Page 1

John Corigliano

MR. TAMBOURINE MAN: Seven poems of Bob Dylan for Amplified Soprano and Wind Ensemble trans. Verena Mรถsenbichler

full score

G. Schirmer Rental Library date of printing _________

G. Schirmer, Inc. New York, NY


John Corigliano

MR. TAMBOURINE MAN: Seven poems of Bob Dylan for Amplified Soprano and Orchestra

Commissioned by the Minnesota Orchestra, Osmo Vänskä, Music Director, and the Brooklyn Philharmonic, Robert Spano, Music Director. The Brooklyn Philharmonic was generously supported for this commission by Board Member Gloria Messinger, in honor of her husband, Charles L. Mandelstam. The original piano version of this work was commissioned for Sylvia McNair by The Carnegie Hall Corporation. The world premiere was given at Carnegie Hall, New York City on March 15, 2000 by Sylvia McNair, soprano and Martin Katz, piano.

This Wind Ensemble version was transcribed by Verena Mösenbichler, as fulfillment of her final DMA project at the University of Texas at Austin. It was premiered on March 27, 2009 by the University of Texas at Austin Wind Ensemble, Jerry F. Junkin, conductor, Hila Plitmann, soprano, during the National College Band Directors Association Conference.

NOTE: This arrangement was made with the permission of the publisher. The set of materials supplied on loan for this arrangement was prepared by Ms. Mösenbichler and provided to the publisher in accordance to the publisher’s permission-to-arrange specifications. The arrangement has been approved by the composer, John Corigliano, and the materials are distributed “as is”.

G. Schirmer, Inc. New York, NY


Instrumentation Piccolo 3 Flutes (1 and 3 doubling Piccolos) 3 Oboes (3 doubling English Horn) 5 Clarinets in B= (1 and 2 doubling Clarinet in A, 4 doubling Clarinet in E=, 5 doubling Bass Clarinet) Contrabass Clarinet in B= 3 Bassoons (3 doubling Contrabassoon) 2 Alto Saxophones Tenor Saxophone Baritone Saxophone 4 Horns in F 4 Trumpets in C 2 Trombones Bass Trombone Tuba Timpani Percussion (6 Players) Marimba Vibraphone Xylophone Glockenspiel 3 sets of Chimes (perc 2 and 3 will play sets of chimes in the hall, left and right boxes, during the sixth song, perc 1 will have chimes onstage) Flexatone lg. Tamtam sm. Tamtam Metal Plate lg. Sus. Cym sm. Sus. Cym. Triangle Hammer Police W histle 2 Tambourines Vibraslap Slapstick Snare Drum Tenor Drum 2 lg. Bass Drums (one pitched slightly lower than the other) Temple Blocks W ood Blocks

Piano Harp Solo Soprano, amplified Contrabass duration ca. 37 minutes


Prelude: Mr. Tambourine Man …Though I know that evenin’s empire has returned into sand, Vanished from my hand, Left me blindly here to stand but still not sleeping. My weariness amazes me, I'm branded on my feet, I have no one to meet And the ancient empty street’s too dead for dreaming. Hey! Mr. Tambourine Man, play a song for me, I’m not sleepy and there is no place I’m going to. Hey! Mr. Tambourine Man, play a song for me, In the jingle jangle morning I’ll come followin’ you. Take me on a trip upon your magic swirlin’ ship, My senses have been stripped, my hands can’t feel to grip, My toes too numb to step, wait only for my boot heels To be wanderin’. I’m ready to go anywhere, I’m ready…to fade Into my own parade, cast your dancing spell my way, I promise to go under it. Hey! Mr. Tambourine Man, play a song for me, I’m not sleepy and there is no place I’m going to. Hey! Mr. Tambourine Man, play a song for me, In the jingle jangle morning I’ll come followin’ you. Though you might hear laughin’, spinnin’, swingin’ madly across the sun, It’s not aimed at anyone, it’s just escapin’ on the run… And if you hear vague traces of skippin’ reels of rhyme To your tambourine in time, it’s just a ragged clown behind, I wouldn’t pay it any mind, it’s just a shadow you’re Seein’ that he’s chasing. …Yes, to dance beneath the diamond sky with one hand waving free, Silhouetted by the sea, circled by the circus sands, With all memory and fate driven deep beneath the waves, Let me forget about today until tomorrow. …I’m not sleepy and there is no place I’m going to… Copyright © 1964, 1965 W arner Brothers, Inc. Copyright renewed 1992, 1993 Special Rider M usic International Copyright Secured. All Rights Reserved. Used by permission of Special Rider Music.

Clothes Line After a while we took in the clothes, Nobody said very much. Just some old wild shirts and a couple pairs of pants Which nobody really wanted to touch. Mama come in and picked up a book An’ Papa asked her what it was. Someone else asked, “What do you care?” Papa said, “Well, just because.” Then they started to take back their clothes, Hang ’em on the line. It was January the thirtieth And everybody was feelin’ fine. The next day everybody got up Seein’ if the clothes were dry. The dogs were barking, a neighbor passed, Mama, of course, she said, “Hi!” “Have you heard the news?” he said, with a grin, “The Vice-President’s gone mad!” “Where?” “Downtown.” “When?” “Last night.” “Hmm, say, that’s too bad!” “Well, there’s nothin’ we can do about it,” said the neighbor, “It’s just somethin’ we’re gonna have to forget.” “Yes, I guess so,” said Ma, Then she asked me if the clothes was still wet.

I reached up, touched my shirt, And the neighbor said, “Are those clothes yours?” I said, “Some of ‘em, not all of ‘em.” He said, “Ya always help out around here with the chores?”

I said, “Sometime, not all the time.” Then my neighbor, he blew his nose Just as papa yelled outside, “Mama wants you t’ come back in the house and bring them clothes.” Well, I just do what I’m told, So, I did it, of course. I went back in the house and Mama met me And then I shut all the doors. Copyright © 1969, 1975 Dwarf Music Copyright renewed 1998 Special Rider M usic International Copyright Secured. All Rights Reserved. Used by permission of Special Rider Music.

Blowin’ in the Wind How many roads must a man walk down Before you call him a man? Yes, ’n’ how many seas must a white dove sail Before she sleeps in the sand? Yes, ’n’ how many times must the cannon balls fly Before they’re forever banned? The answer, my friend, is blowin’ in the wind, The answer is blowin' in the wind. How many times must a man look up Before he can see the sky? Yes ’n’ how many ears must one man have Before he can hear people cry? Yes, ’n’ how many deaths will it take till he knows That too many people have died? The answer, my friend, is blowin’ in the wind… How many years can a mountain exist Before it’s washed to the sea? [The answer is blowin’ in the wind.] Yes, ’n’ how many years can some people exist Before they’re allowed to be free? [“blowin’ in the wind.”] Yes, ’n’ how many times can a man turn his head, Pretending he just doesn’t see? …blowin’… …blowin’… Copyright © 1962 W arner Brothers, Inc. Copyright renewed 1990 Special Rider M usic International Copyright Secured. All Rights Reserved. Used by permission of Special Rider Music.

Masters of War Come, [come,] you masters of war You that build all the guns You that build the death planes You that build the big bombs You that hide behind walls You that hide behind desks [Come, come, you masters of war] I just want you to know I can see through your masks You that never done nothin’ But build to destroy You play with my world Like it’s your little toy You put a gun in my hand And you hide from my eyes And you turn and run farther When the fast bullets fly… You fasten the triggers For the others to fire Then you set back and watch When the death count gets higher You hide in your mansion As young people’s blood Flows out of their bodies And is buried in the mud


You’ve thrown the worst fear That can ever be hurled Fear to bring children Into the world For threatening my baby Unborn and unnamed You ain’t worth the blood That runs in your veins… Let me ask you one question Is your money that good Will it buy you forgiveness Do you think that it could I think you will find When your death takes its toll All the money you made Will never buy back your soul And I hope that you die And your death will come soon I will follow your casket In the pale afternoon And I’ll watch while you’re lowered Down to your deathbed And I'll stand o’er your grave ’Til I’m sure that you’re dead Copyright © 1963 W arner Brothers, Inc. Copyright renewed 1991 Special Rider M usic International Copyright Secured. All Rights Reserved. Used by permission of Special Rider Music.

All Along the Watchtower “There must be some way out of here,” said the joker to the thief, “There's too much confusion, I can’t get no relief. Businessmen, they drink my wine, plowmen dig my earth, None of them along the line know what any of it is worth.” “No reason to get excited,” the thief, he kindly spoke, “There are many here among us who feel that life is but a joke. But you and I, we've been through that, and this is not our fate, So let us not talk falsely now, the hour is getting late.” All along the watchtower, princes kept the view While all the women came and went, barefoot servants, too. Outside in the distance a wildcat did growl, Two riders were approaching, the wind began to howl. Copyright © 1968, 1985 Dwarf Music Copyright renewed 1996 Special Rider M usic International Copyright Secured. All Rights Reserved. Used by permission of Special Rider Music.

Chimes of Freedom Far between sundown’s finish an’ midnight’s broken toll We ducked inside the doorway, thunder crashing As majestic bells of bolts stuck shadows in the sounds Seeming to be the chimes of freedom flashing Flashing for the warriors whose strength is not to fight Flashing for the refugees on the unarmed road of flight An’ for each an’ ev’ry underdog soldier in the night An’ we gazed upon the chimes of freedom flashing. In the city’s melted furnace, unexpectedly we watched With faces hidden while the walls were tightening As the echo of the wedding bells before the blowin’ rain Dissolved into the bells of the lightening. [Striking for the gentle, striking for the kind Striking for the guardians and protectors of the mind An’ the unpawned painter behind beyond his rightful time An’ we gazed upon the chimes of freedom flashing. Through the mad mystic hammering of the wild ripping hail The sky cracked its poems in naked wonder That the clinging of the church bells blew far into the breeze Leaving only bells of lightning and its thunder As we listened one last time an’ we watched with one last look

Spellbound an’ swallowed ’til the tolling ended Tolling for the rebel, tolling for the rake Tolling for the luckless, the abandoned an’ forsaked Tolling for the outcast, burnin’ constantly at stake An’ we gazed upon the chimes of freedom flashing… Tolling for the deaf an’ blind, tolling for the mute Tolling for the mistreated, mateless mother, the mistitled prostitute…] Tolling for the aching ones whose wounds cannot be nursed… An’ for every hung-up person in the whole wide universe An’ we gazed upon the chimes of freedom flashing. Copyright © 1964 W arner Brothers, Inc. Copyright renewed 1992 Special Rider M usic International Copyright Secured. All Rights Reserved. Used by permission of Special Rider Music.

Postlude: Forever Young May God bless and keep you always, May your wishes all come true, May you always do for others And let others do for you. May you build a ladder to the stars And climb on every rung, May you stay forever young, Forever young, forever young, May you stay forever young. May you grow up to be righteous, May you grow up to be true, May you always know the truth And see the lights surrounding you. May you always be courageous, Stand upright and be strong, May you stay forever young, Forever young, forever young, May you stay forever young. May your hands always be busy, May your feet always be swift, May you have a strong foundation When the winds of changes shift. May your heart always be joyful, May your song always be sung, May you stay forever young, Forever young, forever young, May you stay forever young. Copyright © 1973, 1985 Ram’s Horn Music International Copyright Secured. All Rights Reserved. Used by permission of Special Rider Music. Note: … is used where composer has omitted lyrics [ ] is used where lyrics have been set out of sequence


Program Note: When Sylvia McNair asked me to write her a major song cycle for Carnegie Hall, she had only one request; to choose an American text. I have set only four poets in my adult compositional life: Stephen Spender, Richard Wilbur, Dylan Thomas (whose major works generated the oratorio A Dylan Thomas Trilogy) and William M. Hoffman, collaborator with me on, among other, shorter pieces, the opera The Ghosts of Versailles. Aside from asking Bill to create a new text, I had no ideas. Except that I had always heard, by reputation, of the high regard accorded the folk-ballad singer/songwriter Bob Dylan. But I was so engaged in developing my orchestral technique during the years when Dylan was heard by the rest of the world that I had never heard his songs. So I bought a collection of his texts, and found many of them to be every bit as beautiful and as immediate as I had heard--and surprisingly wellsuited to my own musical language. I then contacted Jeff Rosen, his manager, who approached Bob Dylan with the idea of re-setting his poetry to my music. I do not know of an instance in which this has been done before (which was part of what appealed to me,) so I needed to explain that these would be in no way arrangements, or variations, or in any way derivations of the music of the original songs, which I decided to not hear before the cycle was complete. Just as Schumann or Brahms or Wolf had re-interpreted in their own musical styles the same Goethe text, I intended to treat the Dylan lyrics as the poems I found them to be. Nor would their settings make any attempt at pop or rock writing. I wanted to take poetry I knew to be strongly associated with popular art and readdress it in terms of concert art---crossover in the opposite direction, one might say. Dylan granted his permission, and I set to work. I chose seven poems for what became a thirty-five minute cycle. A Prologue: Mr. Tambourine Man, in a fantastic and exuberant manner, precedes five searching and reflective monologues that form the core of the piece; and Epilogue: Forever Young makes a kind of folk-song benediction after the cycle’s close. Dramatically, the inner five songs trace a journey of emotional and civic maturation, from the innocence of Clothes Line through the beginnings of awareness of a wider world (Blowin’ in the Wind), through the political fury of Masters of War, to a premonition of an apocalyptic future (All Along the Watchtower), culminating in a vision of a victory of ideas (Chimes of Freedom). Musically, each of the five songs introduces an accompanimental motive that becomes the principal motive of the next. The descending scale introduced in Clothes Line resurfaces as the passacaglia which shapes Blowin’ in the Wind. The echoing pulse-notes of that song harden into the hammered ostinato under Masters of War; the stringent chords of that song’s finale explode into the raucous accompaniment under All Along the Watchtower; and that song’s repeated figures dissolve into the bell-sounds of Chimes of Freedom. Thanks are due to Carnegie Hall; to Sylvia McNair, for her commitment as well as her luminous artistry; and to Mark Adamo, to whom Mr. Tambourine Man is warmly dedicated.

—John Corigliano


MR. TAMBOURINE MAN: Seven Poems of Bob Dylan

Score in C    Piccolo 1   

Prelude: Mr. Tambourine Man

Freely q = 52

    

Flute 1

    

Flute 2

   

Flute 3 (Piccolo 2)

    

Oboes 1-2

    

Oboe 3 (English Horn)

   

Clarinet in Bb (Clarinet in Eb)

3

 English Horn

 

   

Clarinets in Bb 2-3

  

Bass Clarinet in Bb (Clarinet in Bb)

   

Contrabass Clarinet in Bb

   

Bassoons 1-2

  

Bassoon 3 (Contrabassoon)

   

Alto Saxophones in Eb 1-2

   

Tenor Saxophone in Bb

               

Horns in F 2, 4

   

Trumpets in C 1-2

   

Trumpets in C 3-4

  

Trombones 1-2

Bass Trombone

Timpani

Percussion 1

  

Percussion 4

Glockenspiel

Marimba

Contrabass

Piano

Harp

          3

3

pp

   n

  

n



        

3

3

     





pp

pp

3

Though I know

that eve - nin´s em - pire

take harmon mute

 

take straight mute

take straight mute

         

   

       

  

n

  

EF#GA# BbC#Db

   

  3

   3

pp



pp

 

 



 

       3

3

         3

3

 

 

 

 

has

mp

5

re - turned

     in - to

sand,

 

      p

Van - ished from my hand,

 

 

3

 p

 

       p 2. with straight mute  with straight mute     p      p 

1. with straight mute

 

 

    

 

    



 

   

  

     

              

3

  

 

3

p

 

 

     

        

 

3

  

 

1

 

 

3

mp

Bassoon

     

 

3

 

3

3

 

3

 3

3

n

     

3

Bass Clarinet

3

  

  

3

  

3

3

 

Clarinet in Bb

 

  

Percussion 2

Percussion 3

  

Soprano Solo

Tuba

3

             3        pp 3 3

Clarinet in Bb 1

Horns in F 1, 3

Flute

3

Baritone Saxophone in Eb

3             3 

pp 3

1

John Corigliano trans. Verena Mösenbichler

 

Bass Drum

    pp        

 

 

 

 3

3



 

   

 

   


2

  Picc. 

Slightly faster q = ca. 60

5

3           

Fl. 1

 

Fl. 2

3

pp

 

Fl. 3

  

 

Eng. Hn.

  3

Cl. 2 - Cl. 3

B. Cl.

3

 

Cb. Cl.

Bsn. 1 - Bsn. 2

Bsn. 3/Cbn.

T. Sax.

S. Solo

Hn. 1, Hn. 3

pp

Tba.

Timp.

Perc. 1

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

 To Eb Cl.

 

3

3

3

        

 

3

3

   3       

3

    

3

 



 

 

 

 

 

        

p

  

Left me blind - ly

 here

  

  

to stand

but still not



3

sleep

-

mp languid

   ing.

 harmon mute

3

My

mp

     3     

wea - ri - ness

         3

p

mf

a - maz - es

remove mute

5

p

  

 



pp

pp



 

 

    

  

 

 

  3

pp

 

    

 

   3

3

pp





 

 

 

 

   3     3

     3      3

me

Perc. 2

Xyl.

 

 

   

B. Tbn.

3

 

Tbn. 1 - Tbn. 2

3

 

C Tpt. 3 - C Tpt. 4

3

3

 

C Tpt. 1 - C Tpt. 2

3

    

  

Hn. 2, Hn. 4

3

    

pp

 

Alto Sax 1-2

3

 

        3        pp 3 3 3       pp       3

Cl. 1

3

         

 

Cl.

3

    3

 

Ob. 1 - Ob. 2

B. Sax.

 

I´m


3

  Picc.  9

 

 

Fl. 1

 

 

Fl. 2

 

 

Fl. 3

   

Eng. Hn.

p

Cl. 1

Cl. 2 - Cl. 3

 

 

 

 

  

  

 

Perc. 2

   

 

 



 

  

 

   

   

 

 

 

 

 

 

 

   

Hp.

 

  

 

p

 

 

 

        

  

n

ppp

n

ppp

n

  

 

  3  

3 mp

Cl. 2

  3   3 mp

pp

3

  

      

pp 3

        3

3

3   

n pp



 



pp

a2 remove mute

remove mute

pp

3

 3      

3

  

  

  

    too

dead

 

  

 

 

 

 

ppp (Pedale)

3

ppp

   

    

  

3     

dream - ing.

3

pp

ppp

  

 

   

B. Tbn.

Pno.

 

 

 

Tbn. 1 - Tbn. 2

Cb.

 

 

 

C Tpt. 3 - C Tpt. 4

Mar.

                                  brand - ed on my feet I have no one to meet And the an - cient emp - ty street´s too dead for      

C Tpt. 1 - C Tpt. 2

Glock.

  

 

 

Vib.

 

    

Hn. 2, Hn. 4

Xyl.

 

Alto Sax. 1

Perc. 1

Bsn. 3/Cbn.

Timp.

 

Bsn. 1 - Bsn. 2

Tba.

 

Hn. 1, Hn. 3

 

 

 

Cb. Cl.

T. Sax.

 

B. Cl.

Alto Sax 1-2

 

 

S. Solo

 

 

Cl.

B. Sax.

 

 

Ob. 1 - Ob. 2

Tempo I q = ca. 52

 

E§F#G§A§ B§C§D§



for

3

  


4

  Picc.  13

Fl. 1

Fl. 2

 

 

Ob. 1 - Ob. 2

 To Ob. 

Eng. Hn.

 

Cl.

   

Cl. 1

3

     3

Cl. 2 - Cl. 3

S. Solo

Hn. 1, Hn. 3

mp

3

        3

3 3    3       

       

3

3

3

   

3

 

3

 3 3  3 3                3

ppp

     

                        

   3

     

      3   

     

      

 

  

    

        

 

  

    

n

n

        

 

 

 

  

  

ppp

 

 

 

  

 

 dream - ing. 

To Picc.

3

 

mp

3

 

3     

 

 

 

 

  

3

Cb. Cl.

B. Sax.



T. Sax.



        3

p ]r=r

  

Alto Sax 1-2



  

 

  

Bsn. 3/Cbn.



3

          

q = ca. 78

B. Cl.

Bsn. 1 - Bsn. 2

 

 

Fl. 3

p ]r=r

1

  p

  



  

  



 

dream

 

-

 

ing.

n

     

 

  

Tbn. 1 - Tbn. 2

 

 

B. Tbn.

 

 

 

  







Hn. 2, Hn. 4

 

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Tba.

Timp.

Perc. 1

Perc. 2

Xyl.

Vib.

Glock.

Mar.

Cb.

Pno.

 

        



ppp

3

  

  

  

 

  

 

     

     

  

 

  

 

  

 

  

 

 

 

Hp.

  

  



pizz.

ppp

  ppp

E§F§G§A§ B§C§D§

 

 

   mp

3

   mp

3

 

          3

          3

   

3

3

       3

          3

  


5

q = ca. 117

     Picc.     p  Fl. 1    p     Fl. 2   19

p Piccolo

  

Picc.

 

Ob. 1 - Ob. 2

Eng. Hn.

Cl.

Cl. 1

T. Sax.

B. Sax.

S. Solo

Hn. 1, Hn. 3

  

  

          

  

C Tpt. 1 - C Tpt. 2

 

C Tpt. 3 - C Tpt. 4

 

Tbn. 1 - Tbn. 2

B. Tbn.

Tba.

Timp.

Perc. 1

   

Hn. 2, Hn. 4

 

Alto Sax 1-2

       

   

    

    

   



    

    



  

   

p

p

  

 1  1

p

p

     

Clarinet in Eb

mp

sf

 1   

      mp

sf



 

   



  

   

  



    



   

    

                             

sf



p



p

   

   

sf

  

 

      

        

Hp.

 

    

  p

    

    

   

 

           p

sf

p

  

sf

    

       

 

sf

   



    

sf



 p

   

sf

       sf Snare Drum,  rim shot     sf    



p

Cl. 2

 

Pno.

 

 

 

  

sf

   



sf

           

 

Cb.

       sf    

Xyl.

Mar.

sf

 

  

sf

 

  

mp

Glock.

                

 

Vib.

     



Perc. 2

  

    

 

mp

    

          

Tambourine, thumb roll

  

   

p

   

  

  

Bsn. 3/Cbn.

     

 

Bsn. 1 - Bsn. 2

   

 

Cb. Cl.

      

  

B. Cl.

p

 

    

 

Cl. 2 - Cl. 3

   

  

  

sf

       

      



     

 

sf

     sf

    


6

r=r

 Picc. 

29

Fl. 1

Fl. 2

Picc.









r=r





 To Fl.







 



  3 3                                    

Ob. 1 - Ob. 2

   

p

Eng. Hn.

Eb Cl.

To Cl. in Bb

Cl. 1

Cl. 2 - Cl. 3



 

      

 

      

    

       

  

Cb. Cl.

Bsn. 1 - Bsn. 2

Bsn. 3/Cbn.

Alto Sax 1-2

T. Sax.

S. Solo



mp

























Mi - ster

Tam -bou - rine Man,play a song for

sf

not sleep -y and there is legato





     



C Tpt. 1 - C Tpt. 2







C Tpt. 3 - C Tpt. 4





Hn. 1, Hn. 3

Hn. 2, Hn. 4

Tbn. 1 - Tbn. 2

B. Tbn.

Tba.

Timp.

Perc. 1











    











1



p harmon mute

1

  mp

      

 

p

   

 

     





Xyl.





Vib.

Glock.

Mar.

Cb.

Pno.

Hp.



 

 















 

 

   













  



 

 





 





 

 

arco

   







    













Mis - ter

Tam -bou - rine Man,

















   







   





 

 









   





















sf

sf



3          















     



     

     sf              sf   

 

    



                 S. D., r. s.



   

p











Hey!



to.





   



sf

ing

    

 

   

   

                   sf    

Tamb.



-



go











p







    





p Cl. 2





    

Perc. 2



no place I´m

sf

3   3           

I´m





me,

    







p

To Eng. Hn.



 3                    

 



r=r





mf



r=r

 

3

Hey!

 





                

 3               

  

 





        

      

 

   



sf Oboe

     

B. Cl.





B. Sax.





 









   

















  



 

 

  



 

 


7

  Picc.   37

Fl. 1

  

 

  

Fl. 2

Picc.

               

Ob. 1 - Ob. 2

Ob.

Eb Cl.

Cl. 1

Cl. 2 - Cl. 3

B. Cl.

3

 

   



   

 

 





     





 



   

  

 

  

 



f

 

Bsn. 1 - Bsn. 2

 





Bsn. 3/Cbn. Alto Sax 1-2

 

T. Sax.

  

B. Sax.

  

       

S. Solo

Hn. 1, Hn. 3

     

Hn. 2, Hn. 4

3

play

a song

 

for

 

me,

 

mp 2

 

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

 

  

Tbn. 1 - Tbn. 2

B. Tbn. Tba.

 

  

  Timp.   Perc. 1  

  

Perc. 2 Xyl.

Vib. Glock.

Mar.

Cb.

Pno.

 

  

    

  

3

In

 

the

    sf

 

  

 

mp

sf

  



sf





 



 



  





a2

f

 





  





 

 



slap tongue

 



  

 



  

  



  



  



 Bassoon

3

 -

low

-

mf



3

 



you. Hn. 1

 

 

 

in´



       

 mf  

 







f

      

 

3



f

 



f

  



   mf



3

 

   a2    

  



mf







 

fol



 

 

 

  

 

  



open

2



open

  

open

ff

open

ff ff

  

 

mf







 

Tamb.

mf









f

   









 

 









take harmon mute



 

To Ob.



 

  

come



 

  



sf

 

jin - gle jan - gle morn - ing I´ll

 

3

      

      ff 3              3

 

 

Hp.

  

 

f

 mp



3

mp

  





 open



 

To Bassoon

 

Cl. 3

sf

 







English Horn

  

sf

mp

  

mp



Cb. Cl.

  

f

     f  







  

 







  

 





    

f

3

   

     3

     



  

f

 

 

3

 



     

ff

 

    

  

f

    f 

E§F#G§A§ B§C§D§




8

 Picc.  43

Fl. 1

Fl. 2

Picc.

Ob. 1 - Ob. 2

Ob.

Eb Cl.

Cl. 1

      

f

B. Cl.

            

Bsn. 1 - Bsn. 2

Bsn. 3 /Cbsn.

Alto Sax 1-2

T. Sax.

B. Sax.



sffz

sffz

     

C Tpt. 1 - C Tpt. 2

    

Xyl.

me

sffz

Vib. Glock.

Mar.

Cb.

Pno.

Hp.



hard sticks L

 



on

a

 3

R

trip

 

L RL R L RL 3

sim.

           

 

3

   

3

 

            

      

a2                                   

    sffz    

    sffz  

swir     sffz       1 harmon mute   

sffz sffz

sffz

   

    sffz sffz      

 3

 

       3





3

    



3

ship

 

remove mute

pp

 

  3

3

    



3

    

 3

   3



3



 

 

sffz

  

  

3



3

3

3

    

     

My

    

3

lin´

3

-



-

 

 

-

3

3

-

 

 

sfs

 3

f

       

sf



up on 3 your ma - gic

 

  

ff brilliant

  

            

sffz

a2

3

                        

     sffz    

    sffz  

pp

 

 

 

Sus. Cym.

sffz

 

     sffz    Tbn. 1 - Tbn. 2   sffz  B. Tbn.    sffz  Tba.     sffz    Timp.   sffzsfz  Perc. 1   Perc. 2    

   sffz    

exuberant

      sffz      sffz     

C Tpt. 3 - C Tpt. 4

Take

Hn. 2, Hn. 4

      

sffz

a2

sffz



  

       

sffz

sffz

sffz

Hn. 1, Hn. 3

   

   sffz      sffz     sffz    

Cb. Cl.

                  f     

Cl. 2 - Cl. 3

sffz

f

          f           Flute          

sffz Oboe

Cl. 2

S. Solo

 3



3

3

     

3

  G# C#

 

 

   

 



 

3



3


9

 Picc.  47

Fl. 1

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

 

Ob.

Cl. 1

Cl. 2 - Cl. 3

       

       



     



                    

 

         

Bsn. 1 - Bsn. 2

Bsn. 3 /Cbsn.

B. Sax.

S. Solo

Hn. 1, Hn. 3

 

sen

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

B. Tbn.

Tba.

Timp.

Perc. 1

Perc. 2

Xyl.

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

sfz

  

   sfz    sfz                  

sfz

Hn. 2, Hn. 4

      

sfz





T. Sax.

 -

  sfz    sfz    sfz   

sfz

  

  

Tamb.

  

sfs

a2

 

My

sfz

    sfz   

sfz



can´t

             

sfz sfz

sfz sfz

3

sf

 

     

sfz

 

    







sfz

   sfz                  

sfz

sfz

sfz

 

feel

to

sfz

  

sfz

    sfz    sfz

 

p

 

 3



3

     

 

      





3

  

sfz



   

 D#

 

 

3



 

 

3



3

 

 

3

  

   3

sfz

  

   

f

 

   

My



sfz

 

  

f

grip,



    

   

          

    



                   

3

3

3

 

         



   

     



p

3





hands



sfz

     

 

To Eng. Hn.

           3 3



       

   

     

       

sfz

sfz 



 

  

sfz

sfz

         



  



 

     

      

ses have been stripped,

sfz

     



      

      

     

sfz

Cb. Cl.

Alto Sax 1-2



sfz

B. Cl.

      

Eb Cl.

3

3

 

 

3



 

3

3

   

 

 

3


10

 Picc.  51

Fl. 1

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

Ob.

Eb Cl.

Cl. 1

 

Cl. 2 - Cl. 3

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Bsn. 3 /Cbsn.

     

p

p

a2

 

p

f

 

 

 3

3

3

Cl. 2 3

a2

3

p

f

  

 

  

T. Sax.

B. Sax.



  

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

toes







too

numb

to

step,

 

B. Tbn.

Timp.

Perc. 1

 

Perc. 2

Xyl.

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

 



  sf    sf

  

Fb Cb D§

        a2

                 

  

   

  

   sf 

on

   

sf

sf

sf

           

-

-

-

 

for

my

 

 

boot

heels

 

 

 

     sf   

sf

sf

 

 

 

take harmon mute

 

mf

 

 

          sffz

 f

 



3

 

 

to

be

 

p

               

       

       

ly

  

-

mf

p

sf

    sf    sf      

  

sf

                                         



 

f

p

f

 

sf

f

f

Tbn. 1 - Tbn. 2

Tba.

sf

mf

  

            sf        

mf

mf

wait

Hn. 2, Hn. 4

mf

      3     3     3          3

 

3

Hn. 1, Hn. 3

sf

 3   3   3             

S. Solo

   

Alto Sax 1-2

 

 



3

          3

3

3

     

3

     3





 

 





  



 

 

 

  




11

 Picc.  55

Fl. 1

Fl. 2

Fl. 3

 f

                       3

3

3

3

3

3

                      3 3 3 3 f f f 3 3   To Picc.      

Ob. 1 - Ob. 2

Ob.

Eb Cl.

Cl. 1

Cl. 2 - Cl. 3

     

T. Sax.

B. Sax.

Hn. 1, Hn. 3

Hn. 2, Hn. 4

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

 

 

 

mp

 







  

3

wan

-

 

ff

 

 mf

ff

 

f

I´m Hn. 1

  



 

f



 

 

rea - dy

 



       

  

to

f

 





 

1   

 



go

 

 



an

-

y - where,

 

Cb.

Pno.

Hp.

 

 

  mp







        



rea - dy

 



col legno battuto











 

Gb

  f



to

fade

 





Wood Block



    f    



 

  

 



  



sf

fsf

  

  sf

 



 



 





     















sf





  

p Tamb.

















with harmon mute









 

 

sf



 

 



 

  



Vib.

Mar.

 

Xyl.

Glock.

3

  





 







  

 

 



f

 

 

 

   



I´m

     

  





   

f coarsely To Ob.



 

Perc. 2



 

   





f legato slap tongue

sf

 

 

 

a2

 



d´rin´



f

 



 

  

f legato

 

B. Tbn.

Perc. 1

English Horn

Timp.



Tbn. 1 - Tbn. 2

Tba.

    

 





S. Solo

 



Alto Sax 1-2

Cb. Cl.



Bsn. 3 /Cbsn.

mf



B. Cl.

Bsn. 1 - Bsn. 2

       


12

  Picc.   60

 

Fl. 1

  

Fl. 2

"smack" tones

Clarinet in Bb

  

Cl. 1

 

Cl. 2 - Cl. 3

 

B. Cl.

 

Cb. Cl.

 

Bsn. 1 - Bsn. 2

mp

 

 Bsn. 2 2       Bsn. 1  1 2 1 2 1 

  

mp

  

T. Sax.

B. Sax.

   

Hn. 1, Hn. 3

   

Cb.

Pno.

  

  

mf

  

         



p

  mf  

 

 

p

 

a2

  

               

 

  

      

  

 

 

n

     



  



 

 

p













 

 







p

p

cast

your dan - cing

spell my

  n   n

    

 



way,

pro - mise to

  

 

  

 E§F§G§A§ B§C§D§

        p

 

     

mp

mf



  pp







3 3               



Tam - bou -rine Man, play a song

                   

 





Mis - ter

Hey!

 

 

un - der it.

sub.

  

go

 

  

      

p

 

I

    

  

Cl. 2

    

 

    

 

Cl. 2

  



  



  

Cl. 2

   

  



        

  

ppp

 

  

Cl. 2

  

     2               3 3





ppp

p

 



 

        

Oboe

 

  

p

To Eb Cl.

   

 

ppp

r=r

3

In - to my own pa - rade,

n

        

 

Hp.

legato

Perc. 2

Mar.

 

B. Tbn.

Glock.

r = r    



Tbn. 1 - Tbn. 2

Vib.

 

  

C Tpt. 3 - C Tpt. 4

Xyl.

   

  

C Tpt. 1 - C Tpt. 2

Perc. 1

             

  

Hn. 2, Hn. 4

Timp.



  

Tba.

mp

         

S. Solo

  

     mp   

Alto Sax 1-2

  

 mp

secco

mp mp Bassoon

Bsn.

mf

mf

  

Cl.

  

mp

 

 

mp

 Piccolo    

 

Eng. Hn.

  

Ob. 1 - Ob. 2

   

 

Fl. 3

legato

 

for

  























 



 





  

  

 



  

  




13

  Picc.   68

 

Fl. 1

  

Fl. 2

 

Picc.

  

Ob. 1 - Ob. 2

  

Ob.

   

Cl. 1

      

Cl. 2 - Cl. 3

B. Cl.

T. Sax.

S. Solo

Hn. 1, Hn. 3

C Tpt. 1 - C Tpt. 2

B. Tbn.

Timp.

Perc. 1



 

  

1

sf

 

 

 



 

 

sf

 

  

mf





I´m not open legato 1

  

p

  

2 legato

1

harmon mute

 

  

 

 

sleep - y

p

3

 

and there

    

3

 

 

is

no









 

 

place

 

Tamb.

  

  pp

p

 

 

 

 

 

 

-

ing

  

  

  





 

 

 

Perc. 2

 

 

S. D., r. s.

Xyl.

  

 

  

   

  

Vib.

Glock.

Mar.

Cb.

Pno.

 

   

 

    

Hp.

    



   

   

    

 

 

  

 

 







sf

   sf  sf



 

  sf



 

Mi - ster







 

Man,









 







3

 

Tam - bou - rine





 











 







remove harmon mute

































 









 













 





 





   pp

 



 



 

E§F#G§A§ B§C#D§

  

p



 arco

Cl. 2

 



 



 

 

 

 

   

Cl. 2



  





















sf





 



Hey!



    1    3 









Cl. 2







to.

 

 

go



p











  

   

p



 



 

  





2 







   p 



 

 



  





I´m

 

sf



  

 



     





 

 



 



 





r=r



 

  

 

 

r=r



Cl. 2

  

 





me,

  

 



  



  

   sf   mp

      

 

Tbn. 1 - Tbn. 2

Tba.

  

  

C Tpt. 3 - C Tpt. 4

  

   

Hn. 2, Hn. 4



 

Alto Sax 1-2

Cl. 2

 

Bsn.



 

Bsn. 1 - Bsn. 2

  

Cb. Cl.

   

 

Cl.

B. Sax.

  



  

 



  

      

  

 



 




14

  Picc.   74

Fl. 1

  

  

 

Fl. 2 Picc.

         3    To Eng. Hn.    

Ob. 1 - Ob. 2

Ob.

Cl.

Cl. 1

Cl. 2 - Cl. 3

 

  

 

 

B. Cl.

Cb. Cl.

Bsn.



   

f

 



 

 

  

mp

Cl. 2

mp







 

T. Sax.

  



B. Sax.

  

 

S. Solo

Hn. 1, Hn. 3

     

Hn. 2, Hn. 4

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

Timp.

Perc. 1

Vib.

Glock.

Mar.

Cb.

Pno.

   

 

open

In

 

3

 

mp

 

   

 

     

 

     

 

  

 

  

  

  

    

   

  

         





f

  

Cl. 3

   





 



   











  

ff

a2

f

 

 

   

slap tongue

 

 

jin - gle jan - gle morn - ing I´ll

  





   

3

the



 



 



Bassoon

 

 3

 -

low



-



 

     3

 



in´

you. Hn. 1

 



mf

 



  

 

 







 



  

 

  

  









Tamb.

 

mf











pizz. (slap)



  



    

f

3

     3

open 2

  

ff

ff

ff ff

     

3





 

 

 



  

f

  

 f

  



 



 



    

     

 

 









mf





  



 









  





f

 



 



  

f







mf

f

3





 

f

   

sf



sf



      

    

3

 

   sf    

             

f

    a2

  

 



mf

mf

To Ob.

   

mf

 

fol

   

  

come

  

sf

 mp

  ff 3              3 f

mp 2

 

3

me,

mp

 

  

Hp.

 

 

for

 

Perc. 2

Xyl.

a song



B. Tbn.

Tba.

3

play

 

 







English Horn

sf

Alto Sax 1-2

 

  

sf

       

f

    







 

  



  

 

Bsn. 1 - Bsn. 2

    

  







S.D.

f

E§F#G#A# B#C#D#






15

80          

 Picc. 

fff poss.

       



    

 

   

Fl. 2

sf

fff Piccolo

Picc.

                   

   

Ob. 1 - Ob. 2

fff poss.

sffz Oboe

   

Ob. 3

Eb Cl.

 

Cl. 1

   

Cl. 2 - Cl. 3

Cb. Cl.

Bsn. 3 /Cbsn. Alto Sax 1-2

a2

    sffz       

Bsn. 1 - Bsn. 2

  

sffz

B. Sax. S. Solo

    sffz        fff 

   

Though a2

Hn. 1, Hn. 3

fff poss.

  



youmight

hear

3

fff poss.

    fff poss. sf  C Tpt. 1 - C Tpt. 2    C Tpt. 3 - C Tpt. 4   sfp   Tbn. 1 - Tbn. 2   B. Tbn.  sfp    Tba.     Timp.  ff   Flexatone Perc. 1    Perc. 2   sf   

Vib. Glock.

Mar. Cb.

Pno.

Hp.

  

  

sf

  sffz  

3

laugh - in´

fff poss.

3

spin - nin´ 3

3              3

3

3         3       3

 

swing - in´

        

p

  

A§ B§



a - cross

the

 

sun,

       3

3

3

3              3 

 



 

 

   

mf

 

 

 

  

       

      

  

 

 

  

 



 

  

 

 

  

 



 

white key gliss.

  

3

3

3

   sffz 



            

 

   

 





3

p

  

                

 

     

ly3

3

ff

-

                    



  

    

mad





 

 

 

fff

            

 

 

 

p p

    white key gliss.  fff        

           

white key gliss.

  

        a2

fff



3

3      

Hn. 2, Hn. 4

Xyl.

 

     

sf a2

sf

                                                                  

                                                                                                                                      fff poss.        sffz                           fff poss.       3 3 3 sf 3 3     3 3                                                        3                       fff poss.

sffz

  

       

fff poss.

   sffz   

B. Cl.



         

fff poss.

sf

sffz Clarinet in Eb

T. Sax.

                                  poss.        sf                          

Fl. 1

                                                                      




16

 Picc.  84

       

Fl. 1

 

Fl. 2

Picc.

   

 

Ob. 1 - Ob. 2

sfz

 

 

Ob. 3

sfz

Eb Cl.

 

Cl. 1

    

 

B. Cl.

sfz

 

Cb. Cl.

sfz

 

Bsn. 1 - Bsn. 2

 

Bsn. 3 /Cbsn.

Alto Sax 1-2

T. Sax.

B. Sax.

Hn. 1, Hn. 3

 

sfz fff

S. Solo



  

It´s

Hn. 2, Hn. 4

 

C Tpt. 1 - C Tpt. 2

 

C Tpt. 3 - C Tpt. 4

 

 

B. Tbn.

Timp.

Perc. 1

   

  

Perc. 2

Xyl.

 

Vib.

Glock.

Mar.

Cb.

at

a

3

  

3

  

3

 

 -



ny 3

 

3

  

-

 

-



3

one 3

3

 

 

 

3



3





It´s

just

 

   p

 



3

es

  

3



 -

ca

 



3

 

 

  

 

 

mf



  

 

  

 

  

 

pin´

on

the



 



 

 

run.

 

 

 

  





 

 

    

  

 

E§F§G§A§ B§C§D§

p sub.

 

And

 

  

 

   

3

  

 -

  

white key gliss.

-

   

 

p

 3





 

    

aimed

 

not

 

 

 

 

  





           





 

ff





 

    

                 



p

p



3

p

                 

  

 

    





 



 

          

 

Hp.

  



 

Pno.

  



 

Tbn. 1 - Tbn. 2

Tba.

sfz

  sfz   

    

                     

                           

a2

 



         

 

Cl. 2 - Cl. 3

 

 


17

 Picc.   

 

88

Fl. 1

Fl. 2

p





  

    

 

Picc.

p



p

p

   

   

 







  













    

       

p



 

p





  



p





















1





1





p



 



1

    

















   







Cl. 1

Cl. 2 - Cl. 3

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Bsn. 3 /Cbsn.

Alto Sax 1-2

T. Sax.

Ob. 3

Eb Cl.

B. Sax.

S. Solo

Hn. 1, Hn. 3

 



 



if

you hear

vague

tra - ces

  of

 

 3

skip - pin´





reels

of

rhyme

p

 

 

sf

mp

 

 

mp



to

your

tam - bour

-

  sf

  mp



ine

in

time, it´s just

3

 

   3

a

 -

ged

Hn. 2, Hn. 4

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

B. Tbn.



Tba.

Timp.

Perc. 1

Tambourine, thumb roll

 



p

  



p

sf

  

 p

sf

   

Vib.

Glock.



Perc. 2

Xyl.

Mar.

Cb.

Pno.

Hp.

  

 

   

 



p

 

p

 



 

p





 



    

 







    

  



 

    

    



  

 

 

 

 



   

 

   p

 

 











 





 

 







  sf

 rag





Ob. 1 - Ob. 2









  

clown

be

 

sf

   sf






18

    

95    

 Picc.  

Fl. 1

Fl. 2

Picc.

Ob. 1 - Ob. 2

   



   



  

Eb Cl.

mp



 

sf



  

  

    

    

                

Cl. 2

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Bsn. 3 /Cbsn.

B. Sax.

S. Solo

Hn. 1, Hn. 3

   sf

sf

   

T. Sax.

  

 p

 

sf

 

sf

 

p



  

 

 

p

 



  





 

                 3 3 p

 

f

f

f

 

f

sub.

 

 hind, 

3      3

I would - n´t

pay

   it

a - ny

p

      mind it´s

just

1  



a

 sha



1  



1

1

1





 

dow

you´re

See

3

-

  -

in´



that

he´s





1

1

f

f

 

  

3

chas - ing.

 

open

Tbn. 1 - Tbn. 2

B. Tbn.

Tba.

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Timp.

Perc. 1

  p

  

sf

Perc. 2

   

 

 S. D., r. s.

   sf   

  

3

3

Glock.



Pno.

 

Hp.

  





     

sf

    

   

        

        

ff

    

ff

Vib.

Cb.

ff

3

ff

    

       2

Xyl.

Mar.

p

sf

    

f

 



Hn. 2, Hn. 4

          3

sub.

p



                 3 3

 



                 3 3 p



       

Alto Sax 1-2

sf

   

Cl. 2 - Cl. 3

 

sf

Cl. 1



  

       

    

Ob. 3



       

E§F#G#A§ B§C#D§

f


19

102   

 Picc. 

Fl. 1

Fl. 2

Picc.

Ob. 1 - Ob. 2

Ob. 3

              

fff poss.

fff poss.

                  

    sffz    

fff poss.

Cl. 2 - Cl. 3

 

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

   sf      sffz

Bsn. 3 /Cbsn.

Alto Sax 1-2

T. Sax.

B. Sax.

S. Solo

 

C Tpt. 1 - C Tpt. 2

1    f sfp

     Tbn. 1 - Tbn. 2  sfp   B. Tbn. sfp  sfp   Tba.    sf   Timp.   sf   Perc. 2   sfz   Xyl.  

Pno.

      

3

 

fff

 

         

                     

         

       

fff poss.

3

3

3

 

3



fff poss.

fff poss. 

dia

-

mond

3

                  

sky 3

with

3              3

3

3 3                   

                         

            one

hand

   

 





wav - ing

free

        3

3

3

      

3                      

3

3

3



  

 

 



 

  

 

 



   





 

 

   





 

  

 





mf

 

   

 

 

3

-

hou -

 



    

 

Sil

1



 

2



  

  

3

  

3

3

3

3

        

     

3

   

      

fff poss.

       



fff

Hp.

the

3

 

 

3

     

C Tpt. 3 - C Tpt. 4

Cb.

be - neath

3

fff poss.

 



 

     

3

  

  

Hn. 2, Hn. 4

fff poss.

to dance 3

sf a2

fff

3 3 3  3 3                                     fff poss. 3 

3

                                                    a2                         fff

                                                                             a2                                                                           fff poss.                      

                                                                

               

fff poss.

Yes

Hn. 1, Hn. 3

  

   

   

   sffz       sffz  

           

   sffz a2

sffz

fff poss.

  

 

fff poss.

 

sf

                

Cl. 1

 

   

                                

sffz

Eb Cl.



    

 

   

 3


20

 Picc. 

106

Fl. 1

 

Fl. 2

  To Fl.

 

Ob. 1 - Ob. 2

 

Ob. 3

   

Eb Cl.

sfz

 

Cl. 1

Cl. 2 - Cl. 3

B. Cl.

Cb. Cl.

 

Bsn. 1 - Bsn. 2

Bsn. 3 /Cbsn.

Alto Sax 1-2

T. Sax.

B. Sax.

S. Solo

    



by

the

sea, 3

       3

3

3

        

     

Timp.

Perc. 1

  p

Vib.

Cb.

 

3

3

    

sf

 

D#

 

   

 



 

3

-

 3

 



 

 

  

 

 

3



 

          

     

Flute

 ff

   

 

 

              

cled

     3 sfz

 

   

 

   

3

ff

 

 

 









 

 

  

sfz

hard sticks

 



 



 

  

 3

R



L

 

R L R

L

3

     

3

R



L

sim.



C§ D§

 

3

     

3



 

 

  

all

  p  L

With



    sfz      sfz 

S.D.

  



 

sands,

ff Sus. Cym.

 

sfz

     sfz       sfz       sfz  

sfz

3

 

bythe cir - cus

1







   

 

  

3



cir 3

 

Hp.



ff

 

Pno.

p

Xyl.

Mar.

 

Perc. 2

Glock.

p

  

sfz





p

Tba.

 

  

p

B. Tbn.

    sfz    

    

     

ff

ff

                          

  

Tbn. 1 - Tbn. 2

To Cl. in Bb

     

C Tpt. 3 - C Tpt. 4

 

 





sfz

 

C Tpt. 1 - C Tpt. 2

                             



  

Hn. 2, Hn. 4

ff

                a2               a2 a2                                                                     sfz sfz                                  sf sfz sfz            sfz sfz             sfz  sfz            

et - ted

Hn. 1, Hn. 3

 



                        

Picc.

 

 

3

3

 

 

  

 

3

3





  

 

 3





3

       3    

 


21

 Picc. 

110

    

Fl. 1

    

Fl. 2

   

Ob. 1 - Ob. 2

sfz

Eb Cl.

      

Bsn. 1 - Bsn. 2

Bsn. 3 /Cbsn.

Alto Sax 1-2

T. Sax.

S. Solo

Hn. 1, Hn. 3

mf

    

Cb. Cl.

  

ff a2

    

Tbn. 1 - Tbn. 2

B. Tbn. Tba.

Timp.

Perc. 1

Perc. 2

Xyl.

Vib.

Glock.

Mar.

Cb.

     

a2

fate

     

mf

    

deep

    

            mpsf     

  



 

 

 

mf

 

    

 

f



           sf                    

    

arco, col legno battuto

  

  

ord.

                   







     

      

  





 









p

 

  mf

 



me

for



mp

 

 

bout

to

















waves,

  



          3

3



3

  



  

 





3

3



3

3



  

mp



3

  

    

3

   

  

 



 

 

 

 



  





3





3

-

  3                        3 3 3

a







n



   

get



 



 

-

  

3

Let



the



   p 

 





 3





L

f

      



mp

R

    

3

f

3

   



                3 3 3

    



be - neath

3

3



mp To Crot.

L

 

3

mf sub.

   

 

               3

      

    mpsf



     

mpsf

 



    

       





mf sub.

    



To Bb Cl.

   

    



             

          

driv - en

mp

a2

                        

     



Hp.

     

      

mf



Pno.

    

   

     Tamb. f     

 

       

            mfsf f legato       mfsf       mfsf       

 

    

        mf

slap tongue

  

mf

mf

f legato

C Tpt. 3 - C Tpt. 4

       

 

C Tpt. 1 - C Tpt. 2

       

To Eng. Hn.

 mem - ory and        

Hn. 2, Hn. 4

 

 

   

B. Cl.

B. Sax.

1

    

Cl. 2 - Cl. 3

    

Cl. 1



mf

     sfz  

Ob. 3

    

Fl. 3

mp

  

-


22

 Picc. 

115

3

3

3

3

3

Fl. 3

Ob. 1 - Ob. 2



f



Ob. 3

Eb Cl.

B. Cl.

Cb. Cl.

Cl. 1

Cl. 2 - Cl. 3

  

Bsn. 1 - Bsn. 2

S. Solo

 

 

3





day

un

-

mf



3



 

 



3

pp

 

mf

til

to

 -

3

mor Hn. 3

   row.







3

3

Alto Sax 1

 



Let

me

for

-











a

-

bout

to



 

un

-

til

to



-





2 



  

























B. Tbn.

 

p

p











 







  

 

Xyl.

Vib.





Glock.

















   

 

pp



 



   E§FbG§A# B§C#Db

  



mp





















  





 





 



soft mallets on Crotales

 





 











Hp.





Tbn. 1 - Tbn. 2





Pno.



Cb.

p

   day



 

-

p





C Tpt. 3 - C Tpt. 4

Mar.





 

  



Perc. 2



get





English Horn





 















3 3

3

 

p

 

  3    



 

3 3

3

 

3



3 3

                                  3



3 3



3

 



C Tpt. 1 - C Tpt. 2

3 3

3



 

Perc. 1

3

3



Timp.

mf



3



n

3

Tba.

3     3    3    3                  

Hn. 2, Hn. 4

 

3



mf

p

 

3

Cl. 2

3



                                    

Hn. 1, Hn. 3

3

 



3

 



 

 

 



   3     3      3     3     3            

T. Sax.

 

Alto Sax 1-2

3

f

Bsn. 3 /Cbsn.

3



 

                     3 3

Fl. 2

B. Sax.

             

Fl. 1

rall. poco a poco











 












23

  Picc. 

120 Tempo

   

Fl. 1

  

n

       p Clarinet in Bb

  

Cl.

n

 

Cl. 1



 

Cl. 2 - Cl. 3

Clarinet in Bb

Cl.

 

Cb. Cl.

n

   

Bsn.

 

Alto Sax 1-2

T. Sax.

B. Sax.

S. Solo

Hn. 1, Hn. 3

 

 

 

 p p

     

Hn. 2, Hn. 4

 

C Tpt. 1 - C Tpt. 2

 

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

B. Tbn.

Tba.

Timp.

Perc. 1

Crot.

Xyl.

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

 -

row.

 

  

 

 

     





 

    

 

 

 

        

 

3

3

 

3

pp



 1

  n

       

          3

p

3

3













  











 



        

3

3

     

3

to - mor - row.



  

3

3

3

3

pp

 to

-



mor

-

 

 



pp

    

      

3

3

3

3



row.

 

  



   

 

   



 

  

3

3

 



  

 

3



   







 



  

pp

3 3                     

  

  

    

pp

un - til

     

EbFbG#A# BbC#Db

3

pp

 3

  12 

 



3

p



Bsn. 1



  





3



pp

  

3



3 3 3    3        3                      3





 3

3

  

 

 



  - mor 

p ]r=r



p



 

 

Bassoon

 

 

Bsn. 2

Bsn. 1 - Bsn. 2



n 3

pp

 

    

3

3                           3

pp

 

p

Eng. Hn.

 

3

  

n

    

Ob. 1 - Ob. 2

   

Fl. 3





  

Fl. 2

I q = ca. 52





3

3



 



 

 

A§ D§


24

q = ca. 78

   Picc.   125

   

Fl. 1

   

Fl. 3











   

Ob. 1 - Ob. 2

 



  

Cl. 1



    

Cl. 2 - Cl. 3

     

Cl.

  

     

Bsn. 1 - Bsn. 2

    

    

 



n

n

   

 

 

n

  

n

    

Bsn.



 

  

 

 

  

Cb. Cl.

    

Cl.

 

n

      

Eng. Hn.

 

   

 

    

Fl. 2

p ]r=r q = ca.  117 

n

to Picc.













To Eb Cl.

Piccolo

pp

    pp

     r =  r 





       





  

   

Clarinet in Eb



     





            











n

p

mp





























   







   











 











   















Tbn. 1 - Tbn. 2

  







B. Tbn.

  







   







  





 





 

 



















   



    



Alto Sax 1-2

T. Sax.

B. Sax.

S. Solo

Hn. 1, Hn. 3

  

   

  

  

Hn. 2, Hn. 4

  

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Tba.

Timp.

Perc. 1

Crot.

Xyl.

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

         

   

   

  



   

   

 

 

        

       

mp

3

       mp

3

 

 

 

 

         3   3



           3   3

 

Tambourine, thumb roll

3

      3



p

    

 p

  

       

 p



  

mp

   

     



 





 

 

      

      

    

 

         



      


25

r = r     

r=r

       

r=r

     

  Picc.  

    

Fl. 1

 









Fl. 2

 









133

Picc.

3

  

 

     





     3

          

Ob. 1 - Ob. 2

 

 

 

 

Eng. Hn.

 

 

 

Eb Cl.

 





Cl. 1

 





Cl. 2 - Cl. 3

 





Cl.

 



Cb. Cl.

 



Bsn. 1 - Bsn. 2

 

Bsn.

 

Alto Sax 1-2

  



3

  

       

  

  

  mf

  



  

 



  

 

 

 





































 





T. Sax.

 





B. Sax.

  





S. Solo

Hn. 1, Hn. 3

 

  

 p

      

mp

pp

p

 

































I´m

not

 

sleep - y

Hn. 2, Hn. 4

 









C Tpt. 1 - C Tpt. 2

 









C Tpt. 3 - C Tpt. 4

 









Tbn. 1 - Tbn. 2

 









B. Tbn.

 









Tba.

  









 

 

 

 





   









 

Timp.

Perc. 1

 

  

Triangle   



Crot.

 

Xyl.

 



Vib.

 

Glock.

  

  

Mar.

Cb.

Pno.

Hp.

    

 

















     



 

  



          

 

 

 

  



   

   p 

 

pp



    

p

    

 

 

 

  



  



   

 

mf

        

     

 

        

 





 









         

 

 

   



 

 

   

   

p



   

   

p

  



   



     

                                                        

  

p

     

 

softest sticks

  



p


26

141         

 Picc. 



 



 

 



 

 

     

 

 



 



 

       

Fl. 2

Picc.

Ob. 1 - Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Fl. 1

 

n

Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Bsn.

Alto Sax 1-2

T. Sax.

 

 



and

there

is

Cl. 2 - Cl. 3

B. Sax.

S. Solo

Hn. 1, Hn. 3





no



place



I'm



go

-

-



ing

to.

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

B. Tbn.

Hn. 2, Hn. 4

Tba.

Timp.

Perc. 1

   





  







Crot.

Xyl.

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

   

 

  

 





 

  

   

 

 

                                



 

 



  

   





  

 



 

  

 



 

  





 

  

pp

 

  



 

 

  

n

 

 

  

    

 

  

    

 

      

      



     

  

        



     

  



   





    



   

 

 

           

     

           







    



n

(p)


27

 Picc. 

Fl. 2

Picc.

Ob. 1 - Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1

Cl. 2 - Cl. 3

Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Bsn.

Alto Sax 1-2

T. Sax.

148

Fl. 1

B. Sax.

S. Solo

 



C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

B. Tbn.

Hn. 1, Hn. 3

Hn. 2, Hn. 4

Tba.

Timp.

Perc. 1

  

Crot.

Xyl.











 

 

 

  









 

 

 

Wood Block

  

  

pp

pp



































(pp)



















 

















Glock.



Cb.

  

Pno.

Hp.





 







 







 



 

pp



n

 n

Vib.

Mar.


John Corigliano trans. Verena Mösenbichler

SCORE IN C (July 2009) 28

1. Clothes Line e = 96-104

   Piccolo 1   



    

  

Flute 1

    

Flute 2

    

Ob. 1 - Ob. 2

    

English Horn

Clarinet in A

     

Clarinet in Bb 1 (Clarinet in A)

p

    

Cl. Bb 2 - Cl. Bb 3

Bassoons 1-2

   

Bassoon 3 (Contrabassoon)

Bass Trombone

Glockenspiel

Marimba

Contrabass

Piano

Harp

  





 

 



    



  

 







 



 



Ob. 1

p with simplicity

 

 

    

 

 

 

 





 





 

 





 





 





 





            



 



 



 

 

  

      

         

 

 



 

 





 





 

 

 





 



 





 

3. take straight mute



  

 



 

take straight mute

    

 



take harmon mute



    

p

  

3. take cup mute

   

 



1. take straight mute



    

   

       

       

Percussion 2

Percussion 4: Vibraphone



 

 

 



   

Trombones 1-2





        

 





    

C Trumpets 3-4

Percussion 3: Xylophone

To Bassoon

  

 

 

sempre



     

C Trumpets 1-2

Percussion 1

p with simplicity

    

Horn 2, 4

Timpani



    

Soprano

Tuba

    

Tenor Saxophone

p with simplicity

 

    

Alto Sax 1-2

Horn 1, 3

with simplicity

     Bsn. 1

Baritone Saxophone

     

   

Contrabass Clarinet in Bb



    

Bass Clarinet



    

Clarinet in Eb

 

          



    

Flute 3

r=r

         

         

       

 

                 

  Tacet

Tacet

Tacet

Tacet

  

Tacet

     













 









 











               

  

1. open

p with simplicity

   

 

 

 

    

 

 

 

 

 

 

 

 

 

 

 

 

 

 

     





a2, with harmon mute

             

p



    

1. with straight mute

1. take straight mute



















 











   

                



















 











   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


29

   Picc.   7

   

Fl. 1

    

         

Ob. 1 - Ob. 2

Eng. Hn.

   

Cl.

    

Cl. Bb 2 - Cl. Bb 3

   

B. Cl.

    

Cb. Cl.

    

Bsn. 1 - Bsn. 2

   

Cbsn.

   

Alto Sx. 1 - Alto Sx. 2

   

T. Sax.

  

     

p with simplicity

p with simplicity





   

  

  

  

Perc. 2

   

   

   

   

   

    



   

p with simplicity

   

         

   

   

   

   

     



      



 



E§F#G§A§ B§C#D§

   

pp

 





 



  







 



 

 









Bsn. 1









      p simply

Af - ter a while



3 8

pp

     

we took in the clothes,



 



  



 

 

                       

quasi

 

  

 

   



 

     1 +2 take cup  mute             



pp

 

   

Hp.

a2

B. Tbn.

Pno.

              p with simplicity pp Bsn. 2

    

Cb.

    



   

Mar.

       

  

Tbn. 1 - Tbn. 2

Glock.

 

C Tpt. 3 - C Tpt. 4

Vib.

 

 

C Tpt. 1 - C Tpt. 2

Xyl.

 

   

   

Perc. 1

 

 

Hn. 2 - Hn. 4

Timp.



1.

pp

         

 

   

S.

Tba.

 

   

Eb Cl.

Hn. 1 - Hn. 3



  

   

Fl. 3

 

 

   

Fl. 2

B. Sax.

  

     p

 

  

 

 



1.

  

 



p



 

 

 

 

 

 

      

  

 

 

 

    

No - bo - dy said

  ve - ry much.

 



 



 



 



 



 



 



 



 



 



 



 

 

 



 



 



 



 



 



 



 

 

 


30

   Picc.   13

   

Fl. 1

   

Fl. 2

   

Fl. 3

    

Ob. 1 - Ob. 2

   

Eng. Hn.

    

Cl. Bb 2 - Cl. Bb 3

   

B. Cl.

T. Sax.

    

   

Hn. 2 - Hn. 4

   

C Tpt. 1 - C Tpt. 2

   

C Tpt. 3 - C Tpt. 4

   

Tbn. 1 - Tbn. 2

   

B. Tbn.

Perc. 1

   

  

  

Perc. 2

Xyl.

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

  

   

   

       

   

   



  

           

         



  

pp













p

         pp

pp

a2

pp



           





3

3

3



















































 













 

 

 

 

 

 

p

 

 

  

 

   



              mp



pp

 3   3

and a cou - ple pairs of pants Which no-bo - dy real - ly want - ed to touch.

   

  



   

 

   





      



pp





   

   

p

 



Just some old wild shirts

 



 



 a2

 

     



 

    

 



 







 

pp

 





pp



 

 

 

p

 

 





42

      

S.

Timp.

   

    quasi

Tba.

           

Alto Sx. 1 - Alto Sx. 2

  

   

Cbsn.

Hn. 1 - Hn. 3

 

    

Bsn. 1 - Bsn. 2

B. Sax.

   

Cb. Cl.

 

       

   

Cl.

   

Eb Cl.



Ma - ma come in and

with straight mute

 

pp

ppp

 

pp

   



pp

 

   

 


31

  Picc.  17

Fl. 1

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

Eng. Hn.

Eb Cl.

Cl.

 

Cl. Bb 2 - Cl. Bb 3





 



  

 







  

B. Cl.





 

    3

   

 

 

  

  



Cb. Cl.

Bsn. 1 - Bsn. 2



Cbsn.

Alto Sx. 1 - Alto Sx. 2

T. Sax.

B. Sax.

 

S.

Hn. 1 - Hn. 3

Hn. 2 - Hn. 4

 

C Tpt. 3 - C Tpt. 4

   

 3  

picked up

a

Perc. 1

Perc. 2

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

 

 

 

 

n



  

 

Some - one

 

 

 

 

 

 











 

    3

"What do

you care?"



Pa - pa

said, "Well,











     

 

   

 















else aksed,



 



  





  

 

 











 

 



was.

pp

 

Xyl.

it

Timp.

Pa - pa asked her what





   3

with straight mute

B. Tbn.



p



  

 



remove mute

 



An'

 



   



Bsn. 2

3

book

 

 



  

 



Tbn. 1 - Tbn. 2

Tba.

 

     

C Tpt. 1 - C Tpt. 2



p

 

rall.

  



 

 

 

 









just

 be -


32

  Picc.  20

Fl. 1

Fl. 2

Fl. 3

  

      

Eng. Hn.

Eb Cl.

Cl.

Cl. Bb 2 - Cl. Bb 3

B. Cl.

Alto Sx. 1 - Alto Sx. 2

 

T. Sax.

 

S.

p

 

 

C Tpt. 3 - C Tpt. 4

  

 

 



Mar.

Cb.

Pno.

Hp.

 

 



 



 



 





   

   





 



3 8



      

Then they start - ed

 

 

 

Bsn. 2

quasi

     

   

Bsn. 1

p



to take back their clothes,

1.

  

mp

      

     

   

Hang

'em on

     the line.

    remove mute   

 

   



 



 



 

   





Glock.

 



Vib.

 

 



      



 



Xyl.





Perc. 2

     

      







p





B. Tbn.

Perc. 1





   



 

Timp.





 

p



 





  

Tbn. 1 - Tbn. 2

Tba.



         

cause."

   

C Tpt. 1 - C Tpt. 2



  

  

Hn. 2 - Hn. 4

Cbsn.





p

  

Bsn. 1 - Bsn. 2

Hn. 1 - Hn. 3

p



Cb. Cl.

Ob. 1 - Ob. 2

B. Sax.

a tempo































 



 



 



  

 

       

           

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 





2.   

mp

   

  

mp



  



    





3

It was Jan - u - ar - y

                  



























 







 




33

  Picc.   26

  

Fl. 1

  

Fl. 3

  

Ob. 1 - Ob. 2

  

Eb Cl.

Cl.

Cl. Bb 2 - Cl. Bb 3

   

   

  

T. Sax.

 B. Sax.   

mp

 

   

Hn. 2 - Hn. 4

 

B. Tbn.

Glock.

Mar.

Cb.

Pno.

Hp.

  

  

  

  

 

Perc. 2

Vib.

  

Tbn. 1 - Tbn. 2

Xyl.

  

C Tpt. 3 - C Tpt. 4

Perc. 1

3

 



  

  

  

     

 

  

   

 

     

  

  

 

mp

   

 













  











   

 





 



 

          

   

 

  

  

Both players to Sop. Sax.



  

mp



p





p



p

 



 





 





              mf

mp

 

      

p

Bassoon

 



 



 

  



    

                                              

 





mp





 



mf



 



 



mf

   

  

 mp

    mp

  

mp









 







 

 

 

 

 

 

 



   

fine.



 

    

the thir - ti - eth And ev - ery - bo - dy was feel - in'

  

C Tpt. 1 - C Tpt. 2

Timp.



       





  

Tba.



   

   

  

   







 



 

 3             

S.

Hn. 1 - Hn. 3

  2.

    

Alto Sx. 1 - Alto Sx. 2

  p

mp

  

Cbsn.

Clarinet in Bb

  

Bsn. 1 - Bsn. 2



   

Cb. Cl.

 

p

  

B. Cl.

 



  

Eng. Hn.





 





 



 

 

 



  

Fl. 2



                   

  open   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

    

 

 

 

Hn. 1

  

mp

      

 

     







(with straight mute)



        

  p



















p

 



 

 



 



 



               

  



























 





 

   1. take cup mute

              



 





























 





 

mp

    3

The next day

                   


34

  Picc.  32

Fl. 1

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1 Bb/A

       

 

Cbsn.



Alto Sx. 1 - Alto Sx. 2

T. Sax.

B. Sax.



C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

 





Vib.

Glock.



Hp.

   



 



 



      

   





  





    

mp





 

 

if the clothes were dry.

The

    3

   p

dogs

 

 

3   

pp

    

A#

  

  



       

a

 

 

       Ma - ma,

of course,

 



 

 



 

 

 

 

Soprano Saxophone



 







 



 

  



 

 



 



 



 



 

 

 

neigh - bor passed,



 

   



 

     



were bark - ing,



     

 

    

non arp.





mp



pp





  

 

 



   

 



 















mp





3



B. Tbn.

Xyl.



See - in'

Perc. 2



 

Tbn. 1 - Tbn. 2

     



ev - ery - bo - dy got up







 5

Hn. 2 - Hn. 4



 

  



         

S.

  

Pno.



Bsn. 1 - Bsn. 2

Cb.





Mar.



Cb. Cl.

Perc. 1

 



Timp.



  

B. Cl.

Tba.



    

Cl. Bb 2 - Cl. Bb 3

Hn. 1 - Hn. 3



 

 

        

she

said,

     

         



 

         

 

   

 

 


35

  Picc.   37

Fl. 1

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1 Bb/A

Cl. Bb 2 - Cl. Bb 3

B. Cl.

Cb. Cl.

q = 72

 

 

 

     

     

 

            *

Bsn. 1 - Bsn. 2

* legato

     

 

legato p

Cbsn.

 

Sop. Sax.

 

T. Sax.

B. Sax.

S.

 

       p

legato

   

  

Hn. 2 - Hn. 4

 

C Tpt. 1 - C Tpt. 2

 

fp senza vib.





fp senza vib.

fp

 





 

  

     

       "Have you heard

the news?"

 

(f) sf

mp

        

he said, with a grin,

f

    

        3

"The Vice - Pre - si - dent's

gone mad!"

 C Tpt. 1

B. Tbn.

 

  p



3. with cup mute

  

p

p

 

  

 

 

  

 

Perc. 2

   

   

 

       

* 5 unaccented beats * 5 unaccented beats

    p

  

 

  



"Where?" "Down - town"

 

Hp.

Tbn. 1 - Tbn. 2

Pno.

(as him)

p      

Cb.

(as her) (f)

Mar.

Glock.

Alto Saxophone

Vib.

 

Xyl.

Perc. 1

To Alto Sax.      

Timp.

Tba.



C Tpt. 3 - C Tpt. 4

(as him) mf

 

(f) sf

 

senza vib.

"Hi!"

Hn. 1 - Hn. 3

*    legato

  

 

  

*



 

 


36

 Picc. 

Fl. 1

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1 Bb/A

42



Alto Sx. 1 - Alto Sx. 2

T. Sax.

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

B. Sax.



    

S.

Hn. 1 - Hn. 3

(as her) mf

 

"When?"

Hn. 2 - Hn. 4

   

C Tpt. 1 - C Tpt. 2



   

B. Tbn.

 



p

 

 pp

 

 

pp



 



 



  

 

 







   

(as her, calmed down) (p)

"Last night."

 

"Hmm,



3

      say,

that's too

bad!"

3                  

(as him)

"Well,

there's no - thin' we can do a - bout it,"

said the neigh - bor,

remove mute

3. remove mute

remove mute



    pp

 

    pp

    

   

Xyl.

Vib.



Tba.

Timp.

Perc. 1

Perc. 2

Glock.

Mar.

Cb.

Pno.

Hp.

 

  pp







(as him) p







 

Tbn. 1 - Tbn. 2



pp

C Tpt. 3 - C Tpt. 4

pp Cl. 2

Cl. Bb 2 - Cl. Bb 3





  "It's


37

 Picc. 

Fl. 3

Ob. 1 - Ob. 2

Eng. Hn.

Eb Cl.

47

Fl. 1

Fl. 2

  

Cl. 1 Bb/A

Cl. Bb 2 - Cl. Bb 3

B. Cl.



 p









 









 



 

  



 

 legato

  

p

 

  

Bsn. 1 - Bsn. 2

legato

 

Cb. Cl.



  







 

 

  

 

























 

 

 

 













 

Bsn. 1



Alto Sx. 1 - Alto Sx. 2

T. Sax.

B. Sax.



 

Hn. 1 - Hn. 3

 

Hn. 2 - Hn. 4

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

just

         

some - thin' we're gon - na have

to



for - get."

 "Yes,

  

 

I

so"

guess

B. Tbn.

Xyl.

Vib.

Glock.



Timp.

Perc. 1

Perc. 2

Mar.

Cb.

Pno.

Hp.

 

 

 



   

             

said

 



Tbn. 1 - Tbn. 2

Tba.

 

   



 

 



S.

Cbsn.

 

               

  

                   


38

e = 96-104

  Picc.   52

               

Fl. 1

p

  

Fl. 2

Cl. 1 Bb/A

Cl. Bb 2 - Cl. Bb 3

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

 







  



  

  

    

S.

   

  

  



 



 

pp

   p

 

pp

Clarinet in A



p



 

Cl. 2

 p

 

   

 



 



 



 

   

quasi

Ma,

3 8

 

     

Then she asked me

      

if the clothes was still wet.

 

     I reached up,

    

touched

    

my shirt,

And the

open

 

 

 

 



 

  



 

  

 

 

 



 

  



 



 

  



 

  



 



 

  



 

  

  



 

 

 

  

  



 



 

  



 

  





Tbn. 1 - Tbn. 2

  

B. Tbn.

  

  

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Perc. 2

Hp.

 

Pno.

  

Cb.

 

 

Hn. 2 - Hn. 4

Mar.

 



Glock.

 

   

  

Vib.

Xyl.

 

Perc. 1

 





Timp.

  





Tba.

  

Hn. 1 - Hn. 3

 

 

  

T. Sax.

  

 

  

Alto Sx. 1 - Alto Sx. 2

    

    



   

  

       

 To Cl. in A  

  

 

 

  

Eb Cl.



  

Eng. Hn.

 

  

Ob. 1 - Ob. 2

  

  

Fl. 3

B. Sax.



  

  

  

p

 


39

   Picc.   57

    

Fl. 1

       

   

Fl. 2

   

Fl. 3

   

Ob. 1 - Ob. 2

Eb Cl.

Cl. 1 Bb/ A

   

Cb. Cl.

      

Bsn. 1 - Bsn. 2

   

Alto Sx. 1 - Alto Sx. 2

   

T. Sax.

   

    

S.

     



 



 



   

Hn. 2 - Hn. 4

   

C Tpt. 1 - C Tpt. 2

   

C Tpt. 3 - C Tpt. 4



  

     1.

2. p

  







  

    

p

p

 

 

  



     





 

 



      

   



 

    

 

 

   

       





     

  

  

 





   

 







 





 



 



 



              3     I said, "Some of 'em, not all

    





of 'em."

                

He said, "Ya al - ways help out a - round, here withthe chores?"

 

I said,

p open



 



 





 



      

"Some - time , not all

 open 

   p

   

 

   



 



B. Tbn.

   



 



Timp.

Perc. 1

      

  

Perc. 2

Xyl.

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

  

       

    

 









    

 

 

 

 

 

    

  

 



    

 



    



 





 

   





   



 



   



 



  

               

   



 



 

   

 

 

 

 

   



 

  

the time."

   

Tbn. 1 - Tbn. 2

Tba.

mp



   

     

 

 

neigh - bor said,"Are those clothes yours?"

Hn. 1 - Hn. 3

 



   

Cbsn.

 

  

 

 

   

B. Cl.

  



   

Cl. Bb 2 - Cl. Bb 3

  

 



   



           

Eng. Hn.

B. Sax.

   


40

  Picc.  61

Fl. 1

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

Eng. Hn.

Eb Cl.

Cl. 1 Bb/ A

      

B. Cl.

Cb. Cl.

Cbsn.



Alto Sx. 1 - Alto Sx. 2

T. Sax.

 

S.

Hn. 2 - Hn. 4

p

 

C Tpt. 3 - C Tpt. 4

  p



 3          

       

Then my neigh - bor, he blew

3

his nose

open

3

 

    (f)sf     (f)sf

 

  fp

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.



  



   

 

 

 



p

  

pp

 

    

sf

 



pizz.

 



 



 

 



p

them clothes."

 

       

   

         

 

    

 

f

  





3

    



 



Xyl.



Perc. 2

 





 

Perc. 1





Timp.

 

Tba.



  3

B. Tbn.



 

  3       



  

 

"Ma - ma wants you t'come back in the house and bring

fp

 

pp

(freely)

3   

Just as Pa - pa yelled out - side,

open

3



 

f

3

 

 

 

 

sfp



 

 



 

sfp



 

  

sfp



 

  

 



 



 

sfp

3

 

 

   

Tbn. 1 - Tbn. 2



   

  3       

Bsn. 2

             

C Tpt. 1 - C Tpt. 2

 

p



Bsn. 1 - Bsn. 2

Hn. 1 - Hn. 3

               pp     

Cl. Bb 2 - Cl. Bb 3

B. Sax.



   

 

     

 

          

                 


41

  Picc.   65

  

Fl. 1

  

Fl. 2

  

Fl. 3

  

Ob. 1 - Ob. 2

  

Eng. Hn.

  

Eb Cl.

  

Cl. 1 Bb/ A

    

Cl. Bb 2 - Cl. Bb 3

  

B. Cl.

    

Cb. Cl.

  





 

 

 

  

 

 

 

 



 



 



 

 

      

  

   



 

  

  

p

 



 

 



  

 

 

  

      



p

 

 

 

p



 

 

 



 



 



 

 



 



 



 



 

 



 

 



 



 



 

  



 



 



 



 

 

Bsn. 1

 

 

1.



 

  

 

  

Hn. 2 - Hn. 4

p

 





S.



    

 

  

T. Sax.

 

  

Alto Sx. 1 - Alto Sx. 2





 

  

 

 

  

Cbsn.

Hn. 1 - Hn. 3



    

Bsn. 1 - Bsn. 2

B. Sax.

 

p



Well,

    I

 just



do

  

what

I'm

told,

     

So,

I

did

it,

   of course,

  I

 

 



  



 



 



 

Tbn. 1 - Tbn. 2

  



 



 

B. Tbn.

  



 



 

  



 



 

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Tba.

Timp.

Perc. 1

  



 



 

 



 



 

  



 



 



 



 



 



 

Perc. 2

Xyl.

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

  

  

  

 

 

  

 

 



 



 

  

 

 

 

 

  



 



 

 

 

 

 

  

  

  

 



  



 



 



 

  



 



 


42

   Picc.   69

     

Fl. 1

   

Cl. Bb 2 - Cl. Bb 3

    

went

     

    

Hn. 2 - Hn. 4

   

C Tpt. 1 - C Tpt. 2

   

C Tpt. 3 - C Tpt. 4

   

Tbn. 1 - Tbn. 2

B. Tbn.

          

  

Perc. 2

Xyl.

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

  

       

    

       

  

back

Hn. 1

in

  

p

            







  and





Ma - ma

  Hn. 2

  p





pp



       

pp

senza vib.

pp senza vib.



 

And

            



   



   

 

   

 

   



pp

then

I

shut

  pp

senza vib.

 

 

pp

       



 



 



 

 



 

 



 

  

 

 

all

the





    

 

 



 



 

         

arco   

senza vib.

     pp

     



 

  

 

pp

 



   

E§F#G§A§ B§C#D§

 

       

   

       

 



 

   

 

 

 

 



 

doors.

 





 



senza vib.

 



 



pp senza vib.









  

 



senza vib.

 



  



me



senza vib.

 

   



pp

   

  



 

met





the house







     



 





   

S.



   

T. Sax.

 

   

Alto Sx. 1 - Alto Sx. 2

Perc. 1



   

Cbsn.

Timp.

 





    

Bsn. 1 - Bsn. 2



   

Cb. Cl.

 



 

   

B. Cl.

Tba.

  



      

Cl. 1 Bb/ A



   

Eb Cl.

 

   

Eng. Hn.





   

Ob. 1 - Ob. 2





   

Fl. 3

Hn. 1 - Hn. 3



   

Fl. 2

B. Sax.

 

   

pp



           


SCORE IN C (July 2009)

2. Blowin' in the Wind

43

Solemn q = 60   

Flute 1

 

Flute 2

 

Flute 3

 

Ob. 1 - Ob. 2

 

English Horn / Oboe 3

 

Clarinet in Eb

 

Clarinet in Bb 1

 

Cl. Bb 2 - Cl. Bb 3

 

Bass Clarinet

 

Contrabass Clarinet in Bb (displayed an octave above sounding)

 

Bsn. 1 - Bsn. 2

 

Bassoon 3/Contrabassoon

 

Sax. 2

 

Tenor Saxophone

 

Baritone Saxophone

  

  

Piccolo 1

Alto Sax. 1 - Alto

Soprano

Hn. 1 - Hn. 3

Hn. 2 - Hn. 4

     

C Tpt. 1 - C Tpt. 2

 

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

Bass Trombone

Glockenspiel

Marimba

Contrabass

Piano

Harp

 



 

 

 

 

 

  

p sost.

  

 

p sost.

Large B.D. 1 *

  

Percussion 2

Percussion 4: Vibraphone

 

  Timpani  

Percussion 3

p sost.

    Tuba 

Percussion 1

pp

 



 

 

p sost.

  p

















 

  

 Large B.D. 2 *

pp

 

 

 







  

   

Tbn. 2













p sost.







 

 

 

 

pp



  

 

 

 

 

 

 

 

  

* Use two large bass drums with different sounds. Bass drum 2 should be tuned lower.


44

6

 

Fl. 3

Ob. 1 - Ob. 2

Eng. Hn./Ob. 3

Eb Cl. / Bb Cl.

Picc.

Fl. 1

Fl. 2



 



 

p

p

 

  

  

   





Cl. Bb 1

Cl. Bb 2 - Cl. Bb 3

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

p sost. 1.

p sost.

Cbsn.

Alto Sax. 1 - Alto

 

Sax. 2

T. Sax.

B. Sax.



  

Hn. 1 - Hn. 3

Hn. 2 - Hn. 4

a2



C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

 Tbn. 1

 

Tbn. 1 - Tbn. 2

B. Tbn.

Tba.

p



 

Perc.

 

Perc.

 

Glock.

Mar.

Cb.

Pno.

Hp.



 

 





 

 







 Timp.   Perc. 

Vib.

S.

p

ppp

p sost.

How

  

 Contrabassoon

Bsn. 2



p sost.





a2

Bsn. 1



Bsn. 2









p sost.

 

 



















  

 

  

ma - ny roads

must a

 

man



walk

down

n

 

n

Be - fore

n

n

    

  

you call him

n

a

 man?

Tbn. 2

 

p

 

p

 

 

 



 

6

p sost.

 E§F§G§A§ BbC#D§

p sost.

 p

 



  









 

 

 

sost.



Cb Db



 Eb



Crot. Tamtam

Yes,



mf













Ab

 


45

11

Picc.

 

 

Fl. 1

 

Fl. 2

 

Fl. 3

Ob. 1 - Ob. 2

Eng. Hn./Ob. 3

 



 



 



   

 

  

  

 

  





Eb Cl. / Bb Cl.

Cl. Bb 1

Cl. Bb 2 - Cl. Bb 3

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

 

Cbsn.

Alto Sax. 1 - Alto





Bsn. 1





   

 

 







 





n



n

Sax. 2

T. Sax.

B. Sax.



S.

 

   

 

  

 

 

n

mp

Hn. 1 - Hn. 3



Hn. 2 - Hn. 4

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

'n'

how

ma - ny seas

 

Tbn. 1 - Tbn. 2

Tba.

 

B. Tbn.

must

Timp.

Vib.

Glock.

Mar.

Cb.

Be - fore

she

 

sleeps

p

 



p

 

 







n

p









 



11

  



pp



  



 



 

 





F# D§

 



 E§



 

 





 









 

n

Yes,

(p)

sand?



the

f

 







in

mp

Hp.

 

 

Pno.

sail



  

Perc.

Perc.

dove



    Perc. 

white



a

 

 

pp

  

n

 

 

 


46

15

 Picc. 

Fl. 1

 

Fl. 2

 

 (p)

 (p)

  

 

  

  

 

 

  

  

 

 



 











Eng. Hn./Ob. 3

Eb Cl. / Bb Cl.

Cl. Bb 1

Cl. Bb 2 - Cl. Bb 3

B. Cl.

Ob. 1 - Ob. 2

Cb. Cl.

Alto Sax. 1 - Alto

  

Sax. 2

T. Sax.

B. Sax.

  

S.

 

Hn. 1 - Hn. 3

  

Hn. 2 - Hn. 4

 

C Tpt. 1 - C Tpt. 2

 

C Tpt. 3 - C Tpt. 4

  

 

mf

'n'

how

ma - ny

 

B. Tbn.

Tba.

 

   Perc.  Perc.

Perc.

Vib.

Glock.

Mar.

Cb.

Pno.

 



 

must the

p sost.





 

sost.

p

 

can - non

 

 

p

  

ball

fly

 

p

   

a2

 p

sost.











 





  



 





 

 





Tbn. 2

 







pp



15





 

 

p





p

E§F#G#A§ B§C§D§





  

  



  

pp (ten.)

 

The



p

   

To bowed Crotales

   





To Crotales





Glock., softest sticks possible

p

  

 

p

  

 



  

 



  









rall.



  



 





To bowed Crot.

 





 





Tbn. 1

 



   

p



banned?

  

 

  





p



  

  



pp

 



 

  



 

(ten.)



 

 

 



 

Hn. 4  

er

-





 

 



  

p



they're for - ev





     

p

  

 



 

Be - fore





  

C Tpt. 4

f

 



p

 

 





Hp.

times

Timp.

 

  

p

Tbn. 1 - Tbn. 2

 

p

 







p

 



Cbsn.

 



Bsn. 1 - Bsn. 2



 

Fl. 3

rall.



  


47

19 q = 50

Picc.

(Tempo II)

   

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

Eng. Hn./Ob. 3

Eb Cl. / Bb Cl.

Cl. Bb 1

 

 

 

  

1.

  

pp

   

B. Cl.

 C. Bb 2

    

    

Bsn. 1 - Bsn. 2

    

pp

 

pp

Bsn. 2

Alto Sax. 1 - Alto

Sax. 2

T. Sax.

B. Sax.

S.

      

 

  

  

  

Hn. 1 - Hn. 3

an take straight mute

 

Hn. 2 - Hn. 4

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

 

take harmon mute

   

Tbn. 1 - Tbn. 2

B. Tbn.

 

     Timp.     Crot.    Tba.

Perc.

Crotales, soft sticks  

 Vib.    Glock.

Mar.

Cb.

Pno.

Hp.

   

 

pp

  

*

pp

   

 

-

 

swer,

my

friend,

is

in

the

 

pp

   

  

    

   





EbF#GbA§ B§CbD§

pp

*

   

19

* Five slow, even pulses. Try to enter between the fourth and fifth pulse of predecessor.



pp

 

         pp 

  

   

 

 

    

pp

remove mute











 



  Crot.





  

      



  

pp

 

 





  



is

 

     

swer



 



 



-

 

  

-















  







n











 







  



an





 







The





(ten.)



 



 n

 

 

 

pp





  





 

 



n

pp

 

 

with harmon mute



Bsn. 1



     

 

wind,



      

blow - in'

 

3



(ppp)



    

pp

 



   





3



pp

 

 



   

n

  

    

 

 

  

 





 

 

Vib., motor on, soft sticks

       

pp

pp



 

 

 

pp

bowed Crotales (let all pitches ring)

  

 



pp



 

Cl. Bb 3





 

bowed Crotales (let all pitches ring)

Crot.

    



  



Cb. Cl.

Cbsn.

   



n

ppp legatissimo, floating

Cl. Bb 2 - Cl. Bb 3

pp



pp



n

pp

Fl. 1







 

 

   

    

         





  








48

24

   Picc.   Fl. 1

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

Eng. Hn./Ob. 3

         

Cl. Bb 1

 

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

Alto Sax. 1 - Alto

Sax. 2

T. Sax.

B. Sax.

S.



 

 

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4







B. Tbn.

Tba.

Glock.

Mar.

Cb.

Hp.

 



  



  

    

 -

3



in'

in

Hn. 1

 

 

 

To Bass Drum 2

 



 

 

pp

  

pp

  pp



pp

 







 

B. D. 2 pp



 

   

Percussion

To Susp. Cymbal

 

 

 

 

 

 

 





 

pp

  

pp

 

pp



pp



p

p

  

 n

 

 

p  

 

             

To Bsn.

n

    



 

must a

man

  

look

n

up

 

n

 

















n

n

 n

 









24

How ma - ny times



 

pp





p



 





 

 

pp



p

EbF#G#A§ B§C#D§

  







   











  



pp





 

p



 

 

         

pp

   

 



the wind. with straight mute with mute

  

 



 

 

(ten.)





q = 60

p



   



Tempo I



 

Pno.

 

 Perc.    Vib.

 



pp

  Timp.     Crot.   Crot.

Bsn. 1





pp

 

Tbn. 1 - Tbn. 2

n

pp



Bsn. 2

   

Hn. 2 - Hn. 4

n



blow

Hn. 1 - Hn. 3

   

    

string.

n

 

Eb Cl. / Bb Cl.

Cl. Bb 2 - Cl. Bb 3

q = 50

 

 



  

 

p

 

 

 

p


49

29

Picc.

Fl. 1

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

Eng. Hn./Ob. 3

Eb Cl. / Bb Cl.

Cl. Bb 1

Cl. Bb 2 - Cl. Bb 3

B. Cl.

 



 

  



 

 

p



p

 

p



   



   

   

to Oboe

 



 p

 



  

 

    p

p

 





 

 

  

   

    



Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

Sax. 2

T. Sax.

B. Sax.



Alto Sax. 1 - Alto

S.

    

 

Hn. 1 - Hn. 3

Be - fore

he can see

 

the



sky?

Yes!

Hn. 1

 

mf    

p

Hn. 2 - Hn. 4

    

'n' how (with mute)



Hn. 2

   

mp

     

ma- ny ears



p



       

p (with mute)



Bassoon

   p

  

Be - fore

 

3

can hear peo - ple

cry? remove mute

remove mute

 

 

  

   Timp.   Perc. 

Perc.

Perc.







C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

B. Tbn.

Tba.

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

 

 

 

 

 

 

29

   

 

    (actual pitch)

p

f

   Yes.

C Tpt. 1 - C Tpt. 2

 



 

mp

3       

he

 

   

p

must one man have



 

3



   

p

Bass Clarinet

p



p Oboe

  


50

35

 Picc. 

   

 

Fl. 1

   

 

Fl. 3

sf

    sf

sf

   

   

sf

 

Fl. 2

    sf

sf

 

   

    sf

sf

    

sf

 

   

 

   

Eb Cl. / Bb Cl.

Cl. Bb 2 - Cl. Bb 3

B. Cl.

mp

 

 

 

mp

mf



mp

Cb. Cl.

mf

 

 

 

  

  f

        

f

 

  

        

Bsn. 1 - Bsn. 2

to Contrabassoon

Bsn.

Sax. 2

T. Sax.

Alto Sax. 1 - Alto

B. Sax.



  

 

Hn. 2 - Hn. 4

 

C Tpt. 1 - C Tpt. 2

 

C Tpt. 3 - C Tpt. 4

mf

mf

    

S.

Hn. 1 - Hn. 3

'n' how open

   mp

open

      

ma - ny

deaths

 

 

3

     will it 3

     

mp



 

 

3

  3   

'till

he knows

That







 

 

                            

 

mp

B. Tbn.

Tba.

Timp.

Perc.

   

Perc.

Perc.

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

 

 



ma - ny peo

-



Suspended Cymbal

p

        



p

    

died?

pp (ten.)

 

The

 take harmon mute    

mp

   p

p

p

 

f





   

    

p

to bowed Crotales

to bowed Crotales

  

 



 

p



       

 

    



f

  

p



 



      

35

          

   

f

mf

 

p Bsn. 2

 



mf

   

 

 

   

mp

 

have

   



ple

mp

f

 

 

    



 



f

mp

    

p

   p 

 



f

 

p

  

    f    



too

f

Tbn. 1 - Tbn. 2



f

  

f a2

 

  mp

 

f

 3       take



f

p

 

 

Bsn. 1



f

mf

p

p

Cl. Bb 1

   

Eng. Hn.



Ob. 1 - Ob. 2

 



q = 50

rall.

   

  pp


51

40

Picc.

  

(Tempo II) 

pp

Fl. 1



 

Fl. 2

 

 

Eng. Hn.

Eb Cl. / Bb Cl.

Cl. Bb 1

Cl. Bb 2 - Cl. Bb 3

B. Cl.

 

n





a2

pp

  

 

      

T. Sax.

Hn. 1 - Hn. 3

 

an

-

-

Hn. 2 - Hn. 4

C Tpt. 1 - C Tpt. 2

friend,

3

  is

C Tpt. 3 - C Tpt. 4

my

swer,

growl    



  

S.

B. Tbn. Tba.

blow - in'

 

in

the

 

   



wind.

with harmon mute

 

   a2

   

 

pp   Timp.   bowed Crotales (let all pitches ring)   Crot.   

Crot. Perc.

Vib. Glock.

Mar.

Cb.

Pno.

Hp.

     Crot.

pp



     

 

 

  pp

to Marimba

  



  

pp

  

EbF#G#A§ B§CbD#

        pp

 

 

sub.

   

  

 

 

growl

 

 

growl

    

  

   

mp

3

3

3

         

moun - tain ex - ist

 

  

 

   

   

flutter tongue

   

 



 







sub.

  

     

 

       sul. ponticello     

       

 

Be -

 

to Xylophone   two players (Perc 1. helps out)                     mp     mp

 



      

  

   

   

  



  

  



   

remove mute

  

  

     

  

   

to suspended cymbal

 

 

flutter tongue

  

     

   

   mp

growl

   

  

 

 

  

 

3

  play 2nd Marimba part: m. 43 - 48    

con. sord.

 

        mp

How ma - ny years can a

flutter tongue

 

40





pp

 

bowed Crotales (let all pitches ring)

 



 

 

     

pp

pp

sub.

 



  

mp



 

 3

  flutter tongue    

mp sub. growl

 

  



mp

Tbn. 1 - Tbn. 2

   



Sax. 2

 







mp

3

   

  

mp



  



n



flutter tongue       

 

B. Sax.

  

 

Bsn.

  

mp

Bsn. 1 - Bsn. 2

pp

 

con. sord.

 

n

flutter tongue       

mp



floating, legatissimo

  

pp

ppp

pp

Alto Sax. 1 - Alto



 

Cb. Cl.



  

 Ob. 1

Ob. 1 - Ob. 2

n

pp

Fl. 3

Tempo I subito

             


52

45

 Picc. 

 

Fl. 1

 

         f        

Fl. 2

Fl. 3

f

f

Eng. Hn.

Cl. Bb 1

      f

Cb. Cl.

Bsn. 1 - Bsn. 2

S.

Hn. 1 - Hn. 3

 

fore

it's

 

C Tpt. 1 - C Tpt. 2

      

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

 

B. Tbn.

    Timp.   Perc.  Tba.

Mar.

Cb.

Pno.

Hp.

3

 

 mp     f          

3

 

  mp

 

3





 

45

mf

   

 f 3          wind." Yes! 'n'     sf

ossia:

       is

blow - in'

in

 

 

 

3

swer



  

 

the



 

 

  



mf sost.



 ('n')





  

  

 



        

Xylophone

 

flutter tongue

  

 

Slap Stick

sff

    (f) sff  

 

  sff          sff     

mf sost.

Sus. Cymb.

p

 

mf

  

 

 

      mf sost.   



Ob. 2

mf



       

 

 

      

mf

 

mf

  

mf

    

 

mf



  

   

3  cresc.     

can some peo - ple

ex - ist

be - fore

  

mf sost.

      

 

 

 

   

 

 

 

mf sost.

 



mf

 

 

  

   



  

  



   



how ma - ny years



 

mf

3         

 



mf

mf

 



 

  



  

   

 

 

To Cl. in Bb

mf sost. Contrabassoon





    sff     

      mf sff 

 

f

f

an     



ord.       

mf

   

               

    



 

     mf  

mf sost.

mf sff



The

  mp



 

f

Perc.

Glock.

    

 open

Vib.



sarcastically

Hn. 2 - Hn. 4

Perc.



 

 

growl     

slap tongue

washed to the sea?

  

mf sost.



 

 

mf sost.

  

 

mf sost.

 

      slap tongue        slap tongue    

3     

 

 

  

 

mf sost.



T. Sax.

   

Sax. 2

B. Sax.

  

mf sost.

Bsn.

Alto Sax. 1 - Alto

   



ord.        f            f

q = 72 sub. (Tempo III)

mf sost.

 

B. Cl.

 

 

a2

Cl. Bb 3

Cl. Bb 2 - Cl. Bb 3

 



Eb Cl. / Bb Cl.

 



Ob. 1 - Ob. 2

q = 60

 

  

  

 

     

 

     

mf

 

mf

 


49

 Picc. 

Fl. 2

Ob. 1 - Ob. 2

Eng. Hn.

     

Cl. Bb 2 - Cl. Bb 3 B. Cl. Cb. Cl.



S.

    

Hn. 2 - Hn. 4

  

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

  

Tbn. 1 - Tbn. 2

 

B. Tbn.

Timp.

Perc.

     

Perc. Vib. Xyl.

Mar.

Cb.

Pno.

Hp.

they're al - lowed to open a2

a2 open f

f

f

 

 

free?

 

f

   

 





(f)sf

 



(f) sf



(f) sf

 

 

    

   

 

 

   

  

 



 

 

 

 

 

  

 









To Bb Cl.

sost.



ff

   





    

 

 (f) 

  

   (f)

Cl. Bb 3

(f)

 

         

  

how

ma - ny



 

 

 sost.      sost.

      (f)        

   



  

f



 

     

 

 

   

sf

  ffsf

ffsf

           

Crot.

Metal Plate   Perc.

To Bass Drum 1      fff sff          fff sff dim. poco a poco   fff sff dim. poco a poco B.D. 1

to Glockenspiel  Glockenspiel  

    

 

    

   

 

  

      fff      

  

Bb

            fff     

 











 



 

 

ff

(f)

 (f)  (f)

 

   

sost.

        ff dim. poco a poco     

(f)

(f)

can







 

(f)

   



  

  

(mf)



(f) sost. dim.

   

   

  

  

     

(f)

  



(f) sost. . dim.

 

  

man

  

 

a



          



fff sff dim. poco a poco





                  



  







  

 

       

 

            



times

(f)

C Tpt. 3

Tbn. 1

(mfs)



  

 



           

dim. poco a poco

 

fff sff sost. dim. poco a poco (ff)



 (f)

 



















(f)



 



 

sost.

'n'

 

 

(f)

sost.

 

fff sff sost. dim. poco a poco (ff)

 



     

            fff sff sost. dim. poco a poco (ff)           fff sff sost. dim. poco a poco (ff) 

 



 

(f)



 



fff sff sost. dim. poco a poco (ff)

    



sost.

   

 

sost.

 

fff sff sost. dim. poco a poco (ff)





  

sost.

fff sff sost. dim. poco a poco (ff)



  

  

 fff sff sost. dim. poco a poco (ff)             a2 fff          

    

fff sff sost. dim. poco a poco (ff)

 

to Metal Plate     sf 

49



 

ff dim. poco a poco



   

(f)sf

  

fff sff sost. dim. poco a poco (ff)

  

    



  

       

       

   



3

(f)sf

   

fff sff sost. dim. poco a poco (ff)



"blow - in' in the wind."

  

 

  

     

   (f) sf  

 



(f) sf



be

  

 f   3            

f

f sost.



       



 

  ffssf   

 



  

  

ffssf



 

 

 

 

     



   

 



3

Perc.

ffssf

T. Sax.

 

 

 

 

ffssf

Sax. 2

Tba.

Cbsn.

Hn. 1 - Hn. 3

 

a2

ffssf



           



 

 



ffssf

  ffssf   

   

Bsn. 1 - Bsn. 2

 



 

   

Cl. Bb 1

B. Sax.

Eb Cl. / Bb Cl.

Alto Sax. 1 - Alto

Fl. 3



  

Fl. 1

53

Tempo I (q = 60)

 



 

(mf)









   

 



  

 


54

54

Picc.

Fl. 1

 



 





mf (dim. poco a poco)



Fl. 2

Fl. 3

Eng. Hn.

Eb Cl. / Bb Cl.

Cl. Bb 1

Ob. 1 - Ob. 2

Cl. Bb 2 - Cl. Bb 3

 

Ob. 1

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

Alto Sax. 1 - Alto

  

 

Sax. 2

T. Sax.

B. Sax.

S.

Hn. 1 - Hn. 3

mf



 turn   

his



   

  

  

B. Tbn.

 

head,

 



    Timp.   Perc.    Perc. 



Tba.

Perc.

Vib.

Glock.

Mar.

Cb.

Pno.





     

 

  

 

-

  C Tpt. 2

  

 

dim. poco a poco

mf

  

54

 







  



(p)



p dim. poco a poco Cl. Bb 2

  p

 Bsn. 2

pp

 

 





(p)





 

 

 



 



 

   

 

       



 

 

 

 







    





 

pp



     

 





 



 





 

 



 

 

 



 

 





 



pp

pp



  

   







pp



 

 



 

 

 

 

 

 

Hn. 2 with mute

 

 see?

pp

pp

does - n't

mp dim.

 

p dim. poco a poco

 

 

  

just



    

 

  



pp

 

mp

 









 

 

a2

 





p dim. poco a poco

  

 

p dim. poco a pocos

mp

mp dim. poco a poco



to bowed crotales















mp

to bowed crotales

 



 

(p)





mp

Tbn. 1





he

take harmon mute

mf

    

mp

mp take mute

 

 

 

mp













(mp)

ing

(mf) dim. poco a poco



Hp.



Pre - tend



(mf) dim. poco a poco

 





mp

(mf) dim. poco a poco

  

mp

a2 (dim. poco a poco)

Tbn. 1 - Tbn. 2



(dim. poco a poco)

C Tpt. 3 - C Tpt. 4



 

(mf) (dim. poco a poco)

(mp)

mf dim. poco a poco

    

  





Bsn. 1

(mf) dim. poco a poco

C Tpt. 1 - C Tpt. 2



mf (dim. poco a poco)





dim. poco a poco

(mf)

Hn. 2 - Hn. 4











mf dim. poco a poco

(mf) (dim. poco a poco)

B. Cl.







 

 EbF#G#A§ B§C§D#

 




55

59 q = 50

  Picc.   Fl. 1

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

Eng. Hn.

(Tempo II)



       

    

pp



pp

  

5



Cl. Bb 2 - Cl. Bb 3



      

 

    pp  

 

Cb. Cl.

Bsn. 1 - Bsn. 2

pp

Cbsn.

Alto Sax. 1 - Alto

Sax. 2

T. Sax.

B. Sax.

S.

Hn. 1 - Hn. 3

 

  

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

 

B. Tbn.



  

 

   

     Timp.  



  bowed crotales (let all pitches ring) Crot.   bowed crotales (let all pitches ring)

Crot.

Perc.

  

Crot.

   

pp

 Vib.    Glock.

Mar.

Cb.

Pno.

 

 

  

   

59



 5

          

  

 

     pp  

 pp



 

sempre



  



n

 

 pp

pp

 

Hn. 1

3

p

with harmon mute

3

3



 





pp







 

 

 









 

 

 

pp



EbF#G#A§ B§C#D#





   

 

 

 





n





n



 

pp



 



Glockenspiel

    

  

 

Hp.

  





Tba.



pp



C Tpt. 1







 



pp



 

Tbn. 1 - Tbn. 2

 

 

Hn. 2 - Hn. 4



 





 

n



 

n



   

 



pp



 



  

 

Clarinet in Bb

Cl.



n

  

pp

pp



pp

Cl. Bb 1



  

Clarinet in Bb

Cl.











  

 




56

63

Picc.

  



pp









 

Fl. 1

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

Eng. Hn.

Cl.

Cl. Bb 1

 

Cl. Bb 2 - Cl. Bb 3

 

 

 

Cl.

 





pp



To B. Cl.









 pp





 pp











  



 



n



pp

Bass Clarinet in Bb

 pp

 

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

Sax. 2

T. Sax.

B. Sax.



Alto Sax. 1 - Alto

S.

Hn. 1 - Hn. 3

    mmm  

Hn. 2 - Hn. 4

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

B. Tbn.

Tba.

Timp.

pp

Hp.



pp









Percussion

 Percussion



 



 



 

 

 

 

  



   

63





    

   

pp



mmm

(harmon mute)







3









 



Perc.

Pno.



Cb.



Mar.



Crot.

Glock.



 Crot.  

Vib.

 

3



 pp




57

67

 

Fl. 2

Fl. 3

Picc.

Fl. 1



 

Ob. 1 - Ob. 2



pp









pp















 

Cl.

Cl. Bb 1

 

Cl. Bb 2 - Cl. Bb 3









Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

Sax. 2

T. Sax.

B. Sax.



Alto Sax. 1 - Alto

S.

Hn. 1 - Hn. 3

p

 

 

Hn. 2 - Hn. 4

Blow

-



-

-



in'

 

 

-

-

C Tpt. 1 - C Tpt. 2

   pp

C Tpt. 3 - C Tpt. 4

Perc.

Perc.



Tbn. 1 - Tbn. 2

B. Tbn.

Tba.

Timp.

Perc.

  

    Glock.  







 

Vib.

Mar.

Cb.

Pno.

Hp.







 



 

 

67

 

n

 

 

           

-



in'

 

 

 

         

 

    

 

 

pp

Blow

remove mute

 



 



 



 

B. Cl.



pp



 



Eng. Hn.

 

 

             

 


SCORE IN C (July 2009) 58

Piccolo 1

Flute 1

Flute 2

3. Masters of War

q. = 144

      ff sffz       ffsffz       

  

     

 Flute       ffsffz         ffsffz Oboe          ffsffz ffsffz

Flute 3 / Piccolo 2

Ob. 1 - Ob. 2

Oboe 3

Clarinet in Eb

Clarinet in Bb 1

Cl. Bb 2 - Cl. Bb 3

Bass Clarinet Contrabass Clarinet in Bb (displayed an octave above sounding) Bsn. 1 - Bsn. 2

Bassoon 3/Contrabassoon

A. Sax. 1 - A. Sax. 2

Tenor Saxophone

Baritone Saxophone

Soprano

Hn. 1 - Hn. 3

Hn. 2 - Hn. 4

C Tpt. 1 - C Tpt. 2

       

ffsffz

ffsffz

ffsffz

      ffsffz          ffsfz a2          ffsffz Contrabassoon          ffsffz         ffsffz          ffsffz           

 ffsffz          

Come,

        ffsffz        

  

ffsffz













  

p

  

  

p

    



     





                 







p

  p

  

  Come,



mp sub.



     



Tpt. 1   

 

  p

 Come,



Hn. 1

Tpt. 2     



       ffsffz    Tuba        ffsffz  wood   stick        Timpani      ffsffz  Percussion 1  



ffsffz

Tbn. 1 - Tbn. 2

  

Bass Trombone

  

     

ffsffz

       ffsffz          Tenor Drum         



  

Snare Drum

Percussion 2

Percussion 3

Percussion 4

Glockenspiel

     

Marimba

Contrabass

Piano

ffsffz

     

           ffsfz             ff sffz          

ff sffz

       

      Harp EbFbGbAb ffsffz  BbC§Db          

 















   

    

pp sub.





         



pp sub.

    

f

     

           

     





  



                            mp sub. mp Hn. 2     Hn. 3

ffsfz

  





C Tpt. 3 - C Tpt. 4

 

 

ffsfz

                        

       ffsfz     

ffsfz

                ffsfz f                     ffsfz f                             f



mp sub.

ffsffz

   f   

      



 

                    

f



           Hn. 1



 

     

f

  

        ffsfz f                      ffsfz f                     



 



a2

 

ffsfz

you

ffsfz

 a2               f ffsfz                            mf Tpt. 3

ffsfz

               ffsfz mf                   mf ffsfz               f





 

ffsfz







 







 





 



 







 







 





 







                   ff sfz  

 

 



 

fsfz



 

 

 







ffsfz

         ffsfz          

 

  

 

 

 

You

  







  



that build all the guns Hn. 1



        

mf



f

 

      fsfz



 



 







 

     





 



          



 





fsfz

 

                









         fsfz  

 

 







       ffsfz  

ma- sters of war

       



    



 

                                          

ff



 

 



ffsfz

           r.s.      



 

Come,

a2

 



 



   



 

 





           





  



 





(ff)

 ff

 











  

       

 

 

 

        f    



 



 



 

sfz

ff



      sfz

 



 

          

 





      





 

     


59

6

  Picc.  





 

 

 

 

 

Fl. 1

 

Fl. 2

 



Fl. 3

  



Ob. 1 - Ob. 2

  



Ob. 3

  



 

Eb Cl.

  



 

Cl. Bb 1

  



 



 



 

Cl. Bb 2 - Cl. Bb 3

  

B. Cl.

  

          sfz   

Cb. Cl.

Bsn. 1 - Bsn. 2



          sfz  

Cbsn.

A. Sax. 1 - A. Sax. 2



 

 

       sfz 



     

sfz



sfz

sfz

sfz

 





 





 



 



     

sfz



               

sfz

sfz

sfz

  

    

sfz Cl. Bb 2

sfz

   

           

 

a2



    

sfz



 

 

 



 

B. Sax.

  



 

Hn. 1 - Hn. 3

mf

  

Hn. 2 - Hn. 4

   

C Tpt. 1 - C Tpt. 2

f

      sfz

              

  

You



that build the

      

mf



  



big bombs

           

You



f

    sfz

      

that hide be - hind walls

mf





f

 

       



You



 

Tbn. 1 - Tbn. 2

  



 

B. Tbn.

  



 

 

 

        Timp.      fsfz Perc.   sfz

  

Perc.

Xyl.

   

Mar.

Cb.

Pno.

Hp.







     



ff



        fsfz 

 



 

sfz

  









 

     



  



 

 



 

  



 

 

 

 

 

 

          sfz   

       

    

6

sfz





 

       sfz        sfz





 

    



     

sfz



    

sfz

   f

 

 





a2

  

sfz

f

      

          

 Perc.    Glock.





        sfz         sfz brassy Trbn. 1             



       



mf



that hide be - hind desks

  

Tba.



             

C Tpt. 3 - C Tpt. 4



  

                     You that build the death planes               



T. Sax.

S.



f

mf






60

10

 Picc. 

Fl. 1

Ob. 1 - Ob. 2

Ob. 3

Fl. 2

Fl. 3

Eb Cl.

Cl. Bb 1

Cl. Bb 2 - Cl. Bb 3

   ff sffz    ffsffz    ffsffz      

  





  





  



  



      ffsffz      ffsffz      

ffsffz

  

 

    

ffsffz

          p ffsffz      p ffsffz       ffsffz       ffsffz       ffsffz

 

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

T. Sax.

B. Sax.



 S.  

Hn. 1 - Hn. 3



mp

C Tpt. 1 - C Tpt. 2

 

Tbn. 1 - Tbn. 2

B. Tbn.

Tba.

 

C Tpt. 3 - C Tpt. 4

Tpt. 4

p

mp a2

  mp

   Perc. 

mp

p

 

Timp.

 

Perc.

Xyl.

Perc.

Glock.

Mar.

Cb.





Hp.

p

 Tenor Drum

 

10



ffsffz

ff sffz

EbFbG#A§ BbCbD§





















  









  



 Come, Hn. 3

 

f

p



 

ffsfz

          ffsfz         ffsfz            ffsfz        ffsfz





      

  



 

f

      





     



Tpt. 1   



mp sub.



         ffsffz             ffsffz           ffsffz      

   







Tpt. 2       











 



ffsfz

 

 

   









     









f

Come,

 

you

ffsfz

  

 

 

           r.s.       ffsfz



pp sub.

     















    







 



 











       



  

         ffsfz            

mp





mf sub.     I

    

just



 

 

 

 

 

 

 

         

you

to

know



 







 

 



 

 

 





 

 



 



 





  

  

   





 

 







want

 





p sost.

            mp  

p sost.

 



       





      



fsfz

ffsfz

 

    



 

 

ma- sters of war













           







         

 





   

      





  

       

    

ff





 

       





 

ff a2

   

 



 

p sost.



     

ffsfz





a2





 

mf

p sost.

             mf ffsfz                        mf      ffsfz        

Tpt. 3



  

               f ffsfz                     Hn. 2



p sost.







a2



    

pp sub.

a2



  



even and malevolent

  







 

 





ffsfz

f





                       f

Come, Hn. 1

 

       ffsfz    

                     

  

   

      



        f     





f

   f  

  

 







  

     

 

f             



                                            

     

      ffsffz      ffsffz  wood stick             ffsffz      

 

Pno.

 



ffsffz

ffsffz

 Snare Drum



      ffsffz       ffsffz               ffsffz              



                                             ffsfz mp sub. mp sub.

ffsffz

    





Come, Hn. 1



a2

            



      

Hn. 2 - Hn. 4

ffsffz





B. Cl.

A. Sax. 1 - A. Sax. 2



p













 

 

 

 

 



 



 

          mp  





 

 

 


61

17

Picc.

  

Fl. 1

     (p)

 

 

(p)





    

Fl. 2

     

Fl. 3

(p) a2

  

Ob. 1 - Ob. 2

   

(p)

Ob. 3

 

Eb Cl.

     

Cl. Bb 1

(p)

    

Cl. Bb 2 - Cl. Bb 3

(p)

 

 

 

 

(p)

  

 

(mp)

 





(mp)

 

 

 

 

(mp)

 

 

(mp)

 

 

 

(mp)

 

 

  

(mp)

  

(mp)

 

(mf)

 

 

(f)

 

ff

(mf)









   

(mf)

  

 

(mf)

(f)

 

 

(mf)

 

 

  

(mf)

  (mf)

  

(f)

 

 

(f)

 

 

 

  

(f)

  

  

(f)

B. Cl.

  

Cb. Cl.

  

Bsn. 1 - Bsn. 2

  

Cbsn.

  

     

A. Sax. 1 - A. Sax. 2



 

mp

 

 B. Sax.   

T. Sax.

   S.      I Hn. 1 - Hn. 3     

Hn. 2 - Hn. 4

 

 

can

see

 

 

 

(mf)

 

(f)



 

(mf)

 

 

through

your

  masks

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

  

  

  

Mar.

Cb.

Pno.

Hp.

     

ff

  

ff

    

sfz

sfz









 









  ff



ff









                     f

          sfz

      sfz

 





       sfz        sfz





 

 

 

          

You

that ne - ver done no



 

   

   

 

 

-

 

 

thin'

but

        





     



 

 

 



 

 

     

  

  

  

  

 

  

 

 

  

 

  

  

  

17



 

secco f

 

f



 



                         f sfz                         f

 

p





          f                          p sub.  2 1 2 1 2 1 2 1 2 1 2 1 a2                        p sub. 

 

     

 



f

 

p

Cl. Bb 2



sfz



 

Perc.

Glock.

 

sfz



Timp.

Perc.

ff

      



  

Xyl.

sfz



 

      Perc.  

     





 





 

sfz





 

Tba.

     

sfz



C Tpt. 1 - C Tpt. 2

B. Tbn.



ff

ff

      sfz



(f)

  

  

     



    

 

 

    



ff

ff

(f)

  

 

 

                         f                          

 

B.D.

mf

 



   





       

pizz.                           p sub.            (p) sf                        


62

21

Picc.

  

 



 

  

 



 

Fl. 1

Fl. 2

 

 



 

Fl. 3

  

 



 

Ob. 1 - Ob. 2

  

 



Ob. 3

  

 



 

Eb Cl.

  

 



 

Cl. Bb 1

  

 

 

 

 

 

   

Cl. Bb 2 - Cl. Bb 3

   

 

Cb. Cl.

sf

  p

f

 

      

           sf                     

B. Cl.

 

       

f

p sub. 2 1 sim.

  

 

 

 

 

       sf                          sf  p sub. p



 

  

 





   

  

      sf               



   

Ob. 1

mf

    



f

    

f



 

 

A. Sax. 1 - A. Sax. 2

  

 



 

T. Sax.

  

 



 

B. Sax.

  

 



 

Bsn. 1 - Bsn. 2

Cbsn.

     S.      

build

   to

a2

   de

-

2

f               

stroy

You,

sim.

a2

 

 

Like

it's

   

your

   lit

-

   tle

f      

toy



 

You

 

   

       put

a

   



  

 



C Tpt. 3 - C Tpt. 4

  

 



Tbn. 1 - Tbn. 2

  

 



B. Tbn.

  

 



 

 



 

 



 

 



Tba.

Timp.

  

   

  Perc.   Perc.

  

 



Xyl.

  

 



Perc.

Glock.

Mar.

Cb.

Pno.

Hp.

     

  

mp

 





  

 

  

  

          sf p sub.     (p)              

  

21

sf

 

 



  

f brassy

       

(open)

f brassy (open)

       f brassy

    

          a2               fsfz

sfz

f

 

 

 

     

(f)sfs



 



                         sf                  sf                  



                

 

    my

     

    sfz

Temple Blocks               mf Snare Drum                       



 

 



                        sf  p sub.             (p)         sf                   



 

in

 

take straight mute

 

  

gun

C Tpt. 1 - C Tpt. 2

 

1



Hn. 2 - Hn. 4

 

you play with my world

2

Hn. 1 - Hn. 3

1

 

sf

                                                         (p)  sf sf (p) sf           a2

 

mf

         f           with two tone mallets

 

 

 

 

 



 

     


63

26

 



 

Fl. 1



 

Fl. 2



 

Fl. 3



 



 

Picc.

     

Ob. 1 - Ob. 2



 

 

     



 

 

    

to Piccolo





Ob. 3



 

Eb Cl.



 

B. Cl.



Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

A. Sax. 1 - A. Sax. 2

T. Sax.

B. Sax.



Cl. Bb 1

Cl. Bb 2 - Cl. Bb 3

S.

       

And

  

 

C Tpt. 3 - C Tpt. 4

B. Tbn.

Tba.

Timp.

Perc.

Perc.

Glock.

  

      

Cb.

Pno.

Hp.

 



 



 



 



 



 

 

 

 

 

you

hide

from

my



 



 



eyes

  

           

a2

sfz

 

a2          sfz





     

   

fsfz

And

   



          

    sfz

 



you

turn

 

  

  

 

          

         sfz

sfz

When

the fast

bul - lets

  

 

 

     

a2

     

far -



ther



When, the fast

bul-

lets



 



 



 

 



 





 



 

 



take straight mute



take harmon mute



 



 



 

             

   

           

   

                           

      

  



     





f

mf

   

                   



       







    

      

        



  

a2

ther



run a2 (open)

                 

a2

-

 

      

                         

and

 

far

 

ff

   

fsfz

 

 

run

 

     

     

 

Mar.

sfz

Perc.

Xyl.

fsfz

mf

        

Tbn. 1 - Tbn. 2

           



   

f a2

 

 

                 

C Tpt. 1 - C Tpt. 2

mf Cl. 2



  

Hn. 2 - Hn. 4

f

       

hand

Hn. 1 - Hn. 3

                  

      

     



  

          

 

f

 

p



 

 



 



 



 



 

 

 



 



 



 

 

 

 

26


64

31

   Picc.   

    

 

p

  





Fl. 1

  

Fl. 2

 

   

Picc.

Piccolo

    

p

  

Fl.  To  





  

 

 

 

rall.

       



pp

       



pp

to Flute

Ob. 1 - Ob. 2

 

 

Ob. 3

 

 

Eb Cl.

  

 

Cl. Bb 1

 

 

 

 

 

           

Cl. Bb 2 - Cl. Bb 3

B. Cl.





                                                  

Cb. Cl.

  

Bsn. 1 - Bsn. 2

p

                                          p      

Cbsn.

A. Sax. 1 - A. Sax. 2

Bsn. 1

 

pp



 





 





 

 

 

 

 

pp

 

T. Sax.

  

 

B. Sax.

  

 

 

 

  

 

C Tpt. 1 - C Tpt. 2

  

 

C Tpt. 3 - C Tpt. 4

 

 

Tbn. 1 - Tbn. 2

  

B. Tbn.

  

  

  

S.

Hn. 1 - Hn. 3

fly

          fly   

Timp.



(ff)

Hn. 2 - Hn. 4

Tba.

   





     sfz

   

   

         sfz

a2

a2

sfz

sfz

   

take harmon mute

sfz







with harmon mute

   

        

p

  remove mute             a2





 

with straight mute

   

 

    

 pp

 

   

 

  Perc.  

Perc.

  

 

Xyl.

 

 

 

Perc.

    

 Glock.    Mar.

Cb.

Pno.

Hp.

pp

  

  



  

 

    

  

  

   

   

  

 

  

   

  

   

  

pp

 

 

 

 

  

 

  

 

  

p

                                                

  

31

   

 EbF§G#A§ BbCbD§

  

 


65

e. = w

36 q. = 108

  Picc.  

Fl. 1

  

Fl. 2

  

Fl. 3

 

Ob. 1 - Ob. 2

  



Ob. 3

 



Eb Cl.

 



Cl. Bb 1

  

Cl. Bb 2 - Cl. Bb 3

  

B. Cl.

  

  

Cb. Cl.

  

Bsn. 1 - Bsn. 2

  

Cbsn.





 

     



   

 







T. Sax.

 

B. Sax.

  

Hn. 1 - Hn. 3

  

  

Hn. 2

 

pp

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

 

Hn. 2 - Hn. 4

     

Tbn. 1 - Tbn. 2

  

B. Tbn.

Tba.



  

p

    

You fas - ten

 

the trig

-



 



gers

for

the

 

 



 

 



    





pp

        Perc.   pp

Timp.

   

  

  

  

oth - ers

 

  

  to

 

  

 

















 

 

 

 

 

 

 

 





 





p

 

pp

 

 







  

  

  

 p 

 p

 

 

 

 

pp







pp

 



 

pp



 



pp



      

     

pp

 

p



pp

 

p

pp







 

 p



p

  

   p

 



 



p

 

 

     







 

 

fire

  p

   p

remove mute



pp Flute

 



pp

A. Sax. 1 - A. Sax. 2

  S.    



pp



 p

pp

   

Then

p

    

 

you set back and watch









 



 

 

When

the

death

count

gets

  pp

 

high

-

er

 

















Perc.

  

Xyl.

 



Perc.

  





 



  



Glock.

Mar.

Cb.

  

  

 

  

Pno.

     

Hp.

  

36



pp

    pp

      



 

 





 





 p





pp

  

    

pp

      







 



 

 

  

S.D. muffled

pp

 

p





 







 


66

r=r

40 h = 108 (q. = 144)

Picc.

Fl. 1

  

    





Fl. 2

 



Fl. 3

 









Ob. 1

Ob. 1 - Ob. 2

  

Ob. 3

 

Eb Cl.





p

 

Cl. Bb 1

 

Cl. Bb 2 - Cl. Bb 3

 

B. Cl.

 

Cb. Cl.

 

Bsn. 1 - Bsn. 2

Cbsn.

A. Sax. 1 - A. Sax. 2

Hn. 1 - Hn. 3

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

B. Tbn.

Tba.





 



 



      pp

 





pp p

       

You

 hide

(p)

(p)



(p)

 











in

your

man

-

(mp)

          

(mp)

  

  

  

Perc.

  

 Glock.   

with two tone mallets     

      

pp

 

  

 

 

  

pp open

pp

   

   

(mf)

 peo

-

       

sfz

      

   

p

p

      

   

      mp

                 

p

f

        mp sfz     mp

 

          sfz

(mf)

 









ple's

blood

  

         a2          sfz 

      



sfz

   

T. Blks.

              

Ten. Dr., muffled

(mf)



 

  

  



pp open

young

sfz

    mf      





       mf a2          sfz

                    



As

   

sion

mf open

 





 



(mp)

     

  

  

Xyl.

Hp.

  

  

                 p   

Perc.

Pno.

  

   

  Perc.  

Cb.



  Timp.  

Mar.



with harmon mute

C Tpt. 1 - C Tpt. 2

mf



 

Hn. 2 - Hn. 4



 B. Sax.    S.

 

pp

T. Sax.

mf

     sfz   

 

    



ff



ff



ff





    

     sfz open             f                f p a2

    







 

                      

             

      sfz

       sfz   

         mf

      

mf

 

    

sfz

f

f

       

 

 



 



 



 

40

EbF§G#A§ BbCbDb






67

44

  Picc.  

        

Fl. 1

 

fsfz

        

Fl. 2



fsfz

            

Fl. 3

f

 

Ob. 1 - Ob. 2

 

Ob. 3

 

Eb Cl.

        

Cl. Bb 1

f

 

Cl. Bb 2 - Cl. Bb 3

 

 

Cbsn.

                    f  mp      

A. Sax. 1 - A. Sax. 2

T. Sax.

B. Sax.

  



 

 

Flows ff

S.

   Hn. 1 - Hn. 3

Hn. 2 - Hn. 4

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

B. Tbn.

Tba.

fsfz

 

      Perc.  

fsfz

 

Perc.

Perc.

 

  

 Glock.    Mar.

Cb.

Pno.

Hp.



out

of

their

Flows

fsfz

out

bo



        pp

-



 



dies

And

is

 bur

remove mute

  

dies And

is

bur

         



pp

      



fsf

sf

     

p

 

 

                

-

ied

in

-

   



  the

ied

in

    

   

 

 

pp

solo



 

mp



 



















mud





mud Hn. 1



 



take mute

   



 

 

Tbn. 1 sfmp



 



 



To Crot.



    

ppp

the





pp

   



 







rall.

     sf (mf)  

fsfz

        

sfz



 



 



  

                



  

 

n



-

        



take straight mute

 

44

bo



 

A. Sax. 2



  

 

of their

  

 



 



          

   fsfz      fsfz       fsfz        fsfz     

Timp.

Xyl.

           



 

p

 

 

Bsn.   1      





 

Bsn. 1 - Bsn. 2

 

       

 

 

Cb. Cl.



 

ppp

mp

  

 

 

 

B. Cl.

mp

molto rall.

     

To Crot.

         

 

solo

 

 







 

 

ff

    

 

mp

 

  





 





 

      

 

 




68

48 q = 72

  







Fl. 1

 







Fl. 2

 



Fl. 3

 

 

Ob. 1 - Ob. 2

 



Ob. 3

 

Eb Cl.

 

Cl. Bb 1

 

Cl. Bb 2 - Cl. Bb 3

 

B. Cl.

 

Cb. Cl.

 

Picc.

Bsn. 1 - Bsn. 2

 

Cbsn.

 

A. Sax. 1 - A. Sax. 2

 

T. Sax.

B. Sax.



pp

Hn. 1 - Hn. 3

 

Ob. 2









 

 

  

 



 

  

  

with mute



pp





 

pp

  

Tbn. 1 - Tbn. 2

 

B. Tbn.

 

Tba.

  

         ppp Perc.  

Timp.

bowed Crotales

Perc.

  

Xyl.

bowed Crotales   

pp

 Perc.   

pp





pp





You've

  

 

 

  

with straight mute pp

 

  p

 







 

 

  

  



 



















 

3

thrown the worst fear

  

 

  

 



p



That

can

3



3

ev - er

be

n

n

 

  













hurled remove mute

 

remove mute











 

 

 























 

C Tpt. 1 with straight mute

 

p even

3

with mute

C Tpt. 3 - C Tpt. 4

 





 

 

pp

 

Hp.

Pno.

pp

    pp 

 



 

Cb.

  

C Tpt. 1 - C Tpt. 2

Mar.

Glock.

pp



 

Hn. 2 - Hn. 4

 

  S.   



pp





  

 

 



  



  



To Xylophone





  







 







 



















 

 

 

   



pp

 

 



 

 



pp

   

 

48

 

 



  



 

  

 

EbFbG#A§ BbCbDb

pp

  

  

  

 

 


69

54

Picc.

    

Fl. 1

  

Fl. 2

     

Ob. 1 - Ob. 2

  

Ob. 3

 

Cbsn.

   3    S.      

Hn. 1 - Hn. 3

  

Fear

to bring child

3

-

C Tpt. 1 - C Tpt. 2

 

C Tpt. 3 - C Tpt. 4

 

Tba.

 

the







 



 world

open

Cl. Bb 2



Pno.

Hp.

 

 

       

54

      

   



For



ominous

 

Hn. 1

 

my open

mp

 



   





 

ppp





   

                

     

mp

 

3

mp

mp

a2

     open

mp

 

 

mp

mf

     

mf

 

 T. Blks.







f











     

 

mf

 

mf

3

3

 

mf





      3  3   





 





 





 



  



3        3 mf        3       3 mf       mf

  

mfsf

   f  3  



sfmf

 

E#FbG#A§ BbC§D§





 





3

    

3



mf



mf 3

      

 

3

 

mf 3

mf



       

 



 

named

      

a2

 

-



 

un

mf

mf

       

  

mp



and

 



 

Un - born



mp



by

3              mp    3

mp



-

      

       



ba

Tbn. 1

Tbn. 2

mp

(mf)

   



 

cresc.



mf



mp

 



  

 



 

threaten - ing

 



 



  

a2



       













  

 



mp

 



3

 





 



Cb.



  

Perc.

 



Xyl.



Mar.







 







 

 Glock.   



pp



      

   mp





mp

 

   

 

  Timp.     Perc.   Perc.

in - to

 

B. Tbn.

   

 

Tbn. 1 - Tbn. 2

ren

3

 

Hn. 2 - Hn. 4



p





a2

    



B. Sax.





mp





       



 

T. Sax.



 

A. Sax. 1 - A. Sax. 2

mp Ob. 1 3

  

 







 

Bsn. 1 - Bsn. 2

p

 

Cb. Cl.

mp

       

 

B. Cl.

   

p

  

   

Cl. Bb 2 - Cl. Bb 3



    

 



  

Cl. Bb 1

    

 

Eb Cl.





  

Fl. 3

[p ]es = r


70

60

  Picc.  

 

Fl. 2

 

Fl. 3

 

Ob. 1 - Ob. 2

 

Ob. 3

 

Eb Cl.

 

Cl. Bb 1

 

Fl. 1

Cl. Bb 2 - Cl. Bb 3

 

Cb. Cl.

 

Bsn. 1 - Bsn. 2

 

Cbsn.

       

  mf

  a2

  mf

mf

 



       

   



 

     

   

 

f

  

   

 

f

     

      f

     

     

      f

             

   

           

B. Cl.

r=r

h = 108 (q. = 144)

            

     

          

     

      

       

 

             



   



 

     

   

 

           

 

   

   

   

     

 

            

 

 

             

 

 

             

 

 

           

   

 

       

 

 

 

 

   

 

sfz

  

 

sfz

    sfz    

   

sfz

A. Sax. 1 - A. Sax. 2

 

T. Sax.

 

 

B. Sax.

  

 

   S.    Hn. 1 - Hn. 3

  

f

You









ain't

worth

the

blood



 

Hn. 2 - Hn. 4

 

C Tpt. 1

C Tpt. 1 - C Tpt. 2

  



mf

C Tpt. 3 - C Tpt. 4

a2       sfz

Tbn. 1 - Tbn. 2

       mf

B. Tbn.

      mf

Tba.

       

       mf      Perc.   

   

Perc.

    mf   Perc.     Xyl.

 Glock.    Mar.

Cb.

Pno.

Hp.

mf

 

 

   

 

 

     

 

mf

 

    

60

    f a2    a2

    sfz



That

           a2

sfz

sfz

  

 

 



     

   

   

sfz

   

    sfz

                 

   

   

   

sfz

   

    

   

sfz

  

     

sfz



   

           

sfz

              

   

   

sfz

 

   

 

  

sfz

      

mf

mf

       

   

  

mp

   

   

   sfsfz

sfz

                 



    f

in

 



 

    sfz

   

                

  

  

   

    sfz

  

  







                      

runs

 

sfz

      f

 

   

sfz





   

f

      

mf

with two tone mallets

sfz

a2

sfz

   

                

     

   

sfz

Timp.

sfz

a2

sfz

mf

 

    

 



    

a2

your

   

      

    sfz



   

  

   

 

 





 

 

  

  

 

   

 

    

   

     

 

 

 

    

     

    sfz    

sfz

 

 

                       

 

     

  

   

sfz

 

sfz

       

 

 a2        sfz

a2

   

sfz

  



 

 

           

 

   

      



       

   

   



sfz

   

 

veins

   

sfz



 

 

   

sfz



    



    

 

 

      



   

  

   

 

 


71

q. = 144

64

           Picc.    ff  sffz    Fl. 1    ffsffz     Fl. 2     ffsffz        ffsffz      ffsffz      ffsffz      ffsffz         ffsffz ffsffz

Fl. 3

Ob. 1 - Ob. 2

Ob. 3

Eb Cl.

Cl. Bb 1

Cl. Bb 2 - Cl. Bb 3

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

A. Sax. 1 - A. Sax. 2

T. Sax.

 

   ffsffz       ffsfz a2       ffsffz       ffsffz      ffsffz       ffsffz        

 ffsffz     S.   

B. Sax.

Hn. 1 - Hn. 3

  

 

Hn. 2 - Hn. 4

ffsffz

Cb.

Pno.

Hp.



 





 

 

        



        

  ff

Let

 

 



 

p





ffsffz

     ffsffz         

  

  

ffsffz

  

   

ff sffz

              ffsfz             

            ffsffz        

64

ff sffz

  













  

  





  





me

          mp sub.



    

 



Hn. 3

  



      

pp sub.

 

 

a2

ques

mp

  

f



        



















   



 

ffsfz











 









      

     ffsfz      































Hn. 2

a2

a2

f

             

     

  

   f

ffsfz

ffsfz

     ffsfz         ffsfz      



 



       

            



















tion

f

 



 



    

           





      

 



      

-



     

 



      



             

  

   

      

 

ffsfz

ffsfz



       ffsfz       ffsfz    

mf Tpt. 3





        

mf







mf





one

            

Tpt. 2



mf

  

mp



  

Hn. 1

 

              

 

 

p



          mp sub.



 



you













 









mp sub.





ask

Tpt. 1   

pp sub.



 



        

 









 

   

f

 

      ffsfz   

Cl.  Bb2       

   

f









 





  

 

p

p

  



p







 

 

f           f      

 

  







Hn. 1

 

      ffsfz      ffsfz       ffsfz        ffsfz     ffsfz      

f



     

     f         f     



f           





ffsffz





 

  

Mar.



ffsffz Tenor Drum

Glock.



Snare Drum

Perc.





  

  Perc.  

Xyl.

     B. Tbn.   ffsffz    Tba.     ffsffz  stick  wood    Timp.   

Perc.





ffsffz

Tbn. 1 - Tbn. 2





ffsffz

C Tpt. 3 - C Tpt. 4



 

ffsffz

C Tpt. 1 - C Tpt. 2

 



 

ffsfz

 

r.s.      

 

fsfz

      ffsfz

      

      

          ffsfz

 





Is

your mon - ey













 



 







 













 

good







that



    

 





  

 




72

68

q = 144

  Picc.  

Fl. 1

 

   



Fl. 2

 

  



  



Fl. 3

 

Ob. 1 - Ob. 2

 

Ob. 3

 

Eb Cl.

 

Cl. Bb 1

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2



mf sost.

mf sost.

     

   





        a2 Cl. Bb 3       ff ff

 

ff

   

   

Cl. Bb 2

 

 

Bsn. 2

ff



 





 





   

f

T. Sax.

 





Hn. 1 - Hn. 3

  



  











  

Will







A. Sax. 1 - A. Sax. 2



  





    

  



 

 B. Sax.   



      





Cbsn.



 

S.

mf sost.

ff

Cl. Bb 2 - Cl. Bb 3

q. = q











mf sost. a2

mf sost.

  





















  

a2

 



 



 

mf sost.









     



    

 

 





  



 

mf sost.

  



 

 





 

 



(f)

 

 

ff

(f)









ff









(f)

 

 

  

 

 



 

  



 



 

 

 































 

 

it

buy

  



you

 

for

-

 

give

-

 

ness

mf sost.

 



  

Do





you

think





that

it

  

  

  



mf

  



could

 

 









C Tpt. 1 - C Tpt. 2

 









C Tpt. 3 - C Tpt. 4

 









Tbn. 1 - Tbn. 2

 









B. Tbn.

 









Tba.

  









  

















Perc.

   

Perc.

 









Xyl.

 









Perc.

  









  









 









 



























Glock.

Mar.

Cb.

 

 

  

Pno.

Hp.

ff

  

 

     

 

 

68

  

  



pizz

f

   

 

 

ff

 

 

ff

 

 



ff

 



















ff

Timp.

ff

 

 

Hn. 2 - Hn. 4

 

 

   



ff



  

 

ff

  

q = 72







  

 I


73

 



Fl. 1



Fl. 2



Fl. 3



Ob. 1 - Ob. 2



Ob. 3



Eb Cl.



Cl. Bb 1



Cl. Bb 2 - Cl. Bb 3









73 Picc.

To Picc.

 

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.



  f a2

 

mf

 

 

 

mf









 



A. Sax. 1 - A. Sax. 2



T. Sax.



B. Sax.





  S.   

Hn. 1 - Hn. 3

 

Hn. 2 - Hn. 4

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

B. Tbn.

will

 

 

 

 



 



mf sost.

mf sost.



When

Tbn. 2

 

find

 Timp. 

a2

   mf sost.



3

 

your

 

 

 

 

death

takes

its

toll

 

All

              mf sost.                

 

the

 

  

mon - ey

you



mf sost.



 

 

 

 













 





 

 

 

      Hn. 2      

will













mf



 







 

 





 





 3

ne - ver

  



  mf

 

 

Tbn. 2





made





mf sost.



Tpt. 2

Tpt. 4 mf sost.

 

  

   mf  

buy

 

     

     











Xyl.









 



 









 

Pno.

Hp.

f





 

 





  



Perc.

Cb.

 



3







Mar.

your

mf



back

C Tpt. 2

Glock.





Perc.

 

Perc.

73

you

 

 

 

Tbn. 1 - Tbn. 2

Tba.

think

 


74

77

 Picc. 

 

Fl. 1

Piccolo

Picc.

   

Ob. 1 - Ob. 2

Ob. 3

Eb Cl.

ff

 





ff

  f

B. Cl.

Cb. Cl.

 

Cbsn. A. Sax. 1 - A. Sax. 2

T. Sax.

 



f

    S.    soul  Hn. 1 - Hn. 3  f

  f

 

C Tpt. 1 - C Tpt. 2

f

 

C Tpt. 3 - C Tpt. 4

Tba.

   Perc. 

Timp.

Perc.

Xyl.

Perc. Glock.

Mar.

Cb.

Pno.

Hp.

 







 

 



ff

 





 



 

 

ff

f sost.

   

 

3

 

3

  

 

 

ff

  

  

3

ff

   

ff

        ff

ff

   

 

 

  

  

 

And

ff

  ff  ff

ff

f





ff

  ff    

ff

 

 3   3        

ff

 

f

     ff 

  



arco

 ff

 6  

EbFbG#A§ B§C§Db

 

will

come

 



 

soon

I

3

  

  









 

   

f

ff

  

ff

  

 

   

ff





  

ff

 

 6  

 



  

  

 

  

f

ket

f

  

-

  

f



     ff 

   

3

  

will fol - low your cas

  

death

 

B. D.

f

your

 

 

And

 

3



  

   3       

Large Tamtam, scrape with metal rod

  

I hope that you die



(f)

 



   

3



 



3

3

 (f)

Ob. 1



(f)

   a2    ff 

 

Bsn. 1 3



77





  

 

       ff  arco

3

 

 

 

 



ff

3

 



f







3

 ff 



  

  

 

 

ff

 

 

f

3

 



f sost.

3

ff



f

 

   

f

B. Tbn.

 

ff



 



   

  

Tbn. 1 - Tbn. 2

  

B. Sax.

Hn. 2 - Hn. 4

 

 

 

 

 

f

  

Bsn. 1 - Bsn. 2

 

  

f Cl. Bb 2

Cl. Bb 2 - Cl. Bb 3

 

f

 

ff

f

 

Cl. Bb 1

ff

Fl. 2

  

 

   

ff

 




75

82

 Picc.  Fl. 1

Fl. 2

Picc.

 





 

 

 

 

 

 











 

   



 



 

Ob. 3

Eb Cl.



 

 

Cl. Bb 2 - Cl. Bb 3

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

   S.  

Hn. 1 - Hn. 3

 

In



af

-

 

ter

-

 

B. Tbn.

  Timp.   Perc. 



Xyl.

Perc.

Glock.

Mar.

Cb.

 

Hp.

82





Pno.







 



 

















 



  

 













 

 

3 

  

  3   

I'll watch while you're low a2

f

f

ff

  

 

   

ered

Down

to

 

6

          ff sub.     B.D.   f

ff

your

death

 

6

   

 

         

 

   

ff



bed



 



 

 

 

 



 







     

-







      

Tam.



f









Sus. Cymb.



 





  

-

   



f



f sost.

  

 







 

 



f

Tam., scrape with metal rod





 



 

ff

 



 

ff





 



Perc.







 



 



 







Tba.



(f)

And





Tbn. 1 - Tbn. 2



noon













C Tpt. 3 - C Tpt. 4



 







 



 



ff

3

 

 

(f)

 3     

  

 

3

C Tpt. 1 - C Tpt. 2

  



3

 

pale

 

ff





3

 

  

ff

 

 

the

Hn. 2 - Hn. 4

3





T. Sax.

  

  

  (f)

 

  



A. Sax. 1 - A. Sax. 2

 

ff



B. Sax.

ff

Ob. 1 - Ob. 2

Cl. Bb 1

  

 

 

  

  





 

 

Snare Drum

damp Tam.

 

  

  



 

 















   

 



Tenor Drum

 







 

 

 



  


76

86

  Picc.  

 

Fl. 1

 

Fl. 2

 

Picc.

sffz

        sffz

 

Eb Cl.

 

Cl. Bb 1

 

Cl. Bb 2 - Cl. Bb 3

B. Cl.

 

Cb. Cl.

 

Bsn. 1 - Bsn. 2

 

Cbsn.

 

A. Sax. 1 - A. Sax. 2

 

T. Sax.

B. Sax.

S.

Hn. 1 - Hn. 3

  

   

  

 

Hn. 2 - Hn. 4

 

C Tpt. 1 - C Tpt. 2

 

C Tpt. 3 - C Tpt. 4

 

Tbn. 1 - Tbn. 2

 

B. Tbn. Tba.

  

      Perc.  

Timp.

 

Perc.

 

Xyl.

 Perc.   

 Glock.      Mar.

Cb.

Pno.

Hp.

  sffz      sffz    sffz       sffz    sffz   sffz    sffz    sffz a2

  sffz    sffz      sffz   sffz   sffz    sffz    sffz  

   

   

86

 



 



f

 



And a2

I'll

stand

        

3

 

sffz

 

 

 















   sff

sff

     

   

  

f

f





o'er

your



grave

'Til

3

a2

f a2

3



3

I'm

3

3

3

3

  

  

 

 

 

3

 

f



 

 

sure

that

you're

 

 

3

 



3

   

 

 

  f

 

 

 f 

 

 

 

 

f



  

 

3

                   

   

  

    



  3     3   3                     3   3   3 

 









 

              f

  f     

f





3



  

 



3 f                         f 3 3                f  

     3 

 



f

3

sffz

3

f

 

 

f

mp

   

3

3





  f  







Mahler Hammer on Steel Plate

     sffz    







       

f



3

  3      

 

f





 

f                         





fff



 f  3 3 3             3 3               



 



3



A. Sax. 1





 



f

 

3 3            

 3 a2 3 3            



f



f



f



3





3 3 3                  

f







 

 

 

sffz

sffz

 

    sffz     sffz   

 

Ob. 3

 

sffz

 

Ob. 1 - Ob. 2

 

   

3   3

  

  

3   3

  

  

   3   3 

  

  

  

ff

  

 



 

 

 

f

 

   

   

  

 

  

 



   

ff

ff



  ff

  

ff



 

ff

 

 

 

 

 

 

     

 

 

 

 

             

 

 

   

  

ff

   ff

ff

  ff

    ff    ff

    ff

 

 

   ff   ff    

 

   

  

 

      

 

 

 

     

dead.

ff

  ff      ff

    

 

ff    

   ff    ff    ff

      

ff   

  sf



    ff 

 

 

  

   

 

ff

 

 

     

 





 



 

   



 

   

 

 

 

   

 


SCORE IN C (05/03/2009)

Flute 1

Flute 2

 

 

Flute 3/ Picc. 2

 

Ob. 1 - Ob. 2

 

Oboe 3 / Engl. Horn

Clarinet in Eb

Clarinet in Bb 1

  

Bass Clarinet Contrabass Clarinet in Bb (displayed an octave above sounding) Bsn. 1 - Bsn. 2

Bassoon 3/Contrabassoon

A. Sax. 1 - A. Sax. 2

Tenor Saxophone

Baritone Saxophone

Soprano

Hn. 1 - Hn. 3



    





 





 



 





   

 



ff



  ff

 

 

 

 

 

  

 





  





 

a2

   ff

C Tpt. 3 - C Tpt. 4

     

Tbn. 1 - Tbn. 2

 

Bass Trombone

 

     Timpani   Tuba

Percussion 1

  

Percussion 3: Xylophone

Marimba

Contrabass

Piano

Harp

ffsf

  









  

  

  

ff

  

  

ff take harmon mute

  

   mf













 









      p

 

mf





  

 

 

 

 

 

 



 





 





 





 

              pp

 

 

E§FbG#A# B§CbDb



    



mp

   

"There's



 

 

 

      















too much con - fu - sion,

remove mute









p

            pp 

  













 









 



 

 









with harmon mute

                            mf secco            



with harmon mute

  

  

to the thief,

with harmon mute

jok - er

                                mf secco





 

             the

mp



 

said



  

  

 



mp

 



fsf



 



  



    

  





here,"

   





       





take harmon mute

sf



   



 

 



              

take harmon mute



"There must be some way out of







 

Tpt. 1 Tpt. 2 with harmon mute

  









  





 









 



         

 Percussion 4: Vibraphone    Glockenspiel

     ffsf  

Mahler Hammer on Steel Plate

Percussion 2

   

        

  

Oboe

ff Tpt. 2 open

C Tpt. 1 - C Tpt. 2

  

ff

 



ff a2

Hn. 2 - Hn. 4

q = 132

 

Cl. 2

Cl. Bb 2 - Cl. Bb 3

4. All Along the Watchtower

Hard and driven

  Piccolo 1  

77

 





 



 

 





  

    p

Bb C#


78

7

Picc. 1

                                  ff marc.

 

Fl. 1

      

ff marc.

 

Fl. 2 Fl. 3 / Picc. 2

 

Ob. 1 - Ob. 2

 

ff marc.

 

Ob.

     

 

Eb Cl.

          

Cl. Bb 1 Cl. Bb 2 - Cl. Bb 3 B. Cl.

 

Cb. Cl.

Bsn. 1 - Bsn. 2

 

Cbsn.

 

ff marc.

ff a2

 

Bari. Sax.

S.

Hn. 1 - Hn. 3

   

* a2

 

 

  

 

      

f marc.

 Vib.   

Cb.

Pno.

Hp.

    

 

  

     

 

ff

                

      

7

  

f marc.

  

    

    

ff marc.

 

 

 

   

ff

 

 







 









  











no

re

-

lief.

         

 

a2









 

 

 

ff Tpt. 2

open Tpt. 1









Tpt. 2  

  

 

 

   

 

 

   

ff

take harmon mute

          

                

     

  f

 

take harmon mute

ffsf

 

  

 

   

   











        







    

mf

 

    

  

mf secco

    

                

   

mf secco with harmon mute

 

 

   

Tbn. 1

 

  

                

   



  



   















fsf





 



wine,

 



  

       

Busi -ness - men, they drink my



f

 





      



ff

ff







 

 



 

ffsf

   

ffsf



 

To Eng. Hn.



      



               



        

get

 

                  

                                   

* Optional: measures 7 and 8 tacet

  



 



         



          

              Xyl.   

Mar.





    

 

Perc.

Glock.



open

ff marc.

Perc.

can't

ff marc.

Timp.





 

B. Tbn.

         

 

Tbn. 1 - Tbn. 2

I

 ff marc.    

C Tpt. 3 - C Tpt. 4

Tba.

        



       ffmarc.             

C Tpt. 1 - C Tpt. 2

 

slap tongue

  

Hn. 2 - Hn. 4



                        

  ff marc.   

Ten. Sax.

 

 

ff marc.

A. Sax. 1 - A. Sax. 2



         

 

 



 





 

      

 

  

 

  










79

13

Picc. 1

  



 







Fl. 1

Fl. 2

 

 



 

 

Fl. 3 / Picc. 2 Ob. 1 - Ob. 2 Ob.

 

Eb Cl.

    

Cl. Bb 1

  

Cl. Bb 2 - Cl. Bb 3

 

B. Cl.

  f

f

 

Cb. Cl.



  



  



p

p







Cbsn.

 



 

Ten. Sax. Bari. Sax.

S.

Hn. 1 - Hn. 3

  

      

  

Hn. 2 - Hn. 4

Plow - men dig my

        p

C Tpt. 1 - C Tpt. 2

 

C Tpt. 3 - C Tpt. 4

 

Tbn. 1 - Tbn. 2

B. Tbn.

 

Tba.

  

              

  Timp.     Perc.  

Hp.

 

       None of them a - long the line

remove mute

  

remove mute

  

remove mute

  

ff



ff marc.



  ff marc. 

 

of

it

an





  

 

*

 

ff marc.



open



ff marc.





 

ff marc.



f marc.



 







13

 

  

 E§FbG#A# BbC#Db

 

ff

            

ff marc.

          

ff

   

 

  

 

ff

ff









   

it

    worth."   

is

          ff    open       ff

ff a2

  ff

 

 

 

 

take harmon mute



 

  ff

                 

    

 

  

ff

          

 

Hammer

f

 



 

  

            

                

*Optional: measures 16 and 17 tacet



 



 





                 of



 

                

           

ff

                  



  

ff

        



ff

 

                       

 



  Police  Whistle    

 

 

           



            





y



-

         



pp

 

             

 

slap tongue

ffmarc.

       know what an - y





                       

 

 

 

 



  

 

        



 

         

ff marc.

             







          

  

  

 









             





 



           Mar.        pp   Cb. 

Pno.

earth,

 

Perc.

Glock.

  

 

 with harmon mute

Vib.

p

 

Xyl.

 

ff marc.

 

 

ff marc.

Bsn. 1 - Bsn. 2

A. Sax. 1 - A. Sax. 2

      

        



       

ff marc.

      



          

   

  

   

  

           

            

    

 

 


80

19

 

Fl. 1

Fl. 2

rall.

Fl. 3 / Picc. 2

Ob. 1 - Ob. 2

Picc. 1

Ob.

Eb Cl.

Cl. Bb 1

Cl. Bb 2 - Cl. Bb 3

B. Cl.

Cb. Cl.

English Horn

 

 

 

 

mp





mp

Cbsn.

Ten. Sax.

Bari. Sax.

S.

Hn. 1 - Hn. 3

  

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

mp sub.

  

 

mp sub.

Tbn. 1 - Tbn. 2

B. Tbn.

   

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

 





  



 









              

                   



 

     

pp

          

      

  

 









 

















 



    

  

 



p secco A. Sax. 1

 

p slyly

 



"No

rea



 -

son

take harmon mute



 





 





ly



-









he kind



thief,





the





  





ed,"



 

               p secco   



-



  

wood



cit





-





ex



get





to





     



   

     

19

 





Perc.







   Timp. 

Xyl.





Tba.

Perc.

mp

     

 





 

    



  mp mp

 

Hn. 2 - Hn. 4

   

A. Sax. 2

mp sub.



  

    p secco    

 





 

p slyly









    

Bsn. 1 - Bsn. 2

A. Sax. 1 - A. Sax. 2



        



mp

q = 92-100

        

 

            







 















pizz.

       pp 



 





 





 

 






81

25

Picc. 1

Fl. 1

  

 

 

p

  

     

 





   



accel.

Fl. 2

 



Fl. 3 / Picc. 2

 





Oboe





Ob. 1 - Ob. 2

Eng. Hn.

Eb Cl.

      

 To Ob.

 

 

 



Cl. Bb 2 - Cl. Bb 3

 



B. Cl.

 





                   

        

 

Cl. Bb 1

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

A. Sax. 1 - A. Sax. 2

Ten. Sax.

Bari. Sax.

S.

  

  

  

 

Hn. 2 - Hn. 4

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

B. Tbn.

Tba.

Timp.

Perc.

p

                    

     

 

"There are

ma - ny

   

here

   



pp

p

p

p

who

feel

 

       

that life

is but a



joke.

  

 



 



 

 

  

      

   

with harmon mute

    p   

   

    

   

  

 

   p secco           p     

 



p secco

  

 

  

 

  

 

 

pp Tpt. 3



pp

Xyl.

  



  

  



 

 





Mar.

Cb.

Pno.

Hp.

             

 





arco

        p

 



 



25



         



 



    



 

        

 

Glock.

 

   

Perc.

Vib.

 

       

 

 

         

 



        

a - mong us

p





          

   

spoke,

Hn. 1 - Hn. 3

     



pp




82

30

Picc. 1

 

(accel.)

Fl. 1

Fl. 2

Fl. 3 / Picc. 2

Ob. 1 - Ob. 2

 

Eb Cl.

Cl. Bb 2 - Cl. Bb 3

Cl. Bb 2

    

   

   

 

 

Cb. Cl.

fsf

ffsfz   

  

f

f

Ten. Sax.

S.

Glock.

Mar.

Cb.

Pno.

Hp.

 

 

       









  

       









  

mf

mf

mp

mp



 





f

mf

 

 

 

 open

  

sff

But a2

  

p sub.

   

 

 

 







  

you and I we've been trough that, take mute

ffsf

   

take harmon mute    f Tpt. 4   

and

f

ffsf

 

is

Tbn. 1



                   

with harmon mute

mf secco with harmon mute

            mf

    

with harmon mute

mp

     

 

     mp sub.     mp sub.

 



  

          f       ffsfz   

30

         pp

           pp  EbF§G§A# B§C#Db

 

 



 

 





        let

us

not talk fals - ely now,

   the















 

 





 





to straight mute

to straight mute



   

p

      

 

 





So





mp sub.

mf secco

  

not our fate,

 

this



mf                

f

       

Perc.

Vib.



        f   Timp.    Perc. 

Xyl.





 

f

Tba.

 

  

B. Tbn.



 

Tbn. 1 - Tbn. 2



 

          f           

f

mf

C Tpt. 3 - C Tpt. 4



C Tpt. 1 - C Tpt. 2

 





  

Hn. 2 - Hn. 4

        f  

A. Sax. 1 - A. Sax. 2



       

Cbsn.

Hn. 1 - Hn. 3



B. Cl.

Bari. Sax.



Bsn. 1 - Bsn. 2

    

Cl. Bb 1

Ob. 3/ Engl. Hn.

q = 132

















   





mf

                   mp mf             mp





         

   




83

35

  

Fl. 1





 



Fl. 2

 



Fl. 3 / Picc. 2

 

Ob. 1 - Ob. 2

 

Ob. 3/ Engl. Hn.

Eb Cl.

Picc. 1

Cl. Bb 1

Cl. Bb 2 - Cl. Bb 3















 

 

 



    



    



 

B. Cl.

 

Cb. Cl.

 

Bsn. 1 - Bsn. 2

Cbsn.

A. Sax. 1 - A. Sax. 2

             





 

 

   

 

 

 









 

 







     



rall.



      

                         







         

          

         

       pp      pp



















  

 

 

  

 

 

 

  

 

 

Ten. Sax.

 







Bari. Sax.

  







  

          

 

  

 



 







C Tpt. 1 - C Tpt. 2

 







C Tpt. 3 - C Tpt. 4

 







Tbn. 1 - Tbn. 2

 







B. Tbn.

 







Tba.

  







  













Perc.

 







Xyl.

  







  







  







 







 







 







 





 





Hn. 1 - Hn. 3

Hn. 2 - Hn. 4

Timp.

Perc.

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

get - ting

   

          

   

   

 

late.

           

The

   

 



hour

        

 

is

get - ting

late.

      

   



  

mp

   

 

 

 

        





  

 

The

hour

 



hour





is

  

is

 

solo

mf legato sarcastic





  



Alto Sax. 1

S.



get

 -

(mp)

 ting

 

  

Tpt. 1 solo with harmon mute

mf

                                         pp

35 N. B.: Alto Sax and Solo Trumpet levels should be equal.


84

42 q = 92-100

Picc. 1

 





Fl. 1

Fl. 2

Fl. 3 / Picc. 2

Ob. 3/ Engl. Hn.

Eb Cl.

   

 

Ob. 1 - Ob. 2

Cl. Bb 1

  

Cl. Bb 2 - Cl. Bb 3

mp

B. Cl.

Cb. Cl.

  

  

  

  

   

Ob. 1

 

p

 

  

  

Cbsn.

p



  

        

   

 

  

  

    

 

 a2   a2  a2   

 

    





    

 

                   p     

   mp       mp 

mp

 a2  a2  a2  a2  a2  a2             

Bsn. 1 - Bsn. 2



mp

       

p

p

  

    

p

   



   

                                                            p                               p    





     

Hn. 1 - Hn. 3

Hn. 2 - Hn. 4

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

               

    

      

  

   

 

  



mf legato

    p

 

 

 late 



 



    

 



Cl. Bb 3

Ten. Sax.

S.





A. Sax. 1 - A. Sax. 2

Bari. Sax.



 

           





  

Tbn. 1 - Tbn. 2

B. Tbn.



   Timp.   Perc. 



Perc.

Xyl.











Tba.

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

 

42

normal   p

    p

 

 

    

          


85

50 tratt.

Picc. 1

  

Fl. 1

 

Fl. 2

 

Fl. 3 / Picc. 2

 

Ob. 1 - Ob. 2

 

Ob. 3/ Engl. Hn.

 

Eb Cl.

 

Cl. Bb 1

 

Cl. Bb 2 - Cl. Bb 3

  

B. Cl.

  

Cb. Cl.

  

Bsn. 1 - Bsn. 2

 

Cbsn.

 

   

A. Sax. 1 - A. Sax. 2

 

 mp legato

a tempo







   

  

         



pp serene

  Ob. 1               



 pp

mf secco





 

p

  ppp

 





  

 

    

 

 

    

                      mp



 





 



 



            

        

  

Ten. Sax.

 

 

Bari. Sax.

  



  

 







 

S.

Hn. 1 - Hn. 3

 

         

Hn. 2 - Hn. 4

   

C Tpt. 1 - C Tpt. 2

     

  

p oblivious, serene

All

C Tpt. 3 - C Tpt. 4

 



Tbn. 1 - Tbn. 2

 

 

B. Tbn.

 

 

 



p serene

Tba.

  





Perc.

 

Xyl.

  

  

Timp.

Perc.

Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

st. mute

st. mute

  a

  

p serene

 





long

  the

   watch

-

tower,

   prin



       

  

 

    



  



 



  



 



 

 



  

    

  

 

 

   

-

  

 



 



 



 



50

-


86

57

Picc. 1

 

                            

Fl. 1

  

Fl. 2

Fl. 3 / Picc. 2

Ob. 1 - Ob. 2

     

 

Ob. 3/ Engl. Hn.

Eb Cl.

Cl. Bb 1

Cl. Bb 2 - Cl. Bb 3

 

  

  

 

mf legato

 

  



B. Cl.

Cb. Cl.

 

Bsn. 1 - Bsn. 2

Bsn.

A. Sax. 1 - A. Sax. 2

Ten. Sax.

Cbsn.

Bari. Sax.

S.



 

mf legato



 



     ces

 1  

kept

  the

   view,

 







 







 





 



   

While Hn. 1

 



C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Hn. 1 - Hn. 3

Hn. 2 - Hn. 4

Tbn. 1 - Tbn. 2

B. Tbn.

   

   Timp.   Perc.  Tba.



  

       

 

 

 

   



   

 To Picc.    



    

 

 

  

 

    

    

  



  

     





  



the

wo

  

-

men

 came

   and

         

pp



pp













  

 



             pp secco   

   

all with mute



 

 



     

Perc.

Xyl.















Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

 

57

        





pp serene, legato

 

 



 





   



 





       

        


87

tratt.

64

Picc. 1

 

Fl. 1

 

Fl. 2

 

  

  

Ob. 3/ Engl. Hn.

Eb Cl.

  

Cl. Bb 1

Cl. Bb 2 - Cl. Bb 3

B. Cl.

Cb. Cl.

  





 







Cbsn.

 

A. Sax. 1 - A. Sax. 2



Ten. Sax.

S.

 

 

went,

          

Hn. 1 - Hn. 3

Hn. 2 - Hn. 4

 

  

bare

-



foot

    

 

serv

  

-

 

  

ants,

 

  

too.

 

  legato 

  



C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

B. Tbn.

   Timp.   Perc.  Tba.



   

  

    

 

  



 







 



pp

  

pp





pp



 

  

n

Out

  

-



 

 

side

  remove mute

remove mute









Perc.

Xyl.







 











Vib.

Glock.

Mar.

Cb.

Pno.

Hp.

 

64



     



   pp   







pp



    



    





 



 

    

pp

To Fl.

 





 

pp





C Tpt. 1 - C Tpt. 2

 









 

  

pp



pp







Bsn. 1 - Bsn. 2

Bari. Sax.







         



 



 



a tempo           

p

 

Piccolo

     

 



Ob. 1 - Ob. 2

 

Piccolo

Fl. 3 / Picc. 2

   

 



 

Flute


88

71

Picc. 1

  

  

Fl. 2

Fl. 3 / Picc. 2

Picc.

 

Ob. 1 - Ob. 2













 

   

pp legato

 

   in

 

 











 

     

 

 

 

  

 

the

dis

  



 

 



 



 



 





 



  



 

 













  

tance,

  



a

wild

-

  

 -

cat

did

 



growl,

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

B. Tbn.

   Timp.   Perc. 

Perc.

Xyl.

 

Two

(with mute)

pp

 

    

 



















Tba.

Hp.

 

 

Pno.



 

  

Cb.



    

pp

    -

            

Mar.



Cbsn.

Glock.

Bsn. 1 - Bsn. 2

Vib.





Hn. 2 - Hn. 4

 

 

Hn. 1 - Hn. 3





Cb. Cl.

S.

 

 



Cl. Bb 1

  

Bari. Sax.



pp



 

Eb Cl.

Ten. Sax.

  



Flute

A. Sax. 1 - A. Sax. 2



    



B. Cl.

  

Ob. 3/ Engl. Hn.

Cl. Bb 2 - Cl. Bb 3

 







 

71

                    pp

  



 



    

     





    

    

 

  

    

      

 

  










89

79

Picc. 1

Fl. 1

Fl. 2

Fl. 3 / Picc. 2

Ob. 1 - Ob. 2

Ob. 3/ Engl. Hn.

Eb Cl.

Cl. Bb 1

Cl. Bb 2 - Cl. Bb 3

    

3

 

 

 

 

 

 

 

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

A. Sax. 1 - A. Sax. 2

Ten. Sax.

Bari. Sax.

S.

Hn. 1 - Hn. 3

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

B. Tbn.

 

 

 

Mar.

Cb.

Pno.

Hp.







  

 

pp







 







   



 

 

ders

  

  were

  

ap

 -

  proach

-

   ing







 





 



 



 

 

 

 

Tbn. 1

open

  

  

  

 

 

 

 



 





 

 



 









 





 

 



 



   









Cl. Bb 3

Perc.

Glock.

     Timp.     Perc.  

Vib.

  

Tba.

Xyl.







 

-



 

   

 

 

 

pp

rid

   

  

3

  

 

 

     

 

 



 

Hn. 2 - Hn. 4

 

 

  

3

  

    



pp

B. Cl.

    

pp legato

 

 







 



pp

 































 





 



 



 



79


90

87

Picc. 1

  

 

 

Fl. 1 Fl. 2

 

Fl. 3 / Picc. 2

 

Ob. 1 - Ob. 2

 

Ob. 3/ Engl. Hn.

 

Eb Cl.

Cl. Bb 1

 

Cl. Bb 2 - Cl. Bb 3

 

 

 

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

   



 

  

Tbn. 1 - Tbn. 2



 

C Tpt. 3 - C Tpt. 4

B. Tbn.

 

Tba.

 

Timp.

Perc.

      

Perc.

 

Xyl.

Vib. Glock.

Mar.

Cb.

Pno.

Hp.

     



the

 

C Tpt. 1 - C Tpt. 2



 

pp























wind

 

   

open

  



     fff   Cl. Bb 2  

 

 

  

  

fff

   

  



fff poss. marc., savage

 

sf sf

 

  

be

-







 

 

 

  

         

 

 

 

 

 

gan

to

howl.

 

  

Vibraslap

 

fff poss.

       

ff

  



    

 

   

   

   



      

ppp

 



 







 



 

  

    

 

         

sf

 

 l.v.



   

fff poss.

   

fff sf

 

87

l.v.

 

S.D.



       



  

 



 

 

 



 

 

 

   

 

 

 



           

    ppp  



            

ppp open

ppp

  











 



 



   

pp

 



    S.   

Hn. 2 - Hn. 4





ppp

Bari. Sax.

Hn. 1 - Hn. 3

pp

 

  



Ten. Sax.

  

 

A. Sax. 1 - A. Sax. 2

pp

  



  

B. Cl.



 

Using a plastic guitar pick, rasp rapidly along low, thick string as hard as possilbe.

 

fff poss.

 


SCORE IN C (July 2009)

1 q = 60

5. Chimes of Freedom

91

  Piccolo 1  

 

 

Flute 1

Flute 2

Flute 3

Ob. 1 - Ob. 2

 

  

Oboe 3 / Engl. Horn

 

Clarinet in Eb

 

p legato

 

 













 



  



  

pp legato

 pp legato

 

  

 



Cl. Bb 2 / Cl. A - Cl. Bb 3

 

Bass Clarinet

 

Contrabass Clarinet in Bb (displayed an octave above sounding)

 

Bsn. 1 - Bsn. 2

 

Bassoon 3/Contrabassoon

 

A. Sax. 1 - A. Sax. 2

To Clarinet in Bb

 

 

 





 

 



 

Tenor Saxophone

 

Baritone Saxophone

  

  

take harmon mute

take harmon mute

Clarinet in Bb 1

Soprano

Hn. 1 - Hn. 3

Hn. 2 - Hn. 4

 

 

pp legato Cl. 2 in Bb

pp legato

  

Hn. 1

p legato

 

 

C Tpt. 1 - C Tpt. 2

 

C Tpt. 3 - C Tpt. 4

 

Tbn. 1 - Tbn. 2

 

Bass Trombone

 

  

  

     Glockenspiel + Chimes I  

Percussion 3: Chimes II

 

Marimba play Chimes III

  

 

 

 

Tuba

Timpani

Percussion 1

Percussion 2

   

  

Percussion 4: Vibraphone

Contrabass

Piano

 

 

E§F§G§Ab BbCbD§

Harp

1


92

9

 Picc. 

Fl. 1

Fl. 2

Fl. 3

Ob. 3

Eb Cl.

 

Ob. 1 - Ob. 2

accel.

3                                     Ob. 1               

pp

3

3

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

 

 





pp

3

3

A. Sax. 1 - A. Sax. 2

T. Sax.



 



 

 

mf

 

 

 

3

 p

 

 

3

 

 

    

 

p

pp

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Hn. 2 - Hn. 4

3

  

3

Hn. 1 - Hn. 3

3

3

S.

mf

3



3

B. Sax.

Ob. 2

3

Cl. Bb 2 / Cl. A - Cl. Bb 3

rall.

Cl. Bb 1

Faster

  pp

   

Tbn. 1 - Tbn. 2

B. Tbn.

   Timp.   Perc. 

Tba.

Perc.



   Vib.        Pedal

      

motor on - medium speed

        

 

 

Sus. Cymb.

ppp

mp

 

 

 Chim. 

mfsf

Chim.

Chim.

Cb.

Pno.

Hp.

 

    mfsf

         

mfsf non arp.

   

9

   

Ped.

sf

  

   

         

       sf

ppp

  

 

(mf)

 

  

    p

Gb

  

  

  

  

 

pp

 

  

  

  

  

           

 

  

  

  

  

            mf

 

  

  

  

  

   

      pp

 

  

E§F§G§Ab BbCbD§


93

16 Slower  q = ca. 50

Fl. 2

Fl. 3

Picc.

Fl. 1

* accel.

a piacere 

      

Ob. 1

Ob. 3

Eb Cl.

Cl. Bb 1

Cl. Bb 2 / Cl. A - Cl. Bb 3

Ob. 1 - Ob. 2

pp

          3

3

3

  

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

  

pp

 

 

   

3

3

mf

3

3

3

3

A. Sax. 1 - A. Sax. 2

T. Sax.

   

 

mf

                     Far be - tween sun - down's fin ish an' mid - night's bro - ken toll We ducked in - side     

the

door

 -

way,

thun

der

crash -

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Hn. 2 - Hn. 4

Tbn. 1 - Tbn. 2

B. Tbn.

  Timp.   Perc.  Tba.



  Vib.        Pedal  Chim.  Perc.

Chim.

Chim.

Cb.

Pno.

Hp.

 

    mp

         

  

Pedal

      

Ped.

 

Sus. Cymb.

ppp

 

p

 

           

ing

 

 As           

   pp

   

 

                          

    

    

  

     

 

         

              

            

        

             

* Orchestra accelerates, Singer continues a tempo, ignoring conductor.

 

         

mf

ma -

 

mf

 

  

 

pp

(mf) pp

 

 

GbA§

 

 

      

 

   

3

   

p

 

mp

   

16

    

3

   

   

          

   

p

3

Hn. 1 - Hn. 3

3

          

                        

S.

Ob. 2

3         



 

B. Sax.

* Faster rall.

pp

  

    

 

(p)

  EbF#G§A§

 BbC#Db 


94

23 q = ca. 50

 Picc.  Fl. 1

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

Ob. 3

Eb Cl.

Cl. Bb 1

Cl. Bb 2 / Cl. A - Cl. Bb 3

q = ca. 60







 

 

B. Cl.

 

Cb. Cl.

Cbsn.

 

Bsn. 1 - Bsn. 2

 

A. Sax. 1 - A. Sax. 2

T. Sax.

B. Sax.

S.



 

 

jes - tic

 bells

   of

 

bolts struck shad - ows

 

3

   

the sounds

Seem - ing

to

be

   

  the chimes

  of

free - dom

 

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2



B. Tbn.

 

   Timp.  Tba.

Perc.

to Lg. Tam



  Vib.       mp Pedal  Chim.  Perc.

Chim.

Chim.

Cb.

Pno.

Hp.

 

 

       mp

                    mp

     

23

        

       

  

   

 

               

              

B#Cb

      

   

    

C#

   

 

E§F§

          A§

   

   

   

    



   pp 

3

3

Lg. Tam

    



Contrabassoon

     p        

3

 





 



tune largest Timpano below pitch level 3

3

   pp  

p





  













      

3

non div.

pp

3

 

   

 







    

3

   



  



p

   p 3



   p

  

p

 3  



 

      p  3      p     3



 3  

  p

  pp

3

3

   

3

p

  



  

  

 

p

   p   

 

 

 3     p

p

3



 

 3    3   

     p

 

   

p



    



      

3





    

flash - ing

Hn. 2 - Hn. 4

p

3

  

 

Hn. 1 - Hn. 3

3



    in

























3

 

pp


95

28

 

Fl. 1

Fl. 2

Picc.

Fl. 3

Ob. 1 - Ob. 2

Ob. 3

Eb Cl.

Cl. Bb 1

Cl. Bb 2 / Cl. A - Cl. Bb 3

   

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

A. Sax. 1 - A. Sax. 2

T. Sax.

B. Sax.

S.



p

        

C Tpt. 1 - C Tpt. 2

  pp

 3    p       p   3

pp

pp

 3     p

3

  pp





     p

 

 

 

the war - ri - ors

 

     p  3

 3     p

to fight

 

 

Cl. Bb 2



     

  

pp

pp

   

    

pp

pp





     p  3     p     p  

   

 

the ref - u - gees on the

un - armed road of

    

 

 

    

  

pp pp with harmon mute

 

flight,

An' for

   

pp

pp

 

   

Tbn. 1 - Tbn. 2

B. Tbn.

 

   Timp.    Perc.    Perc.



  Chim.  Vib.

Chim.

   Cb. 

Chim.

Pno.

Hp.

3





3

3

   





3

3

   







sm. Tam

  

 

  

28

   

3

pp

 

3

 

pp

 

 

3

 

pp

 

 

EbF#GbA§ B§CbD§

  p

   

non arp.

  p

  

              

    

 

pp

pp

mf

pp

Tba.

pp



with harmon mute

 

pp

pp

 

C Tpt. 3 - C Tpt. 4

mp

             

Flas - hing for







   mp   





     p

3



p

3

not



 3     3

    

whose strength is

 3    p

       p          3

 3      p   3     p





p

 3     p

 

 3     3

for

pp



Flash - ing

pp

    pp   





  pp  

   pp    

 pp 

 

     p      p

      

 3      p   3     p



p





 3    

3

  

Hn. 2 - Hn. 4

3

3



   

Hn. 1 - Hn. 3

p



 3      3      p   3    



      

p

 

B. Cl.



Flute

pp



To Crot.

 

  

 

  

           

       

     

 


96

33

Picc.

Fl. 1

Fl. 2

Fl. 3

   

 

    

 

    

Ob. 3

Eb Cl.

Cl. Bb 1

3      

p

       p

B. Cl.

 

3

Bsn. 1 - Bsn. 2

Cbsn.

A. Sax. 1 - A. Sax. 2 T. Sax.

B. Sax.

S.

      

 

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2 B. Tbn.

3

p 3

p

p

Perc.



p 3

p

          

3

3

     

  Chim.  

 3         Cb. 

Chim.

Pno.

Hp.

     

     

33

p

3

3

un - der - dog

 3     p        p  3

pp

3

   

  

mfsub. 3

   

mfsub.

3

mf sub.

3

  

mf sub.

 3      mf sub.        3

mf sub.

     

    

sol - dier in

mf sub.

f

 

the night

An' we



 3      

 

         mf sub. 

mf sub.

3

  

3

     

mf

mf

3

      mf

    gazed up - on

the chimes of

  

         mf 

mf

3

3

3

pp

3

   

mf sub.

 

 

3

free - dom



    mf



pp

  

p

pp



    





   p 

      





 

   mf 

Chimes

 

 



 



 

 

 

 

  

 

 



  



   mp 

  





  





   f 

      pp







 

 

mp

  





ing.





-

   mf 

(f)

flash

 

  

  

p





 

     



 

    



      

 

  

mp

     

 3      

3

 

  

 

      mf

 

3

    



3

   

p



  

 3      mf 

p

  

     

mp

mp

mp

  



3

mf

p





mp



   

mf



    





3



   mf 

3



mf



3

3



Cl. Bb 2   

   



 

mf 3



3



 

  

f

mf

  

mf

  

f

 

mf



a2     

     



f





 



 3    

pp

    



  

mf Oboe





remove mute

Vib.

Chim.

    p 

 

 

3

  

   

   p

     p 

Tba.

Perc.

p

3

  

an' ev - 'ry

3

 

    Timp. 

 

     

each

 

Hn. 2 - Hn. 4

   p

  

Hn. 1 - Hn. 3

3

3

    

3

Cb. Cl.

3

p

      pp    



  

3

Cl. Bb 2 / Cl. A - Cl. Bb 3

Ob. 1 - Ob. 2



     

 

To Glock.

p

     

 

     

       E§F§GbA§ BbCbD§


97

38

 Picc. 

Fl. 1

Fl. 2

Fl. 3

accel.

Faster rall.

Ob. 3

Eb Cl.

Cl. Bb 1

Cl. Bb 2 / Cl. A - Cl. Bb 3

   

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.



3

p

    

pp



pp

3

3

f

 







 

















mf

A. Sax. 1 - A. Sax. 2



3

3

3

3

3

3

3



 







 

















mf

T. Sax.

B. Sax.



 

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Hn. 1 - Hn. 3

Hn. 2 - Hn. 4

Tbn. 1 - Tbn. 2

B. Tbn.

   Timp.   Perc. 

Tba.

Perc.



  Vib.       f   Glock. 

   

Chim.



Pno.

           

f sub.

        

Hp.

   

   p





 



 

  

  

 

 

 

  



 

 

     

   

mf









  

   

 

 

 

   

   

            

    

p

 

       

 

 

pp

                   

 

open

 

open

       

     

  

           pp

       

3

pp p

  

f

      

38

 

   

Glockenspiel very soft mallets

Chim.

Cb.

  

3

 

3

S.

 

3                                                     

Ob. 1 Ob. 1 - Ob. 2

Ob. 2

 

 

  

   

                p

p

Ab G§

        


98

44 Slower q = ca. 50 a piacere  

Ob. 1 - Ob. 2

Ob. 3

Picc.

Fl. 1

Fl. 2

Fl. 3

Eb Cl.

Cl. Bb 1

Cl. Bb 2 / Cl. A - Cl. Bb 3

 





pp

 

  

pp

 

 

 

pp



pp

 

 



  

pp

pp



 

n

 

n

 

  

n

p

 

n

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

A. Sax. 1 - A. Sax. 2

T. Sax.

S.

Hn. 1 - Hn. 3

 

 

  

Hn. 2 - Hn. 4

3

 

In

the

cit - y's

melt - ed

 3      

pp

C Tpt. 1 - C Tpt. 2

  

 

fur - nace,

       pp

n

       pp 3

Tpt. 3

 

we



with

p

fac - es



          Glock.  Chim.

Chim.

Cb.

Pno.

Hp.

 

    

3

     

 

3

3

44

     

 3

bowed

   

3

   pp

     

Glock., with Vib. sticks

    

3

    

       

    

3             

mp

 

3

3

pp

mp

    

pp

mp

    

Crotales

  3   

   3             mp

 3

3

pp



 

pp

 

mp 3

  



pp

           

mp 3

 

               3            mp pp           

     

           



take harmon mute

Vib.

walls were



n

  

    mp

3

   pp

the

take harmon mute

3

 



3



   Timp.   Perc. 









Perc.



hid - den while

 

Tba.

B. Tbn.



Tbn. 1 - Tbn. 2

 

    

   pp 

C Tpt. 3 - C Tpt. 4

watched

n

3

pp

un - ex - pect - ed - ly

pp

  





n

B. Cl.

p



 



B. Sax.







pp

 

p

pp



pp

    



pp



  

Eb A§

      pp

      pp

                pp

 

   

         

     

n

mp 3

         3     

mp

 

  

  3

     

  

Gb C§

 

     mp

   mp

    

   



   



   pp  

  



 

mp 3

 





    3

pp

   3

   

 

   

  

  

 

3

pp

3

     


99

48

Picc.

Fl. 1

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

Ob. 3 Eb Cl.

Cl. Bb 1

Cl. Bb 2 / Cl. A - Cl. Bb 3

B. Cl. Cb. Cl.

Bsn. 1 - Bsn. 2 Cbsn. A. Sax. 1 - A. Sax. 2

T. Sax.

  

  

  

     

    

    

pp

pp

pp

  

  

C Tpt. 3 - C Tpt. 4 Tbn. 1 - Tbn. 2 B. Tbn.

 

Glock.

Chim.

  

  

Pno.

  

F#

  

48

As

the

    

  

  

   

p

    

ech - o

of

 

    

    

pp

    

  

 

wed - ding

bells

 be

-

3

   



3



       

3 

   

mf

   3           3               3

Db

3

mf

   

     

3

             3

   

n

 

 

p

  



blow - in'

p



 

rain

 

Dis - solved

in

-

to

the

 

 

p

 

 

     3

p

p

   

mp

 3

  

  

3

    

pp

    

   

 

 

p

     p

 

mf

 

 

  

 

     3

p

    

mp

Ab B#

mf

 

     p

3

     3

 

3

3

 

3

   

 

   E§

mp

  

  

3

 

    3

bells



of

3



 



the

       

 



3

      

pp

3

 3

 3

     

               

pp

3

  

p

  

 

 

  

  





 

p



   

n



p



    

n

 



p

the

3



 

fore

3

 

  

3

n



n





 

 

 

         mf   3

n

n



the

mp

pp

     



3

     

 

p

n

p

 

       

 



p



   



p

n

n





         Hp.

Chim.

  

      mp 

 

     Cb.

p

mp

     Timp.     Perc.  

Vib.

3



   

 

  

3

Tba.

Crot.





n

n

p

 Cl. Bb 2   





  

n



  

 

n



 

 





 

C Tpt. 1 - C Tpt. 2

Alto 1

n

 

p

mp

n



 



    

      S.      tight - ening   

Hn. 2 - Hn. 4

 

n

3

  

 



Cl. Bb 3

   



n

 

B. Sax.

Hn. 1 - Hn. 3

mp

 

 

mp

 

    



3

  

  



 

 

        mp 3        3



3

    

  

3

 

3

3



3

      

 

    

 

     



    



Lg. Tam


100

52 q = ca. 60

Picc.

Fl. 1

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

Ob. 3

Eb Cl.

Cl. Bb 1

Cl. Bb 2 / Cl. A - Cl. Bb 3

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

A. Sax. 1 - A. Sax. 2

T. Sax.

B. Sax.

S.

  

     

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

B. Tbn.

 

 

 

 

   

       

 

 

3

   

  

  

 

3

3

3

  

Pno.

Hp.

 

3

3

   p    p





   

3

  pp  Lg. Tam 3    

To Sm. Tam. p

  

 

 

3

 

3



p

 

3

  p      3



 





  



p Cl. Bb 3

p







p

3

3

  p

p

3

3

 

3

  











p

3

3



Strik - ing

for

  



the gen - tle,

p

p

 

  p      3

 





for

the

 kind

3

 

sm. Tam.

3

 

3

3

   

 





    

 

3

  p

 

 

3

  p

 

 

3

  p

 



p



p

 

   

p

3

p

3

3

   

   

3

  

3

3

   p

3

   

p

3

3

 

3

p





  

p

 

p

3

3

strik - ing

3

  

p

p



 

3

 

3



  p     







 

 

p



p

p





p

3

  

p

   3

  

3



 



3





3



p



  

3







p



  

   p

 





p

 

Chimes

3

p

3





 



3

 

 

p

tune largest Timpano below pitch level

p







 

p

   



3

3

  



 

52

     p 

 

3

 

   

 



 

    

      To Chim. Glock.           Chim.  

Cb.

      p 3      p 

   

               

    

Vib.

Chim.



 

   

p

  

p

 

   

p

      Timp.  

Crot.



Tba.

Perc.



  

C Tpt. 1 - C Tpt. 2



light - ning

Hn. 2 - Hn. 4



  

Hn. 1 - Hn. 3









 

EbF#G§A§ B§C#D§

3

  p


101

57

Picc.

Fl. 1

Fl. 2

 



 

mp

  

   

  mp

Fl. 3

Ob. 1 - Ob. 2

Ob. 3

Eb Cl.

Cl. Bb 1

mp

  

 

   

 

mp

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

A. Sax. 1 - A. Sax. 2

T. Sax.

B. Sax.

Hn. 1 - Hn. 3

 



     

pp

 



Strik - ing

for

    

  

pp

  

pp



  pp



 

p

  Chim.  Vib.

   Cb. 

Chim.

 

 

Pno.

 

 

Hp.

 

57

   

  

pp

pp

    

 

pp

pp

  

the guard - ians

 

and

 

pro - tec - tors

 

of

the

  p

      p

  

    

  

pp

pp

   pp

     

 

  

Cl. Bb 3

3

pp

 

     

mind

An' the

(mf)

    pp

   pp

 

   p

3

3

    -

3

3

   p   

pawed



Cl. Bb 2      3

3

mp

3

p

p

 



   pp

 

 

     3

3

be - hind be - yond his right - ful

 remove mute

 

 



 

 



3

mp

3

3

   

 

 

         

 

   

   

  

 

  

  

           

        

 

 

    

 

 

 

 

3

    mp

 

3

 

mp

 

  

   

mf sub.

(f)

An'

3

mf sub.

3

     

 

mf 3

mf

3

mf sub.

 mp

3

     mf sub.      



     

3

3

f

time

 

f

A. Sax. 1 mf sub.

 

   

 

Bsn. 1



p

mf

3

3

 

3

3

  

3

p

mf sub.



    p    

3

3

f mf sub.

 

3



f



p

paint - er

   

  

  

3

f

  

 

pp

 

3

p

    p

p

un

 

3

 

pp

3

  



p

  





p

 

 

pp



   

   

mp

  



   Timp.    Perc.  

Chim.



Tba.

Perc.

mf

 

B. Tbn.

 



 

   

    

  

mf



 

  





    

p

 

Tbn. 1 - Tbn. 2

3

pp with harmon mute

C Tpt. 3 - C Tpt. 4

 

mf

3

with harmon mute

C Tpt. 1 - C Tpt. 2



   

Hn. 2 - Hn. 4

 



(mp)

S.

      

 







pp

   

  



  

mp Cl. Bb 2

Cl. Bb 2 / Cl. A - Cl. Bb 3

    mf

we


102

61

 Picc.  Fl. 1

Fl. 2





 

 

  

 

Fl. 3



Ob. 1 - Ob. 2

  

Ob. 3

Eb Cl.

Cl. Bb 1

Cl. Bb 2 / Cl. A - Cl. Bb 3

 

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

 

B. Sax.



       3 mf 3     mf     3 mf



    mf 

3

3

  

Hn. 2 - Hn. 4

(f)sf

 

(f)sf

   

 

     

     mf       

flash



open   

  

Tbn. 1 - Tbn. 2

B. Tbn.

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

   Timp.  

Tba.

Perc.

Perc.

 

mf

3

3



      

  Chim. 

Vib.

Chim.

Chim.

Cb.

Pno.

Hp.



  

 

 

3

    mf

61

sfp open

sfp open

  



sfp

-

  

                 pp                     pp       mp

 

 

mp





      

                                        pp



  

  

  

  

  

  

  

p

   

p

  

ppp

 

ppp

    





 

         

 



   

sfp

 

mp

  

 

  

ppp

  











   





ing.









         sfp

      

  

  

sfp

sfpp

sfpp

       



  

                                             pp p                                                                           p  pp    

     



sfp



the chimes of free - dom

sfp

       





 

        



    

 

3

3

(f)sf

   

mf

    

  



 

mf

 

      

3

gazed up - on

Hn. 1 - Hn. 3



 

T. Sax.

   

S.



 

B. Cl.

A. Sax. 1 - A. Sax. 2

stringendo



sfp

  



sfpp

 

 

 



 



  

 

ppp





 



 

 



ppp

ppp

 

 













Sm. Tam.   

    

mf

p

      

mf

     

p

    

pp

 

 

ppp

 

     







 

 

 

   

  

   

   


103

65 q = ca. 72

Picc.

Fl. 1

  

                   

                  

p

Fl. 2

mp

p

Fl. 3

Ob. 1 - Ob. 2

Ob. 3

mp

                                           (p) mf (mp)    

  

Clarinet in Bb

Cl. Bb

  

Cl. Bb 2 / Cl. A - Cl. Bb 3

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.



   

     

mp

(mp)

T. Sax.

    

  

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

B. Tbn.

Pno.

Hp.

 

   



Bsn. 2

mp



n













mp

  

 

   

 

     

65

 

 

f

  

 

 

mf

 

 

mp

 

 



 

 

A. Sax. 1

 

     Chim.  

Cb.



Vib.

Chim.

     Timp.     Perc.  

Chim.

mf

Tba.

Perc.





(mf)

 

C Tpt. 1 - C Tpt. 2

                  

mf

 

Hn. 2 - Hn. 4



                                      p mp f (f) f                                                                                                      (mf)   f          mf p

                   

Hn. 1 - Hn. 3

                    

 

S.

n

A. Sax. 1 - A. Sax. 2

B. Sax.

n

mp

Cl. Bb 1

3

 Through

3

  the


104

67

 Picc. 

  

 

Fl. 1

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

Ob. 3

Cl. Bb Cl. Bb 1

Cl. Bb 2 / Cl. A - Cl. Bb 3

  

                    

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

T. Sax.

B. Sax.



Hn. 1 - Hn. 3

   

      

 

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4



                                 f                                     

   

   

   



mad

mys

 -

tic

Chim.

  Cb.

Chim.

Pno.

Hp.

            

 

   

    

f

 

 

3

 

 

 

 

 





 





 

              



   mf

3

of

the

  

3

  

 

wild

rip - ping

p

  sfz sfzs  

hail

 



p

sfz

 



 

3

The

 p 



 

p

p



sfz

 

mf

  

  

 

 



  









p

sfz





Sm. Sus. Cym., metal sticks

 

p

 

 

sf

      





 

   





 

 



ff

     sfz    sfz    sfz 

 

 

      mf



  

mf

67

f

mf

  

                  

mf

(mf)

  Chim. 

 

 

Vib.

   mf    

f

                 mf f   Ob. 1                                      mp mp            mp                                                  mf  ff   

  

B. Tbn.



3

ham - mer - ing

             

 

 

mf

            

Perc.

                       

   Timp.   Perc. 

Tbn. 1 - Tbn. 2

Tba.



 

Hn. 2 - Hn. 4

         

 

S.

                            

A. Sax. 1 - A. Sax. 2

 

     

                                                    ff sf f     EbF#G§A§  ff B§C#D§           



               


105

69

  





Fl. 1

 





Fl. 2

 





Fl. 3

 

 

 

Ob. 1 - Ob. 2

 





Ob. 3

 





Cl. Bb

 



Cl. Bb 1

 

Picc.

       mf          

Cl. Bb 2 / Cl. A - Cl. Bb 3

B. Cl.

Cb. Cl.

      

Bsn. 1 - Bsn. 2

Cbsn.

 

                         





 

 

 

     









     











  

 















  













     



  

  

 

  

 

                                                                                

f

f



                        























 

 





  



f



 





   

                         

A. Sax. 1 - A. Sax. 2

 





T. Sax.

 





B. Sax.

  





S.

  

      sfz      sky

Hn. 1 - Hn. 3

Hn. 2 - Hn. 4

C Tpt. 1 - C Tpt. 2

 

C Tpt. 3 - C Tpt. 4

 

sfz

 

 

3

cracked

its

poems

in

na - ked

Tba.

won







  



 

  

(Bass Drum sound)

pp



  

the



 

That



 





 

mp

der





mp

-



   

   Timp.   Perc.





f

3

mp

B. Tbn.

3



   

Tbn. 1 - Tbn. 2

  

mf

 



 





 



 n

 



 

 

  





     









Chim.

 





Chim.

  





Perc.

Vib.

Chim.

Cb.

Pno.

Hp.

  

 









 

        

69

mf





   











   





























 

 









 




106

71

Picc.

  

Fl. 1

  

Fl. 2

  

Fl. 3

 

Ob. 1 - Ob. 2

       f       f

               

   

Cl. Bb

Cl. Bb 1

Cl. Bb 2 / Cl. A - Cl. Bb 3

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

 

  

       

A. Sax. 1 - A. Sax. 2

 

T. Sax.

B. Sax.

 

 

 

 

 

 

  

  

 

  

 

 

  

 



  

 









 



 

  

 







mf



                

           



             

  





mf

 





     



mf

            







mf



     







             







    



2. To Cl. in A

            







     



 

 



  



  

    

clang

 

Hn. 2 - Hn. 4



                     

                           

Cbsn.

Hn. 1 - Hn. 3

                    

 

S.



                      

     

mp



To Eng. Hn.

    

                



mp

Ob. 3

3

-



ing

of

the



 

3

curch

3

bells

blew



mp

far

in - to

the

       



Tpt. 2 a2 Tpt. 1 with harmon mute

Leav - ing

 

with harmon mute

3



breeze

 

mf



mp





  

C Tpt. 1 - C Tpt. 2

  

C Tpt. 3 - C Tpt. 4

 

Tbn. 1 - Tbn. 2

 



B. Tbn.

 



Tba.

  



  





  





Timp.

Perc.

Perc.

Vib.

   

  

  Chim.   



Chimes

f

5

Tpt. 1

    





3

               f 

 

mf



    

      

 

Chim.

 

Chim.

  

 



 



 



 



Cb.

Pno.

Hp.

                                    

 

71







 







 


107

73

  Picc.   Fl. 1

Fl. 2

Fl. 3

             

rall.

             

     

               

     



 



 

Ob. 1 - Ob. 2

 



Ob. 3

 



Cl. Bb

 

Cl. Bb 1

 

     

                  Cl. Bb 3

Cl. Bb 2 / Cl. A - Cl. Bb 3

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2



      

 

     



         

                

        

mf

    



            

Cbsn.

A. Sax. 1 - A. Sax. 2

 

 

mp

T. Sax.

mp

S.

   

           on

Hn. 1 - Hn. 3

Hn. 2 - Hn. 4

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

-

       

ly

bells

Tpt. 2

     

    

  

 

 

 

 

               

   

          

  

               

 

 

3



3

 

light - ning

    

 

mp

 

   

mp

of

 



               mp                     

3

    

mp Clarinet 2. in A

 

 

 B. Sax.   



 

 

 

       



    

  



 



 

3

 

       

a2 remove mute

        





and

its

  

    

 

Tbn. 1 - Tbn. 2

 



B. Tbn.

 



Tba.

  



   Timp.   Perc.

  

 

 

(Bass Drum sound)

 ppp

 

mp

 



  

 

     





Chim.

 



Chim.

  



 



 



 

 

 

 

Perc.

Vib.

Chim.

Cb.

Pno.

Hp.

  

73

 




108

75 Slower

  Picc.  

Fl. 1

 

Fl. 2

 

Fl. 3

 

Ob. 1 - Ob. 2

 

Ob. 3

 

Cl. Bb

 

    

Cl. Bb 1

 

      

Cl. in A

B. Cl.

  

Cb. Cl.

Cbsn.

A. Sax. 1 - A. Sax. 2

T. Sax.

S.

Hn. 1 - Hn. 3



   



  

           

Bsn. 1 - Bsn. 2

B. Sax.



 



   

 

  





  

 

   

      

  



  



  

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

   

  

3



thun

-

der

  

 

 n

3

 

 

3

 3

 

3

As

we

  

Chim.

 

Chim.

  

  

   

 































3

 

 

  

75

  

 

3

 

  

 

Cl. Bb 3

  

    

3

  



      

   

  

  

Hp.



Tba.

Pno.



  

   



Cb.





mp

 

Chim.

 

  

B. Tbn.

Vib.

      





Perc.

  



 

 

Perc.



         

Tbn. 1 - Tbn. 2

Timp.



  

  

 

Hn. 2 - Hn. 4



 

rall.

 

E§F#G§A§ B§C#D§



3

3

  mp 


109

Tempo I, rubato 76 q = ca. 60

 

Fl. 1

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

 

 

Picc.

Cl. Bb

Cl. Bb 1

Cl. in A

Ob. 3

To Eb Cl.

   



  

B. Cl.

  

Cb. Cl.

   

Bsn. 1 - Bsn. 2

 

5

    

  

 

   pp

A. Sax. 1 - A. Sax. 2

T. Sax.

B. Sax.



Cbsn.

S.

Hn. 1 - Hn. 3

  

 

3

lis - tened

one

last

Hn. 2 - Hn. 4

 3 

3

   

time

3

  

3

an' we watched with one

   last

p

look



 

3

 

Hn. 1Spell - bound an'

pp

  pp

Hn. 2

 

pp

 



  

 

 

  

 

toll - ing

 

3

3

3

 

the

 

'til

 

swal - lowed

3

 

 

 

 lunga

end - ed.

 

 

Tbn. 1 - Tbn. 2

 

B. Tbn.

 

Tba.

 

 

 

 

Perc.



pp

To Lg. Tam. Lg. Tam.

B.D.

pp

  Chim. 

Perc.

Vib.

Chim.

Chim.

Cb.

Pno.



  

Hp.

 

  

76

 

5



 

 

   

  pp



   

 

 

    

  

    

Bb

3



3

p

    

 

3

p 3

pp

        

 

  p 3    p  3    p  3   p   

   3   pp    3    pp    3    pp  3   pp    3   pp   3     pp

  

to Bass Drum

pp

 

C Tpt. 3 - C Tpt. 4

p

Sm. Tam.

 

  p

 

Timp.

 

p

C Tpt. 1 - C Tpt. 2

   p

3

 

 

English Horn

 

 3     

 

 

3

pp

 

 

  

     

pp

 

 

  

 

 

   

 

  

   

 

 

pizz.

    3

pp


110

80

Picc.

 

Fl. 1

Fl. 2

Fl. 3

  

Ob. 1 - Ob. 2

Eng. Hn.

Cl. Bb

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.



Hn. 2 - Hn. 4

3

   3





   

Timp.

Perc.

Perc.

 

      

  



   

   

pp

  

3

p

3

3

p



   

for

    the reb - el,

    p      3

  3

 

pp

p

3



    p 3    p

   3



p

3

3



   

3

 

3

 

p

         

toll - ing

  

p

    p 3    p 3   

for

the rake

    p      3

3

p

3     pp

  3

 

pp

 

     p 3    3



p

3





p

3

3



   

 

  

p

   p

 

   p



  

p

mf

    







 

  



     

   p



p

    

     p 

p

 



   

p

    

Toll - ing

for

   

the luck - less,

      the

    

  

      p

    p

p

p

with harmon mute

 

p

p

p

    

 

 





Sm. Tam.

p

  

 

  

  Chim. 

Chim.

Chim.



Vib.

Cb.

Pno.

Hp.



  

 

 

80

    3

pp

 

    3

pp

 

    3

pp

EbF#GbA§ B§C§D§

arco

p

 p

        p

  

   

p

  

  

 

  

 

p



 

   









p

with harmon mute

     p



 

a - ban - doned an' for - saked

    p



p

  

  



p

   p 

  

p

    p

p



p



   





p

   p 3

   

 p

mf

 p

 

    p

 





p

3

3        pp

    p  3   



  



p

3





p

3

 

p

    p 3    p 3    3

  

pp

p

3

 

p

  

  

3

p

3

  

 

   3



    

    p 3   p 

  

 

   

3



    

3





3     pp

p

     p 3   





       

Toll - ing

3





    p      3

C Tpt. 3 - C Tpt. 4

p

3

C Tpt. 1 - C Tpt. 2

Tba.

p

    p 3    p 3    3

p

p

p

  

   

B. Tbn.

  

      

Tbn. 1 - Tbn. 2

    p 3   p 

3



  

mp

  



pp

Hn. 1 - Hn. 3

mp

3

 

T. Sax.

S.

   

A. Sax. 1 - A. Sax. 2

B. Sax.



Cl. in A

3

 

Cl. Bb 1

p

 

  

 

  

  p            

        

 p

   

    


111

85

 Picc.  

Fl. 1



  

mp

  

Fl. 2

mp



Fl. 3

  

  

mp

      

    p

3

Ob. 1 - Ob. 2

Eng. Hn.

Cl. Bb

Cl. Bb 1

mp



Cl. in A

 

3

3

mp

      3

  

Cbsn.

A. Sax. 1 - A. Sax. 2

mp

T. Sax.

     mp

p

p



Hn. 1 - Hn. 3

out - cast

 3    

     mp   3

Hn. 2 - Hn. 4

       3 open

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

  3      

B. Tbn.

Tba.

Timp.

Perc. Perc.

mp open

         mp     3       mp 3

mp

         3

  

  Chim. 

3

 

3

Vib.

Chim.

Chim.



p

3     p

 

3

  

    p  3

3    

 

3

mp

   p 3        p  

   p  3      3

3

3

     



    mp

      



mp

  



  

 

at stake

An' we

     mp 3       

3       

     3      3

mp

mp

 

     

3      

       3

 

3

mp 3

     

gazed

          

3

mf



 

   f      

3

mf

mf

mf

f

3

 

f

3

         mf f 3 3             3

3

f

mf

3 3            

mf

    mf   3      3

mf

 

3

f

     

f

       f 3

3 3           mf

f

          3

3

mf

mf

3

     3

f

     

Cb.

Pno.

Hp.

3 pizz.

                

p

   

    

3

 

 

    

3

   mp

3

      3

mf

   

    

     f

f

   

  

       f 3        

  

 

ing for

the deaf an'

blind, toll -

f



  

f

     f 3      3

  

Toll -

      3

f



 

    

     

f

3

  



 

3

  

 

f

3

* Chimes in hall, right box

mf

  

     

  

3

  

 3    

  

3



f

Chimes

  

3

3          Pedal sempre 

f

  

     

Pedal sempre

Pedal sempre

f

3

f

* Chimes in hall, left box

   

3

   f    f

f

  f   

 3    

      f mf 3  3         3

f

         3

f

3

f

3

3

3

mf

3

3

mp

3

mf

     mp

mp

  

f

3

 

  

   

 

   

         

   

f

mf

      3

3

3

3

  

3

3

 

  

3

      

3

mp



3

f

mf

  

      

 

f



 

mp

burn - in' con - stant - ly

mf

     

3 a2

   

B. Sax.

for the

f

3

  

 

3

     mp     p             S. 

 

f

 

 

 

         3

3

   

     

  

3

f

mp





 

   p

3



 

 

    f

  

3

Toll - ing

mf

   

p

3

3

  3     mp

3

    mp   3

 

   

3

mp

   3

      3

 

mf

3



mf

3



 

p

        

Bsn. 1 - Bsn. 2

mp

mp

  

p

3

     

      3   

3

Cb. Cl.



  3   

B. Cl.

 

3

mp

mp

Faster, free 

 



 

 EbF§GbA§  BbC§D§ 

         

         

    

85

* Chimes in left and right boxes of hall, midway between stage and back of hall.


112

90 

  Picc.    

Fl. 1

 

Fl. 3

Ob. 1 - Ob. 2

Eng. Hn.

Cl. Bb

   



   



 

Cl. 2 in A

 

 

  

 

 

 

             

English Horn

 

f

   

      



 







     

          



    

B. Cl.

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

A. Sax. 1 - A. Sax. 2

T. Sax.

B. Sax.



S.

  

 

 



      3

        

     f        

  f

      

 

  

 

    

3

C Tpt. 1 - C Tpt. 2

C Tpt. 3 - C Tpt. 4

Tbn. 1 - Tbn. 2

B. Tbn.

Hn. 1 - Hn. 3

Hn. 2 - Hn. 4

Tba.

Timp.

Perc.

Perc.

ing

for the



Vib.

Chim.

 

 Chim.    Cb.

Pno.

     

      

     sempre 

Hp.

90

The mis - treat - ed, mate - less moth - er,

   

   Chim.  

mute

 

           

    

f

 EbFbG§A§ BbC§Db

        

                 

the mis - ti - tled pros - ti - tute

   

 

   

 

   

  

 

  

 

Toll

           

-

   

           

    

 

E§F§G§A§ BbC§Db

ing for

    f

     

   ff

          

 

  

be nursed

       

    

 

  

   

     

3   

  

       

    

      3

       

           

     

3

An' for

             

    

 

    

one whose wounds can - not

 

the ach - ing        f      f     f       f        f       f       f       

-

3

  

  

  

 

 



  

   

             

  



 

 

     

   

 

 

     



   

      



Cl. in A



 

  

Cl. Bb 1

   

 

Fl. 2



  

3

3            ff        



  

Ab

  

 

  


113

  3      Picc.     3    Fl. 1    3     Fl. 2     3    Fl. 3       Ob. 1 - Ob. 2  3       Eng. Hn. 

95

3

Cl. Bb

        3   3      

Cl. Bb 1

Cl. in A

B. Cl.

    

Bsn. 1 - Bsn. 2 Cbsn.

B. Sax.

S.

Hn. 1 - Hn. 3

      

     

  

Tbn. 1 - Tbn. 2 B. Tbn.

 

 

  

3       Cb.

Chim.

Pno.

Hp.

   

95

  the

  

3

                             

           

       3        3      

    

 



a2

  

  

     

  

  

    3 

whole

 

 

  

wide u - ni - verse

 



  

sfp

 

   

        

  

   

 

      

   

  

a2

 

Clarinet in Eb

 

 

      

    



ff

 

 ff 

  

  

An' we

ff



 

gazed

 

a2

ff

  f 

 

f

  

           

               

ff

  

ff

 

ff

 

     

                               ff

 

      

 

        



    

 

   

      

                 

   

       

            

      

  

 

    

            

                   

 



 



 

   

  





              

            

  

 

            

 

       

An' we

                                                      

     

   

                                    

      

 

      



 

  

  

  

  

  

  

   

  

   

    

                               a2                      

 

     

     

    

           

  

 

   

the chimes

    

    

      of free - dom

   

                                                     

                      

               

      

          

 

gazed up - on

 

 

 

 

            

     fff              gazed

(q = 60)

Sostenuto

        

   

 

                  

   

  

 



a2   

An' we

ff

 

       

    3 3            3 3 3                                                     EbF#G§A§ BbC§D§      

 

   

  

 ff 

  

a2

    

  

 

 

  

ff   

  

 ff 

      

 

   sfp

   



  

  

 



  

     

per - son

 

 Vib.    Chim.  

   

  

   

Perc.

Chim.

  

 

   

  Timp.   Perc.  Tba.

   

   

  

a2

                

C Tpt. 3 - C Tpt. 4

  



 in     

ev - ery hung - up

   

C Tpt. 1 - C Tpt. 2

  



     

    

Hn. 2 - Hn. 4

 

  



 

 

ff

 

  

     

T. Sax.

  

  

A. Sax. 1 - A. Sax. 2

  

     

 

3

  

  

Cb. Cl.

  

  



    

    

 

      

   

 

     

               

              


114

100

  Picc.   Fl. 1

Fl. 2

Fl. 3

Ob. 1 - Ob. 2

Eng. Hn.

Eb Cl.

Cl. Bb 1

 

 

Ob. 1

sfp

        

Cb. Cl.

Bsn. 1 - Bsn. 2

Cbsn.

B. Sax.

S.

Hn. 1 - Hn. 3

Hn. 2 - Hn. 4

C Tpt. 1 - C Tpt. 2

       

    

  

  

   

flash

     

 

Tbn. 1 - Tbn. 2

B. Tbn.

Perc.

 -

-

-

-

Hp.

-

-

-

-

-

 

  

 

fff poss. sff

fff poss. sff

fff poss. sff

fff poss. sff

fff poss. sff

fff poss. sff

fff poss. sff

-

-

molto

-

 

 

 

 

 

     

  

      3



  

  

  

 EbF§GbA§ BbC§D§

 

       

 

   

fff poss. sff

    

 

 

 

 

 

 

 



fff poss. sff

fff poss.

3 3                    fff (Pedal)                                         

 

fff poss. sff

fff poss. sff

 

 

ing.

fff poss. sff

Lg. Tam.

    fff poss. sff      

 

      

   fff poss. sff     fff poss. sff    

 

    

  

fff poss. sff

molto

  3  

 

a2

 

 



   

  

 

  

fff poss.

     

 

 

 

let ring into the next movement

  

 

 

let ring into the next movement

  

let ring into the next movement

fff poss.

fff poss.

attaca

 

fff poss. sff

fff poss. sff

100

-

 

    

fff poss. sff

 -

 

     fff (Pedal)      Chim.       fff (Pedal)   Cb.       Pno.

-

 

fff poss. sff

 

Vib.

Chim.

-

   

fff poss. sff

  Chim. 

fff poss. sff

molto

 

  Timp.   Perc.  Tba.

fff poss. sff

    sfp     

fff poss. sff

sfp

molto

 

fff poss. sff

sfp

C Tpt. 3 - C Tpt. 4

B. Cl.

T. Sax.

A. Sax. 1 - A. Sax. 2

Cl. Bb 3

Cl. in A

   

  

let ring into the next movement

   

 

   

let ring into the next movement

   

let ring into the next movement

fff poss.

  

fff poss.

       

attaca


   

Soprano

Percussion 1

p * with simplicity

   

May God

  

(Tam)

(p)

       

Glockenspiel: Chimes I

bless

    Marimba plays Chimes III      

                

(p)(Pedal)

         (p)

 

    

  

May you

al - ways do for **

oth - ers And let





**



**

(n)

(n)

oth - ers do for

you.









  

**

(n)





   



**







(n)

   

 

  

a tempo

rall.

               

(n)

  

  

  

 

  

 

  

true,

  

 

  

    

 

  



 

 

   

  

  

      

EbF§GbA§ B§CbD§

 

wish - es all come

 

    

accel.

    

 

   

  

  

  

May your

   

 

  

al - ways,

   

   

 

 

(p)(Pedal)

Harp

 

 

(p)(Pedal)

Piano



 

        

      

and keep you

 

(p)(Pedal)

Xylophone plays Chimes II

Postlude: Forever Young

e=e

h = 56

115

  



(n)



a tempo

rall.

accel.

**





S.

    

May

10

you

 

build

 a

 

lad - der

to

the



stars

And

   climb

on

ev

rall.

 



- 'ry

    

 

rung,

15

Fl. 1

Fl. 2

     

q = 66

     

     

  



 

pp

Clarinet in Bb

Eb Cl.

Cl. Bb 1

Cl. Bb 2

Cl. Bb 3

S.

             

    pp

     

15

 

pp

 

 pp

May



you

stay

   

 

 

   



     



  

 

   





   

  



pp

 

for - ev - er



young,

pp

pp

  

 

For - ev - er

* Soprano should wait until sound in hall is piano before beginning to sing.





young,

  

for - ev - er

young.





May

** Sound should cease by measure 6.



you

stay

  

 

 

h = 56

pp

pp

e=e

for - ev - er

 

young.

mf

 

May you

  

     

  


116

    

S.

21

grow

up

to

be

    

           

       3

right - eous,

May you

grow

up

to

be

f(dolce)

true,

May you

             

al - ways know the

truth And see the lights sur -round - ing

  

mf

you.

May you

    

S.

28

al

-



ways

be

cou

 -

ra

-





geous,

Stand

up

-





right

and

 

rall.

be

  



 strong.

32

     Fl. 1      

Fl. 2

Cl. Bb 2

    

 

 

 

    

S.

pp

May

C Tpt. 1

         

C Tpt. 2

pp

pp pp





pp

     

Cl. Bb 1



you

stay

 

for - ev - er



young,

 

For - ev - er



young,

 

for - ev - er

 



  





  





  



young,

 

Tbn. 1

Tbn. 2

   

32

May

you

stay

  



Whispa mute (play into stand)

   pp





pp

   pp

for - ev - er

pp

straight mute (play into stand)

  

Whispa mute (play into stand)

h = 56



straight mute (play into stand)

   

e=e

q = 66



 

young.

mp



May

3

  

your

 

  

 

  

  

 



 


117

S.

   

38

      

hands

al - ways be

   

bus - y,

May your

accel.

      

    

feet

al - ways be

swirft,

May you

have

   

a strong foun - da - tion When the

rall.

   

winds of chang - es

a tempo



shift.

S.

   

mf



May

46

 

your

heart

 

al - ways

be



joy - ful,

 

May

your

   f

song



al - ways

 



rall.



be

    

  

sung,

51

q = 66

      Fl. 1 

Fl. 2

Fl. 3

Cl. Bb 1

Cl. Bb 2

     

pp

   p       

EbF#G#A# B§CbD§

      

51



Flute

pp

 



you

stay

 

  

 

 

 

for - ev - er

  



young,

  





 

For - ev - er

 



young,

 

pp

for - ev - er



pp



young,







 

May

 

pp



 

   

 

pp

pp

 

  

  



       Hp.



May

Cb.

 

     

pp

           

pp

pp

S.

     

pp

Cl. Bb 3

 

you

stay

for - ev - er

pp

 

 

young

For

con sord.



 











-


118

57

    Fl. 1  Fl. 2

Fl. 3

Cl. Bb 1

Cl. Bb 2

Cl. Bb 3

S.

Hp.



 

      

                





 -

-

         

    



rall.

 





 

pppp







 



pppp

 

May



 

 

pppp

young.

pppp

 

pppp

 

 

  

er,

 



 

 



      

57



    

ev

Cb.



  



rall.

you

stay

for

-

ev

 -

er

 

 

young.

 

 

 

Corigliano MR TAMBOURINE MAN: SEVEN POEMS OF BOB DYLAN (for soprano and wind ensemble)  

Soloist(s) and Large Ensemble; score; G. Schirmer; musicsalesclassical.com; 37035

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