SFAA Annual Report 2022/23

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‭SF Artists Alumni (SFAA)‬ ‭Annual Report‬‭Fiscal Year 2022/23‬

‭Image credit: Vita Hewitt‬

‭Empowering Alumni, Preserving Legacy‬ ‭ he purpose of SF Artists Alumni is to foster artistic expression by continuing SFAI’s‬ T ‭150+ year legacy of supporting cultural and artistic change makers. One way we do this‬ ‭is by promoting our alumni and their work, and by strengthening our connections to‬ ‭each other and to the greater SFAI community around the world. We hope that you will‬ ‭join us in this journey.‬ ‭ he fiscal year 2022/23 has marked a significant chapter in the history of the San‬ T ‭Francisco Art Institute and its alumni. SF Artists Alumni (SFAA) was created to ensure‬ ‭the preservation of our beloved institution's heritage. In this annual report, we will‬ ‭explain the efforts and achievements of SFAA in the pursuit of this objective.‬ ‭1‬


‭Table of Contents‬ ‭01. 2022-2023 Highlights‬ ‭SFAI Transcript Project‬ ‭The Spirit is Alive Event & Fundraiser‬ ‭Spotlight Program‬ ‭02. Exhibitions‬ ‭03. Engagement Summary‬ ‭04. Donors‬ ‭05. Financial Statement‬ ‭06. Board of Directors‬

‭‬ 3 ‭3‬ ‭4‬ ‭6‬ ‭7‬ ‭11‬ ‭12‬ ‭13‬ ‭14‬

‭Image credit: Lucien Liu‬

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‭01. 2022-2023 Highlights‬ ‭SFAI Transcript Project‬

‭ ollowing the declaration of bankruptcy by the San Francisco Art Institute's board of‬ F ‭directors, alumni were not able to request SFAI transcripts. In response, SFAA, along‬ ‭with the generous help of former registrar Jose de los Reyes, initiated a collaborative‬ ‭effort with bankruptcy trustee Paul Mansdorf and the Bureau of Post-Secondary‬ ‭Education's (BPPE) Scott Valverde to address this issue.‬ ‭ FAA raised the necessary funds through a targeted donation drive to enlist the‬ S ‭services of a third-party company (Ferrilli). Ferrilli successfully retrieved digital‬ ‭transcripts from the SFAI server and paper copies of transcripts dating back to before‬ ‭1960 were retrieved from the vital records warehouse. As a result, the Bureau of‬ ‭Post-Secondary Education (BPPE) is now able to generate transcripts free of charge for‬ ‭alumni who attended the institution between 1960 and 2020. Furthermore, with the help‬ ‭of Becky Alexander and Jeff Gunderson, transcripts from earlier years have also been‬ ‭preserved within the SFAI Archive.‬ I‭n our commitment to address the critical issue of transcript retrieval for our alumni, the‬ ‭SFAI Transcript Fundraiser played a crucial role in securing the necessary resources.‬ ‭Through the generosity of our supporters, we raised a total of $14,200 (estimated cost‬ ‭by Ferrilli), reflecting the dedication and enthusiasm of our alumni community and‬ ‭donors. We extend our heartfelt appreciation to the generous donors who made this‬ ‭endeavor possible, including John Marx, John Sanger, Paul Sack, Jose de los Reyes,‬ ‭3‬


J‭ eremy Stone, Linda Connor, and an anonymous contributor. Your support has been‬ ‭instrumental in safeguarding the academic records of our alumni.‬ ‭Allocation of Fundraising Donations‬ ‭Ferrilli - $4,662.45: A significant portion of the fundraising donations was‬ ‭allocated to Ferrilli, a third-party company. Their services were instrumental in‬ ‭successfully retrieving digital transcripts from the SFAI server. This investment‬ ‭ensured that our alumni could access their academic records. The final cost was‬ ‭only 32% of their original estimate.‬ ‭Vital Records - $1,067.77: We also allocated a portion of the funds to retrieve‬ ‭paper copies of transcripts, some of which dated back to before 1960, from the‬ ‭vital records warehouse. This step was essential in preserving the historical‬ ‭academic records of our alumni.‬ ‭Shelving for SFAI Archive - $428.71: Another aspect of our expense allocation‬ ‭was dedicated to acquiring shelving for the SFAI Archive for the transcript‬ ‭records dating pre 1970.‬ ‭Total Expenses - $6,158.93‬ ‭ e were able to inform alumni about the changes through an informational session‬ W ‭conducted in collaboration with BPPE which is also available on our‬‭youtube channel‬‭.‬ ‭To request transcripts please visit‬‭here‬‭.‬ ‭ he remaining funds will be allocated for our next alumni exhibition at the Museum for‬ T ‭Northern California Art in Chico. Donations and expenses for the Transcript Fundraiser‬ ‭will be reflected in the financial statement of fiscal year 2023/2024.‬

‭The Spirit is Alive Event & Fundraiser‬ ‭ n March 26th 2023, SFAA held our‬‭The Spirit is Alive!‬‭event at Minnesota Street‬ O ‭Project, spearheaded by Diana Fuller, Maria Theresa Barbist, Greg Flood, Rye Purvis,‬ ‭Annie Reiniger-Holleb, Alice Shaw, Christina Velazquez, and Marian Wallace. The event‬ ‭was both a celebration of SFAI’s 152-year history and a fundraiser for the SFAI Legacy‬ ‭Foundation + Archive, which was formed after the closure of the school to preserve its‬ ‭legacy and archival collections documenting the school’s history. The event was well‬ ‭attended by around 400 alumni, who enjoyed reconnecting with each other while eating‬ ‭refreshments provided by Pete Standwood (beloved proprietor of Pete’s Cafe), perusing‬ ‭an SFAI history wall, and watching screenings of film and video works by SFAI alumni.‬ ‭ rtist Jennifer Locke performed at the event, as did a number of musicians, including‬ A ‭the Steve Nelson Jazz Quintet, Different Bird, Penelope Houston of the Avengers, Mike‬ ‭4‬


‭ enderson with Cabin Fever, the Mandocello Experience, and Tom Marioni who, with‬ H ‭some some beer-drinking friends, performed‬‭Beer Drinking‬‭Sonata for 13 Players‬‭. The‬ ‭event culminated in a live and silent auction which included work by over 30 SFAI‬ ‭alumni and former faculty members (watch video‬‭here‬‭).‬

‭Image credit: Vita Hewitt‬

‭ he event raised more than $10,000 from ticket sales and around $‬‭50,108‬‭from the art‬ T ‭auction for the SFAI Legacy Foundation + Archive, allowing the newly formed‬ ‭organization to rent space to house SFAI’s archival collections in the basement of‬ ‭Crown Point Press. Crown Point Press is a fine arts press in downtown San Francisco‬ ‭owned by Kathan Brown, herself a former printmaking instructor at SFAI. Former SFAI‬ ‭librarian/archivists Jeff Gunderson and Becky Alexander are currently at work in the‬ ‭new space, organizing the archives and creating research guides for researchers.‬ ‭Fundraising from the event and donations from other generous donors, in combination‬ ‭with a grant from the National Endowment for the Humanities, will make it possible for‬ ‭them to complete a multi-year archival organization project while sharing the collections‬ ‭with the community and making them available to researchers. More information about‬ ‭the SFAI archives can be found‬‭here‬‭.‬

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‭Spotlight Program‬ ‭ he Spotlight Program is designed to celebrate and showcase the accomplishments of‬ T ‭SFAI Alumni, providing a platform for them to share their work, experiences, and‬ ‭insights with the broader alumni community. The program includes presentations,‬ ‭discussions, and networking opportunities for alumni.‬

I‭n this fiscal year we have hosted a total of 10 presenters, each with their unique artistic‬ ‭backgrounds and experiences. These presenters shared their insights, knowledge, and‬ ‭creative journeys with the SF Artists Alumni community. Here is a list of the presenters:‬ ‭ imitra Skandali, MFA ‘13‬ D ‭Oliver Hawk Holden, BFA ‘16‬ ‭Merdeces Dorame, MFA ‘10‬ ‭Francisco Pinheiro, MFA ‘14‬ ‭Kirk LeClair, BFA ‘78, MFA ‘81‬ ‭Kezia Harrell, BFA ‘17‬ ‭Larry Reed, MFA ‘71‬ ‭Wesaam Al-Badry, BFA ‘18‬ ‭Summary of Statistics:‬ ‭●‬ ‭Total RSVPs: 451‬ ‭●‬ ‭Total Attendance: 241‬ ‭●‬ ‭Total Cash Donations: $416.54‬ ‭●‬ ‭Total Expenses (speaker stipends): $1,050‬ ‭6‬


‭ he program's diverse lineup of presenters and strong attendance demonstrates the‬ T ‭ongoing enthusiasm and support within the SF Artists Alumni community. We look‬ ‭forward to another year of celebrating and connecting with our talented alumni in 2024.‬ ‭The Spotlight series is available on the SFAA‬‭youtube‬‭channel‬‭.‬

‭02. Exhibitions‬ I‭n the fiscal year SF Artists Alumni embarked on a diverse and dynamic series of‬ ‭exhibitions that not only celebrated the rich artistic heritage of the San Francisco Art‬ ‭Institute (SFAI) but also responded to the unique challenges posed by the closure of this‬ ‭institution in 2022.‬

‭ 022 ONWARD: BODY AND SPACE‬ 2 ‭November, 2022 SFAA INSTAGRAM‬ ‭Curated by Judy Zhu, Toban Nichols, Maria Theresa Barbist and Lucien Liu‬ ‭ rom the open call: Onward is how we move forward from the past. Onward is how we‬ F ‭push past our limits. In the wake of SFAI's closure we've all had to consider how we‬ ‭move onward and forward. We've also had to move onward from the feelings, sickness,‬ ‭and strife during this unprecedented pandemic and try to decipher what's in store for our‬ ‭future. Some have pivoted to new vocations, friendships, and ways of being. Others‬ ‭have stagnated and feel lost, unable to move forward.‬ ‭ articipating Artists: John Anderson, Barbara Ball, Stuart Bass, Barry Beach, Jan‬ P ‭Blythe, Torsten Zenas Burns, Mike Callaghan, Cynthia Cameron, Melissa Carter, Tina‬ ‭Dillman, Annamarta Dostourian, Davy Fiveash, Saycsar Fleurima, Michele Foyer,‬ ‭Theresa Gooby, Julia.C.R Gray, Alfred Hernandez, Bryan Hillstrom, Thomas Houston,‬ ‭Patricia K Kelly, Peter Max Lawrence, Alexandria Levin, Leah Macdonald, Bridgett‬ ‭7‬


‭ agyar, Lisa McCutcheon, Julie McNiel, Toban Nichols, Phil Pasquini, Martin Peckins,‬ M ‭Katalina Prince, Marilyn Propp, Lisa Reed, Mike Ritch, Erik Ritter, David Roditti, Randy‬ ‭Rosenberg, Ouater Sand, Robert Schick, Craig Schwanfelder, Anna Sidana, Leslie‬ ‭Straw, Merle Temkin, Benjamin Thodoros Prince, Terry K Thompson, Helena Tiainen,‬ ‭Hwei-Li Tsao, Kenneth Wenzel, Lawrence White, Garrett Williams, Alison Woods,‬ ‭Antoinette Wysocki, and Anna Zusman.‬

‭ 022 HIGH BEAMS #6 CONVOY‬ 2 ‭at Rocky Mountain College of Art & Design in Denver on Saturday, August 20, 2022,‬ ‭5–9pm.‬ ‭Curated by Shokai Carter Sinclair and Denise Susanne Townsend.‬ ‭ he High Beams #6 exhibition was the first to take place outside of California featuring‬ T ‭a selection of artists from the diverse community of SFAA in collaboration with dozens‬ ‭of artist collectives traveling across the country to convene in Denver. Selected works‬ ‭for the one-day exhibition were showcased at RMCAD as well as on SFAA’s Instagram‬ ‭page and website.‬ ‭ EATURED SFAA ARTISTS: Richard Alpert, Dominic Angerame, Bryan Birch, Charles‬ F ‭Chadwick, Chris Corrente, Kevin Eichorst, Marshall Elliott, Laura Hyunjhee Kim, Claire‬ ‭Jackel, Walt Ohnesorge, Shokai Carter Sinclair, Denise Susanne Townsend, Cristina‬ ‭Velazquez, Vivian Vivas, Ingrid V. Wells, Momo (Yuntong) Wu.‬

‭ 022 MINE: WHAT IS OURS IN THE WAKE OF EXTRACTION‬ 2 ‭June 16 – July 18, 2022 at The Midway Gallery, San Francisco, CA‬ ‭Curated by Patsy Craig‬ ‭ he Earth system has now entered the Anthropocene, a geological age in which‬ T ‭plantation monocultures, pollution, and industrial-scale resource extraction are‬ ‭8‬


‭ amaging or destroying vital ecological systems on which the planet and its biological‬ d ‭diversity depend. Globally dominant modes of human existence are driving us towards‬ ‭ecological collapse. Due to our ethically untenable relationship to nature, the Earth‬ ‭System is in crisis. Moreover, large numbers of people who have done nothing to cause‬ ‭this crisis are most exposed to its consequences. Many come from cultural traditions‬ ‭that enrich and perpetuate healthy biodiversity as the means to ensure mutual‬ ‭flourishing. These Indigenous ‘wisdom traditions’ are widely recognised for their‬ ‭sustainable world views and sophisticated understanding of our interdependence within‬ ‭the Earth System.‬

‭Photo credit: Mido Lee‬

‭ rom this perspective, MINE: What is Ours in the Wake of Extraction seeks to amplify‬ F ‭Indigenous worldviews specifically as they pertain to land relationship and sustainability‬ ‭by presenting art works that render the impact of extractive industries on Indigenous‬ ‭communities. In this light, the artworks will also critique collectivist vs individualistic‬ ‭perspectives and practices of environmental stewardship.‬ ‭ articipating Artists at Midway Gallery: Pamela Axelson, Stuart Bass, Anelice Cáceres‬ P ‭Patiachi, Fermín Chimatani Tayori, Nakeyo Chimatani Lobon, Paul Glaviano, Charlotta‬ ‭Hauksdottir, Marie-Luise Klotz, Liz Miller Kovacs, Mido Lee, Stefanie Loveday, Rayner‬ ‭Joao Mikiri Sihui, Brandon Moqui Yamo, Michael Naify, Guadalupe Patiachi Tayori,‬ ‭9‬


‭ esica Patiachi Tayori, Francis Quique Alvarez, Lisa T Reed, Siana Smith, Hannah‬ Y ‭Stahulak, Paul Sonque Mikiri, Supermrin, Hubert Tayori Takori, Luis Tayori Kendero,‬ ‭Percy Tayori Keddero, Anne Veraldi, Beth Davila Waldman, and Kathryn Williamson.‬ ‭ articipating Artists (online exhibition): Pamela Axelson, Olive Ayhens, Penelope‬ P ‭Caldwell, Paul Glaviano, Charlotta Hauksdottir, Marie-Luise Klotz, Liz Miller Kovacs,‬ ‭Stefanie Loveday, Reagan D Pufall, Michal Sagar, Zack Sumner Schomp, Siana Smith,‬ ‭Hannah Stahulak, Supermrin, Beth Davila Waldman, and Zimo Zhao.‬

‭ 023 BACK TO THE BEGINNING‬ 2 ‭June 2023, SFAA Instagram‬ ‭Curated by Judy Zhu‬ ‭ he year 2023 kicked off with an Instagram exhibit that explored the nostalgic and‬ T ‭artistic potential of student ID cards from the San Francisco Art Institute. This virtual‬ ‭showcase not only engaged the alumni community but also resonated with a broader‬ ‭audience, providing a glimpse into the creative journeys of SFAI students over the‬ ‭years. This project will be ongoing!‬ ‭ articipating Artists: Aaron Terry, Adrian Card, Alexis Cadenas, Becky Alexander, Brian‬ P ‭Traylor, Christina Simon, Diana Vasquez, Izzy Dier, Jeremy Morgan, Jessica Newton,‬ ‭Jevijoe Vitug, Jill Taffet, Jose de los Reyes, Kristen Gundlach, Laura Pacchini, Lauren‬ ‭Jade Szabo, Linda Connor, Maria Dawn Lewis, Maria Therea Barbist, Matthew Rogers,‬ ‭Neil Enggist, Osama Dawod, Ray Beldner, Robert O. Waters, Sae Yong Lee, Thomas‬ ‭M. Houston, Toban Nichols and William Edwards‬

‭ pcoming Exhibitions in 2024: In-Flux: Recalibrating the Unknown at the Museum of‬ U ‭Northern California Art (MONCA) in Chico, CA and Supermarket Art Fair in Stockholm,‬ ‭Sweden‬ ‭10‬


‭03. Engagement Summary‬

‭ ver the past year, the engagement with SF Artists Alumni has seen significant growth‬ O ‭across various channels, including social media platforms and in-person events.‬ ‭ ur presence on major social media platforms, including Instagram, Facebook, and‬ O ‭Youtube, has continued to expand. The SFAA YouTube channel has seen exceptional‬ ‭growth with 46 new subscribers and a total of 2.9k views. We consistently post about‬ ‭the happenings of SFAI and promote our alumni through sharing their own posts and‬ ‭engaging with various events the alumni are involved in. With our social media growth‬ ‭and reach in the past year we seek to continue connecting alumni with each other and‬ ‭with valuable information about the legacy of SFAI. We also use social media to launch‬ ‭special online only exhibitions and events, one more recent notable event was the SFAI‬ ‭ID project which proved to be very engaging and really fun to see.‬ ‭ ecent alumni events, workshops, and exhibitions have attracted a diverse and‬ R ‭enthusiastic audience. We’ve seen large growth in attendance of our artist talks and‬ ‭Zoom meetups across the demographic of alumni. It’s proven a wonderful way for old‬ ‭friends to meet up, check in, and learn about other artists they may not be so familiar‬ ‭with. One of our newer programs, an online crit session has shown to be of great value‬ ‭to the alumni we seek to serve.‬

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‭04. Donors‬ ‭This list includes donations made in the period of July 1st, 2022 to June 30th 2023.‬ ‭Agnes Bourne‬

‭Hwei-Li Tsao‬

‭Melissa Harris‬

‭Alisha Trimble‬

‭Jack Bowers‬

‭Meredith Tromble‬

‭Amy Morgenstern‬

‭Jack Schafer‬

‭Merylee Smith Bingham‬

‭Annie Reiniger-Holleb‬

‭James Bayard Carey‬

‭Mike Chambers‬

‭Anthony Aziz‬

‭Jasmyn Mabalatan-Weissman‬ ‭Mimi Herrera-Pease‬

‭Caroline Mota‬

‭Jerry Barrish‬

‭Nancy Boas‬

‭Christina Corfield‬

‭Jessica Nicastro Parry‬

‭Nikki Spretnak‬

‭Christopher Coppola‬

‭Jim Guigli‬

‭Paul Sack‬

‭Corinne Nakao‬

‭John Marx‬

‭Quillon X Swane‬

‭Dan Bockmier‬

‭John Roloff‬

‭Richard Alpert‬

‭Daniel Konhauser‬

‭Jordan Hasley‬

‭Roselyne Swig‬

‭Daniel Postaer‬

‭Julie Blankenship‬

‭Ross Andelman‬

‭David Gibson‬

‭Karla Klarin‬

‭Stephen Hendee‬

‭Diana Vasquez‬

‭Lex Sloan‬

‭Stephen Martin‬

‭Dimitra Skandali‬

‭Linda Connor‬

‭Steven Starfas‬

‭Douglas Gower‬

‭Lior Bar‬

‭Stuart Bass‬

‭Emily Jane Maynor‬

‭Lynn Learned‬

‭Suzie Buchholz‬

‭Eve Werner‬

‭Marc Mahan‬

‭Valentine Wallace‬

‭Gail Spaien‬

‭Maria Barbist‬

‭William Messer‬

‭Gordon Ricketts‬

‭Martine Jardel‬

‭Xylor Jane‬

‭Howie Cherman‬

‭Marian Wallace & V. Vale‬

‭ e would also like to thank all our TIP IN THE JAR donors on eventbrite and all of our‬ W ‭volunteers who have helped this year: our amazing liaison team, exhibitions team and‬ ‭the volunteers for THE SPIRIT IS ALIVE celebration!! A big shout out and much‬ ‭gratitude for the incredible work of Lucien Liu, Beth Waldman, Judy Zhu, Emily Jane,‬ ‭Diana Fuller, Vita and Bryan Hewitt and many more.‬

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‭05. Financial Statement‬ ‭ iscal Year 2022–2023 was the third consecutive year of operating surpluses,‬ F ‭demonstrating that SFAA is in good financial health and growing stronger.‬

‭REVENUE‬

‭EXPENSES‬

‭Fundraising‬

‭17,995.75‬ ‭Programming‬

‭13,887.75‬

‭Programming‬

‭ onation to SFAI‬ ‭14,972.99‬ D ‭Legacy Foundation &‬ ‭Archive‬

‭10,402.58‬

‭Grants‬

‭2,000.00‬ ‭Operating Expenses‬

‭5,948.33‬

‭Other‬ ‭Total‬

‭665.28‬ ‭35,634.02‬ ‭Total‬

‭30,238.66‬

‭ onations and expenses for the Transcript Fundraiser will be reflected in the financial‬ D ‭statement of the next fiscal year (2023/24).‬

‭Image credit: Lucien Liu‬

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‭06. Board of Directors‬ ‭Annie Reiniger-Holleb (Vice-President)‬ ‭Brianna Hyneman (Co-Secretary)‬ ‭Cristina Velazquez‬ ‭Jackie Buttice‬ ‭​Linda Connor‬ ‭Lior Bar‬ ‭Maria Theresa Barbist (President)‬ ‭Marian Wallace (interim Treasurer)‬ ‭Toban Nichols (Co-Secretary)‬

‭Advisory Board‬ ‭April Martin‬ ‭Becky Alexander‬

‭Image credit: Toban Nichols‬

‭Jeff Gunderson‬ ‭Rye Purvis‬

‭Image credit: Toban Nichols‬

‭Donate to SFAA‬

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