Metamorphosis Playbill

SDSU SCHOOL OF THEATRE, TELEVISION, AND FILM

PLAYBILL

SEPTEMBER 17, 2020 - SEPTEMBER 27, 2020

WELCOME Welcome back to our second Virtual production for the 2020-2021 season.

Metamorphosis was originally scheduled for our previous 2019-2020 season. The director, cast, designers and crew were just practically moments from presenting their work to you in the Experimental Theatre-and then Covid!

It was quite a blow. All that preparation and work, was not going to be viewed as originally conceived. It took a great deal of mental fortitude and that rare ability to adapt to unpredictable circumstances, on the part of the director, cast, designers and crew to be able to arrive at this destination tonight.

Please take a quiet moment as you read through this program, to salute them for their discipline and tenacity.

Thank you for attending this performance, and for your unwavering and continued support of our School.

Niyi Coker, Jr., Director School of Theatre, Television, and Film

MISSION The School of Theatre, Television, and Film provides a high quality education for undergraduate and graduate students that emphasizes excellence in the arts and technology, grounded in conceptual and historical foundations. support at psfa.sdsu.edu

Metamorphosis was filmed on Zoom and edited with DaVinci Resolve™ 16.

METAMORPHOSIS

By David Farr, Gísli Örn Gardarsson Directed by Jesca Prudencio

Metamorphosis was originally designed for live performance at the Experimental Theatre in April 2020.

This virtual production is an adaptation featuring some original design elements in collaboration with our film and video editors.

Presented by special arrangement with Curtis Brown Group Limited.

Scenic Design....................................................................... Jenni Baldwin°^ Costume Design.........................................................Courtney Ohnstad°^ Projection Design................................................................. Reiko Huffman° Lighting Design............................................................................Colby Freel° Sound Design.............................................................................. Maddi Baird Video Editing Supervisor................................................. Greg Penetrante Dramaturg.........................................................................................Surya Iyer Stage Manager.....................................................................Maya Aizenman

CAST Father......................................................................................Roosevelt Green Mother.......................................................................................Maddisen Darr Grete.............................................................................................Kristina Mihilli Gregor........................................................................................ Devin Robbins Stietl............................................................................................... Lester Isariuz A Doctor........................................................................................ Eliana Payne Fischer........................................................................................... Carson Sloan

+ MA in Theatre Arts *MFA in Musical Theatre °MFA in Design and Technology for Theatre, Television, and Film ^Qualifying or Thesis/Capstone Production

DIRECTOR JESCA PRUDENCIO is a director, choreographer, and educator. She is an Assistant Professor in the School of Theatre, Television, and Film and Head of Directing.

Jesca is focused on creating highly physical work at theaters across the U.S. and internationally.

Recent works include The Great Leap by Lauren Yee (Steppenwolf Theatre in Chicago) and Interstate, a new musical

by Kit Yan and Melissa Yi (Mixed Blood Theatre in Minneapolis). Her productions of Qui Nguyen’s Vietgone and Anna Ziegler’s Actually at San Diego Repertory Theatre received numerous Craig Noel nominations including Outstanding Director. Other credits include Calling (La MaMa ETC, NYC), Man of God (East West Players, LA), How To Use a Knife (Mixed Blood), PDA and Mobile Happiness Bazaar (La Jolla Playhouse’s Wow Festival), A&Q: docu-theatre piece on the war on drugs (Pineapple Lab, Philippines) and FAN: stories from the brothels of Bangkok (B-Floor Theatre, Thailand).

She has developed new work with organizations such as NNPN at The Kennedy Center, The Lark, National Alliance for Musical Theatre, Ensemble Studio Theatre, and The Movement Theatre Company. She is a recipient of The Drama League Fellowship, and the inaugural Julie Taymor World Theater Fellowship, which supported her travels through Thailand, Japan, and The Philippines throughout 2017 as she researched and trained in traditional and contemporary forms of theater in each country. She holds a BFA in Drama from NYU Tisch School of the Arts, and an MFA in Directing from UC San Diego. jescaprudencio.com

DRAMATURG SURYA LYER received

her MFA in Film Production from SDSU in Spring 2020. Her thesis film, Namak, reveals the fraught relationships among different strata of Indian society. The film is set in 1930 during a massive protest led by Mahatma Gandhi against the British salt tax. When the protesters, who are allied with one another against British rule, are arrested and detained, deep divisions in the Indian community come to the surface. Since graduation, Surya has returned to India and is starting the festival run of Namak soon. She is also working on developing her next project, which includes founding a new production house.

DRAMATURG’S NOTE A SIX-LEGGED NIGHTMARE! Metamorphosis by Franz Kafka

Writers, when they affect us deeply, become adjectives. For example, the term “Kafkaesque,” derived from Kafka’s name, has made its way into the English language. Kafka has had a profound impact in a way that few other writers have. Even an episode of the famous recent television series Breaking Bad was titled “Kafkaesque.” Metamorphosis is Kafka at his best! It is a gripping tale of how the ordinary lives of the Samsa family turn upside down when their son, the sole breadwinner, wakes up one morning to find himself completely transformed. As horror turns into resentment, the family also goes through an unforeseen transformation. This adaptation of Kafka’s novella The Metamorphosis into a play by David Farr and Gísli Örn Gardarsson is a highly physical and theatrically explosive version of the short story.

Kafka’s short story was written in 1915, set in Czech Republic during World War I, just after a financial crash. The story explores themes like alienation, existential anxiety, guilt, and absurdity. Metamorphosis is a coming out story, a journey of something deep and dark revealing itself and taking over. As the dramaturg, I feel the story will resonate with so many students dealing with identity issues that come up in college including mental illness, sexuality, or even finding your calling. The Director and her design team came up with their own interpretation of Gregor’s world, trying not to restrict themselves to the time period of the story’s setting, allowing the audience to decode the relevance of the play in today’s times. You can see the plans for our theatrical performance in renderings and illustrations presented during our virtual performances. SDSU’s production of Metamorphosis illustrates the world that Kafka invented on paper, identifiable but not quite real, accurately detailed, and yet trancelike. I hope you enjoy and accept the show for its impartiality and appreciate the creators and actors who have put together a prodigious theatrical experience.

—Surya Iyer, Dramaturg

SCENIC DESIGNER JENNI BALDWIN has been in theater for nearly two decades. After

switching to a theatrical design undergraduate degree at the South Carolina School of the Arts, she worked for several years as a freelance scenic artist with numerous theaters across the southeast. Last summer, Jenni worked as a scenic painter for The Old Globe Theater.

Jenni’s passion for painting is what led to her educational pursuits in scenic design. Jenni is currently working towards earning her MFA in Scenic Design and Technology for Theatre, Television, and Film at San Diego State University. Website: jbaldwindesign.net Social Media: jenniisawesome

COSTUME DESIGNER COURTNEY OHNSTAD is a second-year MFA costume design and

technology student at SDSU. Along with an AA in Fashion Design from FIDM, Ms. Ohnstad graduated summa cum laude and received her BA in Theater with an emphasis in costume design from UCLA in 2019. She is credited as the costume designer of UCLA’s 2019 New Play Festival production of A Wolf’s Mother. Courtney also designed the costumes for SDSU’s 2020 performance of Metamorphosis. Courtney’s costume assistant experience includes UCLA productions: Steel Pier, Spring Awakening, Uncle Vanya and Rebel Genius. Courtney Ohnstad also assisted on SDSU’s 2019 musical, She Loves Me. Ms. Ohnstad is very excited to be a collaborator on her third SDSU production: Two Lakes, Two Rivers, which opened earlier this month.

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LIGHTING DESIGNER COLBY FREEL is a lighting designer

with experience working in many areas of the entertainment industry including plays, musicals, ballet, contemporary dance, and concerts. Colby received his BA in Theatre with a concentration in Design/Technical Theatre from the Department of Theater at the University of Alaska Fairbanks in Spring of 2019. He is currently in his second year of MFA studies at the School of Theatre, Television, and Film at San Diego State University. His recent production credits include lighting design for Disney’s Newsies at Hering Auditorium, and scenic design for Evil Dead the Musical at the UAF Salisbury Theater.

SOUND DESIGNER MADDI BAIRD is a Music Composition student at San Diego State

University. Having a strong passion for music technology, synthesis, and analog gear, Maddi focuses on creating unique and textured soundscapes. She currently volunteers as the Chief Engineer for KCR College Radio, NWEAMO; she also interned with the Ojai Music Festival. Maddi has been commissioned by various groups such as San Diego New Music and the San Diego State Trombone Choir. She has done sound design for SDSU’s productions of Romeo and Juliet, Metamorphosis, and Two Lakes, Two Rivers.

Acknowledgements and Special Thanks For all their help on this production, we would like to thank ArtsAlive and Paul Michael Cooper.

CAST: WHO’S WHO Maddisen Darr (Mother)

Maddie is a recent graduate of SDSU with a B.A. in Acting/ Musical Theatre Performance. She is currently in London attending East 15 Acting School for her MFA in Acting and will be performing professionally in the West End and Shakespeare’s Globe. Maddie has been singing, acting and dancing since the age of six and has been in over 35 main stage musical productions. She has been seen in the SDSU theatre productions of Jesus Christ Superstar and The Magic Hummingbird and numerous film projects. Maddie was a member of Alpha Gamma Delta, SDSU Interactive Performance Troupe, Skull & Dagger, and a previous Aztec Concert Choir Section Leader. She wishes to thank her Director Jesca Prudencio for her support and ingenuity.

Roosevelt Green

(Father)

Is a transfer student at SDSU pursuing a major in Theatre Arts, Performance with a minor in TFM Critical Studies.

He transferred from San Diego Community College. He’s performed in more than three plays at City College including To Kill A Mockingbird as the accused Tom Robinson. His last performance at City College was in Anatomy of Gray where he played a Pastor, Phineas Wingfield. He acted in two Stardust Theatricals productions. He portrayed World War II Sgt Merwin J. Toomey in Biloxi Blues and the lead role of William Shakespeare’s King Lear. When he’s not acting, he writes creative stories.

Lester Isariuz (Stietl)

Lester is excited to be making his SDSU Zoom Theatre debut in this production of Metamorphosis. He would like to thank Jesca Prudencia, the cast and crew for the wonderful experience he had working on the show!

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CAST: WHO’S WHO Kristina Mihilli (Grete)

Kristina is a second-year Theater Performance Major at SDSU. She feels very grateful to be playing Grete in this one of a kind production. Recent credits include Playwrights Project, Patchwork Theater Festival, Pastorela 2.0, and A Midsummer Night’s Dream. She would like to thank Jesca, the cast, and the creative team for all of their ingenious creativity and heart.

Eli Payne (A Doctor)

Eli is so thankful to have gotten the incredible opportunity of work and creating with Jesca. She is truly one of a kind.

Credits include: Wizards of Oakwood Drive (La Jolla Playhouse), Servant of Two Masters (New Village Arts); Flamingo (SD Zoo); Allegory (La Jolla Playhouse WOW Festival); For the Love of It (SD Circus Collective); Cirque Electrique, O Wondrous Night (Sea World); Dirty Monkey, Hollywood Hit (Dinner Detective); Hamlet, Metamorphosis, Modern (San Diego State University); A Piece of My Heart, Sherlock Holmes: The Final Adventure (Grossmont College); SUDS, A Little Night Music (Coronado Playhouse).

Devin Robbins (Gregor)

Currently undergoing training at SDSU, Devin has received teachings from Jesca Prudencio, Randy Reinholz, Adrian Alita, Peter Cirino, and Carolyn Keith. Throughout his acting career, in both film and theatre, he continues to develop as he explores improvisational, physical, method, and commercial acting.

Favorite roles: Gregor (Metamorphosis), Ramiro/Julio (Just Like Us), Butch Honeywell (The Last Days of Judas Iscariot). Having an identical twin, passion for video-games, strong physicality, and ability to juggle, Devin’s amusing nature is carried with him as he excitedly awaits to bring to life the stories of his future personas on Broadway and the Big Screen!

Carson Sloan (Fischer)

Carson is thrilled to be able to take up the role of Fischer in SDSU’s performance of Metamorphosis! Doing musical theatre since third grade and enjoying roles such as Scarecrow in The Wizard of Oz, Javert in Les Mis, Robbie Hart in Wedding Singer, and Riff in West Side Story, just to name a few, this will be Carson’s first straight play, and he couldn’t have asked for a better first experience. He would like to thank the cast and crew for all that they did to put this show on, especially with the COVID curveballs that were thrown their way! Please enjoy the show, and thank you for coming!

PRODUCTION STAFF MANAGEMENT

Production Manager & Stage Management Advisor...........Jay Sheehan Assistant Director............................................................................. Eric Clark Assistant Stage Manager...................................................Francesca Cook Dramaturgy Advisor.....................................................................Shelley Orr

SCENIC DESIGN

Scenic Design Advisor.............................................................. Ralph Funicello Assistant Scenic Designer..............................................Matthew Muranaga° Technical Direction Advisor......................................................Brian McVicker Shop Foreman.............................................................................. Andrew Young Scenic Charge..................................................................................Kristen Flores Properties Master...........................................................................Kristen Flores

COSTUME DESIGN

Costume Design Advisor.............................................Denitsa Bliznakova Costume Shop Manager............................................................ Teri Tavares Costume/Wig Technician...................................................... Peter Herman

LIGHTING & SOUND DESIGN

Lighting Design Advisor...........................................................Anne E McMills Staff Lighting, Sound, and Projections Supervisor.............Peter Nordyke Assistant Lighting Designer...............................................Deanna Trethewey Master Electrician............................................................................Kana Tamura Electricians ........................................................THEA 240 and Team Lighting Sound Design Advisor...................................................................Chris Warren

EMERGING FILMMAKERS SHOWCASE Visit ttf.sdsu.edu for date and details coming soon

PRODUCTION STAFF NEW MEDIA PRODUCTION

Projection Design Advisor........................................Charles Murdock Lucas Projection Programmer.............................................................Scott Boynton°

VIDEO & LINE EDITING

Video Editors..........................................................................TFM 327 Fall 2020 Rand Al Ghussein, Michael Allen, Julia Borges Bertassoli, Robert Carver, Sonali Chugani, Kyla Harrison, Tao Hu, Christopher Medina, Maggie Nuttall, Alan Perales, Anthony Martin Rillo, Joyce Camille Rocacorba, Joseph Ruiz, Christian Scognamillo, Eduardo Siscon, Justin Stone, Rachel Swanson, Kaitlyn Swartout, Cristobal Galvan Tapia Line Producers/Editors .......................................................TFM 627 Fall 2020 Ethan Garcia, Brendan Julian, Stephanie Lee, Jonathan Sotelo

MARKETING & FRONT OF HOUSE

Box Office and Social Media Coordinator.................................... Dina Perez House Managers....................................................................Alexis Cartwright, ............................................................ Angelica Garcia, Christian Scognamillo

+ MA in Theatre Arts *MFA in Musical Theatre °MFA in Design and Technology for Theatre, Television, and Film ^Qualifying or Thesis Production

the future from sdsu theatre Oct. 30-31 7:00 p.m.

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Virtual Platform $5 General Admission Nov. 5th - 7th Available On Demand!

Dec. 3-5 7:00 pm

Dec. 6 (matinee) 2:00 p.m.

Virtual Platform $5 General Admission

Feb. 12-14 & 17-21 7:00 p.m.

Experimental Theatre $20 General Admission $17 Students /Seniors

Much Ado About Nothing

By William Shakespeare Directed by Randy Reinholz

Set in the mid 19th century, this production of Much Ado About Nothing, retains the comedy and love story of Shakespeare’s original text. The production, while deeply entertaining, looks at American history, through the microcosm of California history that was dramatically altered by the discovery of gold and the trans-continental railroad.

This period of California history, in tandem with SDSU’s practice of multicultural and nonbinary casting, provides unique insights to American power structures which were often grounded in prejudicial exclusion of people based on their race, gender, and social-economic class. These points of view conspired together to form barriers for many who sought “…life, liberty and the pursuit of happiness.

Chess in Concert

Book and Lyrics by Tim Rice Composers Benny Andersson and Björn Ulvaeus Directed by Stephen Brotebeck Music Direction by Robert Meffe

In collaboration with the School of Music and Dance, SDSU Symphony Orchestra and Concert Choirs.

“This highly acclaimed musical develops the ancient and distinguished game of chess into a metaphor for romantic rivalries and EastWest political intrigue. The principal pawns form a love triangle: the loutish American Grandmaster, the earnest Russian champion and the Hungarian-American female chess second, who arrives at the international championships with the American but falls for the Russian. From Tyrol to Thailand the players, lovers, politicians, CIA and KGB make their moves to the pulse of this monumental rock score.”

- Concord Theatricals

Cloud 9

By Caryl Churchill Directed by Jesca Prudencio

“Both parody and spoof of the Victorian Empire and its rigid attitudes, especially toward sex. There is Clive, a British functionary; his wife Betty (played by a man); their daughter Victoria (a rag doll); Clive’s friend Harry, an explorer; Mrs. Saunders, who runs about dressed in a riding habit; Clive’s son Edward, who still plays with dolls and is played by a woman; and Joshua, a native servant who knows exactly what is really going on. What really is going on is a marvelous send-up and a non-stop round-robin of sexual liaisons. All this time the natives are restless in the background. The second act shifts to London in 1980.

Except for the surviving characters, it is only twenty-five years later, and all those repressed sexual longings have evaporated, along with the Empire.”

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Mar. 12-14 & 17-19

She Kills Monsters

Don Powell Stage $20 General Admission $17 Students /Seniors

“A comedic romp into the world of fantasy role-playing games, She Kills Monsters tells the story of Agnes Evans as she leaves her childhood home in Ohio following the death of her teenage sister, Tilly. When Agnes finds Tilly’s Dungeons & Dragons notebook, however, she stumbles into a journey of discovery and action-packed adventure in the imaginary world that was Tilly’s refuge. In this highoctane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed young playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.”

- Samuel French LTD.

7:00 p.m.

Apr. 23-25 & May 1-2 7:00 p.m.

Don Powell Stage $20 General Admission $17 Students /Seniors

By Qui Nguyen Directed by Peter Cirino

The 25th Annual Putnam County Spelling Bee

Music and Lyrics by William Finn Book by Rachel Sheinkin Directed and Choreographed by Stephen Brotebeck

“This bee is one unforgettable experience. An eclectic group of six mid-pubescents vie for the spelling championship of a lifetime. While candidly disclosing hilarious and touching stories from their home lives, the tweens spell their way through a series of (potentially madeup) words, hoping never to hear the soul-crushing, pout-inducing, life un-affirming “ding” of the bell that signals a spelling mistake. Six spellers enter; one speller leaves! At least the losers get a juice box.”

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television & film Oct. 31, 2020

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Creepy, crawly, scary fun! A spook-tacular selection of short horror films by student filmmakers from the San Diego State University Television, Film, and New Media Production program.

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This showcase of outstanding short subject fiction and documentary films is the culmination of work completed each semester. In a competitive selection process, a faculty jury chooses the best student film submissions. No film is longer than 11 minutes, and all films are created by students of the SDSU acclaimed Television, Film and New Media program.

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SDSU SCHOOL OF THEATRE, TELEVISION, AND FILM

DONORS

We are pleased to thank our generous supporters, as all that we accomplish would not be possible without the generous support of alumni and community members, who make significant contributions to support our students and programs at SDSU. Thank you!

Endowed Funds ($50,000+)

Ages of Drama-Live Endowment Hayes Anderson Student Excellence Endowment Annas Endowed Scholarship in Costume Design Anonymous Endowed Scholarship Bolles Family Scholarship Endowment Julia R. Brown Musical Theatre Endowed Scholarship Ruth Anna, Louis F., Dorothy Cable Endowed Scholarship Brita C. Davis and Richard R. Davis Musical Theatre Endowed Scholarship Deborah M. Dexter Endowed Scholarship in Musical Theatre Joyce Gattas Musical Theatre Scholarship Nella Feldman Gross Scholarship Endowment Chuck and Robin Luby Endowment for Musical Theatre Mangan/Christensen Endowed Scholarship for Musical Theatre McCabe Family Scholarship Endowment Margaret McKerrow Scholarship Endowment Master of Fine Arts in Musical Theatre Endowed Professorship supported by Carey Gail Wall, Ph.D. and Terry L. O’Donnell, Ph.D. Musical Theatre Scholarship Endowment Mack Owen Scholarship Endowment Don Powell Endowed Chair in Scenic Design Don Powell Endowment Roscoe-Tiffany MFA Musical Theatre Endowed Scholarship Marion Ross Scholarship Endowment Darlene and Donald Shiley Endowment for Student Excellence in Musical Theatre Henry Stanton Endowment Clarence and Catherine Stephenson Musical Theatre Endowed Scholarship George and Judy Sunga Endowed Scholarship Theatre Endowment Fund Lee Rae Ulrich Costume Design Memorial Fund Judith and Jack White Musical Theatre Endowed Scholarship Paulette Wilson Endowment for Musical Theatre The Mary Ellen Trainor Zemeckis Student Enrichment Program in Theatre, Television, Film, and Journalism

An endowment can be established with a commitment of $50,000 or more. Thank you to these generous supporters.

SDSU SCHOOL OF THEATRE, TELEVISION, AND FILM

DONORS

Annual Funds and Scholarships (up to $50,000) Annas Costume Studio Fund Aztecs to Hollywood Bellinghiere Scholarship Center for the Study of Women in Television and Film Tom Bollard Fellowship in Design and Technology Clayton Brace Awards Scholarship Fund Drama Circle Michael and Anne-Charlotte “A.C.” Harvey Scholarship Ron and Sue Heller Fund for Musical Theatre Gale Anne Hurd TFM Program Marshall and Judy Lewis Musical Theatre Fund Love Letters Production Fund Los Lobos Documentaries Film Fund Denise Madruga Scholarship John J. and Katherine F. Martin MFA Musical Theatre Scholarship Thomas and Randi McKenzie Fund for Experiential Theatrical Opportunities Dennis Sanders Scholarship San Diego Theatre Arts Research Lab Michele Schlecht MFA Musical Theatre Scholarship Hunton Sellman Scholarship Chad Shelton Memorial Scholarship R P Shields Scholarship Student Success Fund Theatre, Television and Film

Generous Supporters ($500+) (7/1/2018-6/30/2019)

Emmet G. Barton Stephanie Brownyard Stephen and Robin Ching Sarah Elizabeth Jewett Coombs Jeff and Pam Cotta Sylvia J. Fitch Paul Giarrusso Barbara and William K. Graham, Ph.D. Brett K. Kelly Adam and Shelley Lambert

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SDSU SCHOOL OF THEATRE, TELEVISION, AND FILM

FACULTY & STAFF

ADMINISTRATION ‘Niyi Coker Jr., Professor & Director of the School of Theatre, Television, and Film Melanie Dumont, Financial Coordinator Angie Parkhurst, School Coordinator Dina Perez, Box Office Coordinator TELEVISION, FILM, AND NEW MEDIA FACULTY/STAFF Greg Durbin, Professor Alex Farnsley, Lecturer Mark Freeman, Professor Brian Hu, Assistant Professor Bob Jordan, Lecturer Martha M. Lauzen, Professor, Executive Director - Center for the Study of Women in Television and Film Stephanie Lee, TFM Shop Foreman David Morong, Professor, Graduate Advisor Greg Penetrante, TV/Film Studio Engineer Timothy A. Powell, Professor, Area Head James B. Ray, TV/Film Studio Engineer Rebecca Romani, Lecturer Sam Shpigelman, Lecturer Rich Underwood, Lecturer Stuart Voytilla, Lecturer, Undergrad Advisor

Jesca Prudencio, Assistant Professor Randy Reinholz, Professor Peggy Shannon, Professor, Dean of PSFA Jay Sheehan, Faculty Production Manager, Stage Management Advisor Teri McConnell Tavares, Costume Shop Manager Katie (Laura) Turner, Lecturer, Undergraduate Advisor Christopher Warren, Assistant Professor Andrew Young, Scene Shop Foreman

EMERITUS FACULTY Hayes Anderson, Professor Emeritus, Telecommunications and Film Carroll Blue, Professor Emerita, Telecommunications and Film Anne-Charlotte Harvey, Professor Emerita of Theatre Michael Harvey, Professor Emeritus of Theatre Elizabeth Heighten, Professor Emerita, Telecommunications and Film Kaye Jameson, Professor Emeritus, Telecommunications and Film Paula Kalustian, Professor Emerita, Head of MFA Musical Theatre Program THEATRE FACULTY/STAFF Margaret Larlham, Professor Emerita Adrian Alita, Associate Professor, Peter Larlham, Professor Emeritus Head of Acting Robert E. Lee, Professor Emeritus, Dani Bedau, Associate Professor Telecommunications and Film Denita Bliznakova, Professor, Head of Roy Madsen, Professor Emeritus, Design/Technology MFA program Telecommunications and Film Stephen Brotebeck, Associate Professor Donald R. Martin, Ph.D., Professor Emeritus Peter Cirino, Associate Professor Margaret McKerrow, Professor Emerita of Kristen Flores, Scenic Charge Artist/Prop Theatre Master Tom Meador, Professor Emeritus, Ralph Funicello, Don Powell Chair in Scene Telecommunications and Film Design Jack Ofield, Emeritus Professor of Film Peter Herman, Wig Making, Make-up Michael Real, Professor Emeritus, Costume Construction Telecommunications and Film D.J. Hopkins, Professor Beeb Salzer, Professor Emeritus of Theatre Charles Murdock Lucas, Associate Professor Loren Schreiber, Emeritus Professor, Anne McMills, Associate Professor, Director of Technology Design/Technology MFA Graduate Advisor Rick Simas, Lecturer Emeritus, Musical Brian McVicker, Technical Director Theatre Robert Meffe, Professor, Graduate Advisor Carolyn “C.J.” Keith, Lecturer Emerita Peter Nordyke, Master Electrician John Witherspoon, Professor Emeritus, Sharon Oppenheimer, Lecturer Telecommunications and Film Shelley Orr, Associate Professor, Graduate Craig Wolf, Professor Emeritus Advisor for MA Theatre Arts

GENERAL INFORMATION CELL PHONES As a courtesy to the actors and those around you, please turn off or silence cell phones while in the theatre.

CAMERAS & RECORDING DEVICES The use of any cameras and/or recording devices is strictly prohibited without advance written permission from The School of Theatre, Television, and Film.

LATE ARRIVALS & NO-SHOWS Please arrive on-time and do not be a no-show.

Latecomers may be asked until an intermission to be seated; and, seats not claimed will be re-sold DON POWELL THEATRE BOX OFFICE

Hours of Operation: One-hour before Curtain

The Box Office is closed for all school holidays as well as during the summer vacation period.

Ticket Prices: $5 - Virtual Productions $20 - General Admission $17 - Students, SDSU Affiliates, Seniors (60+), and Active Military

(Prices may vary for special events/productions)

Phone: 619-594-6884 Email: ttf.boxoffice@mail.sdsu.edu Purchase Tickets Online: ttf.sdsu.edu ADMINISTRATIVE OFFICES Phone: 619-594-5091 Theatre productions, film events, and TV programming are made possible by the generous support of our donors.

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