from Relient K - MMHMM
The One I’m Waiting For Words and Music by Matthew Thiessen
A5
G5
D5
5fr
Bm
Asus4
1342
112
G5
open
Em7
5fr
134
134
134
1
2
12 4
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro Moderately q = 115 * D5
D
Gtr. 1 (dist.)
f P.M.
5
3
P.M.
5
3
3
3
5
3
P.M.
P.M.
5
3
3
P.M.
5
3
3
P.M.
P.M.
5
2
3
3
3
P.M.
2
3
3
2
3
P.M.
P.M.
2
3
P.M.
2
3
3
P.M.
2
3
3
*Chord symbols reflect implied harmony.
Dsus4 Gtr. 2 (dist.)
Gtr. 3 (dist.)
A5
f
10 10 7
10 10 7
f 10 10 7
P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. Gtr. 1
3
3
3
3
3
3
3
10 8 7
10 8 7
3
3
3
3
3
3
3
3
0
3
3
3
0
3
10 10 7
0
3
Quadruple-time feel G5 Rhy. Fig. 1
10 8 7
10 8 7
10 8 7
10 8 7
10 8 7
10 8 7
10 10 7
10 10 7
10 8 7
10 8 7
10 10 7
10 10 7
10 8 7
10 8 7
10 8 7
10 8 7
10 8 7
10 8 7
10 7 7
Riff A P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.
5
3
3
5
3
3
5
3
5
3
3
5
3
3
5
3
5
3
3
5
3
3
© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission
5
3
5
3
3
5
3
3
5
3
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
A5
Gtr. 3
Gtr. 4 (dist.) divisi
End Rhy. Fig. 1
10 10 7 7 7 5
10 10 7 7 7 5
f 10 7 7
10 7 7
10 7 7
10 7 7
10 7 7
10 7 7
10 7 7
10 7 7
10 7 7
10 7 7
10 7 7
2
3
P.M.
2
3
3
3
P.M.
2
2
3
P.M.
3
3
P.M.
2
3
3
P.M.
2
10 7 7
10 7 7
10 7 7
10 10 7 7 7 5
10 10 7 7 7 5
End Riff A
P.M.
10 7 7
P.M.
0
3
3
3
P.M.
0
3
let ring
0
3
3
Gtr. 1: w/ Riff A Gtr. 4 tacet
G5
10 8 7
10 10 7
10 8 7
10 8 7
10 8 7
10 8 7
10 10 7
Gtr. 3
10 8 7
10 8 7
10 8 7
10 10 7
10 8 7
10 8 7
10 8 7
10 8 7
10 8 7
10 8 7
10 8 7
10 8 7
10 7 7
Gtr. 3 tacet
D5
A5
(cont. in notation)
10 7 7
10 7 7
10 7 7
10 7 7
10 7 7
10 7 7
10 7 7
10 7 7
Hey,
hey,
hey.
7 7 5
7 7 5
7 7 5
*Gtrs. 2 & 4
Harm.
10 7 7
10 7 7 5
5
Pitch: E *Composite arrangement
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Hey.
Harm.
5 E
5
5
5
5
5
7 7 5
Verse Gmaj7
1. The way that
Riff B
P.M.
girl
heart,
can
3
3
and this
P.M. 5
4
5
your
5
is
P.M.
5
5
it’s like
P.M.
3
3
the
part:
5
4
5
4
5
And
Gtr. 2
P.M.
she’s so
2 3
con
fi
-
P.M.
3
-
y
5
3
4
5
5
5
4
4
2
she
knows
it. End Riff B
7 7 5
ev - ’ry
0
Dadd4
-
bod
-
y
wants,
P.M.
2
4 3
P.M. 3
A5
her to
4
2 5
4 5
3
End quadruple-time feel
wants
2
A5
7 7 5
know
G5
5
4
4
7 7 5
7 7 5
A5
that. Gtrs. 2 & 4
2
5
7 7 5
P.M. P.M. P.M. 5
5
4
what
5
P.M.
that she’s
3
art,
of
3
2 3
4
3
but no - bod
P.M.
2 3
dent
4
3
-
4
5
Gtr. 4: w/ Riff B
Gmaj7
3
P.M. let ring
5
work
4 3
Dadd4
a
P.M.
5
3
5
4
worst
5
3
break
4
5
3
P.M.
4 3
7 7 5
0
5 5 3
(Gtr. 2, cont. in slashes)
7 7 5
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Pre-Chorus Bm
Rhy. Fig. 2 Gtr. 2
So
back
on
all
fall
Asus4
of
your
P.M. P.M. P.M. P.M. P.M. Gtr. 4
7
G5
7
7
5
7
7
7
7
5
7
7
5
7
7
just
to
-
7
7
learn
lis
-
-
ni
7
7
P.M.
5
7
7
5
7
P.M.
P.M.
5
7
to
7
7
7
5
7
7
and
7
7
P.M.
5
7
7
7
P.M.
5
7
7
those
that
have
more
wis - dom
than
you. End Riff C
5
7
Gtr. 2: w/ Rhy. Fig. 2 Gtr. 4: w/ Riff C
Bm
And
just
stop
Em7
Live
your
life
for
Gtr. 5 (clean)
put - ting
those
that
you
Asus4
so
much
w/ chorus let ring
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
in
all
of
this
Asus4
stuff.
Bm
love.
mf
4
stock
Interlude G5
5
7
End Rhy. Fig. 2
P.M.
tions,
P.M.
Em7
ten
7
o
-
P.M.
5
open
Riff C
5
prem
let ring
0 5
7
0 7
9
0
9 7
Chorus
G5
Asus4
Bm
G5
I’m
still
And
let ring
let ring
0
5
3
Bm
0
9
7
0 9 7
G5
you
to
be
the
one
I’m
Asus4
0
9
9 7
let ring
0
5
3
wait - ing
for
let ring
0
7
5
Bm
for.
let ring
0
7
5
0
5
3
wait - ing
let ring
7
let ring
0
7
5
Asus4
0
9
7
Verse Quadruple-time feel Gtrs. 2 & 4: w/ Rhy. Fig. 1 (2 times) Gtr. 5 tacet
G5
2. The
D5
way
that
girl
But
G5
can
don’t
ev
turn
-
er
And
she’s
got
it
all
your
-
head,
for
well, she
get,
all
is
such
A5
she
a
threat.
knows
fig
it.
-
ured
out,
(Whoa.)
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
and
she
won’t
let
you
Gmaj7
Gtr. 6 (dist.)
f
divisi
5 5 3
4 X 3
5 5 3
5 5 3
4 X 3
7 7 5
doubt
A5
Gtrs. 2 & 4
5 5 3
she
knows
it.
Gmaj7
A5
7 7 5
5 5 3
End quadruple-time feel
A5
5 5 3
4 X 3
5 5 3
5 5 3
4 X 3
7 7 5
(Gtr. 2 & 4, cont. in slashes)
7 7 5
Chorus Gtr. 6 tacet
D5
G5
Rhy. Fig. 3
Gtrs. 2&4
I’m
still
wait
-
ing
for
to
be
the
one I’m wait - ing
Riff D
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
G5
I’m
still
wait
-
End Rhy. Fig. 3
ing
for
you
to
be
the one I’m wait - ing
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
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for. End Riff D
Em7
Sorgdal
you
Gtr. 1
for.
Interlude Gtr. 2 tacet
Em7 Gtr. 4
P.M.
5
3
P.M.
5
3
3
P.M.
5
3
3
P.M.
5
3
P.M.
5
3
3
P.M.
5
3
P.M.
2
3
3
P.M.
2
3
3
3
P.M.
3
3
3
P.M.
3
3
3
3
3
3
Gtr. 3
P.M.
P.M.
3
P.M.
3
3
3
2
3
P.M.
2
G5 Gtr. 1
P.M.
3
P.M.
2
3
3
3
2
3
P.M.
2
3
3
P.M.
3
3
3
2
8
7
7
Pre-Chorus Gtr. 2: w/ Rhy. Fig. 2 (2 times) Gtr. 4: w/ Riff C (2 times)
Bm
So
2
6
fall
back
on
all
of
Asus4
your prem - o - ni
-
grad. bend
1/2
tions,
G5
and
just
learn
to
lis
-
ten
to
2
grad. bend
1/2
6
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Sorgdal
Gtrs. 1 & 3 tacet
Em7
those
that
have more
G5
all
of
this
wis - dom
than
And
just
stop
Em7
Live
your
life
for
you.
stuff.
Bm
put - ting
those
that
you
so
much
Asus4
stock
in
G5
love.
Gtrs. 2 & 4
Harm. *
5 5 3
3.1
3.1
Pitch: B *Harmonic located just past 3rd fret.
Chorus Gtr. 1: w/ Riff D (3 1/2 times)
I’m
still
wait
D5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
be
the
one
I’m
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 5 3
7 7 5
wait - ing
5 5 3
5 5 3
for.
5 5 3
7 7 5
7 7 5
I’m
still
Bsus4
for
5 5 3
ing
5 5 3
-
G5
you
to
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
Asus2
wait
-
ing
0 0 X 9 9 7
0 0 X 9 9 7
0 0 X 9 9 7
0 0 X 9 9 7
0 0 X 9 9 7
0 0 X 9 9 7
0 0 X 7 7 5
0 0 X 7 7 5
0 0 X 7 7 5
0 0 X 7 7 5
0 0 X 7 7 5
0 0 X 7 7 5
G5
for
to
be
the
one
I’m
wait
-
ing
for.
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
(Some - thing
tells
me
that
-
na
take
pa
this
is
I’m
still
-
tience.
Some - thing
G5
ing
gon - na
G5
for
-
Em7
wait
you
still
Gtr. 1
I’m
D5
Gtrs. 2&4
Gtrs. 2 & 4: w/ Rhy. Fig. 3
5 5 3
for.
make
sense.
Some - thing
tells
me
that
this
you
to
be
the
one
I’m
-
tells
me
it’s
out
in
the
end.)
wait - ing
gon -
ing
will
all
work
for.
wait
7 X 5
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Sorgdal
from Relient K - MMHMM
Be My Escape Words and Music by Matthew Thiessen D5
A5
E5
5fr
A5 VII
5fr
134
7fr
134
134
Dsus2
E
13
4fr
321
134
F#5/C#
5fr
1341
F#5 9fr
134
A 5fr
B5
7fr
D5/A
9fr
312
5fr
1134
1134
Intro Fast q = 224
F#m
Gtr. 1 (dist.)
F#sus2
9 10 11 11 9
9 10 11 11 9
9 10 11 11 9
9 10 11 11 9
Rhy. Fig. 1
F#m
F#sus2
9 10 11 11 9
9 10 11 11 9
9 10 11 11 9
9 10 11 11 9
9 10 11 11 9
F#m9
9 9 9 11 9
9 9 9 11 9
9 9 9 11 9
mf 9 10 11 11 9
D5
9 10 11 11 9
9 10 11 11 9
9 10 11 11 9
9 10 11 11 9
9 10 11 11 9
9 9 11 11 9
* Gtrs. 2&3 (dist.)
f
Gtr. 1
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 10 11 11 9
9 10 11 11 9
9 10 11 11 9
9 10 11 11 9
9 10 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 11 11 9
9 9 9 11 9
(cont.in notation)
9 9 11 11 9
9 9 11 11 9
9 9 9 11 9
9 9 9 11 9
9 9 9 11 9
9 9 9 11 9
End Rhy. Fig. 1
*Composite arrangement
Gtr. 1: w/ Rhy. Fig. 1 ** F#m
F#sus2
4 4 2
4 4 2
4 4 2
F#m
F#sus2
F#m9
Gtrs. 2 & 3
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
**Chord symbols reflect overall harmony.
© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D,7
D,7#11
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
D,7
7 7 5
7 7 5
7 7 5
Dmaj7#11
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
D,9#11
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
Half-time feel Gtrs. 2 & 3 tacet
F#m
Gtr. 5 (dist.)
F#sus2
Rhy. Fig. 2A
mf
mf
Gtr. 4 (dist.) divisi
F#m9
F#sus2
Dmaj7
Dmaj7#11
Dmaj9#11 Dmaj7#11
End Rhy. Fig. 2A
Rhy. Fig. 2
9 10 11 11
9 10 11 11
End Rhy. Fig. 2
9 10 11 11
9 10 11 11
9 10 11 11
9 10 11 11
9 9 11 11
9 9 11 11
9 9 11 11
9 9 9 11
9 9 9 11
9 9 11 11
9 10 11 11
9 10 11 11
9 10 11 11
9 10 11 11
9 10 11 11
9 10 11 11
9 9 11 11
9 9 11 11
9 9 11 11
9 9 9 11
9 9 9 11
9 9 11 11
End half-time feel Gtrs. 4 & 5: w/ Rhy. Figs. 2 & 2A
A6
A,7add13
Verse A5
A,7
B7sus4
1. I’ve giv - en
up
on
Riff A
*Gtr. 6
mf
giv - ing up
Amaj7add13 F#m7/E
slow
-
Dsus2
I’m blend -ing in
so you
won’t e - ven
ly.
F#m9/E
know
me
w/ fingers let ring throughout
5 0 *Piano arr. for gtr.
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Sorgdal
5 2
5
5 2
5
2 2
5 2
5
5 2
2
5 0
5 2
5
5 2
2
5
5 2
2
5
5 2
2
F#m7
a
-
part
Esus4
from
this
5
5
2
4
whole
5
5
2
5
2
world
that
shares
5
5
2
2
B7sus4
A/C#
my
5 2
Dsus2
fate.
5
5
2
5
2
5
End Riff A
5 5 0
4
Half-time feel Gtr. 6: w/ Riff A
A5
This
one
last
B7sus4
bul - let
Gtrs. 2 & 3
you
men
- tion
is
my
one
last
shot
7 7 5
Dsus2
at
re - demp
-
tion
7 7 5
9 9 7
End half-time feel
F#m7
’cause
I
Esus4
know
to
live
F#5
Rhy. Fig. 3
11 11 9
give
your
life
9 9 7
hous - ing
11 11 9
Pre-Chorus
you must
B7sus4
all
this
D5
doubt
11 11 9
7 7 5
11 11 9
7
and
7 7 5
7 7 5
Dsus2
a
-
4
se - cu
way.
And I’ve been
5
5
E5
-
A5
in
A/C#
-
7 7 5
7 7 5
ri - ty.
9 9 7
And I’ve
been
End Rhy. Fig. 3
9 9 7
9 9 7
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 2 & 3: w/ Rhy. Fig. 3
F#5
D5
locked
in - side
that
F#5
dy - ing
to
Rhy. Fig. 4
B5
11 11 9
11 11 9
way
house,
all
out,
7 7 5
there’s no
of
and
that
might
be
the
7 7 5
7 7 5
know - in’
where
to
9 9 7
9 9 7
9 9 7
9 9 7
Riff B
17
17
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Sorgdal
14
17
17
17
14
17
death
of
7 7 5
7 7 5
go,
I
key.
D5
the
me.
And
prom - ise
I’m
e - ven
though
9 9 7
9 9 7
X X X
E5
go - in’
be
-
been
9 9 7
And I’ve
E5
X X X
cause End Rhy. Fig. 4
(cont. in slashes)
7 7 5
7 7 5
D5
got - ta
8v a
hold
I
Gtr. 6
A5
E5
you
Gtrs. 2&3
while
Rhy. Fig. 5
the
E5
Half-time feel A5
Chorus
A5
D5
get
Gtrs. 2 & 3
11 11 9
3
get
out
of
7 7 5
9 9 7
9 9 7
X X X
E5
X X X
X X X
X X X
End Rhy. Fig. 5
(Gtr. 3, cont. in notation)
here.
I’m End Riff B
17
17
17
17
16
17
17
17
16
17
15
18
15
15
18
15
17
14
16
14
17
14
16
14
Gtr. 6: w/ Riff B (2 times)
A5 VII Rhy. Fig. 6
Gtr. 2
stuck
in
-
side
this
7 7 5
7 7 5
that
I
D5
rut
Rhy. Fig. 6A
Gtr. 3
E5
fell
in
-
E5
to
by
mis
-
End Rhy. Fig. 6
take.
9 9 7
9 9 7
7 7 5
7 7 5
9 9 7
9 9 7
X X X
X X X
End Rhy. Fig. 6A
X X X
X X X
T o Coda
*End half-time feel Gtrs. 2 & 3: w/ Rhy. Fig. 5
A5
Esus4
I
D,7
got - ta
get
out
of
here.
E6sus4
And
I’m
*First time only.
F#5
beg - gin’
you,
11 11 9
11 11 9
Gtrs. 2 & 3
I’m
11 11 9
Verse A5
µ
2. I’ve giv - en
Riffs C & C1
P.M.
up
11 11 9
11 11 9
E5
beg - gin’
you,
9 9 7
9 9 7
Bm7
on
P.M.
5
7 7
7
beg - gin’
you
9 9 7
µ
do - ing this
I’m
7 5
B5
a - lone
9 9 7
to
be
now
P.M. 5
my
es
-
cape.
9 9 7
µ
9 9 7
D5
9 9 7
5
E5
’cause I’ve failed
and I’m
7
D5
read - y
P.M. 5
5
to
µ
be shown how.
7
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
You’ve told
me
the
F#5
way
and
now
I’m
E5
Bm
try - in’
A/C#
to
Gtr. 2
9 9 7
7 10
D
get
Gtr. 3 divisi *
11 11 9
there. End Riff C
7 9
9 10
End Riff C1
*Gtr. 3 to left of slash in tab.
this
life
Gtrs. 2 & 3: w/ Riffs C & C1
A5
µ
And
F#5
Bm7
µ
sen - tence that
But
the beau - ty
of
D5
grace
I
ad - mit
that I’m
I’m serv - ing
E5
is
that
it
Bm
makes
µ
A/C#
life
not
D5
µ
ev - ’ry
D
bit
de - serv - ing.
fair.
’Cause I’ve been
Pre-Chorus Gtrs. 2 & 3: w/ Rhy. Fig. 3 (2 times)
F#5
hous - ing
Gtr. 7 (dist.)
all
this
F#5
locked
11
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12
D5
12
and
10
9
that
house,
9
9
10
9
A5
E5
in
-
se - cu
all
9
the
-
ri - ty.
9
11
9
in - side
doubt
mf
11
D5
A5
while
11
9
11
E5
hold
9
the
key.
9
And I’ve
you
And I’ve
7
been
9
7
been
Gtrs. 2 & 3: w/ Rhy. Fig. 4
F#5
and
that
might
be
D5
3
dy - ing
to
get
out,
10 11
12
9
9
A5
the
death
of
me.
9
11
9
E5
And
e - ven
though
9
9
7
11
9
11
9
Gtr. 7 tacet
B5
there’s no
way
of
know - in’
D5
where
to
go,
I
prom - ise
I’m
E5
go - in’
be
-
cause
(Ah.)
Gtr. 7
9
9
Chorus Half-time feel Gtrs. 2 & 3: w/ Rhy. Fig. 5 Gtr. 6: w/ Riff B (3 times)
A5
Esus4
I
Gtrs. 2 & 3: w/ Rhy. Figs. 6 & 6A
A5
fraid
that
this
com
Esus4
-
A5
I
got - ta
get
out
of
pla - cen - cy
Gtrs. 2 & 3: w/ Rhy. Fig. 5
3
D,7
Esus4
Dmaj7
is
got - ta
here.
E6sus4
’Cause I’m
some - thing
I
D,7
get
out
of
here.
E6sus4
can’t
shake,
E6sus4
a -
yeah.
And
I’m
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
beg - gin’
you,
E5
beg - gin’
you,
I’m
I’m
D5
beg - gin’
you
to
my
es
E5
be
Rhy. Fig. 7
Gtrs. 2 & 3
9 9 7
7 7 5
9 9 7
11 11 9
-
cape.
End Rhy. Fig. 7
Interlude Gtr. 1: w/ Rhy. Fig. 1 (1st 4 meas., 2 times) Gtrs. 2 & 3 tacet
F#m
F#sus2
F#m
F#m
F#sus2
F#sus2
F#m
F#m9
F#sus2
F#m9
Gtrs. 2 & 3
* mf
f
**
4 4 2 *1/2 vol.
**Vol. swell
Bridge Gtrs. 2 & 3 tacet *** F#5
I
am
a
hos
-
tage
D5
to
my
own
hu - man - i
-
ty,
***Chord symbols implied by bass, next 8 meas.
A5
F#m
Gtr. 8 (dist.)
self
de
-
tained
And now all I’m
ask
and
B5
forced
to
live
F#sus2
in
D,7
this
mess
in’
is
for
you to
do
9 9 11 11
9 10 11 11
9 10 11 11
9 10 11 11
9 10 11 11
-
9 10 11 11
9 10 11 11
9 10 11 11
D,7#11
what
I’ve
made.
you can
with me,
mp 9 10 11 11
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9 9 11 11
9 9 11 11
9 9 11 11
9 9 11 11
9 9 11 11
9 9 11 11
9 9 11 11
Gtrs. 4 & 5: w/ Rhy. Figs. 2 & 2A Gtr. 8 tacet
A6
but
A,7add13
I
can’t
ask
you
Amaj7 A,7add13 * F#m/B
to
give
what
F#m9/B
you
al
- read - y
gave.
Pre-Chorus Gtrs. 2, 3 & 8 tacet
B5 Gtrs. 2&3
F#5
P.M.
’Cause I’ve
Gtr. 8
9 10 11 11
9 10 11 11
9 10 11 11
Gtr. 6
been
hous - ing
Dsus2
Rhy. Fig. 8
all this
doubt
and
Riff D *Gtr. 9
mf
9 10 11 11
9 9 11 11
9 9 11 11
9 9 9 11
9 9 9 11
6
7
*Violin arr. for gtr.
A
E
Gtr. 6: w/ Rhy. Fig. 8 Gtr. 9: w/ Riff D
F#5
in
-
se - cu - ri
-
ty.
Dsus2
End Rhy. Fig. 8
And I’ve
been
locked
in - side
End Riff D
5
3
that
house,
all
the
Gtr. 6: w/ Rhy. Fig. 8 (last 2 meas.) Gtrs. 2 & 3 tacet
4
A
E
while you hold
the key.
F#5/C# Gtrs. 2&3
And I’ve
been
D5/A
dy - in’
to
get out,
A
E
that might
Gtr. 9
be
the death
of
me.
6
4
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S. al Coda Gtr. 9 tacet
Bm7
And
e - ven
though
D5
there’s no
way of know - in’
where to
go,
I
prom - ise
I’m
Esus4
go - in’
be
- cause
Gtrs. 2 & 3
P.M.
5
5
5
5
7
7
4 7
7
7
Coda
Gtrs. 2 & 3: w/ Rhy. Fig. 7
F#5
beg - gin’
you,
Interlude Moderately q. = 75 F#m
Riff E
*Gtr. 10
7
E5
beg - gin’
you,
I’m
E
7
7
7
I’m
D5
beg - gin’
you
to
D
11 X 9
9 X 7
7 X 5
*Kybd. arr. for gtr. Gtr. 6
7
2 2
4
4
2
2
4
6
7
5
be
my
es
X X X
X X X
-
5 6
7
7
cape.
5
X X X
End Riff E
7
E5
X X X
6
7
4
2
0
4
2
0
Gtr. 10: w/ Riff E
F#m
Gtr. 6
E
2 4
2
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4
2
4
2 6
7
7
5
5
D
0 6
7
0
4
2
3
2
2
4
2
2
Outro-Verse
F#m
you
Oh,
4
4
F#m
And
all
4
2
we
re
2
4
E
-
gret
G'9
I
4
2
2
1
2 4
but
was
try
-
4
5
5
so
were
0
6 7 9
6 7 7
3
5
5
D'9
in’
4 5
0
0
to
do
0
0
4
Gtr. 10 tacet
rit.
3
5
you,
11
win.
12
10
9
0
0
10
D
0 1
0
rit.
0
3
2
you
2
so
were
Gtr. 6 15 ma
5 2
Pitch: E
2 2
0
0
was
save
3
3 4
my
own
skin,
0
A
you.
loco
3 .1
Harm.
rit.
2
let
Gtr. 6 divisi
a
should
4
(Oh.) Gtr. 10
do.
2
2
0
0
D
things we
2
0
those
5
3
4
I
5
5
A/E
long,
2
2
so
3
F#m
for
D
4
2
6 4
G'9
3
how
2
F#m
4
2
fought
I
*
5 6 7 0
F# *Harmonic located just past 3rd fret.
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Relient K - MMHMM
High of 75 Words and Music by Matthew Thiessen C5
F5
A5
G5 5fr
134
134
134
134
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro Moderately fast q = 141 * Csus4
C
Csus4
C
Gtr. 1 (acous.)
mp
3 3
3 3
3 3
2 3
3 3
3 3
3 3
2 3
3 3
3 3
2 3
2 3
2 3
2 3
2 3
2 3
3 3
3 3
2 3
2 3
2 3
2 3
0 3 3
0 3 3
*Chord symbols reflect implied harmony.
F5
F,7
F5
3 X 1
3 X 1
3 X 1
3 X 1
3 X 1
Amb6
2 X 1
2 X 1
2 X 1
2 X 1
2 X 1
3 X 1
3 X 1
3 X 1
2 X 1
2 X 1
A5
Gtr. 2 (elec.)
F,7
2 X 1
2 X 1
G7
3 X 1
2 X 1
2 X 1
2 X 1
G6
3 X 1
2 X 1
2 X 1
3 X 1
F
mf *w/ dist. & amp tremolo
10 10 *Amp tremolo set for eighth-note regeneration. Gtr. 1
3 0
3 0
3 0
2 0
3 X 3
3 X 3
3 X 3
2 X 3
3 3 1
3 0
3 0
2 0
2 0
2 0
2 0
3 0
3 0
3 X 3
3 X 3
2 X 3
2 X 3
© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission
2 X 3
2 X 3
X X X
X X X
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Double-time feel Gtr. 2 tacet
C5
8 6
8 6
8 5
8 8
8 8
8 8
Rhy. Fig. 1 *Gtr. 3 (elec.)
f
w/ dist. Riff B Gtr. 4 (elec.)
End Riff B
mf w/ dist.
8 6
Riff B1 Gtr. 5 (elec.)
8 6
8 6
8 5
10 X 8
10 X 8
3 3
3 3
3 3
8 5
8 5
8 5
8 5
8 5
8 8
8 8
8 5
9 X 7
9 X 7
12 X 10
12 X 10
12 X 10
2 3
3 3
3 3
3 3
8 5
8 5
8 5
8 5
8 5
8 5
End Riff B1
f w/ dist.
10 X 8
10 X 8
10 X 8
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
12 X 10
12 X 10
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
Riff A
Gtr. 1
3 3
3 3
2 3
2 3
2 3
2 3
2 3
2 3
3 3
3 3
2 3
2 3
2 3
2 3
2 3
2 3
2 3
*Doubled throughout
Gtrs. 4 & 5: w/ Riffs B & B1 (3 times)
F5
3 X 1
3 X 1
3 X 1
2 X 1
3 X 1
3 X 1
3 X 1
Gtr. 1
3 X 1
2 X 1
2 X 1
2 X 1
2 X 1
2 X 1
2 X 1
2 X 1
3 X 1
3 X 1
2 X 1
2 X 1
2 X 1
2 X 1
2 X 1
2 X 1
2 X 1
2 X 1
A5
G5
3 0
3 0
3 0
2 0
3 X 3
3 X 3
3 X 3
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3 X 1
3 0
3 0
2 0
2 0
2 0
2 0
2 0
2 0
3 X 3
3 X 3
2 X 3
2 X 3
2 X 3
2 X 3
2 X 3
2 X 3
2 X 3
Verse Gtr. 1: w/ Riff A (1st 6 meas.) Gtr. 3 tacet Gtr. 4: w/ Riff B (3 times)
F5
* Csus4
1. We
3 X 1
3 X 1
3 X 1
3 X 1
2 X 1
2 X 1
were
talk - ing
to - geth - er.
End Riff A
3 X 1
C
End Rhy. Fig. 1
2 X 1
2 X 1
2 X 1
2 X 1
2 X 1
2 X 1
3 X 1
3 X 1
3 X 1
3 X 1
3 X 1
2 X 1
2 X 1
2 X 1
2 X 1
2 X 1
2 X 1
said,
2 X 1
I
2 X 1
*Chord symbols reflect overall harmony.
Csus4
“What’s up
with
Amb6
C
own
wheth - er
or
not
G7sus4
vo - li - tion,
or
if
I’m
just
how
F5
sad
I
just
got
G6sus4
miss - ing
the
F,7
was
on
my
C5
Gtr. 3 ** pp
F,7
this weath - er?” Don’t know
Am
F5
(cont. in notation)
f
sun.
And
10 10
9 10
10 10
9 10
Gtr. 2
to -
**Vol. swell
row,
I
know,
will
be
rain
Gtr. 2 tacet
C5
mor
-
Gtr. 3
P.M.
5 5 3
5 5 3
5 3
5 3
5 3
5 3
5 3
5 3
-
y
at
best.
And
the
P.M.
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F5
fore
-
cast,
I
know,
is
that
I’ll
be
de
-
But
I’ll
pressed.
P.M.
3 3 1
3 3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
A5
3 1
wait
out
-
P.M.
3 1
side
3 1
3 1
hop - ing
that
3 1
3 1
3 1
3 1
3 1
3 1
3 1
I’ll
catch
sight
G5
3 1
3 1
3 1
3 1
3 1
3 3 1
3 1
of
the
sun.
7 7 5
7 7 5
7 7 5
7 7 5
5 5 3
5 5 3
5 5 3
5 5 3
F
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
F5
5 5 3
Be - cause
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
1 X 3 3 1
1 X 3 3 1
1 X 3 3 1
1 X 3 3 1
*
*3rd string muted by 2nd finger.
Pre-Chorus
F5
µ
on
1 X 3 3 1
1 X 3 3 1
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G
and
off
4 5 5 3
µ
4 5 5 3
C/E
the
clouds
5 2 3 0
µ
F5
End double-time feel µ
have fought
5 2 3 0
for
1 1 X 3 3 1
1 1 X 3 3 1
con - trol
sky.
G5
o
-
ver
the
3 1
3 1
3 1
3 1
5 3
5 3
5 3
5 3
P.M.
C/E
F5
And
P.M.
3 0
3 0
F,7
-
3 0
3 0
3 1
3 1
late
-
ly
1 1 X 3 3 1
3 1
so
have
I.
divisi
G5
has
5 5 3
5 5 3
C/E
the weath - er
1 1 X 3 3 1
been
5 2 3 0
C5
3 1
bi - po - lar
and
con -
1 X 3 3 1
1 X 3 3 1
1 X 3 3 1
1 X 3 3 1
1 X 3 3 1
5 3
5 3
5 3
5 3
And
now
I’m
sun - ny
with
a
Riff C *Gtr. 6
F,7
3 0
3 0
3 0
3 0
3 1
3 1
3 1
F5
high
of
mf w/ fingers let ring throughout
1 3 1
5 2 3 0
5 5 3 1
so
P.M.
3 1
F5
Gtrs. 2 & 3 tacet
C/E
Gtr. 2
µ
Chorus
G6sus4
se - quent - ly
Gtr. 3
3 1
1
0
1
0
3
0
1
0
1
*Piano arr. for gtr.
Am
sev - en - ty
1
five
1
0
Gsus4
0
F5
since you
took
my
1
0
1
1
0
1 1
0
1
0
0
1
0
Gsus4
life
0
0
1
heart
1
0
when you’re
1
F5
1
0
1 3
0
1
0
and
made
it
1
0
1
Am
you en - joy your
0
heav - y
0
0
fun - ny how you find
3
3
C5
1
C/E
1
0
Gsus4
light.
1
0
1
0
1
F5
to
a - live.
be
C5
1
1 0
1
0
1
0
0
And
it’s
1
0
3
Gsus4
hap - py
1 3
0
1
0
End Riff C
3
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Gtrs. 4 & 5: w/ Riffs B & B1 (2 times) Gtr. 6 tacet
Csus4
C
Csus4
C
Dm7
Dm9
Fsus2
F,7
2. And Gtr. 3
6 5 7 5
5 5 3
the
1 X 3 3 1
Verse Double-time feel Gtr. 1: w/ Riff A Gtr. 3: w/ Rhy. Fig. 1 Gtrs. 4 & 5: w/ Riffs B & B1 (4 times)
Csus4
tem - p’ra - ture
is freez - ing,
Amb6
might
break
Am
Csus4
and
if
C
then af - ter
dark
F5
there’s a
cold
up
C
G7sus4
I
don’t
G6sus4
wake
up
to
the
front sweep - ing
in
F,7
F5
Fsus2
F,7
o - ver my heart.
And we
End double-time feel
F,7
Fsus2
F,7
sun.
Be - cause
Pre-Chorus
F,7
µ
on
and
G6sus4
µ
off
the
Gtr. 2
Gtr. 3 divisi
Gtr. 2 tacet
C/E
clouds
Gtr. 3
P.M.
P.M.
3 1
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 3
5 3
F5
have fought
for
con
- trol
sky.
G5
o
-
ver
the
3 1
3 1
3 1
5 3
5 3
5 3
5 3
P.M.
5 5 3 1
3 0
1 1 X 3 3 1
3 1
C/E
F5
And
P.M.
3 0
3 0
3 0
3 0
3 1
3 1
late
-
ly
1 X 3 3 1
3 1
the weath - er
has
3 X 5 5 3
3 X 5 5 3
G5
1 X 3 3 1
C/E
been
so
5 2 3 0
bi - po - lar
and
F5
5 2 3 0
1 1 X 3 3 1
1 1 X 3 3 1
1 1 X 3 3 1
1 1 X 3 3 1
Chorus
so
have
I.
G5
con - se - quent - ly
Gtr. 3 tacet Gtr. 6: w/ Riff C
C/E
F5
C5
But
now
I’m
sun - ny
with
a
F5
high
of
(Ah,
3 1
3 1
3 1
3 1
5 3
5 3
5 3
5 3
3 0
3 0
3 0
3 0
3 1
3 1
3 1
3 1
C/E
since
took
my
P.M.
Am
sev - en - ty
Gsus4
five
you
heav - y
F5
heart
and
made
it
Gsus4
light.
And
it’s
ah.
C5
fun - ny
Ah,
F5
how you find
you
Am
en - joy your
Gsus4
life
when you’re
F5
hap - py
to
a - live.
Gsus4
be
C5
ah.)
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Double-time feel C5
Sun - ny Gtr. 3
with
a
5 5 3
5 5 3
5 5 3
C/E
took
my
heav
5 5 3
-
3 3 1
3 3 1
3 3 1
F5
y
3 3 1
3 3 1
3 3 1
2 3 0
2 3 0
2 3 0
C5
fun - ny
2 3 0
2 3 0
how
you
3 3 1
F5
1 2 2 0
1 2 2 0
1 2 2 0
5 5 3
5 5 3
5 5 3
F5
-
5 5 3
5 5 3
3 3 1
it
py
to
Sorgdal
(Made
it
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
5 5 3
And
it’s
light.)
3 3 1
5 5 3
3 3 1
joy
your
Am
-
3 3 1
3 3 1
3 3 1
5 5 3
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
5 5 3
5 5 3
G5
1 2 2 0
1 2 2 0
1 2 2 0
0 2 2 0
5 5 3
Gtr. 3 tacet
C5
a
5 5 3
life
be
5 5 3
5 5 3
3 3 1
3 3 1
en
5 5 3
3 3 1
you
G5
5 5 3
-
live.
Gtr. 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
G5
light.
Gtr. 3
8
5 5 3
find
3 3 1
you
3 3 1
since
3 3 1
5 5 3
0 2 2 0
hap
made
five
and
- ty
G5
3 3 1
sev - en
heart
Am
of
3 3 1
high
5 5 3
F5
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
X X X
when
you’re
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
from Relient K - MMHMM
I So Hate Consequences Words and Music by Matthew Thiessen Bm
Dsus2
G5
A5 5fr
Drop D tuning, down 1/2 step: (low to high) Db-Ab-Db-Gb-Bb-Eb
1342
12
B5 7fr
1113
D5
A5
9fr
1113
type 2
G5
7fr
111
type 2
5fr
111
111
Intro Moderately fast q = 195 * D5 ** Gtrs. 2&3
And I’m good, good,
Gtr. 4 (dist.)
good
to
go.
And I’m good, good,
good
to
Bm
f
go.
mf
11 X 9
Gtr. 1 (dist.)
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
mf
14 X 12
*Chord symbols reflect implied harmony.
I
got - ta
get
a
-
way,
11 X 9
get
a
-
way
from all
of
my
mis - takes.
11 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11
11 X 9
11 X 9
9 X 7
9 X 7
9 X 7
7 X 5
7 X 5
7 X 5
6 X 4
6 X 4
6 X 4
9
11 X 9
11 X 9
9 X 7
9 X 7
9 X 7
7 X 5
Dsus2
14 X 12
**Composite arrangement
14 X 12
7 X 5
7 X 5
© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission
6 X 4
11 X 9
6 X 4
X X X
6 X 4
14 X 12
14 X 12
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bm Rhy. Fig. 1
And I’m good,
good,
good
to
Riff A *Gtrs. 1 & 4
And I’m good,
good,
good
to
go.
go.
14
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
12
14 X 12
14 X 12
11 X 9
*Composite arrangement
I
got - ta
get
a
-
way,
a
-
way
from all
of
Gtr. 4
get
G5
my
mis - takes.
End Riff A
Gtr. 4
11 X 9
11 X 9
11 X 9
Gtr. 5 (dist.) divisi
11 9
11 X 9
11 X 9
11 X 9
Gtr. 1
11 9
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
9 X 7
9 X 7
11 X 9
11 X 9
9 X 7
11 X 9
f
11 X 9
11 X 9
11 X 9
9 X 7
7 X 5
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
7 X 5
11 X 9
7 X 5
7 X 5
9 X 7
11 X 9
9 X 7
7 0 5
Gtrs. 1 & 4 tacet
A5
B5
End Rhy. Fig. 1
(cont. in notation)
Gtr. 5
7 0 5
7 0 5
6 0 4
6 0 4
7 0 5
7 0 5
6 0 4
6 0 4
7 0 5
7 0 5
6 0 4
6 0 4
7 0 5
7 0 5
6 0 4
7 0 5
7 0 5
6 0 4
6 0 4
7 0 5
7 0 5
6 0 4
6 0 4
7 0 5
7 0 5
6 0 4
6 0 4
7 0 5
7 0 5
6 0 4
Verse
Gtr. 5 tacet
B5
1. So here I
D5
sit
look -ing at the traf - fic
9 9 9
P.M. 9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
3 2 0 0 0
(D5)
Gtr. 2
I wan - na run
a
-
that the green ig
way,
life...
Gtr. 3
P.M.
0 0
0 0
0 0
0 0
-
nites.
0 0
0 0
A5 type 2
0 0
0 0
0 0
0 0
0 0
5 5 5
0 0
B5
P.M.
P.M.
I wan - na ditch my
P.M.
...’cause all
hope
0 0
D5
G5
lights. The red ex - tin -guish - es the
Gtrs. 2 & 3
of my mis
-
takes
P.M.
keep me
a - wake at
night.
P.M.
(Gtr. 2, cont. in slashes)
5 5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
0 0 0
0 0
0 0
0 0
0 0
0 0
10 9 7 7 7
7 7
7 7
7 7
7 7
7 7
11 9 9 9
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Rhy. Fig. 2
And af - ter all
of my
11 9 9 9
11 9 9 9
11 9 9 9
no
al - i - bis
just
11 9 9 9
11 9 9 9
11 9 9 9
11 9 9 9
wan - na get
11 0 0 0
- de - a where my
7 5 5 5
7 5 5 5
7 5 5 5
head
was
7 5 5 5
at,
but
if
my
heart
7 5 5 5
7 5 5 5
7 5 5 5
7 0 0 0
11 0 0 0
11 0 0 0
7 0 0 0
7 0 0 0
7 0 0 0
7 0 0 0
9 7 7 7
I
just
want
for
all
this
to
9 9 9
9 9 9
9 9 9
D5
7 7
7 7
7 7
7 7
7 7
7 7
7 7 0 0
I me.
had
11 0 0 0
11 0 0 0
7 0 0 0
7 0 0 0
7 5 5 5
type 2
B5
(cont. in notation)
leave it
end.
P.M. 7 7
can we
hurt
A5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
at
that?
Be - cause
9 7 7 7
9 7 7 7
9 7 7 7
7 7 7
And
type 2
don’t want noth - in’ to
says I’m sor - ry
of
4
by,
9 9 9
A5
End Rhy. Fig. 2
Gtrs. 2 & 3
Sorgdal
de - sert me... ...I
G5
D5
i
D5
I
9 9 9
Chorus G5
so
D5
hate
con - se - quenc
-
es,
5 5 5
5 5 5
5 5 5
7 7 5
7 7 5
7 7 5
X X X
D5
7 7 5
7 7 5
de - fense
is.
9 9 9
9 9 9
7 7 7
7 7 7
God,
best
G5
es,
is what my
B5
9 9 9
9 9 9
don’t make
9 9 9
7 7 7
me
face
7 7 7
7 7 7
7 7 7
up
to
A5
this.
-
run - nin’ from you
9 9 9
Con - se - quenc
X X X
A5
and
5 5 5
B5
And
5 5 5
G5
I
(Whoa.)
5 5 5
5 5 5
5 5 5
so
5 5 5
5 5 5
0 0
D5
hate
5 5 5
5 5 5
7 7 5
7 7 5
7 7 5
7 7 5
X X X
9 9 9
B5
con - se - quenc
-
es,
and
7 7 5
7 7 5
7 7 5
5 5 5
X X X
7 7 5
7 7 5
X X X
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
7 7 7
7 7 7
A5
run - nin’ from you
is what my
best
10 9 7 7 7
de - fense
9 9 9
9 9 9
7 7 7
7 7 7
10 9 7 7 7
9 9 9
7 7 7
5 5 5
G5
9 9 9
7 7 7
9 9 9
7 7 7
is.
’Cause
7 7 7
7 7 7
5 5 5
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
I know that I
let you
down,
(I know that I
let you
5 5
5 5
5 5
5 5
5 5
5 5
I don’t wan - na deal with
that.
5 5
5 5
5 5
5 5
5 5
Dsus2
End Voc. Fig. 1
down.)
P.M.
5 5
5 5
and Voc. Fig. 1
A5
5 5
5 5
5 5
7 7
0 3 2 0 0 0
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
0 0
0 0
Interlude Gtr. 1: w/ Riff A (1st 4 meas.) Gtrs. 2 & 3: w/ Rhy. Fig. 1 Gtr. 4: w/ Riff A
Dsus2
And I’m good,
good,
good
got - ta
Gtr. 1
get
a
-
way,
get
And I’m good,
good,
good
go.
a
-
way
from all
to
of
11 X 9
9
11 X 9
11 X 9
11 X 9
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
7 X 5
Gtr. 1 tacet
7 5
7 X 5
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
6 X 4
6 X 4
7 X 5
7 X 5
6 X 4
6 X 4
7 X 5
7 X 5
6 X 4
6 X 4
7 X 5
7 X 5
7 X 5
A5
Gtr. 5
7 X 5
7 X 5
6 X 4
7 X 5
7 X 5
7 X 5
6 X 4
mis - takes.
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
7 X 5
6 X 4
6 X 4
7 X 5
B5
7 X 5
G5
my
Gtr. 1 divisi
11
Gtr. 5
7 X 5
6 X 4
6 X 4
6 X 4
6 X 4
Bm
go.
I
to
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
Verse Gtr. 2: w/ Rhy. Fig. 2 Gtr. 5 tacet
B5
2. It just now hit me: this is
9 9 9
11 9 9 9
11 9 9 9
Gtr. 3
more than just
a
set
11 9 9 9
D
-
back. And when you spelled it
11 9 9 9
11 9 9 9
11 0 0 0
And ev - ’ry trace
of mo - men -tum is
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 0 0 0
Bm
And af - ter
all
of my
al - i - bis
Gtr. 6 (slight dist.)
11 0 0 0
11 0 0 0
guess I
did - n’t get
A5 type 2
G5
that.
11 0 0 0
11 0 0 0
11 0 0 0
11 0 0 0
11 0 0 0
7 5 5 5
gone,...
(D5)
...and this
Gtrs. 2 & 3 tacet
well, I
Gtr. 2
out,
D5
de - sert me... ...I
just
is - n’t turn - ing out
the
way
7 0 0 0
7 0 0 0
9 7 7 7
D
wan - na get
by,
I
want.
9 7 7 7
9 7 7 7
9 7 7 7
9 7 7 7
I don’t want noth - in’ to
hurt
And I had me.
mf let ring throughout
2
3
4
Gmaj7
no
i - de - a where my
0
3
head
2
3
2
D
A
was at,...
Be - cause ...but
if
my
heart
2 2
says I’m sor - ry, can we
3
leave it
at
2 6
5
that?
0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bm
A
I
just
want
for
all
this
to
end.
of
Gtrs. 2 & 3
Gtr. 6 divisi
3
4
Chorus Half-time feel G5
so
2
D5
hate
5 5 5
5 5 5
7 7 5
7 7 5
G5
Con
I
B5
es,
and
run - nin’ from
you
is
what my
End half-time feel
A5
best
de - fense
is.
9 9 9
9 9 9
7 7 7
7 7 7
B5
And
D5
-
se - quenc
-
es,
God, (God,
don’t don’t
make make
me me
face face
-
3 2 0 0 0
con - se - quenc
Gtrs. 2 & 3
0
5
6
Gtr. 6 tacet
D5
(Whoa.)
5 5 5
5 5 5
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 5 5
5 5 5
0 0
7 7 5
7 7 5
7 7 5
7 7 5
X X X
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
Half-time feel G5
A5
up up
to to
this. this.
And And
I I
so so...)
10 9 7 7 7
run - nin’
from
10 9 7 7 7
7 7 7
you
7 7 7
5 5
A5
is
what
my
best
hate
5 5
5 5
5 5
P.M.
7 7 7
5 5 5
-
se - quen
7 7 5
7 7 5
7 7 5
-
ces,
7 7 5
7 7 5
and
9 9 9
G5
’Cause
I
know
that
I
let
you
5 5
5 5
5 5
5 5
5 5
5 5
5 5
is.
con
de - fense
End half-time feel B5
D5
down,
P.M.
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
7 7 7
7 7 7
10 9 7 7 7
7 7 7
7 7 7
7 7 7
5 5 5
5 5
Bkgd. Voc.: w/ Voc. Fig. 1
A5
and
I
don’t
wan - na
deal
with
that.
P.M.
(cont. in slashes)
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
X X
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge B5 Gtrs. 2&3
And
I
spent all
*Gtr. 7
last
G5
night...
ev - ’ry
3 2
3 2
3 2
3 2
...tear - ing
3 2
3 2
down...
mf
type 2
stop - light...
3 2
3 2
3 2
3 2
3 2
...and stop sign
in
this
w/ fingers let ring throughout
3 2
3 2
2
3 2
3 2
3 2
5
*Piano arr. for gtr.
D5
And now town.
3 2
I think there
might... ...be
A5
I’ll get no way to stop
me
type 2
a - way de - spite...
now.
...the fact I’m so weighed
down.
3 2
3 2
3 2
3 2
3 2
3 2
3 2
3 2
3 2
3 2
3 2
3 2
3 2
3 2
3 2
0
0
Half-time feel Gtr. 7 tacet
G5 type 2
A5 type 2
Rhy. Fig. 3
All of my es
-
Riff B
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
Gtr. 4
Riff B1
7 X 5
7 X 5
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7 X 5
7 X 5
7 X 5
7 X 5
capes
Gtr. 1
B5
have been ex - haus
-
ted.
I thought I
had
a
End Rhy. Fig. 3
way
but then I
lost
it.
End Riff B
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
9 X 7
11 X 9
11 X 9
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
End Riff B1
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
Gtrs. 1 & 4: w/ Riffs B & B1 Gtrs. 2 & 3: w/ Rhy. Fig. 3
Gmaj7
A5
And
my
3
re - sis - tance was
once
much
Bm
now
I
can’t
go
on
like
this
3
3
strong - er. And
much
long
- er.
Interlude
G5
D5
Slower q. = 76 D5
G5
Gtrs. 2&3
Gtrs. 2 & 3
Gtr. 7
3
P.M.
(cont. in slashes)
5 5 5 5
0 0 0
5 5 5
5 5
5
D
3
5 5
5
3
3
2
5 2
3
2
Gtrs. 2 & 3 tacet
0
5 2
Bridge
Bm7
When I
Gtr. 7
5 5
3
5 2
3
5 2
3
5 2
got tired
of run - ning from you,
I stopped right
Riff C
3
5
2
3
0
5 2
3
5 2
4
3
5 2 0
3
5 2 2
3
5 2
there to catch
my
3
5 2
4
3
5 2
3
2
0
Riff C1
*Gtr. 8
mf
5
9
7
9
9
7
*Cello arr. for gtr.
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gsus2
breath.
There your words,
5
5 7
they
7
D/F#
ears.
7
7
You
5 7
5 7
7
caught my
5 7
said,
“I
miss
you,
come
3
2
son,
5
3
2
4
Asus4
5
3
2
2
3
End Riff C
2
0
5
End Riff C1
5
4
Gtrs. 7 & 8: w/ Riffs C & C1
D
home.”
Gsus2
And
my
sins,
they
watched me
D/F#
7
Bm7
leave,
and
Asus4
the
love
you felt
for
me was mine, the love
I’d wished for
in
all
this
my
E5
lieve
heart
I
And when
the doors
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
be -
Gtrs. 2 & 3
2
2
2
2
2
2
2
2
2
2
2
Gtr. 8
2
12
so
time. (Ah.)
2
were closed
P.M.
B5
A5
I
heard
no
I
G5
told you so’s.
I
Gtrs. 2 & 3 tacet
D
Dmaj7
said the words
I knew you knew.
Oh, God, oh, God,
P.M. 2
2
2
2
2
0
0
0
0
0
2 3
2 3
0
0
you.
Gtr. 7
2
I need -ed
4
5
9
7
5
5
4
Faster q = 152
Bm
God,
D/A
all
this
time
I
Gmaj7
need - ed
2 3
2 3
2
0
you.
I
3
need - ed
you.
And
I
2 3 5
9
5
7
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus Gtr. 8 tacet
Gsus2
so
D5
Bm7
-
es,
run - nin’ from
con
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
0
Gsus2
D5
I
these
hate
is
what my
best
2
5
you
hate
Gtr. 7
- se - quenc
Asus4
con - se - quenc
-
es
’cause
I
down,
know that
5 3
5 3
5 3
5 3
5 3
0
is.
0
Bm7
de - fense
I
let
you
and
2
5
Outro A tempo, half-time feel Gtrs. 1 & 4: w/ Riff B1 Gtr. 7 tacet
A
I
don’t wan - na deal with
G5
that.
Gtr. 7
Gtrs. 2 & 3 divisi
12
A5
Gtrs. 2 & 3
* Harm.
5 5 5
7 7 7
7 7
14
0
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
7 7 7
7 7 7
7 7 7
7 7 7
*Vol. swell
B5
9 9 9
9 9 9
14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9 9 9
9 9 9
9 9 9
9 9 9
G5
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
5 5 5
D5
0 0 0
G5
5 5 5
D5
P.M. 3
5 5
5 5
5 5
0 0 0
7 7 7
from Relient K - MMHMM
The Only Thing Worse Than Beating a Dead Horse Is Betting on One Words and Music by Matthew Thiessen
F#5
D5
A5 5fr
134
134
B5
E5
A/C#
5fr 134
E 4fr
134
11
7fr
14
1333
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro Fast q = 213 *E5 F#5
E5
Gtr. 2 (elec.)
F#5
E5
F#m
mf w/ dist.
13 X 11
Gtr. 1 (elec.)
14
14 X 12
12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
9 X 7
9 X 7
mf w/ dist.
9 X 7
11
11 X 9
9
11 X 9
11 X 9
11 X 9
11 X 9
9 X 7
11 9
11 X 9
11 X 9
11 X 9
D5
11 X 9
11 X 9
9 X 7
11
11 X 9
9
11 X 9
11 X 9
11 X 9
11 X 9
9 X 7
*Chord symbols reflect implied harmony.
Double-time feel
E
F#m
Gtr. 3 (elec.)
F#5
f
A5
B5
13 X 11
14 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
9 X 7
11
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
9
w/ dist.
© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission
18 X 16
14 X 12
E5
13 X 11
9 X 7
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
14 X 12
D5
14 X 12
14 X 12
14 X 12
11 X 9
11 X 9
11 X 9
A5
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
B5
E5
F#5
F#5
3
14 X 12
14 X 12
14 X 12
18 X 16
11 X 9
11 X 9
11 X 9
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
D5
A5
B5
E5
End Rhy. Fig. 1
1. Just
D5
Riff A
Riff A1
Rhy. Fig. 1
P.M.
B5
A5
(Yeah!)
13 X 11
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
13 X 11
End Riff A
9 X 7
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
9 X 7
wish - in’
his
po - si - tion
End Riff A1
Verse Gtrs. 1 & 2 tacet Gtr. 3: w/ Rhy. Fig. 1 (2 times)
F#5
lis - ten
to
the
D5
pol - i
- ti - cian
A5
B5
E5
was - n’t
F#5
miss - in’
D5
ev - ’ry - thing
his
Gtrs. 1 & 2: w/ Riffs A & A1 (1 1/2 times)
A5
heart would like
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B5
to
say.
E5
F#5
And a
con - stant
in
the
D5
A5
B5
con - sti - tu - tion is
that there can’t be
one
E5
so - lu
-
tion. It’d be
F#5
D5
A5
B5
E5
D5 Gtr. 3
so
far
from
the
truth
and
we
would
hate
it
an
- y
-
way. (Ay.)
14 X 12
14 X 12
14 X 12
14 X 12
11 X 9
11 X 9
11 X 9
11 X 9
Gtr. 2
Gtr. 1
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
End double-time feel
A/C#
E
O -
14 X 12
14 X 12
14 X 12
13 X 11
13 X 11
13 X 11
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
16 X 14
11 X 9
11 X 9
11 X 9
9 X 7
9 X 7
9 X 7
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus Gtrs. 1, 2 & 3 tacet
D5
pin - ions
Gtr. 4 (acous.)
mp 7 7 5
7 7 5
7 7 5
B/D#
im
8 9 6
are
7 7 5
7 7 5
8 9 6
8 9 6
-
mu - ni
-
7 7 5
7 7 5
7 7 5
D5
Pap - er,
8 9 6
8 9 6
7 7 5
7 7 5
7 7 5
to
rock
E5
ty
A5
7 7 5
7 7 5
be - ing
told
9 9 7
9 9 7
9 9 7
A5
and
7 7 5
7 7 5
scis - sors:
you’re
wrong.
9 9 7
9 9 7
they
7 7 5
7 7 5
7 7 5
all
7 7 5
7 7 5
Double-time feel
Gtr. 4 tacet
B5
have
their
4 4 2
4 4 2
4 4 2
A5
will
7 7 5
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
en
7 7 5
-
F#5
pros
and
2 2 0
2 2 0
2 2 0
dure
7 7 5
7 7 5
X X X X X X
cons.
D5
And
2 X 4 4 2
2 X 4 4 2
2 X 4 4 2
E5
just
like
we
al
-
0 0 0
2 2 0
2 2 0
2 2 0
2 X 4 4 2
2 X 4 4 2
2 2 0
of
us,
Gtr. 3
7 7 5
7 7 5
7 7 5
ways
all
B/D#
we
7 7 5
7 7 5
7 7 5
have.
0
0
8 9 6
8 9 6
8 9 6
8 9 6
8 9 6
D
But
you
just
7 7 5
7 7 5
7 7 5
A
can’t
7 7 5
7 7 5
be
too
sure
7 7 5
7 7 5
how
long
this
4 4 2
4 4 2
4 4 2
7 7 5
7 7 5
X X X X X X
E5
2 2 0
will
last.
2 2 0
2 2 0
Outro
F#
End double-time feel
F#5
’Cause
P.M.
3 4 4 2
4 2
cha
B5
4 2
-
4 2
4 2
4 2
D5
we
con
7 7 5
7 7 5
4 2
-
7 7 5
7 7 5
os.
5 2 2 0
5 2 2 0
5 2 2 0
5 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
5 2 2 0
5 2 2 0
trol
the
7 7 5
7 7 5
In
the
back
of
E
0 0 0 0 0 0
5 2 2 0
0 0 1 2 2 0
A5
7 7 5
5 2 2 0
0 0 0
our
0 0 1 2 2 0
minds
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
B/D#
our
prob
- lems
seem
so
small.
But
they
0
0
8 9 6
8 9 6
8 9 6
8 9 6
8 9 6
8 9 6
8 9 6
8 9 6
8 9 6
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
grow
on
D5
7 7 5
A5
like
5 2 2 0
7 7 5
But
7 7 5
7 7 5
7 7 5
7 7 5
makes
4 4 2
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
grav
5 2 2 0
5 2 2 0
5 2 2 0
7 7 5
7 7 5
7 7 5
-
i
0 0 0
0 0 0
4 4 2
4 4 2
4 4 2
-
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
2 2 0
3 4 4 2
F#
A5
7 7 5
still
fall.
ty.
ty
us
-
i
E5
-
grav
B5
Double-time feel
us
D5
End double-time feel
4 4 2
4 4 2
from Relient K - MMHMM
My Girl’s Ex-Boyfriend Words and Music by Matthew Thiessen F5
C5
134
G5
134
134
Intro Moderately fast q = 154
F5
C5
G5
F5
C5
G5
F5
Rhy. Fig. 1
**Gtr. 4 (elec.)
mf
End Rhy. Fig. 1
P.M.
P.M.
w/ dist. Riff A *Gtrs. 1 & 2 (elec.)
mf
w/ dist.
13
13
12 12 10 10 12 12
7
9
9
10
9
9
13
13
12 12 10 10 12 12
7
9
9
13
10 12 12
*Composite arrangement
Riff A1
Gtr. 3 (elec.)
mf
w/ dist.
12
12
9
9
12 12
9
4
5
5
7
5
5
12
12
9
9
12 12
9
9
4
5
5
7
9
9
12
**Doubled throughout
C5
G5
F5
G5
P.M.
P.M.
(cont. in notation)
End Riff A
fdbk.
13
13
12
12
10
10
12
12
12
9
9
12
12
9
12
7
9
9
10
9
9
10
10
4
5
5
7
5
5
5
10
6
© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission
End Riff A1
7
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
Gtrs. 1, 2 & 3 tacet 2nd time, Gtr. 4: w/ Rhy. Fig. 2
µ
Gtr. 4
1. When 2. So
he then
F5
3 3 1
3 3 1
3 3 1
µ
3 3 1
F5
3 3 1
her me,
you could this
see he un - de
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
P.M.
And
now
he’s Who
de
-
serv
-
ing
Rhy. Fill 1
P.M.
had serv
-
his ing
-
doubts. mess. 2. (Un -
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
F5
Gtr. 4
-
3 3 1
Rhy. Fig. 2
C5
3 3 1
G5
µ
was see - ing a - long comes
3 3 1
P.M.
µ
miss - ing would be
-
her lieve
be - cause
he my
mess. End Rhy. Fill 1
(cont. in slashes)
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
2nd time, Gtr. 3 tacet
P.M.
G5
Gtr. 4: w/ Rhy. Fig. 2 (1 3/4 times)
C5
knows he’s life would be Gtr. 3
miss - ing, so
ah, blessed, Life
5
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
µ F5
µ F5
End Rhy. Fig. 2
ah,
ah,
out.
would
be
so
And now two
7
5
it’s
haunt - ing him; years a - go
blessed.
5
5
3
her when he
µ
Gtr. 3 tacet
C5
mem - ’ry’s left all
like that
a de
µ
µ F5
ghost. - bris?
And Left
all
G5
that
de
-
he’s Who
so
bris.)
4 5 5
To Coda 1
µ
F5
ter - ri would have
Chorus
-
fied known
He’s
the
guy
2nd time, Gtr. 6 tacet
F5
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
thought
that
he
5 5 3
5 5 3
that
you
5 5 3
F5
want - ed
more.
5 5 3
5 5 3
5 5 3
P.M.
one leave
C5
G5
’cause no he would
Gtr. 4
µ
3 3 1
C5
else e ev - ’ry
-
ven thing
should feel
comes I
close. need?
F5
sor - ry
Gtr. 4: w/ Rhy. Fill 1
µ
for.
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
I
owe
it
all
to
the
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
C5
G5
5 5 3
He had
the
world
but
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
mis - take
he
C5
he
5 5 3
D5
made back
then.
5 5 3
5 5 3
5 5 3
5 5 3
7 7 5
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
I
owe
7 7 5
to
my
girl’s
ex
3 3 1
3 3 1
3 3 1
it
all
A5
7 7 5
F5
7 7 5
Coda 1
µ
To Coda 2
C5
-
boy
-
D.S. al Coda 1
friend.
5 5 3
Chorus Gtr. 4 tacet
G5
F
He’s
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
P.M.
5 5 3
the
guy
that
C
you
Rhy. Fig. 3 *Gtr. 5
should feel
sor - ry
for.
End Rhy. Fig. 3
mf
5 5 5 3
2 3 3 1 *Piano arr. for gtr.
I
owe
it
all
to
the
P.M.
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
Gtr. 5: w/ Rhy. Fig. 3
F
He
had
the
world
but
he
Gtr. 4
C
thought
that
he
want - ed
F5
more.
3 3 1
µ
C5
take
he
made back
µ
then.
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
Dm
I
owe
it
3 5
3 5
3 5
P.M.
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Am
all
to
my
3 5
3 5
3 5
3 5
µ
F5
girl’s
C5
ex
-
boy
3 3 1
3 3 1
3 3 1
5 5 3
mis -
-
friend.
Bridge
F5
(If
it
C5
was - n’t
for
him.
I
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
5 5 3
F5
A5
was - n’t
for
him.
I
would
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
7 7 5
-
n’t
know
my
a - ble
to
see
5 5 3
that
if
it
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
would
still
be
was - n’t
for
him,
7 7 5
7 7 5
search
5 5 3
best
5 5 3
-
ing. If
it
5 5 3
5 5 3
5 5 3
5 5 3
was - n’t
for
him.)
friend.
He would it
5 5 3
5 5 3
5 5 3
5 5 3
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
F5
F5
P.M.
7 7 5
P.M.
G5
A5
If
G5
G5
he’d
be
as
Gtr. 4
hap - py
as
me.
Gtrs. 1 & 2
C5
be
5 5 3
C5
F5
Gtr. 3 (cont. in slashes) divisi
13 12
3 3 1
Interlude Gtrs. 1 & 2: w/ Riff A Gtr. 3: w/ Riff A1 Gtr. 4: w/ Rhy. Fig. 1 (2 times)
F5
C5
G5
F5
C5
G5
F5
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
G5
G5
P.M.
5 5 3
3 3 1
F5
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
P.M.
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
F5
3 3 1
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
3 3 1
Bridge
µ
C/E
G5
When
she
and
I
set - tle
down
you
3 3 1
3 3 1
3 3 1
F5
C/E
gon - na
have
to
3 0
G5
set - tle
for
F5
5 5 3
3 3 1
can
He’s
some
bet
5 5 3
5 5 3
3 3 1
µ
that
he
is
3 3 1
C5
-
one
I
would
5 5 3
5 5 3
5 5 3
5 5 3
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
P.M.
F5
5 5 3
less.
3 0
G5
hate
to
be;
5 5 3
5 5 3
5 5 3
5 5 3
D.S.S. al Coda 2
A5
G5
F5
Fm
I
got
the
girl
and
he’s
left
with
just
the
mem
*Gtr. 6 (elec.)
P.M. Gtr. 4 divisi
7 7 5
7 7 5
7 7 5
7 7 5
5 5 3
5 5 3
5 5 3
5 5 3
3 3 1
3 3 1
3 3 1
3 3 1
*w/ slight dist. & amp tremolo, played
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
mf
1 1 1 3 3 1
Gtr. 4 tacet
- o
-
ry.
Coda 2
Outro Slower q = 115
Free time
C5
(C5)
Gtr. 4
If
it
was - n’t
for
him,
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
Gtr. 7 (acous.)
mf
(cont. in slashes)
5 5 3
I
1 1 2 3 3 1
1 1 2 3 3 1
0 1 0 2 3
would still
be search - ing.
If
it
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
Gtr. 4 tacet
F
was - n’t
for
him,
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
C
a - ble
to
see
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
I
would
-
1 1 2 3 3 1
X X X X X X
0 1 2 2 0
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
that
Am
if
it
n’t
know
my
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
3 3 0 0 2 3
3 3 0 0 2 3
3 3 0 0 2 3
3 3 0 0 2 3
F
G
best friend.
C
was - n’t
for
him,
1 1 2 3 3 1
1 1 2 3 3 1
0 1 0 2 3
F
If
it
was - n’t
for
him,
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
G
hap - py
as
C
he
would
1 1 2 3 3 1
1 1 2 3 3 1
he’d
be
as
me.
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
3 3 0 0 2 3
3 3 0 0 2 3
0 1 0 2 3
be
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Relient K - MMHMM
More Than Useless Words and Music by Matthew Thiessen
E5
E5
type 2
C#5
A5
B5
C[#5]
4fr 11
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Am 3fr
134
11
134
143
231
Intro Moderately fast q = 152 Gtr. 1: w/ Riff A (4 times) ** E5
C#5
Riff A
End Riff A Rhy. Fig. 1 ***Gtr. 2 (elec.)
*Gtr. 1 (elec.)
mf
mf
w/ dist.
0 4
0 4
0 4
0 5
0 5
0 5
0 0
0 0
0 0
0 2
0 2
0 2
0 4
0 4
0 4
0 4
*Doubled throughout **Chord symbols reflect basic harmony.
A5
2 2 0
2 2 0
2 2 0
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
***Doubled throughout
E5
w/ dist.
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
End Rhy. Fig. 1
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
Gtr. 2: w/ Rhy. Fig. 1
C#5
A5
Gtr. 3 (elec.) Fill 1
E5
End Fill 1
11 X 9
13 X 11
mf
w/ dist.
11 X 9
11 X 9
13 X 11
13 X 11
11 X 9
11 X 9
14 X 12
Verse
Gtr. 3 tacet 2nd time, Gtr. 5 tacet
E5
Gtr. 1
2. So
Gtr. 2
9 9 7
feel say
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
Gtr. 1 tacet
1. I I
14 X 12
if
C#5
like I can’t
do
I some -thing
would like sig - nif - i - cant
to I’ll
be opt
to
some - where else leave most
op
do - ing - por -
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
6 6 4
6 6 4
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
some - thing tu - ni -
E5
that mat - ters. ties wast - ed.
And I’ll ad - mit here, And noth -ing triv - i - al
C#5
wastes a - way meas -ure up
while I sit here, my mind that life could give me will
to
and my what
P.M.
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
9 9 7
9 9 7
A5
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
Gtr. 2
doubts might
P.M.
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
E5 type2
Rhy. Fig. 2
9 9 7
start have
to gath - er. re - placed
What’s the Too
it. Riff B
pur late,
-
pose? look,
It and
feels my
worth date
-
less, book
is
(cont. in slashes)
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
0 5
2 2 0
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
0 5
Gtr. 2: w/ Rhy. Fig. 2 Gtr. 3: w/ Riff B
C#5
A5
so packed
full
un - want - ed of days that
like
I’ve were
B5
lost all emp - ty
my and
val now
-
ue. gone.
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 5
0 5
0 5
0 5
µ
E5
0 5
5
2
5
I
can’t And
End Riff B
let ring
0 5
E5
End Rhy. Fig. 2
2
find I
it. bet
µ
Not
in
E5
the that
C#5
least re -
µ
And to
I’m
just get
scared, me
bit. gret will
prove
C#5
A5
so scared im - prove
to
To Coda 1
B5
that in
I’ll the
fail long
you. run.
Pre-Chorus
E
D#m
And some
-
times
Gtr. 2
I
think
C#m
that I’m
not an - y
good
at
A5
all.
Rhy. Fig. 3
End Rhy. Fig. 3
4 6
2 0
P.M.
6 7
6 7
6 7
6 7
Gtr. 2: w/ Rhy. Fig. 3
E
And some
6 7
6 7
6 7
-
6 7
4 6
4 6
D#m
I
won - der
times
4 6
C[#5]
4 6
4 6
4 6
4 6
2 4
2 4
2 4
2 4
I’m
e - ven
2 4
C#m
why
C#5
2 4
why,
2 4
2 4
2 0
here
at
2 0
A5
2 0
2 0
Gtr. 2
But
then
you
as
-
E5
sure
2 0
all.
Chorus
B5
2 0
type 2
Rhy. Fig 4
2 0
Gtr. 2
me.
Rhy. Fill 1
I’m
a
lit - tle
more
End Rhy. Fill 1
(cont. in slashes)
5 6 3
5 6 3
5 6 3
5 6 3
6 6 4
6 6 4
4 4 2
4 4 2
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
than
use
-
less.
And when
I
I
think
that
Gtrs. 3 & 4: w/ Riffs C & C1 (2 times)
can’t
(cont. in notation)
do
this
Riff C1
Gtr. 4 (elec.)
A5
mf
4
4
6
6
6
End Riff C1
End Riff C
w/ dist.
Gtr. 3
4
2
6
4
Riff C
C#5
you
6 6 4
6 6 4
Gtr. 2
6
6
7
7
7
prom - ise
me
that
I’ll
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
get
through
µ
To Coda 2
this
and
End Rhy. Fig. 4
A5
do
some - thing right,
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
Interlude
Am
do
5 5 5 7 7 5
some - thing
right
for
once.
Gtr. 1: w/ Riff A (3 times) Gtr. 2: w/ Rhy. Fig. 1 (1 1/2 times)
C#5
*Gtr. 5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
mf 12 X 13
*Synth. arr. for gtr.
4
A5
16 X 16
14 X 14
12 9
17 X 18
16 X 16
E5
14 X 14
12 X 13
11 X 11
C#5
12 X 13
16 X 16
D.S. al Coda 1
A5
14 X 14
12 9
Coda 1
Pre-Chorus * E5
Some
Riff D
-
B'4/D#
times
I
Gtr. 6 (elec.)
mf
think
C#m7
that I’m
not an - y
good
at
all.
12
9
mf
Harm.
let ring
8
Gtr. 7 (elec.)
End Riff D
w/ clean tone let ring throughout
9
A'9
8
12
8
12
9
8
11
12
9
12
12
7
w/ clean tone let ring
0
5
4
5
4
4
Riff D1 Gtr. 8 (elec.)
4
0
4
4
0
2
4
2
4
2
0
0
0
2
End Riff D1
8
6
6 7
mf
w/ clean tone
9
*Chord symbols reflect overall harmony.
Gtrs. 6 & 8: w/ Riffs D & D1
E5
Some
Gtr. 7
-
times
B'4/D#
I
won - der
why,
C#m7
why
I’m
4
4
e - ven
here
at
all.
let ring
2
4
5
0
5
4
2
4
4
0
4
2
0
2
4
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S.S. al Coda 2 Gtr. 2: w/ Rhy. Fill 1 Gtr. 7 tacet
A'9
C[#5]
0
0
But
then
you
as
C#5
-
B5
sure
let ring
2
me Gtr. 2
0
Coda 2
A5
Am
E5 type 2
Rhy. Fig. 5
do
7 7 5
7 7 5
* Voc. Fig. 1
than
7 7 5
7 7 5
use
(More
7 7 5
use
-
for
once.
5 5 5 7 7 5
5 5 5 7 7 5
5 5 5 7 7 5
some - thing right
C[#5]
less than
5 5 5 7 7 5
End Rhy. Fill 2
And
I
a
lit - tle
more
Riff E Gtr. 3
(cont. in slashes)
5 5 5 7 7 5
5 5 5 7 7 5
I’m
End Voc. Fig. 1
nev - er
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
knew
I
End Rhy. Fig. 5
knew
this
was
less.)
End Riff E
9 X 7
9 X 7
11 X 9
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
*Applies to Bkgd. Voc. only.
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7 7 5
do
some - thing right,
Rhy. Fill 2
Gtr. 2
11 X 9
13 X 11
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
11 X 9
13 X 11
C#5
be
the
9 X 7
9 X 7
day,
gon - na (Gon - na
be be
the the
day that day.)
I
would
A5
do
some - thing
right,
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
11 X 9
11 X 9
13 X 11
9 X 7
9 X 7
Bridge Gtrs. 2 & 3 tacet
Am
do
gon - na
E,7
some - thing right
for
once.
E5
E6
E5
End Riff F
Riff F
Gtr. 9 (acous.)
0 0 X 2
0 0 X 2
0 2 X 2
0 2 X 2
0 0 2 2 4 X X 2 2
mf 0 4 X 2
9 X 7
0 4 X 2
0 4 X 2
0 5 X 2
0 5 X 2
0 5 X 2
0 0 X 2
0 2
X 2
4
0 2
X 2
4
0 2
X 2
4
Gtr. 9: w/ Riff F (5 times)
E,7
E5
E6
E6
E5
I
know
this,
E5
E,7
C#m9
E5
I
no
-
C#m
week
is
a
sym
ticed
C#m7
-
bol
of
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Asus2
A
how
I
use
C#m9
A5#11
E,7
my
C#m
E5
time.
C#m7
Re
-
E6
Asus2 A
sent
it.
A5#11
A5
Gtr. 2
vinc - ing
my - self
the
I
spent
it
world’s
do - ing
just
fine.
* Voc. Fig. 2
(With - out
Riff G
Gtr. 3
con -
me.)
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
Riff G1 Gtr. 9
(cont. in notation)
E5
End Riff G
13 X 11 End Riff G1
0 5 X 2
0 5 X 2
0 5 X 2
0 5 X 2
0 5 X 2
0 5 X 2
an - y
con
0 5 X 2
0 5 X 2
*Applies to Bkgd. Voc. only.
Gtrs. 3 & 9: w/ Riffs G & G1 (6 times)
C#5
A5
For
do - ing
an
2 2 0
2 2 0
2 2 0
E5 End Voc. Fig. 2
- y - thing
of
-
se
-
quence.
Gtr. 2
6 6 4
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
Bkgd. Voc.: w/ Voc. Fig. 2
A5
C#5
E5
Show - ing
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
an - y
sign
of
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
(cont. in slashes)
2 2 0
2 2 0
2 2 0
Gtr. 9 tacet
B5
Gtr. 2
ev - er
mak
-
ing
sense
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
11 X 9
Gtr. 3
A5
of
my
9 X 7
8 X 6
Gtr. 9
0 4
C#5
0 4
0 4
0 4
and
my
9 X 7
8 X 6
0 4
0 4
0 4
B5
time.
It’s
my
9 X 7
8 X 6
9 X 7
life
9 X 7
0 4
B5
right
to
use
it
9 X 7
9 X 7
11 X 9
9 X 7
A5
like
I
should.
8 X 6
9 X 7
Like
he
would,
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B5
C#5
for
the
good
of
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
ev - ’ry - thing
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
I
B5
C#5
that
13 X 11
C[#5]
would
ev
-
13 X 11
13 X 11
13 X 11
er
know.
13 X 11
11 X 9
Chorus Gtr. 2: w/ Rhy. Fig. 4
E5
Bkgd. Voc.: w/ Voc. Fig. 1 Gtrs. 3 & 4: w/ Riffs C & C1 (3 times)
I’m
a
lit - tle
µ
can’t
do
some - thing
Bkgd. Voc.: w/ Voc. Fill 1
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C#5
Am
right,
do
than
use
-
less.
use
-
less.
some - thing
C[#5]
And
I
A5
me
I’ll
that
right
for
once.
nev - er
when
I
think
that
I
µ
get
through
this
and
Gtr. 2: w/ Rhy. Fig. 5 Gtrs. 3 & 4: w/ Riff E
And
you prom - ise this.)
do
this can’t
than
Gtr. 2: w/ Rhy. Fill 2
A5
µ
more
do (I
I’m
a
lit
- tle
E5
knew
I
knew
more
this
was
C#5 Gtr. 2
gon - na
be
Gtrs. 3 & 4
9 X 7
9 X 7
the
day,
gon - na (Gon - na
be be
A5
the the
day that day.)
I
would
do
some - thing right,
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
do
some - thing
right
for
once.
type 2
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
1., 2., 3.
4.
Gtr. 1: w/ Riff A (7 times) Gtrs. 3 & 4 tacet
E5
0 0 2 2 0
0 0 4 2 2 0
E5 Gtr. 1
Gtr. 2
9 X 7
(cont. in notation)
Asus2
9 X 7
Outro
E5
9 X 7
0 0 1 2 2 0
0 0 1 2 2 0
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Relient K - MMHMM
Which to Bury; Us or the Hatchet? Words and Music by Matthew Thiessen A5
F5
Dm
G5
E5
C5
G#(b5)
5fr
6fr
134
134
DmX
31
G5V 10fr
4
134
11
E/G# 5fr
6fr
13
134
F5 VIII
Am
8fr
14
12
G5
open
10fr
13
3
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Verse Moderately q = 131 **A5
1. I Rhy. Fig. 1 *Gtrs. 1 & 2
think
you
know
what
I’m
get
- ting
at.
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
mf P.M.
9 7
*Gtr. 1 (slight dist.); Gtr. 2 (clean) w/ flanger **Chord symbols reflect overall harmony.
F/A
I
find
it
so
up
-
set
-
ting
that
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
P.M.
10 7
Dm
the
mem
-
o
-
10 0
10 0
10 0
10 0
10 0
10 0
ries End Rhy. Fig. 1
that
you
se
-
lect,
10 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
P.M.
10 0
© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G
E
A5
Rhy. Fig. 2A Gtr. 4 (dist.)
mf
you
Gtr. 3 (clean)
keep
the
bad
but
the
good you
just
P.M.
for - get.
And
mf let ring
7
Gtrs. 1 & 2
9
7
9
7
* P.M.
7 5
7 5
7 5
7 5
7 5
7
9
7 5
9
9
9
9
9
9
9
9
I’m
an -
Rhy. Fig. 2
e - ven though
P.M.
9
9 10
9 10
9 10
9 10
9 10
9 10
9 10
9 10
9 6
9 6
9 6
9 6
9 7
9 7
9 7
9 7
9 7
9 7
Gtr. 1, w/ dist.
7 5
7 5
9 6
9 6
9 6
9 6
9 7
9 7
*Gradually remove P.M.
P.M.
F5
-
gry
I
can
9 10
9 10
9 10
9 10
9 10
9 10
9 10
9 10
9 7
9 7
9 7
9 7
9 7
9 7
9 7
still
I
know
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
10 10
9 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
say,
my
heart
will
break
the
day
P.M.
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Dm
P.M.
when
you
10 0
10 0
10 0
10 0
peel
out
and
drive
a
-
G5
way.
10 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
7
I
can’t
be
-
lieve
let ring
7
9
7
9
7
9
9
7 5
7 5
7 5
7 5
7 5
7 5
7 5
P.M.
10 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
7 5
Pre-Chorus Gtrs. 2 & 3 tacet
E5
F5
End Rhy. Fig. 2A
P.M.
this
hap
-
pened.
And
all
this
time
P.M.
I
nev - er
thought
End Rhy. Fig. 2
let ring
9
9
9
9
9
9
9
9 6
9 6
9 6
9 6
9 6
9 6
9
P.M.
9 6
9 6
Gtr. 1
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
P.M.
5 3
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5
P.M.
Gtr. 1
F5
that
all
we
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
P.M.
5 5
P.M.
had
would
be
C5
all
5 3
5 3
5 3
5 3
5 3
5 3
5 3
for
Chorus
2nd time, Gtr. 2 tacet
µ
No,
I
F5
don’t hate
Rhy. Fill 3 *Gtrs. 1 & 4
9 10
9 10
9 10
9 10
9 10
9 10
9 10
9 10
7 6
7 6
7 6
7 6
7 6
7 6
7 6
µ
A5
Don’t want
2nd time, Gtrs. 1 & 4: w/ Rhy. Fill 1
C5
Dm
to
fight
you.
Know
I’ll
al - ways
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
6 7 7 5
6 7 7 5
2 2 0
2 2 0
2 2 0
love
you,
but
right
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
P.M.
5 5 3
6 7 7 5
5 5 3
*Composite arrangement
Rhy. Fill 1 Gtrs. 1 & 4
Sorgdal
End Rhy. Fill 3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
(cont. in notation)
you.
4
not.
P.M.
5 3
G#(b5)
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
6 7 7 5
0 0
A5
now
I
just
don’t
2 2 0
2 2 0
2 2 0
P.M.
2 2 0
C5
like
5 5 3
5 5 3
5 5 3
T o Coda
Dm
Know I’ll Rhy. Fill 2
6 7 7 5
6 7 7 5
al - ways
6 7 7 5
6 7 7 5
love
you,
but
right
6 7 7 5
6 7 7 5
you.
6 7 7 5
6 7 7 5
A5
now
I
F5
No,
I
don’t hate
3 3 1
3 3 1
3 3 1
3 3 1
C5
just don’t like
3 3 1
Don’t want
2 2 0
2 2 0
2 2 0
2 2 0
5 5 3
C5
to
fight
you.
2 2 0
2 2 0
2 2 0
F5
you ’cause
A5
you.
µ
5 5 3
5 5 3
you
took
End Rhy. Fill 2
P.M.
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
5 5 3
Interlude
Gtrs. 1 & 4 tacet
Am
this
too
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
P.M.
too
mf
far.
w/ fingers let ring throughout
1 3 3 1
far, *Gtr. 5
2
2
1 2
2
1 2
1 2
2
1 2
2
1 2
*Banjo arr. for gtr.
F
1
3
2
1
3
D7(no3rd)
2
1 3
1
3
2
1
3
2
1 3
1
0
2
1
0
2
1
0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1
1
2
0
2
0
G
1
3
0
3
4
5
3
4
5
E
3
5
3
4
6
3
4
6
6
Verse *Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtrs. 3 & 4: w/ Rhy. Figs. 2 & 2A Gtr. 5 tacet
Am
2. Make your
Gtr. 6 (clean)
Riff A
de - ci - sion
and
don’t
you
dare
F
think
twice.
Go
with your
in
-
stincts
a -
mf let ring throughout
7
5
5
5
5
5
7
5
5
5
5
5
5
5
5
5
5
8
6
5
6
5
6
5
*Gtr. 2 w/ slight dist., flanger off.
Dm
long
with some bad
ad
8
5
6
5
6
5
Gtrs. 1&2
-
This
5
vice.
Dm X
6
did - n’t
turn
out
the
way
8
6
7
5
6
7
I
thought it
8
6
7
P.M. at
5
6
7
would
5
6
7
all.
6
Gtr. 6: w/ Riff A
G5 V
E/G#
Am
P.M.
You blame
me,
but
some of this is still your
fault.
I tried to
move
you,
but you just would - n’t
budge.
End RiffA Gtrs. 1 & 2 P.M.
7
8
7
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7
8
7 7
8
9
9
7 9
9
7 9
9
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
9 7
F
your
grudge.
**w/ dist. * P.M.
10 7
10 7
10 0
10 0
10 0
10 0
10 0
10 0
I
tried
to
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
10 7
I
think you
P.M.
10 7
hold
but you’d rath - er
hand,
hold your
Dm
know
10 0
10 0
*Gradually remove P.M. **Gradually roll up gain.
D.S. al Coda
Gtr. 3: w/ Rhy. Fig. 2 (last 2 meas.)
what I’m
get - ting
at.
G
said good - bye
and
I
just
You
E
don’t want you
re - gret - ting
that.
10 0
10 0
10 0
10 0
10 0
10 0
10 0
10 0
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
9 6
9 6
9 6
9 6
9 6
9 6
9 6
9 6
Coda
Bridge Gtr. 4 tacet
A5
C5
F5
VIII
w/ slight dist.
Rhy. Fig. 3
Gtr. 1
now
I
just
don’t
like
2 2 0
2 2 0
2 2 0
2 2 0
you. Rhy. Fig. 3A Gtr. 2
(Gtr. 1, cont. in slashes)
5 5 3
5 5 3
12 10 8
12 10 8
9 10 8
9 10 8
9 10 8
12 10 8
12 10 8
w/ flanger
12 10 8
Am
12 10 8
9 10 8
9 10 8
9 10 8
12 10 8
9 10 8
12 10 0
12 10 0
12 10 0
9 10 0
9 10 0
9 10 0
12 10 0
12 10 0
12 10 0
9 10 0
9 10 0
9 10 0
12 10 0
9 10 0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F5 VIII
Am
12 10 8
12 10 8
12 10 8
9 10 8
9 10 8
9 10 8
12 10 8
12 10 8
12 10 8
9 10 8
9 10 8
9 10 8
12 10 8
9 10 8
12 10 0
12 10 0
12 10 0
9 10 0
9 10 0
9 10 0
12 10 0
12 10 0
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (1 4/9 times)
G5
open
F5
End Rhy. Fig. 3
And
12 10 0
9 10 0
9 10 0
9 10 0
12 10 0
12 10 0
9 10 0
0 12
7 7 5
7 7 5
7 7 5
Gtr. 2
Gtr. 4
-
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
es
Gtr. 4
wis
End Rhy. Fig. 3A
Am
these
black
eyes
and
7 7 5
7 7 5
dom
al
-
3 3 1
3 3 1
3 3 1
ways
choos
5 5 3
-
these
bruis
7 7 5
7 7 5
-
3 3 1
3 3 1
es
7 7 5
7 7 5
7 7 5
7 7 5
-
F5
o - ver the heart
Rhy. Fig. 4
3 3 1
-
ache
that
3 3 1
they
Am
say
3 3 1
3 3 1
3 3 1
com - plete
-
ly
goes
7 7 5
7 7 5
7 7 5
7 7 5
nev - er
3 3 1
3 3 1
3 3 1
Gtr. 4: w/ Rhy. Fig. 4
a
-
C5add9
way.
F5
And
Screamed: (I
just
wis
can’t
be
-
-
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
es
pened, this
Am
these
a - round.
dom
al
-
ways
choos
-
this
hap
one
we’ll
day
5 5 3
and
And
one
these bruis
this come
lieve
black eyes
-
hap day
we’ll
es
see
pened.) this
come
a
-
see
End Rhy. Fig. 4
(And
- round.)
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F5 Gtr. 1
VIII
o
- ver
the
-
ache
that
heart
Am
they
say
nev - er
Gtr. 2
-
ly
goes
com - plete
12 10 8
9 10 0
Gtr. 4
3 3 1
3 3 1
7 7 5
Gtr. 2 tacet
F5
w/ dist
* Voc. Fig. 1
- way.
µ
(cont. in notation)
No,
I
don’t
A5
a
Chorus
hate you. Screamed: (You.
C5
Don’t want
to
fight
you. You.)
9 10 0
7 7 5
3 3 1
3 3 1
3 3 1
Gtrs. 1 & 4
3 3 1
2 2 0
2 2 0
2 2 0
5 5 3
5 5 3
*Applies to Bkgd. Voc. only.
Gtrs. 1 & 4: w/ Rhy. Fill 2
Dm
Know
I’ll
al - ways
10
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bkgd. Voc.: w/ Voc. Fig. 1 Gtrs. 1 & 4: w/ Rhy. Fill 3
A5
love
you,
End Voc. Fig. 1
but
right
now
I
just
don’t
C5
like
you.
µ
F5
No,
I
don’t
hate
you.
µ
A5
Gtrs. 1 & 4: w/ Rhy. Fill 2
C5
Don’t want
to
fight
you.
Know
I’ll
al - ways
you
took
Gtr. 5
C
too
0 1 0 2 3
C
0 1 0 2 3
What
hap
5
5
love
you,
but
right
C5
now (Now
I I
just just
don’t don’t
like like
you ’cause you.)
pened to
3 3 5 5
1 1 2 3 3
0 1 0 2 3
3 3 5 5
6
1 0 2 3
heard that
it’s
me
we should blame.
What
hap
-
pened
to
us?
5
5 6 5
3
5
5
C
6
5
5
5
F
2
8 10 10
F
3
0
5
5
Gm
5
Gm
I
5
5
us?
3
F
5
Gm
C
C
-
far.
F
5 3
this
Gm
Gtrs. 1 & 4 tacet
A5
Outro Slowly q = 58
F5 Gtrs. 1&4
Dm
5 5
5
Why
3 5 5
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 5 tacet
Gm
did
- n’t
you
F
stop
me
from
turn - ing
C
out
this
way?
*Gtr. 7
9 10
9 10
mf let ring throughout
0 3 5
3
5
3
8 10
10
10
3 1 0 2 3
10
8 9 10
9 10
10
9
10
*Piano arr. for gtr.
Gm7
F
C
And
3 3 3 5
6 3 5
6 3 5
6 3 5
1 1 2 3
1 1 2
1 1 2
1 1 2
Gm7
you.
And
know
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
that
I
don’t
want
to
3 6 3 5
3 6 3 5
3 6 3 5
3 6 3 5
1 1 2 3
1 1 2 3
1 1 2 3
1 1 2 3
I’ll
al
-
ways
Gm7
love
you,
but
right
know
C
fight
F
now
that
3 5 5 5
3 5 5 5
3 5 5 5
3 5 5 5
And
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
I
just
hate
C
don’t.
3 5 5 5
3 5 5 5
3 5 5 5
3 5 5 5
3 6 3 5
3 6 3 5
3 6 3 5
3 6 3 5
1 1 2 3
1 1 2 3
1 1 2 3
1 1 2 3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
don’t
you.
I
12
Sorgdal
F
3
1 0 2 3
know
from Relient K - MMHMM
Let It All Out
Words and Music by Matthew Thiessen Fadd9
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
T 3214
Verse Slowly q = 55 C
1. Let
it
Am7
all
(Get
it
2314
mf
Em
32
4
23
4
Em7
out.
*Gtr. 1
G
Rip
it
out,
re - move
it.
Don’t
be
all out.)
1 0 2
1 0 2
1 0 2
0 3 0 2
0 3 0
0 3 0
0 3 0
let ring throughout
1 0 2 3
*Piano arr. for gtr.
Fadd9
a - larmed
when
the
wound
C
be - gins
to
bleed.
’Cause we’re
3 1 2 3
3 1 2
3 1 2
3 1 2
3 1 0 2 3
3 1 0 2
3 1 0 2
3 1 0 2
scared
3
to
find
1 0 2 3
Em7
lose
it,
3
3
out.
So (What
this
life’s
all
scared
we’re gon - na
so
and
a - bout.)
3 1 0 2
3 1 0 2
3 1 0 2
0 3 0 2
0 3 0
0 3 0
0 3 0
© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Fadd9
C
know - ing
all
a - long
that’s
ex - act - ly
what
we
need.
And
to -
(cont. in slashes)
3 1 2 3
3 1 2
3 1 2
3 1 2
3 1 0 2 3
day
I’ll
*Gtr. 2
trust you with the con
-
fi - dence
of
a
G
man
who’s nev - er
17 X 14
15 X 12
12 X 9
3 1 0 2
Am7
Rhy. Fig. 1
3 1 0 2
Pre-Chorus Fadd9 *Gtr. 1
3 1 0 2
known
de - feat.
But
12 X 9
13 X 10
to -
mf 10 X 7
12 X 9
13 X 10
*Piano arr. for gtr.
Em
Fadd9
Am7
End Rhy. Fig. 1
G
Fadd9
mor - row, up - on
12 X 10
9 X 7
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
hear -ing what I
10 X 7
did,
I will stare
at
you
in dis
9 X 7
12 X 10
9 X 7
-
9 X 7
be - lief.
Oh,
10 X 8
in
- con - sis - tent
Riff A
10 X 7
13 X 10
12 X 9
17 X 14
Am7
G
Em
15 X 12
12 X 9
12 X 9
13 X 10
12 X 10
Rhy. Fill 1
con - sis - ten - cy.
And
you
9 X 7
7 X 5
said
I
Riff B
w/ pick & fingers
Gtr. 1
3
10 X 7
9 X 7
(cont. in notation)
End Riff A
Gsus4
End Rhy. Fill 1
for
Gtr. 2 tacet
*C
G
cry - ing out
Fadd9
me,
Chorus Moderately slow q. = 68
3
1
0
1
0
3
3 *Chord symbols reflect implied harmony.
Gtr. 1: w/ Riff B (2 times)
Am7
Em
know
3
that
1
3
0
0
this will
Fadd9
but
Gsus4
hurt,
C
if
I
Am7
Em
don’t break your heart
then
End Riff B
**T
0
3
1
0
0
3
1
2
3 2
3
1
2
1
2
1 **T = Thumb on 6th string
Fadd9
things
will
just
get
Am7
the
Rhy. Fill 2 Gtr. 1
worse.
re - mem - ber,
C
end
will
Am7
If
seems
too
Gsus4
the
G
bur - den
jus - ti - fy
the
Em
pain
Em
much
to
Fadd9
G
it
took
to
get
3 1 2 2 0
3 0 0 0 2 3
3 0 0 2 2 0
3 1 2 3 X 1
3 0 0 0 2 3
w/ pick
T
bear,
End Rhy. Fill 2
Fadd9
us
C
there. 2. And
I’ll
3 1 0 2 3
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Slowly q = 58 Gtr. 1 tacet
C
let
it
be
Em7
Fadd9
known.
Signs
of all my weak - ness.
But some - where
in
me
there
is
(Times I have shown.) Riff C Gtr. 3 (clean)
mp
w/ amp tremolo
amp tremolo off
let ring throughout
8 10 Gtr. 4 (clean)
mp
0 0 7
8
9 10
10
1
1
1
8
9 10
10
let ring throughout
1
0
0
2
3
0
3
1
2
Gtr. 3: w/Riff C
C
strength.
3
And
you prom - ise
End Riff C
Em7
in
I
me (That you
time
will de - feat
this,
’cause
be - lieve.)
8 9 10
1 0 2 3
0
1
0
2
3
0 3 0
Pre-Chorus
3 Fadd9
C
some - where
0 1
1
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
in
me
there is strength.
1 0 2 3
Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff A Gtr. 4 tacet
Fadd9
And to
-
day I’ll
trust
you with the con - fi - dence
of a
Gtr. 1: w/ Rhy. Fill 1
Am7
G
man who’s nev - er
known
de - feat.
Chorus Moderately slow q = 69 C Gsus4
you
Riff D
Gtr. 1
said
I
Em
And I’ll
that
try my
Em
know
best
this
will
12
15
is - n’t me.
And
hurt,
End Riff D
T
15
13
that that man
Fadd9
to just for - get
w/ pick and fingers
15
G
Am7
Fadd9
15
13
15
13
12
15
12
12
12
15 12
12
15
13
13
14
15 14
15
13
13
14
14
13
Gtr. 1: w/ Riff D (2 times)
C
but
if
I
C
If
the
Am7
Gtr. 1
Gsus4
don’t
Gsus4
bur - den
Am7
break
your
seems
too
G
the
end
will
jus
-
ti
heart,
Em
Am7
Em
-
Fadd9
then
things
will
much
to
fy
Fadd9
3 1 2 2 0
3 0 0 0 2 3
3 0 0 0 2 3
just
get
worse.
re - mem
Em
pain
bear,
the
w/ pick
3 1 2 2 0
it
-
Fadd9
G
took
to
get
us
T
3 0 0 2 2 0
3 1 2 3 X 1
3 0 0 0 2 3
ber,
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Riff B (3 times)
C
You there.
break
your
Am7
Am7
seems
Am7
said
I
know
Gsus4
Em
that
this
things Things
will
heart
then
Fadd9
will
hurt, (I
Em
Fadd9
know
this
will
but if hurt.
just
get
get
un
-
I
When
the
Gsus4
C
worse.
will
C
don’t
Gsus4
bur - den
true.
Gtr. 1: w/Rhy. Fill 2
Fadd9
too
bear, Seems
too
Em
much
to
Em
Fadd9
it
much
pain
re - mem - ber, to,
took
Gtr. 1
the
end
will
G
jus -
ti - fy
the
oh.)
G
to
get
us
there.
3 1 2 3 X 1
3 0 0 0 2 3
T
3 0 0 2 2 0
Am7
C
3 1 0 2 3
Outro Slowly q. = 47
C
16 15
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
13
16
Riff E
13
16
13
16
Am
13
14
13
14
13
16
13
16
C/G
13 14
12
13 14
12
F
13 14
16
12
13
15
13
16
13
14
15
C
Reach
out
13
16
15
12
13
20
to
me.
13
13
16
15
End Riff E
16
Gtr. 1: w/ Riff E (till fade)
Make
my
C/G
heart
Am
brand
And
C/G
touched
my
I
know
you
heav - y
new.
you,
C
heart
Ev - ’ry
beat
F
for
you.
Am
know
you
touched
and made
it
will
be
for
my
life,
F
when
you
light.
Fade out
Begin fade
C
Am
C/G
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Relient K - MMHMM
Who I Am Hates Who I’ve Been Words and Music by Matthew Thiessen
Asus2
Bsus4
C#m7
E5
A5
B5
E5
type2
C#5
4fr 12
134
4fr
134
114
11
134
11
134
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
Intro Moderately fast q = 150 Asus2
Rhy. Fig. 1 Gtrs. 2 & 3 (elec.)
mf
Bsus4
C#m7
w/ dist.
Riff A
Gtr. 1 (elec.)
4
4
mf
w/ dist.
5
0
9
0
7
0
1.
5
0
0
5
0
7
0
4
0
0
5
0
4
0
5
0
2.
E5
E5 End Rhy. Fig. 1
A5
End Riff A
7
0
9
0
4
0
5
0
Fill 1
7
0
9
0
4
0
End Fill 1
0 5
0 5
B5
0 5
0 4
Verse Gtrs. 1, 2 & 3 tacet
E
1. I
*Gtr. 4
mf
watched
pro - ver - bi - al
sun
the
E/A
- rise
com - ing
up
o - ver
the
Pa - cif - ic.
And
w/ fingers
12 13 14 0
13 14 0
*Piano arr. for gtr.
© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C#m7
you might think
I’m los
-
ing
my
Badd11
mind,
but
I
will shy
a - way from the spe - cif - ics, ’cause
0 0 8
9 9 9 9
7
Gtr. 4 tacet
Asus2
Bsus4
C#m7
Rhy. Fig. 2A Gtr. 5 (acous.)
mf
End Rhy. Fig. 2A
I don’t
want
you
to
know
Gtr. 1
where I
am.
’cause
0 0 4 4 2
0 0 6 6 4
Bsus4
C#m7
Rhy. Fig. 2
End Rhy. Fig. 2
w/ slight dist.
0 0 2 2 0
Gtrs. 1 & 5: w/ Rhy. Figs. 2 & 2A
Asus2
then you’ll
see
heart
my
in
this
is
sad
-
state
ev
-
dest
it’s
er
been.
And
Gtr. 5 tacet
B5
no
place
to
try
and
Rhy. Fig. 3
End Rhy. Fig. 3
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
Gtrs. 2 & 3
P.M.
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
the
Asus2 Gtr. 5
Pre-Chorus
2nd time, Gtr. 4 tacet
µ
E5
live
my
Asus2
See
Oo,
well,
I
that
line.
9 7 5
4 4 2
Chorus E5
4 4 2
4 4 2
I'm
P.M.
2 2 0
2 2 0
9 9 7
it’s
the
9 6
9 6
9 6
sor
-
ry
for
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
9 9 7
9 9 7
ver - y
P.M. 4
6 6 4
E/G#
X X
4
4 4 2
ex
Rhy. Fig. 4
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
A5
0 0 4 2 2 0
I
lost
it.
4 4 2
9 6
Stop
I
5
ry
0 0 4 2 2 0
E5
P.M.
2 2 0
2 2 0
0 0 4 2 2 0
wish that
per for.
0 0 4 2 2 0
9 6
9 6
9 9 7
-
0 0 4 2 2 0
0
Oo,
well
I
9 9 7
9 9 7
9 9 7
I
B5
4 4 2
could take
back.
9 9 7
9 9 7
9 9 7
9 9 7
P.M.
7
right there.)
B5
4 4 2
4 4 2
the -
- ly
it.
where
act
5
P.M.
7
4 4 2
4 4 2
-
mo - ment that
2. (Sor
should have crossed
6 6 4
6 6 4
X X X
that,
B/D#
B5
nev - er
nev - er should have said
there.
9 7 5
B/D#
right
C#5
X X X
7 4
(Stop
Well, that’s
4 4 2
life.
E/G#
B5
9 9 7
son
I
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
9 9 7
7
be
-
came.
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B5
C#m7
I’m
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
4 X 2
4 X 2
6 X 4
4 X 2
so
long
0 0 6 X 4
0 0 6 X 4
0 0 6 X 4
0 0 4 2 2 0
for
me
6 4
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
sor - ry
6 X 4
0 0 6 X 4
0 0 6 X 4
0 0 6 X 4
0 0 6 X 4
to
0 0 6 X 4
0 0 6 X 4
0 0 6 X 4
B5
0 0 4 2 2 0
-
be y
sure
I to.)
nev - er
0 0 6 X 4
0 0 6 X 4
4 X 2
be - come
that
way
0 0 6 X 4
0 0 6 X 4
read - y
to
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 6 X 4
I’m
4 X 2
0 0 6 X 4
0 0 6 X 4
change.
4 X 2
0 0 6 X 4
E5
0 0 6 X 4
took that.
0 0 6 X 4
it ry
-
0 0 6 X 4
Sor
0 0 6 X 4
0 0 6 X 4
that
a
-
B5
C#m7
gain,
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
4 X 2
4 X 2
4 X 2
6 X 4
Who
I
am
’cause who
Read
I
am
hates
who
A5
I’ve
6 X 4
0 0 6 X 4
0 0 6 X 4
0 0 6 X 4
0 0 6 X 4
0 0 6 X 4
0 0 6 X 4
0 0 6 X 4
0 0 6 X 4
been.
0 0 6 X 4
0 0 6 X 4
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
T o Coda
B5
hates
who
Interlude *Gtr. 1: w/ Riff A (1 3/4 times) Gtrs. 2 & 3: w/ Rhy. Fig. 1 (2 times)
I’ve
Asus2
4 4 2
4 4 2
4 4 2
4 4 2
C#m7
E5
been. End Rhy. Fig. 4
4 4 2
Bsus4
4 4 2
4 4 2
4 4 2 *w/ dist.
Asus2
Gtr. 6 (elec.) Riff B
Bsus4
0
7
Gtr. 1: w/ Fill 1
C#m7
E5
End Riff B
mf w/ dist.
9
0
12
0
10
0
9
0
9
0
10
0
7
0
7
0
9
0
7
0
9
0
10
0
12
0
7
0
0 9
Verse Gtr. 6 tacet
E5
E5 type2
P.M.
Rhy. Fig. 5 Gtrs. 2&3
A5
2. I
talked
Gtr. 1
to
ab
-
9
9
9
9
9 9
9 9
P.M.
so - lute - ly
no
one.
9
9
9
9
9 9
9 9
X X
10
10
Could - n’t
keep
to
my -
10
10
10
10
10
10
w/ flanger P.M.
9
self
e - nough.
And
the
things
C#5
bot - tled
10
10
10 9
9
9
9
9
9
9
X
in - side
have
9
9
9
9
9
fi - nal - ly
be
-
to
cre -
gun
9
9
9
9
9
X
P.M.
10
11
11
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 2 & 3: w/ Rhy. Fig. 5
B5
P.M.
ate
so
much pres - sure
that
I’d
E5
End Rhy. Fig. 5
soon
blow
up.
And
I
heard
the
re -
8
9
9
P.M.
7
8
8
8
8
ver - ber - at - ing
foot
-
9
9
10
was
pos
and
I
7 8
8
8
synch - ing
up
to
the
9
7
A5
steps
7
9
9
9
9
9
9
9
9
7 9
10
10
10
-
i - tive
that
11
11
9
9
10
10
9
9
beat - ing
of
my
10
10
10
9
9
9
9
heart,
10 9
10 9
9
9
9
to - geth - er,
I
would
8
8
8
9
9
P.M.
9
C#5
9
9
9
9
10
10
un - less
9
9
B5
I
9
9
got
my - self
7
7
P.M.
9
9
9
9
B5
A5
Gtr. 1 tacet
(cont. in notation) Gtrs. 2&3
* P.M.
watch
Gtr. 1
me
fall
a - part.
And
7
7
7
7
7 8
8
P.M.
7
*Gradually remove P.M.
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
I
B5
can’t
let
Gtrs. 2 & 3
7
that
hap
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
4 4 2
-
pen
a
- gain,
4 4 2
0 4 4 2
0 4 4 2
0 4 4 2
X X X
C#sus2
8 6 4
8 6 4
8 6 4
8 6 4
8 6 4
8 6 4
8 6 4
8 6 4
8 6 4
8 6 4
8 6 4
B5
0 4 4 2
0 4 4 2
0 4 4 2
in
the
sad
C#sus2
-
dest
’cause
then
you’ll
see
4
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
it’s
ev
-
er
state
my
heart
been.
0 4 4 2
8 6 4
8 6 4
8 6 4
8 6 4
8 6 4
8 6 4
8 6 4
8 6 4
8 6 4
8 6 4
8 6 4
8 6 4
8 6 4
8 6 4
0 4 4 2
Gtrs. 2 & 3: w/ Rhy. Fig. 3
A5
A5
This
0 4 4 2
X X X
is
no
place
B5
to
try
and
4
Pre-Chorus Gtr. 1 tacet
live
my
Gtr. 1
* pp
0 4 X 2
E5
life.
mf
Gtrs. 2 & 3
Stop
right
there,
that’s
ex
-
act
- ly
where
I
lost
it.
0 0 4 2 2 0
*Vol. swell
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 2 & 3 tacet
See
that
line,
E/A
I
nev
- er
should
have crossed
C#m7
it.
Gtr. 4
Stop
right
there,
I
9 9 9 0
9 9 9 9
D.S. al Coda
Badd11
nev - er
should have
said
that,
it’s
the
ver - y
mo - ment
that
I
rit.
wish
that
I
could take
back.
rit.
0 0 8
9 9 9 9
7
Coda
Bridge
E/G#
Who
A5
I
am
hates
E+/B#
7 4
7 4
sec - ond chance you
2 3
2 3
2 3
2 3
P.M.
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7 4
gave (Oh.)
7 4
7 4
7 4
7 7 5
7 4
C#5
who
been,
I’ve
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
me.
Who
I
7 7 5
6 3
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
6 6 4
and who
I
am
will take
the
7 7 5
2 2 0
2 2 0
2 2 0
A5
am
P.M.
7 4
E5
hates
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
who
been,
I’ve
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
E5
B5
’cause who I’ve been
on - ly
ev - er
made
Chorus
E5
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
Gtrs. 2 & 3: w/ Rhy. Fig. 4
sor
-
ry
(So
2 2 0
So
to
4 X 2
4 X 2
4 X 2
4 X 2
0 0 4 2 2 0
-
son
per
sor - ry
B5
4 X 2
4 X 2
I
be
-
Sor
-
ry
it
E5
that
change.
nev
-
I’m
er
be
-
come
hates
who
that
I’ve
-
ry
for
sor
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
0 0 4 2 2 0
B5
C#m7
came.
took that.
read - y
to
so
long
way
A5
been.
a
-
B5
C#m7
Who
I
am
B5
hates
for
me
be y
-
sure
I to.)
’cause
who
I
am
gain,
Read
for.
the
4 X 2
me. So
who
I’ve
been.
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro
E5
type2
P.M.
Gtrs. 2&3
Gtr. 6
C#5
P.M.
P.M.
9
0
Gtr. 1
12
0
10
0
9
0
7
0
9
0
4
0
0
10
0
0
9
0
7
0
5
0
Gtr. 1: w/ Riff A (last meas.)
E5
A5
Gtr. 6
0
12
7
0
0
4
0
0
7
0
9
0
C#5
9
0
12
0
10
0
E5 type2
9
0
A5
*Gtr. 7 (elec.)
Gtr. 6
7
0
9
0
9
0
7
0
7
0
4
0
0
0
5
7
0
9
0
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
5
0
9
5
0
0
B5
7
0
9
0
B5
16 9
14 7
Gtr. 6 divisi
10
0
12
0
7
0
0 9
16 9
*w/ dist., played mf Gtr. 1
4
4
Gtr. 1: w/ Riff A (1st 2 meas.)
type2
10
5
7
P.M.
5
4
0
5
0
7
0
9
0
4
0
0 5
0 5
0 5
0 4
10
0
7
0
from Relient K - MMHMM
Maintain Consciousness Words and Music by Matthew Thiessen
C5
D
F
G
5fr 134
Gtype2
4312
4312
4312
E/G#
Am
G5
7fr
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
431
Intro Moderately fast q = 171 µ C5
4fr 14
type2
5fr
134
134
A5
134
F
F
431 open
D/F#
A5
143
1144
5fr
1341
D
F5
6fr
5fr
Rhy. Fig. 1 *Gtr. 1 (elec.)
(Drums)
D5
7fr
134
C5
G
C5
C5
D
F
f
G End Rhy. Fig. 1
w/ dist. & slight chorus
5 3
5 3
4 5
4 5
4 5
7 8
7 8
10 10 9 9 10 10 10 10 10 10
5 3
5 3
4 5
4 5
4 5
7 8
7 8
9 9 10 10
*Doubled throughout
Gtr. 1: w/ Rhy. Fig. 1
C5
D
F
Rhy. Fig. 2 Gtr. 2 (elec.)
C
G
C
mf
C5
D
F
G End Rhy. Fig. 2
w/ dist.
5 5 3
5 5 3
7 7 5
7 7 5
7 7 5
5 3 3
5 3 3
9 10
9 10
7 9
7 9
9 10
5 5 3
5 5 3
7 7 5
7 7 5
7 7 5
5 7 8
5 7 8
7 9 10
7 9 10
=
Verse
3
Gtr. 2 tacet
C5 **Gtr. 3 (elec.)
mf
w/ clean tone
1. Our
con
-
cen - tra
Gtr. 4 (acous.)
D
-
tion,
it
con
-
tains
5 5 3
7 7 5
mf
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
7 7 5
7 7 5
7 7 5
7 7 5
F
7 7 5
a dead
-
ly
10 10 8
10 10 8
10 10 8
flaw.
10 10 8
C5
10 10 8
10 10 8
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
Gtr. 5 (elec.)
mf
4 5
3
5 3
w/ dist., flanger & compression
5 3 **Doubled throughout
© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Our
con
-
D
ver - sa
-
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
tions
7 7 5
change
F
7 7 5
7 7 5
7 7 5
7 7 5
We
took
Gtrs. 3, 4 & 5 tacet
pre - scrip - tion
drugs,
7 7 5
to “Blah,
G
blah,
blah.”
10 10 8
12 12 10
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
5 3
7 5
4 5
µ
from words
5 3
5 5 3
but
look how
much
good
12 12 10
that
12 12 10
12 12 10
12 12 10
12 12 10
did.
(Ah.)
C5
Gtr. 3
Well, I
I
had
a
think
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 5 3
5 5 3
5 5 3
Gtr. 4
5 5 3
D
5 5 3
5 5 3
F
point,
but
I
just
got
dis
-
tract
-
7 7 5
7 7 5
10 10 8
12 12 10
7 7 5
7 7 5
7 7 5
7 7 5
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
(iq = iq)
G
ed.
2. ’Cause
Verse Gtrs. 3 & 4 tacet
C5
late
-
Gtr. 1
10 10 8
ly
just
X X X
3 3 1
3 3 1
in
-
10 10 8
to
to
X X X
10 10 8
X X X
X X X
10 10 8
C5
our
X X X
X X X
10 10 8
3 3 1
3 3 1
10 10 8
Verse C5
flanger off
sev - en - teen,
eight - een,
Gtr. 2
12 X 10
5 5 3
-
got
the
12 X 10
12 X 10
F5
let - ters
A.
D.
X X X
X X X
9 10 7
9 10 7
9 10 7
3 3 1
i - ty. We simp - ly
can’t
fo
-
cus
on
X X X
X X X
9 10 7
9 10 7
A5
teen,
X X X
10 10 8
10 10 8
-
14 14 12
3. Be - cause it’s
14 14 12
14 14 12
here
12 12 10
12 12 10
at twen - ty three
it’s
same
old
10 X 8
9 X 7
me.
And the
D5
F5
the mo -ment that we
all hap - pen to like will on - ly
ver - y
5 X 3
5 X 3
5 X 3
one thing in
mf
10 X 8
End Rhy. Fig. 3
Gtr. 6 (elec.)
10 X 8
the
11 X 9
C5
10 X 8
11 X 9
12 12 10
C5
11 X 9
thing.
(cont. in slashes)
X X X
10 10 8
12 X 10
Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2 tacet
11 X 9
X X X
w/ flanger
rou - tine, and
5 5 3
an - y
5 5 3
G5
F5
-
10 10 8
nine
brand - ed
10 10 8
F5
D.
3 3 1
C5
G5
C/E
5 5 3
5 5 3
C/E
D5
Rhy. Fig. 3 Gtr. 1
5 5 3
C5
like we’ve
G5
men - tal
me
G5
seems
F5
C5
it
F5
9 X 7
C5
tem - po - rar - i - ly
kind a break the cy - cle
of
the
w/ dist.
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Pre-Chorus Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Rhy. Fig. 2 (1 1/2 times)
C5
D
dou - ble edged
C5
F
C
G
sword
of
D
C
F
C
be - ing
G
C5
la
-
D
zy
C
and
C5
be - ing
more
and more
and
more,
’til
it’s
F type2
D5
all
Gtr. 1
5 3
5 3
4 5
4 5
4 5
7 8
7 8
10 10
10 10
9 10
9 10
we can
5 3
5 3
4 5
Gtype2
End Rhy. Fig. 4A
af - ford.
4 5
To
10 10
just want
Rhy. Fig. 4
We
Gtr. 2
Rhy. Fig. 1
G
bored.
Rhy. Fig. 4A
F
End Rhy. Fig. 4
(cont. in slashes)
4 5
7 8
7 8
9 10
9 10
Chorus Gtr. 2 tacet
C5
F5
C5
E/G#
Rhy. Fig. 5
Gtr. 1
keep our
eyes
o - pen for just
one
more
day,
to
keep
on
hop - ing that we’ll
stum - ble
on
a
way.
To
Riff A 8v a
*Gtr. 7
End Riff A
17
17
16
16
mp 17
17
15
17
15
17
17
*Synth arr. for gtr.
Am
C5
G5
F5
keep our minds 8v a
o - pen for just
one more
Gtr. 7 tacet
F5
(cont. in notation)
day, ’cause it’s com - plete - ly
1/2
G5
End Rhy. Fig. 5
up
to
us
to
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
17
main - tain
con
- scious - ness.
Gtr. 1
3 1
5 3
5 3
P.M.
16
15 16 3 1
3 1
3 1
3 1
3 1
3 1
3 1
5 3
5 3
5 3
5 3
5 3
5 3
Interlude C5
D
F
5 3
5 3
4 5
4 5
C5
G
C5
D
7 8
7 8
10 10
10 10
9 10
9 10
10 10
5 3
5 3
4 5
4 5
A5
4 5
F
4 5
7 8
7 8
7 7 5
Faster q = 260
Gtr. 1
* D/F#
7 7 5
Gtr. 8 (elec.)
mf
3
5
5
7
3
5
5
7
w/ dist.
0
0
0
0
2
*Chord symbols reflect implied harmony.
F5
C5
7 7 5
2
2
3
5
5
7
2
2
3
5
5
7
Gtr. 1 tacet Gtr. 1 Gtr. 8
Gtr. 8
4
3
5
5
5
1
1
A5
Gtr. 9 (elec.)
3
5
5
7
1
1
3
5
5
7
Gtr. 8 tacet
3
D/F#
Gtr. 9
mf
divisi 1/2
3
w/ dist.
4
2
4
2
0
2
0
0
3
5
5
7
0
0
3
5
5
7
2
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2
2
3
5
5
7
2
2
F5
3
5
5
1
1
7
3
5
5
7
1
1
C5
3
5
5
7
3
Bridge Gtr. 9 tacet
Gtr. 9 P.H.
A5 open
Gtr. 2 divisi
5
3
5
5
Well, no
one
can
pos
0
2
-
si
-
bly
Gtr. 2
1
0
2
5
0
0
3
0
3
2
Pitch: D *Applies to P.H. only
lis
-
2
2
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
ten
3
to
F5
0
2
2
3
0
2
C5
More
than
four
reps
is
just
0
2
0
2
this.
1/2
grad. bend
3
D/F#
1
1
3
1
3
mo
-
3
not
-
o - nous.
We’re
los
-
A5
ing
in
1/2
4
4
3
5
3
5
-
5
t’rest,
2
2
we’re
3
0
2
2
4
los
-
2
2
-
0
0
ing
in
0
2
we’re
3
0
2
los
0
-
ing
3
in
0
2
-
2
A tempo
-
D/F#
t’rest,
3
2
0
F5
open
t’rest.
4. ’Cause
1
Verse Gtrs. 1 & 2 tacet
C
sev - en - teen,
eight
- een,
nine
- teen,
rou
- tine, and
Fmaj7
here at twen - ty three
it’s the
Fadd9
same old
me.
And you know the
Rhy. Fig. 6 Gtr. 10 (acous.)
mp 1 0 2 3
let ring
1 0 2 3
1 0 2 3
1 0 2 3
1 0 2 3
0 0 3
2
1
1 2 3
1 0 2 3
1 0 2 3
1 0 2 3
End Rhy. Fig. 6
let ring
1 2 3
0 1 2 3
0 1 2 3
0 1 2 3
0 1 0 3
2
3 1
Gtr. 10: w/ Rhy. Fig. 5
C
one thing in
the mo -ment that we
all hap - pen to like will on - ly
Fmaj7
ver - y
tem - po - rar - i - ly
kind
Fadd9
a break the cy - cle
of the
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Pre-Chorus Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times) Gtr. 2: w/ Rhy. Fig. 2 (1 1/2 times)
C5
D
F
C
G
dou - ble edged sword
C5
and more
and
more
be - ing
3
la - zy
and
be - ing
C5
D
F
G
bored.
We
just want
Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A
more
of
D
C
F
C
G
C
un - til
it’s
all
C5
D
we
can
af
-
F
G
ford.
To
Chorus Gtr. 1: w/ Rhy. Fig. 5 Gtr. 7: w/ Riff A
C5
F5
o - pen for just
one
keep our
eyes
Voc. Fig. 1
more
day,
C5
to
keep
E/G#
on
hop - ing that we’ll
stum - ble
on
a
way.
To
(Whoa.
Am
C5
G5
F5
F5
G5
Gtr. 1
keep our
minds
o - pen for just
one
more
day, ’cause it’s com - plete - ly
up
to
us
to
main - tain
8v a
1/2
16
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
17
15 16
- scious - ness.
End Voc. Fig. 1
Whoa.) Gtr. 7
con
18
15
Bkgd. Voc: w/ Voc. Fig. 1 Gtr. 1: w/ Rhy. Fig. 5 Gtr. 7: w/ Riff A
C5
F5
o - pen for just
one
Keep our
eyes
Am
minds
C5
o - pen for just
more
day.
more
(One
more
G5
E/G#
Keep
on
stum - ble
hop - ing that we’ll
on
a
way.
day.
F5
one
C5
keep our
day, ’cause it’s com - plete - ly
up
to
Find
a
G5
to
main - tain
con
us
To
- scious
-
ness.
way.)
Gtr. 7
Gtr. 7
Gtr. 1 divisi P.M.
1/2
16
15
17
16
10 3 1
12 3 1
3 1
3 1
3 1
3 1
3 1
3 1
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
Outro Gtr. 7 tacet
Ab6
C5
P.M.
D
F
Gtr. 1
C5
G
C5
D
16 13 8 4
8 4
8 4
8 4
8 4
8 4
8 4
8 4
8 4
8 4
8 4
8 4
8 4
8 4
8 4
8 4
5 3
5 3
4 5
4 5
4 5
7 8
7 10 10 9 9 10 8 10 10 10 10 10
5 3
5 3
4 5
4 5
4 5
Segue to “This Week the Trend”
F
7 8
A5
7 8
7 7 5
7 7 5
*Gtr. 11 **
Gtr. 1 divisi
10 9 7 *Reverse piano and reverse gtr. arr. for str. **Vol. swell
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Relient K - MMHMM
This Week the Trend Words and Music by Matthew Thiessen
Dsus2/A
A5
13
Tune down 1/2 step: (low to high) Eb-Ab-Db-Gb-Bb-Eb
F#5
114
B5
134
134
Intro Moderately fast q = 180 µ
*Gtr. 2 (dist.)
E5
A5
11
11
A5
5
*Doubled throughout
f
Harm.
5
Dsus2
(cont. in slashes)
5 2 2 0
2 2 0
5
type2
5 2 2 0
5 2 2 0
5 2 2 0
5 2 2 0
5 2 2 0
5 2 2 0
5 2 2 0
0 3 2 0 0
5 2 2 0
Pitch: E
Riff A
End Riff A
Gtr. 1 (dist.)
f
w/ slight flanger
0
(Dsus2/A) Gtr. 2
11 11
0
9
9
4
4
5
5
7
6
7
6
7
0
Gtr. 1
0
0
11
11
9
4
4
5
5
7
7
6
6
Rhy. Fig. 1
9
7
11 11
0
0
0
9
9
4
5
5
7
6
7
6
11
4
11
9
9
0
0
0
A5
4
5
4
5
7
7
6
6
Riff A
7
7
0
Dsus2/A
End Riff A
11
11
9
9
4
5
4
5
7
7
6
6
7
0
0
0
11
11
9
9
4
5
© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission
4
5
7
7
6
6
7
0
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Riff B
0
0
11
11
9
4
5
9
4
5
7
6
7
6
7
0
End Rhy. Fig. 1
0
11
11
9
9
11
11
End Riff B
9
9
11
11
9
9
11
Verse Gtrs. 1 & 2 tacet
A5
1. And this
Rhy. Fig. 2
*Gtr. 3
week
the
Dsus2
trend
was
to
not
wake
up
till
three
P.
M.
I picked the
5 5
5 5
5 5
5 5 7
5 5
5 5
5 5
5 5
5 5
5 5
5 5
mp w/ fingers let ring throughout
5 5
5 5
5
5
7 *Piano arr. for gtr.
F#m7
few
con - scious hours
that
I
chose
to
spend,
and
Bm7add4
slept
a
-
way
the
rest
of
them.
5 5
5 5
5 5
5
5 5
5 5
5
5 5
5 5 4
5 5
5 5
5 5
5 5
5 5
5 5
5 5
4
Gtr. 3: w/ Rhy. Fig. 2 *A5
And 3. And
this this
week week
the the
trend trend
was was
to to
7 7 5
7 5
7 5
P.M.
7 5
7 5
*Chord symbols reflect overall harmony.
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7 5
7 5
7 5
7 5
7 5
7 5
7 5
Dsus2
7 5
End Rhy. Fig. 2
2
Gtr. 2
Sorgdal
Esus4
7 5
7 5
crash bor - row
and all
burn, and the strength
then that
re you
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
turn
a could
- gain. lend
to
keep
7 5
7 5
To my
P.M.
7 5
7 5
7 5
Bm7add4
7 5
D5
4 2
0
me
through
the
week
I
I’d
nev - er
go
a
- gain.
4 2
4 2
4 2
4 2
4 2
4 2
4 2
me
a
so - lu - tion
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
D5
gave
6 7 4
-
So
I
say
2 0
2 0
2 0
2 0
2 0
2 0
2 0
me
run
watch
7 7 5
7 7 5
E5
7 7 5
0 0 X 7 7 5
0 0 4 2 2 0
0 0 1 2 2 0
me
a
so - lu - tion.
A5
6 7 4
6 7 4
6 7 4
6 7 4
6 7 4
it.
0 0
4 2
give
E
with
4 2
(Yeah.)
6 7 4
0
4 2
say
4 2
A/C#
I
4 2
end. So
7 7 5
4 2
and
4 2
4 2
A5
4 2
get
4 2
to
4 2
- nough
pro back
4 2
4 2
tend scend
4 2
said
-
0
where
pre de
e
I not
that and
A/C#
life wa - ter
prac - tice the head a - bove the
P.M.
4 2
3
Esus4
vides to
7 5
F#m7
What
And then
you
gave,
0 0 1 2 2 0
0 0 1 2 2 0
I
done
have
0 0 1 2 2 0
0 0 1 2 2 0
(Gave.)
6 7 4
6 7 4
6 7 4
6 7 4
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
0 0 X 7 7 5
0 0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
with
it?
0 0 4 2 2 0
E
’Cause
I
was
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
D5
way
back
F#5
ab - so - lute - ly
G5
sure
I
had
it
all
fig - ured
out
4 2
4 2
4 2
4 2
4 2
4 2
4 2
5 3
5 3
5 3
5 3
5 3
5 3
5 3
0 0
P.M.
4 2
T o Coda
E5
D5
But
And
then.
now it’s this
min - ute, this
hour,
this
9 7
7 5
P.M.
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
9 7
9 7
9 7
9 7
9 7
9 7
9 7
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
Verse
D5
A5
day. 2. And this
Gtr. 3
week
the
5 5
5 5
5 5
5 5
5 5
5 5
trend
was to
5 5
5 5 7
5 5
5 5
5 5
5 5
5 5
5 5
5 5
P.M.
7 5
7 5
7 7 5
7 5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
ev - ’ry sin - gle
4
back - stab
7 Gtr. 2
Dsus2
one of my friends
and leave a
7 5
7 5
P.M.
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
0
Gtr. 3: w/ Rhy. Fig. 2 (last 4 meas.)
F#m7
voice - mail
mes - sage try - in’ to make a
4 2
4 2
4 2
4 2
Gtr. 1
4 2
-
4 2
4 2
4 2
4 2
4 2
all
4 2
4 2
4 2
4 2
Bm7add4
mends,
P.M.
4 2
0
the
while
4 2
4 2
4 2
4 2
Esus4
A5
hop - ing things work out in the end.
4 2
4 2
4 2
4 2
2 0
2 0
2 0
2 0
2 0
2 0
2 0
5 2 2 0
0
Interlude
Gtr. 1: w/ Riff A Gtr. 2: w/ Rhy. Fig. 1
Dsus2
D.S. al Coda
Gtr. 1: w/ Riff B
Coda
D5
af - ter
this
day
*Gtrs. 1 & 4
it’s
this
week
all
o - ver
a - gain.
A5
Interlude
0 *Gtr. 4 (dist.) w/ flanger, played f. Composite arrangement Gtr. 2
P.M.
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
7 5
5 2 2 0
0
11
11
9
9
5 2 2 0
5 2 2 0
4
4
5 2 2 0
5 2 2 0
5 2 2 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5/A
6
6
7
0
5 2 2 0
5 2 2 0
5 2 2 0
5
5
7
7
5 2 2 0
5 2 2 0
5 2 2 0
0
11
11
9
9
3 2 0 0
3 2 0 0
3 2 0 0
6
6
7
3 2 0 0
3 2 0 0
3 2 0 0
4
4
5
5
7
7
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
F#5
9
(cont. in slashes)
(F#5)
Gtr. 2
9
9
Gtrs. 1 & 4
E5
3 2 0 0
6
9
6
6
9
9
6
6
7
7
6
6
B5
9
9
4 4 2
9
6
6
9
9
6
6
A5 type2
And
Gtrs. 1 & 4
P.H.
9
9
6
9
6
7 Pitch: E
*Gtr. 5
mp
16
16
w/ slight dist. & flanger
7 *Bass arr. for gtr.
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
17
7
Bridge Gtrs. 1, 2, 4 & 5 tacet * D5
I
just
A5
wan - na
get
mugged
at
point,
to
knife
E5
3
get
cut
e
wan - na
die
- nough
to
*Chord symbols implied by bass, next 8 meas.
B5
wake
me
D5
’Cause
I
know
up.
Gtr. 6 (dist.)
that
I
don’t
A5
mf
** fdbk.
7
Gtr. 3
10
9
Pitch: E **Vol. swell
9
E5
sit
-
tin’
a
-
round
watch
-
in’
my
life
go
by.
Gtr. 3 tacet
B5
And
what
we
7
Gtr. 7 (dist.)
***
mf
9 7 ***Vol. swell
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Dmaj7
take
Gtr. 3
from
this
10
9
is
A
what we’ll
get,
10
9
Gtr. 6
and
we
have - n’t
9
Em7
quite
fig - ured
10
9
it
out
9
9
6
6
6
6
6 7
6 7
6 7
6 7
6 7
6 7
6 7
6 7
7 9
7 9
7 9
7 9
7 9
7 9
7 9
7 9
5
5
5
5
5
5
5
5
7
7
7
7
7
7
7
7
Dmaj7
all
of
us
too
stuck,
Gtr. 7 divisi
7 7
Gtr. 2
5
5
5
5
5
5
5
5
yet.
Be - cause
P.M.
Bsus4
just
10
9
10
9
are
A
all
9
10
9
9
9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 11
9 11
9 11
9 11
9 11
9 11
9 11
9 11
9 11
9 11
9 11
9 11
9 11
9 11
9 11
9 11
P.M.
7
7
7
7
7
7
7
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7
5
E
strapped
to
a
10
chair watch - in’
our
lives
blow
Bsus4
9
up.
10
9
9
13 14
9
Stuck
watch
10
12
13 14
13 14
13 14
13 14
13 14
13 14
13 14
13 14
13 14
14 12
14 12
14 12
14 12
7
7
7
7
13 14
13 14
13 14
13 14
7
7
7
7
7
13 14
13 14
7
7
7
7
0
5
5
5
5
5
5
5
8v a
10
12
17
16
17 13
17 13
17 13
D
lives
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
14
16
16
16
16
16
16
16
16
17 13
17 13
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
A5
P.M.
5
14 12
up.
5
14 12
blow
our
14 12
Dsus4
ing
7
14 12
Dsus2
5
-
P.M.
7
D5
5
5
17 13
7 7 5
7 7 5
7 7 5
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro Gtrs. 3, 6 & 7 tacet
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
Gtr. 2
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
Rhy. Fig. 3
Harm.
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 5
7 5
Pitch: E
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
Harm.
7 5
7 5
End Rhy. Fig. 3
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
Gtr. 2: w/ Rhy. Fig. 3
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Relient K - MMHMM
Life After Death and Taxes (Failure II) Words and Music by Matthew Thiessen Bm
D/A
G5
D5
F#5
5fr 13421
3121
4fr
333
333
Drop D tuning, down 1/2 step: (low to high) Db–Ab–Db–Gb–Bb–Eb
Intro Moderately q = 95
µ
Bm
Bsus2
B5
Bm
Bsus2
B5
D5
*Gtrs. 1 & 2 (elec.)
(Sound effects, 11 sec.) f P.M. w/ dist.
12 12 12 12 9 9 9 9 9 9 9 9
11 11 11 9 9 9 9 9 9
11 9 9
11 9 9 9 9 9
9 9 9
9 9 9
12 12 12 12 9 9 9 9 9 9 9 9
11 11 11 9 9 9 9 9 9
9 9 9
9 9 9
0 0
0 0
0 0 0
*Composite arrangement
G5
0 0 0
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
A5
9 7 7 7
9 7 7 7
9 7 7 7
**C#5
B5
D5 E5
9 7 7 7
9 7 7 7
11
0 0
9
2 2
**Chord symbols reflect implied harmony.
Bm
Bsus2
B5
Bm
Rhy. Fig. 1
12 9 9
12 9 9
12 9 9
12 9 9
11 9 9
11 9 9
11 9 9
11 9 9
11 9 9
9 9 9
9 9 9
Bsus2
B5
P.M.
9 9 9
12 9 9
G5
12 9 9
12 9 9
12 9 9
11 9 9
11 9 9
11 9 9
A5
0 0 0
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
D5
9 9 9
C#5 B5
9 7 7 7
9 9 9
9 7 7 7
9 7 7 7
9 7 7 7
© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission
9 7 7 7
11
9
0 0
0 0
D5 E5
0 0 0
B5
End Rhy. Fig. 1
0 0
2 2
9 9 9
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Double-time feel
µ
1. Hey
tax
-
i,
G5
take me straight
to
the
heart
of
it,
9 9 9
Harm.
9 9 9
B5
the
nu -
loco
9 9 9
8v a
Rhy. Fig. 2
Gtrs. 1 & 2
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
9 9 9
Pitch: C#
-
A5
cle - us
of
pol
-
G5
i
- tics
where
some
9 9 9
9 9 9
9 9 9
7 7 7
7 7 7
’Cause they
9 9 9
µ
taxed
me
7 7 7
7 7 7
7 7 7
with
a
9 9 9
9 9 9
9 9 9
5 5 5
5 5 5
scal
-
piece
-
ed
it.
5 5 5
5 5 5
5 5 5
by
start
5 5 5
5 5 5
9 9 9
B5
piece.
They
cut
loco
Harm.
9 9 9
pel
B5
some - bod - y
bod - y,
G5
8v a
-
5 5 5
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
9 9 9
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
9 9 9
Pitch: C#
me
A5
deep
bled
dry
and
G5
me
’til
there
9 9 9
9 9 9
9 9 9
7 7 7
7 7 7
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9 9 9
9 9 9
7 7 7
7 7 7
7 7 7
5 5 5
was
noth
-
ing
left
bleed.
to
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
D5
And
End Rhy. Fig. 2
5 5 5
5 5 5
0 0 0
0 0 0
Chorus D5
this
is
how
choose
Rhy. Fig. 3
0 0 0
3 2 0 0 0
I
D5
know - ing
3 2 0 0 0
3 2 0 0 0
save
0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
all
the
things
0 0 0
3 2 0 0 0
stu
-
pid
3 2 0 0 0
3 2 0 0 0
al - read - y
0 0 0
3 2 0 0 0
for
-
3 2 0 0 0
3 2 0 0 0
5 5 5
5 5 5
0 0 0
know -ing
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
I
gave
0 0 0
did,
there’s
3 2 0 0 0
3 2 0 0 0
X X X X X
5 5 5
me,
0 0 0
yeah, you
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
0 0 0
0 0 0
5 5 5
5 5 5
that
7 7 7
7 7 7
G5
noth - in’
a
5 5 5
A5
me,
D5
5 5 5
0 0 0
you’ll
cliff
5 5 5
3 2 0 0 0
in’
off
3 2 0 0 0
-
3 2 0 0 0
jump
I’m
that
if
G5
as
live,
D5
to
5 5 5
5 5 5
B5
you’ll
save
0 X 5 5 5
5 5 5
G5
me.
And af - ter
7 7 7
7 7 7
9 9 9
9 9 9
left
to
there
for
0 0 0
9 9 9
5 5 5
0 X 5 5 5
5 5 5
0 0 0
-
give
be - cause you End Rhy. Fig. 3
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
A5
B5
al - read - y
for
-
5 5 5
gave
5 5 5
5 5 5
0 X 5 5 5
0 0 0
End double-time feel
G5
me.
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
9 9 9
9 9 9
0 X 9 9 9
5 5 5
5 5 5
5 5 5
5 5 5
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Gtr. 1: w/ Rhy. Fig. 1
Bm
Bsus2
B5
Bm
Gtr. 2
Bsus2
B5
D5
P.M.
12 9 9
12 9 9
12 9 9
12 9 9
11 9 9
11 9 9
11 9 9
11 9 9
11 9 9
9 9 9
9 9 9
9 9 9
12 9 9
12 9 9
G5
12 9 9
12 9 9
11 9 9
11 9 9
11 9 9
A5
Gtr. 3 (elec.)
9 9 9
* C#m
9 9 9
Bm
0 0
0 0
0 0 0 0
D5 Em
B5
mf
w/ dist.
2
Gtr. 2
0 0 0 0
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
5 5 5
9 7 7 7
5 5 5
9 7 7 7
9 7 7 7
2
0
9 7 7 7
9 7 7 7
11
0
0 0
9
2 2
4
9 9 9
*Chord symbols reflect overall harmony.
Verse Double-time feel Gtrs. 1 & 2: w/ Rhy. Fig. 2
2. Just keep Shouted: (Just keep
Gtr. 3
4
4
Gtr. 4 (elec.)
µ
driv - ing, driv - ing.)
and leave this
G5
mf
w/ dist. P.S
X X X
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
de - feat
7 X 5
4
Gtr. 4 tacet
XXX
mi
-
les
be
Bm
-
7 X 5
7 X 5
hind
me
so
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
far
back
Gtr. 3
7 5
7 X 5
7 X 5
I Shouted: (I
Gtr. 4
I’d
pack
to
my
mind
7 X 5
9 X 7
7 X 5
7 X 5
have
9 X 7
9 X 7
9 X 7
pick my
9 X 7
7 X 5
- self
to
G5
to
try - ing try - ing.)
9 X 7
G5
keep keep
µ
A5
just
re
-
7 X 5
7 X 5
mind
me.
B5
7 X 5
7 X 5
7 X 5
7 X 5
11 X 9
Bm
up
then
back
and
move
on,
and
Harm. *
7 7
7 7
7 7
*Vol. swells
Gtr. 3
11 9
11 X 9
think a
11 X 9
7 7
7 X 5
- bout
life
have
A5
the
I’ll
G5
when this
7 X 5
7 X 5
Gtr. 4 tacet
fra - gile
one
is
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
D5
gone.
And
7 7
7 5
7 X 5
7 X 5
7 X 5
9 X 7
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
7 X 5
7 X 5
7 X 5
7 X 5
X X X
X X X
X X X
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 3 Gtr. 3 tacet
D5
this
is
how
choose
I
to
live,
G5
as
if
I’m
jump
-
in’
off
cliff
a
(Ah.
D5
know - ing
that
you’ll
save
me,
know - ing
that
B5
you’ll
the
things
stu
-
pid
I
did,
there’s
save
D5
all
A5
G5
me.
And
af - ter
G5
noth - in’
left
to
there
for
- give
’cause you
Ah.
D5
al - read - y
-
gave
me.
You
0 0 0
3 2 0 0 0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Gtrs. 1 & 2
Sorgdal
for
3 2 0 0 0
3 2 0 0 0
A5
al - read - y
Shouted: You
al - read - y
7 7 7
7 7 7
3 2 0 0 0
3 2 0 0 0
3 2 0 0 0
0 0 0
0 0 0
B5
for
-
gave
End double-time feel G5
me.
for
-
gave
9 7 7 7
9 7 7 7
9 7 7 7
9 7 7 7
me.)
P.M.
9 9
3
9 9
3
9 9
5 5
5 5
5 5
Chorus (q = q.) Gtrs. 1 & 2 tacet
Bm
D/A
Rhy. Fig. 4
Gtr. 5 (acous.)
mf
Nev
Gtr. 6 (elec.)
Riff A
mf
er
-
for
-
get
w/ clean tone let ring throughout
3
3
4
2
4
0
G5
D5
F#5 End Rhy. Fig. 4
there’s
life
af
-
ter
death
and
4 5
5
Gtr. 5: w/ Rhy. Fig. 4 Gtr. 6: w/ Riff A
Bm
And
for
rest
-
D
give
-
D/A
ness
F#
pass - es
all
A5
Death
and
de
-
Gtrs. 1 & 2
P.M.
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
End Riff A
4
Gtr. 5 tacet
a - way.
5 5
es.
G
and
-
3
comes
is what
4
G5 Gtr. 5
4
0
0
tax
5 5
5 5
of
the
F#5
cay
can’t
touch
us
7 7
7 7
7 7
7 7
7 7
7 7
4 4
4 4
4 4
4 4
4 4
4 4
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude (q. = q)
Bm
Bsus2
B5
Bm
Bsus2
B5
D5
G5
now.
P.M. 12 12 12 12 9 9 9 9 9 9 9 9
11 11 11 9 9 9 9 9 9
A5
9 7 7 7
9 7 7 7
11 9 9 9 9 9 9 9 9 9 9 9
9 7 7 7
Bm
11 9 9
9 7 7 7
C#5
B5
3
4
2
9 7 7 7
Bsus2
B5
D5
3 P.M.
12 12 12 12 9 9 9 9 9 9 9 9
11 11 11 9 9 9 9 9 9
9 9 9
9 9 9
0 0
12 12 12 12 9 9 9 9 9 9 9 9
D5
E5
3
2
0 0
2 2
2 2
G5
9 9 9
7 5 5 5
9 0 9 0 0 0 9 0 0 0
Bm
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
Bsus2
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
B5
12 9 9
12 9 9
12 9 9
12 9 9
11 9 9
A5
11 9 9
11 9 9
11 9 9
11 9 9
9 9 9
9 9 9
9 9 9
F#5
P.M.
7 7 7 0 5 5 5 0 5 5 5 0 5 5 5
0 0
11 11 11 9 9 9 9 9 9
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
7 5 5 5
9 7 7 7
9 7 7 7
9 7 7 7
9 7 7 7
9 7 7 7
4 4 4 4 4 4 4 4 4 4 4 4 4 4
Bridge
G5
Ev -’ry
breath
that
I
in
-
A5
hale
is
fol - lowed
by
ex
-
hal
-
ing.
(Oo,
5 5
7 7
7 7
P.M.
5 5
5 5
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
7 7
B5
Sure as
the one
C5
who
nev
-
er
fails
I know who will nev - er
G5
fail
me.
oo.)
P.M. 9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9
9 9 9 9
9 9
10 10 10 10 10 10 10 10
10 10 10 10 10 10
10 10
10 10
10 10 10 10 10 10
D
ter
death
5 5 5
10 10 10 10 10 10 10 10
Chorus (q = q.) Gtrs. 1 & 2 tacet Gtr. 5: w/ Rhy. Fig. 4 (4 times) Gtr. 6: w/ Riff A (4 times)
Bm
Just
Bm
nev
And
-
er
for
for
-
give
D/A
-
get
there’s life
D/A
-
ness
rest,
just
pass
it
D/A
get
if
I’m
give
-
ness
-
es
And
this
is
how
a
-
way.
Nev
G
there’s
jump - in’
off
a
cliff
know - ing
tax - es.
of
the
comes.
-
all
and
Bm
F#
G
and
F#
-
comes,
(For
D
af
G
-
er
for
I
choose
to
live
that
you’ll
af
save
as
life
-
-
ter
me,
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D
death
F#
know - ing
that
and
tax
-
D/A
es.
you’ll save
Bm
And
for
(Af - ter
all
the
noth - ing
left
D
G
al
-
there
to
for - give
is
what
pass
-
y
for - gave
read
Gtrs. 1 & 2
-
-
give
-
ness
things
I
did
-
all
of
the
-
y
for - gave
read
Death
and
-
stu - pid
there’s
me,
you
way. de
-
me.)
cay
can’t
touch
F#5
7 7
7 7
7 7
7 7
7 7
7 7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
al
G5
a
10
’cause you
es
P.M.
A5
Sorgdal
rest
F#
me.)
comes
4 4 4
us
P.M.
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
B5
now.
4 4 2
from Relient K - MMHMM
When I Go Down Words and Music by Matthew Thiessen
G
Aadd4
E
G
D5/A
Bm7
G5
Asus4
Aadd11
Gtrs. 1 & 3 chords: 3
11
23
type 2
1 23 type 2
Aadd4
2
D/F#
3
D
5fr 231
1
3
1
3
2
3
1
A 4fr
Gtrs. 1 & 3 tuning: (low to high) E-A-D-G-B-D
111
Bm
10fr
C#m7 Gtr. 2 chords:
113
Bm[add4]
3
1
3
7fr 2
3
E 5fr
1 324
7fr
4fr
32
312
Intro Slowly q = 68 * C#m7
Asus2
Riff A
End Riff A
Gtr. 1 (acous.)
mf
let ring throughout
4
4
2
4
2
4
2
4
4
2
4
4 4
4
2
4
4
2
0
4
2
0
4
2
0
4
2
0
4
2
0
0
*Chord symbols reflect implied harmony.
C#m7
E5
4
2
4
2
4
4 4
2
4 4
4
2
4
4
2
4
2
4
0
2
4
4
2
0
4
2
0
0
2
4
0
0
Verse Gtr. 1: w/ Riff A (3 times)
C#m7
Asus2
1. I’ll
C#m7
tell
you
flat
out,
Asus2
so from my
thoughts
I
it
hurts
so
much
to
think
of
this,
C#m7
will ex - clude.
© 2004 EMACK MUSIC and RED COATS ARE COMING PUBLISHING Admin. by EMI CMG PUBLISHING All Rights Reserved Used by Permission
The
ver
-
y
thing
that
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Asus2
I
hate
more
than
C#m7
the way I’m Gtr. 1
pow - er - less
4
2
0
0
0
2
2
4 0
4
2
0 2
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0
0
4
3
3
a - way if
2
0 2
2
0 2
0 3
4
0
0
-
0
-
4
0 3
2 0
2 0
1 2
0
2
3
pray
4
0
3
3
way
0
3
the
my
4
0
0
3
0 2
4
0
just
But that’s not
so
4
I
nored.
3
2
way
0
2
G
2
2
ig
a
2
0
And
E
0 3
4
End Riff B
3
they’re
2
more.
4
0
thrown
2
0
D/F#
much
2
been
4
2
4
G
4
2
4
Riff B
2
4
2
4
4
2
0
D/F#
4
2
4
I’ve
G
prob - lems go
Sorgdal
2
D/F#
2
moods.
that could have
2
2
my
to dic - tate
G
man - y things
0
D/F#
4
2
0
own
4
2
4
Asus2
ev - ’ry - thing is
it
works,
(cont. in slashes)
2 0
2 0
2 0
2 0
2 0
0
0
G Gtr. 1
no
that’s
*Gtr. 2
Aadd4
not
the
way
it
works.
mf w/ fingers let ring throughout
3 0
2 2 0
3
*Elec. piano arr. for gtr.
Chorus D5/A
Bm7
Rhy. Fig. 1
When I Riff C
go
down
I
0
and I
3 3
4
2
G5
hard,
2
3
2
down
2
3
go
take
ev
-
’ry
-
thing
I’ve
Asus4
Aadd11
learned
and teach my
2
0
0
2
-
self
some dis
-
re
-
gard.
2
0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5/A
Bm7
When I
go
down
it
0
hit
the
bot
-
tom,
2
3
2
to
2
3
hurts
4
2
(cont. in notation) G5
Asus4
End Rhy. Fig. 1
and of the things that
got
me
there
I think, if
on - ly
them. End Riff C
(cont. in slashes)
0
2
2 0
Interlude
C#m7
had fought
0
3
Gtr. 1
I
2
3
Gtr. 2
Aadd11
A
mf
let ring throughout
4
4
2
4
2
4 4
2
4
2
4
4 4
4
2
4
0
4
2
0
2
4
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
C#m7
4
E
2
4 4
2
4 4
2
4 4
2
4 4
2
4
2
2 2 0
2
4 0
2
4 0
2
4 0
Verse Gtrs. 1 & 2 tacet
C#m7
Asus2
and
when
2. If
*Gtr. 3 (elec.) Rhy. Fig. 2
I
can
clear my - self
f
of
this cloud - ed
mind
w/ dist.
4 2 4
4 2 4
4 2 4
4 2 4
4 2 4
4 2 4
4 2 4
4 2 4
4 2 4
4 2 4
4 2 4
4 2 4
4 2 0
4 2 0
4 2 0
4 2 0
4 2 0
4 2 0
4 2 0
4 2 0
4 2 0
4 2 0
4 2 0
4 2 0
*Doubled throughout
C#m7
I’ll
4 2 4
4 2 4
4 2 4
4 2 4
4 2 4
Asus2
watch
my
in
C#m7
-
set - tle
4 2 4
4 2 4
4 2 4
4 2 4
4 2 4
4 2 4
4 2 4
4 2 0
Asus2
-
to
a
place
that
self
4 2 0
I’m
4 2 0
where
4 2 0
down
End Rhy. Fig. 2
2 0 4 2 0
4 2 0
peace
Gtr. 3: w/ Rhy. Fig. 2
C#m7
can
4 2 0
4 2 0
4 2 0
search
Asus2
so
read
-
y
to
be
found.
4 2 0
4 2 0
4 2 0
me
out
and
find
Pre-Chorus Gtr. 1: w/ Riff B (4 times)
D/F#
I’ve
Gtr. 2
thrown
Riff D
5 4
7
G
a
-
5 4
7
the
4
5
7
7 5
7
hope
I
5 5
7
4
G
way
7 7
D/F#
7
had
in
5 4
7
friend - ships.
7 4
7
5
7
End Riff D
7 5
7
5
7
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Riff D (3 times)
D/F#
I’ve
D/F#
thrown
D/F#
a
-
thrown
a
-
And
I
pray
that could
se - cret
my
things
the
way
it
0
3
*Composite arrangement
been
to
find
an
end
to
if
they’re
prob - lems
go
a - way
G
type 2
Aadd4
much
more.
this.
ig
-
nored,
type 2
3 0
have
no, that’s
9 9 6
works,
Gtr. 2
G
D/F#
G
but that’s not
G
D/F#
the
E
*Gtrs. 1&3
man - y
way
just
D/F#
so
G
way
G
I’ve
G
not
the
way
it
(Gtr. 3, cont. in notation)
works.
2 2 0
Chorus Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Riff C
** D
When I
go
0 3 2 0 0
0 3 2 0 0
0 3 2 0 0
0 3 2 0 0
**Chord symbols reflect overall harmony.
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 3 2 0 0
I
Gtr. 3
Bm7
down
0 3 2 0 0
go
(When I
go
down,
0 3 2 0 0
0 3 2 0 0
0 3 2 0 2
0 3 2 0 2
0 3 2 0 0
0 3 2 0 0
0 3 2 0 0
0 3 2 0 0
down
0 3 2 0 2
0 3 2 0 2
hard,
0 3 2 0 2
0 3 2 0 2
I
go
0 3 2 0 2
0 3 2 0 2
0 3 2 0 2
down
hard.
0 3 2 0 2
0 3 0 0 0
0 3 2 0 2
Gmaj7
and I
take
ev
-
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 2 0 0
Gmaj7
and of the
0 3 0 0 X 3
0 3 0 0 X 3
0 3 2 0 0
0 3 2 0 0
0 3 2 0 0
things
that got
0 3 0 0 X 3
I’ve
learned
and teach my
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 2 2 0
0 3 2 2 0
Bm7
down
0 3 2 0 0
thing
0 3 0 0 X 3
0 3 0 0 X 3
Aadd11
-
self
some dis
-
re
-
gard.
When I
go
0 3 2 0 0
0 3 2 0 0
0 3 2 0 0
me
there,
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 2 2 0
0 3 2 2 0
to
hit
it
0 3 2 0 0
go
0 3 0 0 X 3
-
0 3 0 0 X 3
’ry
0 3 0 0 X 3
When I
Asus4
0 3 0 0 X 3
D
hurts
0 3 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
the
bot
0 2 2 2 0
0 0 0 0 0
-
tom,
down.)
0 3 2 0 0
0 3 2 0 2
0 3 2 0 2
0 3 2 0 0
0 3 2 0 0
0 3 2 0 2
0 3 2 0 2
0 3 2 0 2
Asus4
I think if
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
3
on - ly
0 3 2 0 2
0 3 2 0 2
0 3 2 0 2
0 3 2 0 2
0 3 2 0 2
0 3 2 0 2
0 3 0 0 0
Aadd11
I
had
0 3 2 2 0
0 3 2 2 0
0 3 2 2 0
0 3 2 2 0
fought
0 0 0 0 0
them.
0 2 2 2 0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge Gtr. 3 tacet
Bm7
Asus4
Gtr. 1
2
An - y
thought
con - trol
0 3 2 2
0 3 2 0 2
0 3 2 0 2
0 0 0 0 0
Aadd11
while my
ev
0 3 2 2
2 0
I
0 3 2 0
hands
Asus4
G5
0 3 2 2 0
Em7
0 3 2 2 0
I
-
pres
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
2 3 2 0 0
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2 3 2 0 0
con
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
5 3 0 0
5 3 0 0
5 3 0 0
0 3 0 0
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
0 3 0 0
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0
0 3 0 0 X 3
Aadd11
shakes
0 X 3
its head
and rep - ri - mands
con
2
Then and
0 3 2 2
0 3 2
-
0 3 2 0
3
me.
0 3 2 0
0 X 2
science
D/F#
my
3
-
Asus4
I Rhy. Fig. 3
through
ent
0 X 3
5 3 0 0 X 3
0
Dsus2
-
just slips right
0 0 0 0
0 3 0 2
2 0
0 3 2 2 0
rep - ri - mands
G5
er
had
0 3 2 2 0
-
me,
0 2 2 2 0
0
D/F#
0 3 2 2 0
0 3 2 2 0
0 2 2 2 0
G5
0 2 2 2 0
0 2 2 2 0
0 2 2 2 0
there
0 2 2 2 0
0 2 2 2 0
0 0 0 0 0
fess,
2 3 2 0 0
2 3 2 0 0
0 3 2 0 0
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
End Rhy. Fig. 3
0 3 0 0 X 3
0 3 0 0 X 3
2 3 0 0
Gtr. 1: w/ Rhy. Fig. 3 (2 times)
Dsus2
3
I’ll
blame
Dsus2
all
this
on
Dsus2
I’ll
stand up
Gtr. 1
2 3 2 0 0
2 3 2 0 0
a - gain,
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
self - ish
and
that
con
- sumes
me.
and do
so
2 3 2 0 0
2 3 2 0 0
2 3 2 0 0
Yet
you
- ness.
G5
3
me
my
3
G5
G5
love
And
will - ing - ly.
2 3 2 0 0
2 3 2 0 0
0 3 2 0 0
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
0 3 0 0 X 3
(cont. in slashes)
Interlude
G Gtr. 1
type 2
Riff E Gtr. 4 (acous.)
D/F#
G
type 2
D
mf Harm.
7
5
7
Pitch: G
G
7
5
7
7
G
type 2
Bm[add4]
G
type 2
D
Harm.
5
Pitch: G
12
7
7
7
5
7
You
give
me
hope
End Riff E
7
G
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge Gtr. 4: w/ Riff E (3 times)
G
type 2
D/F#
Rhy. Fig. 4
Riff F
and
Gtr. 2
G
type 2
hope
D
it
gives
me
life.
You
Harm.
7
12
G
7
type 2
Bm
touch
my heav - y
heart,
7
12
7
G
type 2
D
and when you
do
7
you make it
light.
7
7
7
12
7
End Riff F
Harm.
12
End Rhy. Fig. 4
7
Gtr. 1: w/ Rhy. Fig. 4 (1 1/2 times) Gtr. 2: w/ Riff F (2 times)
G
D/F#
G
D
*Voc. Fig. 1
As I
ex - hale,
I
hear
G
your
voice.
Bm
And I
(Ah.
an - swer you, Ah.)
though I
*Refers to Bkgd. Voc. only.
Bkgd. Voc.: w/ Voc. Fig. 1
G
D
hard - ly make a
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
noise.
G End Voc. Fig. 1
And from
my
D/F#
lips
G
D
the words
I
choose
to
say
seem
pa -
G
Bm
thet - ic,
G
but it’s a
4 0 X 3
D
fall - en
man’s
G
praise.
’Cause I
D/F#
love
you,
4 0 X 3
4 0 X 3
4 0 X 3
2 0 X 2
4 0 X 3
7 0 X 7
7 0 X 7
7 0 X 7
7 0 X 7
7 0 X 7
7 0 X 7
7 0 X 7
7 0 X 7
4 0 X 3
11 0 X 10
11 0 X 10
11 0 X 10
11 0 X 10
11 0 X 10
11 0 X 10
11 0 X 10
11 0 X 10
4 0 X 3
Gtr. 4 tacet
G
D
G
oh,
Gtr. 4
God,
Bm
I
love
G
you.
D
Harm.
7 7 7
4 0 X 3
4 0
11 0 X 10
11 0
Gtr. 1
3
10
4 0 X 3
4 0 3
7 0 X 7
7 0 7
4 0 X 3
4 0 3
11 0 X 10
11 0 10
Interlude Bkgd. Voc.: w/ Voc. Fig. 1 Gtr. 1 w/ Rhy. Fig. 4 Gtr: w/ Riff F Gtr. 4: w/ Riff E
G
D/F#
G
D
G
* Voc. Fig. 2
(Bah,
bah,
bah.
Bah,
bah,
bah,
bah, bah.
Bm
G
D End Voc. Fig. 2
Bah,
bah,
bah.
Bah,
bah,
bah,
And
bah, bah.)
*Refers to Bkgd. Voc. only.
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge Bkgd. Vocs.: w/ Voc. Figs. 1 & 2 Gtr. 1: w/ Rhy. Fig. 4 Gtr. 2: w/ Riff F Gtr. 4: w/ Riff E
G
life
D/F#
G
is
now
worth liv - ing
G
Bm
say
that
I
am
D
if
on - ly
be - cause
of
you.
D
it
fur
dead and gone,
won’t be
-
ther
from
And when they
G
the
truth.
Interlude
D Gtr. 1
7 7 5
7 7 5
7 7 5
7 7 5
Gtr. 3
D
Bm
5 5 3
5 5 3
7 7 5
7 7 5
7 7 5
7 7 5
9 9 7
9 9 7
G type 2
7 7 5
7 7 5
7 7 5
7 7 5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Aadd4 type 2
D/F#
12
Sorgdal
G type 2
5 5 3
Aadd4 type 2
Bm
4 5 2
4 5 2
5 5 3
7 7 5
9 9 7
9 9 7
5 5 3
7 7 5
7 7 5
7 7 5
G type 2
D/F#
G type 2
4 5 2
4 5 2
5 5 3
Outro Gtrs. 1 & 3 tacet
D
When
I
go
down,
Bm7
I
lift
my
eyes
to
you.
3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 5
3 2 4 2
3 2 4 2
3 2 4 2
3 2 4 2
*Gtr. 5
mf
*Piano arr. for gtr.
Gsus2
I
won’t
look
ver
-
y
Asus4
far,
A
’cause you’ll be
there
with
3 2 0 X 3
3 2 0 X 3
3 2 0 X 3
3 2 0 X 3
3 2 2 0
2
o - pen
arms
Gtr. 1: w/ Riff A (2 times) Gtr. 5 tacet
C#m7
Gtr. 4
4
Asus2
4
Asus2
4
6
4
4
to
up
me
to
up
lift me
C#m7
4
5
4
a - gain,
a
D/F#
G
-
4
6
lift
gain.
Gtr. 1 divisi Gtr. 4
7 2
0
2
0 2
2
0 2
4 0 X 3
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal