Ruders SYMFONI NR 4

160910

EDITION WILHELM HANSEN WH 31186

Poul Ruders

SYMPHONY NO. 4 An Organ Symphony

Full Score

160910

Co-commissioned by Dallas Symphony Orchestra Odense Symphony Orchestra City of Birmingham Symphony Orchestra

Poul Ruders

SYMPHONY NO. 4 An Organ Symphony 2008-2009

Full Score

Duration: c. 31 min.

Poul Ruders SYMPHONY NO. 4 An Organ Symphony

Orchestra

3 Flutes, 3rd dbl. Piccolo 3 Oboes, 3rd dbl. Cor Anglais 3 Clarinets in B , 3rd. db. Bass Clarinet in B 3 Bassoons, 3rd. db. Contra Bassoon 4 Horns in F 3 Trumpets in B 3 Trombones 1 Tuba 2 Percussion (two players): 1) Tamtam, large (Tamt.) - Snare Drum (Sn. Dr.) - Bell Plate, large (Bell Pl.): Japanese Wood Block (high, piercing sound) (Wd. Bl.) - 2 Roto Toms (Roto): 1

Triangle (Trgl.) - Cymbals (crash), (Cymb.) - Hi-hat 2) Bass Drum, large (B. Dr.) - Triangle (Trgl.) - Cymbal, suspended (Cymb.)

Field Drum, tall, no snare (Fd. Dr.) - Claves - Mark Tree - Bali Gong, large:

Organ Solo Strings preferably 16 - 14 - 12 - 10 - 8 4 Cb. with 5 strings or extension

The score is not written in C All transposing instruments are notated in their relevant transpositions All accidentals apply to each single note only, with the exception of tied notes Naturals are for "safety" only

2

For further information about the composer, visit the web-site of Edition Wilhelm Hansen:

www.ewh.dk where you will find: list of works programme notes recording information relevant electronic updates performance calendar links news and much more ...

Poul Ruders SYMPHONY NO. 4 An Organ Symphony 2008-2009

Preface / Programme Note When introducing a large-scale symphonic work not only as a symphony, but as an organ symphony, it would be impossible not to think of and perhaps compare it with Camille Saint-Saëns’s famous SYMPHONY NO. 3, popularly known as the organ symphony. Well, that is a risk I am prepared to take – and live with the consequences.

Saint-Saëns, however, listed his work as a symphony avec/with organ. The organ only appears in two out of the four sections of thepiece. In my symphony, the instrument plays a far more significant part and is featured in all four movements. But it is not a concerto for organ and orchestra, rather a symphony with organo obligato - a symphony with an organ part of a soloistic nature. So, an Organ Symphony it is.

The first movement, PRELUDE, is exactly that: a foreplay to what is in store for the rest of the symphony. It is slow (very slow!) and predominantly hushed: the organ and the orchestra wake up, side-by-side, getting to know one another.

The second movement, CORTÈGE, is a slowly moving processional and it evokes extreme solemnity and austerity. Later on, the music takes flight and the atmosphere lightens considerably, a far more playful music emerging.

This leads to the third movement, ETUDE, an exercise in instrumental virtuosity and technical challenge.

The fourth and last movement is called CHACONNE, but I could just as well have named it passacaglia (the definition of those two terms seems to blur, even among the learned). Bearing in mind the last movement of Johannes Brahms´s SYMPHONY NO. 4, which is universally agreed on as being a passacaglia, I chose to avoid the Wrath of the Gods and opted for “chaconne” (also a nicer and less heavy word, I think).

In any case, both titles indicate a composition progressing on the back of a doggedly repeated bass line, which eventually wedges its way up and into the middle and upper layers of the composition. In classical times, a passacaglia/chaconne was always in three quarter meter. Mine is in four quarter meter, and the tune, the so-called ostinato, opens the movement, not in the bass, as tradition dictates, but in the middle register, played by winds and strings. When the organ enters the picture a bit later, the build-up starts in earnest, reaching its peak at the conclusion, the coda of the movement.

There is, however, a little surprise, an almost inaudible turn of events at the very end.

The work was commissioned by The Dallas Symphony Orchestra for the Lay Family Concert Organ, situated in The Meyerson Symphony Center, Dallas, Texas.

Poul Ruders

Poul Ruders SYMFONI NR. 4 En Orgelsymfoni 2008-2009

Forord

/

Programnote

Når komponisten som her træder frem i rampelyset med et symfonisk værk i stor skala og ikke blot kalder værket en symfoni, men oven i købet en orgelsymfoni, så kan det ikke undgåes at tankerne ledes mod (og sammenligninger anstilles med) den franske komponist Camille Saint-Saëns’s berømte SYMFONI NR. 3, populært kaldet “Orgelsymfonien”.

Men jeg løber risikoen og lever med konsekvenserne.

Saint-Saëns betegnede selv sin symfoni som værende avec / med orgel, og orgelet optræder i hans symfoni kun i to ud af de fire satser. I min orgelsymfoni spiller orgelet en langt mere fremtrædende rolle og udfolder sig gennem hele værket. Jeg fastholder dog at jeg ikke har skrevet en Koncert for Orgel og Orkester, men snarere en symfoni med obligat orgel, dvs at orgelet har en til tider solistisk rolle – voilá: en orgelsymfoni.

Den første sats, PRELUDE, lever op til betegnelsen, idet den er netop et forspil til de senere musikalske begivenheder. Musikken er langsom, m-e-g-e-t l-a-n-g-s-o-m, og meget stille. Orgelet og orkestret vågner op side om side og lærer forsigtigt hinanden at kende.

Andensatsen, CORTÉGE, er en langsomt fremadskridende procession af dyster og alvorlig karakter. Senere i satsen liver musikken op, tempoet øges, og stemningen blivere lysere og lettere, næsten legende.

Tredjesatsen, ETUDE, byder på instrumental virtuositet og tekniske udfordringer for musikerne og lytterne.

Fjerde- og sidstesatsen har titlen CHACONNE – men den kunne lige så vel have heddet passacaglia – idet forskellen mellem de to satstyper synes så ubetydelig at selv de lærde strides derom. Der synes dog at være enighed om at sidstesatsen i Brahms’s SYMFONI NR. 4 er en passcaglia, og for at undgå Gudernes Vrede og slig hybris – valgte jeg titlen chaconne, hvilket tillige efter min mening er en smukkere og lettere betegnelse.

Begge satsbetegnelser angiver at musikken baserer sig på en til stadighed gentaget basmelodi/akkordprogression, som efterhånden bevæger sig op ad i orkestret, til mellemog højere registre. Klassiske chaconner/passacagliaer var altid rytmiseret i tre-fjerdedelestakt – men min chaconne er i fire-fjerdedeles-takt. Basmelodien (det såkaldte ostinato), som indleder sidstesatsen her, er også utraditionelt fra start anbragt i mellemregistret i orkestret, fremført af blæserne og strygerne. Når orglet træder ind på scenen lidt senere er det signal til dynamisk intensivering og forberedelse af kulminationen, som kommer i slutdelen, i kodaen.

Til allersidst er der en anelsesfuldt antydet lille musikalsk overraskelse, på grænsen til det hørbare.

Værket er bestilt af bl.a. The Dallas Symphony Orchestra til det såkaldte Lay Family Concert Organ som befinder sig I The Meyerson Symphony Center, Dallas, Texas.

Poul Ruders

I. Prelude page 1

II. Cortège page 17

III. Etude page 62

IV. Chaconne page 84

SYMPHONY NO. 4 I. Prelude Adagio. Lontano

Poul Ruders, 2008-9

= 48

Flauto 12 8

Picc.

3

Oboe

1 2

Corno inglese 5

1 2 2

Clarinetto in Si

3 2

Fagotto 21 Contrafagotto

8

con sord.

1 3 5

Corno in Fa

con sord.

2 4 5

1 2 Tromba in Si

2

3 2

1 2 Trombone 3 Tuba

1 Percussione 2 Flûte traversière 8', Viole de gambe 8', Voix céleste 8'

Swell

Organo

½

legatissimo

Pedale

Adagio. Lontano

= 48 div. a4, con sord.

1 Violino

div., con sord.

2 div., con sord.

Viola Violoncello Contrabbasso

8

WH 31186

Copyright © 2010 by Edition Wilhelm Hansen AS Copenhagen

ISBN 978 87 598 2083 4

2

1

8

Fl. 12 8

Picc. a2

Ob. 12 C. i.

Cl.

1 2

in Si

3 Fg. 21 Cfg.

8

(con sord.)

1 3 Cor. in Fa

(con sord.)

2 4 cup mutes

1 2 Tr. in Si

3 1 2 Trbn.

3

Tb.

1 Perc.

2

Org.

Ped.

(con sord.)

1

1 Vl.

(con sord.)

2 (con sord.)

Va.

Vc.

Cb.

8

3

2

16

Fl. 12 8

Picc.

Ob. 12 C. i.

1 2 Cl. in Si

3

Fg. 21 Cfg.

8

(con sord.)

1 senza sord.

(chiuso)

Cor. 3 in Fa

Tr.

senza sord.

4

2 4

a2

1 2

in Si

3 1 2 Trbn.

3 Tb.

Tamt.

1 Perc.

B. Dr.

2 Octave 4', Nazard, Tierce

R. H. Positive

Org.

(L. H. Swell)

1/1

Contrebasse 16', Violoncelle 8'

Ped.

2 (solo) senza sord. solo

Vl. 1

(con sord.)

gli altri

Vl. 2 Va. (1. metĂ senza sord.) pizz. div., sul tasto

Vc. 2. metĂ con sord., arco div., sul tasto

Cb.

8

4

3

23

Fl. 12 8

Picc. (a2)

Ob. 12 C. i.

Cl. in Si

1 2 3

Fg. 21 Cfg.

8

(con sord.)

1 Cor. 3 in Fa (a2)

2 4

Tr. in Si

1 2 3 1 2

Trbn.

3 Tb.

Tamt.

1 Perc.

B. Dr.

2

Org.

Dulciane 8' Gedackt 8'

Pos. L. H. Positive

Ped.

3 (cogli altri) solo sempre

Vl. 1

(con sord.) senza sord.

gli altri sempre

(con sord.)

unis., senza sord.

Vl. 2 unis., senza sord.

Va. (pizz.) (senza sord.)

Vc. (arco, con sord.) (sul tasto)

Cb.

8

sempre legatissimo

5

30

Fl. 12 8

Picc.

Ob. 12 C. i.

1 2 Cl. in Si

3

Fg. 21 Cfg.

8

1 3 Cor. in Fa

2 4 1 2

Tr. in Si

3 1 2 Trbn.

3

Tb.

1 Perc.

2

Org.

Ped.

(tutti unis.)

1 Vl. 2

Va.

Vc.

Cb.

8

6

36

4

1 Fl. 2 8

Picc.

Ob. 12 C. i.

1 Cl. 2 in Si

3 Fg. 2 Cfg.

8

senza sord.

4

1 3

(3 aperto)

Cor. in Fa

2 4 1 2

Tr. in Si

3 1 2

Trbn.

3 Tb.

Tamt.

1 Perc.

B. Dr.

2

Org.

Ped.

4 1 Vl.

0 0

2

Va. div. a4, senza sord.

pizz.

Vc. div. a4, ord.

Cb.

8

(arco)

arco

7

5

42

1 Fl. 2 8

Picc.

Ob. 12 C. i.

1

Cl. 2 in Si

3 Fg. 2 Cfg.

8

1 3 Cor. in Fa

2 4 1 2

Tr. in Si

3 1 2

Trbn.

3 Tb.

1 Perc.

2

Swell (as before) 1/2

Org.

Montre 8', Violoncelle 8'

Ped. (16' off)

flautando con sord.

1 Vl. 2 Va. unis.

Vc. Cb.

8

5

8

48

6

(a2)

Fl. 12 8

Picc.

Ob. 12 C. i.

Cl.

1 2

in Si

3 Fg. 21 Cfg.

8

con sord.

1 3 Cor. in Fa

1.

a2

4

2 4

1 2 Tr. in Si

3 1 2 Trbn.

3

Tb.

Tamt.

1 Perc.

B. Dr.

2

Org.

Ped.

6 1 Vl. 2 Va. pizz.

arco, div.

Vc. div. a2

Cb.

8

9

7

54

Fl. 12 8

Picc.

Ob. 12 C. i.

Cl. in Si

1 2 3

Fg. 21 Cfg.

8

senza sord.

a2

senza sord.

a2

1 3 Cor. in Fa

2 4

4

1 2 Tr.

senza sord.

in Si

3 1 2 Trbn.

3

Tb.

Tamt.

1 Perc.

Gong 1)

B. Dr.

2

Org.

+ Contrabasse 16'

Ped.

7 1 Vl. 2 Va. unis.

Vc.

Cb.

8

1)

Large Bali Gong

10

60

Fl. 12 8

Picc.

Ob. 12 C. i.

1 Cl. 2 in Si

3 Fg. 21 Cfg.

8

(a2)

Cor. in Fa

1 3 (a2)

2 4 (a2)

1 2 Tr. in Si

3 velvet mute

1 velvet mute

Trbn. 2

3

Tb.

Tamt.

1 Perc.

Gong

2

Org.

Ped.

1 Vl. 2 Va. Vc.

Cb.

8

11

8

67

Fl. 12 8

Picc.

Ob. 12 C. i.

1 2 Cl. in Si

3

Fg. 21 Cfg.

8

1 3 Cor. in Fa

2 4

1 2 Tr. in Si

3 1

Trbn. 2

3 Tb.

1 Perc.

2

Fl没te traversi猫re 8', Viole de gambe 8'

Org.

(Swell)

(

1/2)

Ped.

8 (con sord.)

1 Vl.

con sord.

3

3

3

3

3

3

3

2 3

Va. Vc. unis.

Cb.

12

9

73

Fl. 12 8

Picc.

Ob. 12 C. i.

1 2 Cl. in Si

3

Fg. 21 Cfg.

8

con sord.

1 3 Cor. in Fa

a2

2 4 harmon mutes (stem pulled)

1 2 Tr. in Si

3 (velvet mutes)

1 2 Trbn.

senza sord.

3 con sord.

Tb.

Mark Tree

1 Perc.

Gong

2

+ Voix cĂŠleste 8'

Org. 1/1 1/2

Ped.

9 (con sord.)

1)

tutti div. a4

4 soli (con sord.)

1 (con sord.)

Vl.

div.

2 div., (senza sord.)

Va. con sord.

Vc. div., con sord.

Cb.

8

1) Desks 1 and 2

13

10

81

Fl. 12 8

Picc.

Ob. 12 C. i.

1 2 Cl. in Si

3

Fg. 21 Cfg.

8

1 3 Cor. in Fa

(senza sord.)

a2

2 4 (harmon mute)

1 Tr. in Si

2 3 (velvet mute)

1 (velvet mute)

Trbn. 2 (senza sord.)

3 (con sord.)

Tb.

1 Perc.

2

Positive

Octave 4' Nazard Tierce

Org.

Ped.

10

1. metĂ senza sord.

div. a2

1 (con sord.)

Vl. 2 Va. (unis.), senza sord.

Vc. (con sord.)

Cb.

14

87

Fl. 12 8

Picc.

Ob. 12 muta in Oboe

C. i. 3 1 2 Cl. in Si

3 Fg. 21 Cfg.

8

1 3 Cor. in Fa

2 4 1 2

Tr. in Si

3 (velvet mute)

1 (velvet mute)

Trbn. 2 3 Tb.

1 Perc.

2

Swell

Org.

½

Ped.

unis., con sord.

1 Vl. (con sord.)

2 (senza sord.)

Va. Vc. Cb.

8

unis.

15

95

11

Fl. 12 muta in Flauto grande

8

Picc.

1 2 Ob. 3 a2

1 2 Cl. in Si

3 Fg. 21 Cfg.

8

4

1 3

senza sord.

a2

Cor. in Fa a2

2 4

Tr. in Si

1 2 3 senza sord.

1 2 Trbn. (senza sord.)

3 (con sord.)

Tb.

Tamt.

1 Perc.

Gong

2

Great Swell Great

Org.

(

1/1)

Great Swell

Ped.

11 senza sord.

1 Vl. 2 (senza sord.)

Va. (senza sord.)

Vc. (senza sord.)

Cb.

8

Great

16

12

103

1 2 Fl.

8

3

Ob.

1 2 3 (a2)

1 2 Cl. in Si

muta in Cl. bso. in Si

3 Fg. 21 Cfg.

8

(a2)

1 3 Cor. in Fa

(a2)

2 4

1 2 Tr. in Si

3 1 2

Trbn.

3 (con sord.)

Tb.

Tamt.

1 Perc.

Gong

2

swell

Org.

1/1

Flûte traversière 8', Viole de gambe 8', Voix céleste 8', Tremulant

Ped.

12 div. a4 con sord.

trem. punta d’arco

senza sord.

pizz.

1 Vl. 2 Va.

Vc.

(con sord.)

Cb.

8

unis.

17

II. Cortège Adagio estremo. Brutale

= 42

1

1 2 Flauto 3 1 2 Oboe 3 Clarinetto 12 in Si

2

Clarinetto basso in Si

a2

9

Fagotto 21

Contrafagotto

8

a2

1 3 5

Corno in Fa

a2 senza sord.

2 4 5

a2 senza sord.

1 2 2

Tromba in Si

3 2

1 Trombone 2 3 senza sord.

Tuba

Tamt.

1

l.v.

1) Bell Plate

Percussione

2) Gong

2

l.v.

Great plus Positive. Both tutti minus reeds

Organo Pedal: Prestant 16', Contrebasse 16', Violoncelle 8' Octave 4', Mixture, Posaune 16'

Pedale

Adagio estremo. Brutale

= 42

Strings: full, non-synchronous bowing

1

unis., senza sord.

1 sempre senza sord.

Violino 2

sempre senza sord.

Viola sempre senza sord.

Violoncello sempre senza sord.

Contrabbasso

arco, div.

8

1)

Large Bell plate

2)

Large Bali Gong

sempre

18

6

1 Fl. 2 3 1 Ob. 2 3 Cl. 12 in Si Cl. bso. in Si (a2)

Fg. 21

Cfg.

8

(a2)

1 Cor. 3

(a2)

in Fa

2 4 (a2)

Tr.

1 2

in Si

3

1 Trbn. 2 3

Tb.

Tamt.

1

l.v.

B. Pl.

Perc.

Gong

2

l.v.

Org.

Ped.

1 Vl. 2 Va. Vc. sim.

Cb.

8

19

10

1 2 Fl. 3 1 2 Ob. 3 Cl. 12 in Si Cl. bso. in Si

Fg. 21

Cfg.

8

1 3 Cor. in Fa

2 4 1 2

Tr. in Si

3

1 Trbn. 2 3

Tb.

Tamt.

1

l.v.

B. Pl.

Perc.

Gong

2

l.v.

Org.

Ped.

1 Vl. 2 Va. Vc. Cb.

8

20 2

Poco pi첫 mosso

15

= 48

1 Fl. 2 3 a2

1

Ob. 2

3 Cl. 12 in Si Cl. bso. in Si (a2)

Fg. 21

Cfg.

8

(a2)

1 3 Cor. in Fa

(a2)

2 4 1

Tr. 2 in Si

3 1 2 Trbn.

V 3

2

3

Tb.

Tamt.

1 B. Dr.

Perc.

2

Org.

Ped.

2

Poco pi첫 mosso

= 48 0

0

1 Vl.

0

2 Va. Vc.

Cb.

8

21

19

1 2 Fl. 3 1 Ob. 2

3

Cl.

1

in Si

2 Cl. bso. in Si

Fg. 21

Cfg.

8

(a2)

Cor. in Fa

Tr. in Si

1 3 4

2 4 1 2 3 a2

1 2 Trbn.

3

Tb.

Tamt..

1 Perc.

B. Dr.

2 Flûte traversière 8' Viole de gambe 8' Voix céleste 8'

(Great to Positive)

Swell

Org.

Great

1/1

Ped.

solo cogli gli altri

solo

1 gli altri

Vl.

sempre

2 sempre

Va. Vc. Cb.

8

sempre

22

24

1 Fl. 2 3 1

Ob. 2

3 1 Cl. in Si

2 Cl. bso. in Si

Fg. 21

Cfg.

8

(a2)

1 3 Cor. in Fa

(a2)

2 4 1 2

Tr.

straight mute

in Si

3 (a2)

1 2 Trbn.

3

Tb.

Tamt.

1 B. Dr.

Perc.

2

Swell

1/1

Org.

Ped. tutti unis.

1 Vl.

div.

2 3 sole sul tasto

Va. sempre

Vc. unis.

Cb.

8

sempre

3 soli

sul tasto

23

29

1

Fl. 2 3 1 Ob. 2 muta in Corno inglese

3 1 Cl. in Si

2 Cl. bso. in Si

Fg. 21 Cfg.

8

1 Cor. 3 in Fa

2 4

Tr. in Si

1 2 3 1 2

Trbn.

3 Tb. Trgl.

1 Perc.

Trgl.

2

Org.

Ped.

full bow, non-synchronised

1 full bow, non-synchronised

Vl. 2 Va. Vc. Cb.

8

24

=

3 34

(a2)

1 2 Fl. 3 1 Ob. 2 C. i.

Cl. in Si

1 2 3

Fg. 21 Cfg.

8

1 3 con sord.

Cor. 2 in Fa con sord.

4 cup mute

1 cup mute

Tr. 2 in Si

(straight mute)

3 1 2 Trbn.

3 Tb.

Trgl.

1

l.v.

Trgl.

Perc.

2

l.v.

Spillpfeife 8', Rohrflรถte 4' only!

Great

Org.

(Positive off)

Great off

Ped.

3 1 Vl. 2 Va. Vc. Cb.

8

25

40

1 Fl. 2 3 1 Ob. 2 C. i.

1 2 Cl. in Si

3

Fg. 21 Cfg.

8

1 3 Cor. in Fa

2 4 1 Tr. 2 in Si

3 velvet mute

1 velvet mute

Trbn. 2 3 Tb.

1 Perc.

2

Org.

Ped. Montre 8', Violoncelle 8' (16' off)

solo

1 Vl.

solo

2 Va. Vc. Cb.

8

26 4 45

Mosso

= 100

1 Fl. 2 3 1 Ob. 2 C. i.

1 Cl. in Si

2

Cl. bso. in Si

1 Fg. 2 Cfg.

1 3 Cor. in Fa

2 4 1 2

Tr. in Si

3 (velvet mutes)

1 2 Trbn.

3 con sord.

Tb.

1 Perc.

2 Positive: Bourdon 16', Gedackt 8', Nazard 2 2/3', Tierce

Org.

Positive

+ Contrebasse 16'

Ped.

4

Mosso

= 100

(solo)

tutti

(solo)

gli altri

1 Vl.

tutti

2 gli altri tutte div., ord. pizz.

Va. Vc. tutti unis., ord.

Cb.

8

27

5

50

1 Fl. 2 3

1 Ob. 2 C. i. sim.

1 Cl. in Si

2

Cl. bso. in Si

a2

Fg. 12 Cfg.

a2

1 3 Cor. in Fa

sim. senza sord.

2 4

a2

(cup mutes)

sim.

1 2 Tr.

senza sord.

in Si

3 sim. senza sord.

1 2

sim.

Trbn.

3 Tb.

sim.

Cymbals (crashed)

slide

1

l.v.

Perc.

B. Dr.

2 Great

Org. Great + Mixtur

Ped. + Prestant 16', Contrebasse 16' (Great to Pedal)

5 unis.

1 Vl.

unis.

0

2 arco

Va. Vc. div.

Cb.

8

unis.

div.

28

54

1 2 Fl. 3 Ob. 12 C. i.

Cl. 12

in Si

Cl. bso. in Si (a2)

Fg. 21 Cfg.

8

(a2)

1 3 Cor. in Fa

(a2)

2 4 1 2

Tr. in Si

3 1 2

Trbn.

3 (con sord.)

Tb.

Cymb.

1 Perc.

B. Dr.

2

Org.

Ped.

1 Vl. 2 Va. Vc. div. / unis. sim.

Cb.

8

29

6

59

1 2 Fl. 3 Ob. 12 C. i.

1.

Cl. 12 in Si muta in Cl. in Si

Cl. bso. in Si

Fg. 21 Cfg.

8

1 3 Cor. in Fa

2 4

Tr. in Si

1 2 3 1 2

Trbn.

3

Tb.

Cymb.

Tamt.

1 Perc.

B. Dr.

2 Great Swell

Great

Swell

Great

Swell

Great

Swell

Swell

Great

Swell

Great

Swell

Great

Swell

Org.

Ped.

6 solo (ord.) solo

Vl. 1

flautando

gli altri div.

Vl. 2

Va.

Vc.

Cb.

8

Great

30

a2

64

1 2 Fl. 3 a2

Ob. 12

C. i.

1 2 Cl. in Si

3

Fg. 21 Cfg.

8

1 3 Cor. in Fa

Tr. in Si

2 4 1 2

straight mute

3 1 2

Trbn.

3 senza sord.

Tb.

Tamt.

1 Perc.

B. Dr.

2 Sw.

Grt.

Sw.

Grt.

Sw.

Grt.

Sw.

Grt.

Sw.

Grt.

Sw.

Grt.

Sw.

Grt.

Sw.

Grt.

Sw.

Grt.

Sw.

Grt.

Sw.

Grt.

Sw.

Grt.

Sw.

Grt.

Sw.

Grt.

Sw.

Grt.

Grt.

Sw.

Grt.

Sw.

Grt.

Org. Sw.

Ped. (con gli altri) (ord.)

0

solo arco norm.

Vl. 1 (flaut.)

div.

0

gli altri sub. unis.

non div.

0

Vl. 2

non div. unis.

Va.

Vc.

Cb.

8

0

31

7

70

1 2 Fl.

Ob. 12 C. i.

1

Cl. 2 in Si

3 a2 1.

Fg. 21 Cfg.

8

1 3 Cor. in Fa

2 4 (cup mute)

1 (cup mute)

Tr. 2 in Si

3 1 2 Trbn.

3 Tb.

1 Perc.

2 Sw.

Org. Sw.

Ped.

tutti (div.)

1 Vl.

div.

2

Va.

Vc.

Cb.

8

7

32

75

1 2 Fl.

Ob. 12 C. i.

1 Cl. 2 in Si

3 (1.)

Fg. 21 Cfg.

8

con sord.

1 con sord.

Cor. 3 in Fa

2 4 1 2 Tr. in Si

3 1 2

Trbn.

3 Tb.

1 Perc.

2

Org.

Ped.

unis.

1 Vl.

div.

2 div.

Va. non div., pizz.

Vc. div., pizz.

Cb.

8

unis.

33

80

8

a2

1 2 Fl. 3 Ob. 12 C. i.

1 Cl. 2 in Si

3 Fg. 21 Cfg.

8

1 Cor. 3 in Fa

2 4 1 2 Tr. in Si

3 1 2

Trbn.

3 Tb.

1 Perc.

2

Org.

Positive

Bourdon 16', Gedackt 8' Nazard 2 2/3', Doublette 2'

legato

Great off

Ped.: Bourdon 16', Violoncelle 8'

Ped.

8 div.

1 Vl. 2

Va. arco

div.

Vc. (pizz.) arco

Cb.

8

(pizz.)

34

85

1 2 Fl.

Ob. 12 C. i.

1 Cl. 2 in Si

3 Fg. 21 Cfg.

8

senza sord.

1 senza sord.

Cor. 3 in Fa a2

2 4

senza sord.

2.

1 2 Tr. in Si

3 1 2

Trbn.

3 Tb.

Hi-hat

1 Perc.

B. Dr.

2

Org.

Ped.

1 Vl.

div.

2 non div.

div.

unis.

Va. pizz.

arco

Vc. div., arco

Cb.

8

unis.

div.

unis.

div.

35

9

91

1 2 Fl. 3 Ob. 12 C. i.

1 2 Cl. in Si

3

1 Fg. 2 Cfg.

8

a2

1 3 Cor.

a2

in Fa

2 4 senza sord.

1 cresc.

Tr. 2 in Si

cresc. senza sord.

3 cresc.

1 2 Trbn.

3 Tb.

Hi-hat

1 Perc.

B. Dr.

2

Org.

Ped.

9 unis.

1 Vl.

unis.

2

Va. unis., pizz.

Vc. Cb.

8

div., arco

36

10

96

1 2 Fl. 3 Ob. 12 C. i.

1 2 Cl. in Si

3 1

Fg. 2

Cfg.

8

a2

(a2)

1 3 Cor.

a2

in Fa

(a2)

2 4 1 Tr. 2 in Si

3 straight mutes

1 2 Trbn.

(senza sord.)

3

Tb.

Hi-hat

1 Perc.

B. Dr.

2

Org.

Ped. sul pont.

10

sul pont.

div., ord.

1 Vl.

sul pont.

div., ord.

sul pont.

div., ord.

sul pont.

2 sul pont.

Va. unis., sul pont. div., pizz., ord.

Vc. cresc.

(II) unis.

Cb.

8

cresc.

37

100 a2

1 2 Fl.

Ob. 12 C. i.

1 2 Cl. muta in Cl. bso. in Si

in Si

3 Fg. 21

Cfg.

8

1 3 Cor. in Fa

con sord.

2 4 1

Tr. 2 in Si cup mute

3 1 2 Trbn.

3 Tb.

Hi-hat

1 Perc.

B. Dr.

2

Org.

Ped.

ord.

non div.

1 Vl.

ord.

(div.)

2

ord.

Va. non div.

0 0

Vc.

div.

Cb.

8

unis. pizz.

div.

38 11

105

1 2 Fl. 3 Ob. 12 C. i.

Cl. 12 in Si Cl. bso. in Si

Fg. 21

Cfg.

8

1 3 senza sord.

Cor. 2 in Fa senza sord.

4

1 cup mute

Tr. 2 in Si

(cup mute)

3 senza sord.

1 senza sord.

Trbn. 2 3

Tb.

1 Perc.

B. Dr.

2

Org.

Ped.

11 div.

1 Vl.

unis.

2 Va. arco

unis.

Vc. arco

Cb.

8

div.

39

110

1 2 Fl. 3 a2

Ob. 12 C. i. a2

Cl. 12 in Si

Cl. bso. in Si

Fg. 21 Cfg.

8

a2

1 3 Cor. in Fa

Tr. in Si

4

2 4

1 2 3 1 2

Trbn.

3

Tb.

Tamt.

1 Perc.

Gong

2

Org.

Ped. unis. sul pont.

1 Vl.

sul pont.

2 div.

unis.

pizz.

arco

Va.

div. pizz.

Vc.

Cb.

8

arco

40

12

115

1 2 Fl. 3 1 Ob. 2

C. i.

Cl.

1

3

in Si

2

Cl. bso. in Si

Fg. 21 Cfg.

8

a2

(a2)

1 3 Cor. in Fa

a2

2 4 1. 2. senza sord.

1 2 Tr.

senza sord.

in Si

3 1 2 Trbn.

3 Tb.

1 Perc.

2 Swell: Fl没te traversi猫re 8', Prestant 4', Hautbois 8'

legato Octava 8', Octava 4', Superoctava 2', Mixtur

Org.

Great

1/2 Swell legato

Ped. Prestant 16', Contrebasse 16', Montre 8', Violoncelle 8'

12 div.

pizz.

ord.

arco

unis., arco

1

3

3

Vl.

div.

ord.

pizz.

senza vibr.

pizz.

arco

unis., arco

senza vibr.

pizz.

2

3 3

arco

pizz.

pizz.

Va.

3

pizz.

unis.

div.

Vc. unis.

Cb.

8

pizz.

div.

41

13

120

1 2 Fl. 3 Ob. 12 C. i.

1 Cl. in Si

2

Cl. bso. in Si

Fg. 21 Cfg.

8

a2

1 3 Cor. in Fa

2 4 1 2

Tr. in Si

3 1 2 Trbn.

3 Tb.

1 Perc.

2

Org.

L. H. Great

3

Ped. 3

Great to Pedal

13 con vibr.

1 con vibr.

Vl. 2

arco

Va. arco, unis.

Vc. unis.

Cb.

8

3

3

42

126

1 2 Fl. 3 a2

Ob. 12

3

3

C. i.

Cl. 12

in Si

Cl. bso. in Si a2

Fg. 21

Cfg.

3

8

a2

3

1 3

3

Cor. in Fa

3

sub.

2 4 1 2

Tr. in Si

3 1 2

Trbn.

3 Tb.

1 Perc.

2

Great: + Trommeten 16' & 8'

Positive to Great

3

3

Org.

Positive OFF

Ped. + Tuba magna

3

3

Great off / Tuba Magna off

div.

1 Vl. div.

2 sub.

Va. pizz.

3

3

Vc.

arco, div.

Cb.

3

unis.

8

3 3

43

14

132

3

1 3

3

3

3

3

3

Fl. 2 3

3

3

3

3 3

1 3

3

Ob.

3

3

3

3

2 3

C. i.

Cl. 12 in Si Cl. bso. in Si

Fg. 12 Cfg.

Cor. in Fa

Tr.

8

1 3 2 4 1 2

in Si

3 1 2 Trbn.

3 Tb.

1 Perc.

2

(to Positive)

Org.

Ped.

14 1 Vl.

div.

2 3

Va. 3

Vc. Cb.

8

3

3

div.

3

3 3

3

44

137

15

3

3

1 3

3

3

3

3

3

3

3

3

cresc.

3

3

3

3

3

3

Fl. 2 3

3

3 3

3

3

cresc.

3

3

3

3

3 3

3

1 3

3

3

3

Ob.

3

3

3

3

3

cresc.

3

3

3

3

3

3

2 3

3

3

3

3

cresc.

3

3

3

3

C. i.

Cl. 12

in Si

Cl. bso. in Si

Fg. 2 Cfg.

Cor. in Fa

8

1 3 2 4 cup mute

3

1 3 3

cup mute

Tr. 2 in Si

3

3 1 2 Trbn.

3 Tb.

1 Perc.

2

3

3

Org.

Positive:

3

3

Principal 8', Gedackt 8', Octave 4', Sharp

Ped.

15 1 Vl. 2 Va. Vc. Cb.

8

3

3

45

142

1 2 Fl. 3 1 Ob. 2 C. i.

Cl. 12

in Si

Cl. bso. in Si

Fg. 2 Cfg.

Cor. in Fa

8

1 3 2 4 3

3

3

3

3

1 3

3

3 3

3

3

3

3

3

3

Tr. 2 in Si

3

3 1 2 Trbn.

3 Tb.

1 Perc.

2

3

Org.

Ped.

1 Vl. 2 Va. Vc. Cb.

8

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

46

16

147

Fl. 12 3 3

3

3

3

3

1 Ob. 3

3 3

2 C. i.

3

1 Cl. in Si

3

2 3

3

3 3

Cl. bso. in Si

a2

Fg. 21 Cfg.

3

3 3

8

3 3

1 Cor. 3

3

3

in Fa

2 4 (cup mute)

1 3

(cup mute) 3

Tr. 2 in Si

3 straight mutes

1 2 Trbn. straight mute

3 3

Tb.

Trgl.

1 Perc.

Susp. Cymb.

2 3

3

3

Org.

3

3

3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

Positive to Great

Ped.

16 unis.

3

3

3

3

3

1 Vl. unis.

3

3 3

2 unis.

3

Va. div.

pizz.

unis.

arco 3

3

Vc. 3

3 3

Cb.

3

8

3

div.

3

47

152

1 2

sub.

Fl. 3

sub.

3

3

3

3

3

1 3

Ob.

3

3

3 3

3

3

3

3

2 3

3

3 3

3

3

3

C. i.

3 3

3

3

3

1

3

3 3

Cl.

3

sub.

in Si

2

3 3

3

3

sub.

muta in Clarinetto in Si

Clarinetto in Si

Cl. bso.

3

in Si

3

2

Fg. 12 Cfg.

8

3

Cor. in Fa

1 3 a2

3

2 4

3

3

3

1 Tr. 2 in Si

3 1 2 Trbn.

3 3

Tb.

Tamt. (scrape with metal stick)

1 Perc.

Trgl.

2

Org.

Ped.

3

1 3

Vl.

3

3

3

3

3

sub.

3

2 3

3

3

3

sub.

3

Va. 3

3

3 3

pizz.

3

3

3

3

3

3 3

div.

Vc. pizz.

Cb.

8

arco

48

17

156

1 2

3

a2

3

3

3

Fl. 3

3

3

3

Ob. 12

3

3

3 3

3

3

3 3

3

3

C. i. a2

3

Cl.

1 2

3

3

3

cresc.

3

in Si

3

3

3

3 3

Fg. 21 Cfg.

3

3

3

3

3

3

8

a2

3

3

1 3

3

3

3

3

3

3

3

Cor.

(a2)

in Fa

3 3

3

3

2 4 straight mute

3

3

1 3

3

3 3

straight mute

3

3

3

3

Tr. 2 in Si

3

3

3

3 (straight mutes)

1 2 Trbn. (straight mute)

3

Tb.

Perc.

1

sim.

Tamt.

Trgl.

2 Great: Principal 16', Octave 8' Octave 4', Mixtur

3

3

Great + Pos.

Org.

3

3

3

3

3

Ped.

17 1

3

3

3

cresc.

3

Vl.

3 3

3

2

3

cresc.

3

3 3

3

3

sul pont.

3

Va. 3

3

3 3

3

3

3

sul pont.

arco

unis.

Vc. 3

Cb.

3

3

3

49

160

1 2 Fl.

muta in Fl. picc.

3

Ob. 12 muta in Oboe

C. i.

1 2 Cl. in Si

muta in Cl. bso. in Si

3 1 3

Fg.

3

2 3

Cfg.

3

8

1 3 Cor.

(a2)

in Fa

2 4

Tr. in Si

1 2 3 1 2

Trbn.

3 Tb.

1 Perc.

2 Grt.

Sw. Grt.

Grt.

Sw.

Principal 8' Gedackt 8' Great: Positive off

R. H. Positive

Org.

L. H. Swell

Grt.

Sw. Grt.

Bourdon 8', Viole de gambe 8'

Grt.

Sw.

Ped. div. unis.

3

3

3

3

1 3

3

3

Vl.

3

3

3

3

3

2 3

ord.

3

3

3

3

div.

Va. ord.

pizz.

Vc. 3

Cb.

8

div.

3

3

3

3

50

164

18 Presto

= 144

1 Fl. 2 8

Picc.

1 Ob. 2 3 1 Cl. in Si

2

Cl. bso. in Si

Fg. 12 Cfg.

1 3 Cor. in Fa

2 4 senza sord.

1 2 Tr.

senza sord.

in Si

3 1 2 Trbn.

3 Tb.

1 Perc.

2 Add to Positive: Bourdon 16', Octave 4', Sharp (Pos.)

Org.

Great

(Sw.)

Pos.

Pricipal 8' only

Ped.

18 Presto

unis.

= 144 div.

1 Vl.

div.

pizz.

unis.

2 Va. arco

Vc. Cb.

8

pizz.

51 19 171

1 Fl. 2 8

Picc.

1 Ob. 2 3 Cl. 12

in Si

3

3

3

3

Cl. bso. in Si

3

3 3

3

3

1

3

Fg.

3

3

3 3

3

3 3

2 3

3

Cfg.

3

3

3

8

1 3 Cor. in Fa

2 4 1 2 Tr. in Si

3 senza sord.

1 2 Trbn.

senza sord.

3 con sord.

Tb.

Tamt.

norm.

1

l.v.

B. Dr.

Perc.

l.v.

l.v.

2

Org.

Ped. (as before)

19 div.

1 arco

Vl.

arco, div.

2 unis.

3

3

3

3

Va. unis.

arco

3

div.

8

3 3

3

Cb.

3

3

3

Vc.

3

3

3

3

3

52

175

Fl. 12 8

Picc.

3

3

3

1 3 3

3

3 3

3

3

Ob. 2 3

3 Cl. 12 in Si 3

3

3

3

Cl. bso. in Si

Fg.

3

3

3

3

3

3

1 3

3

3

3

3

3

2 3

3

Cfg.

8

1 3 Cor. in Fa

2 4 1 Tr. 2 in Si

3 1 2 Trbn.

3 (con sord.)

Tb.

Tamt.

1

l.v.

Perc.

l.v.

l.v.

l.v.

B. Dr.

2

3 3

Org.

3

3

Ped.

1 Vl. 2

3

3

3

3

3

Va. 3 3

3

Cb.

8

3

3

3

3

3

Vc. 3

3

3

3

3

3

3

3

53

20

179

a2

Fl. 12

cresc.

8

Picc. cresc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 3 3

3

3

3

3

3

3

cresc.

3 3

3

3

3

3

Ob. 2 3

3

3

cresc.

3 Cl. 12 in Si Cl. bso. in Si

a2

Fg. 21 Cfg.

8

1 3 Cor. in Fa

2 4 1

Tr. 2 in Si

3 1 2 Trbn.

3 Tb.

1 Perc.

2

3

3

3

3

3 3

Org. 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

Ped.

20 unis.

0

1 Vl.

unis.

3

3

0

3

3

3

3

3

3

2 3

Va. Vc. unis.

Cb.

8

3

3

3

3

3

3

3

54

21

Avanti

= 96

a2

183

Fl. 12

3

3

3

(cresc.)

muta in Fl. gr.

8

Picc.

3

3

3

3

3

(cresc.) a2

1 2 3

Ob.

3

(cresc.)

3

1 Cl. in Si

2 Cl. bso. in Si 3

Fg. 21

a2

3

3

Cfg.

3

3

8

3

3

1 3

3 3 3

3

Cor. 3 in Fa

3

3

3

a2

2 4 1 3

3

3

Tr. 2 in Si

3

3

3 1 2 Trbn.

3 senza sord.

Tb.

Tamt.

1

l.v.

Perc.

(hard beaters)

B. Dr.

2 3

sim.

3

Positive to Great

Org.

3

3

Ped. Tutti minus 32' & Clarion 4'

21

Avanti 1

3

3

3

Vl. 2

3 3

div.

3

Va. 3 3

3

Cb.

3

3

3

3

3

3

Vc.

3

3

div.

3

8

3

= 96

55

188

1 2 Fl. 3 1 2 Ob. 3 Cl. 12

in Si

Cl. bso. in Si

Fg. 21 Cfg.

8

Bell up

1 Bell up

Cor. 3 in Fa

2 4

Tr. in Si

1 2 3 Bell up

1 Bell up

Trbn. 2 3 Tb.

Tamt..

1

l.v.

Perc.

B. Dr.

2

Great: tutti

Org.

Ped.

1 Vl. 2 Va. Vc.

Cb.

8

56

22

194

1 2 Fl. 3 1 2 Ob. 3 Cl. 12 in Si muta in Clarinetto in Si

Cl. bso. in Si

Fg. 21 Cfg.

8

(Bell up)

1 (Bell up)

Cor. 3 in Fa (a2)

Bell up

2 4 1 2 Tr. in Si

3 (Bell up)

1 (Bell up)

Trbn. 2 3 Tb.

Tamt.

1

l.v.

Perc.

B. Dr.

2

Org.

Ped.

22 1 Vl. 2 Va. div.

Vc. unis.

Cb.

8

57

200

1 2 Fl. 3 a2

1 2 Ob. 3 a2

1 2 Cl. in Si

3 2

a2

Fg. 21 Cfg.

8

a2

1 Cor. 3 in Fa 2 4 Bell up

1 Bell up

Tr. 2 in Si Bell up

norm.

3

1 Trbn. 2 3 Tb.

Sn. Dr.

1 Perc.

B. Dr.

2

Org.

Ped.

non div.

1 Vl. 2

Va. unis.

Vc. Cb.

8

58

206

23

a2

1 2 Fl. 3 (a2)

1 2 Ob. 3

(a2)

1 2 Cl. in Si

3 (a2)

Fg. 21 Cfg.

8

1 3 Cor. in Fa

2 4

(Bell up) (a2)

norm.

(Bell up) (a2)

norm.

(Bell up)

1 (Bell up)

Tr. 2 in Si

3 1 Trbn. 2 3 Tb.

Trgl.

1 Perc.

Trgl.

2

Org.

Ped.

23 1 Vl. 2 Va. Vc. Cb.

8

unis. div.

59 212

24

1

Fl. 2

3 1 2 Ob. 3

1 2 Cl. in Si

3 Fg. 21 Cfg.

8

1 Cor. 3 in Fa

2 4 1

Tr. 2 in Si

3 1 Trbn. 2 3 Tb.

Trgl.

1 Perc.

Trgl.

2

Org.

Ped.

24 1 Vl. 2 Va. Vc. Cb.

8

60 218

25 1

Fl. 2 3 1 2 Ob. 3

Cl. in Si

1 2 3 1

Fg.

3

3

2 3

Cfg.

Cor. in Fa

3

8

1 3 2 4 (Bell up) norm.

1 (Bell up) norm.

Tr. 2 in Si

3 1 2 Trbn.

3 Tb. Trgl.

1

l.v.

Perc.

Trgl.

2

l.v.

1/2

Org.

Swell

Flûte traversière 8' Viole de gambe 8' Voix céleste 8'

as before

Ped.

25 Vl. 1

(senza sord.)

con sord.

div.

div., con sord.

Vl. 2 con sord.

Va. 3

Vc. Cb.

8

61

223

1 Fl. 2 3 1 2 Ob. 3 1

Cl. 2 in Si

3 1 Fg. 2 muta in Fg.

Cfg.

8

1 Cor. 3 in Fa 2 4 1 2 Tr. in Si

3 1 2 Trbn.

3 Tb.

1 Perc.

2

1/1

Org.

Ped.

Vl. 1 div.

unis. sul G

Vl. 2 div.

Va. Vc.

[] []

(real sound)

8

Cb.

(real sound)

div.

8

[]

62

III. Etude Presto

= 164

1 2 Flauto 3 1 2 Oboe 3 1 2 2

Clarinetto in Si

3 2

1 2 Fagotto 3

1 3 5

Corno in Fa

Cor. 4 tacet

2 5

1 2 2

Tromba in Si

3 2

1 2 Trombone 3 Tacet

Tuba Roto Tom I 1)

1 Percussione

Tall Field Drum (no snare)

2 Positive: Bourdon 16', Gedackt 8', Nazard

Organo

Pedale

Presto

= 164 spicc.

senza sord.

1 Violino

senza sord.

spicc.

senza sord.

spicc.

2

Viola (senza sord.) spicc.

Violoncello Contrabbasso

8

1)

Roto Tom I

63

7

Roto I

1

1 Perc.

Fd. Dr.

2

Org.

Ped.

1 1 Vl. 2

Va.

Vc.

Cb.

8

13

Roto I

1 Perc.

Fd. Dr.

2

Org.

Ped.

1 Vl. 2

Va.

Vc.

Cb.

8

64

19

2

Roto I

1 Perc.

Fd. Dr.

2

Org.

Ped.

2 1 Vl. 2

Va.

Vc.

Cb.

8

25

Roto I

1 Perc.

Fd. Dr.

2

Org.

Contrebasse 16', Montre 8'

Ped.

1 Vl. 2

Va.

Vc. unis.

Cb.

8

65 3 31

Roto I

1 Perc.

Fd. Dr.

2

Org.

Ped.

3 1 Vl. 2

Va.

Vc. div.

Cb.

8

37

Roto I

4

1 Perc.

Fd. Dr.

2

Org.

Ped.

4 1 Vl. 2

Va.

Vc.

Cb.

8

66

43

Roto I

1 Perc.

Fd. Dr.

2

Org.

Ped.

1 Vl. 2

Va. non div. III / IV

Vc.

Cb.

8

49

Roto I

5

1 Perc.

Fd. Dr.

2

Org.

Ped.

5

div.

1 Vl.

div.

2

Va.

Vc.

Cb.

8

67

55

Roto I

1 Perc.

Fd. Dr.

2

Org.

Ped.

1 Vl.

div.

unis.

2 0

Va.

Vc.

Cb.

8

61

6

1 Perc.

2

Org.

Ped.

6 unis.

1 sub.

Vl.

unis.

0

2 sub.

0

0

Va. sub. div.

Vc. sub.

Cb.

8

0

68

67

7

1 Perc.

2

Org.

Ped.

7 1 Vl. 2

Va.

Vc.

Cb.

8

73

1 Perc.

2

Org.

Ped.

1 Vl. 2

Va. unis.

Vc.

Cb.

8

69

79

8

1 Perc.

2

Org.

Ped.

8 1 Vl. 2 0

Va. (non div. sul II / III)

Vc.

Cb.

8

85

1 Perc.

2

Org.

Ped.

1 Vl. 0

2 0

Va.

Vc.

Cb.

8

70

91

9

1 2 Fl. 3 1 2 Ob. 3

1 2 Cl. in Si

3

1 2 Fg. 3

1 3 Cor. in Fa

2 straight mutes

1 2 Tr. in Si

straight mute

3 straight mutes

1 2 Trbn.

straight mute

3

1 Perc.

2

Great: Principal 16', Quintadehn 16', Mixtur, Trommeten 16' & 8'

Org.

Ped.

9 sul pont.

1 Vl. sul pont.

2

sul pont.

Va. sul pont.

Vc.

Cb.

8

71

98

10

1 2 Fl. 3 1 2 Ob. 3

1 2 Cl. in Si

3

1 2 Fg. 3

1 3 Cor. in Fa

2

1 2 Tr. in Si

3

1 2 Trbn.

3

1 Perc.

2

Org.

Ped.

10 1 Vl. 2 Va. Vc. Cb.

8

72

=

105

1 2 Fl. 3 1 2 Ob. 3

1 2 Cl. in Si

3

1 2 Fg. 3

1 3 Cor. in Fa

2 (straight mutes)

1 2 Tr. in Si

(straight mute)

3 (straight mutes)

1 2 Trbn.

(straight mute)

3

1 Perc.

2

Org.

Ped.

1 Vl. 2

Va.

Vc. martellato

Cb.

8

73

111

11

1 2 Fl. 3 1 2 Ob. 3

1 2 Cl. in Si

3

1 2 Fg. 3

Cor.

1 3

cresc.

in Fa

2 1 2 Tr.

cresc.

in Si

3 cresc.

1 2 Trbn.

3

1 Perc.

2

Positive (as before)

Org.

Ped.

11 1 Vl. 2 ord.

Va. ord. spicc.

Vc.

Cb.

8

spicc.

74

12

117

1 2 Fl. 3 1 2 Ob. 3 1 2 Cl. in Si

3 1 2 Fg. 3

1 3

cresc.

Cor.

cresc.

in Fa

2 (straight mutes)

1 2 Tr.

cresc.

in Si

cresc.

(straight mute)

3 cresc.

cresc.

1 2 Trbn.

3

1 Perc.

2

Org.

Ped.

12 1 Vl. 2

Va.

Vc.

Cb.

8

75

124

1 2 Fl. 3 1 2 Ob. 3 1 2 Cl. in Si

3 1 2 Fg. 3

1 3 Cor.

cresc.

cresc.

in Fa

2 1 2 Tr.

cresc.

cresc.

in Si

3 cresc.

cresc.

1 2 Trbn.

3

Roto Tom II 1)

1 Perc.

Field Dr.

2

Org.

Contrebasse 16', Montre 16', Montre 8'

Ped.

1 Vl. 2

Va.

Vc.

Cb.

8

1)

Roto Tom II

76

131

13

1 2

cresc.

Fl. 3

cresc.

1 2

cresc.

cresc.

Ob. 3 cresc.

Cl.

1 2

in Si

3 1 2 Fg. 3

1 3

cresc.

Cor. in Fa

2 1 2 Tr. in Si

3 1 2 Trbn.

3

Roto II

1 Perc.

Fd. Dr.

2

Org.

Ped.

13 1 Vl.

ord.

2

Va.

Vc.

Cb.

8

77 14 137

1 2

(cresc.)

cresc.

(cresc.)

cresc.

(cresc.)

cresc.

Fl. 3

1 2 Ob. 3

1 2 Cl. in Si

3 1 2 Fg. 3

1 3 Cor. in Fa

2 1 2 Tr. in Si

3 1 2 Trbn.

3

Roto II

1 Perc.

Fd. Dr.

2

Org.

Ped.

14 1 Vl. 2

Va. dim.

Vc. dim. div.

Cb.

8

dim.

78

143

1 2 Fl. 3

1 2 Ob. 3

1 2 Cl. in Si

3 1 2 Fg. 3

1 3 Cor. in Fa

2 1 2 Tr. in Si

3 1 2

Trbn.

3

1 Perc.

2 Reeds off

Org.

Ped.

1 Vl. 2

Va. (dim.)

Vc. (dim.)

Cb.

8

(dim.)

Great

79 15 148

1 2 Fl. 3

1 2 Ob. 3

1 2 Cl. in Si

3 1 2 Fg. 3

1 3 Cor. in Fa

2 1 2 Tr. in Si

3 1 2 Trbn.

3

1 Perc.

2

Org.

Ped.

15 1 Vl. 2

Va.

Vc.

Cb.

8

80

154

1 2 Fl. 3

1 2 Ob. 3

1 2 Cl. in Si

3 1 2 Fg. 3

1 3 Cor. in Fa

2 1 2 Tr. in Si

3 1 2 Trbn.

3

1 Perc.

2

Positive (as before)

Org.

Ped.

ord.

martellato

1 Vl. martellato

2

Va.

Vc.

Cb.

8

81 16 160

1 2 Fl. 3

1 2 Ob. 3

1 2 Cl. in Si

3 1 2 Fg. 3

1 3 Cor. in Fa

2 1 2 Tr. in Si

3 1 2 Trbn.

3

1 Perc.

2

Org.

Ped.

16 1 Vl. 2

Va.

Vc.

Cb.

8

82

165 Japanese Wood Block

1 Perc.

Claves

2

1 cresc.

Vl. 2

Va.

Vc.

Cb.

8

171

17

1 Perc.

2

17 1 Vl. 2

Va.

Vc.

Cb.

8

18 Stretto Prestissimo possibile

177

Wd. Blk.

1 Perc.

Claves

2

18 Stretto Prestissimo possibile 1 Vl. 2

Va.

Vc.

Cb.

8

83

183

1 Perc.

2

1 Vl. 2

Va.

Vc.

Cb.

8

189

19

1 Perc.

2

19 1 Vl. 2

Va.

Vc.

Cb.

8

195

1 Perc.

2

div.

1 Vl. 2

Va.

Vc.

Cb.

8

84

IV. Chaconne Camminando leggiero

= 120

1 2 Flauto 3 1 2 Oboe 3 1 2

Clarinetto in Si

2 2

Clarinetto basso

2

in Si

Fagotto 21 Contrafagotto

8

1. con sord.

1 3 Corno in Fa

5

3. senza sord.

2 4 5

1 2 2

Tromba in Si

3 2

1 2 Trombone 3 Tuba

1 Percussione 2

Organo

Pedale

Camminando leggiero pizz.

1 Violino

(arco)

2

Viola Violoncello Contrabbasso

8

= 120

85

5

1 Fl. 2 3 1 Ob. 2 3 1 Cl. in Si

2

Cl. bso. in Si

1 Fg. 2 Cfg.

Cor. in Fa

Tr.

8

1 3 2 4 1 2

in Si

3 1 2 Trbn.

3 Tb.

1 Perc.

2

Org.

Ped.

1 Vl. 2

Va. Vc. Cb.

8

86

10

1

1

Fl. 2 3 1 Ob. 2 3 1 Cl. in Si

2

Cl. bso. in Si

1 Fg. 2 Cfg.

8

1.senza sord.

1. (con sord.)

1 3 Cor. in Fa

2 4

1 2 Tr. in Si

3 1 2

Trbn.

3 Tb.

1 Perc.

2

Org.

Ped.

1 arco

1 sub.

Vl. 2 Va.

pizz.

Vc. Cb.

8

87

15

1

3

Fl. 2

3

3 1 9

Ob. 2 9

3 1 Cl. in Si

2

Cl. bso. in Si

1 cresc.

Fg. 2

cresc.

Cfg.

8

a2

1 3 Cor. in Fa

a2

2 4 1 2

Tr. in Si

3 1 2

Trbn.

3 Tb.

1 Perc.

2

Org.

Ped.

1

3 9

Vl. 2

3

Va. cresc.

Vc. cresc.

Cb.

8

88

19

2

1

3 3

Fl. 2

6

3

3 1 3

3

3

3

3

6

Ob. 2 3

3

3 1

3

Cl.

3

in Si

2 3

3

Cl. bso. in Si

1 3

6

Fg. 2 Cfg.

8

(a2)

1 3 Cor. in Fa

Tr. in Si

(a2)

2 4 1 2 3 1 2

Trbn.

3 Tb.

Tamt.

1 Perc.

2

Org. Prestant 16', Contrebasse 16', Montre 16', Montre 8', Violoncelle 8', Mixture

Ped. legato

2 1 3

6

Vl. 3

2

3 3

Va. 3

6

arco

Vc. 3

Cb.

8

3

3

89

3

24

1 Fl. 2 3 1 Ob. 2 3 1 Cl. in Si

2

Cl. bso. in Si

1 Fg. 2 Cfg.

8

(a2)

1 3 Cor.

(a2)

in Fa

2 4 senza sord.

a2

1 2 Tr. in Si

senza sord.

3 1 2 Trbn.

3 Tb.

1 Perc.

B. Dr.

2 Principal 16', Octava 8', Octava 4', Mixtur

Great

Org.

Ped.

3

full bow

1 Vl. full bow

2

Va. Vc.

Cb.

8

90

30

1 Fl. 2 3 1 Ob. 2 3 1 Cl. in Si

2

Cl. bso. in Si

1 Fg. 2 Cfg.

8

(a2)

1 3 Cor.

(a2)

in Fa

2 4 (a2)

1 2 Tr. in Si

3 1 2 Trbn.

3 Tb.

Tamt.

1 Perc.

B. Dr.

2

Org.

Ped.

1 Vl. 2

Va. sempre

Vc.

Cb.

8

91

36

4

a2

1 2 Fl. 3

3

a2

1 2

6

Ob. 3 a2

Cl. 12 in Si Cl. bso. in Si

dim. a2

Fg. 21 dim.

Cfg.

8

dim.

1 3 Cor. in Fa

2 4 straight mutes

Tr. in Si

(a2)

1 2 straight mute

3 a2 senza sord.

1 2 Trbn.

senza sord.

3 con sord.

Tb.

scrape with metal stick Tamt.

1

B. Dr.

Perc.

Trgl.

2

Org.

legato

Ped.

4 1 6

Vl. 2 div.

Va. Vc. dim.

Cb.

8

dim.

92

5

41

1 2

3 6

6

Fl. muta in Fl. picc.

3 a2

1 2

3 6

6

Ob. 3 Cl. 12 in Si

3 3 3

Cl. bso. in Si

Fg. 21 Cfg.

8

a2

1 3

3

6

Cor.

3

6

in Fa

6

a2

2 4

3

6

3

3

3

3

3 3

3

6

(straight mutes)

1 2 Tr.

6

3

in Si

3 1 2 Trbn.

3 (con sord.)

Tb.

1 Trgl.

Perc.

2

3

3

Org.

3

3

3

3

3

Ped.

5

arco

pizz.

1

3 6

6

Vl. pizz.

2

3

3

3

3 6

6

pizz.

arco

6

Va.

3 6 3

Vc. unis.

Cb.

3

arco

8

3

93

46

Fl. 12 8

Picc. a2

1 2 Ob. 3 Cl. 12 in Si Cl. bso. in Si

Fg. 21

Cfg.

8

1 3 Cor. in Fa

2 4

1 2 Tr. in Si

(straight mute)

3 1 2 Trbn.

3 Tb.

Tamt.

1 Perc.

B. Dr.

2

Org.

Ped.

solo Vl. 1

pizz.

gli altri pizz.

Vl. 2 pizz.

Va. sempre

pizz.

Vc. pizz.

Cb.

8

94 6 51

(a2)

Fl. 12 8

Picc.

1

Ob. 2 muta in Corno inglese

3 1 Cl. in Si

2

Cl. bso. in Si

1 Fg. 2 Cfg.

Cor. in Fa

Tr.

8

1 3 2 4 1 2

in Si

3 1 2 Trbn.

3 Tb.

1 Perc.

2 to Positive

Org.

Ped.

6 flautando solo

Vl. 1

(pizz.)

gli altri

arco, sul tasto

Vl. 2 Va. Vc. Cb.

8

95

7

57

Fl. 12 8

Picc.

1 Ob. 2 C. i.

5

1 Cl. in Si

2

Cl. bso. in Si

1 Fg. 2 Cfg.

Cor. in Fa

Tr.

8

1 3 2 4 1 2 cup mute

in Si

3 1 2 Trbn.

3 Tb.

1 Perc.

2 Gedackt 8', Baarpijp 4', Nazard 2 2/3

Org.

Pos.

Ped.

7 solo

Vl. 1 gli altri

Vl. 2 Va. Vc. Cb.

8

96

8

63 (a2)

Fl. 12 8

Picc.

1 Ob. 2 C. i.

1 Cl. in Si

2

Cl. bso. in Si

a2

Fg. 12

Cfg.

a2

3

8

1 3 Cor. in Fa

2 4 (straight mute)

1 cresc.

(straight mute)

Tr. 2 in Si

cresc.

(cup mute)

3 1 2 Trbn.

3 Tb.

1 Perc.

2 Great (as before)

Org.

Ped.

8 solo con gli altri solo

Vl. 1

cresc.

arco

gli altri

cresc. ord.

Vl. 2 cresc. arco

Va. div.

arco

cresc.

3

Vc. cresc. arco

Cb.

8

cresc.

unis.

97

67

(a2)

Fl. 12

6

6

6

6

8

Picc.

1

3

6 6

Ob.

6

2

3

6

C. i.

6

1

6

Cl. in Si

2

6 6

Cl. bso. in Si

6

Fg. 12

5

Cfg.

8

a2

1 3 Cor. in Fa

a2

2 4 1

3

Tr. 2 in Si

6

3 3

3

1 2 Trbn.

3 senza sord.

Tb.

Sn. Dr.

6

6

6

1 Perc.

Trgl.

2

3

3

3

3

6

3

3

6

3

3

Org.

Ped. tuuti div.

1

6

(cresc.)

Vl.

cresc.

6 6

2

6

cresc.

(cresc.)

Va. 6 6

Vc. 6

Cb.

8

98

69

1 Fl. 2 8

Picc.

1 Ob. 2 C. i.

1 Cl. in Si

2

Cl. bso. in Si (a2)

Fg. 12 Cfg.

8

1. 3. con sord.

Cor. in Fa

1 3 (senza sord.)

2 4

a2

(straight mute)

1 (straight mute)

Tr. 2 in Si (cup mute)

3 1 Trbn. 2 3 Tb. 1 Perc.

2 Mixtur off

5

Org.

3

Ped. legato poss. unis.

1

5 3

Vl. 2 Va. 3

Vc. 3

Cb.

8

99

73

9

1 Fl. 2 8

Picc.

1 Ob. 2 C. i.

1 Cl. in Si

2 3

Cl. bso. in Si

Fg. 21 Cfg.

8

1 Cor. 3 in Fa

2 4

Tr.

1 2

in Si

3 1 2 Trbn.

3 Tb.

1 Perc.

2

Org.

Ped.

9 1 Vl. 2 Va. Vc. Cb.

8

100

rall.

10 Mezzo tempo

= 60

Sereno

= 60

Sereno

78

1

6

Fl. 2 8

Picc.

1

6

Ob. 2 3

C. i.

1 Cl. in Si

2

Cl. bso. in Si

Fg. 21 Cfg.

8

a2

1 3 Cor. in Fa

Tr. in Si

Trbn.

a2

2 4 1 2 3 1 2 3

Tb.

Tamt.

1 Perc.

Susp. Cymb.

2

l.v.

+ Mixture

Org.

3

Ped.

rall.

10 Mezzo tempo

div.

1

6

div.

Vl. 2 Va. Vc. div.

Cb.

unis.

8

unis.

101

83

1 Fl. 2 8

Picc.

1 Ob. 2 C. i.

1 Cl. in Si

2 Cl. bso. in Si

Fg. 21 Cfg.

8

1 3 Cor. in Fa

2 4

Tr.

1 2

in Si

3 1 2 Trbn.

3 Tb.

1 Perc.

2

Org.

Ped.

1 cresc.

Vl. 2

cresc.

Va. cresc.

Vc. cresc.

Cb.

8

cresc.

102

11

90

1 Fl. 2 8

Picc.

1 Ob. 2 C. i.

1 Cl. in Si

2

Cl. bso. in Si

Fg. 21 Cfg.

8

(a2)

1 3 Cor. in Fa

(a2)

2 4 senza sord. a2

1 2 Tr.

senza sord.

in Si

3 1 2 Trbn.

3 Tb.

1 Perc.

2 Mixtur off

Org.

Prestant 16', Montre 16' off

Ped.

11 1 (cresc.)

Vl. 2

(cresc.)

Va. (cresc.)

Vc. (cresc.)

Cb.

8

(cresc.)

103

96

1 Fl. 2 8

Picc.

1 Ob. 2 C. i.

1 Cl. in Si

2 Cl. bso. in Si

Fg. 21 Cfg.

8

con sord.

a2

1 3 Cor. in Fa

con sord.

2 4 1 2

Tr. in Si

3 1 2

Trbn.

3 Tb.

1 Perc.

2

Org.

Ped.

1 Vl. 2 Va. Vc.

Cb.

8

a2

senza sord.

104 12 103

Doppio tempo (I )

= 120

1 Fl. 2 8

Picc.

1 5

Ob. 2 C. i.

1

5 5

Cl.

5

in Si

2 5

5

5

5

Cl. bso. in Si

Fg. 21 Cfg.

8

1. 3. (con sord.)

1 3 Cor. in Fa

2 4 harmon mute (stem out)

1 5

5

5

5

5

5

5

5

Tr. 2 in Si

3

Trbn.

1 2 3

Tb. 1 Perc.

2

Org.

Ped.

12

Doppio tempo (I )

= 120

1 5

Vl.

cresc.

pizz.

arco

2 sub.

Va. cresc.

pizz.

Vc. pizz.

Cb.

8

105

13

107

1 Fl. 2 8

Picc.

1 5

Ob.

5

5

5

5

5

5

5

2 C. i.

Cl.

1

in Si

2 Cl. bso. in Si

Fg. 12 Cfg.

Cor. in Fa

8

1 3 2 4 1 cup mute

Tr. 2 in Si cup mute

3 1 2 Trbn.

3 Tb.

1 Perc.

2

Org.

Ped.

13 1 3

Vl. 2 Va. Vc.

Cb.

8

3

106

14

111

1 Fl. 2 8

Picc.

1 Ob. 2 C. i.

1 Cl. in Si

2 Cl. bso. in Si

Fg. 21 Cfg.

8

1 3 Cor. in Fa

a2

2 4

1 (cup mute)

Tr. 2 in Si (cup mute)

3 1 2 Trbn.

3 Tb.

1 Perc.

2 Swell

Fl没te traversi猫re 8' Voix c茅leste 8', Fl没te octaviante 4'

1/2

Org.

Positive

Gedackt 8', Doublette 2'

Ped.

14 1 Vl.

con sord.

2 Va. arco

sul tasto

arco

sul tasto

Vc.

Cb.

8

107

116

1 Fl. 2 8

Picc.

1 Ob. 2 C. i.

1 Cl. in Si

2 Cl. bso. in Si

Fg. 12 Cfg.

Cor. in Fa

8

1 3 2 4 senza sord.

1 2 Tr. in Si

3 1 2

Trbn.

3 Tb.

1 Perc.

2

Org.

Grt.

1/2

Ped. div.

1 Vl. 2 div. con sord.

Va. Vc. Cb.

8

108 15 122

Fl. 12

3

6

3

3

8

Picc.

3

3

3

3

3

Ob. 12

3

3 6

C. i.

3

6

Cl. 12

in Si

Cl. bso. in Si

Fg. 21 Cfg.

8

3

a2

1 3

3

in Fa

3

2 4

3

3

6

6

Cor.

6

a2

3

6

1 2 Tr.

6

3

3

in Si

3 a2

1 2 Trbn.

3

Tb.

1 Susp.Cymb.

Perc.

2

l.v.

cresc.

cresc.

Great

Org.

gliss.

+ Mixtur

Great

Prestant 16', Contrebasse 16', Montre 16' Violoncelle 8', Mixture, Bombarde 16'

Ped.

15 8

1 6

3

3

Vl. senza sord.

div.

2 senza sord.

unis.

Va. 6

ord.

Vc. ord.

Cb.

8

6

3

109

125

1

3

3

3

2

3

3

3

2

2

2

Fl.

8

Picc.

Ob. 12 6

C. i.

3

3

3

3

3

3

Cl. 12 in Si Cl. bso. in Si

Fg. 21

Cfg.

8

1 3 Cor.

6

in Fa

6

2 4

Tr. in Si

1 2 straight mute

3

3 a2

1 2 Trbn.

3

Tb.

1 Perc.

Susp. Cymb.

2

l.v.

gliss.

gliss.

Org.

10

gliss.

gliss.

Ped.

1 Vl. 2 Va. 6

3

3

sul pont.

ord.

pizz.

arco

sul pont.

ord.

pizz.

arco

Vc.

Cb.

8

110

128

16

1 2

3

3

Fl. 3 Ob. 12

3

6

6

C. i.

6 3

Cl. 12

in Si

Cl. bso. in Si

Fg. 21

Cfg.

8

a2

1 3 3

Cor. in Fa

a2

3 3

3

2 4 3

Tr. in Si

1 2 3 1 2

Trbn.

3

Tb.

1 Perc.

Susp. Cymb.

2 gliss.

gliss.

Org.

gliss. gliss.

Ped.

16 unis.

1

3

6

6

Vl. 6

unis.

3

2

3

Va. 6

Vc.

Cb.

8

div.

unis.

6

111 a2

131

Fl. 12

3

3 8

Picc.

3 3

1

3

6

Ob. 2

3

3

C. i.

3

3

3

Cl. 12 in Si

3

3

6

Cl. bso. in Si

Fg. 21

Cfg.

8

3

3

Cor. in Fa

Tr.

1 3 3

2 4 1 2

3

in Si

3 a2

1 2 Trbn.

3 Tb.

1 Susp. Cymb.

Perc.

2

Org.

5

5 5

5

5

5 5

Ped.

1 Vl. 2 6

Va. 3

sul pont.

Vc. sul pont.

Cb.

8

112 134

17

Fl. 12 8

Picc.

Ob. 12 C. i.

Cl. 12

in Si

Cl. bso. in Si

Fg. 21 Cfg.

8

1 3 Cor. in Fa

2 4 1 2 Tr. in Si

3 1 2 Trbn.

3

Tb.

1 Perc.

2 Viole de gambe 8' Voix cĂŠleste 8'

Swell 1/2

Org.

Ped.

17 div., con sord.

1 Vl. div., con sord.

2 div., con sord.

Va.

Vc.

Cb.

8

113

18

140

Fl. 12 8

Picc.

1 5

Ob.

5

5

2 5

C. i.

Cl. 12

in Si

Cl. bso. in Si

Fg. 21 Cfg.

8

1 3 Cor. in Fa

2 4 cup mute 5

5

1 cup mute

5

Tr. 2 in Si cup mute

5

3 1 2 Trbn.

3 Tb.

1 Perc.

2

Org.

Violoncelle 8'

Ped.

18 1 Vl. 2 Va. ord., unis., pizz.

Vc.

Cb.

8

5

5

114

144

Fl. 12 8

Picc.

Ob. 12 C. i.

Cl. 12

in Si

Cl. bso. in Si

Fg. 21 Cfg.

8

1 3 Cor. in Fa

2 4 1 2 Tr. in Si

3 1 2 Trbn.

3

Tb.

1 Perc.

2

Org.

Ped.

1 Vl. 2

Va.

Vc.

Cb.

8

115 19 149

a2

Fl. 12

6

6

6

6

8

Picc.

Ob. 12

6 6

muta in Oboe

C. i.

6

Cl. 12 in Si

6 6

Cl. bso. in Si

a2

Fg. 21

6

6

Cfg.

8

a2

1 3 Cor. in Fa a2

2 4 senza sord.

1

3

senza sord.

Tr. 2 in Si

6

senza sord.

3 3

3

1 2 Trbn.

3

Tb.

1 Perc.

Susp. Cymb.

2 cresc.

Great (as before)

Org.

+ Contrebasse 16 ', Mixture, Bombarde 16'

Ped.

19 senza sord.

1

6

6

Vl.

6 6

senza sord., unis.

2

6

6

senza sord., unis.

Va. 6

arco

6

Vc. unis., ord.

Cb.

8

6

div.

116

151

Fl. 12 8

Picc.

1 2 Ob. 3

Cl. 12 in Si Cl. bso. in Si

Fg. 21 Cfg.

8

1 3 Cor. in Fa

a2

2 4

1 Tr. 2 in Si

3

1 Trbn. 2

3 Tb.

Tamt..

1

l.v.

Perc.

Susp. Cymb.

2

l.v. sim., legato poss.

Org.

Ped. unis., full bow

1 Vl.

full bow

2 Va. Vc. unis.

Cb.

8

div.

117 20

156

Fl. 12

3

3

muta in Fl. gr.

8

Picc.

1 2

3

Ob.

muta in Cor. ing.

3 Cl. 12 in Si Cl. bso. in Si

Fg. 21 Cfg.

8

1 3 Cor. in Fa

2 4

1 3

3

3

3

Tr. 2 in Si

3

1

Trbn. 2

3

Tb. Tamt.

1 Perc.

Susp. Cymb.

2

l.v.

Org. Mixture, Bombarde off

Ped.

20 1 3

Vl. 2

3

Va. Vc. Cb.

8

3

118

21

161

1

Fl. 2 3 1 Ob. 2 C. i.

1 Cl.

3

3

3

3

in Si

2 Cl. bso. in Si

Fg. 12 muta in Fagotto

Cfg.

Cor. in Fa

8

1 3 2 4 cup mute

1 cup mute

Tr. 2 in Si

3 1 2 Trbn.

3 Tb.

1 Perc.

2 Positive

Org.

Swell

Gedackt 8', Nazard

1/1

Viole de gambe 8', Bourdon 8'

Ped.

21 1 Vl.

3

3

3

3

2 Va. Vc.

Cb.

8

119

167

1

Fl. 2 3

1 Ob. 2 C. i.

1 Cl. in Si

2

Cl. bso. in Si

1 2 Fg. 3

Cor. in Fa

1 3 2 4 1

Tr. 2 in Si

3

Trbn.

1 2 3

Tb.

1 Perc.

2

Positive

Org.

1/2 + Voix cĂŠleste

Swell

Ped.

Vl. 1 con sord.

Vl. 2

con sord.

div.

Va. Vc. Cb.

8

R. H. Swell

120 22

173

1

Fl. 2 8

3 1

5 5

Ob. 2

5

5

C. i.

1 Cl. in Si

2 Cl. bso. in Si

1 2 Fg. 3

Cor. in Fa

Tr. in Si

1 3 2 4 1 2 3 1 2

Trbn.

3 Tb.

1 Perc.

Trgl.

2

cresc.

3

Org.

Great

3

Untersatz 32', Contrebasse 16', Violoncelle 8'

Ped.

22 (senza sord.)

div.

Vl. 1 5

(con sord.)

Vl. 2

(con sord.)

Va. Vc. (div.)

Cb.

8

5

121

177

1 2 Fl. 3 Ob. 12 C. i.

1 5

Cl. in Si

2 5

Cl. bso. in Si

1 2 Fg. 3

1 3 Cor. in Fa

2 4 1 2

Tr. in Si

3 1 2

Trbn.

3 Tb. (scrape) Tamt.

1 Perc.

l.v.

l.v.

l.v.

l.v.

l.v.

l.v.

l.v.

Trgl.

2 (cresc.)

Swell

Org.

Positive (Nazard off)

cresc.

Great

Great

5

Ped.

1 5

Vl. (div.) senza sord.

2

Va. 3 3

Vc.

3 3

cresc.

3

Cb.

8

cresc.

3

3

3

122

181

1 2

3

3

3

3

3

3

3

3

3

3

Fl. 8

3 a2 3

Ob. 12

3

3

3

3

3

3

3

3

3

C. i.

Cl. 12

in Si

3

3

3

3

3

3

Cl. bso. in Si a2

1 2 3

3

3

3

3

3

3

3

3

3

3

3

Fg. 3

1 3 3

3

3

3

3

3

3

straight mutes

3

3

3

3

straight mute

3

3

3

3

3

3

3

3

3

3

Cor. in Fa

3

2 4 1 2 Tr. in Si

3 straight mutes

1 2 Trbn. straight mute

3 3

3

3

3

Tb.

Tamt.

1

l.v.

Trgl.

Perc.

2

l.v.

(cresc.)

3 3

3

3

3

3

3

3

Org. 3

3

3

3

+ Tuba Magna

3 3

3

3

3

3

3

Ped.

1 3

3

3

3

3

Vl. 3 3

2 3

3

3

Va. 3

3

3

3

3

3

3

3

3

Vc. (cresc.)

3

Cb.

8

(cresc.)

3

3

123 23 184

a2

1 2

3

Fl. 3 3

Ob. 12

3

C. i.

Cl. 12 in Si 3

3 3

Cl. bso. in Si

1 2 Fg.

muta in Contrafagotto

3

8

1 3 3

Cor. in Fa

3

2 4

Tr.

1 2

in Si

3 1 2 Trbn.

3 3

3 3

Tb.

Tamt.

1

l.v.

Perc.

2 Positive

Org.

Cromorne 8', Baarpijp 4'

Fl没te traversi猫re 8', Fl没te octaviante 4'

Swell

3

5

5

5

3

3

Ped.

23 glis

s.

Solo

solo 3

3

Vl. 1

g

gli altri (div.)

liss.

3

3 3

Vl. 2

glis

s.

3

Va. div., sul pont.

3

3

3

3

3

Vc.

Cb.

8

sul pont.

3

5

5

5

5

5

124

(a2)

187

1 2

5

Fl. muta in Fl. picc.

3 5

a2

Ob. 12

5

5

5

5

5

C. i.

5

Cl. 12 in Si 5

3

3

5

Cl. bso. in Si 5

a2

Fg. 21

5

5

3

3

5

Cfg.

3

3

8

a2

1 3 Cor.

5

in Fa

a2

3

3

3

3

5 5

2 4 a2 senza sord.

1 2

3

5

Tr.

(straight mute)

in Si

3 5

5

3

(straight mutes)

1 2

3

Trbn.

3

(straight mute)

3 3 3

3 3

5

Tb.

Sn. Dr. 5

5

5

5

5

5

5

1 Perc.

B. Dr.

2

3

Great

Org.

5

Great

3

5

5

3

3

5

5

Ped.

solo 5

unis.

Vl. 1

5

gli altri 5

5

5

unis.

5

Vl. 2 5

5 5

5

Va.

5

5

ord.

5

sul pont.

unis., ord.

5

div.

5

pizz.

3

3

3

3

3

Vc.

ord., unis.

Cb.

div., sul pont.

pizz.

ord.

3

8

5 5

125

190

Fl. 12

6

3

3

8

Picc.

Ob. 12 3 6 3 5

C. i.

Cl. 12 in Si

3 3

3

3

5 5

Cl. bso. in Si

5

3

3

Fg. 21

3

Cfg.

8

3

5

a2

1 3 3

Cor.

3

6

a2

in Fa

3 5

2 4 3

Tr.

1 2

3 3

3

in Si

3 1 2

3

Trbn.

3

3 3

3

3

Tb.

5

Sn. Dr.

5

6

1 Perc.

3

5

B. Dr.

2

3

3

3

3

Org.

3

3

3

6

3

3

3

3

3

3

5 3

3

Ped.

1 Vl.

6

3

3

6

3

3

6

3

3

5

2 5

Va. arco 3

3

3

3

3

arco

5

3

Vc.

Cb.

3

8

3

5

126

24

192

Fl. 12

3

a2

3

8

Picc.

3

a2

Ob. 12

3

C. i.

Cl. 12 in Si

3

3

Cl. bso. in Si

3

Fg. 21

3

Cfg.

8

cuivrĂŠ

norm.

cuivrĂŠ

norm.

a2

1 3 3

Cor. in Fa

3

a2

2 4 1 2 (straight mute)

Tr. in Si

3 3

(straight mutes)

senza sord.

1 2 3

Trbn.

(straight mute)

3 3 3

Tb.

3

Tamt. (scrape)

1

l.v.

l.v.

l.v.

B. Dr.

Perc.

3

Trgl..

2

Org.

3

3

3

3

3

Ped. 32' off full individual bowing

24

unis., sim.

unis.

div.

div. div.

1 full individual bowing

3

Vl. 2 3

Va. 3

sul pont.

ord.

Vc. sul pont.

sul pont. ord.

Cb.

8

sul pont. ord.

ord.

127

25

196

1 Fl. 2 8

Picc.

1 Ob. 2 C. i.

5

5

5

1 Cl.

5

5

in Si

2 Cl. bso. in Si

1

5

5

5

Fg. 2

5

5

Cfg.

Cor.

5

5

5

8

1 3

in Fa

2 4 1 cup mute

Tr. 2 5

in Si cup mute

5

5

5

3 5

1 2 Trbn.

3 Tb.

1

Trgl.

Perc.

2

l.v.

Org.

Ped.

25 1 Vl. 2 pizz.

Va. sul pont.

ord., pizz. (secco)

sul pont.

ord., pizz.

Vc. (secco)

Cb.

8

5

128

199

1

5

5 5

Fl. 2

5

5 5

5 5

5

8

Picc.

5

5

5

1 5

Ob.

5

2 5

5

C. i.

5

Cl. 12 in Si Cl. bso. in Si

Fg. 12 Cfg.

Cor. in Fa

8

1 3 2 4 cup mute

1 5

5

(cup mute)

Tr. 2 in Si

5

3 1 2 Trbn.

3 Tb.

1 Perc.

2 5

Positive: Doublette 2'

Org.

5

Ped.

1 Vl. 2 Va. Vc.

Cb.

8

5

129 3

← 202

1 Fl. 2 muta in Fl. gr.

8

Picc.

5

5

5

5

5

5

5

5

5

1 Ob. 2 3

C. i.

Cl. 12 in Si Cl. bso. in Si

Fg. 2 Cfg.

8

a2 3

1 3 Cor. in Fa

Tr.

2 4 1 2

in Si

3 1 2 Trbn.

3 Tb.

1 Perc.

2 5

Positive: + Baarpijp 4' 5

Org.

5

5

5

5

Great

Ped.

unis.

1

6

Vl. 2 6

Va. Vc. Cb.

8

=

→

130

3

←

=

26

→

= 90

205

C. i.

(a2)

1 3 Cor. in Fa

a2

2 4 Great: Octava 8', Octava 4', Superoctava 2', Mixtur

Org.

Ped.

26

= 90

1 Vl. 2 arco

Va. (div.), arco

Vc.

arco

Cb.

8

208

C. i.

1 3 Cor. in Fa

2 4

Org.

Ped.

1 Vl. 2

Va.

Vc.

Cb.

8

131

211

muta in Oboe

C. i.

1 3 Cor. in Fa

2 4

Org.

Montre 8', Violoncelle 8'

Ped.

1 Vl. 2

Va. unis.

Vc.

Cb.

8

214

27

1 3 Cor. in Fa

2 4

Mixture off

Org.

Positive: Gedackt 8', Octave 4', Sharp

Montre 8', Violoncelle 8'

Ped.

27 1 Vl. 2

Va.

Vc.

Cb.

8

132

217

(a2)

1 3 Cor. in Fa

(a2)

2 4

Org.

Great

+ Prestant 16'

Ped.

div.

1 Vl. 2

Va.

Vc. unis.

Cb.

8

220

28

Org.

Ped.

28 1 Vl. 2

Va.

Vc.

Cb.

8

unis. senza vibr.

133

224

Org.

Ped. (senza vibr.)

Vl.

1 senza vibr.

2

Va. Vc. Cb.

8

29 228

Org.

Ped.

29 Vl.

1 2

Va. Vc. Cb.

8

232

Org.

Positive

3

Ped.

con vibr.

1 7

Vl. 2 7

Va.

Vc. div.

Cb.

8

3

134

30

Stretto prestissimo 236

= 164

Sharp (only)

Org.

Ped.

30

Stretto prestissimo

= 164

1 Vl. 2

Va. pizz.

Vc. pizz.

div..

unis.

Cb.

unis.

8

242 Susp. Cymb.

1 Perc.

B. Dr.

2

Org.

Ped.

1 Vl. 2

Va.

Vc. div.

Cb.

8

unis.

135 31 248

a2

1 2 Fl. 3 a2

1 2 Ob.

muta in Corno inglese

3 Cl. 12 in Si Cl. bso. in Si

Fg. 21 Cfg.

8

(a2)

1 3 Cor. (a2)

in Fa

2 4 senza sord. a2

Tr.

1 2 senza sord.

in Si

3 a2

1 2 Trbn.

senza sord.

3 Tb.

Susp. Cymb.

1 Perc.

B. Dr.

2

as before, Positive to Great

Org.

Great

Ped.

31 div.

1 Vl.

con vibr.

2

Va. arco

Vc. tutti unis. arco

div.

Cb.

8

arco

136

32

254

1 2 Fl. 3 Ob. 12 C. i.

Cl. 12

in Si

Cl. bso. in Si

Fg. 21 Cfg.

8

(a2)

1 3 Cor. in Fa

(a2)

2 4 1 2 Tr. in Si

3 (a2)

1 2 Trbn.

3

Tb.

Susp. Cymb.

1

l.v.

Perc.

2

Org.

Ped.

32

sul pont.

1 Vl. div., sul pont.

2

Va. pizz.

Vc.

pizz.

Cb.

8

137

33

260

(a2)

1 2 Fl. 3 (a2)

Ob. 12 C. i.

Cl. 12 in Si Cl. bso. in Si

Fg. 21 Cfg.

8

cresc.

1 3

cresc.

Cor. in Fa

2 4 cresc.

1 2 Tr. in Si

3 1 2

Trbn.

3 con sord.

Tb. cresc.

Tamt.

1

l.v.

Perc.

B. Dr.

2

Org.

Ped.

ord..

33

unis.

1 cresc.

Vl.

ord..

2 cresc.

Va. cresc. arco

Vc. cresc. div., arco

Cb.

8

cresc.

138

266 (a2)

1 2

3

3

3

3

Fl. 3 (a2) a2

Ob. 12 C. i.

Cl. 12 in Si Cl. bso. in Si a2

Fg. 21 Cfg.

8

1 3 Cor. in Fa

2

4 1 Tr. 2 in Si

3 1 Trbn. 2 3 (con sord.)

Tb. Tamt.

1 B, Dr.

Perc.

Trgl.

2 3

Org.

3

3

3

Ped.

div.

1 Vl.

3

3

3

3

unis.

2 Va. Vc. (cresc.)

Cb.

8

(cresc.)

139

272

G. P.

1 2

(

sempre)

(

sempre)

(

sempre)

Fl. 3 Ob. 12 C. i.

Cl. 12 in Si Cl. bso. in Si

Fg. 21 Cfg.

8

G. P.

1 3 Cor. in Fa

2 4 1 2 Tr. in Si

3

1 2 Trbn.

3 Tb.

G. P. 1 Trgl.

Perc.

2 (

sempre)

G. P. Org.

Ped.

full bow

G. P. 1 (

sempre) full bow

Vl. 2 (

Va. Vc. Cb.

8

sempre)

140 34

Tempo I 279

= 120

a2

1 2

cresc.

Fl. 3 cresc. (a2)

Ob. 12

cresc.

C. i. cresc.

Cl. 12

in Si

cresc.

Cl. bso. in Si

Fg. 21 Cfg.

cresc.

8

cresc.

1 3 cresc.

Cor. in Fa

2 4 cresc.

1 2

cresc.

Tr. in Si

3 cresc.

1 2 Trbn.

3 (con sord.)

Tb. cresc.

1 Perc.

Susp. Cymb.

2 cresc.

Great: tutti plus Positive: tutti plus tremulant

Org.

Ped. Plus: Prestant 32', Bombarde 16', Tuba Magna 16'

34

Tempo I

= 120

unis.

1 cresc.

Vl. 2

cresc. div., full bow

Va. cresc.

4 soli

Vc. Cb.

8

cresc.

con sord.

WH 31186 ISBN 978-87-598-2083-4