SHATHA ALTOYAN-PORTFOLIO

S H AT H A A LTOYA N I N T E R I O R

A R C H I T E C T

CURRICULUM VITAE

EDUCATION

SOFTWARE

2019-2021

Master of Architecture With Emphasis in Interior Architecture School of the Art Institute of Chicago Chicago,IL

Revit

Bachelor of Interior Design Prince Sultan University Collage of Engineering Riyadh , Kingdom of Saudi Arabia

Adobe Photoshop

2012-2017

Autodesk AutoCAD 3D Max Software

Adobe Illustrator Adobe InDesign Sketch Up Pro Microsoft Office Lumion

SKILLS Delivering projects under strict deadlines

SHATHA KHALID ALTOYAN Address: Delft, The Netherlands Email: ShathaAltoyan@gmail.com Phone: NLD : (621) 990-136 kSA : (050) 157-7577

Strong 3D modeling , visualization and architectural drafting skills Good knowledge of construction materials and specification Speaking 2 languages fluently (Arabic - English ) Able to work in group and individual

EXPERIENCES Interior Architect at Zuhair Fayez Partnership Riyadh ,KSA Interior Architect at N&N Engineering Services Riyadh ,KSA Interior Architect (Intern) at Imar Consultant Firm Riyadh ,KSA Interior Architect (Intern) at Alareen Architecture Office Riyadh ,KSA

THE CONTENT

COLLEGE STUDIOS 1.0

O BAMA

2.0

IDA

MUSE UM

PRES ID ENTIAL C E NT E R P ROJE C T

(Graduate)

3.0

H IDA O F F IC E

P ROJE C T

(Graduate)

4.0

P H OENIX C OMMUNITY C E NT E R

PROFESSIONAL PROJECTS 5.0

BLU E C HEETAH C AFE

6.0

PRIVATE

VILLA

CONSTRUCTION DRAWING 7.0

RE S IDENTIAL PROJEC T

(Graduate)

(Graduate)

C U LT U R A L P R O J E C T C O L L E G E S T U D I O - G R A D U AT E

1.0 THE OBAMA PRESIDENTIAL CENTER P R O J E C T : C U LT U R A L LOCATION : CHICAGO,USA

While researching the history of Chicago and digging deeper into the south-side, where the Obama Presidential Center is proposed site, there is a huge history to reflect on and a history to be made.

We live in a world where a lot of social, economical, political issues are happening around us such as discrimination, climate change.

In his book “Palaces for the People”, author Eric Klinenberg wonders why people lose their lives in specific neighborhoods, such as Englewood on the South Side of Chicago, at 10 times the rate of those who live in other neighborhoods?

Why there is a huge gap between different groups of people?

He states that “The explanation had to do with social infrastructure.

The social Infrastructure is the missing piece of the puzzle, and building palaces where all kinds of people can gather is the best way to repair the fractured societies we live in today.”( Klinenberg, 2018) Design, in general, plays an important role in bringing us together and shaping our future.

The Obama Presidential Center will be a place for education and celebration; for creating jobs and providing economic opportunities; and a place where current tensions are resolved in new ways.

THE OBAMA PRESIDENTIAL CENTER P R O J E C T : C U LT U R A L LOCATION:CHICAGO, USA

“So much of black life in Chicago happens in Washington Park even if you are from the West Side or the North Side, it is hard not to find yourself there at least once each summer. The African Festival of the Arts, the Bud Billiken Parade, and family barbecues all find a home in the massive park.”

(Ewing, 2020)

Images Resource: https://www.google.com/maps/place/Washington+Park/@41.7946923,-87.6037891,14z/data=!4m5!3m4!1s0x880e2935b21a43eb:0x27213c0eb937884e!8m2!3d41.7 957041!4d-87.6107526

INTRODUCTION

THE OBAMA PRESIDENTIAL CENTER - AT WASHINGTON PARK SOUTH SIDE CHICAGO

THE OBAMA PRESIDENTIAL LIBRARY MISSION IS :

To inspire, empower, and connect people to change their world.

INSPIRE

Education and leadership program training

EMPOWER

Job opportunities

CONNECTING PEOPLE TOGETHER Celebrating formal and informal events

Na m e : S h at h a A lt oy a n

S c h o o l Na m e : S c h o o l of t h e A r t In s t it ut e of C h i c a g o

C l a s s Na m e : Int e r i or A rc h : G r a d St u d i o 5

FA 2 0 2 0

C l a s s Nu m b e r : I NA R C 6 2 1 0 - 0 0 1

F I NA L R EV I EW 1 2 / 1 7 / 2 0 2 0

THE OBAMA PRESIDENTIAL CENTER P R O J E C T : C U LT U R A L LOCATION:CHICAGO, USA

DESIGN PARTI AND BUILDING FORM

DESIGN PARTI FORM These diagrams show theAND processBUILDING of how we reached the final form of the Obama Presidential Centre and how the site has a great impact on the building design.

These diagrams show the process of how we reached the final form of the Obama Presidential Centre and how the site has a great impact on the building design.

Old Town Square, Prague http://must-visit-destinations.com/top-10-world-famous-city-squares/

Square in the old town of Olomouc, Czech Republic.

Warsaw’s Old Town Market Place. https://en.wikipedia.org/wiki/Old_Town_Market_Place,_Warsaw

https://www.mywanderlust.pl/visit-olomouc-czech-republic/

The walking path, which is cutting through the building, is creating a similar experience to the little back streets and small lanes that gives you a cozy feeling when you are walking between the buildings.

https://thelongestweekend.co/2019/08/07/2-days-in-milan/ https://www.pinterest.de/pin/363243526190264027/

The main change we did to the existing academic building is we relocate the community center from the north side to the south side to be connected visually and physically to the public square.

THE PROPOSED ACADEMIC BUILDING PROGRAM

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There is a strong relationship between the existing building’s wall. They are almost creating a space between them that should be invested.

By locating the Obama Presidential Center (OPC) Parallel to the school building, we’re creating a Place “ The Public Square” In terms of a sense of a place, we need to make the public square safe and comfortable for people to stay and socialize. While many factors contribute to the comfort of a place the most significant is its degree of architectural enclosure-the amount that it makes its inhabitants feel held within a space.

By having the continuous three walls of the buildings with well-defined edges, we are containing the square which will attract people to be in that place to enhance the social infrastructure; that’s a sense of place.

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THE EXISTING ACADEMIC BUILDING PROGRAM

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Washington Park has a lot of walking paths around the site, and one of the main paths is cutting through the Obama presidential Center site.

Although we have a specific program, we didn’t want the building to change the existing people’s norm of the park. Instead, we made the people’s norm shaping the architecture.

Additional to the path cutting through the building we added a secret garden which will be an addition to the park experience. Moreover, the secret garden will work as a courtyard for the buildings and will provide more natural daylighting and natural ventilation for the building’s program.

INN OVA TIO N LA B

DESIGN PARTI AND BUILDING FORM DESIGN PARTI AND BUILDING FORM

Building form developments and the impact of the walking path on the building.

Building form developments and the impact of the walking path on the building.

WASHINGTON PARK WALKING PATH

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WASHINGTON PARK WALKING PATH

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To enhance the special experience through the secret garden, the buildings curtain walls were manipulated horizontally to create even more organic and smooth experience.

Adding a perforated double skin facade which will reduce the direct solar radiation to the glass building.

The secret garden will work as a semi public space, which will divide the building into two (north and south) independent zones .

At the corner of west side of the building, we added a vertical circulation element to connect the park visitors to the surroundings.

Adding the green roof will work as a thermal insulation and provide a roof top garden that allows the community to socialize and explore different vistas of Washington Park.

DIN G

The exterior envelope will be a curtain wall system and covered with a Perforated double skin system which will allow for a controlled visual connection between the interior and exterior spaces.

The building’s perforated double skin will be inspired by the craftsmanship and the arts of the local African American community.

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Inspiration: Project: Smithsonian National Museum of African American History and Culture https://www.archdaily.com/794203/smithsonian-national-museum-of-african-american-history-and-culture-adjaye-associates

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The park’s curvy and organic pathways inspired the design of having serpentine and smooth lines to extend the park experience through the building.

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THE OBAMA PRESIDENTIAL CENTER P R O J E C T : C U LT U R A L LOCATION:CHICAGO, USA

ARCHITECTURAL DRAWINGS ARCHITECTURAL DRAWINGS SITE PLAN

The Site Plan

SITE ANALYSIS:

The site has a great impact on the design decisions in terms of the physical features of the site. Also, the sun analysis in the summer and the winter has influenced the direction of the building to provide natural daylighting to the interior spaces.

W

8:00 AM

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7:26 PM

N E

4:17 AM

June 21 11:00 AM

4:49 PM

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January 21

7:13 AM

N E 1

Site Plan 1" = 80'-0"

DESIGN PARTI AND BUILDING ARCHITECTURAL DRAWINGS SITE PLAN -3D SITE SECTION

The Site Plan- 3D Section

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The 3D Site Section shows the relationship between the existing buildings Walter H. Dyett High School for the Arts, The Public Square and the Obama Presidential Center.

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THE OBAMA PRESIDENTIAL CENTER P R O J E C T : C U LT U R A L LOCATION:CHICAGO, USA

THE OBAMA PRESIDENTIAL CENTER (NORTH-EAST FACADE)

3D Perspective of the Obama Presidential Center inspired by the site and the Public Square.

THE PUBLIC SQUARE ( NORTH FACADE) The Public Square is a form of social infrastructure by creating a live scene in the middle of the site. It has a great impact on its surroundings and the power to bring people from different backgrounds to celebrate and socialize the formal and informal events. The Public Square is a multi-purpose space which can be utilized by the local communities to gather or to have their local market. Also, it can be used in the winter as a sledding land to enjoy the snow and the nice weather.

THE OBAMA PRESIDENTIAL CENTER P R O J E C T : C U LT U R A L LOCATION:CHICAGO, USA

Second level 36' - 0" Frst level 18' - 0" Ground Level 0' - 0" Basment -15' - 0" Section 2 1 3/64" = 1'-0"

The Secret Garden

In addition to the walking path that gives the similar experience of the little back streets and the small lanes that make people feel cozy. The sunken secret garden is another form of social infrastructure to bring people together.

Besides its environmental features, (provide natural daylighting and ventilation), we designed the secret garden to be sunken in order to create a sense of curiosity and mystery within the park experience.

DESIGN PARTI AND BUILDING FORM

ARCHITECTURAL DRAWINGS ZONING AND PROGRAMMING Zoning and Programming

THE OBAMA PRESIDENTIAL CENTER PROGRAM :

In order to improve the social infrastructure the building program plays an important role in creating and developing a socialplatform for the local communities and the visitors from all over the world.

project

sub-title

program

area sf

room

#of exits req.

occup. type

o.l. factor

occup.

notes

exit width required [in] XX/occ

#of exits provided

exit width provided [in]

exit stair width req. [in] XX/occ

exit stair width provided [in]

# of water closet required male female

male

# of lavatories required female

1 per

1 per

1 per

1 per

XX

XX

XX

XX

XX

AD MIN LOBISTRA

BY TIO N

level 1 (

100)

Museum

(

6,000)

A3

30 -

200-

X (

40.0)

1.43

3.33

2.00

2.00

(

100)

community center

(

8,507)

A3

30 -

284-

X (

56.7)

2.03

4.73

2.84

2.84

(

100)

Lobby 1

(

3,500)

A3

30 -

117-

X (

23.3)

0.83

1.94

0.58

0.03

(

100)

Restaurant

(

5,000)

A2

15 -

333-

X (

66.7)

3.33

5.56

3.33

3.33

(

100)

Lobby 2

(

3,500)

A3

30 -

117-

X (

23.3)

0.83

1.94

1.17

1.17

(

100)

Gift Shop

(

989)

M

30 -

33-

X (

6.6)

0.66

1.10

0.41

0.41

(

100)

Event Hall

(

8,170)

A3

30 -

272-

X (

54.5)

1.95

4.54

2.72

2.72

(

100)

(

100)

(

100)

Level 2

(

100)

Museum

(

6,000)

A3

(

100)

Library

(

8,507)

( 100) President Obama And First Lady Office

(

6,497)

(

100)

(

100)

(

100)

30 -

200-

X (

40.0)

1.43

3.33

2.00

2.00

E

50 -

170-

X (

34.0)

1.22

2.84

1.00

1.00

B

100 -

65-

X (

13.0)

1.30

1.30

0.81

0.81

MU SEU M LOB BY

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LOB BY

PR E FIRSIDE ST NT L A OB DY AM OF A FIC AN E D

LIBR

SHGIFT OP

ARY

RES TAU RA NT

MU SEU M

USERS TOTAL calcs for BUILDING

(

Public Users

56,670)

-

1,791-

Semi-Public Users

LOB BY #VALUE!

Private Users

15.00

30.61

4.48

COM CEN MUN TER ITY

4.48

SER VIC ES

SER VIC ES

Public Visitors Local Communities

Local Dyett High Communities School Student and staff

Tourists

VIP Visitors

US Visitors

Walter H. Dyett High School for the Arts Students

Walter H. Dyett High School for the Arts Students

THE OBAMA PRESIDENTIAL CENTER P R O J E C T : C U LT U R A L LOCATION:CHICAGO, USA

ARCHITECTURAL DRAWINGS ARCHITECTURAL DRAWINGS FLOOR PLANS The Floor Plan

DN

PRESIDENT OBAMA SUIT OFFICE

MALE RESTROOM

60"

60"

60"

LOBBY

MALE RESTROOM

KITCHEN

UP

DN

FEMALE RESTROOM

UP

60"

FEMALE RESTROOM

FEMALE RESTROOM

" 60

60 "

UP

MALE RESTROOM

SERVICES

CONFERENCE ROOM

STORAGE

LOBBY UP

UP

GIFT SHOP

DN

RESTAURANT

FIRST LADY SUITE OFFICE

EVENT HALL

EVENT HALL

UP

OP

EN

BEL OW

DN

DN

UP

COMMUNITY CENTER

UP DN

LIBRARY

OPEN BELOW

UP

UP

GALLERY 2

UP

GALLERY 1

GALLERY 3

GALLERY 1

SERVICES

FEMALE RESTROOM

MALE RESTROOM

GALLERY 4

DN

" 60

60 "

UP

UP

UP

1

UP

DN

DN

DN

Basment 1/16" = 1'-0" 1 Ground Level 1 1/16" = 1'-0"

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Frst level 1/16" = 1'-0"

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THE LOBBY

The space where you decide your journey and celebrate the skin facade reflection on the floor.

THE OBAMA PRESIDENTIAL CENTER P R O J E C T : C U LT U R A L LOCATION:CHICAGO, USA

DESIGN PARTI AND BUILDING FORM CIRCULATION DIAGRAM

WAY-FINDING

SOUTH WING -MUSEUM -COMMUNITY CENTER -LIBRARY

NORTH WING AND THE SQUARE PRESIDENT OBAMA AND FIRST LADY OFFICE -EVENT HALL -RESTAURANT -GIFT SHOP

SECRET GARDEN

WAY-FINDING

SOUTH WING -MUSEUM -COMMUNITY CENTER -LIBRARY

NORTH WING AND THE SQUARE PRESIDENT OBAMA AND FIRST LADY OFFICE -EVENT HALL -RESTAURANT -GIFT SHOP

SECRET GARDEN

1

1

2

2

ELEVATION 1

ELEVATION 1-EAST

ELEVATION 2

ELEVATION 2

ELEVATION-SOUTH ELEVATION 3 3

THE PERFORATED DOUBLE SKIN

The3idea behind the building skin is to celebrate the struggles and the achievements of the local African American community. Ideally, we ELEVATION 3 would let the local community participate in designing the pattern of the skin which they feel best expresses their culture in this context.

In our project, we used FAWOHODIE is one of the Adinkra symbols from West Africa.

The symbol is used on cloths and metalwork and represents:

Independence, Freedom, Emancipation.

Na m e : S h at h a A lt oy a n

S c h o o l Na m e : S c h o o l of t h e A r t In s t it ut e of C h i c a g o

C l a s s Na m e : Int e r i or A rc h : G r a d St u d i o 5

FA 2 0 2 0

C l a s s Nu m b e r : I NA R C 6 2 1 0 - 0 0 1

F I NA L R EV I EW 1 2 / 1 7 / 2 0 2 0

THE OBAMA PRESIDENTIAL CENTER P R O J E C T : C U LT U R A L LOCATION:CHICAGO, USA

ARCHITECTURAL DRAWINGS

ARCHITECTURAL DRAWINGS The Environmental Strategies Diagram ENVIRONMENTAL FEATURES DIAGRAM NATURAL DAYLIGHTING

Using the sun analysis to provide natural daylighting in the interior spaces .

Also, Adding Perforated double skin facade which will reduce the direct solar radiation access to the glass building.

GREEN ROOF

Will work as a thermal insulation and improve air quality by helping to reduce the “urban heat island” effect. Also, green roofs provide gardens and seating areas for people to enjoy the park form different Vistas and encourage the social and physical activities.

10:00 AM

PERFORATED DOUBLE SKIN FACADE

INTERIOR DAYLIGHTING REFLECTION

5:00 PM

W

N

6:18 PM

7:00 AM

5:29 AM

S

January 1 29 December RAINWATER TANK

SITE SECTION

The section shows the access of the natural daylight int the interior spaces of the building and reflects the perforated skin facade into the building.

E

April 5 SUNKEN COURTYARD ( THE SECRET GARDEN)

The courtyard will enhance the buildings atmosphere by providing an outdoor spaces for natural daylighting and natural ventilation. Also, the courtyard works as a rain-garden (Rainwater harvesting )that helps to collect rainwater to store it for later use and using it as a way of irrigation system.

GREEN ROOF

PERFORATED DOUBLE SKIN FACADE

CURTAIN WALL SYSTEM

COLUMN STRUCTURE SYSTEM

BUILDING STRUCTURE SYSTEM Na m e : S h at h a A lt oy a n

S c h o o l Na m e : S c h o o l of t h e A r t In s t it ut e of C h i c a g o

C l a s s Na m e : Int e r i or A rc h : G r a d St u d i o 5

FA 2 0 2 0

C l a s s Nu m b e r : I NA R C 6 2 1 0 - 0 0 1

F I NA L R EV I EW 1 2 / 1 7 / 2 0 2 0

THE OBAMA PRESIDENTIAL CENTER P R O J E C T : C U LT U R A L LOCATION:CHICAGO, USA

ARCHITECTURAL DRAWINGS ARCHITECTURAL DRAWINGS DETAILS

The Details

DETAIL 1

Second level 36' - 0"

The Athletic Center Walter H. Dyett High School for the Arts

Frst level 18' - 0" Ground Level 0' - 0" Basment -15' - 0"

1

Section 1 3/64" = 1'-0"

STRUCTURAL MULLION

SUB- MULLION SUPPORT

GREEN ROOF 1" Fixed IGU w/ Low-E coating

NATRUAL STONE PIERS SUPPORT SOIL FILTER MEMBRANE DRAINAGE WATERPROOF SUPPORT PANEL THERMAL INSULATION VAPOR CONTROL REINFORCED CONCRETE ROOF SLAB

BOLTS-SIDE 3/8" T-STEEL CONNECTION

1

DETAIL 1 1/2" = 1'-0"

THE OBAMA PRESIDENTIAL CENTER MAIN ENTRANCE- SOUTH-EAST VIEW This 3D Perspective shows the main entrance of the building defined with a sculptured stone with the name of the building. Also, it shows the perspective of how the building will look in different weather conditions.

COMMERCIAL PROJECT C O L L E G E S T U D I O - G R A D U AT E

2.0 IDA MUSEUM P R O J E C T : COMMERCIAL LOCATION : MESA,AZ

ADVANCED INTERIOR ARCHITECTURE STUDIO I EXPERIENCE: BODY + MUSEUM

The first graduate studio was about EXPERIENCE: BODY + MUSEUM We were supposed to design a museum of identity and an installation that present the idea of the Museum . This project was a group work ,but I’m presenting my part .

Our museum of Identity is expressed by Interactive Digital Art ( IDAM ) .

OUR IDENTITY! Everyone of us has different Identity , an individual , unique understanding of who we are . But either of us can’t define themselves without the other .

The Complementary and Duality relationship is the main feature of our universe The two different forces such as light and dark, male and female can’t define themselves , their own individuality and their own Identity without the exciting of the other one .

“A piece of interactive software will have a different visual or aural result that Depends on how the user interacts with it”.

Bruce Wands, School of Visual Arts, New York,USA

IDA

MUSEUM

P R O J E C T : COMMERCIAL LOCATION : MESA , AZ

INTERACTIVE DIGITAL ART “ TO B E PA R T O F T H E A R T ” Our interactive digital art museum is combined of three factors :

S I T E A N A LY S I S Located near downtown Mesa,the museum site was previously a big box store located adjacent to Fiesta Mall.

With the revival of downtown Mesa and a flourishing community , the development of IDAM will take Entertainment in the area to the next level.

EXPLORE PLAY BE ART These three factors are expressed through our five senses .

MESA

COLLAGE OF THE SITE (FIESTA MALL )- MESA ,AZ

IDA

MUSEUM

P R O J E C T : COMMERCIAL LOCATION : MESA , AZ

U S E R S A N D S PAC E P R O G R A M M I N G

IDA

MUSEUM

P R O J E C T : COMMERCIAL LOCATION : MESA , AZ

T H E M U S E U M PA R T I E “TO BE PART OF THE ART” THE EXISTED BUILDING

Our museum of identity is expressed through DIGITAL ART. Digital art is combined of two main factors : DARK & LIGHT Either of the two can’t define itself without the other.

The time when they interact and experience each other new things will be generated.

ADDITIONAL MASS

THE PROPOSED BUILDING WHAT DARKNESS CREATES

Closed Spaces Open Spaces Semi-Open Spaces

IDA

MUSEUM

P R O J E C T : COMMERCIAL LOCATION : MESA , AZ

-

-

---

---

Technicical / Mechanical

Services /Storaging

Technicical / Mechanical

Services /Storaging

CAF E

RESTAURANT

TEMPORARY GALLERY

TEMPORARY GALLERY

SERVICE

MULTIPURPOSE ROOM

WC

WC

LOUNGE AREA

KIDS PLAY ROOM

SERVICE / STORAGE

WC Services /Storaging LOUNGE AREA

PERMENANT GALLERY LOBBY /TICKETS AREA

ADMISSION OFFICE

Services /Storaging

OPEN COURTYARD

GIFT SHOP

WC

WC

COMUNITY CENTER OPEN COURTYARD

SERVICE / STORAGE

TEMPORARY GALLERY

RESTAURANT/CAFE

MULTIPURPOSE ROOM

OPEN COURTYARD COMMUNITY CENTER

LOUNGE

PERMANENT GALLERY/ ADMISSION OFFICE LOBBY GIFT SHOP OPEN COURTYARD

IDAM

TEMPORARY GALLERY

THE TEMPORARY GALLERY - RENDERED SECTION

IDA

MUSEUM

P R O J E C T : COMMERCIAL LOCATION : MESA , AZ

THE TEMPORARY GALLERY FACADE

0' - 4" 0' - 0 1/2"

8' - 0"

TOP VIEW

8' - 0"

Concrete Wall

21' - 0"

21' - 0"

Metal Skin

'C' Channel

Nails Connectors

FRONT VIEW

SIDE VIEW

IDA

MUSEUM

P R O J E C T : COMMERCIAL LOCATION : MESA , AZ

THE TEMPORARY GALLERY - INTERIOR SHOT

IDA

MUSEUM

P R O J E C T : COMMERCIAL LOCATION : MESA , AZ

T H E I N S TA L L AT I O N

LIGHT OUR DARKNESS!

IDA

MUSEUM

P R O J E C T : COMMERCIAL LOCATION : MESA , AZ

THE INSTALLATION

Our museum of identity expressed through digital art .

Digital art is combined of two factors : Light & dark Either of the two can’t exist without the other one .

To present our idea we created our Tube wall , Tube Cloud and bench in a certain pattern to define the relationship between Dark and Light.

BE PART OF THE ART As being part of the art we created questions to let people light our darkness with their hopeful answers

DETAILS

IDA

MUSEUM

P R O J E C T : COMMERCIAL LOCATION : MESA , AZ

T H E I N S TA L L AT I O N

FABRICATION PROCESS

IDA

MUSEUM

PROJECT: COMMERCIAL LOCATION : MESA , AZ

E D U C AT I O N A L O F F I C E S P R OJE C T C O L L E G E S T U D I O - G R A D U AT E

3.0 HIDA OFFICE P R O J E C T : OFFICES LOCATION : TEMPE,AZ

ADVANCED INTERIOR ARCHITECTURE STUDIO II

The second graduate studio was about RE-DESIGNING THE HERBERGER INSTITUTE FOR DESIGN AND THE ARTS (HIDA) OFFICE OF STUDENT SUCCESS. We were supposed to re-design the existing environment and create a welcoming environment for both students and employees.

Our design strategy consists of two phases: PHASE I : Research and Collecting Data

We used many different research methods to help us understanding the psychological and physical atmosphere of the space. Such as Interviews, surveys and space analysis. We found the most important issues of the office to address them while designing our proposals .

PHASE II : DESIGN PROPOSAL

In this phase we started design by thinking of our Design Parti through design guidelines and look and feel board. Then, we started the schematic and design phase of our proposal.

HIDA

OFFICE

PROJECT: OFFICES LO C AT I O N : T E M P E , A Z

PHASE II - D E S I G N P A R T I

THE HERBERGER OFFICE OF STUDENT SUCCESS DESIGN GUIDE PRINCIPLES

FLEXIBLE DESIGN

Creaang a flexible interior environment thro furniture types and wayfinding will make peo spend more me.

E N E R G E T I C D ES I G N

Energeec interior environment, especially fo the outside inside and more colors to the sp

WELCOMING D E S I G N

T h e y s a y ” Yo u n e v e r g e t a s e c o n d c h a n c e t o So, focusing on branding and welcoming fact great impression about the space.

FLEXIBLE DESIGN Creaang a flexible interior environment through the design elements such as furniture types and wayfinding will make people want to be in this space and spend more me.

E N E R G E T I C D ES I G N Energeec interior environment, especially for the public spaces by bringing the outside inside and more colors to the space, will help to achieve the

WELCOMING D E S I G N T h e y s a y ” Yo u n e v e r g e t a s e c o n d c h a n c e t o m a k e a fi r s t i m p r e s s i o n ” So, focusing on branding and welcoming factors, will help to give people a great impression about the space.

LO O K A N D F E E L B O A R D BRING THE OUTSIDE INSIDE.

HIDA

OFFICE

PROJECT: OFFICES LO C AT I O N : T E M P E , A Z

BRING THE OUTSIDE INSIDE The main principle behind biophilia is rather simple: connecting humans with nature to improve well-being The main strategy is to bring characteristics of the natural world into built spaces, such as water, greenery, natural light, elements like wood (where the grain is visible) and stone “Is the link to all that makes up earth and its ecosystems from textures, features, patterns, and systems.”

When people hear the term biophilia they usually immediately think of plants. Nature is not composed of just organic parts, but also inorganic parts such as stones and systems of patterns in river and lighting formation.

WOOD The exposure to the natural environment positively impacts human health and well-being, both physical and psychological • Lower stress levels • Improve attention and focus • Greater creativity • Quicker recovery • Reduced pain perception

HIDA

OFFICE

PROJECT: OFFICES LO C AT I O N : T E M P E , A Z

PHASE II - SCHEMATIC DESIGN

HIDA

OFFICE

PROJECT: EDUCATION LOCATION : TEMPE, AZ

ZONING PLAN:

PRIVATE OFFICE

PRIVATE OFFICE

PRIVATE OFFICE

PRIVATE OFFICE

PRIVATE OFFICE PRIVATE OFFICE PRIVATE OFFICE

PRIVATE OFFICE

PRIVATE OFFICE

PRIVATE OFFICE

PRIVATE OFFICE

PRIVATE OFFICE

RESTROOM

PRIVATE OFFICE

PRIVATE OFFICE

STORAGE

PRIVATE OFFICE

RESTROOM

COPY AREA

KITCHEN

THE GALLERY

PRIVATE OFFICE

SCHEMATIC PLAN

WAITNG AREA

FLEX SPACE

PRIVATE OFFICE

CONFERENCE ROOM

PRIVATE OFFICE

HIDA

OFFICE

PROJECT: OFFICES LO C AT I O N : T E M P E , A Z

PUBLIC SPACES BRING THE OUTSIDE INSIDE The public spaces of the HIDA office of student success such as the entryway, reception area and the waiting area, designed in a way to make them welcoming, multi-functional and accommodate the ADA requirements.

The entryway is the perfect space to brand the identity of HIDA before entering the suite, and adding a display wall to display students’ artwork and student swag added so much to the space.

The other space is the waiting area, in this proposal we wanted to create a multi-functional space for not only the visitors to use it, but also for the staff to use it during the day for socializing or just changing their work space .

Here is the MoodBoard of the public spaces. Since we are using the biophilic design idea, the best way to achieve it is by using the materials and colors.

We used the wood as the main material and its colors to enhance the biophilia atmosphere inside the space.

While the touches from nature used to be the secondary selection of materials and colors such as Terrazzo flooring (stones) and the colors as a branding technique.

The type of furniture we used in the public spaces are modern style from SteelCase.

This type of furniture is flexible; you can rearrange the pieces of furniture as you like.

HIDA

OFFICE

PROJECT: OFFICES LO C AT I O N : T E M P E , A Z

FLEX-SPACE BRING THE OUTSIDE INSIDE WHAT IS THE FLEX SPACE ?

Flex space is a space for students to work,socialize and have fun. To make the space visually accessible to the ones who are sitting in the waiting area, we added a glass wall in between to let them see what is going on inside the space.

The flex space divided into three main zones : •The collaboration zone •The lounge zone •The private zone This is the MoodBoard of the Flex Space. We wanted to make the flex space different from the offices ,so we used more from the Touches From the Nature and a little bit from the Wood. In order to create an exciting space for the student and enhance creativity and productivity .

HIDA

OFFICE

PROJECT: OFFICES LO C AT I O N : T E M P E , A Z

THE CONFERENCE ROOM BRING THE OUTSIDE INSIDE The conference room is the face of the office and gives the first impression of the whole place.

So, we designed the space with technological systems and to create a space for collaboration and Sharing Experiences.

The opposite area of the conference room we added a white board to the space to allow people to brainstorming together or doing workshops inside the space .

CHOREOGRAPHED SYSTEMS C O L L E G E S T U D I O - G R A D U AT E

4.0 PHOENIX COMMUNITY CENTER PROJECT : COMMERCIAL LOCATION : PHOENIX, AZ

The Community Art center is a place where the community enjoy the art and taking some classes in specific subjects.

The center consists of art gallery,class rooms and outdoor spaces. It is inspired by its site in terms of design, materials and passive and active strategies. The idea is to design a place where it reflects its location .

MAIN DESIGN STRATEGIES : • Regarding to the site analysis we designed the Art Center to be oriented on the north axis. Which is the best side to place our windows and have the outdoor connection.

• Trees sited on the north side for the outdoor spaces to provide shading, cool air and reduce the noise coming from the streets.

• All landscaping is native desert species requiring little to no water use and little maintenance. All plant choices are located within 100 miles of the site.

PHOENIX COMMUNITY C. PROJECT : COMMERCIAL LOCATION : PHOENIX, AZ

S I T E A N A LY S I S :

SITE ANALYSIS:

P h oProject: e n iCommercial x h a Project s a hot desert climate. It is the largest city of America in this climatic z o n Location: e . PPhoenix, h o eArizona nix has long, extremely hot summers and short, mild winters.

T h ePhoenix c i thasya hoti sdesertwclimate. i t hIt iis nthe largest o n city e ofoAmerica f t inhthise climatic world’s sunniest regions, with its sunshine duration zone. Phoenix has long, extremely hot summers and short, mild winters.

The city is within one of the world's sunniest regions, with its sunshine duration c o mcomparable p a r ato bthe lSahara e tregion o .t h e S a h a r a r e g i o n .

SIS:

SITE LOCATION E WASHINGTON ST-PHOENIX ,AZ

the largest city of America in this climatic t summers and short, mild winters. nniest regions, with its sunshine duration

SITE LOCATION E WASHINGTON ST-PHOENIX ,AZ

N 1st st WASHINGTON ST

E WASHINGTON ST

s 1st st

MAIN ENTRANCE

Outdoor Area

PARKING LOT

EMPTY LAND

PROPRETY LINE

SITE AREA = 190'*166'=31540 SQF BUIDLING AREA= 110'*80'= 8800 SQF FAR= 8800/31540= 0.28

1

Site 1" = 100'-0" No.

Description

Date

SITE PLAN

PHOENIX COMMUNITY C. PROJECT : COMMERCIAL LOCATION : PHOENIX, AZ

OUTDOOR SPACE

33 16

16

17

17

18

18

OUTDOOR SPACE

32 3331 3230 3129 3028 2927 2826 2725 2640 2539 4038 39

MAIN GALLERY

19

19

20

20

21

21 UP

22 23

22

RECEPTION

24 1

Level 1 Level 1 1 1/16" = 1'-0" 1/16" = 1'-0"

24

UP

RECEPTION

23

STORAGE

MECHANICAL ROOM STORAGE

MAIN GALLERY

UP

FEMALE RESTROOM

STORAGE

MECHANICAL ROOM

38

MALE FEMALE RESTROOM RESTROOM

LOADING SPACE STORAGE

MALE RESTROOM MECHANICAL ROOM

MECHANICAL ROOM

LOADING SPACE

UP

33 16 16 17 18 19 20 21 22 23 24 1

Level 1 1/16" = 1'-0"

1

33

32

32

31

31

30

30

OUTDOOR SPACE

29

29

28

27

26

25

40

39

28

27

26

25

40

39

38

38

17 18 19

MAIN GALLERY

20 DN

21 LOUNGE SPACE

22 23 24 Level 2 1/16" = 1'-0"

UP

UP

STORAGE

DN RECEPTION

CLASSROOM FEMALE RESTROOM MECHANICAL ROOM MECHANICAL ROOM

STORAGE

STORAGE

MALE RESTROOM MECHANICAL ROOM

MECHANICAL ROOM

LOADING SPACE CLASSROOM

PHOENIX COMMUNITY C. PROJECT : COMMERCIAL LOCATION : PHOENIX, AZ

OUTDOOR SPACE

33

32

31

30

29

28

27

26

25

40

39

38

16 17 18 MAIN GALLERY

19 20 21

UP

UP

22

RECEPTION

23

MECHANICAL ROOM STORAGE

24 Level 1 11 RCP-LEVEL 1 1/16" = 1'-0" 1" = 10'-0"

STORAGE FEMALE RESTROOM

MALE RESTROOM MECHANICAL ROOM

LOADING SPACE

ws

ws

ws

ws

ws

ws

ws

ws

ws

ws

ws

ws

ws

ws

OUTDOOR SPACE

33

32

31

30

29

28

27

ws

ws

ws

ws

ws

ws

ws

ws

26

25

40

39

ws

38

16 17 ws

18 MAIN GALLERY

19

ws

ws

ws

ws

ws

ws

ws

ws

ws

ws

ws

ws

ws

ws

ws

ws

ws

ws

ws

ws

ws

S S

S S

S

22

ws

UP

ws

UP S

ws

S

21

ws

S3

20

ws

RECEPTION

STORAGE

ws

LOADING SPACE ws

S S

ws

DM

FEMALE RESTROOM

ws

23

MECHANICAL ROOM

MALE RESTROOM MECHANICAL ROOM

STORAGE

24 1

Level 1 LIGHTING 1/16" = 1'-0" PLAN -LEVEL 1 1 1" = 10'-0"

ws

3

S

PHOENIX COMMUNITY C. PROJECT : COMMERCIAL LOCATION : PHOENIX, AZ

SOLAR CHIMNEY

38

39

40

25

26

27

28

29

30

31

32

33 SOLAR TUBES

COOLING TOWERS NATIVE LANDSCAPING

Level 2 15' - 0"

North 3/32" = 1'-0"

No.

PHOENIX COMMUNITY

Description

Date

NORTH ELEVATION Project number Date Drawn by

Project Number Issue Date Author

A-200

2020 10:49:29 PM

1

Level 1 0' - 0"

16

17

18

19

20

21

22

23

24

SOALR PANLES - SOUTH

SOLAR TUBES

COOLING TOWERS

EXPOSED CMU FACADE

Level 2 15' - 0"

Using the exposed concrete masoery units reflects the site imapct on the design desesion.

Also, it helps in respones to the environmntal changes of the site.

Level 1 0' - 0" West 3/32" = 1'-0" CORRTEN STEEL PANEL

No.

PHOENIX COMMUNITY

Description

Date

WEST ELEVATION Project number Date Drawn by

Project Number Issue Date Author

A-201

2020 10:51:11 PM

1

PHOENIX COMMUNITY C. PROJECT : COMMERCIAL LOCATION : PHOENIX, AZ

38

39

40

25

26

27

28

29

30

31

32

33

Level 2 15' - 0"

Level 1 0' - 0"

1

Section 1 1" = 10'-0"

No.

PHOENIX COMMUNITY

Description

Date

BUILDING SECTION 1 Project number Date

Project Number Issue Date

16

17

18

19

20

21

22

23

24

Level 2 15' - 0"

Level 1 0' - 0"

1

Section 2 1" = 10'-0"

No.

Description

Date

BUILDING SECTION-2

PHOENIX COMMUNITY C. PROJECT : COMMERCIAL LOCATION : PHOENIX, AZ

ws

ws

ws

ws

1

HVAC PLAN 2- LEVEL 1 1" = 10'-0"

ws

ws

ws

ws

1

HVAC PLAN 2- LEVEL 2 1" = 10'-0"

PHOENIX COMMUNITY C. PROJECT : COMMERCIAL LOCATION : PHOENIX, AZ

W HITE REFLECTIVE COATING SOLID SHEATHING THERMAL INSULATION W ATERPROOF-MEMBRANE TIMBER ROOF RAFTER

TIMBER FASCIA TIMBER FRAMEW ORK STRUCTURE SYSTEM

RAIN W ATER GUTTER

STEEL LINTEL

TIMBER COLUMN

STRUCTURAL MULLION 1" IGU w/ Low-E coating

CONCRETE WALL 12" THICKNESS CMU STEM W ALL - REINFORCED - R-VALUE=1.28 5" POLYSTYRENE INSULATION - R-VALUE= 20 1/2" GYPSUMBOARD - R-VALUE= 0.45 CONCRETE FLOOR SLAB CONCRETE SLAB W ATER PROOF INSULATION EARTH / NATIVE SOIL

1

Section 3 1/4" = 1'-0"

TOTAL U-VALUE= 0.048

FREELANCER

PROFESSIONAL WORK

COMMERCIAL PROJECT PROFESSIONAL WORK

5.0

BLUE CHEETAH CAFE PROJECT : COMMERCIAL LOCATION : HAIL,SA

The concept behind the design is to reflect The Blue Cheetah Identity ,which is provided by the owner, into the space by using the design elements.

We used the industrial design style to achieve our goal by the use of simple and lightweight furniture design , simple materials and some art pieces .

The cafe design has to follow the rules of the city by providing two sections; family section and the singles section.

The family section has two areas open and closed areas .

BLUE CHEETAH CAFE 1

2

3

4

5

6

7

8

M

9

24.00 m 3.00 m

3.00 m 9.65 m

3.00 m

3.00 m

0.10 m1.80 m

Proj

3.00 m

0.10 m 0.10 m 1.20 m 4.25 m

0.20 m

0.20 m

3.00 m

B-B

A-A

02

01

- Sa 0.20 m

-Blu

4.00 m

1.20 m

2.40 m

Office

B

3.00 m

0.20 m

0.20 m

2.40 m

4.00 m

3.10 m

Storage

3.00 m

1.50 m

A 1.80 m

3.00 m

3.00 m

C

9.60 m

04

3.00 m

D-D

D

E

1.50 m

0.20 m

3.00 m

3.00 m

3.00 m

Main Kitchen

G

31.80 m

3.00 m

36.00 m

3.00 m

F

3.00 m

H

I 3.00 m

D2

22.00 m

Resturant D1

3.00 m

J

3.00 m

K

L Singels

Families D3

E-E 05

3.00 m

3.00 m

M

0.20 m

PROJECT: COMMERCIAL LOCATION : HAIL,KSA

Clien

0.20 m

4.00 m

0.20 m

2.00 m

13.00 m

2.00 m

0.20 m

Chapte

Drawin

Drawin Scale

BLUE CHEETAH CAFE PROJECT: COMMERCIAL LOCATION : HAIL,KSA

AXONOMETRIC BY REVIT

Client : Mr.Omar Al-khudair

Client :

Mr.Oma

Project:

Project:

- Saudi Arabia , Hail City.

- Saudi Ara

-BlueCheetah Cafe

-BlueCheet

Materials Tabel :

TOP VIEW

SIDE VIEW

FRONT VIEW

SMALL CIRCULAR HOLE TO PASS THE WIRES

Chapter : Drawing Name :

D1

Drawing Number :

Chapter :

Scale

Details Drawing

Drawing Name :

Date

Materials Selection

Designed BY

Drawing Number :

SECTION VIEW

Scale

Shatha A Client :

D1 VIEW

Date

Mr.Omar A

DA

Designed BY:

Project:

Shatha Altoyan

- Saudi Arabia

-BlueCheetah

TOP VIEW

FRONT VIEW

Materials Tabel :

FRONT VIEW

Chapter : Drawing Name :

D1

Met

Drawing Number :

3 DETAILS BY REVIT

Scale Date

DA - VIEW

2 1

3D VIEW

Designed BY:

Shatha Alt

BLUE CHEETAH CAFE PROJECT: COMMERCIAL LOCATION : HAIL,KSA

BLUE CHEETAH CAFE PROJECT: COMMERCIAL LOCATION : HAIL,KSA

T H E F A M I LY S E C T I O N - O P E N A R E A

T H E F A M I LY S E C T I O N - C L O S E D A R E A

BLUE CHEETAH CAFE PROJECT: COMMERCIAL LOCATION : HAIL,KSA

THE SINGLES SECTION - OPEN AREA

THE SINGLES SECTION - OPEN AREA

RESIDENTIAL PROJECT PROFESSIONAL WORK

6.0

PRIVET VILLA PROJECT : RESIDENTIAL LOCATION : ALQASSIM,SA

I always believe that houses are one of the most important spaces to be designed. We spend most of our time indoors, which significantly impacts our physical and mental health.

The concept behind The Private Villa Design is to create a well-designed interior environment. In order to achieve our goal we used the idea of minimalism and simplicity .

“Simplicity is the ultimate form of Sophistication” One floor plan Villa has three bedrooms ,living room , and kitchen .

‫باربيكو و خدمات‬

‫‪2.00‬‬ ‫‪1.65‬‬

‫‪9.63‬‬

‫‪5.20‬‬

‫‪2.70‬‬

‫مسبح خارجي‬

‫جلسة خارجية‬

‫غرفة خادمة‬ ‫‪5.00‬‬

‫‪3.03‬‬

‫‪2.75‬‬

‫‪1.45‬‬

‫‪2.00‬‬

‫‪2.00‬‬

‫‪5.00‬‬

‫غسيل‬ ‫مطبخ‬ ‫‪4.84‬‬

‫‪6.48‬‬

‫صالة عائلية‬

‫مستودع‬ ‫‪3.90‬‬

‫‪22.00‬‬

‫‪2.06‬‬

‫طاولة طعام‬ ‫‪1.85‬‬

‫‪1.98‬‬

‫‪4.00‬‬

‫‪4.82‬‬

‫‪2.00‬‬

‫‪5.00‬‬

‫غرفة نوم‬ ‫‪1.50‬‬

‫‪6.80‬‬

‫غرفة نوم رئيسية‬ ‫‪5.04‬‬

‫‪2.30‬‬

‫‪3.34‬‬ ‫‪2.00‬‬

‫‪5.00‬‬

‫‪3.00‬‬

‫‪4.‬‬ ‫‪20‬‬

‫‪Unnamed‬‬

‫‪17.25‬‬

‫‪4.24‬‬

‫غرفة نوم‬

PRIVATE VILLA PROJECT: RESIDENTIAL LOCATION : ALQASSIM,KSA

THE LIVING ROOM

THE LIVING ROOM

PRIVATE VILLA PROJECT: RESIDENTIAL LOCATION : ALQASSIM,KSA

THE LIVING ROOM

THE LIVING ROOM

PRIVATE VILLA PROJECT: RESIDENTIAL LOCATION : ALQASSIM,KSA

THE LIVING ROOM

MASTER BEDROOM

PRIVATE VILLA PROJECT: RESIDENTIAL LOCATION : ALQASSIM,KSA

THE MASTER BEDROOM

THE MASTER BEDROOM

PRIVATE VILLA PROJECT: RESIDENTIAL LOCATION : ALQASSIM,KSA

THE MASTER BEDROOM

THE MASTER BEDROOM - BATHROOM

WORKING DRAWING C O L L E G E S T U D I O - U N D E R G R A D U AT E

7.0

VILLA NOURA P R O J E C T : RESIDENTIAL LOCATION : RIYADH,SA

The main purpose of residential construction drawings (also called plans, blueprints, or working drawings) is to show what is to be built according to the building concept , while the specifications focus on the Materials, installation techniques, and quality standards.

VILLA

NOURA

PROJECT :RESIDENTIAL LOCATION :RIYADH , SA

VILLA

NOURA

PROJECT :RESIDENTIAL LOCATION :RIYADH , SA

VILLA

NOURA

PROJECT :RESIDENTIAL LOCATION :RIYADH , SA

VILLA

NOURA

PROJECT :RESIDENTIAL LOCATION :RIYADH , SA

VILLA

NOURA

PROJECT :RESIDENTIAL LOCATION :RIYADH , SA

B

SHEET

B

SHEET

B

SHEET

SHATHA ALTOYAN DOOR SHEET SCALE 1:20

B

SHEET

DOOR DETAILS SCALE 1:5

SHATHA ALTOYAN

SH

DOOR SHEET SCALE 1:20

DOOR DETAILS SCALE 1:5

SH

WORKING DRAWING II

WORKING DRAWING II

ID 353

ID 35

A

SHEET

B

SHEET

SHATHA ALTOY

A

SHEET

DOOR SHEET SCALE 1:20

B

SHEET

DOOR DETAI SCALE 1:5

SH

SHATHA ALTOYAN DOOR SHEET SCALE 1:20

DOOR DETAILS SCALE 1:5

WORKING DRAWING II

SH

WORKING DRAWING II

ID 353

VILLA

NOURA

PROJECT :RESIDENTIAL LOCATION :RIYADH , SA

Steel Latch (15*3*2)cm

Oak wood architrave (10*2 cm) Nail 6.5cm

Reinforced concrete lintel (150*20)MM

Stud(1cmX3cm)

Plastering and painting 20 MM

Plastering and painting 2 cm

wood Stud(1cmX3cm)

Ceramic Skirting 2 CM

Oak wood architrave Proofing

SHATHA ALTOY

Sub Frame (50*150MM) Stop door

Jamb(50X100 MM)

oak wood rail(100X50MM)

wood bead (20x20MM)

Ceramic Skirting 2 cm Plastering and paining 2 cm

DOOR SHEET

Stud(1cmX3cm) Sub Frame (2"X 6") Jamb(2"X 4")

D2

D1

SCALE : 1:5

SCALE : 1:5

SCALE 1:20

DOOR DETAIL SCALE 1:5 Reinforced concrete lintel (150*20)MM Plastering and painting 20 MM wood Stud(1cmX3cm) Oak wood architrave

SHEET

A

STAINLESS STEEL FRAME STAINLESS STEEL PULLY STAINLESS STEEL FRAME 0.1*0.3*0.05MM STAINLESS STEEL PULLY 0.7*0.4*0.05MM DOUBLE LAYERD GLASS 8MM

CONRETE LINTEL 15 CM

DOUBLE LAYERD OF GLASS 8 MM THICKNESS

1.1214

MARBLE SILL

SHATHA ALT

WINDOW S

SCALE 1:2

DOUBLE LAYERD GLASS 8MM STAINLESS STEEL FRAME STAINLESS STEEL PULLY

D2

MARBLE SILL GRANITE SILL

SECTION A-A

SH

SCALE :1:20

1.3635 SHEET

A

STAINLESS STEEL FRAME

PLAN SCALE :1:20

STAINLESS STEEL PULLY CONRETE LINTEL 15 CM

DOUBLE LAYERD OF GLASS 8 MM THICKNESS

1.1214

STAINLESS STEEL FRAME 0.1*0.3*0.05MM STAINLESS STEEL PULLY 0.7*0.4*0.05MM DOUBLE LAYERD GLASS 8MM MARBLE SILL

WORKING DRAWING II SHATHA ALTOYAN WINDOW SHEET SCALE 1:20

ELEVATION SCALE :1:20

WINDOW DETAILS SCALE 1:5

SHEET

SCALE :1:20

WINDOW D SCALE 1

SHEET

ELEVATION

DOUBLE LAYERD GLASS 8MM STAINLESS STEEL FRAME STAINLESS STEEL PULLY

D2

MARBLE SILL GRANITE SILL

SECTION A-A SCALE :1:20

SH

1.3635

PLAN SCALE :1:20

WORKING DRAWING II

ID 353

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