Shelby Henneberger - Landscape Design Portfolio

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SHELBY HENNEBERGER

LANDSCAPE DESIGN PORTFOLIO

2021-2023

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EXPERIENCE TABLE OF CONTENTS

COURSE READER | September 2022 - March 2023

University of California, Davis

Facilitated the learning of 60 students per class in three courses LDA001: Intro to Environmental Design, LDA021: Landscape Representation, and LDA070: Intro to Space-Making.

SET DESIGNER | November 2016 - February 2020

The Harker School

Generated and maintained 3 spreadsheets per show for costume, prop, and set organization. Constructed sets for theatrical and orchestra shows each school year, 5 theatrical shows and 6 orchestra shows.

FARMHAND | September 2017 - April 2019

Castle Rock Farm

Assisted in establishing an urban agricultural farm from the ground up. Participated in the research and planting of crops on a one-acre farm. Pruned and harvested fruits and vegetables.

ABOUT ME

Highly adaptable and task-driven designer with 7+ years of experience working with Adobe Suite. A recent change of direction to landscape architecture and environmental design since 2020 with focus on walkability of cities, community-based projects, and ecological restoration. Looking to expand my skill set and work with a team of experienced individuals with community values.

EDUCATION

SUSTAINABLE ENVIRONMENTAL DESIGN, B.S. University of California, Davis

MATHEMATICS, A.S. City College of San Francisco

EXPERIENCE + EDUCATION SPACE-MAKING SEATING REDESIGN WETLAND DESIGN SITE ANALYSIS ECOLOGICAL RESTORATION ZINES PERSONAL WORK 2 3-4 5-6 7 8 9-12 13-14 15-16
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SPACE-MAKING

ILLUSTRATION

SCULPTURE STRATEGIES

ANALYSIS CONCEPT

PARTI SKETCHES PARTI MODELS
SITE SKETCH
Themes and motifs are extrapolated from the sculpture “Bird in Space” by onstantin r ncu i. artis are deri ed rom shape and material o sculpture, ight, unity, reedom, wingspan, nests, and migration. lan iew concept s etch top right was constructed as a bird in a tree rom partis and its orm is re erenced rom the edar a wing illustration le t . 3

PERSPECTIVE VIEW PLAN VIEW

GOALS

edesign a campus courtyard as a space or students to congregate or outdoor lectures, community e ents, and or relaation.

tili e ruiting trees to support local birds, gi e shade, and pro ide ree produce to students.

CHIPBOARD MODEL 1” = 16’-0” SECTION A-A SECTION B-B
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ART GARDEN REDESIGN

ANALYSIS

Tra fic through the site was une ent ul to study and uncom ortable benches were barely used by students. The site, placed ast o an art museum on campus, has potential to be used as an outdoor e ent space i redesigned or gatherings.

SITE RENDERING (CURRENT SEATING)

GOALS

ra t purpose ul social areas with adeuate seating arrangements suited or e eryone including children and elderly users.

ew seating should mimic the cur es ound in the plan iew.

reate an art piece rom the di ider.

edesign should not utili e too many new resources or s.

SOCIAL AREAS SEATING SHADE BLEACHERS & PLATFORM FOR SPEAKERS ADAPTABLE SEATING AREA SECLUDED SEATING IN IRRIGATION DITCH A B C A B C A B C N N N N
CURRENT
SUN RISING SUN SETTING SUN RISING SUN SETTING
REDESIGN
SEATING STUDIES SOCIAL AREA A SOCIAL AREA B SOCIAL AREA C
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STRATEGIES

The negati e spaces in the concrete di ider were based on shapes within a s etch. This parti re ects the energy and user tra fic o community e ents. er time, these negati e spaces could be a host to the ines o a ali ornia rape.

daptable and interacti e seating gi es ownership o er the space and allows users autonomy.

PARTI OF SITE (REDESIGN)

INTERACTIVE SEATING CURRENT A A B B
A-A
B-B REDESIGN N N 0 10 20 0 15 30 0 15 30 0 10 20
SECTION
SECTION
SOIL MULCH CONCRETE SIDEWALK DECOMPOSED GRANITE BLEACHERS CONCRETE DIVIDER
ALONG SIDEWALK NATIVE PLANTS SOIL MULCH CONCRETE SIDEWALK DECOMPOSED GRANITE
ALONG SIDEWALK NATIVE PLANTS CONCRETE DIVIDER
PROCESS SKETCHES
TREES
TREES
CONCRETE DIVIDER AS CENTRAL ART PIECE
VINE GROWTH IN DIVIDER 6

WETLAND DESIGN

ANALYSIS

Locate housing types and access points for trail design.

ategori e soils and egetation, then find a reference ecosystem in Davis. Coordinate wetland with nearby pond, pumps, and suburban storm runoff.

GOALS

Provide trail accessibility for apartments and townhomes, vegetation buffer for single family homes.

Create gathering areas with gazebos and benches along trails.

Observation decks and plaques engage users, especially students, families, and children.

ON-SITE ANALYSIS REFERENCE PLANT ANALYSIS PLANTING PLAN SITE DESIGN
PLANTING DETAIL
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SITE ANALYSIS

STRATEGIES

tili e the ity o a is I portal or land use, tra fic, and bus line information. Locate areas of need within housing, green spaces, and transportation.

Walk through the site for opporunities and constraints. Pinpoint potential weak spots in infrastructure: food accessibility, bike lanes, retail.

Construct peripheral design standards for the site to encourage affordable housing development, amenities for families and students, and sa er tra fic in rastructure.

DAVIS GIS DATA SITE ANALYSIS PERIPHERAL
DESIGN
CITY OF
STANDARDS FOR
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ECOLOGICAL SITE ANALYSIS

ANALYSIS

Visited the site to photograph hydrology, vegetation, and animal usage of the local ecology.

Identified soil profile by auger and wet thread test. onducted an analysis o soil types through online databases.

tudied ood animations and historical maps to accurately redesign ood plains. Researched endangered animals in the local area for additional redesign precautions and opportunities.

ON-SITE NOTES

STRATEGIES

ite isits, no matter how large the site, warrant a ull wal through. ote ta ing and on site s etches are essential to an in depth re iew and analysis o a site. n site notes o amilton end eature aspects li e hydrology, vegetation, parasites, recreation, and animal activity.

SITE ANALYSIS 9

PRELIMINARY CONCEPT SKETCHES

REDESIGN PROCESS

GOALS

eepen the bathtub on site to create a permanent channel or hinoo almon to spawn in reshwater li e stages.

pand on pre e isting edge riparian habitats or a layered canopy to assist animals when ood season occurs.

Trails and recreation areas should promote education o local ecology and habitat restoration.

STRATEGIES

cological ladder along channel will pro ide ade uate stepping stones or local species.

Trails should be accessible to promote e ercise and education o amilies, children, eldery, and those with physical disabilities.

uspension bridge will allow users ull acess to the site and will limit trespassing.

MID-REVIEW CONCEPT SKETCHES
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ECOLOGICAL RESTORATION

ACCESSIBILITY

Trail loops be ore the bridge will be graded at allowing or wheelchair and stroller usage. dditionally, the final designs or the restoration pro ect are in hand drawn watercolors or an accessible mar eting strategy. ble bodied people and landscape architects should not be the only ones to en oy and understand design and habitat restoration.

DETAIL PLAN VIEW - BOX ‘A’ 0 30 60120 N RESTING AREA RESTROOMS PARKING ON-SITE HOUSING ACCESS ROAD INFO + RESOURCE CENTER ACTIVITY + EDUCATION CENTER TRAIL
NEEDS: -freshwater stream -gravel -quiet water areas -woody debris -underwater vegetation VALLEY
HABITAT NEEDS: -valley elderberry -narrow streams ELEVATION MAP KEY 74+ FT 70-74 FT 64-68 FT 58-62 FT 52-56 FT UNDER 50 FT RECREATION TRAIL LARGE WOODY DEBRIS HABITAT OCCURANCES MEADOW RIPARIAN SANDBAR + WETLAND BOX ‘A’ BOX ‘B’ VIEW ‘C’
CHINOOK SALMON RIVER LIFE STAGES
HABITAT
ELDERBERRY LONGHORN
BEETLE
LIFE STAGES
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BLUE-EYED GRASS COYOTE BRUSH

ELDERBERRY GRAVEL

POPPY

COTTONWOOD GOLDEN YARROW

RESTORATION

DEERGRASS

e erence ecosystems north o the site were utili ed to ensure ele ations and soil types will support habitat ranges and ooding. ati e plants will be utili ed to support local ecology.

COMMON SPIKERUSH

LARGE WOODY DEBRIS

SANDBAR WILLOW

WAPPATO

arge woody debris in uiet areas will assist in protecting young hinoo almon and will mitigate erosion rom the ow o water.

panding edge elderberry shrubs throughout the site to create stepping stones or the alley lderberry onghorn eetle.

ati e owers in meadows pro ide pollinators with ample room to har est, eed, and li e. lowers also pro ide users with an e citing color palette during blooms.

CLUSTERED FIELD SEDGE

PERSPECTIVE VIEW - ‘C’

FLOOD MAP KEY

72+ FT

60-72 FT (winter)

50-60 FT

UNDER 50 FT (summer)

HABITAT OCCURANCES

MEADOW

RIPARIAN

SANDBAR/WETLAND

FUTURE HABITAT SHIFTS

MEADOW

RIPARIAN

SANDBAR/WETLAND

BLACK WILLOW YARROW
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AXONOMETRIC-BOX‘B’

STUDIES & ZINES

STRATEGIES

As I walked through the sites I was patient to notice the aspects of each park, open space, or front yard that made it welcome or unwelcome. These aspects included territoriality, boundaries, seating, signage/wayfinding, shade, buildings, and accessibility. I Analyzed a 6 mile transect of Davis, CA travelling East along Russell Blvd turning North onto Pole Line Rd. The transect focused on parks, front yards, and open spaces. The analysis expanded on usage of the space, activities, diverse users, and availability of amenities. Access to seating became an emphasis throughout this project.

PARK ZINE - EXPANDED
TRANSECT STUDIES (3/6)
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BENCH ZINE

IMPACTS

Zines were sold at the local farmers market and prompted a “scavenger hunt” of sorts between customers. Copies of these zines now live in the Landscape Architecture & Environmental Design library on campus.

GOALS

Inspired by “Be Seated” by Laurie Olin, these zines were made in an effort to promote park usage and the importance of accesibility in public seating. From my own personal experience living in cities with sit-lie laws and anti-homeless architecture, public benches are essential to forming communities.

PARK ZINE
BENCH ZINE - EXPANDED
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PERSONAL WORK

MICRONS AND PILOT PENS

Much of my inspiration for being a designer comes from the every day. I so much en oy finding the o erlap o natural and built landscapes. hether it be a mailbo in o ergrown grass, a multi amily unit in the all, or a tree gra ting itsel onto an older trun .

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PATIENCE AND FOCUS

Being a novice tattoo artist has given me so much appreciation for artforms that transcend paper. imilar to landscape design, tattooing is a process that re uires analysis, s ill, and results in ery permanent conse uences. earning the patience and ocus to complete a traditional handpo ed tattoo without a machine is grounding and humbling. dditionally, being able to gi e others a way to empower themsel es through design is something I loo orward to as I continue in my career.

TATTOOS

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