Chair: Marc Czarnuszewicz; Room

14:00–15:30 Panel 4: Alternative Methodologies and Alternative Sites of Knowledge | (Chair: Lucy Forde; Room 1)

Matthew Floyd (University of Glasgow) ‘Constructing a history of television from precarious archives with the Edinburgh International TV Festival’

Amber Ward (University of St Andrews) ‘History, Memory and Decolonising Methodologies: alternative sites of knowledge production in the deindustrialising Scottish coalfields’

Helena (Henna) Cundill (University of Aberdeen) ‘“Hold the Fish Loosely”: Reflections on Method in Qualitative Research’

Panel 5: Changing Narratives | (Chair: Konstantinos Chatzigeorgio; Room 2)

Emma French (University of Glasgow) ‘‘This Was Supposed to be the Evil Game!’ – Playful and Critical Subversion in D&D and Dimension 20’s Escape from the Bloodkeep’

Carlotta Moro (University of St Andrews) ‘A Missing Female Genealogy: The Invisibility of Early Modern Women Writers in Contemporary Italy’

Hilary Clydesdale (University of Edinburgh) ‘Narrative, Secrets, and the Nineteenth-Century Historical Novel’

Panel 6: Challenging Translations and Interpretations | (Chair: Marc Czarnuszewicz; Room 3)

Danya Harvey, (University of Glasgow) ‘Writing across borders, translating beyond binaries: an exploration of the mutually productive and mutually interrogating relationship between embodied translingual, translational and transgender practices’

Nicola Estrafallaces, (University of Glasgow) ‘The Orcherd of Syon: Challenging Narratives of Late-Medieval Women’s Devotions’

Clemmie de la Poer Beresford, (University of St Andrews) ‘Princely Creations in Jacobean England’

Workshop 5 and Short Film: Reading and Space | (Chair: Joshua Smith; Room 4 and 5)

Charley Matthews (University of Edinburgh) & Joshua Smith (University of Stirling) ‘Reading practices in the nineteenth century – a workshop’

Jenny Elliott (University of Edinburgh) ‘Understanding barriers and possible solutions to delivering better urban public spaces using a design thinking approach’

Rowan Rush-Morgan (University of Edinburgh) ‘Cultural Geographies of LGBTQ+ Entrepreneurship in Scotland’

Victoria Evans (University of Edinburgh), ‘Listening to the Tides: Tidesong.app Mobile Sonic Artwork’

Lilli Scott Lintott (University of St Andrews), ‘Reduced to Tears: Understanding Grief in Twelfth-Century England’

16:00–17:30 Panel 7: Sound and Listening | (Chair: Ellie Mitchell; Room 1)

Liam Crouse (Sabhal Mòr Ostaig UHI), ‘Folklore collections and sound archives as thick corpus in a Hebridean Macroscope’

Elizabeth Robertson (University of Glasgow) ‘Creating Sound and Place in Glencoe’

Jacob Browne (University of St Andrews) ‘Listening to the Wind: Anemophobia as a Cure for Audiophilia’

Panel 8: Material Culture | (Chair: Charley Matthews; Room 2)

Cecilia Mazzocchio (University of St Andrews) ‘Reconstructing the Narrative: The Case for Taking a Global Approach to Sienese Art History’

Rowan Munnery (University of St Andrews) ‘Amphorae Reuse in Antiquity: Impact on Maritime Archaeological Analysis’

Sue John (University of Glasgow) ‘What It Will Come To: Women’s Rights in Everyday Material Culture in Britain, 1900–1930’

Panel 9: Scotland: Education, Society, and Justice | (Chair: Enrico Galvagni; Room 3)

Lucy Henry (University of Stirling) ‘Gender and Justice in the Eighteenth-Century Scottish Highlands: Women in the Sheriff Court of Inverness, 1748–1800’

James Fox (University of St Andrews) ‘The rise of numeracy and quantitative thinking in Britain, 1660–1800?’

Ebba Strutzenbladh (University of Aberdeen) ‘Women and Social Networks in late medieval Scotland: The Case of the Countess of Huntly’.

17:30–18:30 Drinks Reception