O'Regan WHERE ALL IS BURIED

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O'Regan, Tarik Where all is buried

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Score begins on the next page.

Novello & Co Limited Part of the Music Sales Group

Tarik O’Regan WHERE ALL IS BURIED for SATB & percussion ensemble

Full score

Commissioned by the Providence Singers with support from its Wachner Fund for New Music.

First performance: 15 November 2009; Providence Singers, the Boston Modern Orchestra Project, Andrew Clark (cond.); Beneficent Congregational Church, Providence, Rhode Island, USA.

NOVELLO

Commissioned by the Providence Singers

WHERE ALL IS BURIED EDWARD THOMAS (1878‐1917)

TARIK O’REGAN (b. 1978)

 SOPRANO   

Steady q = 58









pp















ah

ALTO

 

pp









 









ah

pp

TENOR

BASS

    ah   







  

ah









  l.v.    





 





















VIBRAPHONE

        

motor on, slow 5

Percussion I

5

l.v.







f

mf

GLOCKENSPIEL

Percussion II

    



l.v.

f















l.v.

mf

CROTALES

   

l.v.

Percussion III

 



l.v.

mf

f

TUBULAR BELLS

Percussion IV

l.v.   



f

Percussion V

Percussion VI

    

 





l.v.



mf

 

TRIANGLE



ORCHESTRAL BASS DRUM

p

© 2009 Novello & Company Limited





l.v.











p



2

 S.  

p

8

 



  

pp



































ah

 

A.

Perc. I



  

T.

B.

p





pp subito

 



ah

p



pp





ah

pp











ah

 





   sim.    











 































5

Perc. II







Perc. III







Perc. IV







sim.  

sim.



sim.



3

 S.   16

p

pp subito

  ah

p

pp subito

 

 

A.

ah

p

 

T.

B.





pp subito



 

Perc. II





 p























pp













      







ah

ah

p





         5

Perc. I







  

Perc. III

  

Perc. IV

 

Perc. V

 









5







l.v.

mp











 











 

 

























 



4

 p S.    23

 









ah

A.

Perc. I









p



 





 

T.

B.

 







ah,

p







Perc. III

 

 

ah

      



      





  

Perc. IV

 

Perc. V

 



5



5

5

Perc. II



mp









 

l.v.









 

 









 









    

  











 

l.v.



5

 S.   28

mp







ah





ah

mp

 

A.

mf

mf







ah

mp

T.

  



mf





 



mf



ah

B.

Perc. I

Perc. II

Perc. III



ah

  

       f

Perc. V





      

5

5



 



 

 

 

 







f



f

Perc. IV



   

mf

f

 

l.v.

l.v.

SIZZLE CYMBAL







 















6

  S. 

  

32



f



 

ah

f

 



 

A.

ah

ah

  

T.

B.

Perc. I

f



 f

 



         



Perc. II



  



Perc. III

  

   

Perc. IV

 

 

Perc. V    





    



5

 















  

B.D.

l.v.

l.v.







ah













5









p



7

A

  

ff

 

36

S.



ah

ff

 

 

A.



ah

  

T.

B.

Perc. I

Perc. II

ff

 



pp subito



ah

ff

 

 

pp subito



ah

 

5

      

 





5

 







 

5



 





    



ff

   



ff

Perc. III

Perc. IV

  

 

 Perc. V   

 



  

  



ff

  



ff

l.v.



f



 



8

T.

   



B.



 



39

GOBLET DRUM*

Perc. V



with hands edge (high pitch/tek) (l.v.)

5



GOBLET DRUM*

with hands edge (high pitch/tek) 5 (l.v.)

 Perc. VI           pp (echo) centre (low pitch/doum)



              

       



pp (echo)

               5

(damp)

(damp)

5

centre (low pitch/doum)



   

 



* Any goblet‐shaped drum with a single head as used in Arab, Persian or Turkish music, capable of producing two distinct pitches (such as a dumbek/doumbek, darbekah / tarabukah, toumbeleki etc., but NOT the lighter‐pitched djembe used, for example, in West African music.

T.

   





B.



 





41

Perc. V 

           

      5

 

 Perc. VI      5

5

     5

      

5             

5

            5                    5

  gliss. gliss.  

9

  44





B p SOLO         The



 T.

B.





      3







 



 







gliss.

gliss.

   

 

      

      



   



world, ex ‐ cept this moon

   

world, ex ‐ cept this

B.



gone out of the

 

50

T.

has



    

A.

light

  

      Perc. VI  

S.



3      

The last

Perc. V



last

p SOLO      

S.



       

   

‐

  

moon ‐



light

has

gone out of the



















     



light



ly ‐ ing on the grass like

     frost

be ‐ yond the







      

light,





SOLO p



Like

frost













be ‐ yond the

10

    54

 

 



 

 



           

 

 



    







   







brink





of

sha

 ‐

dow.

S.

    brink

A.

brink

T.

B.

Perc. IV

Perc. V

Perc. VI







of

sha

 ‐

dow.

of the tall elm’s sha ‐ dow.

   

ORCHESTRAL BASS DRUM



















pp





  

                  GOBLET DRUM 5 5

pp





                        

GOBLET DRUM 5 5

pp



     

11

    58





p



S.

  

T.

B.

Perc. I





    



   



   





It

is

p





 



It

is

VIB. 5

    



f

Perc. II

  





GLOCK.

 



f

CROT.

Perc. III

Perc. IV

Perc. V

Perc. VI

     





 

l.v.



f

    





           

        5



       5

5

     5

 



      



  



        

5             

5

5

     5

 

12 60         

S.

as

if

as

T.

B.

ev ‐’ry ‐ thing else

         if

   

Perc. III



Ma ‐ ny an

age, un ‐ for ‐got ‐ ten and

     3

slept

     

Ma ‐ ny an

age, un ‐ for ‐got ‐ ten and













    

















     



lost –

            

   



all







I

have



all

SOLO p



Lost –

B.

slept



lost –

T.

had



64

A.

     



     S.

 3 



l.v.

Perc. II



     

l.v.

Perc. I

  

ev ‐’ry ‐thing else had

    





 The

      men that were,







thought;





I

have

 thought;

     

the things done, long a ‐ go, All I

have

   thought;













13

C     68

S.

A.

T.

B.







     











      















and

but

the

SOLO p

    

   

  Perc. IV    





  

and

I

live

5

moon









    5

yet

and

here stand

BELLS

p

Perc. V



 

B.D.

 

 

pp

 

 

pp

pp

 

       71

T.



i ‐ dle

B.

Perc. IV

Perc. V

   3

o ‐ ver

   



pp



 

grave

Where

all



    

 

a



TUTTI p

 

pp

 is





 





 

 

pp





bu ‐

ried.





bu ‐

ried.

  

 

pp

 

14

    75

A.







TUTTI pp

  



ah

T.

B.

    

 

  





   

 

  





          

l.v.

Perc. I

pp

Perc. II

    pp

Perc. III

Perc. VI

     

5

l.v.







5

sim.







      5







l.v.     

sim.  

 

 

   







pp

Perc. V

sim.

5

pp

Perc. IV

     

 

 



pp

GOBLET DRUM



  

pp

 



pp



  

pp

 



pp



  

pp





 



pp



  

pp

15

D

  S.    79

 



Fast q = 152 [3 + 2] pp (dry)



    oh

oh









oh

A.

T.

B.

Perc. I

 

       pp

       

Perc. III

Perc. IV

Perc. V

Perc. VI

 



                 





 

   

 

 



pp



oh











oh

oh

oh



oh



  

pp





 

















 

p

 

 

 





p











p

p

 



oh



   

    



oh

ah

5

Perc. II

 

oh

          









p

















TRIANGLE

p

16

      S.     83

A.

Perc. I



oh

  

oh

 



Perc. II



Perc. III

Perc. IV







    oh oh,

  

A.



  

T.

B.

Perc. IV

Perc. V



 

   

  



oh





















 



oh

p







  



oh

oh

oh







  



have

li ‐ ber ‐ ty



  

have

li ‐ ber ‐ ty

  

oh

oh

 

  oh

mp (lively)





Both





mp (lively)





Both



  

TRIANGLE



p

 



SUSPENDED CYMBAL

triangle beater











  

  

oh

oh



oh





 To







 To

  

oh



 

E

oh

oh

 

  



oh

    

oh

p

    

oh

p

oh



      

oh

oh



   

oh







   

oh



87

S.

oh



 

 

 

17

  S.   90

oh

 



Perc. I

Perc. II

Perc. III

Perc. IV



 

  



oh

oh

oh

oh

oh











oh

oh

   

dream what we

B.



oh

oh

T.

  



  

A.

  

  

oh

  



  

coulddo

if

we were free

  



  

coulddo

if

we were free

  

dream what we































 











p







 p



 

p

 





p

Perc. V



To





oh

To

  





 

 

 

 

 

 

 

 

 

18

  S.   93

oh

  

      

oh

oh

oh





  

A.

oh

    

T.



oh

oh

     

B.

Perc. I







   

oh

oh

oh



oh

oh





oh

pp



and I.

ah

pp

           

      

oh

The moon

do some thing we had de ‐sired long,

   

oh

     

          

do some thing we had de ‐ sired long,

    



The

moon





and I.

ah

     



p

Perc. II

   









pp





p

Perc. III

Perc. IV

Perc. V

    

  

   

 



 

p



  

 



 

 

      

  

ORCHESTRAL BASS DRUM



 





 

 

pp

 

19

         



   

oh

oh

oh





97

S.

oh

  

A.

oh

 

T.

B.

Perc. I

Perc. II

Perc. III

Perc. IV

Perc. V



 

oh



oh



     

oh

oh





oh



   

oh



oh



F





oh





oh

mp





Both

 











mp





Both

    

 

 





   

 

 

 

 

   

 

 







 

have

li ‐ ber ‐ ty



 

have

li ‐ ber ‐ ty









p







p

    

 



oh



 



 

p

    

 

 

 

   

 

l.v.



  

 

 

p

 

20

  S.   101

oh

      oh

  

A.

oh

T.

B.

Perc. I

Perc. II

Perc. III



   



  



oh

oh







 To



   



 

    

Perc. IV



Perc. V



sim.

     





oh

oh

 To





  

    dream

 

what we

oh







 

  



could do

     dream

oh



     

could do

oh

oh

if

   

what we

oh

if

wewere free

  



wewere free











 









 

 



  

  





 

 



  

21

   S.  104

oh

  



oh

oh

oh





  

A.

oh



T.

B.

Perc. I



  



 



    

 

p

Perc. II

Perc. III















  

  



  



oh

oh

oh

oh

oh





oh

 







To

do some thing





To

do some thing

  

oh

    



we had de ‐sired

long,

  



 

we had de ‐sired



The





long,

p

Perc. IV





Perc. V



 



















 

 

 









 

 

 

 



 The



p

    







 

 



  

  

22

  S.   107

oh

A.

  



oh

oh

  

T.

    

B.

      moon

Perc. I

Perc. II

Perc. III

 

 



 

Perc. V



   

Perc. VI







oh







pp















oh

oh





oh

ah





ah

 



 

p

 p





  p

Perc. IV

oh



  



oh



pp



oh



ah







and I.

  

  

oh

and I.





      

oh

oh

  

moon

    oh



oh







 

  



ah

 

pp

  

 









 

 

 



   

 

 

GOBLET DRUM

p

 

 

   

  

  



 



 

 



  

  

  S.   111

oh



 

A.

oh

   

T.

B.

Perc. I

Perc. II



  

      



23

G      

p

oh

oh



oh

  



oh

oh

p

  





oh

   

oh

oh

oh

  

  

oh

oh

  

  

oh

oh

mp





























ah



mp



ah

 





 

mp





mp





ZILS*

Perc. III

Perc. IV

Perc. V

Perc. VI









 

 



   

 





     



two pairs, one in each hand l.v.

   











mp

mp





 





l.v.

mp

     





mp

* Small ‘Turkish’ brass finger‐cymbals (‘Sagat/Zagat’ in Arab music)

 

 



 

     



 



 



24

  S.   114

oh

  



oh

oh

 sim.   

A.



oh

 

T.

B.

Perc. III

Perc. IV

Perc. VI



oh















  

oh

oh

oh

oh













       



  



oh

oh

  

oh











  





sim.

    



oh





  

oh















  



oh

mf







There’s

none

less

mf







There’s

none

less

  







                 

oh

  free

 free









 

 

25

  S.  

   

117

oh

oh

   

A.

oh

 

T.

B.

Perc. III

Perc. IV

Perc. VI





oh























    



oh

oh



oh



 than





  

than

 



oh



oh



  







oh





oh

Does









                 



oh



Does

  

oh



 and





no ‐ thing

 and















oh

no ‐ thing





who

oh





who



   

oh



   



 



    





       

26

   S.  120

oh

  



oh

oh

   

A.

 

B.

Perc. I

Perc. II



 has

  has

oh

  

  



oh

oh

oh

oh

 

oh

oh







Perc. IV







     



 

 

   

 oh



   



 



 



 













 oh

 to his

   

Be ‐ing free on ‐ ly forwhatis not

mp

   



oh

to do,



  

Be ‐ing free on ‐ ly for what is not

   





oh

to do,

no ‐ thing else





oh

no ‐ thing else

Perc. III

Perc. VI



    

  

  



oh

    

     

oh

T.



 to his

mp





 







       





   







                 





 





27

  mp S.  

   

123

oh

A.

oh

 mp   

B.

 



  oh



mind,

  



mind,

Perc. III

Perc. IV

Perc. VI











oh

  

  



And no ‐ thing

is

  



And no ‐ thing

is







oh

oh



oh

  







                      

oh



oh



oh

 and



to his mind,

  

oh

  

to his mind,

  

    



oh

oh





   

oh

oh

T.



 and

      no ‐ thing is

      no ‐ thing is









to

to







       







     

28

   S. 

   

126

oh

oh

   

A.

oh



oh

   

T.

his

B.

Perc. III

Perc. IV



  



his



 oh



oh

 oh



mind,



mind,













oh

oh

  

 

oh

   

oh



and no ‐thing is



  

  

   



and no ‐thing is









oh



oh

oh

  

 

oh

oh

is

to his



 

no ‐ thing

is

to his

   



to his mind,

no ‐ thing

 







oh





to his mind,





 







  





 







GOBLET DRUM

Perc. V





         



pp

Perc. VI



    





 

    



                    

29

H

  S.   129

oh

A.



  

    

mf (joyful)

oh

la

oh

T.



la

 

Perc. II



la

la



la la

   



 



 

mf



















    mf

  

la

   

la

la

 









la



la la la



la

la









  

     











Perc. IV







                 

 

                    



mf

mf





 

   

      

 

    

       

 

mf



la

     



Perc. VI



  



Perc. V

  

la la la

mf

Perc. III



la



   la



la

la



   



  

  

(joyful)

mind.

Perc. I



la

(joyful)



   

la

la la

mind.

B.

la

  

oh

   



mf (joyful)



oh



  

 

30

  S.   132

A.

  



la

la

   



la la

T.

B.

la

    



la

la

Perc. IV

Perc. V

Perc. VI





la

la la la

  



la la

la



la





 

la

la

la la

la la

Perc. III

la

la

  

    



  

  



la

la

  



la la

  



la

la la la





 la

la



 

   la

  



la

la





la la

   la

la



  

      









   

 

     

              

 

 



    



      

                 



 







   

  

    

  

   

     

















 

 

   

31

  S.   135

la

A.

  



la

la la la

   



la

T.

la

    la



la

la la la

  



Perc. IV





Perc. VI



la

  

 la



la



la

  



la

la







la

la la la

  



la la

la



la

sim.





 

la

la la

la

la

la la

 

  

  



la

la la la



 la





 f

Perc. III



la

   

Perc. V





la

Perc. I

  

la la

  

 B.     





  

  

  

     















  

   



  

    







       

                 

               

        

    

                 



      

       

32

   S.  138

f





la

A.

 f    la

T.

la

 

  

la

la

f   la

la

Perc. I

Perc. III

Perc. IV

Perc. V

la

  



la

la

f     B.  

la

la

la







f

  

    















la

 

la

la

la

la

la

  

  

la

la



  

la

la

la

la

  

  

   

    

  









   

       

  

           

         

       



            



f

Perc. VI

la

   

la

  

la



  

   

  

   

f



  

f

 



 



 

 

33

   S.   140





la

A.

T.

B.

 

  la

  



la

la

    



la



Perc. IV





 



  

la

la

la

la

la

la

la

     









la

la

la

  

la

la

 

  

la

  



la

   

la

la

 



  

la

  





  



la

 

   



Perc. VI

la

la

Perc. III

Perc. V



 

la

Perc. I

la

    la

 

  

 





 



  



  





   

       

       

                   

       



                   

   

 

 

34

    142



la

S.

  



la,

A.

  



la la

T.

B.

 

la

 

Perc. II

la

la

    



Perc. IV





Perc. VI



la

la

la la



  

 



la

la la

la

  

la la

la



la

la



 

la

la

la



la

la

 

la

la

 



  



la

la la

la

la

la

la

la la

 

la

  

la

 

 





la



      

  

   













         





la

la

f

  



la



        













  

 





  

 



Perc. III



 





   

Perc. V

la

la

    



   

la la

Perc. I

  

la











          





 

                          



                          

35

I

    145

la

S.



  

 

la

la la



la

 la

la

ff









ff





la

A.

   

T.



  

 B.     

   la

Perc. III

Perc. IV

Perc. V

       

la



   

la la

la

la

la

la

la

la

 

 





la

 



 

la

ff

ff

  



la

 

la la

Perc. II

  

la

la

Perc. I

ff

 

la la

la



la

la

la la la

  



la

la la la

  la

 



  



la

la la la

 

la la

la









         

    

  

     







ff





la

la la

la





   

la

  



  



ff

 

  

   

  

ff











ff









                                     

  

 





 



ff

Perc. VI



                                      ff



     

36

   





148

la

S.



 



la

A.

   

B.

 



Perc. II

  la

    

la

la



     



la

la

la

  



la

la



la

  



la la

la



la

 

 

la

la la

la

la



la

la

la

la

la

la

la

la

la

la



 

la



   

     

  



 



 

         

la





la

la

la la









la

   





la



 





     

     

Perc. IV



la la







  



Perc. III

Perc. VI

la

    

   

Perc. V

  la

la la

Perc. I



la

la la

T.

     











       

  

         









                                   







 

 

                 



                     

37

   

     

151

la

S.



la

 

     

la

A.

la la la

la

   

la la la

T.

la

    la

B.

    

Perc. II

Perc. III

Perc. IV

Perc. V

Perc. VI

 la



 la

  



la

la

la

la

 

 

la

   





     



  

la

la

la

la

la





 









   



      



la

     

  

la

   

   

la

la



la la la







la la la

la









la



            

la

 

  

    



la la

     

    

la



   





     

la la

Perc. I

la

la la

la la la





  

 

la la



la la la



la

la

      

             





    

 

                    



                          

38

J     154

S.

 A.

 

  



la

la

  



la

la

    





la la

T.

la

    

 B.     

  



la

la



la la

Perc. I

Perc. II

Perc. III

Perc. IV

Perc. V

       

  



  

  

la

la

la



 la

  

 

la fff

la

la

  

la la fff







fff



la

la

la

la

la



la

fff



 

fff

la



 



 





 





 



la

la

la

  

 

la

la

fff

 



   

 

molto

 

  

 



la

la

la

 

    

  

  















                                   





                                   





 

          



  

  

  



la

q = 58 molto

la

  



   

fff

Tempo primo

fff

  

fff



fff

Perc. VI



fff

39

  

SOLO p



157









ah

  

 







  

 







S.



SOLO p







ah

A.















(TUTTI) pp





ah

 TUTTI 163 pp

S.

A.

    

 



   

ah

ah

ah

 











 



   

 

ah

ah

ah











    S.   171

ah

A.

 

 ah



 



  



ah



p



p



 



 

   

   

ah

ah

ah

ah









40

   179

S.





ah

A.

 





   



ah

T.

Perc. I

   





 



K

 

 p

  

 





pp

  

 

pp









ah

pp





ah VIBRAPHONE









 

5

     

l.v.

















p

Perc. II











 

GLOCK.

  p



l.v.

CROTALES

Perc. III











 

 

l.v.

p

TUBULAR BELLS

Perc. IV

Perc. V





















 

 

l.v.



p

 

B.D.

p

 



41

 S.  187



pp







ah

A.

T.

Perc. I

 

 

   



  



5







ah



     

l.v.

















p

Perc. II

Perc. III

Perc. IV





p

pp subito

  ah

p





mf

 

  







 

   sim.     5

l.v.











 



sim.

mf









 

l.v.

















sim.









mf

l.v.



 



sim.

mf



TRIANGLE

Perc. V





l.v.





p



 

42

               SOLO p

194

5

If ev ‐ ’ry

hour Like

this

  

one



 

  

p

pp subito

pass‐ ing

S. TUTTI pp



ah



A.

B.

Perc. I





 

 p







pp subito

 



ah



  



ah



 pp

T.











pp subito

p





 

ah

pp

 

ah







p





ah

 











       5

Perc. II













 

Perc. III













 

Perc. IV













Perc. V













 

 

l.v.



mp

43 200      

mp

that I

    5

have

spent

  

a ‐ mong

The wis

    ‐

er



o ‐ thers

S.





A.

T.

B.

Perc. I











 p







  



















 

pp









 ah









      5















Perc. III













 

Perc. IV















Perc. II





44

    



205

when

S.





I

    



have for‐ got

p

 

 

  

3

To won ‐ der







ah

  

A.

 

T.

B.

Perc. I







 p











  ah

p





  



      





       5

5

Perc. II

Perc. III

Perc. IV

Perc. V



    

 

 











 

 

l.v.













 

 

45

     

  

209

whe ‐ ther

S.

I

 

  



was free

or



not,

mp







 



ah

 

A.

mp







ah

  

T.

B.

Perc. I

Perc. II

Perc. III

Perc. IV

Perc. V



 

mp







ah

mp



 





ah

  

5



 



 

 

 



 



    

 

      



5

f









f

















l.v.

 





f



 

l.v.



mf



  f





l.v.

SIZZLE CYMBAL



46

   213

mf

  f



ah

mf

  



    

f



ah

ah

mf

f







ah

T.

B.

Perc. I



mf

 





mf

f







f





          

       

 



 



  



 

   

Perc. IV

 









 

 

 



5

  





ah

Perc. III

Perc. V





ah





ah

5

Perc. II



ah

S.

A.



 



l.v.

l.v.







 



5

 





     



 

47

  

 



217

ah

 

Perc. I

Perc. III

Perc. IV

 

  

 5

  

     

  

B.D.

Perc. V

Perc. VI



I still am

















ah

                    

 

   



ff

5

  

 

I still am

ah

5

ff

Perc. II

p

And yet

 

  

 

   

ah ff

    

 

 

ah

B.

SOLO

ah ff

 

T.

p

 

And yet

  



ah

A.

SOLO

 

ah ff

S.

  

L

ff

   

   

con ped.

 



pp sub.

ff

  





























ff

   ff

   

l.v. f





 

 

LARGE SUSPENDED CYMBAL

 

very soft malllets

pp

48

   221

  half

S.

  Perc. I

     



 

in love with pain, With what is

   

half

 

   Perc. VI  



    



   

in love with pain, With what is



  



  

im

 ‐





per ‐ fect,

with both



    im ‐

per ‐ fect,



  

    with both



  

      226



tears and

S.

B.

Perc. I

Perc. VI

    

 







p



 

mirth.





p





   

With things thathave an



tears and

 





mirth,

  

T.





   

With things that have an

pp





 



ah

ah

ah

pp







 



  



ah





ah

  



  



  

l.v.







l.v.









49

    



232

end,

S.



 end,

T.

B.



with





life





with

  



and earth, And



 

life







 this

 



moon

that





and earth, And this





moon

  







   







 that



     236

S.

leaves me

   leaves me

T.

B.

      

pp

   



dark with ‐ in

door.

the

 pp



   

dark

with ‐ in



the













door.





p





 

  

This moon that leaves me







p

 ah

 

50

      

pp

241

T.

darkwith ‐ in the

      

dark with ‐ in the

  



 



door.

ah

ah

ah









pp





door.

ah

pp







 

ah

B.

   

   

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247

T.

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51

      

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255

T.

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ah

ppp

  





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













M    263

S.

T.

TUTTI pp





 





ah

ah

ah

ah

  

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







B.

  











52

    S.  268



A.

  

T.

B.

Perc. I



      





 

 



ppp



 

 



ah

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 

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

 

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 

ppp



ah

 



VIBRAPHONE





pp

Perc. II











 

l.v.

GLOCK.









 

l.v.

5

5





l.v.



pp CROTALES

Perc. III





 

l.v.





l.v.  

l.v. pp

TUBULAR BELLS

Perc. IV





l.v.

l.v.



pp



 

 

l.v.

B.D.

Perc. V

Perc. VI









 

pp

 

LARGE TAM‐TAM





l.v. pppp Tokyo, September 2009

Novello & Co (part of the Music Sales Group) 14/15 Berners Street, London W1T 3LJ tel: +44 (0)20 7612 7400 fax: +44 (0)20 7612 7549 Exclusive distributor: Music Sales Ltd, Newmarket Road, Bury St Edmunds, Suffolk, IP33 3YB tel: +44 (0)1284 702600 fax: +44 (0)1284 702592 web: www.chesternovello.com e-mail: music@musicsales.co.uk

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