moon Crema marble

j -iv k -iv l -iv

i -iv

DETAIL -C- 1:15

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

h -iv

505

15 mm wide champagne anodized T-Profile Powder room

Moon Crema marble flooring laid to slope towards respective Nahani trap

1500

D3A

Levelled wall surface in POP and paint Levelled wall surface in POP and paint

Guestroom

Shower cubicle from Kohler- Singulier1D1P-S

GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 4.PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to item execution. 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect for approval & sign offs, prior to its installation. 6.Each drawing shall be referred for its respective purpose only. 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drawings 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 10.Do not Scale this drawing.

RC2

Classic Oak Limewashed laminate flooring

Align

SHOWER AREA

DRY AREA

Align to centre line of WB

Band in Moon Crema. (Refer to dwgID-RB-CR-PLN-02)

RC4

RC5

TOILET

460

Detail for drop down seal & T profile awaited from Interex.

n -iv

m -iv

FLOORING LAYOUT 1:50

DRAWING NO:

DETAIL -B- 1:15

FURNITURE LINE-OUT

1200

i -iv

DETAIL B

CORRIDOR +100.65 FFL

425

Side console- Minibar + Tea/ coffee Kettle stand Wardrobe, Luggage rack

Align to center of Coffee Table Center of the mirror

275

290 140

330

h -iv

BATHTUB

TW Door frame

75 mm high protruding stone skirting

Corridor

721

750

Drain for the bathtub

D3A

TW Door frame

DETAIL C

POWDER ROOM +100.63 m

RB2

SHOWER +100.63 m

690 x 1500 mm

Under counter storage for basin

190

DETAIL D

465

24 Size

Starting Point

Slope in marble

Diwan

F.C. bottom at 2615mm from FFL

940

Starting Point

TOILET

Bathtub to be placed here

RC4 1500

2300 x 745 mm

Levelled POP False Ceiling. F.C. bottom at 3100mm from FFL

Align to center of Center Table

1565 330 600

1500

305

Guestroom

RC6

SW4

1000 mm dia

Sofa

LIGHTING FIXTURES LEGEND

RC1

2290

340

16-20 mm

Levelled wall surface in POP and paint 15 mm wide champagne anodized T-Profile

Starting Point

610 x 445 mm

F.C finished in veneer and french polish on ply substrate.

RC1

RW1 Align to the center of the bedside table

DETAIL A

Center of the table Center of the wall

Center of the artwork

Classic Oak Limewashed laminate flooring

800 x 745 mm

Pouffe

RC1

480

DETAIL -A- 1:15 SUITE +100.65 FFL ALIGN to face of skirting

300 300

Jodhpur sand tile dado

600

500 x550 mm

Armchair

Dining table

330

Bedside table to be located as per furniture line-out plan

ALIGN to face of skirting

Starting Point

Guest bath

78" x 78"

Study chair

n -iv

m -iv

SF1

SW4

Levelled wall surface in POP and paint Levelled wall surface in POP and paint 15 mm wide champagne anodized T-Profile Align

RW1

Double Bed

350 195

Guestroom

Align to the center of the bedside table

460 x 460 mm

3230

200

Classic Oak Limewashed laminate flooring

500mm dia

ST3

j -iv k -iv l -iv

1200 x 510 mm

Side table

ST2

SCALE: VARIES

i -iv

1220 x 610 mm

Study table

REV NO: R1 DATE OF REVISION: 15/02/2019

580

Coffee table

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

Bed side table

TITLE:

Size

Title

T2a

REVISIONS:

SAROVAR BODHGAYA

NOTES:

PROJECT:

3230 W1

n -iv

m -iv

GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 4.PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to item execution. 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect for approval & sign offs, prior to its installation. 6.Each drawing shall be referred for its respective purpose only. 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drawings 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 10.Do not Scale this drawing.

Wardrobe, Luggage rack (ID-RB-S-LF-W2,L1)

REV NO: R1 DATE OF REVISION: 15/02/2019

m -iv

(ID-RB-S-LF-01) (ID-RB-S-LF-02)

Sofa

TITLE: FURNITURE LAYOUT

Symbol

D3A

(ID-RB-S-LF-02)

Pouffe Dining table

ST3

(ID-RB-S-LF-02)

Armchair

REVISIONS:

j -iv k -iv l -iv

i -iv

(ID-PB-S-LF- 01)

Study table

T2a

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

h -iv

(ID-RB-LF-T1)

Coffee table

GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 4.PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to item execution. 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect for approval & sign offs, prior to its installation. 6.Each drawing shall be referred for its respective purpose only. 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drawings 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 10.Do not Scale this drawing. NOTES:

Drawing No.

Bed side table

575

j -iv k -iv l -iv

i -iv

ST2

Title

240

ST2

PROJECT:

525

POWDER ROOM +100.63 m

align

POWDER ROOM +100.63 m

SERVICE DUCT

D3A

CLIENT:

T5 1090

320

SHOWER +100.63 m

PMC:

D2 TOILET

GUEST BATHROOM

h -iv

Center of Exposed Brick Wall

align

BATHTUB

SUITE +100.65 FFL

Align Mirror to center of wall

760

Center of Coffee Table

SUITE +100.65 FFL

1565 align

Area Rug

C2 T2a

Centre of TV

100

P1 Center of the wall

505

T2a

42'' LCD Wall Mount At The Centre of The Beds

Area Rug

550

26 Window- double openable shutters (ID-RB-DW-DET-D03)

Extent of Exposed Brick Wall

1400

Center of Sofa

Aluminium fixed window fitted on a PCC threshold

n -iv

m -iv

1245

j -iv k -iv l -iv

i -iv

F W1

SB06

h -iv

n -iv

m -iv

26 Window- double openable shutters (ID-RB-DW-DET-03)

ARCHITECT:

gfc drawings and interior design

j -iv k -iv l -iv

i -iv C W2

320

h -iv

78"

// sarovar bodhgaya

gfc’s - resid

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

NOTES:

REVISIONS:

This "drawing" is the copyright This of SJK Architects shall not used for any purpose than that which it hasother been than loaned. "drawing" is theand copyright of be SJK Architects and shallother not be used forfor any purpose that for which it has been loaned.

TITLE: ELEVATIONS AA, BB- SUITE SCALE: 1: 50 REV NO: R1 DATE OF REVISION:

SHEET SIZE: A3

DRAWING NO: ID-RB-S-ELV-01 DATE OF DRAWING: 25/01/2019 PURPOSE: GFC

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

dential block Bottom of F.C. at 3100mm from FFL

Concealed pelmet with curtain track

FINISHES

Levelled wall surface finished in Asian Paints Royale Luxury Emulsion as per approved shade

Exposed Brick wall

TV Proposed artwork

Odeon 8752- IN- S-0 CCR-WFMTP-100

Health Faucet Water Closet (White)

Deco12927IN-CP Odeon 8752- IN- S-0

BT HF

Bottle TrapFaucet Health

7314IN-CP Deco- 12927IN-CP

Thermostatic Mixer with Bottle Trap spout and arm Thermostatic Overhead showerMixer with with spout and arm Rubit cleaning System Overhead shower with Hand Shower Rubit cleaning System

SB06

SB07

HS OS

75 mm high TW. Skirting

1219

1200

100

ELEVATION-EE

ELEVATION-CC

7314IN-CP 8821IN-CP 8821IN-CP 16351IN-CP 16351IN-CP 98445IN-CP

Kohler

5632IN-CP Purist-K-14443-CP Purist-K-14443-CP 10386IN-CP

LF AC

Angle Cock Lavatory Faucet

80154IN-4-CP 29928IN-4ND-CP

Lavatory Faucet Flush Valve

29928IN-4ND-CP FLC-CHR-1085

Jaquar

Flush Grab bar Valve

FLC-CHR-1085 K-10701D-CP

Jaquar Kohler

Grab bar

K-10701D-CP

Kohler

GB FV

SAROVAR BODHGAYA

MASTERS PMC MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

LF LF

150 150

eq. eq. H

A A

POWDER ROOM POWDER ROOM

855 855

565 565

2262-REM(chk) 2262-REM(chk)

900 900

910-clear shower width 910-clear shower width

100 100

ELEVATION-FF 150

D3 D3

4990-approx 4990-approx

1595-approx 1595-approx

SB3 Skirting

200

1 2 +100.65m FFL +100.65m FFL SUITELIVING ROOM SUITE- LIVING ROOM

HF HF

116* 116*

M S M S

150 150

LF S

HS HS

HF HF

200 200

575(finished) (finished) 575

S M

100 100

NT NT

1540-approx 1540-approx eq. eq.

1540-approx

116* 116*

WC WC

PNH PNH

D2a D2a +100.63 m FFL +100.63 m FFL

WB WB

PNH

575 (finished) 575 (finished)

600600

400 400

200

100

DETAIL A

GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 4.PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to item execution. 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect for approval & sign offs, prior to its installation. 6.Each drawing shall be referred for its respective purpose only. 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drawings 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 10.Do not Scale this drawing. NOTES:

+100.62 m FFL +100.62 m FFL

A GB

SB3

75 mm high TW. Skirting

ELEVATION-DD

Coffee table (T3)

710

825

Diwan ( S2)

Floor slope Floor slope

SUITE RESTROOM SUITE RESTROOM

710

1219

Sofa (S1)

+100.65 M FFL

PROJECT:

1540-approx

Armchair (C3)

825

SB13

200

SB10

100

Pouffe (P1)

D2 D2m FFL +100.63 +100.63 m FFL

600 600

Proposed Artwork

SB12

+100.65 M FFL

109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

F F

Exposed Brick Wall

75 mm high TW. Skirting

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

150mm thk ledge wall

PNH

Side console- Minibar + tea/ coffee kettel stand (ST3)

Chair(C2)

CLIENT:

Jodhpur Sand Tile dado

GB GB

SB11

Armchair (C3)

PMC:

Kohler Shower Enclosure SINGUILER , 1D1P-S Kohler Shower Enclosure Detail as per Kohler (Edge of SINGUILER , 1D1P-S bracket to be aligned with Detail as slope) per Kohler (Edge of floor bracket to be aligned with Jodhpur Sand Tile dado floor slope)

150mm thk ledge wall till 855mm from FFL 150mm thk ledge wall till 855mm from FFL

Moon Crema Marble

SUITE- BEDROOM +100.65m FFL SUITE- BEDROOM +100.65m FFL

Bottom of F.C. at 3125mm from FFL

ARCHITECT:

Shower Area Shower Area

DETAIL A DETAIL ( SCALEA 1:5) ( SCALE 1:5) D

Study Table- T4

75 mm high TW. Skirting

65 65

150mm thk ledge wall

Concealed pelmet with curtain track

Wardrobe and luggage rack (W2)

+100.65 M FFL

5 Ledge top

Kohler

Bottom of F.C. at 3100mm from FFL

Levelled wall surface finished in Asian Paints Royale Luxury Emulsion as per approved shade

Restroom

10386IN-CP 80154IN-4-CP

Bottom of F.C. at 3100mm from FFL Concealed pelmet with curtain track

Restroom

slope towards the designated 575 mm deep cantilevered nahani trap * counter finished in Moon Crema marble 575 mm deep cantilevered Basin Counter counter finished in Moon Crema 75m deep cantilevered shelf in 4 Shelf in the marble shower area marble Shelf in the 75m deep cantilevered shelf in 4 and bathtub shower area marble area and bathtub area Moon Crema Marble 5 Ledge top

Basin Counter

98445IN-CP 5632IN-CP

1198mm x 598 mm and 9mm thk Jodhpur sand tile 1198mm x 598 mm and 9mm Moon Crema Marble to be laidthk to Jodhpur sand the tile designated slope towards nahani trap * Marble to be laid to Moon Crema

Flooring

AC S

Bottom of F.C. at 3100 mm from FFL

21 Flooring Dado

Camry

Paper Holder Robe Hook

75 mm high TW. Skirting

Dado 1FINISHES

Camry Kohler

Hand Shower Paper Holder

RH PNH SB05

+100.65 M FFL

Kohler

Spout with button for Robe Hook hand shower Spout with button for Angle Cock hand shower

PNHHS

Side console- Minibar + tea/ coffee kettle stand (ST3)

655

1250

655

+100.65 M FFL

Water Closet Nahni Trap(White)

HF WC

OS M SB08

SB14

SB14A 220

+100.65 M FFL

SB15

WCNT

M BT

Dining table (T2a) Dining chairs (C2)

Double bed (D1)

Bedside table (T1) 75 mm high TW. Skirting

Caxton- K2211T- white

Nahni Trapcounter wash basin CCR-WFMTP-100 Under Caxton- K2211T- white

NT WB

Bottom of F.C. at 3100mm from FFL

Concealed pelmet with curtain track

SLOPE SLOPE

LEGEND Under counter wash basin WB LEGEND

Bottom of F.C. at 3100mm from FFL

alignalign to centre of to centre of the the bathtub bathtub

h -iv h -iv

align to centre centre of of align to remainder area remainder area area area

i-iv i-iv DD

aligntotocentre centreofof align theshower showerarea area the

j-iv j-iv

k-iv k-iv

l-ivl-iv E E

F F

SUITE AND POWDER POWDERROOM ROOMPLAN PLAN SUITE RESTROOM AND (SCALE 1:25) 1:25) (SCALE

DETAIL A

per Kohler Specification *As *As per Kohler Specification *Slab sizes as final per final lot selection *Slab sizes as per lot selection

REVISIONS:

TITLE: ELEVATIONS CC, DD, EE & FF- SUITE SCALE: 1: 50

SHEET SIZE: A3

REV NO: R0 DATE OF REVISION:

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

ARCHITECT:

DRAWING NO:

ARCHITECT: ARCHITECT: PMC:PMC:

CLIENT: CLIENT:

PROJECT: PROJECT:

DATE OF DRAWING: 25/01/2019 302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PURPOSE: GFC

MASTERS MASTERS PMC PMC

KILLEDAR INDL.EST. 302-303,VEENA302-303,VEENA KILLEDAR INDL.EST. 109, NEW UDYOG MARG,KAMANWALA ,10/14,PAIS STREET, BYCULLA-WEST, 109, NEW UDYOG MARG,KAMANWALA ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 CHAMBERS UNIT NO. 7, GROUND MUMBAI-400 011 CHAMBERS NO.2, UNITNO.2, NO. 7, GROUND MARASA HOSPITALITY MARASA HOSPITALITY PVT. LTD. PVT. LTD. TEL.NO.: 2300 8766, 022-23008761 TEL.NO.: 022- 2300 8766,022022-23008761 FLOOR, MUGAL LANE, MAHIM (WEST), FLOOR, BAKHTAWAR FLOOR, MUGAL LANE, MAHIM (WEST), 11th FLOOR,11th BAKHTAWAR BUILDING, BUILDING, FAX.NO. FAX.NO. : 022-2309 0983: 022-2309 0983 NARIMAN POINT,MUMBAI 400 021 MUMBAI 400016 NARIMAN POINT,MUMBAI 400 021 MUMBAI 400016 email: design @sjkarchitect.com email: design @sjkarchitect.com

NOTES: NOTES:

REVISIONS: REVISIONS: For ID-RB-T-DET-01((For Forcross crosssection sectiononly) only) ForCounter Counter Detail Detail refer to drawing ID-RB-T-DET-01

For Threshold Detail Detail refer referto todrawing drawingID-RB-T-DET-02 ID-RB-T-DET-02 ForMirror, Mirror, Door Door ,, Trap Trap and Threshold ForToilet Toilet Bathtub Bathtub Detail Detail refer to drawing For drawing ID-RB-T-DET-03 ID-RB-T-DET-03

SAROVAR SAROVAR BODHGAYA BODHGAYA

RESTROOM LAYOUTS TITLE: TITLE: RESTROOM LAYOUTS

DRAWING NO: IB-RB-S-T-PLN-01 DRAWING NO: IB-RB-S-T-PLN-01

SCALE: AS AS SPECIFIED SCALE: SPECIFIEDSHEET SIZE: A3 A3 SHEET SIZE:

DATE OF DRAWING: 08/02/2019 DATE OF DRAWING: 08/02/2019

REV NO:NO: REV DATE OF OF REVISION: DATE REVISION:

PURPOSE: GFC GFC PURPOSE:

302-303,VEENA KILLEDAR INDL.EST. 302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 MUMBAI-400 011 TEL.NO.: 022- 2300TEL.NO.: 8766, 022-23008761 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309FAX.NO. 0983 : 022-2309 0983 email: design @sjkarchitect.com email: design @sjkarchitect.com

This "drawing" isand the shall copyright of used SJK Architects and shall be used purpose other than that whichit ithas hasbeen beenloaned. loaned. This "drawing" is the copyrightThis of SJK Architects not be for any and purpose other that for which it hasother been loaned. "drawing" is the copyright of SJK Architects shall notnot bethan used forfor anyany purpose than that forforwhich

19mm thk Jodhpur sand tile dado 971-approx HAND SHOWER TO BE LOCATED ON RIGHT HAND SIDE OF THE RESPECTIVE WALL ON WHICH IT IS FIXED

Bottom of F.C. at 2450 from FFL 705

18mm thk moon crema marble

start point 4 4mm extension

210

M LF

150mm thk ledge wall

Top of shelf at 1272mm from FFL

W.C. Ledge Wall Detail SCALE (1:5) DETAIL A

Center of Mixer at 954mm from FFL

SB16B

SB16C

300

417

ledge wall clad in Jodhpur sand tile dado

Center of Spout at 543mm from FFL

Kohler Bathtub DUO, K-15847T

417

start point 5

181-approx

855 596

300

380

78-approx

Undercounter Shelf

1000

PNH

400

200

868-B.O.P. 600

Undercounter Storage S

58-approx

575mm deep cantilevered basin counter finished in Moon crema Marble

SB16C

SB16B

Kohler Shower enclosure SINGULIER, 1D1P-S

828-approx

19mm thk Jodhpur sand tile dado

100mm deep cantilevered shelf in Moon crema Marble

align

SUITE- LIVING ROOM

560-approx

Bottom of shower at 2030mm from FFL

1150

100mm deep cantilevered shelf in Moon crema Marble

Center of Spout at 850mm from FFL

1198-approx

start point 3

Wall Mounted Light on Both Sides of the Mirror (SW5) To align with counter edge

Hand shower at 1450mm from FFL Top of shelf at 1290mm from FFL Center of Mixer at 1150mm from FFL

Bevelled Mirror (25 mm wide bevelling)

532-approx

start point 2

408-approx

1198x 598mm and 9 mm thick Jodhpur sand tile Dado

901-approx

start point 1

align

75mm thk (total thickness including framework) POP False Ceiling

Bottom of F.C. at 2450 from FFL

BATHTUB

Bottom of shower at 2055mm from FFL

SHOWER

ledge wall clad in Jodhpur sand tile dado

+100.62 M FFL

+100.612 M FFL

LEGEND: Jodhpur sand tile Dado (Size 1198 x 598) Jodhpur sand tile Dado remainder tiles Ledge wall 100 mm-Jodhpur sand tile Dado remainder tiles

ARCHITECT:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PMC:

CLIENT:

NOTES:

PROJECT:

REVISIONS: For Counter Detail refer to drawing ID-RB-T-DET-01 ( For cross section only)

SCALE: 1: 25

SHEET SIZE: A3

REV NO: DATE OF REVISION:

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 4.PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to item execution. 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect for approval & sign offs, prior to its installation. 6.Each drawing shall be referred for its respective purpose only. 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drawings 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 10.Do not Scale this drawing. ARCHITECT:

DRAWING NO: IB-RB-S-T-ELV-01

TITLE: RESTROOM ELEVATION- SUITE

For Mirror, Door , Trap and Threshold Detail refer to drawing ID-RB-T-DET-02 For Toilet Bathtub Detail refer to drawing ID-RB-T-DET-03

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

Ledge wall 150 mm-Jodhpur sand tile Dado remainder tiles

ELEVATION-AA Dado Joints

ELEVATION-AA GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 4.PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to item execution. 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect for approval & sign offs, prior to its installation. 6.Each drawing shall be referred for its respective purpose only. 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drawings 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 10.Do not Scale this drawing.

PMC:

CLIENT:

PROJECT:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

NOTES:

REVISIONS:

TITLE: RESTROOM ELEVATION- SUITE

SAROVAR BODHGAYA

DATE OF DRAWING: 08/02/2019 PURPOSE: GFC

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

SCALE: 1: 25

SHEET SIZE: A3

REV NO: DATE OF REVISION:

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

DRAWING NO: IB-RB-S-T-ELV-01 DATE OF DRAWING: 08/02/2019 302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PURPOSE: GFC

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

150 approx 368 approx

202 approx Bottom of F.C. at 2450mm from FFL

REM

Wall Mounted Light on Both Sides of the Mirror

100 mm thk ledge wall clad in 9mm thk Jodhpur sand tile

575mm deep cantilevered basin counter finished in Moon crema marble

2450

100mm thk ledge wall clad in 9mm thk Jodhpur sand tile

960

Bathtub access panel with tip latch, clad in marble

4 +100.63 M FFL

REM Bathtub apron in Moon crema marble.

eq.

+100.63 M FFL

12mm thk toughened glass fitted with rectangular brackets

30˚

300

400

Undercounter Wooden Cabinet

855

2 Grab Bar fitted at 30˚ angle

204 approx

575mm deep cantilevered basin counter finished in Moon crema marble

1198mm x 598 mm, 9mm thk Jodhpur Sand tile Dado

Wall Mounted Light on Both Sides of the Mirror

Kohler Shower enclosure SINGULIER, 1D1P-S

Bottom of F.C. at 2450mm from FFL

start point

REM

75mm thk (total thickness including framework) POP False Ceiling

725

Top of Shower Enclosure at 2000mm from FFL

Bottom of F.C. at 2450mm from FFL

start point

eq.

Bottom of F.C. at 2450mm from FFL

75mm thk (total thickness including framework) POP False Ceiling 1198x 598mm and 9 mm thick Jodhpur sand tile Dado

FULL PIECE OF MOON CREMA MARBLE

+100.63 M FFL

300

ELEVATION-DD Dado Joints

ELEVATION-DD

ELEVATION-CC Dado Joints

ELEVATION-CC LEGEND: Jodhpur sand tile Dado (Size 1198 x 598) Jodhpur sand tile Dado remainder tiles Ledge wall 150 mm-Jodhpur sand tile Dado remainder tiles Ledge wall 100 mm-Jodhpur sand tile Dado remainder tiles ARCHITECT:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PMC:

CLIENT:

NOTES:

REVISIONS: For Counter Detail refer to drawing ID-RB-T-DET-01 ( For cross section only)

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

PROJECT:

GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 4.PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to item execution. 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect for approval & sign offs, prior to its installation. 6.Each drawing shall be referred for its respective purpose only. 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drawings 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 10.Do not Scale this drawing.

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

For Mirror, Door , Trap and Threshold Detail refer to drawing ID-RB-T-DET-02 For Toilet Bathtub Detail refer to drawing ID-RB-T-DET-03

TITLE: RESTROOM LAYOUTS SCALE: 1: 25 REV NO: DATE OF REVISION:

SHEET SIZE: A3

LEGEND: Jodhpur sand tile Dado (Size 1198 x 598) Jodhpur sand tile Dado remainder tiles

ARCHITECT:

DRAWING NO: IB-RB-S-T-PLN-01

PMC:

CLIENT:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

NOTES:

REVISIONS: For Counter Detail refer to drawing ID-RB-T-DET-01 ( For cross section only)

SAROVAR BODHGAYA

DATE OF DRAWING: 08/02/2019 PURPOSE: GFC

PROJECT:

GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 4.PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to item execution. 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect for approval & sign offs, prior to its installation. 6.Each drawing shall be referred for its respective purpose only. 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drawings 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 10.Do not Scale this drawing.

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

For Mirror, Door , Trap and Threshold Detail refer to drawing ID-RB-T-DET-02 For Toilet Bathtub Detail refer to drawing ID-RB-T-DET-03

TITLE: RESTROOM ELEVATION- SUITE SCALE: 1: 25 REV NO: DATE OF REVISION:

SHEET SIZE: A3

DRAWING NO: IB-RB-S-T-ELV-01 DATE OF DRAWING: 08/02/2019 PURPOSE: GFC

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

gfc’s - pu D 23570 13

10a

KITCHEN I 1025

Align centers

PD9

B1 T1

850

PW6H

PW1A

850

2630 2100

550

2690

2100

2690

2100

550 B

BC1

1055

Align centers

1700

BC2

775

1315

775

1315 T2

SC2

SC1

100 PW1A 1260

1700

1090

Align centers

PW1A

PW6A

760

PW1A

1700 T2

SC2

790

1700

790

PW6H

SC1

PW1A

7600

Align to center of the room

COURTYARD

100

PW1A

D2 VERANDAH

C FURNITURE LEGEND

BC2

Buffet Counter 2

2000

1625

850

SC1

Serving Counter

900

550

1000

Chair

536

495

750

Hostess Desk

765

450

1150

Service Counter

1220

550

915

as per DWG ID-PB-FF-B1

Bench CLIENT:

Milky White Acrylic

Levelled wall surface to take approved shade of

NOTES:

PROJECT:

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

25 - 30 Mm Dia Pipe

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

Asian PaintsSpecified Royale 1. All Dimensions Are In MILLIMETERS Unless Otherwise Emulsion 2. All Dimensions Specified Are UnFinishedLuxury Dimensions, Unless Otherwise Specified. Buffet 3. All Structural Dimensions Shall Be Confirmed Ascounter-BC1 Per Consultants' Drawings. 4. Any Discrepancies In the Drawings Shall Be Brought To The Notice Of The Architect,Prior to Execution. Service counter -SC1 5. DO NOT SCALE Drawing

Rope Wire

REVISIONS:

PW1A

PW6H

PW1A TVP3 This "drawing" is the PW1A copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned. Wooden chair-C1

Fixed Bench type seating B1 +100.65 M FFL

Dia Pipe

CP TVP UP TP SB SBC

Point for digital signage Convinience point

PROJECT:

SAROVAR BODHGAYA MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

NOTES:

Telephone point Switch board Switch board

CAFE ELEVATION FOR WALL FINISHES AND SWITCH BOARD LOCATIONS

250

CLIENT:

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

180

PMC:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

ARCHITECT:

REVISIONS:

Framework

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

PLAN ( 1:5 )

Utility point

Distribution box Milky WhiteDBAcrylic

ARCHITECT:

Service counters-SC2 4 seater circular table-T3 Wooden chair-C1 Service Counter-SC1 75mm high skirting in Polished Moon Crema Marble

PW1A

ELEVATION BB

GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 25 - 30 Mm Dia Pipe 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 4.PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to item execution. 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect as for approval & sign offs, prior to its execution & installation. C 6.Each drawing shall be referred for its respective purpose only. D 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drgs. Rope Wire 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 10.Do not Scale this drawing.

TV Point

Wall mounted lamps

PW1A

75 mm high skirting in Polished Moon Crema Marble

2390

DS1

PW1A

2390

800LEGEND FOR SYMBOLS

Levelled wall surface to take approved shade of Asian Paints Royale Luxury Emulsion

DATE OF DRAWING: 15/02/2019 PURPOSE: GFC

PLAN ( 1:5 )

ELEVATION DD C

800 GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 4.PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to item execution. 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect as for approval & sign offs, prior to its execution & installation. 6.Each drawing shall be referred for its respective purpose only. 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drgs. 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 10.Do not Scale this drawing.

Coloured concrete band - same finish as vaulted roof

PW6A

PW1A

+100.65 M FFL

ELEVATION CC

SHEET SIZE: A3

REV NO: DATE OF REVISION:

PW1A

SB09

1400

SBC5

550

1400

75 mm high skirting in Polished Moon Crema Marble

PW6H

TVP3

PW1A

4 seater table-T2

Vaulted roof finished in coloured concrete (exposed)

Framework

DRAWING NO: ID-PB-CA-PLN-01

TITLE: CAFE- FURNITURE LAYOUT SCALE: 1:75

Milky White Acrylic

PMC:

CLIENT:

109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

Framework

CAFE ELEVATION FOR WALL FINISHES AND SWITCH BOARD LOCATIONS PLAN ( 1:5 )

NOTES:

PROJECT:

TITLE: CAFE -ELEVATION CC, DDUnless Otherwise Specified DRAWING NO: REVISIONS: ID-PB-CA-ELV-03 1. All Dimensions Are In MILLIMETERS

TITLE: CAFE- ELEVATION BB

2. All Dimensions Specified Are UnFinished Dimensions, Unless Otherwise Specified.

SAROVAR BODHGAYA

MASTERS PMC

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

Milky White Acrylic

SCALE: 1:75

SCALE: 1:75 Dimensions Shall SHEET SIZE: As A3Per Consultants' DATE Drawings. OF DRAWING: 30/01/2019 Be Confirmed 3. All Structural 4. Any Discrepancies In the Drawings Shall Be Brought

REV NO: To The Notice Of The Architect,Prior to Execution. 5. 800 DO NOT SCALE Drawing DATE OF REVISION:

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

DRAWING NO: ID-PB-CA-ELV-02

SHEET SIZE: A3

REV NO: DATE OF REVISION:

PURPOSE: GFC

DATE OF DRAWING: 30/01/2019 PURPOSE: GFC

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

Framework

Milky White Acrylic

500

PLAN ( 1:5 )

2390

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

B1 PMC:

850

250

1625

180

5200

250

Buffet Counter 1

25 - 30 Mm DiaCAFE Pipe - PLAN

GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. Vaulted&roof finished into ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & contractor 4.PMC coloured concrete resolution, prior to item execution. (exposed) Framework 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect as for approval & sign offs, prior to its execution & installation. 6.Each drawing shall be referred for its respective purpose only. 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drgs. Coloured concrete band - same finish as vaulted any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 9.For PC2 roof 10.Do not Scale this drawing. PC2 Wire PC2 PC2 PC2 PC2 PC2 PC2 PC2 Rope

180

765

250

1200 (dia.)

Exposed Brick Wall

180

765

4-Seater Circular Table

8 Wall surface in internal smooth finish sandfaced plaster levelled in birla putty and finished in approved shade and texture of Asian Paints Royale luxury emulsion

6500

765

4600

765

1370

1075

610

4-Seater Rectangular Table

NOTE: All dimensions are in mm unless otherwise specified.

ARCHITECT:

6500

DIMENSION B H

765

SC2

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

2-Seater Rectangular Table

BC1

PC2

FURNITURE NAME

6500

CODE

10a

Flooring in Geostone Beige tiles with Moon Crema Marble Band

4600

gfc drawings and interior design

// sarovar bodhgaya

Framework

LIGHTING DESIGN - RESTAURANT

180 250

ELEVATION ( 1:10 ) ARCHITECT:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PMC:

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

ARCHITECT: PMC: CLIENT: PROJECT:

500

Milky White Acrylic

CLIENT:

NOTES:

PROJECT:

NOTES:

ARCHITECT:

PMC:

180 250 CLIENT:

MASTERS PMC

SAROVAR BODHGAYA

NOTES:

109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

REVISIONS:

1. All Dimensions Are In MILLIMETERS Unless Otherwise Specified REVISIONS: 1. All Dimensions Are In MILLIMETERS Unless Otherwise Specified 2. All Dimensions Specified Are UnFinished Dimensions, 2. All Dimensions Specified Are UnFinished Dimensions, Otherwise Specified. SAROVAR Unless Otherwise Specified.SAROVAR Unless 3. All Structural Dimensions Shall Be Confirmed As Per Consultants' Drawings. Shall Be Confirmed 4. As Any Per Discrepancies Consultants' Drawings. MASTERS PMC3. All Structural DimensionsBODHGAYA In the Drawings Shall Be Brought BODHGAYA 109, NEW UDYOG MARG,KAMANWALA 4. Any Discrepancies In the Drawings Shall Be Brought CHAMBERS NO.2, UNIT NO. 7, GROUND To The Notice Of The Architect,Prior to Execution. FLOOR, MUGAL LANE, MAHIM (WEST), To The Notice Of The Architect,Prior to Execution. MUMBAI 400016 5. DO NOT SCALE Drawing 5. DO NOT SCALE Drawing

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 MARASA HOSPITALITY PVT. LTD. email: design @sjkarchitect.com 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

REVISIONS:

ELEVATION ( 1:10 )

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

180 250

ELEVATION ( 1:10 ) PROJECT:

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned. This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

REFERENCE SKETCH

REFERENCE IMAGE

REFERENCE SKETCH REFERENCE SKETCH SCALE: VARIES REV NO: DATE OF REVISION:

REFERENCE IMAGE REFERENCE IMAGE DRAWING NO: ID-PB-CF-L-01

TITLE: CAFE - LIGHT SHEET SIZE: A3

DATE OF DRAWING: 28/02/2019 PURPOSE: SAMPLING

TITLE: CAFE - LIGHT SCALE: VARIES REV NO: DATE OF REVISION:

TITLE: CAFE - LIGHT DRAWING NO: ID-PB-CF-L-01 DRAWING NO: ID-PB-CF-L-01 SCALE: VARIES SHEET SIZE: A3 DATE OF DRAWING: 28/02/2019 SHEET SIZE: A3 DATE OF DRAWING: 28/02/2019 REV NO: PURPOSE: SAMPLING DATE OF REVISION: PURPOSE: SAMPLING

410

RC3 centre of 10 WC

CLIENT:

PROJECT:

SAROVAR BODHGAYA

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

Centre

CAFE BENCH CAFE BENCH

142 f

SPA ROOM 1

0 60 VERANDAH

+100.65M FFL

BANQUET

b c On hold

DETAIL G

SPA ROOM 2

+100.65M FFL

Centre of lobby 2

CLUB LOUNGE +100.65 M FFL

T-profile at Spa Room entrance

PRE-FUNCTION

DETAIL I

Starting Point

align to centre of tile to centre of verandah

Centre of Pre-function

Align to Centre of Banquet door

+100.65M FFL

DETAIL B1

MARBLE

SCHEMATIC MARBLE/ TILE PATTERN * Remainder equal marble bands after laying half tiles all around

d b

LOBBY 2 +100.65M FFL

507

Recessed ceiling Downlight fixture

b f

e FRONT OFFICE & BACK OFFICE

RECEPTION

+100.65 M FFL

LOBBY

Centre of Lobby

Celing mounted pendant

RC5 18

+100.65 M

LADIES TOILET

GENTS TOILET +100.632M FFL

+100.632M FFL

MIP RESTROOM +100.632M FFL

Await marble slab size details

Type

TYPICAL SCHEMATIC DETAIL BETWEEN ENTRANCE LOBBY AND VERANDAH

Starting Point

LEGEND

Awaiting Slab sizes for the band lengths.

DETAIL H

PC4 02

Note: This drawing is a co-ordinated drawing showing location, alignment of all MEP services, and light fixtures. For circuiting and emergency circuits refer to the lighting looping plans. For dimming details refer to KSA/ electrical contractor's shop drawing

Await marble slab size details

Table with electrical conduit Table with junction box

ENTRANCE PORTICO

(Vault Above)

6 amp switch concealed within F.C

Note:Construction details of the schmeatic section will be shared post discussion with Interex. Colour code for paints will be as oer sample approved on site. Colour options for each area will be shared shortly.

Starting Point

FOOT REFLEXOLOGY

DETAIL B

Acoustically treated Duct

RCP LAYOUT- SPA, GYM, CHANGING ROOMS 1:50

NOTES:

60 0

+100.35M MGL

(TO BE CONFIRMED WITH LANDSCAPE DRAWINGS)

DETAIL F

ARCHITECT:

PMC:

j COURTYARD (open to sky) GYM

as per site dim.

Inline Exhaust Fan 15 AMP

ARCHITECT:

MARBLE

+100.65 M FFL

Reverse cove light

Volume Control Damper

600

eq 1273 eq 410

RB1

6- Slot Diffuser

RC2 06

600

RC3 01

Return Air Duct

1273

RC3 10

RC2 01

Split AC unit

Supply Air Duct

centre of WC

RC3 10

Exhaust grill

Ceiling mounted speakers

Supply Air Duct

RC3 10

371

260 260

ODU

RC2 06

1540

RC3 12

MEETING ROOM

eq eq

600

450 450

790

Centre of the room

centre of shower enclosure

RC2 06

230

100 410

TRAP DOOR SIZE 1300X1635

720

200 eq

875

centre of shower enclosure RC3 12

Recessed ceiling directional down lights Recessed ceiling directional wall washers Recessed ceiling Downlight fixture

DETAIL D

+100.65 M FFL

Centre of Verandah

ODU

RC5 09

DETAIL A SPA RECEPTION

LEGEND FOR LIGHTS:

RC1 04

g DETAIL J

+100.35M MGL

Starting Point DETAIL C

F.C Material: POP in approved shade of Asian Paints Royale Luxury Emulsion

Wifi point

HTL to ensure the duct passing over spa room is acoustically treated to avoid any sound transfer into spa therapy rooms

COURTYARD (open to sky)

DETAIL E

Height of bottom of FC from FFL: 2250mm

1690 centre of passage

875

300

150 Centre of the room

RC2 06

260 260

centre

485 600

225

RC6 03

75 W celing subwoofer

Starting Point

L-patti all around edges of flooring, also around the cabinet

Await marble slab size details

Height of bottom of FC from FFL: 2400mm

Slot Diffuser

TRAP DOOR SIZE 1915X1450

Forbo's Vinyl Flooring in Sphera element Series- Stone 50024.

Height of bottom of FC from FFL: 3300mm

Smoke detector

100

Height of bottom of FC from FFL: 3650mm

Ceiling mounted speaker only for PA System

CCTV Camera

TRAP DOOR SIZE 1915X1450

DETAIL J

achieving total

thickness of 13 mm, laid over levelled floor finished in 2nd quality off-white ceramic tile DETAIL K

Trap doors for HVAC 200

+100.65M FFL

align to centre of Door

Smoked oak laminate on levelled IPS and Foam underlay Banquet CarpetWoolen, made in cut pile, with high and low embossed texture,

LEGEND FOR FALSE CEILING

Sprinkler SP

RC1 04

100 200

RC6 03

100

ODU

RB1 03

RC5 18

LEGEND FOR SERVICES:

505 225

230

200

Centre of cubicle

RC5 07 RB1 03

RC5 18

Fresh air inlet for meeting room in the wall above false ceiling.

CAFE

Marble as per approved sample- Flooring slab sizes as per details shared by Interior Contractor

TYPE A SCHEMATIC COVE PROFILE DETAIL SCALE-1:10 RC5 18

100

RC3 04

Centre of reflexology room

+100.65M FFL

Moon Crema MarbleRemainder slabs

as specified

150

RC5 18

VERANDAH 2.1M WIDE

Moon Crema Marble- Flooring slab sizes as per details shared by Interior contractor

False ceiling in POP to take approved shade of Asian Paints Royale Luxury Emulsion

300

Centre of gym

220

915

150

220

DETAIL E

Geostone BeigeHalf tile/ cut tile

RC5 18

190

1230

PC5 05

310

RC1 04

200

765

150

Effective tiling area due to fixed bench

Starting Point

1697

align to centre of entrance

RC6 03

700

570 RC5 07

RC6 02

200

765

RC5 18

200 200 200

200

640

200

centre

200

RC2 01

RC6 03

710

555 100

180

230

510

RC3 01

310

RB1 19

300

1500

100

centre of passage

align

200

225

695

RB1 03

RC2 05

275 230 Centre of basin

PC4 02

RC3 05

RC3 01

100

275 230 Centre of wall

RC2 01

545

200 250 RC2 01

150 B

720

200

650

1400

150

Surface finished as per specification (Refer wall finishes layout)

1500

1400

200

PC4 02

Centre of spa reception wall

1915

200

RC5 04

centre

Centre of corridor

Centre of gym

Centre of spa reception

225

440

440 RC6 02

To align with spa reception table centre

600

Starting Point

Geostone Beige2'x 2' Vitrifed tile

545

555 200

FINISHES LEGEND Type

RB1 03

230

100

RC5 04

0 60

225

Centre of cubicle

RB1 03

Centre of corridor

ublic block

TITLE: SPA, GYM, CHANGING ROOM- RCP SCALE: 1:50

PMC:

CLIENT:

PROJECT:

DRAWING NO: ID-PB-RCP-SGC

SHEET SIZE: A3

SAROVAR BODHGAYA 302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

DATE OF DRAWING: 25/01/2019

NOTES:

REVISIONS: For flooring layouts of restrooms, refer to detailed Restroom GFC set

DRAWING NO: ID-PB-PLN-FR-01

TITLE: PLAN- FLOOR FINISHES LAYOUT SCALE: 1:150

SHEET SIZE: A1

DATE OF DRAWING: 15/02/2019

REV NO: DATE OF REVISION:

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

PURPOSE: GFC

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

REV NO: R1-TRAP DOOR DATE OF REVISION: 15/02/2019

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PURPOSE: GFC

Door jamb constructed in MS Box section, clad in fin. 8mm thk teakwood, polished in french polish. Finished size to acheive -100-125 mm wide, 50 mm thk.

DOOR- PD8 926.32.160 ball bearing butt hinge,SS304,SSS,4"x3"x3mm-2 bb,square corner,with timber door screw- brushed matt brass finish

handle at 570 mm

190

911.77.294 narrow dead lock, backset 30mm, c/c 92mm, width 45mm pc

Contractor to assess specified hardware and revert confirming suitability of the same.

BANQUET

FURNITURE STORE

150

700 fixed shutters

ARCHITECT:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

DOOR- PD8

PMC:

CLIENT:

PROJECT:

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

NOTES:

DOOR- PW6F (A)

REVISIONS: NOTE: Refer detail sheet- ID-PB- DR-D-DET for jamb dimensions and details

TITLE: TYPE D-DOOR ELEVATIONS-3

All hardware items specified are from Hafele unless otherwise specified. Contractor to assess specified hardware and revert confirming suitability of the same.

REV NO: R1- PW6F Design DATE OF REVISION:20.03.19

SCALE: 1:20

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

LOBBY 2

75 750

KEY PLAN FOR DOOR SWING

DOOR HARDWARE-PW6G

DOOR HARDWARE-PW6B 932.79.090 double action accessories for timber door floor spring*

Decorative handle (custom made)

932.79.020 FS 2102 double action floor spring with 90 degree hold open and SS cover plate size 2 (without accessories)

911.77.294 narrow dead lock, backset 30mm, c/c 92mm, width 45mm pc

Decorative handles (custom made)

ARCHITECT:

DATE OF DRAWING: 15/02/2019 302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PURPOSE:GFC

PMC:

CLIENT:

NOTES:

PROJECT:

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

REVISIONS: NOTE: Refer detail sheet- ID-PB- DR-D-DET for jamb dimensions and details

*All floor spring plates to be brushed matt copper finish

SCALE: 1:20

SHEET SIZE: A3

DATE OF DRAWING: 15/02/2019

REV NO: DATE OF REVISION:

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for wh

12"

Notch to accomodate 12mm plywood to form the base of the Diwan. Plywood finished in french polish to match shade and texture to TW peripheral frame.

Diwan back legs to have castors of approved make.

120

FRONT ELEVATION (1:15)

SIDE ELEVATION (1:15)

Rectangular diwan legs constructed in 100x 100mm thk Teak wood member and finished in clear matt PU of approved shade and texture.

100

SECTION BB (1:5)

GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 4.PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to item execution. 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect for approval & sign offs, prior to its installation. 6.Each drawing shall be referred for its respective purpose only. 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drawings 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 10.Do not Scale this drawing.

Internal and External cross frames of diwan constructed in 60x60mm thk Teak wood member and finished in french polish

eq.

120

36"

eq.

100

12" X Y

FRONT ELEVATION

OPTION 1

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

PROJECT:

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

NOTES:

REVISIONS:

7.5

22.5

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

SCALE: 1:2 VARIES REV NO: DATE OF REVISION:

SHEET SIZE: A3

APPROVED MAKE Plywood

Anchor 2000 Commercial Plywood or equivalent from Greenply/Century Ply

Teak Wood

As per approved sample for wood grains and texture

PLAN (1:15) DRAWING NO:

ARCHITECT:

PMC:

CLIENT:

PURPOSE: GFC

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

PROJECT:

REVISIONS:

SAROVAR BODHGAYA

DATE OF DRAWING: 16/05/2019 PURPOSE:SAMPLING

DETAIL A LEG DETAIL (1:4)

DRAWING NO: ID-PB-DR-K-DET

TITLE: DOOR KNOB

Bed legs constructed in Teak wood and finished in clear matt PU of approved shade and texture. PVC levellers in brown colour

6" thk mattress of size 36" x 78" to be procured by client

OPTION 2

* TO BE SAMPLED IN WOOD FOR REVIEW CLIENT:

REFERENCE IMAGE

CODE

PMC:

SIDE ELEVATION LEGEND:

ARCHITECT:

align

78"

PLAN (1:15)

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

Cross supports constructed in Teak wood and finished in french polish

align

A KNOB

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PURPOSE:GFC

BACK PLATE

ARCHITECT:

DRAWING NO: ID-PB-DR-D-ELV-1

TITLE: TYPE D- DOOR ELEVATIONS- 1

All hardware items specified are from Hafele unless otherwise specified. Contractor to assess specified hardware and revert confirming suitability of the same.

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

Door jamb constructed in MS Box section, clad in fin. 8mm thk teakwood, polished in french polish. Finished size to acheive -100-125 mm wide, 50 mm thk. Framed glass shutter on double action floor spring

PLAN

DOOR- PW6B

ENTRANCE LOBBY

932.79.090 double action accessories for timber door floor spring*

DRAWING NO: ID-PB-DR-D-ELV-3 DRAWING NO:

550 Fixed glazing

3000

RECEPTION

932.79.020 FS 2102 double action floor spring with 90 degree hold open and SS cover plate size 2 (without accessories)

SHEET SIZE: A3

eq 1800- clear 1900 ENTRANCE LOBBY

PLAN

KEY PLAN FOR DOOR SWING

550

DOOR- PW6G

35 mm dia brass handle, fixed to the door with 20/ 25 mm dia brass supports

PRE-FUNCTION

KEY PLAN FOR DOOR SWING FOR PW6F

RECEPTION DETAIL G

Fixed glazing

Framed glass shutter on double action floor spring

1600

LOBBY 2

TW panelled shutters, finished in synthetic PU. (non-openable)

PLAN SCALE- 1:20

BANQUET

PLAN

ELEVATION Door jamb constructed in MS Box section, clad in fin. 8mm thk teakwood, polished in french polish. Finished size to acheive -100-125 mm wide, 50 mm thk.

PRE-FUNCTION

Teakwood frame finished in french polish, size as per site conditions

250

PURPOSE:GFC

PRE-FUNCTION

815- clear opening 915 PRE-FUNCTION

Dead lock

DRAWING NO:

700 fixed shutters

190

12"

DETAIL-L 40 mm thk flush door clad in approved teak veneer finished in french polish on the pre-function side, and finished in white laminate (107 wool) from Greenlam on the inside

1500 openable shutters 3000

190

ELEVATION PRE-FUNCTION

DETAIL F

Decorative handle (custom made)

DETAIL K

1825

1775

Acoustic and smoke door frame seal set size (2*2100mm 1*1000mm) - for pre function door

ELEVATION SCALE- 1:20

Teak wood Frame 100 x 50 mm finished in french polish

750

932.79.020 fs 2102 double action floor spring with 90 degree hold open and SS cover plate size 2 (without accessories)

TW panelled shutters (non-openable), finished in synthetic PU 200 mm high brass kickplate Dead lock

Framed glass shutter on double action floor spring

knob at 42"

ELEVATION

200 75

100

Dead lock

932.79.090 double action accessories for timber door floor spring

250

handle at 1190 mm

75 75 75 550

knob at 42"

DOOR- PW6F (A) 35 mm dia brass handle, fixed to the door with 20/25 mm dia brass supports

Chamfer in internal plaster levelled in birla putty finished with approved shade of Asian Paints Royale Luxury Emulsion.

3000

Mortice knob handle

Framed glass shutter on Double action floor spring

911.77.294 narrow dead lock, backset 30mm, c/c 92mm, width 45mm pc

TW panelled shutters (openable), finished in synthetic PU

2250

Copper finish mortice knob

Levelled wall surface to take approved shade of Asian paints Royale Luxury Emulsion

3000

931.46.239 DCL 35, concealed cam efficient door closer, EN 2-4, slide track arm, hold open, fire rated, CE

200

1750

6101 Dome type floor mounted dppr stop- brass finish from Magnum.

40 mm thk flush door clad in approved teak veneer finished in french polish on the pre-function side, and finished in white laminate (107 wool) from Greenlam on the inside

3000

75 75

THE DOORS ARE COMPLETE WITH THE FOLLOWING HARDWARE*:

knob at 42"

100

200 x 200 x 20 mm recess in internal plaster finished in paint.

100

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

TITLE:

DRAWING NO: ID-RB-TR-LF-D3

DIWAN

SCALE: VARIES

SHEET SIZE: A3

REV NO: 02 DATE OF REVISION: 21/01/2019

DATE OF DRAWING: 25/10/2018 PURPOSE: GFC

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

Bottom Of False Ceiling At 3300mm From FFL

DET 1

360

Framework covered in 19mm thk commercial plywood finished in french polish over plywood

FFL

SHUTTER DETAIL FOR DESSERT COUNTER

SECTION 1:10

Scale - 1:5

12 NOTE: Supply of fabric by client

CLIENT:

NOTES:

PROJECT:

SAROVAR BODHGAYA

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

ARCHITECT:

TITLE: BENCH DETAIL-B1

DRAWING NO: ID-PB-FF-B1

SCALE: VARIES

DATE OF DRAWING: 17/04/2019

SHEET SIZE: A3

REV NO: R0 DATE OF REVISION:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PMC:

CLIENT:

MASTERS PMC New Udyog Mandir No. 2, Unit No. 7 , Kamanwala Chambers, Mogal Lane, Mahim (West) Mumbai 400 016 TEL.NO.: +91 22 6456 7600 Email: sujata.gupte@masterspmc.com Website: www.masterspmc.com

550 2250

2250

1680

1550 390

G FRONT ELEVATION (1:10)

25mm high skirting in solid acrylic , 75 mm recess on all sides.

TITLE: BUFFET COUNTER DETAILS

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

Framed fluted glass shutter with TW frames finished in synthetic PU. Fluted glass of 6mm thickness, Estrado from Saint Gobain Knob handle in chrome finish as per approved sample. (Reference image below) Platform constructed in civil work finished in moon crema marble

6mm thk ply backing finished in laminate.

6mm thk ply backing and clad in approved woodgrain laminate on the inside 25mm dia SS rod in chrome finish for hanging clothes.

SECTION ELEVATION (1:10)

420- out to out 360-internal clear

SG - Steam Generator from Kohler

B C

STEAM GENERATOR

80 approx

A 400-shutter

400-shutter

A Chamfered edge in teak wood finished in french polish of approved shade and texture to match Teak veneer

min gap

REFERENCE IMAGE FOR KNOB, BUT IN CHROME FINISH

ALIGN

PLAN LOWER CABINET (B) (1:10)

DRAWING NO: ID-PB-FF-BC-DET ARCHITECT:

DATE OF DRAWING: 10-05-2019

SHEET SIZE: A4

SIDE ELEVATION (1:10)

420

1.All drawings are finished unless otherwise specified. 2.All dimensions are in millimetres unless otherwise specified. 3.Each drawing shall be referred for its respective purpose only. 4. Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 5. PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for xexecution in a particular context, all of these shall be raised for Architects notice & resolution, prior to item execution. 6. Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect as for approval & sign offs, prior to its installation. 7. For all structural member size & details,refer structural consultants drgs. 8. For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drgs/ MEP cotractor's shop drgs. 9. This drawing to be read in conjunction with approved plumbing shop drawings. 10. For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 11. Do not Scale this drawing.

Shutters constructed in 19mm thk marine plywood finished with 6mm thick white solid acrylic surface of approved make on outside & edges & insides in approved laminate to match colour of solid acrylic surface. Slates in 12 x 20 mm solid acrylic sections.

12mm thick frosted glass partition inserted within table top, 300mm high

SCALE: VARIES

Fixed Shelf constructed in 19mm thk ply , finished in laminate and thickness clad in 6mm thk TW lipping patti finished in french polish as per approved shade and texture.

F G

1.All drawings are finished unless otherwise specified. 2.All dimensions are in millimetres unless otherwise specified. 3.Each drawing shall be referred for its respective purpose only. 4. Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 5. PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architects notice & resolution, prior to item execution. 6. Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect as for approval & sign offs, prior to its installation. 7. For all structural member size & details,refer structural consultants drgs. 8. For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drgs/ MEP cotractor's shop drgs. 9. This drawing to be read in conjunction with approved plumbing shop drawings. 10. For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 11. Do not Scale this drawing.

min gap

10mm thick twhite solid acrylic plate with finger cut-out, lushed with base level to access junction box below.

REV NO: DATE OF REVISION: This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

PURPOSE: GFC

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

1702

1700

Internal Surfaces finished in Solid acrylic surface on all exposed sides over marine ply underlay.

SAROVAR BODHGAYA

42"

PROJECT:

Horizontal separator constructed in 19mm thk ply , finished in laminate and thickness clad in 6mm thk TW lipping patti finished in french polish as per approved shade and texture.

GENERAL NOTES:

G H

Carcasses constructed in 19mm thk ply finished in approved woodgrain laminate on the inside Fixed wooden slatted screen for ventilation finished in french polish.

100

64mm high base finished in 10mm thk white solid acrylic surface of approved make on all exposed sides, over a marine ply underlay.

GENERAL NOTES:

MAGNETIC TIP LATCH

Internal supporting framework constructed in CP Teak members as required

DETAIL B 1:2

PMC:

MASTERS PMC New Udyog Mandir No. 2, Unit No. 7 , Kamanwala Chambers, Mogal Lane, Mahim (West) Mumbai 400 016 TEL.NO.: +91 22 6456 7600 Email: sujata.gupte@masterspmc.com Website: www.masterspmc.com

Counter carcass constructed as hollow partitions with 20mm x 40mm M.S. framework at required c/c & 12mm marine plywood on both sides and clad in 10mm thick white solid acrylic surface of approved make

ALIGN

Framework covered in 12mm thk commercial plywood clad with approved teak veneer finished in french polish on exposed side

182

310 mm high facia finished in 10mm thk white solid acrylic surface of approved make, over a marine plywood underlay

Seat back support constructed in 19mm thk commercial plywood covered over framework in CP Teak

Teak wood skirting

Counter top constructed in 20mm x 40mm M.S. framework at required c/c with induction plates fitted within. Framework finished in 10mm thk white solid acrylic surface of approved make over a 19mm thk marine plywood underlay

B D

380-internal clear

100mm thk cushioned seat upholstered in approved fabric (Parkland-22211) kept in place using velcro fitted to the plywood base

100

Lipping patti

B C

ALIGN

531

Center Of Knob To Be Aligned To Top Of Basin

575

335

150

Framework covered in 19mm thk commercial plywood finished in french polish over plywood

DET B

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

100

25 64

310

475 50

Exposed brick cladding

5mm Removable Acrylic Lens(As per KSAs detail)

LEGEND FOR FINISHES

100 mm thick cushion in approved fabric- Parkland 22211

PLAN 1:20

DET A

12mm thk commercial plywood clad with approved teak veneer finished in french polish on exposed side

300mm wide x 300mm openable aluminium grill for equipment ventilation, finished in white powder coating to match colour of Corian

575

775

DETAIL A 1:2

B1 B1

Samples/details of Induction plate & Refrigerated Dole plate shall be availed by the concerned agency to accordingly integrate them within the counter tops

min gap

50 VEG. HOT BUFFET

SOUP SALAD AND BREAD COUNTER ICE TROUGH X

Exposed brick cladding

656

LEGEND FOR FINISHES Shutters constructed in 19mm thk ply and finished in Teak veneer of approved shade and texture externally & internally and edges clad in 6mm thk TW lipping Patti finished in french polish as per approved shade and texture.

Scale - 1:2

OLM Canyon Walnut (5334) from Greenlam

GLASS PARTITION FIXING DETAIL - DET 1

5mm Removable Acrylic Lens(As per KSAs detail) Refer DETAIL A

100

Laminate

Induction plate of size 1524(L) x 457(W) as per IMA's specifications for buffet counter Refrigerated dole plate of size 914mm (L) x 457mm (W) as per IMA's specifications for desser counter

Anchor 2000 Commercial Plywood from Anchor or equivalent from Greenply /Century Ply All visible portions in Teak Wood unless otherwise specified. All T.W. members shall have their edges sanded prior to polishing

Furniture Hardware Hafele or Equivalent

Framework covered in 19mm thk commercial plywood with approved teak veneer finished in french polish on 5mm exposed side Removable Acrylic Lens(As per KSAs detail) 75

Wood

LEGEND FOR EQUIPMENT

KEY PLAN 1:200

ELEVATION 1:20

NON-VEG. HOT BUFFET

100mm thk cushioned back upholstered in approved fabricParkland-22211

VEG BUFFET COUNTER - SEC 1 100

Plywood

100

Seat apron in Teak Veneer stuck over 12mm thk Plywood

360

B.O.P. at 450mm from FFL

100mm thick cushion with stitch detail as per reference image and approved fabric and design- Parkland-22211

TW member with groove for fixing glass partition

850

SBB

390

ICE CREAM FREEZER 565 x 585 x 440

ICE TROUGH DESSERT COUNTER

310

GR 135

APPROVED MAKES

550

300

A B

ARCHITECT:

PMC:

PURPOSE: GFC 302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

CLIENT:

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

PROJECT:

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

DETAIL A (1:2)

PLAN UPPER CABINET (A) (1:10)

NOTES:

TITLE: SPA RESTROOM CLOSET

SCALE: VARIES

DRAWING NO: ID-PB-S-FF-ST5

SHEET SIZE: A2

REV NO: DATE OF REVISION:

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

DATE OF DRAWING: 22/03/2019 PURPOSE: GFC

FRONT ELEVATION (1:15)

60 A

align

DETAIL AT A (1:2)

APPROVED MAKES Plywood Teak Wood

ARCHITECT:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PMC:

CLIENT:

PROJECT:

LEG ELEVATION (1:4)

align

SECTION AA (1:4)

PLAN (1:10)

Anchor 2000 Commercial ply or equivalent from Greenply As per approved sample for wooden grains and texture

REVISIONS:

TITLE: SIDE TABLE

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

DRAWING NO:

SCALE: Varies

SHEET SIZE: A3

12 100

Bed legs and cross supports constructed in teak wood, finished in synthetic PU

DETAIL B LEG DETAIL (1:5)

PLAN (1:15) ARCHITECT:

ID-RB-LF-T1

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PURPOSE: GFC

PVC levellers in brown colour 78"

ARCHITECT:

PMC:

CLIENT:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

PROJECT:

SAROVAR BODHGAYA

DATE OF DRAWING: 25/10/2018

REV NO: 04 DATE OF REVISION: 25/02/2019

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

NOTES:

REVISIONS:

NOTE: 1. Teak wood specified to be as per approved sample

GENERAL NOTES: 1.All drawings are finished unless otherwise specified. 2.All dimensions are in mm unless otherwise specified. 3.Both PMC & Contractor shall study this drawing thoroughly & raise queries or RFIs( Request for Information) within 3-5 days of release of this drawing. Incase the PMC feels no need for any queries to be raised on any drawing, an RFI indicating that the drawing is clear shall be shared with the Architect. Only post this Acknowledgement, can any drawing be treated as relevant & 'GOOD FOR CONSRUCTION'. 4.PMC & contractor to ensure that any discrepancies on drawing or discrepancy rising on account of site context (OR) if the detail or design seems challenging for execution in a particular context, all of these shall be raised for Architect’s notice & resolution, prior to item execution. 5.Samples for every single finish mentioned in this GFC drawings pertaining to interiors, shall be shared with the Architect for approval & sign offs, prior to its installation. 6.Each drawing shall be referred for its respective purpose only. 7.For all structural member size & details,refer structural consultants drgs. 8.For all cutouts/sleeves...etc related to MEP services,refer MEP consultants drawings 9.For any other discrepancy in drg, please bring same to Architects notice, prior to its execution. 10.Do not Scale this drawing.

TITLE: DOUBLE BED - DOUBLE ROOM SCALE: Varies

SHEET SIZE: A3

REV NO: 02 DATE OF REVISION: 21/01/2019

DRAWING NO: ID-RB-LF-D01

PURPOSE: GFC

ITEM

SIZE

QTY

Diwan base

36" x 78"x 6" (thk)

1 no.

Diwan Bolsters

8 " dia; 25.5." long

3 nos

Diwan Cushions

18" x 18"

3 nos

No piping for cushions, zipper at the bottom

Diwan Accent Cushions

25" x 10"

2 nos

No piping for cushions, zipper at the bottom

700 x 535 mm

1 no.

No piping for seat and backrest

REMARKS Flat edges, zipper on the underside, no piping,

Base

Accent cushion Bolster Cushions

REFERENCE IMAGE FOR MATTRESS

Flat sides, piping around, zipper below

REFERENCE IMAGE FOR BOLSTER

Armchair with upholstered seat and backrest

FURNISHINGS: COLOUR CODE

IMAGE

APPLICATION

CODE

Pravin Kumar & A- Armchair Co.Book-2100 (PKC-2100-18) Pravin Kumar & A- Diwan base Co.Book-2100 (PKC-2100-18)

B- Diwan bolster

ARCHITECT:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PMC:

CLIENT:

NOTES:

54" 54"

54" (25.5" long; 8" dia)

TYPE

Removable

C- Diwan Cushions

Alta + Pinstripe 18" X 18" Removable

D- Diwan

Alta + Century for All 25" X 10" RC57000627

Removable

D- Bed Accent Cushions

Alta + Century 25" X 10" for All RC57000627

Removable

REVISIONS:

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

COLOUR CODE

IMAGE

APPLICATION

CODE

FABRIC WIDTH

E- Bed runner

Alta + Pinstripe

106" X 16"

F- Headboard

K.C. Fabrics Holland 17603

140cm

G- Sheer curtain

R.Romors RC93000048

48"

Armchair - Non-Removable Diwan seat - Removable with zip on Underside and held in place with velcro attached to base frame.

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

PROJECT:

Century for All RC57000627

FABRIC WIDTH

H- Curtain Top Century for All RC57000617 panel H- Curtain Bottom panel

Century for All RC57000627

TYPE

Non-Removable

54" 54"

TITLE: FURNISHINGS- DOUBLE ROOM SCALE: 1:50 REV NO: DATE OF REVISION:

SHEET SIZE: A3

DRAWING NO: IR-RB-DR-FRN DRAWING NO:

ARCHITECT:

PMC:

CLIENT:

PURPOSE: GFC

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

PROJECT:

SAROVAR BODHGAYA

DATE OF DRAWING: 29/03/2019 MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which i

LEGEND FOR STITCHING:

C A

CURTAIN SHEER

ARCHITECT:

DATE OF DRAWING: 25/10/2018

This "drawing" is the copyright SJK Architects and shallother not be used purpose that for which it has been loaned. This "drawing" is the copyright of SJK Architects and shall notofbe used for any purpose than thatforforany which it has other been than loaned.

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

align

PVC levellers in brown finish

Side table legs constructed in teak wood and finished in synthetic PU

120

Drawer constructed in 19mm thk ply, sides and base in 12mm thk, back in 6mm thk ply.

149

Ply finished in paper veneer from the under side

12"

18-20

Lacquered brass pull handle as approved sample

Bed legs and cross supports constructed in teak wood, finished in synthetic PU to match overall finish

SECTION AA (1:5)

78"

460

Side table top clad in 6 mm teak wood over a 12 mm plywood base and finished in approved shade and texture of synthetic PU.

50 5

Side table top clad in teak wood over a plywood base and finished in approved shade and texture of synthetic PU

Cross supports constructed in teak wood, finished in french polish

Bed cross supports teak wood, finished in french polish 5

Notch to accomodate 12 mm thk plywood base of bed. Plywood finished in french polish to match shade and texture of TW peripheral frame.

align

T.W moulding (18-20mm) finished in approved shade and texture of synthetic PU

Bed legs teak wood, finished in synthetic PU

Side table legs constructed in teak wood & finished in approved shade and texture of synthetic PU

SIDE ELEVATION (1:10)

Fabric panelled headboard headboard (refer to ID-RB-DR-DET-01 for details)

600

PVC levellers in brown finish

Drawer channels in black finish

SIDE ELEVATION (1:15) A

460

12"

Rectangular Bed leg member constructed in teak wood, finished in synthetic PU

Side table legs constructed in teak wood & finished in approved shade and texture of synthetic PU

FRONT ELEVATION (1:10)

12"

Bed legs cross supports constructed in teak wood, finished in french polish

120

130

18-20 130

600

12" thk mattress (supplied by client) (78" x 78")

130

30 Drawer facia constructed in 19mm thk ply, sides and base in 12mm thk, back in 6mm thk ply. Drawer facia, fixed sides and backpanel to be clad with teak veneer & finished in french polish. All internal surfaces of the drawer to be finished in synthetic PU directly over plywood.Drawer channels in black finish.

12"

18-20

Lacquered brass pull handle as per approved sample

Fabric panelled headboard (detailID-RB-DR-DET-01)

Side table top clad in teak wood over a plywood base and finished in approved shade and texture of synthetic PU

R4 Side table top clad in teak wood over a plywood base and finished in approved shade and texture of synthetic PU

gfc drawings and interior design

// sarovar bodhgaya

furniture & soft furnishing

TITLE: FURNISHING SCHEDULE SCALE: 1: 25 REV NO: DATE OF REVISION:

SHEET SIZE: A3

DRAWING NO: ID-RB-TR-FRN-SCH DATE OF DRAWING: 29/03/2019 25/10/2018 PURPOSE: GFC

soft furnishing quantification & carpet design FABRIC SCHEDULE - TWIN ROOM TOTAL NO. OF TWIN ROOMS - 59 Nos. SR. NO.

APPLICATION

FABRIC CODE

QTY (PER ROOM)

METERAGE/ PER PIECE

TOTAL METERAGE FOR 59 ROOMS

TOTAL METERAGE FOR 59 ROOMS+ 4 Extra (63 rooms)

Armchair (C1)

Pravin Kumar & Co.Book-2100 (PKC-2100-18)

118

126

Diwan Base (D3)

Pravin Kumar & Co.Book-2100 (PKC-2100-18)

531

567

Diwan Bolster (39” X 8”) (Size to be approved basis sample)

Century For All ( RC57000627)

Diwan Cushion (18” X 18”) (Size to be approved basis sample)

BS-CU (Alta + Pinstripe)

Diwan Accent Cushion (25” X 10”) (Size to be approved basis sample)

BS-AC-01 (Alta +Century For All RC57000627)

Bed Accent Cushion (25” X 10”)

BS-AC-01 (Alta +Century For All RC57000627)

Bed Runner (67” X 16”)

BS + BR ( Alta + Pinstripe )

Headboard

KC Fabrics-Holland (17603)

3.65

215.35

229.95

Curtain Top Panel (Refer height of Curtain panel design in Made up)

Century For All ( RC57000617)

1 set

16.5

973.5

1039.5

Curtain Bottom Panel (Refer height of Curtain panel design in Made up)

Century For All ( RC57000627)

1 set

4.5

265.5

283.5

Sheer Curtain

Synergy R.Romors (RC93000048)

1 set

826

882

IMAGE

MEETING ROOM

3650

MEETING ROOM

3650

LIBRARY

3650

LIBRARY

- Made ups to be supplied by Synergy

LIBRARY

- Fabrics to be supplied by Synergy

ENTRY FROM RECEPTION ENTRY FROM RECEPTION

ENTRY FROM RECEPTION

ENTRY FROM RECEPTION MEETING ROOM

SAROVAR BODHGAYA

TITLE: LOUNGE -CARPET ARTWORK

REVISIONS:

SCALE: VARIES

SHEET SIZE: A3

REV NO: DATE OF REVISION:

PMC:

CLIENT:

DRAWING NO: ID-PB-LC-PLN-01 DATE OF DRAWING: 17/01/2019

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

NOTES:

PROJECT:

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021KILLEDAR INDL.EST. 302-303,VEENA ,10/14,PAIS STREET, BYCULLA-WEST,

ARCHITECT: DRAWING NO: ID-PB-LC-PLN-01

TITLE: LOUNGE -CARPET ARTWORK

REVISIONS:

SCALE: VARIES

SHEET SIZE: A3

PMC:

CLIENT:

PURPOSE: ADVANCE COPY

NOTES:

PROJECT:

SAROVAR BODHGAYA

DATE OF DRAWING: 17/01/2019 302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

REV NO: DATE OF REVISION:

LIBRARY

NOTES:

PROJECT:

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

LIBRARY

CLIENT:

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

REVISED LOUNGE PLAN ARCHITECT:

ARCHITECT: PMC:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 MARASA HOSPITALITY PVT. LTD. TEL.NO.: 022- 2300 8766, 022-23008761 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

TITLE: LOUNGE -CARPET ARTWORK

REVISIONS:

PMC:

CLIENT:

MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PROJECT:

DRAWING NO: ID-PB-LC-PLN-01 SAROVAR 302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

SCALE: VARIES

SHEET SIZE: A3

REV NO: DATE OF REVISION:

BODHGAYA

MASTERS PMC

DATE OF DRAWING: 17/01/2019 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

NOTES: 1. All Dimensions Are In MILLIMETERS Unless Otherwise Specified 2. All Dimensions Specified Are UnFinished Dimensions, Unless Otherwise Specified. 3. All Structural Dimensions Shall Be Confirmed As Per Consultants' Drawings. 4. Any Discrepancies In the Drawings Shall Be Brought To The Notice Of The Architect,Prior to Execution. 5. DO NOT SCALE Drawing

TITLE: LOUNGE -CARPET ARTWORK

REVISIONS:

SCALE: VARIES

DRAWING NO: ID-PB-LC-PLN-01

SHEET SIZE: A3

REV NO: DATE OF REVISION:

DATE OF DRAWING: 17/01/2019 PURPOSE: ADVANCE COPY

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

This "drawing" PURPOSE: is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned. ADVANCE COPY

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

PURPOSE: ADVANCE COPY This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

LIBRARY

REVISED LOUNGE PLAN ARCHITECT:

DETAIL A

REVISED LOUNGE PLAN

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

EXTENT OF THE RUG -1:25

DETAIL A

LEGEND

DETAIL A SHOWING THICKNESS OF FULL CUT PILE- 1:1

EXTENT OF THE RUG -1:25

ENTRY FROM RECEPTION

COLOUR

COLOUR CODE

A480

ARCHITECT:

PMC:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

A018

LEGEND

DETAIL A SHOWING THICKNESS OF FULL CUT CLIENT: PILE1:1 NOTES: PROJECT:

LOUNGE PLAN ( SCALE 1:50)

REVISIONS:

COLOUR

SCALE: VARIES ARCHITECT:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PMC:

SHEET SIZE: A3

CLIENT:

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

ARCHITECT: TITLE: LOUNGE -CARPET ARTWORK

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

SCALE: VARIES

SHEET SIZE: A3

DATE OF DRAWING: 17/01/2019

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

NOTES:

PROJECT:

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

REVISIONS:

SCALE: VARIES

SHEET SIZE: A3

SAROVAR BODHGAYA

REVISIONS:

TITLE: LOUNGE -CARPET ARTWORK SCALE: VARIES

SHEET SIZE: A3

REV NO: DATE OF REVISION:

ARCHITECT:

DRAWING NO:

PMC:

CLIENT:

PURPOSE: REVIEW

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

PROJECT:

SAROVAR BODHGAYA

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 MARASA HOSPITALITY PVT. LTD. FAX.NO. : 022-2309 0983 11th FLOOR, BAKHTAWAR BUILDING, email: design @sjkarchitect.com NARIMAN POINT,MUMBAI 400 021

LOUNGE PLAN ( SCALE 1:50)

RUG DESIGN ( SCALE 1:20)

ARCHITECT: PMC: TITLE: LOUNGE -CARPET ARTWORK

REVISIONS:

SCALE: VARIES

SHEET SIZE: A3

REV NO: DATE OF REVISION:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

CLIENT: PROJECT: DRAWING NO:

NOTES: 1. All Dimensions Are In MILLIMETERS Unless Otherwise Specified 2. All Dimensions Specified Are UnFinished Dimensions, Unless Otherwise Specified.

RUG DESIGN ( SCALE 1:20)

REVISIONS:

TITLE: LOUNGE -CARPET ARTWORK

SAROVAR DATE OF DRAWING: 11/02/2019 3. All Structural Dimensions Shall Be Confirmed As Per Consultants' Drawings. BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

PURPOSE: REVIEW MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

SCALE: VARIES

4. Any Discrepancies In the Drawings Shall Be Brought To The Notice Of The Architect,Prior to Execution. 5. DO NOT SCALE Drawing

SHEET SIZE: A3

REV NO: DATE OF REVISION:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

DRAWING NO: DATE OF DRAWING: 11/02/2019 PURPOSE: REVIEW

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

DATE OF DRAWING: 22/02/2019

REV NO: DATE OF REVISION:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PURPOSE: SAMPLING

2600

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

NOTES:

PROJECT:

302-303,VEENA KILLEDAR INDL.EST. MARASA HOSPITALITY PVT. LTD. ,10/14,PAIS STREET, BYCULLA-WEST, 11th FLOOR, BAKHTAWAR BUILDING, MUMBAI-400 011 NARIMAN POINT,MUMBAI 400 021 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

DRAWING NO: ID-PB-LG-CRT-1

TITLE: LOUNGE-CARPET ARTWORK

CLIENT:

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

PURPOSE: ADVANCE COPY

A018

CLIENT:

PMC:

DRAWING NO: ID-PB-LC-PLN-01

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

REV NO: DATE OF REVISION:

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

PMC:

LOUNGE PLAN ( SCALE 1:50)

REVISED LOUNGE PLAN

A480 REVISIONS:

PURPOSE: SAMPLING

BODHGAYA

MASTERS PMC

DATE OF DRAWING: 22/02/2019

NOTES:

PROJECT:

REV NO: DATE OF REVISION:SAROVAR

109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

COLOUR CODE

DRAWING NO: ID-PB-LG-CRT-1

TITLE: LOUNGE-CARPET ARTWORK

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

ARCHITECT:

RUG DESIGN ( SCALE 1:20)

1500 1500

DETAIL A

EXTENT OF THE RUG -1:15

LEGEND COLOUR CODE

COLOUR 40

A008 A018

ARCHITECT:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PMC:

DETAIL A SHOWING THICKNESS OF FULL CUT PILE- 1:1

CLIENT:

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

NOTES:

PROJECT:

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

REVISIONS:

TITLE: GUEST ROOM - CARPET ARTWORK

SCALE: VARIES

SHEET SIZE: A3

REV NO: DATE OF REVISION:

DETAIL A

1500

DRAWING NO: ID-PB-S-CRT-2

1500

DATE OF DRAWING: 22/02/2019

EXTENT OF THE RUG -1:15

PURPOSE: SAMPLING

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

LEGEND COLOUR

COLOUR CODE

PLAN ( SCALE 1:50)

REVISED RUG DESIGN( SCALE 1:20)

A008 A018

ARCHITECT:

PMC:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

CLIENT:

NOTES:

PROJECT:

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

2600

DETAIL A SHOWING THICKNESS OF FULL CUT PILE- 1:1 REVISIONS:

TITLE: GUEST ROOM - CARPET ARTWORK SCALE: VARIES

SHEET SIZE: A3

REV NO: DATE OF REVISION:

DRAWING NO: ID-PB-S-CRT-2 DATE OF DRAWING: 22/02/2019 PURPOSE: SAMPLING

2600

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PMC:

CLIENT:

NOTES:

PROJECT:

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

ARCHITECT:

REVISIONS:

PMC:

CLIENT:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

ARCHITECT: TITLE: FURNITURE LAYOUT REVISIONS:

NOTES:

PROJECT:

SAROVAR BODHGAYA

ARCHITECT:

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

SCALE: VARIES

PMC:

CLIENT: PROJECT: DRAWING NO: ID-RB-S-PLN-01

SHEET SIZE: A3

REV NO: DATE OF REVISION:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

NOTES:

TITLE: REVISIONS:

SAROVAR DATE OF DRAWING: 11/02/2019

ARCHITECT:

SCALE: VARIES

BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

PMC:

CLIENT:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

NOTES: DRAWINGPROJECT: NO: ID-RB-S-PLN-01

SCALE: VARIES

BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PURPOSE: REVIEW

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

DRAWING NO: ID-RB-S-PLN-01

TITLE: FURNITURE LAYOUT REVISIONS:

SAROVAR DATE OF DRAWING: 11/02/2019

SHEET SIZE: A3

REV NO: DATE OF REVISION:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PURPOSE: REVIEW

DETAIL A This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned. This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

SHEET SIZE: A3

REV NO: DATE OF REVISION:

PURPOSE: REVIEW

DRAWING NO: ID-RB-S-PLN-01

TITLE: FURNITURE LAYOUT

DATE OF DRAWING: 11/02/2019

SCALE: VARIES 302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

SHEET SIZE: A3

REV NO: DATE OF REVISION:

PURPOSE: REVIEW

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

EXTENT OF THE RUG -1:15

LEGEND 50

COLOUR

COLOUR CODE A480

A505

DETAIL A SHOWING THICKNESS OF FULL CUT PILE- 1:1 ARCHITECT:

PMC:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

CLIENT:

PROJECT:

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

NOTES:

TITLE: SUITE LIVING ROOM-CARPET ARTWORK DRAWING NO: ID-PB-S-CRT-1

REVISIONS:

DETAIL A

SCALE: VARIES

SHEET SIZE: A3

DATE OF DRAWING: 22/02/2019

REV NO: DATE OF REVISION:

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

PURPOSE: SAMPLING

EXTENT OF THE RUG -1:15

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

LEGEND 50

COLOUR

PLAN ( SCALE 1:50)

COLOUR CODE

RUG DESIGN - OPTION 2 ( SCALE 1:20) PLAN ( SCALE 1:50)

RUG DESIGN - OPTION 1 ( SCALE 1:20)

A480

A505

DETAIL A SHOWING THICKNESS OF FULL CUT PILE- 1:1 ARCHITECT:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PMC:

CLIENT:

NOTES:

PROJECT:

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

TITLE: SUITE LIVING ROOM-CARPET ARTWORK DRAWING NO: ID-PB-S-CRT-1

REVISIONS:

SCALE: VARIES

ARCHITECT:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PMC:

CLIENT:

NOTES:

REVISIONS:

ARCHITECT:

SAROVAR BODHGAYA

MASTERS PMC 109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

PROJECT:

SHEET SIZE: A3

REV NO: DATE OF REVISION:

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PMC:

CLIENT:

109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

PURPOSE: SAMPLING

SAROVAR BODHGAYA

MASTERS PMC MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

DATE OF DRAWING: 22/02/2019

PROJECT:

NOTES:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

TITLE: REVISIONS: FURNITURE LAYOUT SCALE: VARIES REV NO: DATE OF REVISION:

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

ARCHITECT:

SHEET SIZE: A3

PMC: CLIENT: DRAWING NO: ID-RB-S-PLN-01 DATE OF DRAWING: 11/02/2019

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

MASTERS PMC

PURPOSE: REVIEW

109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

PROJECT:

SAROVAR BODHGAYA

NOTES:

ARCHITECT: TITLE: REVISIONS: SCALE: VARIES

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PMC:

SHEET SIZE: A3

REV NO: DATE OF REVISION:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

CLIENT: PROJECT: DRAWING NO: ID-RB-S-PLN-01

NOTES:

REVISIONS: TITLE:

SAROVAR DATE OF DRAWING: 11/02/2019

109, NEW UDYOG MARG,KAMANWALA CHAMBERS NO.2, UNIT NO. 7, GROUND FLOOR, MUGAL LANE, MAHIM (WEST), MUMBAI 400016

SCALE: VARIES

BODHGAYA

MASTERS PMC

PURPOSE: REVIEW MARASA HOSPITALITY PVT. LTD. 11th FLOOR, BAKHTAWAR BUILDING, NARIMAN POINT,MUMBAI 400 021

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

REV NO: DATE OF REVISION:

TITLE: FURNITURE LAYOUT

DRAWING NO: ID-RB-S-PLN-01 SHEET SIZE: A3

SCALE: VARIES

DATE OF DRAWING: 11/02/2019 PURPOSE: REVIEW

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

REV NO: DATE OF REVISION:

SHEET SIZE: A3

DRAWING NO: ID-RB-S-PLN-01 DATE OF DRAWING: 11/02/2019 PURPOSE: REVIEW

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

SJK ARCHITECTS 2019 //

R ES T R OOM DES IG N Typology : Apartment Location : Mumbai Area : 30 sq. ft. Involvement : Design Development , GFC Drawings , Site Supervision

This was a project where the client wanted to redesign her restroom. The brief given for this project was to design an spatially efficient Restroom while getting in the maximun light possible . On this project I had the opportunity of working on the design development with the principal architect and was solely responsible for this project. There were also several trips to the site for site measurement , assessing design possiblities , relaying to the contractor the work to be done and crosschecking the work executed. I also helped the client with the tile selection visting several stores with her. As for the drawings : the drawings were produced for civil work , electrical , lighting and dado layout.

2.3

C 2180approx. 950

1130 1240

100 940

eq. eq.

150

SHOWER

eq. WB

FLOOR SLOPE

1190 approx.

Align to center of counter

eq.

B NT

150

850 1025 EQ.

560 660-rem.

560-clear EQ.

Align to center of shower cubicle

ELECTRICAL LAYOUT ALIGN TO CENTER OF SHOWER

LIGHTING LAYOUT

ALIGN TO CENTER OF COUNTER

CENTER OF BATHROOM

ALIGN TO CENTER OF SHOWER CUBICLE

560

02-303,VEENA KILLEDAR INDL.EST. 0/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 L.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

NOTES:

PROJECT:

CENTER OF BATHROOM

FN1

Health Faucet

Flush Valve

Nahni Trap

Hand Shower

Overhead Shower

Mixer

Spout

Lavatory Faucet

Wash Basin

ALIGN TO CENTER OF COUNTER

TITLE: PLAN

1. All Dimensions Are In MILLIMETERS Unless Otherwise Specified 2. All Dimensions Specified Are UnFinished Dimensions, Unless Otherwise Specified. 3. All Structural Dimensions Shall Be Confirmed As Per Consultants' Drawings. CL1 Brought 4. Any Discrepancies In the Drawings Shall BeSW1 To The Notice Of The Architect,Prior to Execution. 5. DO NOT SCALE Drawing

SCALE: 1:20

EQ.

RESHMA GURNANEY

Angle Cock

DRAWING NO: ID - BT- PLN EQ.

CLIENT:

EQ.

PMC:

Water Closet

eq.

SHEET SIZE: A4 CL1

EQ.

eq.

CENTER OF REV NO: BATHROOM DATE OF REVISION:

CL1

SW1

EQ.

150

LEGEND:

EQ.

CHITECT:

restroom layout

DATE OF DRAWING: 09/05/2019

302-303,VEEN ,10/14,PAIS STR MUM TEL.NO.: 022- 2 FAX.NO email: desig

PURPOSE: CIVIL WORK AND PLUMBING CL1

EQ.

s "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned. SB1

EQ.

eq.

No.

ARCHITECT:

PMC:

CLIENT: RESHMA GURNANEY

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PROJECT:

Location Above Basin Counter Right side wall

SYM.

eq.

Height - B.O.P. (Bottom of Plate)

Typology

6/16A universal Switch socket, 1015mm from FFL Light control , geyser & pump control.

NOTES:

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

Control CL1, SW1 , FN1, Geyser , Pump

Module size As per Electrical contractor

TITLE: ELECTRICAL LAYOUT SCALE: 1:20 REV NO: DATE OF REVISION:

CODE

EQ. 850

TYPE

EQ.

EQ. 560

SHEET SIZE: A4

FN1

Ceiling mounted fan

CL1

Surface Mounted CanLight

SW1

Linear Wall Scone

ARCHITECT:

DRAWING NO: ID - BT- PLN- ELEC

PMC:

CLIENT: RESHMA GURNANEY

DATE OF DRAWING: 22/05/2019 PURPOSE: GFC

LEGEND: SYM.

Looping

ALIGN TO CENTER OF WALL

SWITCHBOARD LEGEND:

SB1

EQ.

LEGEND:

EQ. 850

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PROJECT:

NOTES:

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

TITLE: LIGHTING LAYOUT SCALE: 1:20 REV NO: DATE OF REVISION:

CODE

TYPE

CL1

Surface Mounted CanLight

SW1

Linear Wall Scone

REF.IMG

DRAWING NO: ID - BT- PLN- L SHEET SIZE: A4

DATE OF DRAWING: 22/05/2019 PURPOSE: GFC

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

design , gfc drawings , site supervision

// restroom design

restroom- design options

restroom- execution drawings LEGEND: Fluted Full tile (600X 300) Bottom of ceiling. at 2.7M from FFL

Fluted Remainder tile Plain Full tile (450 X 300) Plain Remainder tile Marble 250-approx.

1035

2700approx.

97-approx.

1845-rem.

Align to top of window

MIRROR

start point 2

865 CABINET

265

CABINET

ARCHITECT:

PMC:

CLIENT:

PROJECT:

RESHMA GURNANEY 302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

NOTES:

TITLE: SECTION C

Water Closet

Angle Cock

Health Faucet

Flush Valve

Nahni Trap

Hand Shower

Overhead Shower

Mixer

Spout

Lavatory Faucet

Wash Basin

125-approx

SHEET SIZE: A4

REM

start point 1

0.0m FFL

ARCHITECT:

PMC:

CLIENT:

NOTES:

PROJECT:

DRAWING NO: ID - BT- SEC-D-D

SCALE: 1:20

SHEET SIZE: A4

DATE OF DRAWING: 31/05/2019

REV NO: DATE OF REVISION:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PURPOSE: CIVIL WORK AND PLUMBING

TITLE: SECTION D

RESHMA GURNANEY

DATE OF DRAWING: 09/05/2019

DRAWING NO: ID - BT- SEC-C

SCALE: 1:20 REV NO: DATE OF REVISION:

125-approx

280

12-approx.

DRAWER

1005

230

150

200

LEGEND:

PURPOSE:

GFC

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

180-approx

LEGEND:

118-approx

Fluted Full tile (600X 300)

Bottom of ceiling. at 2.7M from FFL

Fluted Remainder tile Plain Full tile (450 X 300)

start point 1

Plain Remainder tile Marble

REM 3

2700approx.

2000

1095 795

265 75 ARCHITECT:

PMC:

CLIENT:

PROJECT:

RESHMA GURNANEY 302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

NOTES:

TITLE: SECTION B

Water Closet

Angle Cock

Health Faucet

Flush Valve

Nahni Trap

Hand Shower

Overhead Shower

Mixer

Spout

Lavatory Faucet

Wash Basin

SHEET SIZE: A4

ARCHITECT:

PMC:

CLIENT:

PROJECT:

NOTES:

TITLE: SECTION B

RESHMA GURNANEY

DATE OF DRAWING: 09/05/2019 PURPOSE: CIVIL WORK AND PLUMBING

0.0m FFL

DRAWING NO: ID - BT- SEC-B

SCALE: 1:20 REV NO: DATE OF REVISION:

SECTION C

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

20-approx.

205-approx.

LEGEND:

230

150

DRAWING NO: ID - BT- SEC-B-D

SCALE: 1:20

SHEET SIZE: A4

REV NO: DATE OF REVISION:

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

DATE OF DRAWING: 31/05/2019 PURPOSE:

GFC

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

87-approx

Align to edge of tile

LEGEND:

112-approx

Fluted Full tile (600X 300)

Bottom of ceiling. at 2.7M from FFL

Fluted Remainder tile

start point

Plain Full tile (450 X 300) Plain Remainder tile

58-approx

Marble

600

850

865

ARCHITECT:

PMC:

CLIENT: RESHMA GURNANEY

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PROJECT:

400

NOTES:

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

200

265

TITLE: SECTION A SCALE: 1:20 REV NO: DATE OF REVISION:

Water Closet

Angle Cock

Health Faucet

Flush Valve

Nahni Trap

Hand Shower

Overhead Shower

Mixer

Spout

Lavatory Faucet

Wash Basin

45-approx

NICHE

0.0m FFL

ARCHITECT:

DRAWING NO: ID - BT- SEC-A SHEET SIZE: A4

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

PMC:

CLIENT:

PROJECT:

Align to edge of tile

NOTES:

RESHMA GURNANEY

DATE OF DRAWING: 09/05/2019 PURPOSE: CIVIL WORK AND PLUMBING

NICHE

205-approx.

230

155-approx.

150

LEGEND:

530-approx.

20-approx.

150

2700approx.

1035

PIVOTED WINDOW

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

TITLE: SECTION A SCALE: 1:20 REV NO: DATE OF REVISION:

DRAWING NO: ID - BT- SEC-A-D SHEET SIZE: A4

DATE OF DRAWING:31/05/2019 PURPOSE:

GFC

302-303,VEENA KILLEDAR INDL.EST. ,10/14,PAIS STREET, BYCULLA-WEST, MUMBAI-400 011 TEL.NO.: 022- 2300 8766, 022-23008761 FAX.NO. : 022-2309 0983 email: design @sjkarchitect.com

This "drawing" is the copyright of SJK Architects and shall not be used for any purpose other than that for which it has been loaned.

mad(e) in mumbai architects 2018 //

S M ART PUB LIC TOILET S Typology : Public Convenience Facility Location : Rajasthan Involvement : Design Development & Tender Drawings

The summer internship at Mad(e) in Mumbai Architects involved Designing, Design Development, Coordination with Structural & Plumbing Consultants and Preparation of BOQ Drawings for their various proposals of Public Convenience facilities , to the Govternment of Rajasthan for seven cities in the state under the Swachh Bharat Abhiyan. While working here I primarily focuses on the typology of “The Pavement Toilet” .It is a small toilet of 5.5m*24m designed to sit on the tight pavements in the city . The design was altered and sized to fit the different site conditions in different cities; the overall idea reamining constant throughout.

2.4

*Project Logos rendered by Lorenzo Fernandes

design development & tender drawings

// smart public toilets

pavement toilet - typology 1

Roof Access Solar Panels Entrance to Gents Toilet Caretakers counter Entrance to Ladies Toilet Seating

pavement toilet - typology 2 Axonometric View

SMART PUBLIC TOILETS-BIKANER Site 3- Jawahar Park

Architects: Client: Bikaner Nagar Nigam

(w) www.madeinmumbai.net (e) admin@madeinmumbai.net PROPOSAL 1 AXONOMETRIC VIEW (t) 022-24144022

Sheet No. - 04

Revision: 01 Date:

May 09,Caretakers 2018 Room

Ladies Toilet

Existing Toilet

Urinal ATM Drinking Water

Bus Stop Waiting Area

Axonometric View 101

SMART PUBLIC TOILETS-AJMER

Architects: Client:

(w) www.madeinmumbai.net (e) admin@madeinmumbai.net

Sheet No. - 04

Revision: 02

tender drawings

100mm RCC Pardi Wall 230*600mm RCC Beam 75mm THK RCC Slab Siporex Coba Filling 300*600mm RCC Beam 300mm THK. RCC. Beam of varying depth

115mm THK. Brick Ledge Wall Plastered and Painted

150mm THK. RCC Slab

Mirror

Washbasin Tissue Paper Dispenser

P1 L3

Siporex Coba FIlling

300mm THK. Brick Wall Plastered and Painted 5.75m 5.5m

150mm RCC Pardi Wall

5.3m

P1 L3

P1 L2

Local Lintel

4.15m P1 L1

P1 L1 P1 L1

P1 L1

GENTS TOILETS P1 L1

LADIES TOILETS P1 L1

150mm RCC Slab

2.55m

P1 L1

115mm THK. Brick Ledge Wall Plastered and Painted

D4 D6 P2 L1

300mm THK. Brick Wall Plastered and Painted

Abu Black Marble Seating

450mm Brick Bat Coba

Abu Black Marble Flooring

Brick Infill

P2 L1

0.6m

Skirting Abu Black Marble Flooring

Abu Black Marble Flooring

450mm Brick Bat Coba M.S. Ladder 230mm THK. RCC Shear Wall Plastered and Painted

Wooden Louvered Cabinet

Abu Black Marble Seating

PLASTER SCHEDULE:

PAINT SCHEDULE:

PLASTER TYPE

TITLE

PLASTER TYPE

Smooth Cast Plaster

Asian Paints/Ochre Yellow

Sand Cast Plaster

Asian Paints/White Asian Paints/Grey

Drawing:

SMART PUBLIC TOILETS

Architects:

MAD(E) IN MUMBAI

Architectural Sections

(w) www.madeinmumbai.net (e) admin@madeinmumbai.net (t) 022-24144022

Section AA' Stone wash basin Counter top (finished with Abu Black Marble, wooden louvred cabinets below)

Seating (supported on brickwork, finished with Abu Black Marble)

Project #

D w g: S c a l e:

1 : 75

D a t e:

MAY 24, 2018

COMPOUND WALL

All Dimensions are In Meters.

VANITY TABLE

4.5m

Seating (supported on brickwork, finished with Abu Black Marble)

PROPOSAL 1 SIDE VIEW

TITLE

COMPOUND WALL

VANITY TABLE WASHBASINS

0.95mx1.6m

0.15m

WC:1

3 URINALS: 5

GENTS TOILETS 0.15m LOBBY

ROOF ACCESS 1.2mx1.2m

5.4mx1.45m

2.6mx3.9m

WASHBASINS

LADIES TOILETS 0.15m LOBBY

FEEDING ROOM

0.15m

WC:2

WC:3

0.45mx1.2m

2.6mx3.9m

0.15m

CARETAKERS COUNTER

1.5mx1.4m

DISABLED TOILET

W1 CARETAKERS ROOM

5.4mx1.82m

0.95mx1.6m

1.8mx1.5m

GENTS TOILETS

LADIES TOILETS FEEDING ROOM

0.95mx1.2m

SEATING 1.5mx0.5m

WC:1

0.95mx1.2m

WC:2

1.5mx1.2m

WC:3

1.5mx1.2m

WC:4

CABINET

0.15m

4.5m

CARETAKERS ROOM

21m

21m Seating (Abu Black Marble)

ELECTRICAL SCHEDULE:

FLOORING SCHEDULE: F1

Drawing:

Furniture Layout

Ground Floor Plan

Architects:

MAD(E) IN MUMBAI

Project # D w g:

(w) www.madeinmumbai.net (e) admin@madeinmumbai.net (t) 022-24144022

All Dimensions are In Meters.

S c a l e:

1 : 75

D a t e:

MAY 24, 2018

SMART PUBLIC TOILETS

Drawing:

Flooring Layout

Ground Floor Plan

Abu Black Marble Flooring Slate Flooring

Paver Blocks

Architects:

MAD(E) IN MUMBAI

Project # D w g:

(w) www.madeinmumbai.net (e) admin@madeinmumbai.net (t) 022-24144022

All Dimensions are In Meters.

S c a l e:

1 : 75

D a t e:

MAY 24, 2018

Drawing:

SMART PUBLIC TOILETS

Plumbing Layout: Sewage

Architects:

MAD(E) IN MUMBAI

Project # D w g:

(w) www.madeinmumbai.net (e) admin@madeinmumbai.net (t) 022-24144022

All Dimensions are In Meters.

Ground Floor Plan

BACK OPEN SPACE

2 URINALS

0.15m

3 1

SYMBOL

1 : 75 MAY 24, 2018

FIXTURE TYPE

NOS.

TUBE LIGHT

SPACE

BOARDS

SYMBOL

POINTS

FEMALE TOILET

SB-2

SOCKET-1,LIGHT-8,EX- 4

CARETAKERS ROOM

SB-4

SOCKET-1,LIGHT-2

CARETAKERS SEATING

SB-3

SOCKET-3,LIGHT-11,CCTV-3

CCTV

MALE TOILET

SB-1

SOCKET-2,LIGHT-11,EX- 4

STAIRCASE SHAFT

LED STRIP

EXHAUST FAN

FEEDING AREA

SB-5

SOCKET-1,LIGHT-2

STAIRCASE SHAFT

SWITCH BOARD

PLUG POINT

LOFT 1

SB-7

SOCKET-1,LIGHT-1

LOFT 2

SB-8

DISTRIBUTION BOX

PUMP

SMART PUBLIC TOILETS

Drawing:

Electrical Layout

Ground Floor Plan

SB-6

SOCKET-1,LIGHT-1,PUMP-1

FIXTURE WESTERN W.C. WITH JET SPRAY

FLUSH VALVE/ FLUSH PLATE

INDIAN W.C.

GRAB RAILS

BIB COCK AND HEALTH FAUCET

CHANGING STATION SANITARY NAPKIN DISPENCER

TOILET PAPER HOLDER

SB- 1-6

INCINERATOR SOAP DISPENSER

TISSUE PAPER DISPENCER

NAHNI TRAP COUNTER TOP WASHBASIN

SOCKET-1,LIGHT-1

Architects:

MAD(E) IN MUMBAI

Project # D w g:

(w) www.madeinmumbai.net (e) admin@madeinmumbai.net (t) 022-24144022

All Dimensions are In Meters.

S c a l e:

1 : 75

D a t e:

MAY 24, 2018

SMART PUBLIC TOILETS

Drawing:

Plumbing Layout: Water Supply Ground Floor Plan

Architects:

MAD(E) IN MUMBAI

Project # D w g:

(w) www.madeinmumbai.net (e) admin@madeinmumbai.net (t) 022-24144022

All Dimensions are In Meters.

S c a l e:

1 : 75

D a t e:

MAY 24, 2018

SMART PUBLIC TOILETS

Drawing:

Fixtures Layout

Ground Floor Plan

Architects:

MAD(E) IN MUMBAI

Project # D w g:

(w) www.madeinmumbai.net (e) admin@madeinmumbai.net (t) 022-24144022

All Dimensions are In Meters.

S c a l e:

1 : 75

D a t e:

MAY 24, 2018

LADIES TOILET 0.15m

EXISITING GENTS TOILET 10

5 7 8

0.15m

0.15m 4

4.4m

1.2m UP

S c a l e: D a t e:

LEGEND:

ELECTRICAL SCHEDULE: NOS. 38

CEILING LIGHTS

FLOORING TYPE

FIXTURE TYPE WALL LIGHTS

Wooden Cabinet

TITLE

SMART PUBLIC TOILETS

SYMBOL

21m Seating (supported on brickwork, finished with Abu Black Marble)

1.1m

Seating (supported on brickwork, finished with Abu Black Marble)

0.15m

11.9m

10.4m ROAD

Ground Floor Plan Legend:

4-Handicapped Toilet

8-Dispenser

1-Seating

5-Vanity Table

9-Incinerator

No. of Urinals

4 Units

2-A.T.M.

6-Washbasin

10-WC

No. of Indian Wc

3-Drinking Water

7-Diaper Changing Station

10-Caretakers Room/Pump Room

2 Units 2 Units

SMART PUBLIC TOILETS-AJMER Site 4-Opposite Bus Station

Architects: Client: Ajmer Nagar Nigam

(w) www.madeinmumbai.net (e) admin@madeinmumbai.net (t) 022-24144022

No. of Toilet Units

No. of WC

No. of Handicapped Toilet 1 Unit

PROPOSAL 2 SIDE VIEW

Sheet No. - 02

Revision: 02 Date:

May 31, 2018

102

mad(e) in mumbai architects 2018 //

2.5 103

R ES T R OOM R EN OVATION Typology : Bathroom Location : Lucknow Involvement : Design Development , Material Selection & Execution

corian basin design

cabinet design Vanity - Mirror Cabinet

Cleaning Supply Cabinet

104

design development & execution

// restroom renovation

finished

105

restroom

106

international exchanges

IJburg Dwelling Workshop // TU Delft X KRVIA Housing design

109 - 112

Paper Market // UBC X KRVIA Urban design

113 - 116

tu delft 2018 //

IJB UR G DW ELLIN G WO R K S HOP

The main objective of the workshop is to provoke

housing, social housing, bachelor housing ,couple housing,

students to engage with the territory of IJburg in

student housing, old age homes etc. The proposed Family

Amsterdam and respond to the city’s housing challenges

housing unit caters to families with young children.The

by producing an inclusive urban habitat within the new

requirement for this typology is for the children to have a

urban plan prepared by the Municipality of Amsterdam.

social space within the building and also a daycare facility

During the field-trip and workshop in the Netherlands, several key neighbourhoods and housing projects

The design is such that the front facade follows the

were visited to give students an insight into the various

flat street facade guidelines and height .On the inside ,the

TYPOLOGIES that one can find in the city, as well as the

combination of different housing units helps to cascade

changing living patterns and demands that Amsterdam is

the form creating inward looking terraces (social spaces)

currently facing. The studio aims to provoke designs that

for the children and familes.The ground floor has a day

are inspired and idealistic, but realistic as well.

care facility which can be overseen by the residents of the

On the island of IJburg one residential block comprises of different housing typologies such as family

3.1

for the working parents with young kids .

old age home right opposite the family housing unit.

Year : 4 Semester : 8

Guide: Dick Van Gamren , Rohan Verma Location : IJburg

housing workshop

// tu delft

urban design guidelines

IJBURG ISLAND

IJBURG ISLAND-BLOCK LAYOUT

BLOCK - PLOT SIZING

STREET SECTION

*Presentaiton by Faculty TU -Delft

111

family housing unit- design

PRIVATE BALCONY

FRONT YARD

PLAY AREA

SUNKEN COURT

DAY CARE AND COMMON BACKYARD

DIAGRAMATIC SECTION

FRONT VIEW

BACK VIEW

DESIGN SECTION

PLANS

112

UBC 2019 //

PA PER MAR K ET

The history of urbanization in Indian context is the key

study tour focuses on the locating the bazaars or precincts

response to the social, spiritual, religious and economic

with occupational identity with respect community or

needs in cities. The economic needs and means are often

public realms.

overlaps with the community and identity of the precinct

Tucked away between Fort and CST station, Bora

within the historic core of many Indian cities. These

Bazar’s lanes are home to some of the decade-old paper

aspects of the city, in representation can depict several

and stationery shops. These are both - wholesale and

layers of networked conditions. The inner city historic core

retail. While both, the English and Indians inhabited the

of Mumbai also represents the similar attributes. The joint

Fort walls in Bombay, they stayed in separate sections.

work studio attempts to identify the forces that underpin

The Bazar Gate area existed in the northern part of the

such historic networked conditions that are often being

fort and it was where the Indians lived. Hence, one finds

hidden. The workshop shall encompass the study of work

streets named Bora Bazar and Parsi Bazar etc. based on

places of precincts, which are typologically classifiable. It

the communities who resided within the fort walls. The

also attempts to study the nature of public realm, activity

exercise involved proposals of realistic interventions in the

pattern along with history and heritage. The initial part of

street to make the user experience more pleasant.

3.21 * VANCOUVER LEG OF WORKSHOP CANCELLED DUE TO COVID -19 OUTBREAK

Year : 4

Guide: Jill Bambury , Manoj Parmar

Semester : 8

Location : Mumbai

A P E R M

bora bazaar - paper market R PE PA

// ubc

PAPER NETWORK

FR OM

S RT PA

RELIGIOUS

TR Y

AGENCY

TIME

Bora Bazar’s presence within the old fort indicates that various rules and regulations are applied to it regarding its upkeep. Rent control on some sites allow for cheaper rent for residents. Although known as a paper bazaar, there are also cellular shops, bakeries, restaurants, and grocery stores on the site. In addition, the market’s origins as a Bohra community and presence of a Parsi temple indicate religious agency.

SUPPLIERS

TOURISTS

U CO

t.u.p.a.c. analysis USERS

SITE S AND T EMPLES SO

E TH

ED RC

IN ITH

ERE

APE 80% P

DIF F

CITY

PEO PLE L COME T O VISIT HISTORICA

TS UC OD

AS IA

PE PA

urban design study

TO NT SE

FRO

MARKET TO CHOO

R PE PA

% 20

CL IEN TS GO T HE TH E

E LIN ON LD SO

ICE ARE THE BIG ND OFF GES KS A TC UT BAN OM ER S

E IN TH RES STO NT RE FE DIF

CUSTOMERS

RESIDENTS

Days begin at 10 am, with labourers delivering goods to stock the various stores. The bazar is open from 10 am to 8 pm, and is normally closed on holidays.

GOVT.

PARSI TRUST

BOHRI MUSLIM COMMUNITY

Days begin at 10 am, with labourers delivering goods to stock the various stores. The bazar is open from 10 am to 8 pm, and is normally closed on holidays.

CULTURE

PHYSICAL CONDITIONS

Bora Bazar’s paved streetscape is well maintained. Mixed use buildings are common throughout the site. A consistently small street width enhances the intimacy of the site. Street parking is provided for residents and deliverers. The presence of vegetation and consistent architectural character creates an optimal walking experience.

115

JAIN UPASHRAY

PARSI FIRE TEMPLE

SHOP TYPOLOGY 2

SHOP TYPOLOGY 1

ARYA SAMAJ

BUILDINGS WITH BOHRI NAMES

Bora Bazar has a rich and cultured history. The Bomanjee Hormarjee Wadia Clock Tower and Parsi fire temple are two landmarks within Mumbai. While the Bohra presence is not as visible today, their influence can still be felt throughout the market.

problems identified

CONGESTED STREET

ENCROACHMENTS ON FOOTPATH

NO SHADE

HAPHAZARD STREET PARKING

intervention In terms of interventions , the sidewalk is widened with restricted shop spillovers in order to improve the pedestrian experience for all users. Wayfinding is also implemented to help all types of users to navigate through the area including finding printing and paper shops ,temples and nearby heritage sites as well as other landmarks.

116

collaborative work

Building Stories : Chakrata Measured Drawing

119 - 120

Anegundi Exhibition Measured Drawing

121 - 124

Butler Colony Masterplan Urban design

125 - 126

Ajmer Archive

Measured Drawing & Study

127

Other Experiments

Allied design & Construction

128

measured drawing 2016 //

B UIL D IN G S TOR IES : C HAKR ATA S AWA R A The Chakrata watershed in Uttarakhand consists of tiny

people living in Chakrata, using the many ways of telling

settlements, each more than a hundred years old, situated

a story in the graphic novel form. This transcendence

along the banks of a stream.The documentation of the

allows for the architectural plans, sections, elevations and

four settlements of Mohana, Khoya, Sawara and Sujaw

axonometric views to be used as containers of life and the

aims to highlight the nuances of everyday life captured

break of the frame as that of time. Rhythms of life now

through instances and events that take place in these

get documented within the very meticulously constructed

settlements, keeping in mind the architecture required to

wall sections.

make these events happen. Our drawings are an attempt to use the conventional plans, sections and elevations and script the lives of the

4.1

The night sky, grazing cattle, harvest festivals, gods and demons all find their way on the paper through the documentation of architecture.

Jaggery from vikasnag is expensive , but bette

The last bottle from the march harvest, one of the best!

gar er.

Cow dung + hay

Cow dung cakes are used to close the wooden shell from inside the house

Smoke is the best way to get rid of bees before they sting you. Honey will keep you healthy in your last trimester

Cough

Hopefully it's a boy

Cow dung cakes are used to smoke the bees out.

The sting from the last time I went down there , still burns.

This time i will buy equipment from the profit i make after selling the beeswax.

Hot wax is the best tool to remove beeswax from the honeycomb.

Honeycomb is kept on a sieve to strain after beeswax is removed.

120 *Collaborative group work

urban design 2018 //

BUT LER COLON Y M A STER PLA N The Butler colony in Lucknow encompases a major

mobility is boosted and built forms and institutions such

residential area for the influnetial government officials

as The Boat club and Horticulture Institute are introduced.

with several institutional and commercial hubs nearby.

The nature of the embankment is altered to make it

Hazratganj, with its arcaded street is always busy , bustling

more permeable rather than being a divide.The stadium

with activities.

complex is restructured and imagined to be a new sports

The intent of Master planning is to understand the land

hub for the city with all the auxillary activities,connected

use in each of the areas and respond to them collectively

to the Lucknow University for the ease of the students.A

in a manner that they improve the connectivity of the

new network of cycling and pedestrian friendly roads is

area, provide spaces for relaxation and entertainment

thought of so as to connect these residential ,sports

and most importantly re-establish the relationship of the

and commercial energies and eventually lead it to the re-

River Gomti to the city and its people. To attain this, public

imagined river front of Gomti.

city level study

4.2

122

URBAN DESIGN PROPOSAL //

butler colony masterplan

master plan

RESIDENTIAL COMMERCIAL INSTITUTION INFORMAL PEDESTRIAN & CYCLING PATHS GREEN SPACE CHARBAGH SKYWALK STADIUM INTERVENTION AXIS EXISTING STADIUM BUILDINGS PLAZA & PARKING

123

LAND USE PLAN

CHARBAGH & GREEN SPACES

Hazratganj has a majority of Commercial & Institutional Buildings whereas Butler Colony has more Residences .

The existing charbaghs are revived by the energies being drawn to them , from different energy nodes.

Residential Commercial Institution

Green Space

Informal

Charbagh

PEDESTRIAN & CYCLING TRACKS The existing charbaghs are revived by the energies being drawn to them, from different energy nodes.

SKYWALK The skywalk connects the Lucknow University to the Boatclub and Stadium. It acts as a connector between the students and the sports facilities of the city.

Pedestrian And Cycling Paths

Skywalk

CYCLE STANDS & BUS STOPS

EMBANKMENT

The Bus-stops and Cycle stands are spread across the area.They are imagined to be free standing structures ,each with their own identity.

The nature of embankment has been redefined, it is also made porous at several crucial junctions (eg: boatclub, moti mahal, shahnajaf imambara); to build new and rebuild old relationships with the river Gomti.

Embankment

Stands

Stadium Intervention Axis Existing Stadium Buildings Plaza & Parking

STADIUM & FLYOVER RESTRUCTURE

DESIGN STRATEGIES

The stadium complex is reimagined as a new precinct which includes the athletic tracks, the aquatic center , boatclub , healthcare , temple, and the shops and eateries. The flyover covers a longer distance at a height where the embankment is pulled back , to avoid obstruction of movement and view.

The boatclub makes an axis from the stadium complex ,drawing energy from it to the river.It allows for the movement to public over it and through it ,trying to build relationships with the river. The horticulture institute provides space for learning as well as creates secondary public spaces for the residents creating nodes along the pathway. Intervention

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measured drawing 2015 //

A N EG UN DI E X HIB IT ION

WOMENS NGO SECTION

WOMENS NGO PLAN

4.3

HOOVA CAFE SECTION

HOOVA CAFE PLAN

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4.4 2017 //

MEASURED DRAWING AND STUDY

AJM ER A R C HIV E

models

OSCILLATING OBJECT (1 : 1) - 2ND YEAR

A CHAIR FOR A SHORT VISIT (1 : 1) - 2ND YEAR

STADELHOFEN STATION - CALATRAVA PORTAL STUDY - 5TH YEAR

The Building Technology Studio required us to build Objects of Play with Bamboo at 1:1 scale. The installation shown here is an oscillating swing 5m high . It works on the principle of a rolling pendulum.

The chair to be designed was to be one where people would not sit for long ,either because of the context of the chair or the nature of the chair itself.

This construction exercise involved identifying and studying the structural systems of existing long span structures.

2016-2019 //

OTHER EXP ER IM EN T S

CHAKRATA MODEL (1 : 2) - 2ND YEAR

The exercise was to build a 1:2 scale version of a vernacular house in Chakrata , Uttarakhand . All elements and joineries were constructed inhouse using POP for bricks and beading , solid wood and mdf for other elements.

4.5

dwivedi.shreya@gmail.com +91 9167157054

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