YOU, SEOUNGJOO REBEKAH
AC



LIGHTING


RETAILS ACADEMIC

RESIDENTIAL

CHANG RESIDENCE 2017 ~ 2019
RETAIL


RETAIL
HILLSDALE SHOPPING CENTER 2015 ~ 2017
ACADEMIC
URBAN FARM / MIXED-USE


ACADEMIC
ACADEMIC


AC
CHANG RESIDENCE 2017 ~ 2019
HILLSDALE SHOPPING CENTER 2015 ~ 2017
ACADEMIC
URBAN FARM / MIXED-USE
STEINBERG HART
2021 ~ 2023 / iNtERiOR AOR
506,000 SF, 727 KEYS
AmENitY AREA, FitNESS, vARiOUS CONCEptEd REStAURANtS ANd BARS
Worked as a job captain on the Sd, dd, Cd, and CA phases, obtaining permits and ensuring constructability. Collaborated with two interior designers, each working on different brands, and coordinated with consultants and clients
STEINBERG HART
2019 ~ 2021 / ARCHitECtURE
72,576 SF, 200 KEYS, AmENitY AREA, FitNESS, REStAURANtS ANd BARS
Worked as an architectural designer on the Cd and CA phases, and t i. packages. developed drawings including details, and took responsibility for designing specific areas. Obtained permits and ensured constructability. Collaborated with the team and coordinated with consultants and clients.
STEINBERG HART
2019 ~ 2021 / ARCHitECtURE
137,000 SF, 200 KEYS, AmENitY AREA, FitNESS, REStAURANtS ANd BARS
Worked as an architectural designer on the Cd and CA phases, and t i packages. developed drawings including details. Obtained permits and ensured constructability. Collaborated with the team and coordinated with consultants and clients.
CULvER CitY, CA
wARwICk GRoup
2017 ~ 2019 / ARCHitECtURE
3,500 SF, SiNGLE HOUSE RENOvAtiON WORK FOR 6 FAmiLY mEmBERS
Worked as an Architectural designer on the Concept design, Sd, dd, Cd, and CA phases within a design-Build firm. Collaborated closely with clients and the construction manager, coordinated with consultants, and obtained permits.
Floor plan
E-NoRTH CouRT
ELS ARCHITECTuRE & uRBAN dESIGN
2016 / ARCHitECtURE
REtAiL mALL ANd LANdSCApE
Worked as an Architectural designer on the Concept design, Sd, and dd phases. Collaborated with consultants.
d-CENTER CouRT
B-food CouRT
poCkET pARk - GREEN + REST + pLAzA
Easy to access / Brighter open space / playful landmark
mALL ENtRANCE
Bench on the slope
After Construction: Soft slope / sitting area / plaza / functional green tiles
From the main Entrance
ELS ARCHITECTuRE & uRBAN dESIGN
2015 ~ 2017 / ARCHitECtURE
Gold Award, Renovations/Expansions, iCSC Global design & development Awards Sustainability Commendation, iCSC Global design & development Awards
300,000 SF REdEvELOpmENt / ARCHitECtURE At NORtH BLOCK COLLABORAtEd WitH StANtEC, ANd LiFESCApES iNtERNAtiONAL
Worked as an Architectural designer during the Sd and dd phases, visualizing design intent and creating presentation files. took responsibility for designing specific areas and collaborated with the team.
ANdERSoN ANdERSoN ARCHITECTuRE
2014/ ARCHitECtURE
Worked as an architectural designer on the modular lighting system - concept design and mockup.
this is a modular system of inexpensive paper of plastic material that allows for maximum variability in different locations, using minimal numbers of parts. the intention is that this covering will be replaced on a regular annual or semi-annual basis, using a variety of changing colors and surface prints. this will offer a festival renewal quality to the system.
Material
Sample paper: 80LB (216g/m ) l 100 Brightness
High-quality, fairly thick paper, Canson or mylar that can cut and fold and hold sharp edges.
Ex: Side holes 1
Side: Use same holes on both sides
Ex: Top & Bottom holes 2
Upside: 2nd hole
The provided cut files and efficient layouts can be effectively cut using laser cutters or die-cut by a printer. For larger quantities, die-cutting will be retained to enable future cutting in various materials or colors.
The system comprises a limited number of pieces with a straightforward installation method. Even untrained workers can swiftly become skilled and efficient in folding and installing these pieces. This allows large teams to work simultaneously, engaging each worker in the project’s creativity and design composition. This approach aims to make the work enjoyable while ensuring efficiency in the execution.
LG
2009 ~ 2010 / iNtERiOR AOR, viSUAL mERCHANdiSiNG
SHOp-iN-SHOp CONCEpt FEAtURiNG 200 vARiEd SHOpS WitHiN dEpARtmENt StORES
Worked as a project manager on Concept design, Sd, dd, Cd, and CA phases. Collaborated with an interior designer for the launch of a new brand. Coordinated with department store consultants and construction managers for approximately 200 shops in South Korea and China.
2010 / iNtERiOR AOR, viSUAL mERCHANdiSiNG SHOp-iN-SHOp CONCEpt FEAtURiNG 200 vARiEd SHOpS iN dEpARtmENt StORES
Worked as a project manager on Concept design, Sd, dd, Cd, and CA phases. Collaborated with an interior designer for the launch of a new brand. Coordinated with department store consultants and construction managers for approximately 200 shops in South Korea and China.
ACAdEmIC woRk at uC BERkELEy I 2014-2015
Instructor_ Andrew Atwood & Mark Anderson
wander and wonder
“Wander and Wonder” is a concept that highlights how people are confined within the predefined pathways and walls of buildings, limiting their exploration to certain directions. the premise stems from observing a child at play, who explores their environment without a specific purpose or direction. this work is inspired by the idea of creating architecture solely dedicated to wandering, allowing individuals to experience spaces and structures designed for pure exploration.
the thesis aims to prompt reflection on the possibilities that arise when encountering spaces built entirely for wandering. it questions the potential discoveries and learnings that might emerge from experiencing environments specifically crafted to evoke a child’s sense of wonder. By introducing playful structures within architecture, the intention is to challenge and offer alternatives to our conventional ways of navigating the world. Ultimately, the goal is to provide architecture that fosters a sense of wandering and wonderment, offering new perspectives on how we interact with our surroundings.
this approach suggests that individuals will begin crafting their own pathways based on personal experiences and in response to new challenges, rather than adhering to predetermined routes dictated by structured spaces and conventional experiences. initially, one might navigate based on inherent movement inclinations, but gradually, this organic exploration may lead to a state of “wonder,” prompting curiosity and a desire for new discoveries.
ACAdEmIC woRk at uC BERkELEy I 2013
Instructor_ Renee Chow
pRoGRAm ANd SITE
the program encompasses a blend of retail/commercial spaces, office spaces, residential areas, light industry linked to food production, and agricultural activities. the site, presently functioning as a parking lot on 4th Street in Berkeley, lies opposite Spengers Restaurant. it’s positioned north of University Avenue, south of Hearst, west of 4th Street, and east of the railroad tracks.
the project is situated within an urban farm, surrounded by commercial, industrial, and residential blocks adjacent to the Berkeley train station. despite its isolation amidst larger industrial and commercial zones, the project serves as a passive connector for pedestrians and the urban area.
All program elements are internally connected, save for the residential area, which is somewhat segregated. this division of masses allows for the integration of farm lands while keeping the various program elements interconnected within the urban context.
Based on the time, the commercial area features a “Bi-fold door” system enabling complete openness or closure. this system facilitates large openings for markets and courtyards. the building design prioritizes shielding against wind and train station noise, while simultaneously opening up towards 4th street. this design choice incorporates a lighter facade and extensive window openings, allowing ample sunlight into the commercial spaces and optimizing energy efficiency.
the construction is tailored to suit the various program elements. it includes a reinforced concrete structure, local stone cladding on the industrial buildings featuring rooftop farms, and wood insulation on the residential sections. these material choices align with the specific needs of each program component within the building.
3F: WAtER tREAtmENt
2F: OFFiCE
ACAdEmIC woRk at uC BERkELEy I 2013
Instructor _ Mark Anderson
Buried within the land of Hunter’s Point is a dark and contaminated history, and it continues to suffer immense challenges. Historically, Bay view/Hunter’s Point was a settlement for people who had nowhere else to go, but with remediation under way the community now faces numerous evictions and foreclosures. In light of the current master planning effort to redevelop Hunter’s Point and its resistance from existing communities, our proposal asks what a nomadic lifestyle could mean in contemporary terms, turning displacement and constant movement away from hostile conditions into a learned way of life. The aim is to create a community that is able to help itself and reconnect its patterns of settlement with conditions inherent in the land. With climate change, sea‐level rise, skyrocketing rents and other disasters, many of us will be forced to rethink our ownership of the land we inhabit, if we haven’t already. We believe our proposal is a low‐budget, practical and livable scheme that maximizes the available land at Hunter’s Point. Working in partnership with the Environmental Protection Agency to develop a master python script that determines zones that are safe, programming and building materials will be determined by the W remediation schedule. As parcels open up to residential use and toxicity begins to fade, the community gathers together and moves its development to the next clean parcel in a “festival of radiation.”
RE-pROGRAmmABLE SpACES
pARCELS uNdER EpA INvESTIGATIoN
transferred to the City of San Francisco Final Cleanup Work in 2013-2016 Final Remedy to be Selected in 2013
Existing Churches in Bay view/Hunter’s point Current EpA Asbestos monitoring Stations
New Network of Centers for Settlement
day time program
Night time program
Radiation Festival_1st Season
Contemporary cities have the challenge of making the most of available resources while facing an increasing population density and scarcity of space. Food trucks and bookmobiles are now familiar additions to the urban landscape; what if we expanded mobile programming to clinics, retail, and other services? mixed-use facilities and mobile programming can provide a way to maximize the built environment while turning what would otherwise be deserted districts into active destinations throughout the day.
1. tailor
2.
4.
5.
6.
14. Re-mediator
15. Schedule-Keeper
16. Bioscientist
17. Builder
18. Barber
19. Artist
20. vitrifier
Building materials have different thicknesses at which they are capable of halving the radiation transferred from building exterior to interior. Lead is the most effective at protecting against radiation, followed by steel, concrete and wood at odular units will be constructed out of these four materials at the specified thicknesses and can be bolted to piles driven deep into the ground at elevations relative to levels of radiation in the ground. All of the
ACAdEmIC woRk at uC BERkELEy I 2013
TEmpoRARy SpACE of HABITATIoN
Instructor_ Guthrie Danelle / Melanie Kaba / Rudabeh Pakravan
Public - Private
The sloped roof extends to the infrastructure, allowing people to access it from W Grand Ave.
The existing street isn’t enclosed or bordered by the New Temporary Dwelling. People can freely pass by the floating residence.
Artist-in-residence: 500 sq ft (6-9 month residency)
Curator: 300 sq ft (3-4 week residenCy)
The roof is connected to the infrastructure.
Fabricator: 400 sq ft (3-6 month residency)
Artist-in-residence: 500 sq ft
(6-9 month residency)
The dwelling is intended for a sculpture artist who specializes in crafting abstract sculptures primarily from wood and found objects, varying in sizes. The artist spends 6-9 months of the year in Oakland as part of a gallery residency, dedicating time to creating pieces for inclusion in OAM’s exhibits and teaching at an affiliated Arts Center. The design of the dwelling should accommodate space for collection, creation, and storage of artworks.
- Located at lake border, exposed to nature condition - Provides an independent space conducive to concentration.
Curator: 300 sq ft
(3-4 week residenCy)
OMA chooses twelve international visiting curators who rotate periodically throughout the year to curate exhibitions across various OAM galleries. Each curator receives temporary residency for 3-4 weeks dedicated to organizing and installing the latest exhibitions.
During their residency, a curator may collaborate closely with a single gallery or be tasked with working across multiple galleries to curate upcoming shows.
- Located at downtown for frequent meeting with people - Designed to integrate seamlessly into a high-rise building.
Fabricator: 400 sq ft
(3-6 month residency)
The dwelling is intended for an Industrial Metal Welder collaborating with OAM on art exhibitions, performances, and small architectural installations. Within the residency program, the welding fabricator also conducts community industrial fabrication workshops held within an existing space.
- Positioned within the gallery area to support fairs and exhibitions. - Designed to be compatible with or integrate into a parking lot space.
ACAdEmIC woRk at uC BERkELEy I 2012
Instructor_ Kyle Steinfeld / Mark Anderson
Selected as a distinguished Award from “Circus” 2013 UC Berkeley
The site, Strawberry Canyon, situated in the Berkeley hills, is designated for the design of a Velodrome and Dance performance stage. The design harmonizes with the natural conditions of the site, ensuring uninterrupted circulation for people amid the built environment. The terrain slopes downward from East to West, flanked by high and low slopes on both sides of the site.
Spaces are seamlessly integrated into the terrain, allowing people to follow natural flows while observing racing and dancing in open spaces. Accessibility is a priority, achieved through the orientation of the built structures and their fully exposed entrances. Seating and hallways within the built environment blend into the natural site conditions. Internally, various levels are interconnected, promoting free circulation among different spaces.
Over time, the buildings take shape organically, resembling nature’s growth, akin to trees thriving under the influence of sunlight and wind. Rather than forcing the construction of walls and spaces, the structures evolve gradually, as if being generated naturally.