Seattle 2017 Catalogue

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Seattle Art Fair 2017



William Shearburn Gallery

Seattle Art Fair 2017


Donald Baechler The Silent Borrow, 2016 Gesso, Flashe and paper collage on paper 52 x 40 inches



Jean-Baptiste Bernadet Untitled (Vetiver XVI), 2014 Oil on canvas 92 1/2 x 82 1/2 inches



Mel Bochner Blah, Blah, Blah, 2017 Monoprint with collage, engraving and embossment on hand-dyed Twinrocker handmade paper 29 1/4 x 22 1/4 inches



Richard Diebenkorn Blue, 1984 Woodcut in colors on Mitsumata paper 42 1/2 x 26 3/4 inches 100/200



Michael Eastman Gehry, 2011 Chromogenic print 90 x 72 inches



Sarah Frost + Up1, 2016 Keys from discarded computer keyboards 48 x 48 inches



Sarah Frost Contact, 2015 Keys from discarded computer keyboards 108 x 72 inches



Al Held 65-A5, 1967 India ink on paper 22 1/2 x 35 inches



Catherine Howe Mica Painting (Buttercup), 2017 Acrylic mediums and silver/gold interference mica pigment on canvas 84 x 60 inches



Catherine Howe Mica Painting (Wag), 2015 Acrylic mediums and silver/gold interference mica pigment on canvas 52 x 60 inches



KAWS Untitled, 2015 Acrylic on canvas 40 inches in diameter



Ellsworth Kelly Green Curve, 1988 Lithograph 37 x 84 inches 8/25



Sandrine Kern Sceaux, 2014 Cold wax and oil on canvas 54 x 54 inches



Dean Kessman Details: Utilitarian Abstraction (Natures Promise Organic Vegetable Broth), 2016 Archival pigment prints Suite of Eight, 33 1/2 x 23 inches each



Dean Kessman Details: Utilitarian Abstraction (Cheerios), 2016 Archival pigment print 33 1/2 x 23 inches



Joanne Lefrak Trinity Site (On the Outskirts of Ground Zero), 2011 Scratched plexiglass and shadow 24 x 26 x 1/2 inches



Robert Longo Study for Tiger, 2013 Ink and charcoal on vellum 21 x 15 3/8 inches



Andrew Millner 38° 39’ 16.66”N, 90° 18’ 43.6”W (Red Bud), 2008 Lightweight print mounted on plex 45 1/2 x 76 inches



Andrew Millner Black Rose, 2016 Acrylic and pigment print on kozo paper 40 x 28 inches



Andrew Millner White Rose, 2016 Acrylic and pigment print on kozo paper 40 x 28 inches



Robert Motherwell Running Elegy, 1983 Lift-ground etching and aquatint 18 1/2 x 35 5/8 inches AP V/V



Robert Motherwell Untitled (Hollow Men Study), 1985 Ink and ink wash on paper 11 x 13 5/8 inches



James Rosenquist Source for Untitled, 1985 Mixed media collage 7 5/8 x 6 1/2 inches



Richard Serra Sonny Rollins, 1998 Etching 39 1/4 x 50 1/2 inches



Jay Shinn Winter Party, 2016 Acrylic and latex on Birch 80 x 80 inches



Toadhouse The Great Short Story, 2008 Graphite and oil on canvas 52 x 38 inches




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