ISSUE 4 3
C E L E B R AT I N G
VOLUME 51
49 YEARS
F R I D AY
IN
N O V E M B E R 17, 2 0 2 3
SE AT T L E & T HE PACIF IC NOR T H W E S T ’S L GB T Q I A + NE W S & EN T ER TA INMEN T SOURCE SINCE 19 74
SEATTLE SEES RESURGENCE OF MPOX CASES by Teddy MacQuarrie SGN Contributing Writer Michael first knew something was off in the shower. Overnight, he had developed an embarrassing rash. It didn’t hurt much at first, but by the end of the day, that changed. “It was really a zero-to-sixty kind of emergence of those sores,” Michael (not his real name) told the SGN. “I immediately knew something was wrong.”
see MPOX page 4
Photo by Dado Ruvic / Reuters
Amplifying autistic voices
Director of Stanwood’s Autism Acceptance Library on Queer community and autistic joy The Ed Wiley Neurodiversity Library – Courtesy photo
by Teddy MacQuarrie SGN Contributing Writer In a tattoo shop in Stanwood is a big blue box. On this box are polka dots and cute cartoon narwhals. Inside this box is a true treasure. Lei Wiley-Mydske, co-owner of Stanwood Tattoo Co., is responsible for curating and promoting the contents of this big blue box, the Ed Wiley Autism Acceptance Library. It contains books about autism,
Unforgettables: Cinematic milestones with Sara Michelle
Bell Book and Candle: Magic, romance, and happy memories make for a timeless wonder Bell Book and Candle – Photo courtesy of Columbia Pictures
written by autistic people. by Sara Michelle Fetters “I put this together in about 2014, when SGN Staff Writer I was looking for resources for autism in my community and really couldn’t find Is 1958’s Bell Book and Candle the greatanything that was written by autistic peo- est Christmas-set supernatural rom-com ple. It was all by professionals and parents,” ever made? Probably, and that’s not because Wiley-Mydske said to the SGN. it’s one of the small handful that have ever “So I started my own library.” been made. No, its greatness has more to do She recounted the impact that this lit- with screenwriter Daniel Taradash’s suberature has on those seeking assistance: lime adaptation of John Van Druten’s play, the dexterous handling of the loopily inven-
see STANWOOD page 5
tive material by director Richard Quine, and the great James Wong Howe’s lush and visually vital Technicolor cinematography. Most of all, it is thanks to the stellar performances by the all-star ensemble. James Stewart. Kim Novak. Jack Lemmon. Ernie Kovacs. Elsa Lanchester. Janice Rule. Hermione Gingold — they’re all perfect, each slipping so easily into their roles that it’s (forgive me for saying this) magical.
see UNFORGETTABLES page 17