Pippin Playbill

SDSU SCHOOL OF THEATRE, TELEVISION, AND FILM

PLAYBILL

WELCOME Welcome to TTF’s final production of the 20/21 season.

We have all faced a very challenging season and academic year as we battled a pandemic. Our perseverance has been tested to the hilt.

Through all the tests we have remained optimistic.

We have continued to create and to produce, and your support has ensured that we flourish. It is in this highly appreciative spirit, that we offer you our production of Pippin. We remain optimistic that in our next season (21/22) we shall be seeing you again in-person, and in our theatre spaces.

We appreciate your support through what has been a difficult journey for everyone. We certainly bowed before this storm, but we never broke, mainly, because of your commitment and support.

Please enjoy the production, which is the result of a true collaboration of all areas of TTF.

‘Niyi Coker, Jr., Director School of Theatre, Television, and Film

LAND ACKNOWLEDGEMENT For millennia, the Kumeyaay people have been a part of this land. This land has nourished, healed, protected and embraced them for many generations in a relationship of balance and harmony. As members of the San Diego State community, we acknowledge this legacy. We promote this balance and harmony. We find inspiration from this land; the land of the Kumeyaay.

PIPPIN

Book by Roger O. Hirson Music and Lyrics by Stephen Schwartz Directed by Stephen Brotebeck Director..................................................................................Stephen Brotebeck Music Director.................................................................................Robert Meffe Scenic Design............................................................................ Jenni Baldwin°^ Costume Design..............................................................Waverly Strickland°^ Lighting Design..............................................................................Colby Freel°^ Sound Design............................................................................Bryce Shinohara Dramaturg........................................................................................ Charlie Meffe Stage Manager.............................................................................Ryn Schroeder Technical Director........................................................... Cynthia Bloodgood°

CAST

Pippin...................................................................................... Clinton Sherwood* Leading Player........................................................................Julio Catano-Yee* Charles.................................................................................................Casey Craig* Fastrada.....................................................................................Melissa Glasgow* Catherine....................................................................Victoria Matlock Fowler* Berthe..................................................................................... Kyle Montgomery* Lewis...................................................................................... Sheldon Gomabon* Theo...........................................................................................Christopher Shin* Pippin is presented through special arrangement with Music Theatre International (MTI).

All authorized performance materials are also supplied by MTI. www.mtishows.com Originally produced on the Broadway stage by Stuart Ostrow Originally directed on the Broadway stage by Bob Fosse 2013 Broadway revival directed by Diane Paulus Theo Ending Originally Conceived In 1998 by Mitch Sebastian

+ MA in Theatre Arts *MFA in Musical Theatre °MFA in Design and Technology for Theatre, Television, and Film ^Qualifying or Thesis/Capstone Production

MUSICAL NUMBERS Scene 1: THE OPENING “Magic to Do” – The Players “Corner of the Sky” – Pippin Scene 2: HOME – Leading Player, Charles, Pippin, Lewis, and Fastrada Scene 3: GLORY “War Is a Science” – Charles, Pippin, and The Players “Glory” – Leading Player and The Players Scene 4: THE FLESH “Simple Joys” – Leading Player and The Players “No Time at All” – Berthe and The Players “With You” – Pippin and The Players Scene 5: REVOLUTION and POLITICS “Spread a Little Sunshine” – Fastrada “Morning Glow” – Pippin and The Players Scene 6: ENCOURAGEMENT “On the Right Track” – Leading Player and Pippin Scene 7: ORDINARY LIFE “Kind of Woman” – Catherine “Extraordinary” – Pippin and The Players “Prayer for a Duck” – Pippin, Theo, and Catherine “Love Song” – Pippin and Catherine “I Guess I’ll Miss the Man” – Catherine Scene 8: THE FINALE “Finale” – Leading Player, Pippin, and The Players

facebook.com/SDSUTTF/

twitter.com/SDSU_TTF

DIRECTORS NOTE Pippin holds a special place in my heart. I grew up watching the filmed version of the 1972 original Broadway production directed and choreographed by Bob Fosse and then I was fortunate enough to be in the 2005-06 Goodspeed Opera House revival and subsequent North American tour. Revisiting and reimagining the piece almost 15 years later has been a joy.

When I first began this process, the main question I continued to ask myself is how does this piece resonate in 2021 given everything we have gone through over the past year. With that in mind, I thought about the thousands of out of work actors whose shows shut down in March of 2020 and still remain closed today. I envisioned a small company of actors, taking refuge in a theatre with everything that a theatre would have to offer including set pieces, costumes, props, rope, you name it.

Having not performed in over a year, this troupe, led by their mysterious and charismatic leader, welcomes a stranger into their theatre and they are given the chance to perform their show again. It is through that lens that we approached this show and I am grateful to the entire creative team and cast for jumping on board as we found a unique way to tell this story.

With so much previous knowledge of this show it is a challenge to disassociate yourself from what lives in you. This production pays homage to Bob Fosse as his stamp on this show and the writing of the show remains in this version of the script revised for the 2013 Broadway revival.

Finally, producing a show of this size during the pandemic takes more than a village, and I am in awe of the dedication, care, and tenacity of everyone involved who made Pippin possible. Using strict COVID guidelines developed by the School of Theatre, Television, and Film, this show was rehearsed and performed safely, with all 8 actors being fully vaccinated at the time of filming.

I am grateful to Tim Powell and his TFM students for volunteering their time to film our show and edit it. In the spirit of live theatre, we had one chance at this and what you see is a “live” performance of our show with only a few essential reshoots.

I am hopeful that this small step of a fully realized musical will be the catalyst for the return of live theatre in our near future.

Stephen Brotebeck, Director Professor, MFA Musical Theatre Program

DIRECTOR STEPHEN BROTEBECK is a Professor in the MFA Musical Theatre program at

San Diego State University where he has directed and choreographed numerous productions including James and the Giant Peach, The Full Monty and The Drowsy Chaperone (Craig Noel Award Nomination). Mr. Brotebeck is currently the Artistic Director of the Okoboji Summer Theatre in Okoboji, IA, where he has directed and choreographed Mary Poppins, Murder On The Orient Express, and The Spitfire Grill among others. Broadway: Ghost, Peter and the Starcatcher (Movement Associate). As a director Mr. Brotebeck has helmed the Off and Off-Off Broadway productions of The Shark Play, Breaking The Shakespeare Code, St. Francis (NY Fringe – Excellence in Directing Award), The Maltese Walter, Greasemonkey and Scenes from a Balcony. Kennedy Center: Spring Gala (Director), My Fair Lady, Camelot, and Children Of Eden (Associate Director/ Choreographer). Additional credits as a director and/or choreographer include Ghost at the Finger Lakes Musical Theatre Festival; Girlfriend and The Loneliest Girl In The World at Diversionary Theatre; Peter and the Starcatcher, Monty Python’s Spamalot, And The World Goes ‘Round (Oscar Wilde Nomination), and I Love A Piano (Oscar Wilde Nomination) at Farmers Alley Theatre; Looking For Roberto Clemente at Imagination Stage; The Great American Songbook Hall of Fame Induction Ceremony presented by Michael Feinstein. Internationally, Stephen has directed productions for Creativiva Caribbean, and choreographed multiple projects in Indonesia, China, and Guatemala for Passport to Broadway.

BFA, Western Michigan University. MFA, Penn State. www.stephenbrotebeck.com

MUSIC DIRECTOR ROBERT MEFFE - Broadway: Associate Conductor of Little Women and the

last six years of Les Miserables, keyboards for Evita (2012 revival), Newsies, The Phantom of the Opera, Avenue Q, Spelling Bee, Grey Gardens and Bombay Dreams. National Tours: Music Director of Evita, The Phantom of the Opera, Associate Conductor of Les Misérables, Sunday in the Park with George. OffBroadway: Myths & Hymns, Violet, The Prince and the Pauper, and Gutenberg!

The Musical!. TV: Encore! (Disney+), Earth to America (TBS), Renee Fleming-Live at Lincoln Center (PBS). Mr. Meffe is currently the Head of the MFA Musical Theatre Program at San Diego State University. At SDSU, he has music directed Little By Little, Pal Joey, Les Misérables, The Great American Trailer Park Musical, Into the Woods, The Drowsy Chaperone, Jesus Christ Superstar, The Full Monty, Enchanted April, Company, James and the Giant Peach, She Loves Me, Chess, and Pippin.

SOUND DESIGNER BRYCE SHINOHARA is making his TTF debut as the sound designer for

Pippin. Bryce is a senior studying for a B.M. in Global Composition, but also exploring elements of sound mixing and sound design.

SCENIC DESIGNER JENNI BALDWIN has been in theater for nearly two decades. After earning a

B.A. for Theater Design at the South Carolina School of the Arts, she worked for several years as a scenic artist with numerous theaters across the Southeast.

Jenni also painted for The Old Globe Theater before the pandemic halted productions. She has continued to focus on theater during quarantine, working as a scenic designer. Jenni is currently working towards earning her MFA in Scenic Design and Technology for Theater, Television, and Film at San Diego State University.

TECHNICAL DIRECTOR CYNTHIA BLOODGOOD is Technical Direction MFA candidate at SDSU.

She is a technical director, scenic and lighting designer, theater educator, and arts advocate. A graduate from BYU with a degree in Technical Theatre and Design, she worked with youth theatre programs and schools, including San Diego Junior Theater, the School of Creative and Performing Arts, and Canyon Crest Academy, and as a carpenter and stage electrician with regional theaters, local production companies and IATSE 122. Technical direction credits include The Diary of Anne Frank, Las Madres, the Revolutionists, and the Blue Door at Moxie Theater, many years of shows at the San Diego Junior Theatre, and shows in the Grossmont Unified, San Diego Unified, and San Dieguito Unified School Districts. She loves the creative, collaborative aspect of theatre and appreciates the energy, talent, and drive her hard-working colleagues bring to this project.

ASSISTANT STAGE MANAGER/ PRODUCTION ASSISTANT BRIANÁ BRANCH is a senior majoring in Economics

and Theatre Arts: Entertainment Management at San Diego State University. Brianá is a Math Tutor for SDSU’s Pre-College Institute. As a first time Assistant Stage Manager for a theatrical musical, Brianá is delighted for the experience. Enjoy the show!

LIGHTING DESIGNER COLBY FREEL is a lighting designer with experience working in many areas

of lighting design including plays, musicals, ballet, contemporary dance, and concerts. Colby received his Bachelor of Arts in Theatre: Design and Technical Theatre from the Department of Theater and Film at the University of Alaska Fairbanks in Spring of 2019. He is currently a second-year MFA student studying Lighting Design at the School of Theatre, Television, and Film at San Diego State University. His most recent production credits include lighting design for Disney’s Newsies at Hering Auditorium, and lighting design for the virtual production of Much Ado About Nothing at San Diego State University.

SDSU Theatre and Film Events • For tickets and information, visit: ttf.sdsu.edu

DRAMATURG CHARLIE MEFFE is a recent graduate from The Theatre School at DePaul

University in Chicago with a BFA in theatre arts. Currently residing on the frigid east coast, she has been working in the vaccine field. (Somehow landed this job with only a year of pre-med classes in undergrad.) Needless to say, she is thrilled to be working on a show again after a year’s drought. Her other theatre work include Talking With...(Director, Chicago), Fun Home (AD, Vermont) and several others. Welcome back!

STAGE MANAGER RYN SCHROEDER is a senior studying Theatre Design and Technology at

SDSU, with a focus on stage management. However, her work in theatre also branches off into house management/box office, tour coordination, and sound design. Her other stage management credits here at State include The Pillowman (Spring 2018), Leonard Bernstein’s Mass (Fall 2018), The Vagina Monologues (Spring 2019), Spring Awakening (Spring 2019), Lying With Badgers (Fall 2019), Time Is On Our Side (Spring 2020), and Chess in Concert (Fall 2020).

She is also sound designing SDSU’s production of She Kills Monsters (Spring 2021).

COSTUME DESIGNER WAVERLY STRICKLAND is currently in her second year of the MFA Design

and Technology program at SDSU. She received her B.A. in Costume Design and Technology from College of Charleston in Charleston, South Carolina.

While working on her B.A., Waverly worked as a costume shop assistant for the school, and was involved with the student run theatre group, Center Stage, designing shows. After graduating, Waverly worked at Playhouse on the Square in Memphis, TN, as the Associate Company Costume Designer/Technician for two years. Her past designs include Madagascar: The Musical Adventure, Junie B. Jones: The Musical, All Saints in the Old Colony, Curious Incident of the Dog in the Night-Time, Stage Door, and Waiting for Godot.

PRODUCTION ELECTRICIAN ALLY WOOD is a first year MFA student in Lighting Design here at SDSU.

She graduated from Georgia College & State University in 2018 with a BA in Theatre, specializing in both Lighting Design and Stage Management. Her most notable designs there were: A Streetcar Named Desire, Detroit 67, and Cabaret, all of which were nominated for the KCACTF award for Best Lighting Design.

Upon graduating from Georgia College, Ally worked as the Lighting Design intern for the Naples Players in Naples, FL. There she had the opportunity to design both Junie B. Jones Jr.: The Musical and Disney’s Aladdin Jr. as well as being the Assistant Lighting Designer/Assistant Master Electrician for the summer mainstage show Chicago. Ally was the Assistant Lighting Designer for the SDSU production of Chess in Concert and the Lighting Designer for She Kills Monsters.

CAST: WHO’S WHO Julio Catano-Yee (Leading Player)

Musical Theatre MFA candidate at San Diego State University.

Graduated from the San Diego School of Creative and Performing Arts and the Ailey/Fordham BFA in dance program.

Danced for Ballet Hispanico, MOMIX, San Diego Opera, City Ballet of San Diego among others. Performed in national regional houses including Shakespeare Theatre Company, Arena Stage, La Jolla Playhouse, Theatre Under The Stars etc.

Tours: The Addams Family, West Side Story. Appeared in FOX’s Pitch, Amazon’s The Marvelous Mrs. Maisel and the Stephen Speilberg film West Side Story (2021). Founded the nonprofit Teatro San Diego, in response to the 2020 U.S. Civil Rights movement.

Casey Craig (Charles)

Casey is a director/choreographer/arts educator based out of Seattle, WA. He has worked with several arts organizations throughout the Pacific Northwest—most recently working with Village Theatre, Central Washington University, The Northwest Voice Conference, and the Kennedy Center American College Theatre Festival. Select direction and choreography credits include Bye Bye Birdie (Leavenworth Summer Theatre), The Little Mermaid (Bigfork Summer Playhouse), Chicago (Central Washington University) and Tarzan (Village Theatre Summer Stock). Select performance credits include West Side Story (Baby John, 5th Avenue Theatre - 50th anniversary production), Zanna Don’t! (Zanna, Contemporary Classics), Hello Dolly (Barnaby, Village Theatre) and The Music Man (Tommy, ART). www.CaseyAdamCraig.com

Melissa Glasgow

(Fastrada) Melissa is excited to be back in the theatre with the incredible cast and creative team of Pippin! She received her BFA in Musical Theatre at the University of California, Irvine, and since then has worked in Southern California and toured the country. Most recently, she had the opportunity to travel to Saudi Arabia as a part of a new festival titled Riyadh Seasons, celebrating different cultures from around the world. Favorite credits include: Peter Pan (Mrs. Darling), The Little Mermaid (Aquata), and A Chorus Line (Sheila). Thank you to Stephen, Rob, Ryn and the rest of this team for your intelligence, skill, and dedication to making this production happen. I’m grateful to share the stage and the Zoom room with all of you.

psfa.sdsu.edu to suppport our outstanding programs, Keep the Arts Alive!

CAST: WHO’S WHO Sheldon Gomabon

(Lewis) Sheldon Gomabon is originally from Honolulu, Hawaii. He has a passion for developing stories that showcase authentic narratives from underrepresented communities, especially the voices of Native Hawaiian and Pacific Island storytellers.

His most recent work has been developing new musicals regionally and in New York City with companies like Musical Theatre Factory, New Light Theatre Project, The Tank NYC, and TheatreWorks USA. At SDSU, he was last seen in Chess and as associate director for MTC’s Spring Awakening. He holds a BA in Interdisciplinary Studies from The University of Central Florida with concentrations in Theatre and Cultural Studies, and is a graduate of the American Musical Dramatic Academy.

Victoria Matlock Fowler

(Catherine) Victoria Matlock Fowler is best known for playing Elphaba in the iconic Wicked. She also starred on Broadway as Dyanne in Million Dollar Quartet, and reprised her role Off-Broadway and on the Las Vegas strip. She originated the role of Cindy Lou in the Off-Broadway production of The Marvelous Wonderettes, and can be heard on the cast album. Victoria has worked with Hal Prince, Jack O’Brien, Jerry Mitchell, and Frank Wildhorn, toured nationally and internationally, and once ran away with the circus. She’s been featured in numerous workshops of exciting new works, headlined in concerts to benefit charitable causes such as Sandy Hook Elementary and Hurricane Katrina, and belted out the national anthem in front of the Green Monster in Fenway Park.

Currently, she can be seen on streaming platforms starring in several films, including the feature film Love Meet Hope, the horror short Crib, and the psychological thriller The Voices.

Kyle Montgomery

(Berthe) Regional Credits: DeafWest, Actors Co-Op, Uptown Players, Lyric Stage, Trinity Shakespeare Festival, WaterTower Theatre, Circle Theatre, Theatre Three, StageWest. Kyle played Hermey in the International Tour of Rudolph the Red-Nosed Reindeer: the Musical for three years. Class of 2022, MFA in Musical Theatre at SDSU. BFA in Musical Theatre at Texas Christian University. AEA.

Keep the Arts Alive! ttf.sdsu.edu

CAST: WHO’S WHO Clinton Sherwood

(Pippin) Clinton Sherwood is a teacher and multidisciplinary artist who is currently based in San Diego. After receiving his BFA in Musical Theatre from Millikin University, he began performing across the country in regional theaters (select credits: Mary Poppins, Starlight Express, Hair, Cats, Hairspray) and in the national tours of Cats and West Side Story. After working on 90210, Clinton finally landed in NYC where he joined the Broadway company of The Book of Mormon and would soon be a traveling swing to cover all 3 companies of the show. While in NYC, he began to music direct productions at universities in the tri-state area. Recently, Clinton finished a 3-year position as an associate voice teacher for the Matt Farnsworth Vocal Studio, where he was teaching singers of all ages from young high schoolers to Broadway performers.

Christopher Shin

(Theo) Chris is a first year MFA Musical Theatre student at SDSU. He made his Broadway debut in Mary Poppins and most recently toured with Irving Berlin’s White Christmas (directed and choreographed by Tony nominee Randy Skinner). Recent regional theatre credits include: Anything Goes at Arena Stage (directed by Molly Smith), South Pacific at Maltz Jupiter Theatre (directed by Gordon Greenberg), Thoroughly Modern Millie at Goodspeed Opera House (directed by Tony nominee Denis Jones), The Wizard of Oz at Walnut Street Theatre (directed by Glenn Casale). He has also worked at North Shore Music Theatre, Ogunquit Playhouse, Sacramento Music Circus, Kansas City Starlight, Arkansas Rep, and Westport Country Playhouse. Chris holds a Bachelor of Fine Arts in Theatre from New York University’s Tisch School of the Arts (CAP21).

MISSION The School of Theatre, Television, and Film provides a high quality education for undergraduate and graduate students that emphasizes excellence in the arts and technology, grounded in conceptual and historical foundations. support at psfa.sdsu.edu

Support Arts Alive: psfa.sdsu.edu

PRODUCTION STAFF MANAGEMENT

Stage Management Advisor....................................................... Jay Sheehan Assistant Director/Choreographer...................................Melissa Glasgow Assistant Stage Manager......................................................Jacob Yurkovich Assistant Stage Manager/Production Assistant............... Brianá Branch Dramaturg Advisor............................................................................Shelley Orr

SCENIC

Scenic Design Advisor............................................................. Ralph Funicello Technical Direction Advisor................................................Brian J. McVicker Assistant Scenic Designers............... Mckenna Perry°, Jahayla Overton° Scene Shop Foreman....................................................................... Mike Harris Set Construction.........Josh Munden°, Sierra Tellez, Marissa Rodriguez Scenic Charge Artist & Properties Master........................... Kristen Flores Scenic Artists and Properties Construction.................. McKenna Perry°, .........................................Jahayla Overton°, Kaylie Flowers, Cassidy Steele

COSTUME

Costume Design Advisor................................................. Denitsa Bliznakova Costume Shop Manager................................................................ Teri Tavares Assistant Costume Designer....................................................... Faith James° Costume/Wig Technician.......................................................... Peter Herman Puppet Construction....................................Faith James°, Miranda Sieber° Costume Construction................................ Regan McKay°, Taylor Payne°, ....................................................................... Jasz Cabrera, Deanna Trethewey Costume Run Crew......................................Alexis Eldridge, Kaylie Flowers

• Acknowledgments & Special Thanks • We would like to thank Dr. ’Niyi Coker, Dr. Peggy Shannon, Angie Parkhurst, Melanie Dumont, Karen Van Riper, Laurinda Nikkel, and Ron Councell.

PRODUCTION STAFF LIGHTING

Lighting Advisor ......................................................................Anne E. McMills Lighting, Sound, and Projections Shop Supervisor...........C.J. Whitaker Assistant Lighting Designer 1........................................Deanna Trethewey Assistant Lighting Designer 2:..................................................Maile Varian° Lighting Programmer/Operator.......................................Annelise Salazar° Production Electrician......................................................................Ally Wood° Assistant Production Electrician.......................................Danielle Johnson Followspot Operators..........................................................Hunter Stockwell, ............................................................Reid Semmens, Amanda Gougelmann Electricians......................................................................................Team Lighting

SOUND

Sound Advisor..................................................................Matt Lescault-Wood Lighting, Sound, and Projections Shop Supervisor...........C.J. Whitaker Live Mixer............................................................................................ Javier Piñón Deck Audio............................................................................Marissa Rodriguez QLab Operator.................................................................................. Sierra Tellez

FILM

Film Advisor......................................................................................... Tim Powell Film Crew............................Mary Grebing, Lukas Harris, Kristen Kapusta, ............................ Maggie Nutall, Alina Petty, David Pinon, Emely Smith, ............................................................Justin Stone, and Samantha Van Praet

COVID COMPLIANCE

Head Covid Compliance Officers........... Peter Herman, Andrew Young Covid Compliance Officers................................................ Aleta Mascorro+, ....................................................................Lindsey Brashier, Adam Parrocha°, .........................................................................Faith James°, Martha Rodriguez

MARKETING & FRONT OF HOUSE

Box Office Coordinator.....................................................................Dina Perez Poster Design..............................................................Victoria Matlock Fowler + MA in Theatre Arts *MFA in Musical Theatre °MFA in Design and Technology for Theatre, Television, and Film ^Qualifying or Thesis Production

SDSU SCHOOL OF THEATRE, TELEVISION, AND FILM

DONORS

We are pleased to thank our generous supporters, as all that we accomplish would not be possible without the generous support of alumni and community members, who make significant contributions to support our students and programs at SDSU. Thank you!

Endowed Funds ($50,000+)

Ages of Drama-Live Endowment Hayes Anderson Student Excellence Endowment Annas Endowed Scholarship in Costume Design Anonymous Endowed Scholarship Bolles Family Scholarship Endowment Julia R. Brown Musical Theatre Endowed Scholarship Ruth Anna, Louis F., Dorothy Cable Endowed Scholarship Brita C. Davis and Richard R. Davis Musical Theatre Endowed Scholarship Deborah M. Dexter Endowed Scholarship in Musical Theatre Joyce Gattas Musical Theatre Scholarship Nella Feldman Gross Scholarship Endowment Chuck and Robin Luby Endowment for Musical Theatre Mangan/Christensen Endowed Scholarship for Musical Theatre McCabe Family Scholarship Endowment Margaret McKerrow Scholarship Endowment Master of Fine Arts in Musical Theatre Endowed Professorship supported by Carey Gail Wall, Ph.D. and Terry L. O’Donnell, Ph.D. Musical Theatre Scholarship Endowment Mack Owen Scholarship Endowment Don Powell Endowed Chair in Scenic Design Don Powell Endowment Roscoe-Tiffany MFA Musical Theatre Endowed Scholarship Marion Ross Scholarship Endowment Darlene and Donald Shiley Endowment for Student Excellence in Musical Theatre Henry Stanton Endowment Clarence and Catherine Stephenson Musical Theatre Endowed Scholarship George and Judy Sunga Endowed Scholarship Theatre Endowment Fund Lee Rae Ulrich Costume Design Memorial Fund Judith and Jack White Musical Theatre Endowed Scholarship Paulette Wilson Endowment for Musical Theatre The Mary Ellen Trainor Zemeckis Student Enrichment Program in Theatre, Television, Film, and Journalism

An endowment can be established with a commitment of $50,000 or more. Thank you to these generous supporters.

SDSU SCHOOL OF THEATRE, TELEVISION, AND FILM

DONORS

Annual Funds and Scholarships (up to $50,000) Annas Costume Studio Fund Aztecs to Hollywood Bellinghiere Scholarship Center for the Study of Women in Television and Film Tom Bollard Fellowship in Design and Technology Clayton Brace Awards Scholarship Fund Drama Circle Michael and Anne-Charlotte “A.C.” Harvey Scholarship Ron and Sue Heller Fund for Musical Theatre Gale Anne Hurd TFM Program Marshall and Judy Lewis Musical Theatre Fund Love Letters Production Fund Los Lobos Documentaries Film Fund Denise Madruga Scholarship John J. and Katherine F. Martin MFA Musical Theatre Scholarship Thomas and Randi McKenzie Fund for Experiential Theatrical Opportunities Dennis Sanders Scholarship San Diego Theatre Arts Research Lab Michele Schlecht MFA Musical Theatre Scholarship Hunton Sellman Scholarship Chad Shelton Memorial Scholarship R P Shields Scholarship Student Success Fund Theatre, Television and Film

Generous Supporters ($500+) (7/1/2018-6/30/2019)

Emmet G. Barton Stephanie Brownyard Stephen and Robin Ching Sarah Elizabeth Jewett Coombs Jeff and Pam Cotta Sylvia J. Fitch Paul Giarrusso Barbara and William K. Graham, Ph.D. Brett K. Kelly Adam and Shelley Lambert

Mort Marcus and Deborah Klein Stewart Colin Mckearnan Toni B. McKerrow Allison Rossett, Ed.D. Sonia Silverstein Diane Shelton John Shelton Jane Smith, Ph.D. Kenneth and Joyce Ulrich Edward L. Underwood Debra Wanger

SDSU SCHOOL OF THEATRE, TELEVISION, AND FILM

FACULTY & STAFF

ADMINISTRATION ‘Niyi Coker Jr., Professor & Director of the School of Theatre, Television, and Film Melanie Dumont, Financial Coordinator Angie Parkhurst, School Coordinator Dina Perez, Box Office Coordinator TELEVISION, FILM, AND NEW MEDIA FACULTY/STAFF Greg Durbin, Professor Alex Farnsley, Lecturer Mark Freeman, Professor Brian Hu, Assistant Professor Bob Jordan, Lecturer Martha M. Lauzen, Professor, Executive Director - Center for the Study of Women in Television and Film Stephanie Lee, TFM Shop Foreman David Morong, Professor, Graduate Advisor Greg Penetrante, TV/Film Studio Engineer Timothy A. Powell, Professor, Area Head James B. Ray, TV/Film Studio Engineer Rebecca Romani, Lecturer Sam Shpigelman, Lecturer Rich Underwood, Lecturer Stuart Voytilla, Lecturer, Undergrad Advisor

Jesca Prudencio, Assistant Professor Randy Reinholz, Professor Peggy Shannon, Professor, Dean of PSFA Jay Sheehan, Faculty Production Manager, Stage Management Advisor Teri McConnell Tavares, Costume Shop Manager Katie (Laura) Turner, Lecturer, Undergraduate Advisor Christopher Warren, Assistant Professor Andrew Young, Scene Shop Foreman

EMERITUS FACULTY Hayes Anderson, Professor Emeritus, Telecommunications and Film Carroll Blue, Professor Emerita, Telecommunications and Film Anne-Charlotte Harvey, Professor Emerita of Theatre Michael Harvey, Professor Emeritus of Theatre Elizabeth Heighten, Professor Emerita, Telecommunications and Film Kaye Jameson, Professor Emeritus, Telecommunications and Film Paula Kalustian, Professor Emerita, Head of MFA Musical Theatre Program THEATRE FACULTY/STAFF Margaret Larlham, Professor Emerita Adrian Alita, Associate Professor, Head of Acting Peter Larlham, Professor Emeritus Dani Bedau, Associate Professor Robert E. Lee, Professor Emeritus, Telecommunications and Film Denita Bliznakova, Professor, Head of Design/Technology MFA program Roy Madsen, Professor Emeritus, Telecommunications and Film Stephen Brotebeck, Associate Professor Donald R. Martin, Ph.D., Professor Emeritus Peter Cirino, Associate Professor Margaret McKerrow, Professor Emerita of Kristen Flores, Scenic Charge Artist/Prop Theatre Master Ralph Funicello, Don Powell Chair in Scene Tom Meador, Professor Emeritus, Telecommunications and Film Design Jack Ofield, Emeritus Professor of Film Peter Herman, Wig Making, Make-up Costume Construction Michael Real, Professor Emeritus, Telecommunications and Film D.J. Hopkins, Professor Charles Murdock Lucas, Associate Professor Beeb Salzer, Professor Emeritus of Theatre Loren Schreiber, Emeritus Professor, Anne McMills, Associate Professor, Design/Technology MFA Graduate Advisor Director of Technology Rick Simas, Lecturer Emeritus, Musical Brian McVicker, Technical Director Theatre Robert Meffe, Professor, Graduate Advisor Carolyn “C.J.” Keith, Lecturer Emerita Peter Nordyke, Master Electrician John Witherspoon, Professor Emeritus, Sharon Oppenheimer, Lecturer Telecommunications and Film Shelley Orr, Associate Professor, Graduate Craig Wolf, Professor Emeritus Advisor for MA Theatre Arts

School of Theatre, Television, and Film

School of Theatre, Television, and Film

facebook.com/SDSUTTF/

twitter.com/SDSU_TTF

Offering a Master Master of model of of thethe independent filmmaker, Offering of Fine FineArts Artsdegree degreefounded foundedononthethe model independent filmmaker, combining professional professional level theoretical study, combining leveltraining trainingand andrigorous rigorous theoretical study, based in in one one of nation. based of the the most mostprolific prolificfilm filmprograms programsininthethe nation.