14:00–15:30
Panel 4: Alternative Methodologies and Alternative Sites of Knowledge | (Chair: Lucy Forde; Room 1) Matthew Floyd (University of Glasgow) ‘Constructing a history of television from precarious archives with the Edinburgh International TV Festival’ Amber Ward (University of St Andrews) ‘History, Memory and Decolonising Methodologies: alternative sites of knowledge production in the deindustrialising Scottish coalfields’ Helena (Henna) Cundill (University of Aberdeen) ‘“Hold the Fish Loosely”: Reflections on Method in Qualitative Research’
Panel 5: Changing Narratives | (Chair: Konstantinos Chatzigeorgio; Room 2) Emma French (University of Glasgow) ‘‘This Was Supposed to be the Evil Game!’ – Playful and Critical Subversion in D&D and Dimension 20’s Escape from the Bloodkeep’ Carlotta Moro (University of St Andrews) ‘A Missing Female Genealogy: The Invisibility of Early Modern Women Writers in Contemporary Italy’ Hilary Clydesdale (University of Edinburgh) ‘Narrative, Secrets, and the Nineteenth-Century Historical Novel’
Panel 6: Challenging Translations and Interpretations | (Chair: Marc Czarnuszewicz; Room 3) Danya Harvey, (University of Glasgow) ‘Writing across borders, translating beyond binaries: an exploration of the mutually productive and mutually interrogating relationship between embodied translingual, translational and transgender practices’ Nicola Estrafallaces, (University of Glasgow) ‘The Orcherd of Syon: Challenging Narratives of Late-Medieval Women’s Devotions’ Clemmie de la Poer Beresford, (University of St Andrews) ‘Princely Creations in Jacobean England’
Workshop 5 and Short Film: Reading and Space | (Chair: Joshua Smith; Room 4 and 5) Charley Matthews (University of Edinburgh) & Joshua Smith (University of Stirling) ‘Reading practices in the nineteenth century – a workshop’ Jenny Elliott (University of Edinburgh) ‘Understanding barriers and possible solutions to delivering better urban public spaces using a design thinking approach’
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