SEPIDEH SHARIFI
Architecture Portfolio
Dance of Life White Sands, New Mexico 4 16 38 70 82 The Intersection Tortuga Ranch, Tucson, Arizona Cottages Moyo, Uganda Santa Cruz Market and Park Mercado District, Tucson, Arizona Professional Work Tehran, Iran
Dance of Life | Fall 2022| J.Robles White Sands, New Mexico
On a scorching September day, I experienced the White Sands of New Mexico for the first time. The relentless sun intensified the heat, but the refreshing sensation of walking barefoot on the cool sand was undeniable. While navigating the vast desert, each towering dune posed a challenge, presenting a formidable wall of sand. However, conquering each summit revealed a breathtaking and unparalleled panorama. After ascending and descending dunes of varying heights, I settled atop one, observing the world below. As I sifted sand through my fingers, memories welled up within me, shimmering like particles in the sunlight. These memories ranged from darkness to light, with moments so profoundly bleak that they
this profound connection. A gypsum particle embarks on an extraordinary journey, traversing the depths of the Earth, coursing through mountains, rivers, and lakes, until finally finding its resting place within the dunes. But where does it venture next?
Years later, fragments of ourselves endure within our loved ones, akin to faded memories, profound emotions, or cherished flavors. These fragments persist, intertwining with their lives, becoming an integral part of who they are. And so, the journey continues. Where’s the next destination? seemed to engulf everything, akin to a black hole in the galaxy. Conversely, other recollections were veiled in a dense fog, leaving behind only a faint trace of their existence. Like an aged painting on a wall, faded and weathered by time, or a worn garment that had lost its original texture and color, these memories endured, fundamentally unaltered.
The emotions experienced by humans infuse meaning and significance into the encounters and concepts they face. Perhaps, for the residents of that house, the image of that painting is etched in their minds, harking back to moments spent gathered around the dinner table, with the sun’s rays delicately caressing it. Similarly, the memories associated with the owner of that garment may originate from the time it was tried on in a store, a joyous party where it was worn, or the first photograph taken while exploring the world adorned in it.
Life, at its core, is pure, where everything exists in unity, interwoven and inseparable, despite constant fluctuations. The apparent changes we perceive are merely external facades, for the essence of the world remains unaltered. Everything revolves and transitions to new places, yet they all share the same intrinsic nature, forming a single essence.
White Sands and life itself share
Dance of Life | White Sands Sepideh Sharifi 4 5
small sand particle ground soft light alive neutral open still pure resistant
huge sand dune sky hard dark dead colorful closed mobile altered adaptive
Dance of Life | White
Sepideh Sharifi 6 7 Past | Struggle
Sands
simple pressure stuck repetitive sadness self negative excited despair
complicated release found new hapiness universe positive indifferent hope
Today 01 Year - 15 ft 02 Year - 30 ft 04 Year - 60 ft 08 Year - 120 ft 16 Year - 240 ft 24 Year - 360 ft Plan Site Plan + + + --
Dance of Life | White Sands Sepideh Sharifi 8 9 Present
Dance of Life | White Sands Sepideh Sharifi 10 11 Future | Wander
Dance of Life | White Sands Sepideh Sharifi 12 13
Dance of Life | White Sands Sepideh Sharifi 14 15
The Intersection| Spring 2022| L. Carr Tortuga Ranch, Tucson, Arizona
The concept of this project is to foster connectivity among three generations of the tribe by establishing a space where they can engage with one another while partaking in a variety of indoor and outdoor activities. The Yoeme tribe seeks a venue that facilitates intergenerational interaction, enabling the elders to impart their wisdom, beliefs, rituals, artistic expressions, and the vibrant cultural heritage of the tribe to the succeeding generations.
The Intersection | Tucson Sepideh Sharifi 16 17
Offices 1500 sf 230 sf 3530 sf 2600 sf 400 sf Service Educational Elder Housing Maintenance FINAL DESIGN DROP CEILING SECONDARY BEAM - WIDE FLANGE STEEL BEAM 8 PRIMARY BEAM - WIDE FLANGE STEEL BEAM 18 POLYCARBONATE SHADING SKYLIGHT RAMADA SHADING WOODEN BEAM
COLOMN 1’ X 1’ STEEL COLOMN The Intersection | Tucson Sepideh Sharifi 18 19
PATTERENED BRICK WALL
21 March 21 June 23 September 21 December 8 AM 12 PM 4 PM The Intersection | Tucson Sepideh Sharifi 20 21
Sun Path
Polycarbonate Shading
Wind Direction
Patterned Wall
To provide privacy for elder housing while doesn’t blok and isolate it from the life skill center
Skylight for Classrooms
Ramada Patterned Shading
To provide shading for the courtyard while allows for the south facade to benefit from the light.
Polycarbonate Shading
Garden
Polycarbonate Shading
N The Intersection | Tucson Sepideh Sharifi 22 23
The project features a landscape design that incorporates two distinct entrances. The primary entrance leads from the parking lot to the Life Skill Center, serving as the main point of access. The secondary entrance consists of a narrower road, providing entry to the maintenance building and elder housing. These areas are considered more private spaces within the site, primarily utilized by a limited number of individuals and staff. Furthermore, the Life Skill Center, the main building of the project, includes an additional pedestrian entrance that connects it to the playground situated on the opposite side of the road.
ELDER HOUSING NO OF STORIES= 1 HEIGHT= 10' AREA= 1610 SF
ELDER HOUSING NO OF STORIES= 1
NO OF STORIES= 1
LIFE SKILL CENTER
STORIES=
HEIGHT= 18' AREA= 6946 SF F.F.E.= 0
HEIGHT=
F.F.E.=
NO OF
1
MAINTENANCE
14' AREA= 508 SF
0
F.F.E.=
0
F.F.E.= 0 MAIN ENTRY COURTYARD AREA= 9540 SF GARDENS AREA= 677 SF TRASH ENCLOSURE SERVICE ENTRY SECONDARY ENTRY SECONDARY ENTRY 9' 0" 18'0" RAMADA SHADING ROOF POLYCARBONATE SHADING POLYCARBONATE SHADING POLYCARBONATE SHADING LOADING ZONE PROPERTY LINE 32'0 3/8" 21' - 1 1/4" 1911 7 / 8 " 1 11 24'10 1/4" 36' - 7 1/2" VEHICULAR ACCESS VEHICULAR ACCESS PEDESTRAN ACCESS 13' 0" 9' - 0" 18'0" BIOSWALE F.F.E= -3' FIRE ACCESS CLEARANCE 18'0" 14' 0" BIOSWALE F.F.E= -3' BIOSWALE F.F.E= -3' BIOSWALE F.F.E= -3' BIOSWALE F.F.E= -3' NOT FOR CONSTRUCTION 825 ARC 541 SPRING 2022 INSTRUCTORS: D:\UofA\ARC 541 SP22\Assignment 04\ARC 510E04272022.rvt SITE PLAN 3300 S Marstellar LIFE SKILL FOR: MOCHIK A100 The Intersection | Tucson Sepideh Sharifi 24 25
HEIGHT= 10' AREA= 846 SF
The building is oriented east-west in a rectangular form to allow for maximum use of light in the south and north facades. The window on the east side of the building is located on top of the building and the lower-level window is omitted to avoid the entrance of early morning undesirable lights.
B C A D E F 2 1 23'-1" 32'-8" 34'-7" 28'-5" 47'-11" 18'-4" N
1. Double Occupancy Office
2. Restroom & Shower
3. Classroom
4. Maker’s Space
5. Conference Room
6. Communal Kitchen
7. Double Occupancy Unit
1 1 1 1 1 1 2 2 5 2 3 3 3 4 8 The Intersection | Tucson Sepideh Sharifi 26 27
8. Maintenance
The patterned design of the ramada structure serves a dual purpose: it provides ample shading while also facilitating the upward movement of heat, preventing it from being trapped underneath (utilizing the Stack Effect).
The shaded space beneath the ramada offers a versatile and inclusive environment where various individuals can engage and interact with one another. This area is adaptable to accommodate a wide range of activities and can even serve as a venue for ceremonies.
The Elder Housing is constructed using adobe, a traditional material known for its thermal mass properties, making it an ideal choice for the arid climate of the site. On the other hand, the Life Skill Center features a smooth white plaster finish.
A decorative wall with a pattern serves as a partition between the Elder Housing and the Life Skill Center. This patterned wall not only ensures privacy for the residents of the Elder Housing but also maintains a connection between them and their surroundings, preventing a complete disconnection.
The Intersection | Tucson Sepideh Sharifi 28 29
underground
underground
underground
For this building, a split system has been selected for the HVAC (Heating, Ventilation, and Air Conditioning). The primary HVAC components are positioned on the flat roof of the building, with ducts running through the interior spaces atop drop ceilings. A dedicated 2-foot space is allocated between the beams and drop ceiling to accommodate these ducts.
To harness rainfall for future use, four underground cisterns have been strategically placed. These cisterns are distributed on both sides of the building, and water pipes located between the structural ceiling and drop ceiling transport the water to them.
In the maintenance building, a mini split system has been chosen for the HVAC system. This decision was made considering that the offices are not occupied at all times, and the mini split system offers greater flexibility in terms of operation and energy usage.
underground cistern 100” x 51” x 42”
hvac duct 2’ X 2’ X 2’
split system on the flat roof
mini split system for each space
cistern 100” x 51” x 42”
cistern 100” x 51” x 42”
The Intersection | Tucson Sepideh Sharifi 30 31
cistern 100” x 51” x 42”
LEVEL 2 Parapet 22' 0" LEVEL 1 18' 0" 0" 2 DROP CEILING RAMADA SHADING WIDE FLANGE BEAM 7.01 9.03 7.02 7.01 9.04 8.02 3.01 168'-0"<> 168'-0"<> 12'-0"<> South Facade Wall Section Sc: 1/4” The Intersection | Tucson Sepideh Sharifi 32 33
To prevent the common issue of hot air getting trapped underneath the shading structure on the south sides of the building, a deliberate gap has been incorporated between the polycarbonate shading structure and the building itself. This gap facilitates the upward flow of hot air, ensuring that it is not confined beneath the shading and allowing for improved ventilation.
LEVEL 1 0" LEVEL 2 18' 0" 22' 0" Parapet A 13'-0"<> 120'-0"<> 32.01 9.03 7.02 7.01 9.04 7.01 CABLE DROP CEILING WIDE FLANGE BEAM
The Intersection | Tucson Sepideh Sharifi 34 35
West Facade Wall Section Sc: 1/4”
The Intersection | Tucson Sepideh Sharifi 36 37
The Cottages| Spring 2023| C. Trumble - A. Engineer Lonyi Village, Moyo, Uganda
The upcoming project is a collaborative effort involving 5th year Bachelor of Architecture students and Master of Architecture students. Each student had multiple responsibilities, being part of both a coordinator team and a design project team. The diagram illustrates the relationships between the students, instructors, and the focus of the project documents, which primarily center around the design project. For this particular project, I collaborated closely with another student, and all the documents, ideas, and concepts reflect our collective effort and teamwork that will keep visitors coming back year after year.
As the heart of Lonyi Village, the cottages will be a peaceful retreat for volunteers and humanitarian workers who visit Moyo. Cottages provide a place of reflection, respite, and rest through privacy in location, convenience of amenities, and comfort in perceived and actual security, so they can keep making a positive impact on the local community.
Conscious design is vital for the cottages because they will be the direct representation of Pipeline Worldwide as an organization. The 16 cottages (23 m2 each) will be divided into 3 unique architectural and environmental experiences, to influence visitors to return to Lonyi Village for the next exciting Pipeline adventure.
We experience and connect to our world through the 5 senses of sight, smell, touch, sound, and even taste. Spaces that are consciously designed to trigger each of the senses give powerful emotional experiences, leave lasting memory, and can heal our minds, bodies, and souls. The cottages at Lonyi Village will use the 5 senses and connection to nature to provide a positive experience that will keep visitors coming back year after year.
The Cottages | Uganda Sepideh Sharifi 38 39
The Cottages | Uganda Sepideh Sharifi 40 41
SKY FOREST EARTH
INSPIRE
Sight
Frame the Cosmos
Dramatized weather
Light
Pavilion
Earth Sky
Parcel Entry
RESPECT
Sound
Integration
Nature’s Identity
Educate
Forest
GROUNDING
Touch, Taste Connect
Heal
• Central Threshold into Parcel
• Minimize East + West facade for sun protection
Sky Forest
All Cottages
• Site location: Southern tree grove
• Clustered based on tree location
• Meandering forest boardwalk
• Site Location: Highest point on site
• Better distant views
• Rural Ugandan cluster style
Earth
• Site Location: Lowest point on site
• Connects to topography
The Cottages | Uganda Sepideh Sharifi 42 43
D
B BB F FF E EE The Cottages | Uganda Sepideh Sharifi 44 45
DD
Nature of Within
Cluster Configuration
The earth cluster will connect and ground visitors to the earth by being built into the ground. Row-house style cottage’s gardens will be built into the ground and face each other, providing privacy while prioritizing economy.
F FF E EE +3.00 A.F.F. +2.90 A.F.F. +2.20 A.F.F. +2.20 A.F.F. +2.70 A.F.F. +2.70 A.F.F. +2.40 A.F.F. +2.40 A.F.F. The Cottages | Uganda Sepideh Sharifi 60 61
14 SQM 23 SQM +3.00 A.F.F. +2.70 A.F.F. +2.40 A.F.F. The Cottages | Uganda Sepideh Sharifi 62 63
The Cottages | Uganda Sepideh Sharifi 64 65
The Cottages | Uganda Sepideh Sharifi 66 67
The Cottages | Uganda Sepideh Sharifi 68 69
Santa Cruz Market and Park | Fall 2021| O.Lopez Mercado District, Tucson, Arizona
The primary objective of the project is to revive the vibrant and dynamic essence that once characterized life along the Santa Cruz River. Extensive research and analysis of various data sets have been undertaken, transforming them into visually engaging illustrations and mappings.
Situated along the banks of the Santa Cruz River, the project occupies a vast site. Extensive exploration of circulation options and strategic placement of masses were conducted to achieve optimal organization of the program on the site. The aim was to ensure a seamless flow of movement and gradual progression towards the river. The site has been designed with varying elevations, allowing for a gradual descent towards the river while providing captivating views of the water.
A diverse range of programs are taking place on the site, predominantly comprising public spaces with some areas designated as more private. These include an administrative office and research center, which are situated in a more enclosed setting. Despite their relative seclusion, these spaces remain interconnected with the rest of the site, avoiding isolation.
Santa Cruz Park & Market | Tucson Sepideh Sharifi 70 71
100 Years Diabetes 1900 1920 1940 1960 1980 2000 Drought 1993 Flood 1983 Flood Soil Cement Insalled Satellites Mid-Century Drought First Aerial Photo Turbine Pumps Arroyo Widening Ornitologhists Flock to Tucson Ground Water Use Peaks 1995 2019 December November October September August July June May April March February January Minority Hispanic American Indian Black White January November Santa Cruz Park & Market | Tucson Sepideh Sharifi 72 73
A super shading structure is provided where the buildings are nesting under it. The shading structure is modular, so it allows for future extensions and is implemented as smaller shading structures to provide shading for the market stalls. The shading structure is in different height while having gap in between to allow for light and shadow, solid and transparent.
Santa Cruz Park & Market | Tucson Sepideh Sharifi 74 75
A B B D C C D A 0.00 0.00 0.00 0.00 -16.60 -6.50 -1.50 0.00 -5.00 -10.00 -20.00 -13.30 -10.00 -7.50 -2.50 Section A-A 5.00 5.00 5X 5.00 5.00 0.67 1.33 2.00 5X 5.00 5X 5.00 5.00 5X Santa Cruz Park & Market | Tucson Sepideh Sharifi 76 77
Scale : 1/16
Children Room Gallery
Office
Research Center
Restroom
Community Room Observatory
Santa Cruz Park & Market | Tucson Sepideh Sharifi 78 79
The Market
Santa Cruz Park & Market | Tucson Sepideh Sharifi 80 81
Professional Projects
Professional Work Sepideh Sharifi 82 83
Iran’s Industrial Education and Research Center Office
Shahr Negar Consulting Engineers
Tehran, Iran
Type: Commercial
Land Coverage: 50%
Levels: 7 Floors (5 above and 2 underground)
Responsibilities:
Design and preparation of the full set of construction documents
Professional Work Sepideh Sharifi 84 85
Professional Work Sepideh Sharifi 86 87
Khademin F11 Residential Tower
Shahr Negar Consulting Engineers
Tehran, Iran
Lot Area: 18,083 sf
Floor Area: 305,695 sf
Type: Residential
Land Coverage: 30%
Levels: 25 Floors (21 above and 4 Underground)
Responsibilities: Preparation of the full set of construction documents
FG=1318.70 11.56 R-75 R-05 A5-B1 K2-B1 F11-GR F11-B1 E10-B2 E11-B2 E11-GR2 R-06 R-06 R-06 R-06 R5-03 R5-02 R5-01 R-05 F12-B1 12.00 11.59 14.35 14.05 11.85 11.45 24.44 15.16 23.44 19.56 32.83 10.76 12.83 11.20 11.64 12.09 12.47 12.54 12.17 12.50 12.67 12.18 12.02 12.02 10.31 12.34 A5 F11 K2 E10 13.68 15.28 12.88 14.48 12.09 0+000 R 30.00 30.60 31.20 28.00 29.00 1323.50 1314.75 16.50 17.75 20.25 22.75 1316.00 V=146 T=24 F11 S = 347 E Elevation No Elevation No Elevation No Elevation No 4 Professional Work Sepideh Sharifi 88 89
Professional Work Sepideh Sharifi 90 91
Alborz Insurance Kalantari Center Office
Shahr Negar Consulting Engineers
Tehran, Iran
Lot Area: 15,661 sf
Floor Area: 177,604 sf
Type: Commercial Levels: 17 Floors (11 above and 6 underground)
Responsibilities:
Preparation of the full set of construction documents based on the change of whole structure and excavation method
Professional Work Sepideh Sharifi 96 97
Professional Work Sepideh Sharifi 98 99