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O'Regan, Tarik Where all is buried
Score for sale (North America): http://www.halleonard.com/product/viewproduct.do?itemid=14041311&lid=74 Score for sale (UK, Europe and other territories): http://www.musicroom.com/se/ID_No/0706833/details.html Information about work and materials for hire: http://www.musicsalesclassical.com/composer/work/42962
Score begins on the next page.
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Tarik O’Regan WHERE ALL IS BURIED for SATB & percussion ensemble
Full score
Commissioned by the Providence Singers with support from its Wachner Fund for New Music. First performance: 15 November 2009; Providence Singers, the Boston Modern Orchestra Project, Andrew Clark (cond.); Beneficent Congregational Church, Providence, Rhode Island, USA.
NOVELLO
Commissioned by the Providence Singers
WHERE ALL IS BURIED EDWARD THOMAS (1878‐1917)
TARIK O’REGAN (b. 1978)
SOPRANO
Steady q = 58
pp
ah
ALTO
pp
ah
pp
TENOR
BASS
ah
ah
l.v.
VIBRAPHONE
motor on, slow 5
Percussion I
5
l.v.
f
mf
GLOCKENSPIEL
Percussion II
l.v.
f
l.v.
mf
CROTALES
l.v.
Percussion III
l.v.
mf
f
TUBULAR BELLS
Percussion IV
l.v.
f
Percussion V
Percussion VI
l.v.
mf
TRIANGLE
ORCHESTRAL BASS DRUM
p
© 2009 Novello & Company Limited
l.v.
p
2
S.
p
8
pp
ah
A.
Perc. I
T.
B.
p
pp subito
ah
p
pp
ah
pp
ah
sim.
5
Perc. II
Perc. III
Perc. IV
sim.
sim.
sim.
3
S. 16
p
pp subito
ah
p
pp subito
A.
ah
p
T.
B.
pp subito
Perc. II
p
pp
ah
ah
p
5
Perc. I
Perc. III
Perc. IV
Perc. V
5
l.v.
mp
4
p S. 23
ah
A.
Perc. I
p
T.
B.
ah,
p
Perc. III
ah
Perc. IV
Perc. V
5
5
5
Perc. II
mp
l.v.
l.v.
5
S. 28
mp
ah
ah
mp
A.
mf
mf
ah
mp
T.
mf
mf
ah
B.
Perc. I
Perc. II
Perc. III
ah
f
Perc. V
5
5
f
f
Perc. IV
mf
f
l.v.
l.v. SIZZLE CYMBAL
6
S.
32
f
ah
f
A.
ah
ah
T.
B.
Perc. I
f
f
Perc. II
Perc. III
Perc. IV
Perc. V
5
B.D.
l.v.
l.v.
ah
5
p
7
A
ff
36
S.
ah
ff
A.
ah
T.
B.
Perc. I
Perc. II
ff
pp subito
ah
ff
pp subito
ah
5
5
5
ff
ff
Perc. III
Perc. IV
Perc. V
ff
ff
l.v.
f
8
T.
B.
39
GOBLET DRUM*
Perc. V
with hands edge (high pitch/tek) (l.v.) 5
GOBLET DRUM*
with hands edge (high pitch/tek) 5 (l.v.)
Perc. VI pp (echo) centre (low pitch/doum)
pp (echo)
5
(damp)
(damp)
5
centre (low pitch/doum)
* Any goblet‐shaped drum with a single head as used in Arab, Persian or Turkish music, capable of producing two distinct pitches (such as a dumbek/doumbek, darbekah / tarabukah, toumbeleki etc., but NOT the lighter‐pitched djembe used, for example, in West African music.
T.
B.
41
Perc. V
5
Perc. VI 5
5
5
5
5
5 5
gliss. gliss.
9
44
B p SOLO The
T.
B.
3
gliss.
gliss.
world, ex ‐ cept this moon
world, ex ‐ cept this
B.
gone out of the
50
T.
has
A.
light
Perc. VI
S.
3
The last
Perc. V
last
p SOLO
S.
‐
moon ‐
light
has
gone out of the
light
ly ‐ ing on the grass like
frost
be ‐ yond the
light,
SOLO p
Like
frost
be ‐ yond the
10
54
brink
of
sha
‐
dow.
S.
brink
A.
brink
T.
B.
Perc. IV
Perc. V
Perc. VI
of
sha
‐
dow.
of the tall elm’s sha ‐ dow.
ORCHESTRAL BASS DRUM
pp
GOBLET DRUM 5 5
pp
GOBLET DRUM 5 5
pp
11
58
p
S.
T.
B.
Perc. I
It
is
p
It
is
VIB. 5
f
Perc. II
GLOCK.
f
CROT.
Perc. III
Perc. IV
Perc. V
Perc. VI
l.v.
f
5
5
5
5
5
5
5
5
12 60
S.
as
if
as
T.
B.
ev ‐’ry ‐ thing else
if
Perc. III
Ma ‐ ny an
age, un ‐ for ‐got ‐ ten and
3
slept
Ma ‐ ny an
age, un ‐ for ‐got ‐ ten and
lost –
all
I
have
all
SOLO p
Lost –
B.
slept
lost –
T.
had
64
A.
S.
3
l.v.
Perc. II
l.v.
Perc. I
ev ‐’ry ‐thing else had
The
men that were,
thought;
I
have
thought;
the things done, long a ‐ go, All I
have
thought;
13
C 68
S.
A.
T.
B.
and
but
the
SOLO p
Perc. IV
and
I
live
5
moon
5
yet
and
here stand
BELLS
p
Perc. V
B.D.
pp
pp
pp
71
T.
i ‐ dle
B.
Perc. IV
Perc. V
3
o ‐ ver
pp
grave
Where
all
a
TUTTI p
pp
is
pp
bu ‐
ried.
bu ‐
ried.
pp
14
75
A.
TUTTI pp
ah
T.
B.
l.v.
Perc. I
pp
Perc. II
pp
Perc. III
Perc. VI
5
l.v.
5
sim.
5
l.v.
sim.
pp
Perc. V
sim.
5
pp
Perc. IV
pp
GOBLET DRUM
pp
pp
pp
pp
pp
pp
pp
15
D
S. 79
Fast q = 152 [3 + 2] pp (dry)
oh
oh
oh
A.
T.
B.
Perc. I
pp
Perc. III
Perc. IV
Perc. V
Perc. VI
pp
oh
oh
oh
oh
oh
pp
p
p
p
p
oh
oh
ah
5
Perc. II
oh
p
TRIANGLE
p
16
S. 83
A.
Perc. I
oh
oh
Perc. II
Perc. III
Perc. IV
oh oh,
A.
T.
B.
Perc. IV
Perc. V
oh
oh
p
oh
oh
oh
have
li ‐ ber ‐ ty
have
li ‐ ber ‐ ty
oh
oh
oh
mp (lively)
Both
mp (lively)
Both
TRIANGLE
p
SUSPENDED CYMBAL
triangle beater
oh
oh
oh
To
To
oh
E
oh
oh
oh
oh
p
oh
p
oh
oh
oh
oh
oh
87
S.
oh
17
S. 90
oh
Perc. I
Perc. II
Perc. III
Perc. IV
oh
oh
oh
oh
oh
oh
oh
dream what we
B.
oh
oh
T.
A.
oh
coulddo
if
we were free
coulddo
if
we were free
dream what we
p
p
p
p
Perc. V
To
oh
To
18
S. 93
oh
oh
oh
oh
A.
oh
T.
oh
oh
B.
Perc. I
oh
oh
oh
oh
oh
oh
pp
and I.
ah
pp
oh
The moon
do some thing we had de ‐sired long,
oh
do some thing we had de ‐ sired long,
The
moon
and I.
ah
p
Perc. II
pp
p
Perc. III
Perc. IV
Perc. V
p
ORCHESTRAL BASS DRUM
pp
19
oh
oh
oh
97
S.
oh
A.
oh
T.
B.
Perc. I
Perc. II
Perc. III
Perc. IV
Perc. V
oh
oh
oh
oh
oh
oh
oh
F
oh
oh
mp
Both
mp
Both
have
li ‐ ber ‐ ty
have
li ‐ ber ‐ ty
p
p
oh
p
l.v.
p
20
S. 101
oh
oh
A.
oh
T.
B.
Perc. I
Perc. II
Perc. III
oh
oh
To
Perc. IV
Perc. V
sim.
oh
oh
To
dream
what we
oh
could do
dream
oh
could do
oh
oh
if
what we
oh
if
wewere free
wewere free
21
S. 104
oh
oh
oh
oh
A.
oh
T.
B.
Perc. I
p
Perc. II
Perc. III
oh
oh
oh
oh
oh
oh
To
do some thing
To
do some thing
oh
we had de ‐sired
long,
we had de ‐sired
The
long,
p
Perc. IV
Perc. V
The
p
22
S. 107
oh
A.
oh
oh
T.
B.
moon
Perc. I
Perc. II
Perc. III
Perc. V
Perc. VI
oh
pp
oh
oh
oh
ah
ah
p
p
p
Perc. IV
oh
oh
pp
oh
ah
and I.
oh
and I.
oh
oh
moon
oh
oh
ah
pp
GOBLET DRUM
p
S. 111
oh
A.
oh
T.
B.
Perc. I
Perc. II
23
G
p
oh
oh
oh
oh
oh
p
oh
oh
oh
oh
oh
oh
oh
oh
mp
ah
mp
ah
mp
mp
ZILS*
Perc. III
Perc. IV
Perc. V
Perc. VI
two pairs, one in each hand l.v.
mp
mp
l.v.
mp
mp
* Small ‘Turkish’ brass finger‐cymbals (‘Sagat/Zagat’ in Arab music)
24
S. 114
oh
oh
oh
sim.
A.
oh
T.
B.
Perc. III
Perc. IV
Perc. VI
oh
oh
oh
oh
oh
oh
oh
oh
sim.
oh
oh
oh
mf
There’s
none
less
mf
There’s
none
less
oh
free
free
25
S.
117
oh
oh
A.
oh
T.
B.
Perc. III
Perc. IV
Perc. VI
oh
oh
oh
oh
than
than
oh
oh
oh
oh
Does
oh
Does
oh
and
no ‐ thing
and
oh
no ‐ thing
who
oh
who
oh
26
S. 120
oh
oh
oh
A.
B.
Perc. I
Perc. II
has
has
oh
oh
oh
oh
oh
oh
oh
Perc. IV
oh
oh
to his
Be ‐ing free on ‐ ly forwhatis not
mp
oh
to do,
Be ‐ing free on ‐ ly for what is not
oh
to do,
no ‐ thing else
oh
no ‐ thing else
Perc. III
Perc. VI
oh
oh
T.
to his
mp
27
mp S.
123
oh
A.
oh
mp
B.
oh
mind,
mind,
Perc. III
Perc. IV
Perc. VI
oh
And no ‐ thing
is
And no ‐ thing
is
oh
oh
oh
oh
oh
oh
and
to his mind,
oh
to his mind,
oh
oh
oh
oh
T.
and
no ‐ thing is
no ‐ thing is
to
to
28
S.
126
oh
oh
A.
oh
oh
T.
his
B.
Perc. III
Perc. IV
his
oh
oh
oh
mind,
mind,
oh
oh
oh
oh
and no ‐thing is
and no ‐thing is
oh
oh
oh
oh
oh
is
to his
no ‐ thing
is
to his
to his mind,
no ‐ thing
oh
to his mind,
GOBLET DRUM
Perc. V
pp
Perc. VI
29
H
S. 129
oh
A.
mf (joyful)
oh
la
oh
T.
la
Perc. II
la
la
la la
mf
mf
la
la
la
la
la la la
la
la
Perc. IV
mf
mf
mf
la
Perc. VI
Perc. V
la la la
mf
Perc. III
la
la
la
la
(joyful)
mind.
Perc. I
la
(joyful)
la
la la
mind.
B.
la
oh
mf (joyful)
oh
30
S. 132
A.
la
la
la la
T.
B.
la
la
la
Perc. IV
Perc. V
Perc. VI
la
la la la
la la
la
la
la
la
la la
la la
Perc. III
la
la
la
la
la la
la
la la la
la
la
la
la
la
la la
la
la
31
S. 135
la
A.
la
la la la
la
T.
la
la
la
la la la
Perc. IV
Perc. VI
la
la
la
la
la
la
la
la la la
la la
la
la
sim.
la
la la
la
la
la la
la
la la la
la
f
Perc. III
la
Perc. V
la
Perc. I
la la
B.
32
S. 138
f
la
A.
f la
T.
la
la
la
f la
la
Perc. I
Perc. III
Perc. IV
Perc. V
la
la
la
f B.
la
la
la
f
la
la
la
la
la
la
la
la
la
la
la
la
f
Perc. VI
la
la
la
f
f
33
S. 140
la
A.
T.
B.
la
la
la
la
Perc. IV
la
la
la
la
la
la
la
la
la
la
la
la
la
la
la
la
la
la
Perc. VI
la
la
Perc. III
Perc. V
la
Perc. I
la
la
34
142
la
S.
la,
A.
la la
T.
B.
la
Perc. II
la
la
Perc. IV
Perc. VI
la
la
la la
la
la la
la
la la
la
la
la
la
la
la
la
la
la
la
la
la la
la
la
la
la
la la
la
la
la
la
la
f
la
Perc. III
Perc. V
la
la
la la
Perc. I
la
35
I
145
la
S.
la
la la
la
la
la
ff
ff
la
A.
T.
B.
la
Perc. III
Perc. IV
Perc. V
la
la la
la
la
la
la
la
la
la
la
ff
ff
la
la la
Perc. II
la
la
Perc. I
ff
la la
la
la
la
la la la
la
la la la
la
la
la la la
la la
la
ff
la
la la
la
la
ff
ff
ff
ff
Perc. VI
ff
36
148
la
S.
la
A.
B.
Perc. II
la
la
la
la
la
la
la
la
la
la la
la
la
la
la la
la
la
la
la
la
la
la
la
la
la
la
la
la
la
la
la
la la
la
la
Perc. IV
la la
Perc. III
Perc. VI
la
Perc. V
la
la la
Perc. I
la
la la
T.
37
151
la
S.
la
la
A.
la la la
la
la la la
T.
la
la
B.
Perc. II
Perc. III
Perc. IV
Perc. V
Perc. VI
la
la
la
la
la
la
la
la
la
la
la
la
la
la
la
la
la la la
la la la
la
la
la
la la
la
la la
Perc. I
la
la la
la la la
la la
la la la
la
la
38
J 154
S.
A.
la
la
la
la
la la
T.
la
B.
la
la
la la
Perc. I
Perc. II
Perc. III
Perc. IV
Perc. V
la
la
la
la
la fff
la
la
la la fff
fff
la
la
la
la
la
la
fff
fff
la
la
la
la
la
la
fff
molto
la
la
la
la
q = 58 molto
la
fff
Tempo primo
fff
fff
fff
Perc. VI
fff
39
SOLO p
157
ah
S.
SOLO p
ah
A.
(TUTTI) pp
ah
TUTTI 163 pp
S.
A.
ah
ah
ah
ah
ah
ah
S. 171
ah
A.
ah
ah
p
p
ah
ah
ah
ah
40
179
S.
ah
A.
ah
T.
Perc. I
K
p
pp
pp
ah
pp
ah VIBRAPHONE
5
l.v.
p
Perc. II
GLOCK.
p
l.v.
CROTALES
Perc. III
l.v.
p
TUBULAR BELLS
Perc. IV
Perc. V
l.v.
p
B.D.
p
41
S. 187
pp
ah
A.
T.
Perc. I
5
ah
l.v.
p
Perc. II
Perc. III
Perc. IV
p
pp subito
ah
p
mf
sim. 5
l.v.
sim.
mf
l.v.
sim.
mf
l.v.
sim.
mf
TRIANGLE
Perc. V
l.v.
p
42
SOLO p
194
5
If ev ‐ ’ry
hour Like
this
one
p
pp subito
pass‐ ing
S. TUTTI pp
ah
A.
B.
Perc. I
p
pp subito
ah
ah
pp
T.
pp subito
p
ah
pp
ah
p
ah
5
Perc. II
Perc. III
Perc. IV
Perc. V
l.v.
mp
43 200
mp
that I
5
have
spent
a ‐ mong
The wis
‐
er
o ‐ thers
S.
A.
T.
B.
Perc. I
p
pp
ah
5
Perc. III
Perc. IV
Perc. II
44
205
when
S.
I
have for‐ got
p
3
To won ‐ der
ah
A.
T.
B.
Perc. I
p
ah
p
5
5
Perc. II
Perc. III
Perc. IV
Perc. V
l.v.
45
209
whe ‐ ther
S.
I
was free
or
not,
mp
ah
A.
mp
ah
T.
B.
Perc. I
Perc. II
Perc. III
Perc. IV
Perc. V
mp
ah
mp
ah
5
5
f
f
l.v.
f
l.v.
mf
f
l.v. SIZZLE CYMBAL
46
213
mf
f
ah
mf
f
ah
ah
mf
f
ah
T.
B.
Perc. I
mf
mf
f
f
Perc. IV
5
ah
Perc. III
Perc. V
ah
ah
5
Perc. II
ah
S.
A.
l.v.
l.v.
5
47
217
ah
Perc. I
Perc. III
Perc. IV
5
B.D.
Perc. V
Perc. VI
I still am
ah
ff
5
I still am
ah
5
ff
Perc. II
p
And yet
ah ff
ah
B.
SOLO
ah ff
T.
p
And yet
ah
A.
SOLO
ah ff
S.
L
ff
con ped.
pp sub.
ff
ff
ff
l.v. f
LARGE SUSPENDED CYMBAL
very soft malllets
pp
48
221
half
S.
Perc. I
in love with pain, With what is
half
Perc. VI
in love with pain, With what is
im
‐
per ‐ fect,
with both
im ‐
per ‐ fect,
with both
226
tears and
S.
B.
Perc. I
Perc. VI
p
mirth.
p
With things thathave an
tears and
mirth,
T.
With things that have an
pp
ah
ah
ah
pp
ah
ah
l.v.
l.v.
49
232
end,
S.
end,
T.
B.
with
life
with
and earth, And
life
this
moon
that
and earth, And this
moon
that
236
S.
leaves me
leaves me
T.
B.
pp
dark with ‐ in
door.
the
pp
dark
with ‐ in
the
door.
p
This moon that leaves me
p
ah
50
pp
241
T.
darkwith ‐ in the
dark with ‐ in the
door.
ah
ah
ah
pp
door.
ah
pp
ah
B.
ah
ah
pp
ah
ah
ah
247
T.
B.
ah
ah
ah
ah
ah
ah
ah
ah
ah
ah
51
255
T.
ah
ah
ah
B.
ah
ah
ah
ppp
ah
ah
ppp
ppp
ah
ah
ppp
M 263
S.
T.
TUTTI pp
ah
ah
ah
ah
B.
52
S. 268
A.
T.
B.
Perc. I
ppp
ah
ppp
ah
VIBRAPHONE
pp
Perc. II
l.v.
GLOCK.
l.v.
5
5
l.v.
pp CROTALES
Perc. III
l.v.
l.v.
l.v. pp
TUBULAR BELLS
Perc. IV
l.v.
l.v.
pp
l.v.
B.D.
Perc. V
Perc. VI
pp
LARGE TAM‐TAM
l.v. pppp Tokyo, September 2009
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