The Music Sales Group
CHORAL BINDER 2018-19
SACRED, SECULAR AND CHRISTMAS
Music Sales Choral Binder 2018-19 All titles listed are SATB unless otherwise stated * With Accompaniment Page
Title
Catalogue Code
SACRED 3 Geoffrey Burgon: And there was war in heaven (Upper Voices)* 15 John Joubert: O eternal God 27 Paweł Łukaszewski: Ave maris stella 41 Paweł Łukaszewski: Missa Brevis (SSA)* 65 Matthew Martin: The Fifth Service* 79 Matthew Martin: Psalm 150* 95 Paul Mealor: If ye love me (Upper Voices)* 101 Paul Mealor: Missa Sancta Maria Tota Bona 121 Paul Mealor: The Selwyn Service (Magnificat and Nunc Dimittis)* 151 Nico Muhly: Lord, keep us modest when we claim* 157 Nico Muhly: Marrow 171 Tarik O’Regan: Alleluia, laus et gloria 187 Owain Park: For the Fallen 201 Owain Park: Justorum animae 211 Owain Park: A Prayer of Thomas Ken 219 Anna Thorvaldsdottir: Heyr þú oss himnum á 227 Ian Venables: Requiem aeternam* 237 James Whitbourn: Beatus vir 247 James Whitbourn: Set me as a seal upon thine heart*
CH73711 NOV296813 CH87021 CH87032 NOV297033 NOV297044 NOV296758 NOV296780 NOV296736 SRO100138 SRO100164 NOV296637 NOV167145 NOV296879 NOV296516 CH86900 NOV296956 CH86658 CH86636
259 269 280 295 301 323 330
SECULAR Peter Dickinson: Lullaby (from The Unicorns) Gabriel Fauré (arr. Wikeley): Chanson d’Amour* Edward Gregson: The Sad Tale of Barbara Allen* Bernard Hughes: If we shadows have offended Kevin Olson: A Summer Sonnet Tarik O’Regan: I listen to the stillness of you arr. Robert Rice: O Waly, Waly
NOV166826 NOV166958 NOV167057 NOV166155 NOV166716 NOV166661 NOV166573
337 345 351 363 370 381
ADVENT & CHRISTMAS Richard Allain: Advent Antiphon: O Dayspring* Howard Blake: Walking in the Air (AATBarBarB) arr. Stephen Cleobury: A virgin most pure* Julian Marshall: In dulci jubilo Stuart Nicholson: Tomorrow shall be my dancing day* Owain Park: While shepherds watched*
NOV296934 CH87120 NOV040106 NOV296791 NOV167079 NOV296692
Should you have any queries about any of these works or others in the Music Sales choral catalogue, please contact choral@musicsales.co.uk.
1
2
AND THERE WAS WAR IN HEAVEN XII REVELATION vii
GEOFFREY BURGON (1970/2008)
SOPRANO 1
Moderato h = 80
SOPRANO 2
Moderato h = 80
ORGAN
p
3
3
3
3
PEDALS
p
3
mp 5
And there was war in
3
3
3
hea - ven,
And there was war in
mp
And there was war in
hea -
3
3
3
ven,
© 2008 Chester Music Limited
3
3
hea - ven,
3
G.P.
3
3
3
G.P.
2
10
più f
And there was war
in
hea - ven,
più f
And there was war in
mp 3
3
mp
mp 14
And there was war
in
hea -
hea -
Mi - chael
and his
f
ven:
f
3
3
3
4
an - gels fought the
Mi - chael
and his
an - gels fought the
8ft
3
3
3
3
ven:
3
3
3
f
3
18
dra -
dra -
gon;
gon;
3
3
3
3
3
3
and the
dra - gon
and the
dra - gon
3
3
3
3
f
23
fought
fought
and his
And pre -
an - gels,
And pre -
3
an - gels,
and his
3
3
3
3
3
3
3
3
3
5
4
28
- vailed
dim.
dim.
not;
- vailed
not;
dim.
3
3
3
3
3
dim.
mp 32
nei - ther was their place found a - ny
mp
3
3
3
more in
hea -
nei - ther was their place found a - ny
mp
ven.
more in hea -
ven.
6
5
37
p
And the great dra - gon
was cast
p
And the great dra - gon
was cast
pp p
44
out,
the
De - vil,
the
De - vil,
that old
out,
that old
50
Sa - tan,
ser - pent,
ser - pent,
Which de - ceiv - eth
called
the
whole
world:
the
whole
world:
7
and
and
Which de - ceiv - eth
Sa - tan,
called
he was cast out,
he was cast out,
6
56
cast out
in - to the
earth,
cast out
62
an - gels
were
cast
out
and his
an - gels
were
cast
out
And I
a loud voice
say - ing
in
And I
a loud voice
say - ing
in
heard
ff
him.
heard
f
and his
ff
with him.
in - to the earth,
with
3
f
3
3
3
3
8
3
3
3
3
3
7
68
hea
-
ven,
hea
-
3
ven,
Now
is come sal - va
-
is come sal - va
-
strength,
Now
tion, and
3
King - dom of our God,
tion, and
King - dom of our God,
the
and
the
the pow - er
of
his
and
and
and
strength,
73
the pow - er
of
his
Christ,
Christ,
9
8
78
ff
3
3
ff
3
3
-
tion, and
3
3
dim.
dim.
83
- va
3
3
now
is come sal -
now
is come sal -
meno f
strength,
and
the
- va
-
tion, and
strength,
now
f
3
3
f
10
3
3
is
come the
meno f
9
88
king - dom
king - dom
of our
God,
of our
God,
93
f
and
p cresc.
now is come sal - va - tion,
3
3
king- dom of our
God,
3
3
and the power
God,
p cresc.
of
his Christ,
of
his Christ,
p
p
11
and
and the power
strength, and the
king- dom of our
now is come sal - va - tion,
strength, and the
p cresc.
3
3
10
p cresc. 98
now is come sal - va - tion,
p cresc.
now is come sal - va - tion,
cresc.
103
power
power
and
strength,
and
strength,
and the
king - dom
and the
king - dom
of our God,
and the
of our God,
and the
of
his Christ,
of
p cresc.
his Christ,
p
now is come sal - va - tion,
p cresc.
now is come sal - va - tion,
3
3
12
and
strength, and the
strength, and the
and
11
108
king - dom
king - dom
of our
God,
of our
God,
and
the
power
and
of
Christ.
his
f
the
power
f
of
his
Christ.
f
f
rall.
112
13
14
John Joubert O ETERNAL GOD for SATB choir unaccompanied
NOVELLO
15
Commissioned by Nicholas Fisher for the Choir of Gloucester Cathedral in celebration of the th composer’s 90 birthday on 20 March 2017 and dedicated to the memory of Michael Perham (died 17 April 2017), bishop and liturgist.
O eternal God, endue us with a settled, quiet, and composed temper of spirit, like that of the celestial natures. Make us constant and unmovable in the choice of our happiness. Fix a perpetual cause of joy in our hearts. And fill us with that heavenly sense of things which will be always springing up in delightful thoughts, and comfortable hopes, and cheerful praises and thanksgivings to you, our God. Amen. Symon Patrick, Fifteen Sermons upon Contentment, 1719
Duration: c. 5 minutes
Order Number: NOV296813
16
O eternal God
Symon Patrick (1626–1707)
SOPRANO
Lento
O p
ALTO
(for rehearsal only)
O p
e - ter
O p
e - ter
O
e - ter
BASS
e - ter
TENOR
Piano
p
mf 4
en - due
nal
God,
en - due
us
-
with
en - due
us
with
-
nal
God,
-
nal
God,
a
f 3
mf
f
mf
spi - rit,
mf
set - tled, qui - et, and com - posed tem - per of
spi - rit,
3
3
Š Copyright 2017 Novello & Company Ltd.
17
- rit,
spi - rit,
3
a com - posed tem - per of
3
f 3
with
3 set - tled, qui - et, and com - posed tem - per of spi
a
us
mf
a
f
a
en - due
with
God,
mf
us
nal
set - tled, qui - et, and com - posed tem - per of
-
set - tled, qui - et, and com - posed tem - per of mf
John Joubert Op.183
3
a com - posed tem - per of
3
a com - posed tem - per of mf
3
a com - posed tem - per of
3
3
2
8
spi - rit,
- rit,
spi - rit,
like
like
-
ti - al
-
ti - al
-
ti - al
that of the ce - les mp
that of the ce - les mp
-
ti - al,
-
ti - al,
that of the ce - les
-
ti - al,
that of the ce - les
-
ti - al,
poco piĂš mosso
f
p
na - tures.
Make
us con - stant
f
p
na - tures.
Make
us con - stant
na - tures. Make
us
f
p
f
p
na - tures. Make
mp
mp
mf
ti - al,
ti - al,
mf
-
-
that of the ce - les - ti - al
that of the ce - les
that of the ce - les
ti - al,
like
mf
that of the ce - les
-
mf
ti - al,
11
that of the ce - les
-
that of the ce - les
p cresc.
that of the ce - les
p cresc.
like
that of the ce - les
p cresc.
spi - rit,
spi
p cresc.
us
18
con - stant
con
-
stant
and
and
un -
un -
3
14
and
and
- mov - ab - le
un - mov - ab - le
- mov - ab - le
in
the
17
in
hap - pi - ness.
the
in
the
choice
of
our
of
our
3 3
3 3
Fix
a per - pe - tu - al cause of
Fix
in
the choice
hap - pi - ness.
un - mov - ab - le
a per - pe - tu - al cause of
3
3
19
choice
choice
of
our
of
our
hap - pi - ness.
3 3
a per - pe - tu - al cause of
3 3
Fix
a per - pe - tu - al cause of
joy
joy
hap - pi - ness.
Fix
in
our
in
3
3
our
4 19
joy
in
in
hearts.
our
And fill us
22
with
that hea
with
that hea
-
spring - ing up,
sense
sense
which will
al
-
ways
things,
of things,
20
p cresc.
in de - light - ful
spring - ing up,
p cresc.
sense
ways
up
sense
of
things,
be
of
spring - ing
of things,
v’nly sense
v’nly sense
-
-
hearts.
hearts.
which will be al
hearts.
And fill us
our
joy
of things,
of things,
in de - light - ful
5 24
thoughts,
and com - fort - ab - le
hopes,
p cresc.
in de - light-ful thoughts,
and com - fort - ab - le
26
prai
-
3
3
-
prai
and cheer - ful
prai
3
you,
our
3
f
3
f
3
and thanks - giv - ings to 3
3
3
21
our
3
you,
you,
ses
and thanks - giv - ings to
-
and thanks - giv - ings to
f3
ses
f
-
3
ses
and thanks - giv - ings to
and cheer - ful
prai
and cheer - ful
ses
and com - fort - ab - le hopes,
in de - light-ful thoughts,
hopes,
p cresc.
and cheer - ful
and com - fort - ab - le hopes,
thoughts,
3
3
you,
6 28 ff
God.
O
ff
our
God.
O
O
ff our
31
-
God.
f
O
e - ter
-
f
e - ter
-
f
O
e - ter
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f
O
e - ter
e - ter
-
-
nal
O
e - ter
nal
God,
nal
nal
God,
e - ter
e - ter
nal
nal
22
God,
nal
God,
-
-
-
nal,
-
nal,
-
nal,
nal,
mf
O
nal,
nal,
nal,
e - ter
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mf
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nal
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mf
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e - ter
mf
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e - ter
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God,
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God,
God,
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God,
O
e - ter
nal
God.
-
ff
e - ter
-
nal
7
Tempo I
34
dim.
p
God. dim.
God.
God.
God,
e - ter
-
37
SOLO SOPRANO p
A
-
God,
God,
God,
God,
-
-
-
men.
en - due
us
p
p
O
e - ter - nal
p
O
with
e - ter - nal
mf
a
set - tled, qui - et and com-
en - due
us
with
us
with
a
mf
set - tled, qui - et, and commf
a
set - tled, qui - et, and com-
mf
with
a
set - tled, qui - et, and com-
us
23
e - ter - nal
O
e - ter - nal
en - due
O p
en - due
nal.
-
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p
dim.
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dim.
p
p
8 mf
40
3
tem
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spi
tem
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of
3
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rit,
rit,
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rit,
rit,
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rit,
men.
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a com - posed
tem
mf
p cresc.
A
p cresc.
a com - posed
rit,
a com - posed mf
a com - posed mf
rit,
3
rit,
-
men. mf
3
43
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-
of
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men.
3
tem
-
per
3
-
men.
ti - al,
that of the ce - les
-
ti - al,
that of the ce - les
24
of
of
A
that of the ce - les
per
3
that of the ce - les
of
like
per
-
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tem
like that of the ce - les p cresc.
3
like that of the ce - les p cresc.
of
3
like that of the ce - les p cresc.
per
-
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ti - al,
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that of the ce - les
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ti - al,
ti - al,
ti - al,
ti - al,
9
46
mf
A
-
men.
mf
that of the ce - les
mf
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ti - al
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ti - al
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mf
that of the ce - les
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A
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p
na
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men.
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tures.
tures.
p
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A -
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25
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A mfp
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A mfp
na
p
na p
A mfp
49
p
ff
ff
26
Paweł Łukaszewski AVE MARIS STELLA for double SATB choir unaccompanied
Chester Music 27
Ave maris stella.
Hail, O Star of the ocean. (Prayer to the Blessed Virgin Mary)
Duration: c. 3 minutes
CH87021 www.musicsalesclassical.com
28
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40
Paweł Łukaszewski MISSA BREVIS for SSA choir and organ (or ensemble)
Vocal score
Chester Music 41
Duration: circa 8 minutes
Order No. CH87032 Full Score CH87043 Parts are available on hire from the publisher.
42
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Matthew Martin THE FIFTH SERVICE for SATB choir and organ
NOVELLO
65
Commissioned by Simon Bell and written in memory of Margaret Bowen for the Choir of Dean Close School and Tewkesbury Abbey Schola Cantorum. The first performance was given on 9 November 2017.
TEXT
My soul doth magnify the Lord, and my spirit hath rejoiced in God my Saviour; for he hath regarded the lowliness of his handmaiden. For behold, from henceforth all generations shall call me blessed. For he that is mighty hath magnified me, and holy is his name. And his mercy is on them that fear him throughout all generations. He hath shew’d strength with his arm, he hath scattered the proud in the imagination of their hearts, he hath put down the mighty from their seat, and hath exalted the humble and meek. He hath filled the hungry with good things, and the rich he hath sent empty away. He rememb’ring his mercy hath holpen his servant Israel, as he promis’d to our forefathers, Abraham and his seed forever. Amen.
Duration: c. 5 minutes
Order number: NOV297033 www.musicsalesclassical.com
66
for the Chapel Choir of Dean Close School, Cheltenham in memory of Margaret Bowen
THE FIFTH SERVICE MATTHEW MARTIN
Magnificat pp 1 4 4 5 G
Very calm, always in strict time q = c.88
SOPRANO ALTO
5 5M
My
TENOR BASS
2
5 55 5 5 55
soul doth
0
mag - ni - fy
and
Very calm, always in strict time q = c.88
G BM Organ
BM
p
0
0
1 G 5 55 55 5 55 55 6
and my spi - rit - joiced
B 2 ?
G BBB
0
hath
B
0
God my
5 5 E5 5 5 E5B
re - joiced in
in
God;
5M 4M
B
pp in
55MM
55MM 5M
BB
5MM 5
5M
BB
4M
EEBB mp
!BIB
my spi - rit
BB
hath re -
poco
BBB
555MMM
0
Sa - viour;
5 5 ? '
BB '' !'
Ped. 8'
© Copyright 2017 Novello & Company Ltd.
67
5 5 5 5 5 5 ? 4M 0
B
0
0 ?
God;
God;
0
0
Lord,
4 5 0 pp
4M
0
the
4M
BB
?
0
0
0 BBB '
555 E555
3
1 4M 4 0 0 5 5 5 G 5 5 5 5 !5 5 5 5 4 5 11
mp
p
for
3
he hath re - gard - ed 3
the
low - li - ness
of
5 5 5 5 5 5 5 5 5 5 5 5 4 0 0 0 2 p
0
G
4 ' E BM ' 5 4 ?
5 5M 5 5M
p
1 ' G ' 16
2
'
5 G 5
4M
0
4
5M 5M
Man.
B B
p
dim.
BB
BBMM
dim.
p
BM 4
0
5 5
1 ? G
mf
B
5 EE55 5 5 B 5 E5 5 B mp I LH: soft ! B 0 !! BB Ped. 16' I
0
mp
' ' '
4
For
0
B 5
poco f
0
4 5 ' ' '
mf
? 5
4 5M
be - hold,
0
=
5
mp
from
mf = = 4M = = 5 5 5 5 mf For he that is
For
5
he that is might - y,
5 5 5 5 5 5 5 5 5 5 5 BBM M 55MM BB BBMM EB 5M BM 68
0
3 3 mf 5 5 5 5 5M 5 5 5 5 55 55 = = 5 5 5 5 5 5 5 5 5M 5 5 5 5 5 4M 0 3 3 piercing
' ' '
bless - ed.
f bless - ed.
= 55MM
BB B
RH: reedy/bright
B B
f
3
hence - forth
G
E55 E55
3
3
poco f
molto
BM BBM M
all ge - ne - ra - tions shall call me
2
55 BB
his hand - maid - en.
5 B 5 5 0 0 poco f
E55 EE55
5 35 5 5M 5 5 5 5 5M 5 5 5 5 55 55 55MM
20
5 5
5
molto
4
1 55 55 55 5 G 5 55 55 BB
p
24
might - y
2
B
mag - ni - fied me,
4M
=
G 4
4
0 5M
5
hath
55
5 55 BB 4 4
mer - cy is on them that
1 G 5 5 5 05 5 28
2
BBMM
1 G
0
2
0
33
ly
! BB
5
is
his
5M 55
stacc.
mf cresc.
M 5M E 555 E55M 5 4 !55
E555 555 M M 5M B
0
Man.
0
BBBMMM 0
0
p
0
0
! 55M 5 M G !E5 55E 55M 5
E555 M
69
0 ?
0
0
0
0
0
0
E'
'
mp
E555 555 M M '
0 EE 555
0
M 5M E 555 5M E55 4 55
E555 555 M M 5M B
B
Ped. uncoup.
0
E555 555 M M '
p
BBMM 0 5 5 5M 5 5M 5 B
0
EE 555
0
BB
?
Più mosso (Tempo II) q = c.112 bright, clear
name.
0 4
5 5 0
pp
p through - out all ge - ne - ra - tions.
-
4
(mm)
Più mosso (Tempo II) q = c.112
55 5
5 5 '
mp
poco f
5M 5M
5
B BBM BMMM
4M
?
ho
reed
0
55MM
and
fear him
G
5
4
55 5 5 ? 5 5 mp ! BB 4M E5M B
mf
p
B B
And his mp
!5M
G!5 5!555M
E555 M
5
1 f marc. G E5 5 5 0 5 5 5 5M 4 0 4
He hath shewâ&#x20AC;&#x2122;d strength with his arm,
5 5M E5 5 5 5 55 55 5M 5 5 5 4 4 2
f marc. 55M E 555 = 5M 0 5 G !55 E 55 = =no 16' 4M piĂš f 55 = G E5 5 5M 5M E E 55 E 555 BM E 5M M Man. 37
1 5M G 5M 40
arm,
2
5M
5M G E55 G
E555 555 M M
5 E 55
555M = ?
555 555 M M
G
5 = E55
5 !55MMM
55MM 5M
hearts,
5M ! 55MM
555 =
555MMM M 555
55 55 5 5
55 55 5 5
55 5M
=
= =
0
55 E555 5
hath scat - tered the proud in
5 5 55 55 55 55 5 5 5 5 E 55 55
55 E555M = 4M 5
5 M piĂš f E 5 55 5 5 = = 4M 555
E555
he
5 = = 555 0
piĂš f 555M E 555 = piĂš f
5 = = 5
M M 43
1 5 E55 55 5 55 G 55 5 5 55 = 5 =
M M
- na - tion of their
M M
5 E 55 555 555 555 555 = = 2 M M
5M G 555 E55 = ?
55 55 55 55 55 55 E
he hath shewâ&#x20AC;&#x2122;d strength with his
5 5 5 !5 5 5 0 f marc.
55 55 55 5 5 5
the i - ma
55 55 555 5 5
4 4
-
55 5
gi -
55 5
M = 555 555
5 M 55 555 =
= E55 55 55
5 55 55 5 E55 55 5 = 55 = 5
he hath put down the might - y from their
= 5 5 5 5 5 5 55 5= 5= 0 0
=
=
M E!!555 E E55 4 ! 5 ff
55 E5 4 5 5M 5 ! ! 55M Ped.
70
= =
55 = = EE55 = ? 5M
5 M
5 = = E5 = ? 5 5 M
6
1 G !BB 47
=
55
f
4
0
5 5
seat,
2
and hath
EB
0
5
=
bright, nasal
G = !!55 55 55 ! 55 M M M
poco meno f = E5M 5M 5M 5
55 M 5M
Man.
51
hum - ble
mp (T tacet)
'
B
hum - ble
and
(senza rit.)
G ?
4
555
mf legato
4 55
?
1 G 55 5 5 5 55
0
5 5 5 5
!5M
BB
55MM
5 5
mf
5
5
5 5
? ' '
0
BB
55 BB
mp L.H.
! BM 4 BM
4
Man.
' ' '
5 f
the
555 4
5 5
4
5
5 5 5
hath
fill - ed the
0 4
BB
(sempre a tempo II)
p
4M 55MM
55MM
0
0
things,
B 4 EB mp
and
G ?
4
0
5 E' ' '
hun - gry with good
2
4
He
555 555 555 555
B
= = 55 ? 55 = = 55 ?
5
5
meek. warm
ex - alt - edâ&#x20AC;Ś f
ex - alt - ed
?
0
andâ&#x20AC;Ś
5 5
55 5555 = M
5M !5 = 5 Ped.
4
B
= = 5 5 ? 0
?
0
55 55M !55 55M M M 5M 5M E5M 5M
1 (senza rit.) 0 G 5 5 2
5 5 5
5 5
' E' ' p
E'' '
5 5 the
E 5 5 E5 E5 !B 5 5E 5 5 B
dim.
rich he hath sent
emp - ty
(sempre a tempo II)
' ' '
BB
? Ped.
71
B B
' p
5 4 BB 5 a
0 0
-
0 BM BM BM
4
7
1 G 60
2
4M 4 E 5 5 5 mp
0 p
!BB
?
- way.
G ?
4
E I5
mp
!'' Man.
1 G 64
2
4M
Is - ra - el,
E5 5 5 0
He
0
?
1 5 5 5M G E5 5 5M 68
2 G
B B B
0
55 55MM
BB
55 = =
0 5 E 55
p
EBB
he
-
5
p
3
A - bra - ham and his
55 55 EB B
3
E5
B B
our
pro -mis’d to
fore
-
'' ' ' ?
4
fa - thers,
EBBMM
warm
Ped.
B
BBMM BM
pp
4 E5 5 E5 5 5 5 EE55 55 E5M
er.
Glo
-
ry
be to the
Fa - ther, and
5 5 5 M 4 E5 5 E5 5 5 5 EE55 55 55M
0
4
0
?
EBB
BBMM
0
5 5 = =
Tempo I, but flowing (q = c.88)
BB %
p
5 5 5 5
mp dolce
0
0
BBMM
ev
5MM 5 5M
0
5
= = 5
' '
seed for
mer - cy...
5 5E 55M
B
''
Man.
E5 55M 5 B
55MM
E5
IM EE 55M
hol - pen his ser - vant
E5 5
as
mp
hath
BM
mp
55MM
mer - cy
E5 5 E5
re - mem - b’ring his
0
G BB I
his mp
pp
Tempo I, but flowing (q = c.88)
0 72
BB
55MM
0
0
0
8
1 E5 G E 5 E5 5M 73
to
the
E55 55 5M 5M 2 G ?
E5M p
? Man.
5M E5M
1 G E5 5 5 78
2
was in the
1 pp G EBB 82
world
B B 2
BB (Man.)
and
to
EB B
K5 EB 5 EB
BM
BM
EBM BM
poco
5M 5M
0
EB EB
p
-
ly
I EE55MM 5M E5M
E ' '
EBM
mp
EB
5 5 5
E5 E55
5
BB
BB BB
' ''
0
5M
B
'
BB
55 B B
BM BM BM
mf
0
end.
55 EB E B
5M 5M
A
5M 5M
B
4M
B
5M
senza rit.
' E'
-
B B
men.
B B
' '
I5 4 5
senza rit.
?
? 73
dark
55 BBI
B B
shall
be,
0
p
(nn)
B B
5 5 4 ? %
55
' '
55
' '% '
p
55 BB I
K
5 4 ? 5
B B
poco f
4 55 I
0
5 M 555MM
p
!BBBMM
BB
is
it
5 E5 5 ! 5 4 ?
pp
4
As
Ghost,
with - out
gin - ning,
B B
Ho
5 E5 4 E5 5 E5 5
0
55MM
-
EEBB
the
?
E5 5 E 5
be
pp
EEBB
and ev - er
pp
G EBBB
Son,
K EB E5 E B
now
0
G 55
EEBB
Ped.
9
Nunc dimittis 1 G
Quasi recit., unhurried q = c.76
S.
0
G
A.
0
E5
5 5 E5 5 5 5
E5
5 5 E5 5 E5 5
p
Lord, now let - test thou thy p
ser - vant
Lord, now let - test thou thy T. B.
2
0
0
Quasi recit., unhurried q = c.76
Org.
5 5
ser - vant
0
5 E5
5M
de - part
in
5
5
5M
de - part
in
0
G EE55MM
BB
55MM
BB
55
55MM
55
55MM
E5M 5M
B B
5M 5M
B B
5 5
5M 5M
5 5
5M 5M
p
Man.
1 G B
5M
G EB
5M
5
peace,
peace, p
5 5
5
5 5 E5
G B B
55MM
B B
5M 5M
2 4
5 ac
-
4
4
?
0
?
4
5 E5 5
mp
= 5 E5
For mine
mp
5
5 5 5
For mine eyes have seen thy
5 5
pp
E' E '
0
BB
' '
BB
55MM
B B
' '
B B
5M 5M
cord - ing to
thy
word.
74
sal -
10
1 G E5 9
5 E5 5 5 E5
eyes have seen thy sal
5
0
G EBB B
555MMM
' '
5
- va - tion,
5M 5M
B B
1 f5 G E5 12
face
of
face
2
5
of
5
5
! 5
0
thou hast pre - pared
peo
?
be - fore the
thou hast pre - pared be - fore the
0
' ' ' ' '
Ped. 16'
peo
5 5 5 5
= E5 E5 5 E5 5 5 5
?
' ' E'
5
all
4
mp
E5
f
G E5
which
0
5
all
E5 E5 5 E5
= 5
va - tion,
5M
G E5 2
-
5M
5 -
-
5M
p
0
Â&#x201C;
5M
p
0
Â&#x2019;
ple.
5
ple. mp
E5
5
5
To
be
a
E5 5
light
5 E55 5
to
5 5
5 5
light - en
the
G 5 5
55MM
BB
55MM
BBMM
5 5 E5
5M 5M 5M
B B B
5M 5M 5M
BM BM BM
75
p
11
1 G ? 15
S. A.
and to be the
T. B.
2
Org.
E5 E 5
glo
-
5 B
5M
ry…
glo - ry
0 5 B
0
Is - ra - el.
EB
5 5 E5 E5 0
4
p
0
p dim.
B B
Gen - tiles,
of
thy
peo -
EB 0
ple…
G ' '
' '
'
''
' ' E'
' '
' '
B B
?
E5 E 5 E5
5M
5M 5M
E5M
1 4 G 19
0
0 E 5 5 5 5 E 5M mp
Man.
Tempo I, but flowing (q = 82)
5 E5
pp
4
E5
Glo
2 4
-
5 E5
E5
4
ry
pp
E5 5 5 5 E5 be to the
5 5 E5M
Fa - ther, and
5 5 5 E5 5 5 5 E5
G BBMM
BB
0
1 EB G E B 23
Son,
EB 2 B
G BM EBBMM
(Man.)
B 5 EEB and
to
5 EB 5 EB
0
0
0
5 5
?
pp
? Man.
pp
E BB
EEBB
the
Ho
EB EB
B B
BM ?
55MM
the
5 E5
55M M
55
Tempo I, but flowing (q = 82)
to
p
-
ly
Ghost,
E''
EBM
76
As
5 E5 4 ? 5 ! 5
E5M E 5M E55MM mp
EB
5 E5 4 E5 E5 5 E5 5 5 5 5
pp
4
5M E5M
p
0
it
was in the be-
0
55
55MM
0
12
1 E5 G E 5 28
poco
5M 5M
- gin - ning,
2
is
0
G !BBBMM
1 G BB 32
end.
EB E B
5M 5M
G B
4M
5M
B
shall
pp
EBB
be,
BB
world
with
B B
B B
55 -
out
5 5
0
5M 555MM
BBB B
' ''
EBBB
BM
B
'
B B
BM BM
senza rit.
' E'
5M 5M A
5
K
B B
5M
0
BB
now and ev - er
mf
2
55 5
E5 E55
-
B B
men.
5 5
4
?
5 5
4
? %
(nn)
B B
senza rit.
?
4
I5 5
55
B B IBB
55
poco f
dark
?
pp
(Man.)
B B
' '
0
4
5 I5
p
55 77
' '
B IB
55
'% ' '
Ped.
78
Matthew Martin PSALM 150 for SATB choir and organ
NOVELLO
79
TEXT O praise God in his holiness, praise him in the firmament of his power. Praise him in his noble acts, praise him according to his excellent greatness. Praise him in the sound of the trumpet, praise him upon the lute and harp. Praise him in the cymbals and dances, praise him upon the strings and pipe. Praise him upon the well-tuned cymbals, praise him upon the loud cymbals. Let everything that hath breath praise the Lord. Glory be to the Father, and to the Son, and to the Holy Ghost, as it was in the beginning, is now, and ever shall be, world without end. Amen.
Duration: c. 4 minutes
Order number: NOV297044 www.musicsalesclassical.com
80
PSALM 150 (O praise God in his holiness) MATTHEW MARTIN
SOPRANO ALTO
Bright and extrovert q = 100
TENOR BASS
Bright and extrovert q = 100
Organ
Pedals
4
f Gt. ff Solo Trumpet
f
O praise God
in his
ho - li - ness,
f
f
Tpt.
© Copyright 2018 Novello & Company Ltd.
81
2
7
praise him in
Gt.
the
fir - ma - ment
of
his
Tpt.
pow’r.
Sw. RH not too quiet sim. mp dim. mf f Gt./Solo
10
15
mf legato
mp
Praise
him,
mp
Praise
him
praise
him
82
3
19
in
no - ble
- cord - ing to his
ex
A
(Tpt.)
f
-
3
cel - lent
3
praise
him ac -
cresc.
3
3
Small Tpt.
più f
f
f ff Tpt.
bright
Gt.
great - ness.
3
him,
f
3
3
27
praise
cresc.
3
A
mp
3
mp
23
acts,
3
3
3
his
cresc.
83
4
30
mf
Praise him in the sound of the
*
mf (B. tacet)
trum
-
pet,
Tpt.
sotto
f
praise him up - on the
lute
and
Gt. mf
harp.
ad lib. f
bright mutations/cornet
32
mf
*A light baritone could be used to support Tenor 2.
84
5
35
mf
in the cym - bals and
dan - ces,
praise
him,
RH bright
sub. mp stacc.
mp
Sw.
nn
Praise him
mp
mf pesante
39
molto
mf cresc.
praise
him,
praise
him,
him,
praise
sim.
soft reed
mf
cresc.
più f
85
6
43
praise
46 mf
3
Solo mf
praise
mf cresc.
Praise
him,
praise
pipe.
Sw. mp
3
mp bright
mf
him,
him,
3
f
ff
3
Praise
him,
f
3
up - on the strings and
3
49
3
mf legato
3
praise him
p
him,
Solo Flute/mutations
f
mp
f
86
7 risoluto
53
f marc. (S. tacet)
praise him
up - on
the
well - tuned
cym
-
bals,
f marc.
risoluto
Gt. heavy
brassy
f pesante
ff marc.
56
praise him
stacc.
up - on
the
loud
cym - bals.
ff marc.
stacc.
Gt.
ff
87
8
59
sub. mp Praise
Praise sub. mp
him,
him,
praise him, praise
62
praise
him, praise
praise
him,
him,
him,
praise
him,
mm
sim. mp
(closed lips) mm
Sw.
88
Gt./Solo
sim.
mp
9
S.
67
A.
T.
B.
mf
mm
praise
p
p
3
mf
3
that hath breath,
mp cresc.
ev - ’ry - thing that hath
3
ev -’ry - thing
that
cresc. mp
Let ev -’ry - thing
Let
ev -’ry - thing that hath
3
Let
3
mf cresc.
3
mf cresc.
mp cresc.
p
him.
p
Let
him.
praise
p
Let ev -’ry - thing
71
p
mm
3
3
breath
hath
breath
praise
più f
89
3
the
10
75
3
that hath
3
praise
3
the
Lord,
3
praise
the
Lord,
3
3
3
f
poco tenuto (ad lib.)
ff
3
f
be
f
T. B.
Tpt. 3
Gt. più f legato
78
Lord,
3
S. A.
Lord,
Lord,
breath praise the
breath praise the 3
3
Glo - ry
ff Sw. f
Gt.
90
3
to the 3
be
3
to the
poco tenuto (ad lib.)
11
82
a tempo (q = 100)
Fa -
ther,
Glo - ry be
a tempo (q = 100)
(keep same tempo/not too quick) f legato
f
più f
86
Fa
-
ther,
and
to
3
Son,
3 Tpt. 3
the
Gt.
3
to the
f legato
f pesante
3
and to the
Ho
-
-
3
91
ly
3
12
89
Ghost,
92
3
3
3
92
f
world
3
be - gin - ning,
3 3 3
the
legato
3
as it was in
ff
3
be,
is now, and ev - er
3
shall
3
3
3
3
f
with - out
end.
A
ff
-
13
95
a tempo (ma poco più mosso)
- men.
a tempo (ma poco più mosso)
Gt. più f e stacc.
98
ff
101
Tutti
sf
+32'
93
94
Paul Mealor IF YE LOVE ME for upper voices and organ
NOVELLO 95
Commissioned by St Marylebone Parish Church in memory of Miss Joie Macauley, the 900th Anniversary of the parish and the 200th Anniversary of the present parish church; first performed at the parish church by the Choir of St Marylebone Parish Church on 23rd July 2017.
If ye love me, keep my commandments. And I shall pray the Father, and he shall give you another comforter, that he may abide with you forever; Even the Spirit of the truth. John 14:15-17
Duration: c. 3 minutes
Order Number: NOV296758
96
For The Revd Canon Stephen Evans and the Choir and Congregation of St Marylebone Parish Church
If Ye Love Me John 14:15-17
PAUL MEALOR
Con rubato q = c. 76
UPPER VOICES
Pedals
- mand - ments.
ye
love
me,
keep my com -
mf
pp
Sw strings 8'
pp
7
If
Organ
And I shall
pray
the Fa
mf
-
ther,
pedals 8' only
mf
13
pray
the Fa
-
ther,
and he shall
Sw.
16' + sw/ ped
Copyright © 2017 Novello and Company Limited
97
f
give
you
f add to swell
f
2 19
an - oth - er
25
ff
you
Gt
ff
Pos. + Sw.
mf
p
p
the
mf
Spi - rit
of
the
truth,
pedals 8' only
pp
er;
pp
98
-
Sw strings 8'
for - ev
p
er,
with
-
Even
may a - bide
for - ev
mf
er,
+16' reed ff
31
-
for - ev
he
that
com - fort - er,
3
38
pp
Even
the
of
the
truth.
SOLO
If
ye
Spi - rit
44
love
me.
99
100
Paul Mealor MISSA SANCTA MARIA TOTA BONA for SATB choir unaccompanied
NOVELLO 101
Commissioned by St Marylebone Parish Church in memory of Miss Joie Macauley, the 900th Anniversary of the parish and the 200th Anniversary of the present parish church; first performed at the parish church by the Choir of St Marylebone Parish Church on 23rd July 2017.
Duration: c. 8 minutes
Order Number: NOV296780
102
For The Revd Canon Stephen Evans and the Choir and Congregation of St Marylebone Parish Church
Missa Sancta Maria Tota Bona Mass for St. Marylebone Kyrie Eleison PAUL MEALOR
Misterioso q = c. 72
SOPRANO
pp
Ky - ri
ALTO
pp
Ky - ri
pp
TENOR
-
Ky
pp
BASS
- ri
Ky - ri
-
e_e - le - i - son,
e_e - le - i - son,
-
e_e - le - i - son,
-
e_e - le - i - son,
mf
Piano (for rehearsal only)
Chris - te
e - le - i - son.
mf
mf
Chris - te
Chris - te
mf
Chris - te
Misterioso q = c. 72
rit.
e - le - i - son.
e - le - i - son.
e - le - i - son.
rit.
Copyright © 2017 Novello & Company Limited
103
2
S. 5
a tempo
Ky - ri
A.
-
p
Ky - ri
p Ky - ri
T.
B.
Ky - ri
Pno.
-
Pno.
Chris - te
Chris - te
- le - i - son,
Chris - te
- le - i - son,
Ky - ri
ff
e - le - i - son,
Ky - ri
ff
Chris - te
e - le - i - son,
e - le - i - son,
e - le - i - son,
Ky - ri
Ky - ri
Ky - ri
Ky - ri
e - le - i - son,
Ky - ri
104
e_e -
-
-
-
e_e - le - i - son,
-
e_e - le - i - son,
e_e - le - i - son,
e_e -
e_e - le - i - son,
e_e -
-
-
e_e -
-
-
e - le - i - son,
Chris - te
- le - i - son,
f
ff
e - le - i - son,
Chris - te
Ky - ri
rit.
- le - i - son,
B.
a tempo
10
T.
e_e - le - i - son,
S.
A.
f
ff
Chris - te
e_e - le - i - son,
e - le - i - son,
f
Chris - te
-
e_e - le - i - son,
e_e - le - i - son,
f
-
p
rit.
p
S. 15
Ky
A.
Ky
Ky
T.
B.
Ky
Pno.
-
ri
-
-
ri
-
-
ri
-
ri
e_e
-
le
e_e
-
le
-
le
e_e
-
-
-
le
i
-
-
-
-
-
e_e
i
-
-
BASS
ex - cel - sis
Piano (for rehearsal only)
ex - cel - sis
-
son.
-
ter - ra
pax ho -
-
pax ho -
De
-
De
o,
-
o,
et in
et in
ex - cel - sis
Glo - ri - a in
son.
f
-
Glo - ri - a in
son.
Vivace q = c. 118
ter - ra
f
Gloria
TENOR
-
f
-
-
f
Glo - ri - a in
son. fff
ALTO
-
fff
i
Glo - ri - a in
-
-
Vivace q = c. 118
SOPRANO
fff
i
-
3 fff
105
ex - cel - sis
De
-
o,
et in
De
-
o,
et in
4
S. 4
- mi - ni - bus
bo - nae vo
A.
- mi - ni - bus
ter
T.
B.
ter
Pno.
-
-
bo - nae vo
ra
pax ho
ra
pax ho
-
-
te,
T.
B.
Pno.
be - ne - di - ci - mus
-
ta - tis.
lun
-
nae
mi - ni - bus bo
-
nae
vo - lun - ta - tis.
te,
te,
Lau - da - mus
a - do - ra - mus
a - do - ra - mus
ta - tis.
-
Lau - da - mus
vo - lun - ta - tis.
be - ne - di - ci - mus
A.
-
mi - ni - bus bo
8
te,
lun
S.
-
3
te, glo - ri - fi - ca
mus
3 te, glo - ri - fi - ca
-
mus
3
106
-
S.
5
11
Gra - ti - as a - gi - mus ti - bi
A.
Gra - ti - as a - gi - mus ti - bi
T.
B.
te.
14
tu - am.
T.
B.
glo
Pno.
tu - am.
glo
-
-
-
-
ri - am
ter mag - nam glo
-
-
ter mag - nam glo
prop
-
Do - mi - ne
ter mag - nam
ter mag - nam
-
-
De - us Pa - ter om-
tis,
107
-
-
ri - am
De - us Pa - ter om-
Rex cae - les
Rex cae - les
ri-am tu - am.
-
prop
De - us,
ri-am tu - am.
Do - mi - ne De - us,
Gra - ti - as a - gi - mus ti - bi
-
prop
-
Gra - ti - as a - gi - mus ti - bi
S.
A.
te.
Pno.
prop
tis,
6
19
S.
Molto calmo q = 104
pp
- ni - po - tens.
A.
B. Pno.
-
pp
us
23
Chris - te.
B.
Pno.
Do - mi - ne
pp
Pa - ter om - ni - po - tens.
Do - mi - ne
Fi - li u - ni - ge - ni - te, 3
Fi - li u - ni - ge - ni - te, 3
Fi - li u - ni - ge - ni - te,
Je - su
Je - su
Je - su
Do - mi - ne
3
3
De - us, Ag - nus De
-
i,
3
Do - mi - ne
3
Do - mi - ne
Chris - te.
Pa - ter om - ni - po - tens.
Do - mi - ne
Chris - te. T.
pp
Je - su
3
Chris - te.
A.
Molto calmo q = 104
S.
Fi - li u - ni - ge - ni - te,
Do - mi - ne
De - us
De
Do - mi - ne
- ni - po - tens.
T.
3
De - us, Ag - nus De
-
3
De - us, Ag - nus De
-
3
De - us, Ag - nus De
-
i,
i,
i,
3
Pa - tris,
Fi - li - us
Fi - li - us
p
qui
Pa - tris,
3
qui
Pa - tris,
3
Fi - li - us
p
Pa - tris,
3
3
108
Fi - li - us 3
3
3
p
qui p
qui
S.
7
27
tol - lis pec - ca - ta mun - di,
A.
tol - lis pec - ca - ta mun - di,
T.
tol - lis pec - ca - ta
B.
mun - di,
tol - lis pec - ca - ta mun - di,
Pno.
mi - se - re - re no -
mf
Qui
mf
rit.
-
se
mi
-
se
-
re - re
no
re - re
3
-
-
no
-
-
-
rit.
3
109
-
-
ff
no
f
-
-
3
se - des ad dex - te - ram Pa - tris, mi - se - re - re
ff
ff
-
ff
no
3
- des ad dex - te - ram Pa - tris, mi - se - re - re
B.
Qui
-
f
bis;
mi
Qui
bis;
3
se - des ad dex - te - ram
se - des ad dex - te - ram
se
bis;
3
mf
Pa - tris,
Pno.
mi - se - re - re no -
Pa - tris,
T.
Qui
S.
A.
mi - se - re - re no -
bis;
31
mi - se - re - re no -
mf
bis.
bis.
bis.
bis.
8
Tempo primo (q = c. 118)
36
S.
fff
Quo - ni - am tu
so - lus San
-
-
fff
A.
Quo - ni - am tu
T.
B.
ctus, tu
so - lus San
-
so
-
ctus, tu
so
so - lus San
so - lus San
A.
T.
-
-
tu
Do - mi - nus,
Pno.
-
ctus, tu
ctus, tu
so
-
-
-
lus
-
te. Cum san - cto
-
3
te. Cum san - cto
-
so - lus Al - tis - si - mus, Je - su Chris
tu
so - lus Al - tis - si - mus, Je - su Chris
3
Je - su Chris
lus
Je - su Chris
-
so
3
-
tu
lus Al - tis - si - mus,
B.
lus Al - tis - si - mus,
Do - mi- nus,
3
so
3
40
so
tu
Do - mi - nus,
S.
lus
fff
-
Tempo primo (q = c. 118)
Pno.
Do - mi - nus,
fff
Quo - ni - am tu
lus
Quo - ni - am tu
-
3
110
-
te. Cum san - cto
te. Cum san - cto
S. 44
spi - ri - tu,
A.
B.
spi - ri - tu,
spi - ri - tu,
Pno.
A
- su,
A.
in
glo - ri - a De - i
Je - su, in
T.
glo - ri - a De - i
Je - su,
B.
Pa - tris.
Pa - tris.
in
Je - su,
Pno.
in
A
Je - su,
spi - ri - tu,
Je - su,
Je - su,
-
-
-
men, in
men, in
glo - ri - a De - i
Pa - tris.
glo - ri - a De - i
111
Je -
Je - su,
-
Je - su,
spi - ri - tu,
su,
spi - ri - tu,
-
Je - su Chris - te, cum san - cto
Je
Je - su Chris - te, cum san - cto
S. 50
spi - ri - tu,
Je - su Chris - te, cum san - cto
Je - su Chris - te, cum san - cto
spi - ri - tu,
T.
9
Pa - tris.
Je - su,
Je - su,
glo - ri - a De - i
Pa - tris.
glo - ri - a De - i
A
-
A
-
-
-
Pa - tris.
men, in
men, in
10
S. 54
A A.
A T.
-
-
men,
-
-
men,
glo - ri - a De - i
Pa - tris.
B. glo - ri - a De - i
Pno.
Pa - tris.
A
A
A
-
-
men,
A
men,
-
-
A - men,
A - men,
A - men,
A - men,
men,
A - men,
men,
A - men.
A - men.
A - men,
A - men,
A - men.
A - men,
A - men.
Sanctus and Benedictus
Adagio espressivo q = c. 62
SOPRANO
pp
ALTO
San - ctus,
San- ctus, pp
TENOR
pp
BASS
poco rit.
San - ctus,
San
San
San
-
-
-
Adagio espressivo q = c. 62
Piano (for rehearsal only)
a tempo
ctus,
ctus,
San - ctus,
San - ctus,
poco rit.
a tempo
ctus,
San - ctus,
112
pp
San -
poco rit.
San
San
San
-
ctus,
-
ctus,
-
ctus,
poco rit.
S. 5
A.
11
a tempo
-
ctus,
San
B.
San - ctus,
Pno.
San
-
-
-
a tempo
ctus,
San
ctus,
mf mf
Do - mi - nus mf
B.
Do - mi - nus
-
ctus,
-
-
poco rit.
a tempo
us
us
us
-
us
Sa
-
-
ctus,
-
San
-
San
San - ctus,
San
San - ctus,
ctus,
De
De
ctus,
De
-
San - ctus,
De
poco rit.
9
Do - mi - nus
Pno.
-
Do - mi - nus
T.
-
a tempo
mf S.
A.
San
San
San- ctus,
San - ctus,
T.
poco rit.
San
ctus,
-
ctus,
-
ctus,
poco rit.
poco rit.
ba - oth.
pp
Ple pp
Sa
-
ba - oth.
Sa
Sa
-
-
ba - oth.
ba - oth.
San - ctus, San
pp
-
ctus,
San - ctus, San - ctus,
pp
San - ctus, San - ctus, poco rit.
113
12
S. 15
A.
a tempo
poco rit.
-
ni - sunt
San
San- ctus,
San
B.
San - ctus,
Pno.
San
f S. f
ter
-
glo - ri f
- a
glo - ri - a
a tempo
-
San - ctus,
poco rit.
a tempo
San
San - ctus,
tu - a,
tu - a,
glo - ri - a
tu - a,
tu - a,
glo - ri - a
San
glo - ri - a
glo - ri - a
114
-
San - ctus,
-
San
ctus,
tu - a.
tu - a.
tu - a.
poco rit.
-
-
ra
ctus,
-
ctus,
-
ctus,
poco rit.
ff
Ho - san
-
-
na
in ex -
na
ff
Ho - san
in ex -
Ho - san
a tempo
ff
ff
Ho - san
tu - a.
poco rit.
poco rit.
f
Pno.
et
ctus,
glo - ri - a
B.
-
ctus,
glo - ri - a
T.
-
a tempo
19
A.
a tempo
coe - li
San - ctus,
T.
a tempo
-
na
-
na
in ex -
a tempo
S.
13
24
- cel
A.
- cel
T.
B.
Pno.
-
-
sis,
Ho
sis,
-
Ho
san
-
san
in ex cel
- cel
-
sis,
Ho
-
na
in
na
sis, Ho - san
in
san
-
-
ex - cel
-
-
na
-
in
ex
sis, Ho -
-
27
- san
A.
- san
-
-
na,
Ho
na,
Ho
poco rit.
in
ex - cel
-
-
- sis, Ho - sa - na B.
T.
- san
Pno.
-
na,
Ho
-
san
san
-
-
na
in
-
-
na
in
ex - cel
ex
na
in
ex - cel
san
-
-
115
cel
-
-
-
sis.
-
-
sis.
in
poco rit.
-
-
sis, Ho -
ex - cel
cel
S.
sis, Ho -
-
na
ex - cel
-
-
-
-
-
-
sis,
sis.
14
a tempo SOLO
p T. Ben - e 31
Pno.
a tempo
-
di
- ctus
qui
ven
-
it
in
-
no - mi - ne
Do - mi -
S. 34
A.
Pno.
-
na
in ex - cel -
sis,
Ho
na
Ho - san
-
in ex - cel -
ff
ff
TUTTI
Ho - san
-
ff
Ho - san
Ho - san
- ni.
T.
B.
ff
-
na
Ho
-
-
in
ex
sis,
Ho
na
in ex - cel -
116
sis,
-
cel
-
-
san
san
-
-
na
in ex -
na
in ex -
sis, Ho - san
san
-
-
na
na
in ex -
S. 38
- cel
A.
- cel
T.
B.
-
sis, Ho - san -
na,
-
sis, Ho - san -
- cel
in ex - cel
Pno.
15
-
Ho - san - na
in ex - cel
-
-
sis.
in ex - cel
-
-
sis.
Ho - san - na
in
ex - cel
Ho - san - na
in ex - cel
na,
rit.
sis, Ho - san - na
sis, Ho - san -
na,
-
rit.
-
-
-
-
sis.
-
sis.
Agnus Dei
Espressivo q = c. 42 pp
SOPRANO
ALTO
Ag
-
-
-
TENOR
BASS
-
ppp
Ag
nus
De
-
i, qui
tol
-
-
lis pec - ca - ta mun - di,
ppp
Ag
poco rit.
-
ppp
Ag
-
nus
De
nus
De
nus
De
-
-
-
i,
Ag
i,
Ag
i,
Ag
-
-
nus
De
nus
De
nus
De
Espressivo q = c. 42
Piano (for rehearsal only)
-
-
-
i,
117
i,
i,
poco rit.
16
S.
poco rit.
a tempo
4
mi
A.
-
se
Ag - nus
T.
T.
B.
Ag Ag
- nus
- nus
Ag - nus
Pno.
-
re
De
-
-
De
De
De
re
i,
-
-
-
i,
i,
i,
no
-
-
Ag - nus
Ag - nus
Ag - nus
Ag - nus
De
-
De
De
De
-
-
-
118
Ag - nus
Ag
mf
mf
-
nus
Ag - nus
Ag - nus
i,
De
-
i,
mf
i,
i,
mf
i,
Ah
bis.
poco rit.
a tempo
mf
a tempo
De
De
-
-
De
i qui
i,
-
i,
a tempo
17
7
S.
Ah
A.
Ag - nus
a tempo
poco rit.
poco rit.
Ah
De
-
i,
Ag - nus
Ah
De -
i,
Ag - nus
De -
i,
T.
tol - lis pec- ca - ta- mun- di mi - se - re - re no bis.
T.
Ag
B.
- nus
Ag - nus
Pno.
De
De
-
-
i,
i,
Ag - nus
Ag - nus
poco rit.
De -
De -
i,
i,
a tempo
119
Ag - nus
Ag - nus
De -
De -
i,
i,
poco rit.
18
a tempo
10
S.
ff
Ag
-
nus
ff
T.
B.
Ag
De
-
- nus
ff
De
-
tol
-
i,
De
i,
-
i,
p S.
A.
B.
-
cem.
Ag - nus De - i,
p -
cem.
Ag - nus
p
De - i, rit.
Ag - nus
De - i,
p Ag - nus De - i, Ag - nus De
Ag - nus
Pno.
Ag - nus De
Ag - nus De
De - i,
Ag - nus De
Ag - nus De
- i,
* Second soprani may join the alti here if necessary
120
do
-
-
na
na
no
no
Ag - nus
De
-
-
-
De
-
i,
i.
i.
i.
pp
i.
pp
-
i,
pp
-
SOLO
-
bis
pp Ag - nus De -
-
bis
a tempo
rit.
pa
T.
13
pa
do
Ag - nus
poco rit.
De
-
Ag - nus
lis pec - ca - ta mun - di,
De
-
Ag - nus
a tempo
Pno.
i, qui
i,
Ag - nus
a tempo
Ah
ff *
A.
poco rit.
i.
Paul Mealor THE SELWYN SERVICE (MAGNIFICAT & NUNC DIMITTIS) for SATB choir and organ
NOVELLO 121
MAGNIFICAT My soul doth magnify the Lord, and my spirit hath rejoiced in God my Saviour. For he hath regarded the lowliness of his handmaiden. For behold, from henceforth all generations shall call me blessed. For he that is mighty hath magnified me, and holy is his Name. And his mercy is on them that fear him throughout all generations. He hath shewed strength with his arm, he hath scattered the proud in the imagination of their hearts. He hath put down the mighty from their seat, and hath exalted the humble and meek. He hath filled the hungry with good things, and the rich he hath sent empty away. He remembering his mercy hath holpen his servant Israel, as he promised to our forefathers, Abraham and his seed, for ever. Glory be to the Father, and to the Son, and to the Holy Ghost; As it was in the beginning, is now, and ever shall be: world without end. Amen.
NUNC DIMITTIS Lord, now lettest thou thy servant depart in peace, according to thy word. For mine eyes have seen thy salvation, Which thou hast prepared before the face of all people; To be a light to lighten the Gentiles; and to be the Glory of thy people Israel. Glory be toâ&#x20AC;Ś Book of Common Prayer
Duration: c. 7 minutes
Order number: NOV296736 www.musicsalesclassical.com
122
for Sarah MacDonald and the Chapel Choir of Selwyn College, Cambridge
THE SELWYN SERVICE PAUL MEALOR
I – Magnificat
Allegro misterioso q = c. 120
SOPRANO
ALTO
TENOR
BASS
pp
My
soul
doth
mag - ni - fy the
Allegro misterioso q = c. 120 Pos. 8' Bourdon, Sw. to Pos.
Organ
Pedals
ppp molto legato Sw. Strings 8'
16', Sw. to Ped. ppp
5 A.
Lord,
Org.
Ped.
And my spir - it
hath re - joiced in God
© 2017 Novello & Company Limited
123
my
2
9 S.
A.
Ped.
For he hath
sav - iour.
Org.
pp
Org.
Ped.
-
ed
the
low - li - ness
A.
13 S.
re - gard
of his hand - maid - en:
For be -
For be -
124
3 17 S.
mf
- hold, from hence - forth all gen - er
A.
mf
-
Org.
Ped.
-
a - tions shall call,
- hold, from hence - forth all gen - er
a - tions shall call,
call
call
mf
mf
rall.
21 S.
me
A.
me
Org.
Ped.
bless
bless
-
-
-
-
-
ed.
ed.
p
-
Gt. 8' 4'
125
4
A
a tempo
25 S.
A.
mf
For
He
that is migh - ty
mf
For
He
Ped.
Sw. 8' 4'
mf
30 S.
A.
-
-
ni - fied
ni - fied
me,
and
Ho
me,
and
Ho
mag
hath
mag
-
-
-
-
Gt. 8', Gt. to Sw.
mf
hath
that is migh - ty
Org.
-
ly
-
is
ly
his
is
his
Org.
Ped.
126
5
35 S.
B
f
name.
A.
T.
B.
And his mer
Org.
Ped.
add to Swell
Gt.
that
Ped.
fear
them that
on
them that
cy
is
on
-
cy
And his mer
-
And his mer
f
cy
f
through - out
all
all
through - out
him
through - out
Gt. 8', Gt. to Sw.
full Sw.
him
fear
on
fear
is
him
is
Org.
that
on
-
cy
f
through - out
is
B.
him
them
T.
fear
-
f
them
A.
39 S.
And his mer
-
name.
-
f
add to Pedal
127
3
3
3
3
3
6 43 S.
A.
T.
B.
Org.
Ped.
ge
ge
Ped.
-
-
-
-
-
-
ne
-
-
ne
-
-
-
-
ge
-
ge
ne
-
-
-
-
ne
-
-
-
-
-
-
-
-
-
-
tions.
tions.
tions.
- ra tions. 5
Org.
-
-
- ra
B.
all
- ra
T.
-
all
- ra
A.
-
45 S.
5
5
128
7
47 T.
B.
Org.
Ped.
C
Poco meno mosso
ff
He hath showed
ff
ff
strength
with
his arm,
strength
with
his arm,
He hath showed
Gt .
ff
5
49 T.
He hath scat - tered the proud in the im - a - gi - na - tion of their hearts.
B.
He hath scat - tered the proud in the im - a - gi - na - tion of their hearts.
Org.
Ped.
129
8 52 S.
A.
He hath put down the might - y ff
Ped.
He hath put down the might - y
Org.
ff
3
3
and hath ex -alt
Ped.
-
and hath ex -alt
their seat,
3
Org.
from
and hath ex -alt
B.
3
T.
their seat,
and hath ex -alt
A.
from
54 S.
-
-
ed the
-
ed the
ed the
hum
-
hum -
hum
-
ble and meek,
ble and meek,
ble and meek,
ed the
hum -
ble and meek,
130
56 S.
A.
T.
B.
and
and
hath
hath
9
ex - alt
-
ex - alt
-
-
-
and
hath
-
-
-
-
ed
-
-
ed
-
-
ex - alt
-
-
-
-
-
Org.
Ped.
-
hu
-
- ed,
B.
ex - alt
-
-
-
-
-
the
T.
Sw.
the
A.
hath
58
S.
and
hu
ex
- ed,
ex
-
-
-
-
-
alt
-
-
ble,
the
hu
-
-
-
ble,
the
hu
-
-
-
alt
-
-
-
ed.
ed.
Org.
Ped.
131
10
ble,
the
hu
ble,
the
hu
60 S.
A.
T.
-
-
-
-
Org.
Ped.
A.
T.
ex
B.
-
-
-
-
-
-
-
-
-
-
ex -alt ed! ex -alt ed! ex -alt ed! ex -alt ed!
ex
ex -alt ed!
62 S.
-
ex -alt ed!
B.
-
-
-
-
-
-
-
-
ble
-
-
-
-
-
-
-
alt -
-
ed!
alt -
ed!
-
-
-
ble
-
ex
-
ex
-
-
alt -
ed!
alt -
ed!
Org.
Ped.
132
11 fff
64 S.
and
A.
meek. fff
and
meek.
* Dec. T. / B.
T.
e
* Can. T. / B.
B.
e
e
e
e
e
e
e
e
meek.
e
e
Org.
Ped.
* Here, Dec. and Can. Tenors and Basses perform a hocket across the chapel on ‘e’ as in ‘exalted’
66 S.
A.
rall.
** The Darling Solo
T.
meek,
B.
hum
-
-
-
-
-
-
** The Darling Solo is to be performed only by Mark Darling. If Mark Darling is not available, the organ should play the tenor solo line.
133
ble
and
pp
meek.
12
70 S.
A.
D
Tempo I
pp
hun - gry
He hath filled Pos. 8' Bourdon Sw. to Pos.
the
pp
He hath filled
the
with good
hun - gry
with good
ppp
Org.
Ped.
Sw. Strings 8'
16' Sw. to Ped.
ppp
74 S.
things, A.
things,
Org.
Ped.
and the rich
he
and the rich
he
hath sent emp
hath sent emp
134
-
-
ty
ty
a -
a -
13
78 S.
A.
T.
Org.
Ped.
T.
Org.
Ped.
mer - cy
hath
his
He re-mem - ber - ing
mer - cy
hath
hol - pen his ser - vant
B.
pp
his
hol - pen his ser - vant A.
He re-mem - ber - ing
- way.
83 S.
- way.
Is - ra
-
el,
As he prom- ised to
As he prom- ised to
Is - ra
-
el,
As he prom- ised to
pp
As he prom- ised to
135
mf
mf
14
87 S.
mf our fore - fa
-
thers,
mf
A.
our fore - fa T.
-
thers,
mf our fore - fa
-
thers,
mf
B.
our fore - fa
-
thers,
A - bra - ham
A - bra - ham
A - bra - ham
A - bra - ham
and his
and his
and his
and his
Spacious
S.
ev
A.
T.
ev
ev
B.
seed,
seed,
-
-
-
-
-
-
-
-
-
er.
er.
for
for
for
Glo
for
-
ry
ff
Glo
-
ry
er.
Spacious ev
Org.
seed,
ff
91
seed,
{
Pos.
-
-
-
er.
ff
136
15
S.
A.
T.
B.
E
94
Ped.
be
to
be
to
Org.
T.
B.
the
Fa
-
-
-
-
the
Fa
-
-
-
-
fff
-
Glo
fff
Glo
-
ry
be.
ry
be.
97
A.
Sw. + Pos. Mixtures
ff
S.
-
-
ther,
and
to
ther,
and
to
the
the
Glo
-
ry
Glo
-
ry
Org.
Ped.
137
16
100 S.
Son,
A.
be.
Son,
T.
B.
and
to
the
Ho
and
to
the
Ho
-
-
-
-
-
-
-
-
be.
Org.
Ped.
103
S.
A.
T.
B.
-
-
ly
ly
ghost;
As
it
As
it
ghost;
Ho
-
-
-
-
-
-
ly
Ho
-
-
-
-
-
-
ly
Org.
Ped.
138
17
106 S.
was
A.
in
was
T.
in
ghost.
B.
ghost.
Org.
Ped.
A.
T.
B.
the
be
-
gin
-
-
-
-
-
the
be
-
gin
-
-
-
the
be
-
gin
-
-
-
-
the
be
-
gin
-
-
-
-
109
S.
-
-
and
ev
ning,
is
ning,
is
now,
and
ev
-
er
now,
-
er
-
ning,
is
now,
and
ev
-
er
-
ning,
is
now,
and
ev
-
er
Org.
Ped.
139
18
112 S.
Ped.
A.
T.
B.
Org.
Ped.
world
-
with
be:
world
with
-
be:
world
with
-
-
-
out
out
Gt.
end,
end,
-
out
end,
-
out
115 S.
be:
shall
Org.
-
with
shall
B.
world
be:
shall
T.
shall
A.
end,
140
19
118 S.
rall.
world
A.
T.
B.
Org.
Ped.
with
-
world
with
-
world
with
-
A.
T.
B.
Org.
Ped.
-
end.
-
out
with
out
end.
-
out
end.
-
out
end.
121 S.
-
world
F
a tempo
A
A
-
-
-
-
-
A
-
-
-
-
-
men,
A
-
-
-
-
-
men,
-
-
-
-
-
men,
men,
add Gt. Mixture
full Sw.
141
20
125 S.
A.
T.
B.
Org.
Ped.
A
-
-
-
A
-
-
-
A
-
-
-
129 S.
A.
A
B.
Org.
Ped.
A
A
-
-
-
-
-
men.
men.
-
-
-
-
-
-
-
men,
-
-
-
men,
-
-
-
men,
men.
men.
Solo Trumpet
-
-
men,
lunga
lunga
lunga
142
-
-
-
A
A
T.
rall.
lunga
lunga
21
II – Nunc Dimittis Adagio espressivo h = c. 68
SOLO
Organ
pppp
Sw. Strings 8'
Pedals
8' only
pppp
5 B.
SOLO pp
Lord,
Org.
Ped.
Ped.
serv
part,
Org.
let -test Thou Thy
9 B.
now
de -
-
-
in
peace,
143
de -
ant
part
-
Ac - cord
-
ing
22
14 T.
B.
Ped.
- va
Org.
Ped.
thy
word.
eyes
have
have
TUTTI
mf
seen thy
seen thy
-
-
tion, which Thou hast
f
tion, which Thou hast
pre -
pre -
rall.
par - ed
be - fore the face
par - ed
be - fore the face
f
144
sal -
f
mf
sal -
16' + Sw. to Ped.
f
add to Swell
Sw.
mf
Have
seen,
- va
B.
19 T.
For my
to
Org.
G
mf
of
all
of
all
23
H 23 S.
A.
f
To be a f
Ped.
S.
A.
T.
B.
Org.
Ped.
to
to
light
light
light - en
the
gen
-
-
light - en
the
gen
light - en
the
gen
-
-
-
-
-
-
light - en
-
-
the
gen
ff
Pos. + Sw. +16' Reed
ff
and to be the glo
-
ry
of Thy
peo
-
-
ple
- tiles;
and to be the glo
-
ry
of Thy
peo
-
-
ple
-
- tiles;
-
to
to
ff
light
Gt. bell-like
27
light
ff
peo - ple; to be a
Org.
peo - ple; to be a
B.
ff
ff
To be a
T.
a tempo
- tiles;
and to be the glo
-
ry
of Thy
peo
-
- tiles;
and to be the glo
-
ry
of Thy
peo
-
add Gt. Mixtures
-
ple
-
ple
145
24
S.
Is
A.
Is
T.
Is
B.
Org.
Ped.
I
be
T.
B.
-
-
-
el.
-
-
-
-
ra
-
-
fff
el.
-
Glo - ry
ra
Glo - ry
-
fff
ra
Agitato molto espressivo
be
A.
-
el.
Is ra el. 32
S.
rall.
30
to
the
Fa
to
the
fff
Glo - ry
fff
Fa
-
-
-
-
ther,
-
-
-
-
ther,
be,
Org.
Ped.
fff
Glo - ry
be,
fff
146
25 34 S.
and
A.
and
T.
B.
to
the
to
the
and
to
the
and
Son,
Son,
to
the
glo - ry
be,
glo - ry
be,
Org.
Ped.
Ho
A.
T.
B.
Ho
36 S.
-
-
-
-
-
-
-
-
ly
Ghost;
ly
Ghost;
As
it
As
it
Ho
-
-
-
-
ly
Ho
-
-
-
-
ly
Org.
Ped.
147
26
38 S.
was
A.
was
T.
B.
in
the
be
-
-
-
-
Ghost.
The
be
-
gin
-
-
-
-
Ghost.
The
be
-
gin
-
-
-
-
ning,
gin
-
be
-
gin
the
in
-
-
-
-
ning,
ning,
ning,
Org.
Ped.
40
S.
is
A.
is
T.
B.
Org.
Ped.
now,
and
ev
now,
and
ev
-
-
er
shall
be:
er
shall
be:
is
now,
and
ev
-
er
shall
be:
is
now,
and
ev
-
er
shall
be:
148
27
42 S.
A.
T.
B.
Org.
Ped.
A.
T.
B.
Org.
Ped.
world
with
-
out
world
with
-
out
end,
world
with
world
with
end,
-
out
end,
-
out
end,
world
with
-
out
end.
world
with
-
out
end.
world
with
world
with
rall.
44 S.
-
out
end.
-
out
end.
149
28
S.
A.
T.
B.
Org.
Ped.
J
a tempo
46
A
-
-
men,
A
-
-
-
-
men,
A
-
-
-
-
men,
A
-
-
-
-
men,
A
A
A
A
A
A
A
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
lunga
men.
men.
men.
men.
150
Solo Trumpet
Ped.
-
- men,
Org.
rall.
- men,
B.
-
- men,
T.
-
- men,
A.
A
49 S.
lunga
lunga
lunga
lunga
Nico Muhly LORD, KEEP US MODEST WHEN WE CLAIM for SATB choir and organ
Chester Music 151
Commissioned by the Eastman School of Music through its George W. Utech Congregational Hymnody Fund. First performed on 26 October 2016 as part of the Eastman Rochester Organ Initiative (EROI) Festival.
Duration: c. 3 minutes
Text 1. Lord, keep us modest when we claim to know your heart's desires lest we invoke you to inflame belief's destructive fires. Let it suffice that we should find the star-stitched quilt of night a marvel that provokes our mind to seek yet deeper light. 2. From wonder let more wonder flow at how the atom spins, how cells are formed, evolve and grow, how life itself begins, how mass and energy give rise to yearnings in our hearts that reach beyond the farthest skies for where existence starts. 3. Then let our yearning hearts become an open door to prayer, a way to hear your Spirit hum through words and acts of care, a way to stretch our self-concern beyond our routine course, a way to live that helps us learn you are life's end and source. 4. And let these simple prayerful ways dispel the violence bred when faith is turned from thanks and praise to hatred, fear and dread. Yet even more may prayer make clear faith's universal claim: you hold the whole creation dear, and love is your true name.
Thomas H. Troeger
152
LORD, KEEP US MODEST WHEN WE CLAIM Thomas H. Troeger
Nico Muhly
4 4 1. Lord, 3. Then
keep us let our
mod est when we yearn ing hearts be
claim come
to an
know your heart's de o pen door to
sires prayer,
lest a
4 4 6
we way
in to
voke you hear your
to Spi
in rit
flame be lief 's des truct hum through words and acts
ive of
fires. care,
Let a
night course,
a a
10
it way
suf fice that to stretch our
mar way
vel that to live
we should find self â&#x20AC;&#x201C; con cern
the be
star stitched quilt of yond our rou tine
14
pro that
vokes helps
our us
mind learn
to you
Š 2016 St Rose Music Publishing Co. and Chester Music Limited.
153
seek are
yet deep life's end
er and
light. source.
2 18
UNIS
2. From won der
let more won der
flow
at
how the a tom spins, how
cells are formed, e
pp
24
volve and grow, how life
it
self be
gins,
how
mass
and e
ner
gy give rise
29
yearn ings in our hearts
that
reach be yond the
154
farth est skies for where ex is tence starts.
to
3 35
DESCANT
4. And let these
4. And
let these
sim
ple prayer ful
sim ple
prayer ful
ways
ways
dis
pel
the vio lence
dis
pel the
bred
vio lence bred
when
when
40
faith
is
turned
from thanks and praise to
faith
is
turned from thanks and
praise
155
ha tred
to
and
ha tred, fear and
dread.
dread.
Yet
4 44
Yet
e
e
ven
prayer
make
ven more may prayer make clear faith's
clear
u ni
49 3
is
your
true
and
love
ver sal
claim:
6 4
name.
6 4
a tion dear, and love is your true name.
6 4 6 4 6 4 156
and
you hold the whole cre
A
A
love
men.
men.
Nico Muhly MARROW for SATB choir unaccompanied
Chester Music 157
Commissioned by the Netherlands Chamber Choir for the project 150 Psalms to be premiered by the Tallis Scholars during Utrecht Early Music Festival, September 1st, 2017.
Text O GOD, thou art my God: early will I seek thee. My soul thirsteth for thee, my flesh also longeth after thee: in a barren and dry land where no water is. Thus have I looked for thee in holiness: that I might behold thy power and glory. My soul shall be satisfied, even as it were with marrow and fatness: when my mouth praiseth thee with joyful lips. Have I not remembered thee in my bed: and thought upon thee when I was waking? Because thou hast been my helper: therefore under the shadow of thy wings will I rejoice. Psalm 63 vv.1â&#x20AC;&#x201C;3, 6â&#x20AC;&#x201C;8 Book of Common Prayer (1662)
Duration: c. 3 minutes
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170
Tarik Oâ&#x20AC;&#x2122;Regan ALLELUIA, LAUS ET GLORIA for SATB choir unaccompanied
NOVELLO 171
Commissioned by the British Broadcasting Corporation for the Pro Musica Girls' Choir of Hungary, winner of the 2003 Let the Peoples Sing competition. SATB version arranged for Robert Istad and the California State University, Fullertonâ&#x20AC;&#x2122;s University Singers. Duration: 2 minutes
Text:
Alleluia, laus et gloria et virtus Deo nostro, Quia vera et justa sunt judicia ejus. Alleluia. Alleluia, praise and glory, and honour, unto the Lord our God, For true and righteous are his judgments. Alleluia. Revelation 19: 1â&#x20AC;&#x201C;2
172
Commissioned by the British Broadcasting Corporation for the Pro Musica Girls' Choir of Hungary, winner of the 2003 Let the Peoples Sing competition
ALLELUIA, LAUS ET GLORIA Fanfare for SATB Choir TARIK O’REGAN
Maestoso q = 56
f
laus et
Al - le - lu - ia,
Presto h. = 66 (q = 198) mp
glo - ri - a,
SOPRANO f
Al - le - lu
ALTO
-
f
Al - le - lu - ia,
f
TENOR
-
Al - le - lu
f
BASS
-
laus et
-
Al - le - lu - ia,
Piano (for rehearsal only)
ia,
glo - ri - a,
al - le - lu - ia,
-
ia,
glo - ri - a,
© Copyright 2015 Novello & Company Limited
173
p always dry
-
mp
laus et
Maestoso q = 56
-
-
glo - ri - a,
mp
mp
Presto h. = 66 (q = 198)
2
6
S.
A.
al - le - lu - ia, glo - ri - a,
al - le - lu - ia, glo - ri - a,
T.
p sempre
al - le - lu - ia, glo - ri - a,
p always dry
glo - ri - a, B.
Pno.
12 A.
al - le - lu -
T.
Pno.
ia, glo - ri - a,
le - lu
-
al -
le - lu -
al -
le - lu
174
ia, glo
-
al - le - lu -
al -
ia,
le - lu -
ia, glo - ri - a,
- ri - a,
ia, glo - ri - a,
al -
3
17 A.
glo -
T.
ri - a,
al - le - lu -
Pno.
22 S.
A.
al
Pno.
-
-
le - lu - ia,
le - lu
-
al - le - lu -
laus
et
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ia, glo - ri - a,
-
glo
al - le
-
175
lu -
-
-
ia,
-
-
glo - ri - a,
al - le - lu
ia, glo - ri - a,
ri
al - le - lu - ia,
a,
ri - a,
mp
p sempre
-
ia, glo -
al - le - lu
p
glo - ri - a,
ia, glo - ri - a,
p sempre
-
ia, glo - ri - a,
al - le - lu
al
T.
- ia, glo - ri - a,
-
ia, glo - ri - a,
4
27 S.
-a
A.
al - le - lu -
T.
Pno.
S.
A.
-
mp
Pno.
Qui - a
ve
al - le - lu -
al - le - lu
ia, glo
-
-
nos - tro,
-
-
176
ra
ri - a,
et
ia,
al - le - lu -
ia, glo - ri - a,
al - le - lu
al - le - lu -
-
al - le - lu -
ia, glo - ri - a,
o
ia, glo - ri - a,
-
ia, glo - ri - a,
al - le - lu
De
tus
al - le - lu -
- ia, glo - ri - a,
-
vir
ia, glo - ri - a,
glo - ri - a,
T.
et
32
ia, glo - ri - a,
al - le - lu
-
ia, glo - ri - a,
5 37 S.
A.
jus
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mf
ta
sunt
ju
al - le - lu - ia, glo - ri -
T.
al - le - lu
B.
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42 S.
A.
-
-a
e
glo - ri - a,
T.
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B.
Pno.
- ri
-
al
a,
-
al - le - lu
-
-
-
al
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-
le - lu - ia, glo
le - lu
al
-
-
-
a,
-
-
-
ri - a,
al
ia, glo - ri - a,
le
177
-
-
a,
al - le - lu -
pp
Glo
-
mp
-
al
lu
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mp
le - lu - ia, glo
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jus.
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al - le - lu - ia,
-
ia, glo - ri -
-
ci
-
a,
di
al - le - lu - ia, glo - ri -
a,
p
-
-
ia, glo - ri -
-
a,
p
le - lu
-
ri - a,
mp
-
ia, glo - ri - a,
mp
-
-
ia, glo - ri - a,
6 47 S.
A.
glo - ri - a,
T.
al - le - lu - ia,
Pno.
A.
ri - a,
f
laus et
Pno.
ri
-
a,
-
ia, glo - ri
-
a,
178
al - le - lu -
a,
ia,
al - le - lu -
- ia,
ia, glo -
-
ri - a,
ia, glo - ri - a,
al - le - lu
a,
-
al - le - lu -
-
a,
a,
-
-
ia, glo - ri
glo - ri
le - lu
glo - ri
-
ia,
-
-
al - le - lu
-
laus et
al
-
ia, glo -
le - lu
al - le - lu
al - le - lu - ia, glo - ri
- ia, glo - ri - a,
B.
mf
al - le - lu - ia,
al - le - lu -
al - le - lu - ia,
glo -
T.
52 S.
-
mf
glo - ri - a,
al - le - lu - ia,
B.
Al
f
7
Qui - a
ve
57 S.
A.
al - le - lu -
T.
-
Qui - a
Pno.
62 S.
A.
sunt
ju - di -
glo - ri -
T.
sunt
Pno.
a,
ia, glo - ri -
ve
-
ra
ci - a
a,
e -
jus.
al - le - lu -
a,
et
jus - ta
ju - di - ci - a
e -
jus.
179
le - lu
-
ia,
Al
-
al - le - lu
al - le - lu - ia, glo - ri - a,
ia, glo - ri - a,
al - le - lu -
ia,
Al
-
al - le - lu -
ia, glo - ri - a,
al - le - lu
jus - ta
-
al - le - lu - ia, glo - ri - a,
a,
et
ia, glo - ri - a,
al - le - lu
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B.
ra
-
ia, glo - ri -
al - le - lu
B.
-
-
ia, glo - ri - a,
le - lu
-
ia,
8
67 S.
A.
glo
-
ri - a
et
vir
T.
al - le - lu
B.
Pno.
72 S.
A.
T.
glo
-
mf
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Pno.
et
vir
a,
Qui - a
ia, glo - ri -
ve -
-
tus
a,
mp
et
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al - le - lu
nos
-
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a,
jus
ve
a,
ia, glo - ri -
-
-
a,
-
al - le - lu -
ta
al - le - lu - ia,
-
-
a
-
mp
180
-
-
al - le - lu
ia, glo - ri - a,
al - le - lu - ia, glo - ri -
-
mp
De - o
al - le - lu - ia, glo - ri - a,
ra
al - le - lu - ia,
nos - tro,
al - le - lu - ia, glo - ri - a,
-
De - o
mp
glo - ri -
Qui
a,
tus
ia, glo - ri -
ri - a
al - le - lu
B.
-
-
mp
al - le - lu - ia, glo - ri -
sunt
9
77 S.
A.
-
-
-
T.
a,
al - le - lu -
- ia, glo - ri -
mf
B.
Pno.
82 S.
A.
ju
a,
di - ci
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al - le - lu
a
et
jus
Pno.
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a,
ia, glo - ri -
-
a,
al - le
glo - ri
ia, glo - ri - a,
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al
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e
-
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le - lu
-
a,
-
lu
-
-
181
-
sunt
ju
-
ia,
ri -
a,
ia, glo - ri -
-
a,
a,
le - lu -
al - le - lu
Al
ia, glo - ri -
jus.
al - le - lu - ia, glo
ia, glo - ri -
le - lu -
al
ta
-
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-
mp
al - le - lu
B.
ia, glo - ri - a,
al - le - lu - ia, glo - ri -
T.
mp
-
ra
glo - ri -
-
-
al - le - lu - ia,
a,
al - le - lu -
glo - ri
-
a,
10 87 S.
A.
T.
mp
- di
-
-
glo -
ci
ri - a,
al -
Pno.
al
-
A.
le
-
-
molto
-
-
-
Pno.
ia, glo - ri - a,
ia,
al - le - lu -
ia,
lu
-
Al
le - lu -
al - le - lu -
ia,
-
-
f
al - le - lu f
al
-
glo - ri
-
-
-
ia, glo - ri - a,
ia,
a,
al - le - lu - ia,
al - le - lu - ia,
le - lu
al - le - lu f
al - le - lu - ia,
al
le - lu
182
ia, glo
-
-
-
ia, glo
le
-
al -
ia, glo - ri - a,
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-
ri - a,
-
ia,
le - lu -
al -
al -
ia, glo - ri - a,
-
le - lu -
ri - a,
-
-
f
al - le - lu - ia,
-
al
e
jus.
glo - ri - a,
al - le - lu - ia,
-
jus.
-
molto
-
al - le - lu - ia, molto
B.
a
f
glo - ri - a, molto
T.
molto
92
S.
al - le - lu -
-
-
le - lu -
-
- ia, glo - ri - a,
B.
-
al -
le - lu -
ia,
le - lu -
97
S.
-
glo
A.
-
-
ri - a,
-
T.
glo
B.
Pno.
-
ri - a,
102
S.
al
-
-
al - le - lu -
A.
B.
Pno.
al
-
-
glo - ri - a,
le
ia, glo
-
ia, glo
le
(e)
-
-
(e)
lu
ri - a,
ia, glo
al - le - lu
-
-
ia, glo
glo - ri - a,
-
lu
-
-
-
glo - ri - a,
183
-
(a),
ia
-
ri - a,
al
-
al - le - lu -
ia,
le -
al - le - lu -
(a),
ia, glo - ri - a,
al - le - lu - ia, glo - ri - a,
ia,
al - le - lu - ia, glo - ri - a,
-
ri - a,
-
ia, glo - ri - a,
al - le - lu
ia
al - le - lu -
-
al - le - lu -
ri - a,
al - le - lu - ia, glo - ri - a,
ia,
ia, glo - ri - a,
al - le - lu - ia,
-
-
al - le - lu - ia,
-
-
ia, glo - ri - a,
-
-
al - le - lu
-
ia, glo - ri - a,
glo - ri - a,
T.
-
al - le - lu
-
al - le - lu -
- ia, glo - ri - a,
al - le - lu -
- ia, glo - ri - a,
lu
11
12
107
- lu
-
ia,
al
-
le
-
lu
ff
ia.
-
A - men,
a -
men,
a - men,
S.
glo - ri - a,
A.
al - le - lu -
al - le - lu - ia,
T.
B.
al - le - lu -
A - men,
al - le - lu - ia,
A - men,
ff
men,
a - men,
al - le - lu - ia,
ff
ia, glo - ri - a.
a -
ff
ff
ia, glo - ri - a.
glo - ri - a,
glo - ri - a,
al - le - lu - ia,
a -
men,
a - men,
al - le - lu - ia,
glo - ri - a,
al - le - lu - ia,
al - le - lu - ia,
al - le - lu - ia,
Pno.
184
13
112
a -
men,
a
-
men,
a - men,
a -
men,
a -
sffz
men, a - men,
a
-
men.
-
men.
-
S.
a -
A.
men,
a
al - le - lu -
T.
a -
B.
men,
a
al - le - lu -
Pno.
-
ia,
al - le - lu -
-
men,
al - le - lu -
ia,
men,
ia,
a -
al - le - lu -
a -
men,
185
ia,
a -
men, a - men,
glo - ri - a,
ia,
sffz
a
sffz
men, a - men,
a
glo - ri - a,
a
al - le - lu -
a -
a - men,
ia,
a - men,
men,
sffz
-
men.
sffz
a
men.
-
men.
186
Owain Park FOR THE FALLEN for SSAATTBB choir unaccompanied
NOVELLO 187
Duration: c. 4 minutes
They shall grow not old, as we that are left grow old: Age shall not weary them, nor the years condemn. At the going down of the sun and in the morning We will remember them. Laurence Binyon Extract from â&#x20AC;&#x2DC;For the Fallenâ&#x20AC;&#x2122;
Order Number: NOV167145
188
For Joseph Wicks and the Beaufort Singers
FOR THE FALLEN LAURENCE BINYON
OWAIN PARK
Reflective (q = 63)
SOPRANO
mp
p
They shall grow
They shall grow
ALTO
not
old,
not
old,
They shall
They
shall grow
mp
not
They shall grow
not
old,
TENOR
BASS
Piano (for rehearsal only)
© 2017 Novello & Company Limited
189
2 7
mp
cresc.
They shall grow
not
old,
They shall grow
S.
grow
not
old,
old,
cresc.
old,
They shall grow
mp
They shall grow
not
not
A.
They shall grow
not
old,
cresc.
They shall
T.
B.
190
3 12
p
mf
p
mf
p
p
not
old,
mf
not
old,
S.
old,
not old,
cresc.
They shall grow
not
old,
A.
grow,
mf
they shall grow not old,
T.
B.
p espress.
191
we
as
we
that are
that are left
p espress.
as
as we
p espress.
grow
old,
4 18
S.
mp
They shall grow not
old:
A.
p espress.
as
we
that are left
grow
old:
T.
that are left
left
grow
grow
old:
B.
old,
as
we
that are left
grow
old:
192
grow
5 24
S. mf
f
Age
shall not
wea-ry them,
nor the years
p
nor
mp
con demn, the years con demn.
the years
con
-
demn,
A. p
Age
shall
not
T.
wea
-
ry
them,
p
nor
mp
old:
p
Age shall not
Age
shall not
p
mp
wea
-
wea
-
ry
ry them,
the years
them,
(p)
p
con -
nor the
years
con
-
B.
p
mp
wea
193
-
mf
ry them,
Age
shall not
6 28
p
con - demn,
nor
the
years,
S.
3
nor
mf
the years,
mp cresc.
nor the
years
con-
A.
p
con
con
-
demn,
mp
-
mf
nor the
mp cresc.
nor the years,
demn,
T.
- demn,
con - demn,
- demn,
mp wea - ry them,
mp cresc.
nor the years
con-demn,
194
mf
nor the
nor the
B.
years
mf
nor the
3
7
32
poco f
SOLO
nor the
years con - demn.
S.
-
At the
mp
- demn,
years
con
-
demn.
At the
years
con
con
years
-
ing
down,
-
195
mp en dehors
go
of the
At the
mp
At the
demn.
demn.
-
con
mp
go
down,
demn.
At the go-ing down
mp
-
mf
go-ing
At the
B.
of the sun
T.
go-ing down
mp
con - demn.
A.
demn.
mf
con
-
ing
down,
8
Un poco meno mosso 37
TUTTI p
We will re -
S.
p
We will re -
p
We will re -
sun
A.
p
We will re -
pp
and in the mor - ning
p
We will re -
T.
go-ing down
of the sun
mp dim.
and in the mor - ning
At the go-ing down
B.
pp
of the sun
pp
and in the mor - ning
pp
and in the mor - ning
196
p
We will re -
re -
re -
Un poco meno mosso
9 42
poco f
- mem
-
ber
p
them,
mp
We will re - mem - ber
Tempo I
them,
S.
poco f
- mem
-
ber
them,
poco f - mem - ber
A. poco f
- mem
-
p
them,
We will re - mem - ber
poco f
-
ber
poco f
- mem
-
poco f
- mem
-
ber
them,
mf
We will
- mem
-
3
-
mem - ber
mp
p
We will re - mem - ber
them
them
them,
197
mp
them,
We will re -
them,
mp
them,
re
We will re - mem - ber
ber
mp
them,
mp
p
B. poco f
mem - ber
We will re - mem - ber
ber
-
them,
re
p
3
- mem
p mp
We will re - mem - ber
T.
We will
them,
them,
mp
mf
ber
mp
them,
Tempo I
10 47
p
mm
re - mem
-
S.
mp
We will re -mem
-
ber
mm
A.
mm
mp
We will re-mem
p
re - mem
-
ber
them,
T.
- mem
- ber
them,
We will re -mem
p
re - mem
- ber
-
ber
them,
We
them,
re -
B.
mp
We will re mem - ber them,
We will re-mem - ber
198
them,
11 53
- ber
them,
re - mem
-
ber
S.
them,
We will re-mem
p
-
ber
them,
re - mem
-
-
-
ber
poco cresc.
them,
ber
We will re-
them,
re
-
A.
We will re - mem - ber
re - mem - ber
them,
them,
T.
will re-mem
- mem
-
-
ber
ber
them,
poco cresc.
We will re-mem -
re - mem
them,
-
ber
B.
-
We will re - mem
poco cresc.
ber
them,
199
We will re - mem
-
ber
12 58
them,
re
-
mem
-
p
ber
them.
S.
- mem
-
- mem
ber
them.
-
p
ber
them,
(p)
re
- mem - ber
A. poco cresc.
We will re - mem - ber
(p)
them,
re - mem - ber
them.
them.
re - mem - ber them.
T.
-
ber
p
them,
re - mem - ber
them,
re
-
-
mem
-
ber
them.
them.
B.
them,
p
We will re - mem - ber
200
them.
Owain Park JUSTORUM ANIMAE for SATB divisi choir unaccompanied
NOVELLO 201
Duration: c. 4 ½ minutes
Justorum animae in manu Dei sunt, et non tanget illos tormentum mortis. Visi sunt oculis insipientium mori, illi autem sunt in pace. The souls of the righteous are in the hand of God, and there shall no torment touch them. In the sight of the unwise they seemed to die; but they are in peace. Wisdom 3:1-2a, 3b
Order Number: NOV296879
202
For Stephen Layton and The Choir of Trinity College Cambridge
Justorum animae
Wisdom 3:1-2a, 3b
Slow; plaintive q = 60-63
OWAIN PARK
SOPRANO I
SOPRANO II
ALTO
TENOR
BASS I
Jus - to
BASS II
Piano (for rehearsal only)
S. II
A.
T.
B. I
rum
a - ni - mae
in
ma
-
nu
De - i
Jus
- mae
in
ma
in
ma
-
nu De - i
-
-
nu
sunt,
to
-
mp
Jus
© 2017 Novello & Company Limited
203
De
-
to
-
rum a - ni -
mp
rum a - ni - mae
-
i
to
sunt,
Jus
-
Jus
Jus - to -
sunt,
mp
mp legato
- rum a - ni - mae
B. II
-
6
S. I
mp soave
-
-
to
-
in
ma
-
-
ni
-
rum a
mf
Jus
-
2
10
S. I
mf
Jus - to
mf
S. II
A.
T.
mf
rum
-
-
B. I
Jus
B. II
to
- to
S. I
-
-
a
rum
p
mp en dehors
A.
Jus - to
T.
B. I
B. II
pp
-
i
sunt,
in
i
ma
-
mp
in ma - nu
De
-
Jus - to
poco f
-
-
in
pp
ma
Jus - to pp
-
Jus - to pp
-
Jus - to
-
-
i
rum
a - ni - mae p mp
mp
p
De - i
-
a
-
a
-
a mp
a - ni - mae mf dim.
sunt,
-
rum
p
nu
ni - mae
-
p
ni - mae
p
-
ni - mae
mp
-
204
a mp
rum
rum
sunt,
nu De - i
rum
-
nu,
-
-
Jus - to pp
a - ni - mae
rum
mp
ni - mae
-
sunt,
ma
mp
De
nu
in
sunt,
-
sunt,
S. II
De - i
ni - mae
-
a tempo
mp
mp
a - ni - mae
nu
De
-
-
-
mf
rum
-
nu
14
-
-
in ma
a
in ma
mf
rum
a - ni - mae
- mae
-
poco rall.
dim.
ni
-
in
in
in
mp
19
S. I
S. II
in
-
ma mp
in
A.
ma
-
ma
B. II
-
ma
-
24
S. I
S. II
A.
T.
B. I
B. II
nu
De - i
sunt,
De - i
sunt,
-
i
sunt,
De
sunt,
-
De
-
i...
i
sunt,
p legato; poco marcato
et non
tan - get
il - los tor -
et non
tan - get
il - los tor - men - tum
- men - tum
mor - tis,
et non
tan - get
p legato; poco marcato
p espress.
mor
-
mor
205
-
-
non
tan
tis,
il - los tor - men - tum
il - los tor - men - tum
et
tan - get
tis,
et non
non p espress.
et non
p espress.
p poco a poco cresc.
et
De
nu
De - i
nu
nu
ma - nu
-
nu
-
in
ma
B. I
-
mp
- mae mae,
T.
3
Poco più mosso; animando (with the feeling of 6/8)
mor
-
-
get,
tis,
tor -
4
29
S. I
S. II
tan
-
get
il
tan - get il - los tor - men
A.
T.
sempre cresc. poco a poco
B. I
et non
tan - get
-
-
34
S. I
f
mor
-
-
-
ff
A.
T.
B. I
mor f
mor f
B. II
-
-
-
-
tor - men
-
mor
-
-
mor
-
mor
tor - men - tum
-
-
-
-
-
mp
mor
tis,
mor mf
-
-
-
-
-
-
tis,
tum
tor - men - tum
-
-
p
-
tis.
tis.
-
dim.
-
206
-
il - los tor - men - tum mor
-
-
tis.
tis,
il - los tor - men - tum
-
mor
p
tum,
mor
-
-
rall.
tum
mf
-
tis,
-
tis,
il - los tor - men
-
-
tor - men
-
tis,
-
il - los
-
tum
tan - get
tis, dim.
-
il - los tor - men - tum mor - tis,
tum
tis, mf sempre cresc.
et non
men
-
tis,
-
-
mf sempre cresc.
tan - get
il - los tor - men - tum mor f dim.
tor
-
los
mor
molto
mor
men
f
S. II
et non
tum
il - los tor - men - tum
sempre cresc. poco a poco
B. II
mp sempre cresc. poco a poco
-
-
mor - tis,
p
mm
p
tis.
tis.
mp
Jus -
5 39
Tempo I
S. I
S. II
A.
T.
B. I
p
-
Tempo I
S. I
mor
mp en dehors
sunt
o
Vi
-
B. II
-
-
-
-
in - si - pi - en
p
-
-
-
-
ti - um
-
mo
tis.
p
si...
-
-
ri,
-
-
-
3
*Single flickering notes should be placed on the beat.
207
sunt
sunt
-
mp en dehors
-
si
ri,
p
poco rall.
sunt,
mo
De - i
-
si...
-
-
-
nu
3
Vi
Vi
B. I
-
mor
ma
cu - lis
tis,
in
mo
*
-
-
*
p
T.
Un poco meno mosso
p
A.
*
-
Vi - si
S. II
rum a - ni - mae
43
p
mm
mm
- to
B. II
poco rall.
Vi p
-
si
o
-
-
-
sunt
cu
-
-
6
48
S. I
S. II
o - cu - lis
in - si
mp
-
-
pi - en
-
ti - um
o - cu - lis
T.
in
- lis,
B. I
- ri,
B. II
S. I
o
-
3
cu - lis
in
si
-
o
-
A.
-
3
B. II
mm
-
rum a - ni - mae
mo mp
mo
mo
-
ri,
ri,
-
ri,
-
ri,
mp
Jus -
-
ri,
- to
lis,
-
mp
-
mm
p
p legato molto
mm p legato molto
B. I
-
-
ri,
cu
p legato molto
T.
-
-
-
in
mo
ri,
p
mm
ti - um
-
mm p legato molto
S. II
pi - en
(p)
52
mo
-
mo mp
mo
A.
in
ma
-
nu
De - i
208
sunt,
7 56
S. I
Poco meno mosso; affettuoso
mf
S. II
il
-
li
au
-
mp
A.
il
mp
T. I
il
T. II
-
-
-
li
il
B. II
il
-
-
au
-
au
Poco meno mosso; affettuoso
il
-
li
au - tem
-
tem
-
-
-
tem
in
il - li au - tem
pa
-
pa
-
in
-
pa
-
-
-
in...
-
tem sunt
-
in
ce,
sunt
au
209
sunt
sunt
li
in
in
mp
sunt,
sunt
sunt
tem
li
au
ce,
tem
li
-
-
il
pa
-
in
au
-
mp
li
sunt
mp
B. I
tem
mf
in
8
60
S. I
mf
pa
-
mf
S. II
-
ce,
-
T.
pa
B. I
-
B. II
pa
ce,
a - ni - mae
in
ce,
pa
-
-
pa
-
-
in
-
pa
nu
mp
De
-
-
i
ce.
-
p
pa
ce.
sunt.
-
in
210
ce.
p
-
mp
ma
ce.
p
-
mp
in
-
p
pa
mp
Jus - to - rum
-
in
p
in
mf en dehors
mf
mp
ce,
mf
ce,
mf
A.
-
ce.
Owain Park A PRAYER OF THOMAS KEN for SATB choir unaccompanied
NOVELLO 211
Commissioned by Wells Cathedral Voluntary Choir for the Association of Cathedral Voluntary Choirs in celebration of their 20th anniversary
th
First performed on 29 October at Wells Cathedral, performed by Association of Cathedral Voluntary Choirs conducted by Michael Cockerham
O God, make the door of this house wide enough to receive all who need human love and fellowship, and a heavenly Father's care; make it narrow enough to shut out all envy, pride and hate. Make its threshold smooth enough to be no stumbling block to children, nor to straying feet; make it rugged enough to turn back the tempterâ&#x20AC;&#x2122;s power: Make it a gateway to thine eternal kingdom. Amen. Thomas Ken (1637-1711)
Duration: c. 3 minutes
Order Number: NOV296516
212
A Prayer of Thomas Ken THOMAS KEN
OWAIN PARK
Teneramente; flessible
p molto legato
SOPRANO
O
God,
O
O
God,
make the
p
e - nough
wide
wide
p
to re - ceive
wide
house
door cresc.
of this
house
door
of this
all
house
who need hu
-
-
man
all
e - nough to re - ceive
house
of this
e - nough to re - ceive
p
wide
of this
door cresc.
e - nough to re - ceive
p
5
B.
make the
flessible Teneramente;
Piano (for rehearsal only)
T.
make the
O God, p molto legato
door
God,
BASS
cresc.
p molto legato
TENOR
A.
make the
p molto legato
ALTO
S.
mp
cresc.
all
all
© 2016 Novello & Company Limited Not for rental or hire by third parties.
213
who need hu - man
who need hu - man
who need hu
-
man
2
mp
10
S.
love
and
fel - low - ship,
and
fel - low - ship,
mp
love
and
love
and
care;
B.
care;
T.
care;
A.
care;
p dolce
and
a
heav’n - ly
mp
Fa
-
ther’s
-
ther’s
Fa - ther’s
3
mp
3
make it mp
nar- row
make it
nar- row
make it
nar - row e - nough,
Fa
heav’n - ly
Fa - ther’s
heav’n - ly
p dolce
mp make it
heav’n - ly
p dolce
and a
fel - low - ship,
15
S.
and a
fel - low - ship,
mp
B.
and a
love
T.
mp
A.
p dolce
nar- row
214
e -nough
e -nough
to
to
to
nar -row e -nough to
shut out all 3
e -nough
shut out all
shut out all
shut
out
3
3
3
mf
mf
20
S.
en - vy,
mf
A.
en - vy,
T.
en - vy,
mf
B.
mp
3
pp
pp
3
pride and hate.
mp
pp
Make its p
mf be
no stum - bling block to
be
mp
child - ren,
no stum - bling block to
child - ren,
mf
mp
be
mf
be
no
block to
no stum - bling block to
child - ren,
mp
stray - ing
nor to
stray - ing
feet;
feet;
stray - ing
feet;
nor to p espress.
nor to
stray - ing
feet;
p espress.
p espress.
215
nor to
child - ren,
p espress.
mp
smooth e - nough to
3
mp
smooth e - nough to
Make its thresh - old
3 3
Make its thresh - old
3
thresh - old smooth e - nough to
mp
p
smooth e - nough to
pride and hate.
mp
en - vy,
mf
B.
p
26
T.
Make its thresh - old
pride and hate.
mp
mp
3
A.
pride and hate.
mp
p
S.
pp
3
4 mp sempre cresc.
30
S.
make it
A.
rug - ged
e - nough
to turn
make it
rug - ged
e - nough to
turn back the
mp sempre cresc.
T.
B.
make it rug - ged mp sempre cresc.
e - nough to
make it
e - nough to
rug - ged
back the tempt - er’s
pow’r:
a
a
gate - way
gate - way
to thine e - ter
to thine e - ter
pp p
to
thine e - ter
Make it
a
gate - way
gate - way
mf
nal king - dom. mf
p pp a
-
to thine e - ter
-
nal king - dom. mf
-
nal king - dom. mf
-
nal king - dom.
216
3
p pp
Make it
B.
Make it
T.
turn
pow’r:
p pp Make it
A.
f
35
S.
tempt - er’s pow’r:
turn back the tempt - er’s
3
f
back the tempt - er’s pow’r: f
mp sempre cresc.
f
5
p teneramente
41
S.
A
A.
-
p
A
T.
-
p A
-
p
B.
-
-
mp
men,
mp mp a
B.
-
a
T.
-
-
-
mp
-
a
-
-
men,
-
men,
men,
men,
men,
a
a
a mp
-
a
-
men,
men,
pp
-
p legato
-
-
-
-
-
-
-
p legato
-
-
p legato
-
217
-
-
-
-
men. pp
-
men. pp
-
-
-
men. pp
-
-
men,
-
mp
a
men,
men,
mp
a
-
a
a
-
-
men,
-
p espress.
a
-
-
A
-
A.
-
47
S.
-
mf
men.
218
Anna Thorvaldsdottir HEYR ÞÚ OSS HIMNUM Á for SATB choir unaccompanied
Chester Music 219
Written for Skálholt Summer Concert Series, August 2005. Duration: 4–5 minutes
The work is written from an old Icelandic psalm by Olafur á Söndum (1560–1627). There are numerous verses in the psalm – four of them are used in this piece.
TEXT Heyr þú oss himnum á, hýr vor faðir, börn þín smá, lukku oss þar til ljá, líf eilíft þér erfum hjá, og að þér aldrei flæmumst frá.
Hear us in heaven, loving Father, as we, your small children, ask for the fortune to receive eternal life. We shall not stray from your path.
Þitt ríki þróist hér, það þín stjórn og kristni er, svo að menn sem flestir, safnist, Guð, til handa þér, fegin yfir því fögnum vér.
May we help your kingdom to grow here on earth. Following your guidance, we gather around in your name, and gladly celebrate.
Síst skarta sönglist má, sé þar ekki elskan hjá, syngjum því þýtt lof þá, Þér, Guð drottinn, himnum á. Maður rétt kristinn mun þess gá.
We cannot make a joyful song unless we are moved by love. So let us sing our gentle praise to you, Lord God, in heaven, as the truly faithful have done.
En þegar aumir vér, öndumst burt úr heimi hér, oss tak þá, Guð, að þér, í þá dýrð, sem aldrei þver.
When our poor souls pass away from this world, take us God to you, into your everlasting glory.
Amen, Amen, það eflaust sker.
Amen, Amen, may this be done.
PRONUNCIATION GUIDE f (start) f (middle) f (before l or n) g (start) g (middle) g (before i or j) hv j kk nn r tt and tn þ ð
a (short) as in hat a (long) as in father á as in mouse e (short) as in met e (long) as in bear é as in yet i or y as in hit i or y (before ng) as in seen, but shorter í or ý as in seen o (short) as in not o (long) as in oar ó as in open ö as in German Goethe u as in French deux u (before ng) as in moon, but shorter ú as in moon æ as in mile au as in French feuille
220
as in father as in vase as in bad as in good as in saga as in yet becomes kv as in yet pre-aspirated i.e. hk becomes tn always trilled pre-aspirated i.e. ht as in thin as in breathe
Heyr þú oss himnum á Ólafur á Söndum
Anna Thorvaldsdottir
q = 62
SOPRANO
ALTO
TENOR
3 4
5 4
3 4
5 4
3 4
pp
3 4
pp
6
4 4
himn um á,
4 4
himn um á,
4 4
himn um á,
4 4
himn um á,
Heyr
3 4
5 4
3 4
3 4
5 4
3 4
5 4
himn um á,
hýr vor fað ir,
hýr
hýr
hýr
fað ir,
fað ir,
fað ir,
heyr
4 4
p
3 4
6 4
3 4
4 4
3 4
6 4
3 4
4 4
heyr,
smá,
börn þín smá,
börn
p
3 4
5 4 5 4
3 4
heyr þú oss
4 4
6 4
börn þín smá,
börn
mp
p
5 4 5 4
oss Guð,
3 4
3 4
heyr,
himn um á,
oss Guð,
6 4
Heyr
5 4
6 4
6 4
Heyr þú oss
Piano (for rehearsal only)
ppp
ppp
3 4
Heyr þú oss
BASS
3 4
smá,
heyr oss Guð,
heyr oss Guð,
lukk u oss þar til
lukk u oss þar
lukk u
lukk u
þar
þar til
3 4 3 4 3 4 3 4
ljá,
ljá,
ljá,
ljá,
heyr
heyr
4 4 4 4 4 4 4 4
4 4
5 4
3 4
4 4
4 4
5 4
3 4
4 4
Copyright © 2017 Chester Music Limited
221
4 4 4 4
líf ei líft þér
líf
þér
líf
þér
líf
þér
2 12
p erf um hjá,
erf um hjá,
erf um hjá,
erf um hjá,
18
4 4
og að þér aldr ei
og
og
aldr ei
og
það þín stjórn og
4 4
aldr ei
5 4
kristn i
er,
5 4 það þín stjórn og
4 4
aldr ei
það
stjórn
4 4
kristn i
5 4
kristn i
stjórn og
kristn i
4 4
2 4
4 4
flæm umst
flæm umst
frá.
Þitt
rík
i
þró
ist
3 4
4 4
hér,
3 4
p
rík
i
4 4 hér,
2 4
4 4
2 4
4 4
2 4
4 4
3 4
4 4
2 4
4 4
3 4
4 4
flæm umst
flæm umst
4 4
er,
er,
mp
frá.
4 4
frá.
rík
frá.
Þitt
mp
svo að
rík
2 4 2 4
flest ir,
mp safn ist
p
4 4
2 4
safn ist
flest ir,
4 4
hér,
4 4
hér,
Guð,
til
4 4
safn ist
2 4 svo að
3 4
i
flest ir,
4 4 er,
i
p
svo að menn sem flest ir,
svo að menn
3 4
p
p
4 4
5 4 það
2 4
5 4 Guð,
4 4
Guð,
til
til
4 4 safn ist
5 4
5 4 5 4
Guð,
til
4 4
5 4
4 4
2 4
4 4
5 4
4 4
5 4
4 4
2 4
4 4
5 4
222
3 24
5 4
hand a
3 4
þér,
5 4
3 4
hand a
5 4
hand a
5 4
hand a
30
þér,
p feg in
yf
ir því
þér,
þér,
3 4
pp
3 4
pp
4 4
2 4
4 4
fögn um
pp
feg
2 4
in
feg in
yf
fögn um
ir því
feg
in
4 4
2 4
4 4
fögn um
vér.
Síst skart a söng list
3 4 3 4
pp
vér.
2 4
fögn um
p
Síst skart a söng list
3 4
p vér.
Síst skart
a
p vér.
Síst skart
a
3 4
5 4
3 4
2 4
4 4
3 4
5 4
3 4
2 4
4 4
3 4
3 4 3 4
má,
má,
3 4 3 4
4 4 4 4
sé
sé
þar ekk
þar ekk
i
i
4 4 má,
má,
4 4
5 4 5 4
p
elsk an
hjá,
ekk
i
sé
ekk
i
5 4
lof
mp elsk an
hjá,
syngj um syngj
5 4 sé
syngj um því
þýtt lof um
lof
elsk an
hjá,
syngj um því þýtt lof
elsk an
hjá,
syngj
um
lof
3 4 3 4
þá,
þá,
3 4 3 4
4 4 4 4 4 4
þá,
þá,
4 4
3 4
4 4
5 4
3 4
4 4
3 4
4 4
5 4
3 4
4 4
223
4 35
4 4 4 4 4 4 4 4
41
þér
5 4
3 4
2 4
4 4
5 4
3 4
2 4
4 4
5 4
3 4
2 4
4 4
himn um á.
þér, Guð Drott inn,
himn um á.
p
þér p
Mað ur rétt krist inn
Mað ur rétt krist inn Mað ur rétt krist inn
himn um á.
Mað
5 4
3 4
4 4
5 4
4 4
5 4
4 4 4 4 4 4 4 4
þér
þeg
himn um á.
ar aum ir
p Þeg
ar
p Þeg
ar
p Þeg
ar
3 4 3 4 3 4 3 4
vér,
vér,
vér,
vér,
4 4 4 4 4 4 4 4
mun þess
ur
En
gá.
4 4 4 4
gá.
4 4
3 4
2 4
4 4
4 4
3 4
2 4
4 4
4 4
Mað ur rétt krist inn
umst úr
önd umst burt úr
önd
mun þess
gá.
4 4
2 4
önd umst burt úr
önd
mun þess
mp
umst úr
5 4
heim i
5 4
heim i
5 4
heim i
5 4
heim i
hér,
hér,
hér,
hér,
mun þess
oss tak
oss tak
oss tak
oss tak
gá.
þá, Guð, að
þá, Guð, að
Guð, að
Guð, að
4 4
3 4 3 4 3 4 3 4
4 4
3 4
4 4
5 4
3 4
4 4
3 4
4 4
5 4
3 4
224
5 46
3 4 3 4 3 4 3 4
51
þér,
þér,
þér,
þér,
6 4 6 4 6 4 6 4
í
þá dýrð,
í
sem
dýrð,
í
sem
dýrð,
í
sem
dýrð,
sem
5 4 5 4 5 4 5 4
2 4
p aldr ei
þver.
2 4
mp aldr ei þver.
2 4
aldr ei þver.
2 4
aldr ei þver.
(p)
Am en,
p Am en,
(p)
Am en, (p)
Am en,
4 4 4 4 4 4 4 4
Am en,
Am en,
Am en,
Am en,
3 4 3 4 3 4 3 4
3 4
6 4
5 4
2 4
4 4
3 4
3 4
6 4
5 4
2 4
4 4
3 4
3 4
það
ef laust sker.
2 4
3 4 3 4 3 4
2 4
það
ef laust sker.
það
ef laust
það
sker.
ef laust sker.
2 4 2 4
mp
Am en,
mp
Am en, mp
Am en, mp
Am en,
4 4
Am
en,
4 Am 4 4 4 4 4
en,
Am
en,
Am
en,
Am
3 4
en,
það
ef laust
3 það 4 3 4 3 4
ef laust
það
ef laust
ef laust
4 4 4 4
3 4
2 4
4 4
3 4
4 4
3 4
2 4
4 4
3 4
4 4
225
sker.
4sker. 4
það
það
4 4
sker.
sker.
sker.
226
Ian Venables REQUIEM AETERNAM for SATB choir and organ
NOVELLO 227
Requiem aeternam dona eis, Domine. Et lux perpetua luceat eis. Te decet hymnus, Deus, in Sion. Et tibi reddetur votum in Jerusalem. Exaudi orationem meam Ad te omnis caro veniet. Requiem aeternam dona eis, Domine. Et lux perpetua luceat eis.
Eternal rest grant unto them, O Lord, and let perpetual light shine upon them. A hymn becomes you, O God, in Zion, and to you shall a vow be repaid in Jerusalem. Hear my prayer to you shall all flesh come. Eternal rest grant unto them, O Lord, and let perpetual light shine upon them. from the Mass for the Dead
Duration: circa 5 minutes
228
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236
James Whitbourn BEATUS VIR for SSATB choir unaccompanied
Chester Music 237
Commissioned for the Choir of St Matthewâ&#x20AC;&#x2122;s Church, Northampton. First performed on St Matthewâ&#x20AC;&#x2122;s Day, 21 September 2017, conducted by Justin Miller.
Beatus vir, qui timet Dominum: in mandatis ejus cupit nimis. Potens in terra erit semen ejus: generatio rectorum benedicetur. Gradual for the feast of St Matthew
Duration: c. 5 minutes
Order Number: CH86658
238
BEATUS VIR Gradual for the Feast of St Matthew
JAMES WHITBOURN
Dolce (q = c. 66)
SOPRANO
Be - a
ALTO
Be
-
-
Be
S.
-a
B.
Pno.
-
-
tus
a
-
-
mf
p
-
a
-
-
-
-
tus
vir,
mf
p
tus
vir,
mf
p
tus
vir,
-
-
-
-
mp
-
-
vir,
mf
p
Copyright © 2017 Chester Music Ltd.
239
tus
-
-
-
-
be -
-
-
be
-
-
-
be
mp
-
be - a
vir,
tus
-
-
p
-
Be -
-
-
- tus
Be - a
-
-
-
p
vir,
p
-
-
-
-
mp
tus vir, qui ti - met Do - mi - num,
mf
Be - a
-
-
be
-
mp
T.
-
Be - a
-
-
vir,
A.
a
Dolce (q = c. 66)
6
p
-
TENOR p BASS
Piano (for rehearsal only)
p
-
-
2
12
S.
A.
T.
B.
Pno.
-a
-
-
-
-
-
-
tus
-a
-
- tus
T.
B.
Pno.
-
vir,
vir,
vir,
-
-
-
-
mp
-
a
a
a
-
a
-
-
-
-
-
-
-
-
be
-
tus
-
-
-
-
-
-
mf
vir,
-
-
-
tus
mf
mf
tus
vir,
vir,
tus
qui
be
-
Do - mi - num,
ti
-
be - a
-
-
-
-
-
240
-
-
-
ti
-
met
a
qui
vir, qui ti - met
mf
vir,
tus
be - a
met
PiĂš mosso (q = 80)
PiĂš mosso (q = 80)
be - a
-
mp
be
-
mp
-
be
tus
be
-
pp
mp
tus
-
pp
mf
-
vir,
be - a
pp
pp
mp
vir,
A.
tus
18
S.
-
vir,
-a
pp
3
24
S.
A.
T.
B.
Pno.
- tus vir, qui
-
Do
-
-
A.
T.
ni
ni - mis.
f
ni - mis.
f
f
B.
Pno.
- mis.
mi
-
Po - tens
Po - tens
Po - tens
Po - tens
-
e - jus cu - pit
ni
tus
vir,
in
e - jus cu - pit
in man - da - tis
in man - da - tis
-
in
mi
num:
Po - tens
ni - mis.
-
-
Do
-
ni - mis.
f
-
30
tus,
ti - met Do - mi - num:
f
S.
num:
man - da
man - da
in man - da - tis
in ter - ra
e - rit se-men
in ter - ra
e - rit se-men
-
cu
e - jus:
mis,
cu - pit
tis
e - jus cu - pit
tis
-
-
e - jus:
-
e - jus cu - pit
e - jus
-
pit
ge - ne - ra - ti - o
ge - ne - ra - ti - o
rec
-
rec
-
in ter - ra
e - rit se-men
e - jus:
ge - ne - ra - ti - o
rec
-
in ter - ra
e - rit se-men
e - jus:
ge - ne - ra - ti - o
rec
-
in ter - ra
e - rit se-men
241
e - jus:
ge - ne - ra - ti - o
rec
-
4
37 3 S.
pp
p
- to -rum be-ne -di - ce - tur.
3
Be - a
Be - a
3
p
- to -rum be-ne -di - ce - tur.
3 - to -rum be-ne -di - ce - tur. 3 B.
Pno.
S.
A.
T.
B.
Pno.
3
3
44
-
-
be - a
-
be - a
be - a
- tus
be - a
- tus
242
vir,
pp
vir,
be - a
tus
-
tus
-
-
be
-
-
-
-
-
-
-
be -
mp
p
p
mp
vir,
mp
-
be - a
-
vir,
vir,
p
tus
pp
Be - a
- tus
tus vir, qui ti - met Do - mi - num,
-
vir,
-
pp
be - a
Tempo primo (q = c. 66)
-
tus
p
vir,
p
be - a
tus
-
p
Tempo primo (q = c. 66)
-
- to -rum be-ne -di - ce - tur.
-
p
T.
-
- to -rum be-ne -di - ce - tur.
A.
-
pp
p
-
-
-
5
50
vir, qui ti - met Do -mi - num,
S.
A.
-a
-
-a
T.
B.
Pno.
-
-
mp
tus
vir,
mp
p
tus
vir,
57
A.
T.
B.
Pno.
ti
-
-
Do
-
-
Do
-
-
mi
243
-
-
-
met
-
met
man - da
Do
-
man - da
met
e - jus cu - pit
vir,
in man - da - tis
e - jus
in man - da - tis
mf
-
num:
-
-
ni
-
e - jus cu - pit
in
-
-
in man - da - tis
vir, qui
tus
in
-
mf
mf
tus
-
mi - num:
tim
ti
PiĂš mosso (q = 80)
PiĂš mosso (q = 80)
-
-
-
ti
-
mi - num:
-
Do
qui
mi - num:
-
-
mf
-
-
qui
mf
-
met
-
-
qui
-
p
-
vir,
-
p
p
tus
S.
be - a
be - a
-
-
tus,
-
-
-
p
-
-
cu - pit
tis
e - jus cu - pit
e - jus cu - pit
cu
mis,
tis
-
-
-
pit
6
f 63
S.
ni - mis.
f
A.
T.
ni
f
ni - mis.
B.
Pno.
ni
- mis.
e - rit se - men
e - jus,
Po
e - rit se - men
e -
jus,
e - rit se - men
e -
jus,
Po
e - rit se - men
e - jus,
in ter - ra
in ter - ra
e - jus,
fp
Po
-
tens
fp
-
tens
fp
Po
-
tens
tens
Po-tens in ter - ra
e - rit se - men
-
in ter - ra
fp
(sempre f)
mf
ge-ne-ra- ti
-
o
rec-to
-
-
-
-
o
rec-to
-
-
-
e - rit
se - men e -
ge-ne-ra- ti
jus:
p
ge
in ter - ra e - rit se - men e - jus: ge
-
ne
B.
244
-
p
Pno.
mf
in ter - ra
T.
Po - tens
69
A.
mis.
S.
in ter - ra
Po - tens
-
Po - tens
f
in ter - ra
Po - tens
f
Po - tens
ni - mis.
-
ne
-
ra
ra
-
ti
-
-
ti
-
o
o
7
p
74
S.
-
-
rec
T.
-
-
rec
to
-
to
-
Pno.
-
to
-
80
S.
A.
-
-
-a
-
-
-
-
-
-
-
pp
Pno.
rum
be
rum
be
-
ne - di - ce
-
-
ne - di - ce
3
-
-
-
-
-
(a)
-
-
-
Be
p
-a
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
245
-
-
-
-
-
-
-
-
-
-
Be
-
-
-
-
-
-
-
tus,
Be p
tur.
-
tur.
-
Be - a
tur.
-
p
-
-
p
-
-
mf
tur.
3
-
-
pp
B.
mf
pp
-
Be - a
pp
-
tus
vir.
-
tus
pp
vir.
pp
-a
T.
be - a
be - ne - di - ce
-
mf
3
p
be - ne - di - ce
rum
rec
tur.
mf
3
-
-
p
p
be - ne - di - ce
rum
p
B.
-
3
rum
-
A.
-
mf
tus
vir.
tus
vir.
tus
vir.
246
James Whitbourn SET ME AS A SEAL UPON THINE HEART for SATB choir and organ
Chester Music 247
Composed for the wedding of James Roman and Grace Svatek Trinity Church, Princeton, New Jersey, November 4, 2017
Duration: c. 4 ½ minutes
Order Number: CH86636
248
Set me as a seal upon thine heart SONG OF SOLOMON: 8
JAMES WHITBOURN
Amabile q = c. 92
SOPRANO
ALTO
TENOR
BASS
Organ
A.
T.
B.
Org.
mm
pp
mm
8'
mm
pp
pp legato
mp
Set
mm
mm
mm
Set
me as
a
me as
a
mm
up - on thine
seal
seal
up - on thine
heart,
heart,
mm
mm
pp
mp
pp
mm
mm
6 S.
pp
mm
Copyright © 2017 Chester Music Ltd. All rights reserved
249
2
11 S.
set
A.
me as
set
a
seal
me as
a
mp B.
set
me as
a
seal
Org.
p
15
T. B.
arm:
up - on
for
love
thine
thine
is strong as
mf
arm: mf
arm:
mf
a
seal
up - on
mf
thine
thine
arm,
mp
arm:
thine
16'
death,
love
death,
for
love
is
strong,
strong
as
strong
as
love
is
strong,
250
strong
is strong as
is strong as
is
love
love
for
for
Org.
seal,
S. A.
a
up - on
me as
seal
T.
up - on
set mp
as
19
S.
death,
A.
death, love
B.
is
death,
T.
death, strong
strong
as
death,
Org.
love
love is strong as
love
death,
is
strong,
strong
mp S.
mp
a
seal
up - on
thine
A.
set
T.
B.
Org.
a
seal
up - on
thine
set
me as
a
seal
up - on
thine
(mp)
as
death,
death,
heart,
heart,
me as
a
seal
up - on
thine
mp
heart,
set
251
set
as 3
strong
death,
mp
3
mp
me as
me as
death,
as
3
set
strong,
as
strong
is
24
3
3
3
4
S. 28
set
A.
set
T.
heart,
me as
a
me as
a
seal
seal
as
p
seal
up - on
mf
p
p
arm:
thine
arm:
is
strong
for love
is
strong,
strong
as
death,
is
strong,
strong
as
death,
for love
mp
252
as death, love
mf
mf
love is strong as death,
for love is strong as death, love
arm:
thine
arm:
thine
up - on
for love is strong as death, mf
mf
mf
thine
on
mf
p
Org.
on
p
B.
a
up
-
-
up - on thine heart,
33 S.
T.
seal
mf
a
A.
up
up - on thine heart,
B.
Org.
up - on thine heart,
me as
heart,
mf
is
38
S.
love is strong as
A.
T.
strong
B.
strong
Org.
as
death.
as
death.
as
death.
wa - ters
f
Ma - ny
wa - ters
Ma - ny
wa - ters
can - not
quench
can - not
quench
can - not
quench
f
B.
mf
can - not
Org.
quench
love,
love,
f
Ma - ny
T.
love,
43 S.
A.
Ma - ny
f
death.
strong
f
5
ma - ny
wa - ters
love,
can - not mf
mp
mp
ma - ny
quench
love.
quench
love.
p
253
can - not
wa - ters
wa - ters
6
47 S.
A.
Org.
p
ma - ny
can - not
love.
56
pp
Org.
quench
Org.
can - not
wa - ters
quench love.
52
mp
3
254
p
60
S.
mp
Set
mp
A.
T.
B.
Org.
Set
p
Set
a
seal
up - on thine
me as
a
seal
up - on thine
heart,
heart,
mp
(p)
Set
me as
a
seal
set
me as
a
set
me as
a
up - on thine
heart,
set
me as
B.
seal
heart,
up - on thine heart,
up
-
on
thine
mf
-
on
mf
as
a
seal
up - on
mf
up - on thine heart,
up
up - on thine heart,
up - on
arm,
thine
arm,
thine
thine
p
p
p
arm,
mf
for mf
for
mf
for
arm,
255
mf
p
a
mf
mp
heart,
seal
Org.
me as
up - on thine
seal
seal
T.
65
A.
a
S.
me as
7
p
mf
for
8
70 S.
love is strong as
A.
love is strong as
love B.
T.
Org.
A.
strong
T.
B.
strong
as
death,
death, love
is
strong
as
is
strong
as
as
f
death.
death.
as
death.
as
death,
is
death,
death, love
as
strong
strong
Org.
is
strong,
love
death,
is
strong
death,
as
love
strong
mp
74 S.
strong,
is
love
Ma - ny wa - ters
f
Ma - ny wa - ters
f
can - not
quench
Ma - ny wa - ters
quench
can - not
f
256
love,
can - not
f
Ma - ny wa - ters
quench
love.
love.
9
79 S.
A.
can - not
T.
B.
ma - ny
quench love,
love.
quench
love.
p
mp
quench
can - not
can - not
Org.
wa - ters
84 mp S.
mp
A.
Org.
pp
257
258
Peter Dickinson LULLABY
for SATB choir unaccompanied
NOVELLO 259
LULLABY from The Unicorns (1967/82/86) The Lullaby from ‘The Unicorns’ arose from an opera libretto I commissioned from John Heath-Stubbs (1918-2006) in the late 1960s. In his story two unicorns are discovered in a remote part of Africa. Both the East and West want to obtain them for research so they send out rival expeditions. The Western technique is to lure the unicorn with a young girl singing a lullaby. Both East and West capture unicorns but the mythical animals escape in the end. I never completed the opera but I made a sixmovement suite from it called The Unicorns. There are three songs and three instrumental numbers and the first performance was given with Elisabeth Söderström and Solna Brass under Lars-Gunnar Björklund at Ekensbergskyrkan, Solna, Sweden on 31 October 1982. This version was recorded (Albany TROY 760) and my arrangement of the three songs for voice and piano was recorded by Marilyn Hill Smith (Albany TROY365). The career of the Lullaby continued with a version for clarinet and piano, which I premiered with Jack Brymer aboard the Sea Princess in the Mediterranean on 29 September 1986. The oboe version was for Sarah Francis, and Duke Dobing and I have recorded it for flute and piano (Naxos 8.572287). Lullaby can be played with a variety of solo instruments and is also available for piano left hand and piano solo, which I have recorded.
Lullaby, sing lullaby, Lullaby for a Unicorn. Come gentle beast with limpid eyes, Here your peace and pleasure lies. Lullaby, sing lullaby, Lullaby for a Unicorn. Lay your wrathful rage aside, Mitigate your burning pride. Lay your dangerous horn to rest, On the ivory of my breast. Lullaby, sing lullaby, Lullaby for a Unicorn. © the Estate of John Heath-Stubbs c/o David Higham Associates
Duration: c. 3 ½ minutes
Order Number: NOV166826
260
261
262
263
5
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268
Gabriel Fauré CHANSON D’AMOUR arranged by Jonathan Wikeley for SATB choir and piano
NOVELLO 269
J’aime tes yeux, j’aime ton front, O ma rebelle, ô ma farouche, J’aime tex yeux, j’aime ta bouche Où mes baisers s’épuiseront.
I love your eyes, I love your brow, O my rebel, O my wild one, I love your eyes, I love your mouth Where my kisses wear themselves out.
J’aime ta voix, j’aime l’étrange Grâce de tout ce que tu dis, O ma rebelle, ô mon cher ange, Mon enfer et mon paradis!
I love your voice, I love the strange Grace of everything you say, O my rebel, O my darling angel, My hell and my heaven!
J’aime tout ce qui te fait belle, De tes pieds jusqu’à tes cheveux, O toi vers qui montent mes voeux, O ma farouche, ô ma rebelle!
I love all that makes you beautiful, From your feet to your hair, O you, to whom I raise my pleas, O my wild one, O my rebel!
Duration: circa 2 minutes
270
Chanson d’amour Théodore de Banville (1823-1891)
Gabriel Fauré (1845-1924) arr. Jonathan Wikeley
Allegro moderato q = 116
4 4
SOPRANO
p dolce
J’ai - me tes yeux, p dolce
4 4
ALTO
J’ai - me tes yeux, p dolce
4 4
TENOR
J’ai - me tes yeux, p dolce
4 4
BASS
J’ai - me tes yeux,
Allegro moderato q = 116
4 4 PIANO
4 4
p
4
j’ai
-
me ton front,
O
ma re - bel -le, _ô ma fa - rou
-
che,
j’ai
-
me ton front,
O
ma re - bel -le, _ô ma fa - rou
-
che,
j’ai
-
me ton front,
O
ma re - bel -le, _ô ma fa - rou
-
che,
j’ai
-
me ton front,
O
ma re - bel -le, _ô ma fa - rou
-
che,
© Copyright 2015 Novello & Company Limited. All Rights Reserved. International Copyright Secured.
271
2 7
senza rigore
pp
J’ai
- me tes yeux,
j’ai
-
me ta bou
-
che, Où
mes bai - sers s’é - pui - se -
- me tes yeux,
j’ai
-
me ta bou
-
che, Où
mes bai - sers s’é - pui - se -
- me tes yeux,
j’ai
-
me ta bou
-
che, Où
mes bai - sers s’é - pui - se -
- me tes yeux,
j’ai
-
me ta bou
-
che, Où
mes bai - sers,
pp
J’ai pp
J’ai pp
J’ai
senza rigore
pp
10
a tempo
- ront.
- ront.
- ront.
où
mes bai - sers s’é - pui - se - ront,
où
a tempo
marcato
272
mes bai - sers s’é - pui - se -
3 p
13
J’ai
-
me
ta
voix,
j’ai
- me l’é- tran - ge
J’ai p
-
me
ta
voix,
j’ai
- me l’é- tran - ge
J’ai
-
me
ta
voix,
j’ai
- me l’é- tran - ge
-
me
ta
voix,
j’ai
- me l’é- tran - ge
p
p
- ront.
J’ai
p
16
poco a poco cresc.
grâ
-
ce
de tout ce que tu
dis,
O
ma re - bel
-
poco a poco cresc.
grâ
-
ce
de tout ce que tu
dis,
grâ
-
ce
de tout ce que tu
dis,
O ma re poco a poco cresc.
O
ma re -
poco a poco cresc.
grâ
-
ce
de tout ce que tu
dis,
O
273
ma re - bel
-
4 19
f
- le, _ô
mon cher an
-
ge, Mon en - fer f
et mon pa - ra - dis!
- bel
-
le, _ô
mon cher
an f
-
ge,
et mon pa - ra - dis!
- bel
-
le, _ô
mon cher
an
-
ge,
et mon pa - ra - dis!
f
- le, _ô
mon cher an
S.
ge, Mon en - fer
et mon pa - ra - dis!
mf
cresc.
22
-
p
J’ai
p
- me tes yeux, p
j’ai
-
me ton front,
J’ai - me tes yeux,
j’ai
O
-
me ton front,
ma re - bel -le, _ô ma fa -
O
ma re -
A.
J’ai p
- me tes yeux,
j’ai
-
me ton front,
O
ma re - bel- le, _ô ma fa -
J’ai p
- me tes yeux,
j’ai
-
me ton front,
O
ma re - bel- le, _ô ma fa -
J’ai
- me tes yeux,
j’ai
-
me ton front,
O
ma re - bel- le, _ô ma fa -
T.
B.
p
274
5 25
pp
- rou
-
J’ai
che,
- bel- le, _ô ma fa - rou
-
- me tes yeux, pp
che, pp
J’ai
j’ai
- me tes yeux,
me ta bou
j’ai
-
che,
me ta
-
- rou
-
che,
J’ai pp
- me tes yeux,
j’ai
-
me ta bou
-
che,
- rou
-
che,
J’ai pp
- me tes yeux,
j’ai
-
me ta bou
-
che,
- rou
-
che,
J’ai
- me tes yeux,
j’ai
-
me ta bou
-
che,
pp
28
-
senza rigore
Où
a tempo
mes bai - sers s’é - pui - se - ront.
bou - che, bai - sers s’é - pui - se - ront.
Où
mes bai - sers s’é - pui - se - ront.
Où
mes bai - sers s’é - pui - se - ront.
Où
mes bai - sers,
senza rigore
où
mes bai - sers s’é - pui - se - ront,
a tempo
marcato
275
6 31
p
S.
J’ai
-
me
tout
-
me
tout
-
me
tout
p A.
J’ai p T.
J’ai
B.
où
mes bai - sers s’é - pui - se - ront.
p
34
cresc. poco a poco
ce qui te fait bel
-
le,
De tes pieds
jus - qu’a tes che - veux,
O cresc. poco a poco
ce qui te fait bel
-
le,
De tes pieds
jus - qu’a tes che - veux,
O cresc. poco a poco
ce qui te fait bel
-
le,
De tes pieds
jus - qu’a tes che - veux,
O
cresc. poco a poco
276
7 37
mf
toi
vers qui mon - tent mes voeux,
O
ma fa - rou - che, _ô ma re - bel
-
ma fa - rou - che, _ô ma re - bel
-
ma fa - rou - che, _ô ma re - bel
-
mf
toi
vers qui mon - tent mes voeux,
O mf
toi
40
S.
vers qui mon - tent mes voeux,
O
p
- le,
- le,
J’ai
-
me tes yeux, p
J’ai
p
j’ai
-
-
me tes yeux,
me ton front,
j’ai
A.
- le,
J’ai p
-
me tes yeux,
j’ai
-
me ton front,
- le,
J’ai p
-
me tes yeux,
j’ai
-
me ton front,
J’ai
-
me tes yeux,
j’ai
-
me ton front,
T.
B.
p
277
-
me ton
8 pp
43
ma re - bel -le, _ô ma fa - rou
O
front,
che,
-
ma re - bel- le, _ô ma fa - rou
O
J’ai
-
che, pp
- me tes yeux, pp
J’ai
O
ma re - bel- le, _ô ma fa - rou
-
che,
J’ai pp
- me tes yeux,
O
ma re - bel- le, _ô ma fa - rou
-
che,
J’ai pp
- me tes yeux,
O
ma re - bel- le, _ô ma fa - rou
-
che,
J’ai
- me tes yeux,
- me tes
pp
46
j’ai
-
yeux,
me ta bou
j’ai
-
che, Où
me ta
-
mes bai - sers s’é - pui - se - ront,
bou - che, bai - sers s’é - pui - se - ront,
j’ai
-
me ta bou
-
che, Où,
j’ai
-
me ta bou
-
che, Où
j’ai
-
me ta bou
-
che, Où,
où
mes bai - sers s’é - pui - se -
mes bai - sers s’é - pui - se - ront,
où
278
mes bai - sers s’é - pui - se -
9 49
poco rit. p
a tempo
S.
Où
mes bai - sers s’é - pui - se - ront. p
A.
- ront,
où
mes bai- sers s’é - pui - se - ront.
p T.
où
mes bai - sers s’é - pui - se - ront. p
B.
- ront,
où
poco rit.
p
mes bai- sers s’é - pui - se - ront,
a tempo
marcato
52
où
mes bai - sers s’é - pui - se - ront.
279
The Sad Tale of Barbara Allen Edward Gregson
Quite slow and gentle q = 72
mp
PIANO
5
TENOR & BASS UNIS. mp
In
Scar - let town where I was born,
(mp)
Ped. sim.
10
A
SOPRANO & ALTO UNIS. mp
Copyright © 2017 Novello & Company Limited
mf
There was a fair maid dwel - ling,
(mp)
All Rights Reserved
280
3
p
15
T. & B. UNIS. mp
poco dim.
pp
mf
mp
S. & A. UNIS. p
p
dim.
poco
well - a - day,
p
24
poco
mf
Made ev -â&#x20AC;&#x2122;ry youth cry
B
19
Her
name was Bar - bara
p
281
Al - len.
4
28
C
Faster, with spirit q = 90
S. & A. UNIS.
mf
All
T. & B. UNIS.
in
the mer
mf
-
ry
All
C Faster, with spirit q = 90
in
the
mer
-
mf poco marc.
31
month of May,
-
ry month of
sim.
When green buds they
were
When green
swel - ling,
May,
buds
Young
were swel - ling,
34
Jem - my Grove
on
Young Jem - my Grove
his
death - bed lay
on
For
love
his death - bed
lay
of
Bar
-
bara
For
282
5
37
Al - len.
love
of
Bar
-
bara
D
Tempo I (q = 72)
Al - len.
D Tempo I (q = 72)
p
40
poco cresc.
poco dim. mp
45
283
6
E Sombre
(ma lâ&#x20AC;&#x2122;istesso tempo)
49
SOLO SOPRANO
SOPRANO
p
ALTO
p
TENOR
BASS
p
Ah
mf
So
Ah
Ah
p
Ah
Sombre E (ma lâ&#x20AC;&#x2122;istesso tempo)
3
p
con Ped.
3
3
3
mf
3
3
mp 3
3
3
3
3
3
284
7 53
slow - ly, slow
-
ly
she came up
pp
Ah
pp
Ah
pp
Ah
And
slow - ly
she
came
poco cresc.
Ah
poco cresc.
Ah
Ah
Ah
pp
poco cresc.
Ah
pp
poco cresc.
Ah
pp
Ah
Ah
3
3
3
3
3
3
285
8 56
nigh
Ah
him,
poco cresc.
And
all
she said,
when
mp
Ah
â&#x20AC;&#x2DC;Young
dim.
dim.
dim.
mp
dim.
Ah
Ah
Ah
Ah
mp
mp
mp
there she came:
poco cresc.
mp
dim.
Ah
286
9 59
man,
I
think
youâ&#x20AC;&#x2122;re
p
Ah
p
Ah
dy - ingâ&#x20AC;&#x2122;.
p
p
dy - ing
pp
pp
pp
mp
p
dy - ing
pp
mp
p
Ah
p
Ah
mp
Ah
pp
pp
dy - ing
287
10
F
62
he was dead
p
66
laid
laid
laid
laid
in grave,
in
grave,
in grave,
p
Her
Her
in grave,
Her
Her
he was dead
and
mf legato
he was dead
F
mf
marc.
with
sor - row,
heart was struck
with
heart was struck
with
heart was struck
with
288
â&#x20AC;&#x2DC;O
sor - row,
â&#x20AC;&#x2DC;O
sor - row,
sor - row,
heart was struck
and
mf legato
and
mf legato
When
p
he was dead
When
mf legato
When
p
69
Mo - ther, Mo
-
Mo - ther, Mo
-
ther,
Mo
-
ther,
make my
bed
For
make my
72
mf
to mf
I
shall
die
fp cresc.
shall
die
fp cresc.
bed,
For
I
shall
die
-
-
mf
-
mor - row,
f
to
mf
to mf
to
mf
to
to
289
-
mf
mor - row,
(mf )
-
mor - row,
I
mor - row,
mf
to
For
-
to
mf
die
bed,
shall
make my
bed,
make my
I
fp cresc.
ther,
11
fp cresc.
-
12
75
dim.
- mor - rowâ&#x20AC;&#x2122;. dim.
- mor - rowâ&#x20AC;&#x2122;.
- mor - rowâ&#x20AC;&#x2122;. dim.
dim.
mp
mp
mp
mp
- mor - rowâ&#x20AC;&#x2122;.
79
f marc.
f
â&#x20AC;&#x2DC;Fare -
f
â&#x20AC;&#x2DC;Fare -
f
â&#x20AC;&#x2DC;Fare -
f
â&#x20AC;&#x2DC;Fare -
cresc.
290
G Majestic q = 80 - wellâ&#x20AC;&#x2122;, she said,
â&#x20AC;&#x2DC;ye
mai - dens
- wellâ&#x20AC;&#x2122;, she said,
â&#x20AC;&#x2DC;ye
- wellâ&#x20AC;&#x2122;, she said,
- wellâ&#x20AC;&#x2122;, she said,
â&#x20AC;&#x2DC;ye
G Majestic q = 80
fell
fell in;
fell in;
fell in;
all
And
all
take warn
Hence - forth
take warn
Hence - forth
291
shun the
shun the fault
I
shun the fault
shun the fault
I
I
take warn - ing
by
the
fall
Of
ing
by
the
fall
Of
ing
by
the
ing
by
the
fall
-
-
-
f marc.
take warn
Hence - forth
And
in;
fault I
And
And
ff molto pesante
84
all
all
mai - dens
mai - dens
mai - dens
â&#x20AC;&#x2DC;ye
13
fall
Of
81
Of
14
cru - el Bar - bara
cru - el Bar - bara
poco rit.
Al - len,
Al - len,
cru- el Bar- bara Al - len,
cru - el Bar - bara
cresc.
of
of
cru - el Bar - bara
Al - len,
ff
ff
of
cru - el Bar - bara
Al - len,
cresc.
ff
of
cru - el Bar - bara
Al - len,
poco rit.
a tempo
92
Al - len,
ff
cru - el Bar - bara cresc.
cresc.
Al - len,
a tempo
ff
87
292
(loco)
f
poco rit.
dim.
99
(A.)
-
-
mp
-
mp
-
-
-
Al
mp
of mp
cru - el Bar - bara
of
cru - el Bar - bara
Bar - bara
Al - len.â&#x20AC;&#x2122;
pp
pp
len.â&#x20AC;&#x2122;
len.â&#x20AC;&#x2122;
pp
-
pp
len.â&#x20AC;&#x2122;
293
p
pp
len.â&#x20AC;&#x2122;
Al
-
mp
Al
(S.)
Slower, thoughtful q = 66
Al
SOLO SOPRANO
15
Slower, thoughtful q = 66
poco rit.
95
294
Bernard Hughes IF WE SHADOWS HAVE OFFENDED for SATB choir unaccompanied
NOVELLO 295
If we shadows have offended, Think but this, and all is mended, That you have but slumbered here While these visions did appear. And this weak and idle theme, No more yielding but a dream, Gentles, do not reprehend: If you pardon, we will mend: And, as I am an honest Puck, If we have unearned luck Now to 'scape the serpent's tongue, We will make amends ere long; Else the Puck a liar call; So, good night unto you all. Give me your hands, if we be friends, And Robin shall restore amends. William Shakespeare (A Midsummer Nightâ&#x20AC;&#x2122;s Dream Act 5 Scene 1)
Duration: circa 2 minutes
296
If we shadows have offended William Shakespeare A Midsummer Nightâ&#x20AC;&#x2122;s Dream V:i
Bernard Hughes (b. 1974)
Broadly q = 56 SOPRANO
ALTO
3 4
p
3 4
p
If
If
TENOR
BASS
3 4
p
3 4
p
If
If
we
mp
p
sha - dows have of - fend - ed, mp
we
sha - dows have of - fend - ed,
Think but this, and
sha - dows have of - fend - ed,
Think but this, and
4
sha - dows have of - fend - ed,
Think but this, and
3 4 3 4
mp
mend
p
-
ed,
mp
mend
-
ed,
you
have
but
slum - bered
That
-
ed,
That
you
have
but
slum - bered
ed,
That
here mf
you
have
but
slum - bered
p
-
here mf
p
mp
mend
mf
p
mp
mend
That
here mf
you
have
Š Copyright 2015 Novello & Company Limited. All Rights Reserved. International Copyright Secured. Not for rental or hire by third parties.
297
all
is
all
is
all
is
p
Broadly q = 56 PIANO ( for rehearsal only)
is
p
mp
we
all
p
mp
we
Think but this, and
but
slum - bered
here
2 7
p
mf
mp
ah
While these vi - sions did ap - pear. p
mf
mp
ah
While these vi - sions did ap - pear. p
mf
mp
ah
While these vi - sions did ap - pear. p
mf
mf
While these vi - sions did ap - pear.
And this weak and
i - dle
11
ah
ah
ah
ah
ah
ah
theme,
No more yield- ing but
a
298
dream,
Gent - les, do not rep - re -
3 15
ah
ah
ah
ah
ah
ah
- hend,
19
if
mp
Else the Puck
a
li - ar
mp
Else the Puck
a
li - ar
mp
Else the Puck
a
li - ar
mp
Else the Puck
a
li - ar
you
par - don
we
will
mend:
mf
mp
call;
So, good night un - to
mf
mp
call;
So, good night un - to
mf
mp
call;
So, good night un - to
mf
mp
call;
So, good night un - to
mf
you
all. mf
you
all. mf
you
4 4
all. mf
you
4 4
all.
4 4 4 4 4 4 4 4
299
4 23
4 4
Give me
4 4
Give me
your hands, if
your hands, if
we
we
be
be
4 4 Give me
4 4
your hands, if
we
be
3 4
4 4
dim.
3 4
4 4
dim.
3 4
4 4
dim.
friends,
friends,
And
And
friends,
And
Ro - bin shall re - store a -
Ro - bin shall re - store a -
3 4 3 4
Ro - bin shall re - store a -
3 4
4 4
4 4
3 4
4 4
3 4
4 4
3 4
4 4
3 4
Give me
your hands, if
we
be
friends,
dim.
And
Ro - bin shall re - store a -
molto rall. 26
3 4
3 4
mp
- mends,
3 4
mp
3 4
mp
- mends,
- mends,
3 4
mp
- mends,
4 4 4 4 4 4 4 4
3 4
4 4
3 4
4 4
pp
and
p
Ro - bin
shall
re - store
a -
pp
mends. p
and pp
Ro - bin
shall
re - store
a -
mends. p
and
Ro - bin
shall
re - store
a -
mends.
pp
and
p
Ro - bin
shall
molto rall.
300
re - store
a -
mends.
3 4
Kevin Olson A SUMMER SONNET for SATB choir unaccompanied
NOVELLO 301
Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimm'd; And evâ&#x20AC;&#x2122;ry fair from fair sometime declines, By chance or nature's changing course untrimm'd; But thy eternal summer shall not fadey Nor lose possession of that fair thou owest; Nor shall death brag thou wander'st in his shade, When in eternal lines to time thou growest; So long as men can breathe or eyes can see, So long lives this, and this gives life to thee. William Shakespeare (Sonnet 18)
Duration: circa 4 minutes
302
A Summer Sonnet William Shakespeare Sonnet 18
With a cool, unhurried Latin feel q = 120
4 4
SOPRANO 1&2
4 4
ALTO 1&2
4 4
TENOR 1&2 (or BARITONE)
mf
dut mf
dah
dut
dah
mp
bah
4 4
BASS
Kevin Olson (b.1971)
dah dut
dut
dah
dut
dah dut
dut
dah
dut
bah dah
dah
dah
bah dah bah dah bah dah bah
mf
dah
dah
dah
dah
dah
dah
bah
With a cool, unhurried Latin feel q = 120
4 4
PIANO ( for rehearsal only)
4 4
3
dah
dah dut
dut
dah
dah bah dah
dah
dah dut
dut
dah
dah
bah dah
dah
bah dah dah
dah
dah
bah dah bah dah bah dah bah
dah
dah
Š Copyright 2015 Novello & Company Limited. All Rights Reserved. International Copyright Secured. Not for rental or hire by third parties.
303
bah dah
dah
bah dah
dah
dah
dah bah dah
dah bah dah
bah dah dah
dah
2 1.
6
bah dah bah dah bah dah bah dah
dah dah
dah bah dah bah dah bah dah
dah dah
dah
dah
dah
dah
dah
dah
dah
dah
dah dah
bah dah dut
dut
dut
dut
dut
dut
dut
bah dah dut
dut
dah 1.
2. SOLO TENOR mf
Shall
I
com - pare
thee
to
a
sum - merâ&#x20AC;&#x2122;s day?
mp S.
dut
dut
dah mp
dah
dah
dah
dut
dut
dah (mp)
dah
dah
dah
dut
dut
dut
dut
A.
T.
mp
bah dah
bah dah
bah dah
ba da dah dut
B.
dah
dah
dah
2.
304
dah
bah dah
dah
3 12
Thou
bah dah bah da bahdahdoo wot
dah
bah dah bah dah bah
doo wot
bah dah
dah
bah
dah
art more love - ly
and
dah
dah
dah bah dah
bah dah bah dah bah dah bah dah
dah
bah dah
dah bah dah
dah
dah
bah dah dah
dah
bah dah dah
dah
dah
15
more tem - per - ate:
dah
Rough
bah dah bah dah ba da doo wot
dut
dut
dah
dah bah dah ba da doo wot
dut
dut
dah
dah ba da doo wot
dut
dut
dut
dut
bah dah
dut
dah
dah
dah
305
dah
4 18
winds
do shake the
dar
ling buds
-
of
May,
dah
dah
dah
dah
bah dah bah dah bahdahdoo wot
dah
dah
dah
dah
bah dah bah dah bah
bah dah
dah
bah dah
dah
bah dah
dah
ba dadah dut
bah dah
dah
bah dah
dah
bah
doo wot
dah
dah
dah
21
And
sum - merâ&#x20AC;&#x2122;s lease
too short
dah
dah
dah
dah dah
dah
dah
dah
dah
bah dah bah dah
bah dah bah dah bah
hath all
bah dah
dah
bah dah dah
dah
306
dah
bah dah
bah dah
a
date:
boo dut
bah dah dut
dah dut
5 24
f S.
dut
bah dah dah doo wot
Some f
-
time
dut
bah dah dah doo wot
Some
-
time
too hot
the eye
too hot
the eye
A.
T.
mf
dah doo wot
mf
bah dah
bah dah
dah doo wot
dah mf
dah
dah
dah
dah
dah
B.
bah dah bah dah bah dah bah
27 S.
of
heav
-
en shines,
And
of
heav
-
en shines,
And
A.
T.
bah dah
ba da dah
ba da dah
dah
ba da dah
dah
bah dah dah
ba da doo wot
dah
dah
dut
dah
dah
bah dah dah bah
B.
bah dah
dah
dah
307
6 30
of
-
ten is
his gold
com - plex
-
ion dimmâ&#x20AC;&#x2122;d:
of
-
ten is
his gold
com - plex
-
ion dimmâ&#x20AC;&#x2122;d:
bah dah
bah dah
bah dah
dah
dah
dah
dah
dah
dah
bah dah
ba dadah
dah
dah
dah
dah
ba da da da
dah
bah dah
dah
dah
33
dut
dut
And
ev
-
â&#x20AC;&#x2122;ry fair
from fair
some-time
de- clines,
dut
dut
And
ev
-
â&#x20AC;&#x2122;ry fair
from fair
some-time
de- clines,
dut
dut
dut
dut
dut
dut
bah dah
dah
bah dah
bah dah
dah
dah
dah
dah
dah
dah
308
ba da dah dah
ba da da
bah dah
dah
dah
7 36
mp
dah
mf
By
ba da dah
dah
chance mp
bah dah dah
ba da doo wot
dah
dah
dut
dah
dah
bah dah dah bah dah
39
bah dah
dah
mp
or
na
dah dah
bah dah
mp
-
tureâ&#x20AC;&#x2122;s chang-
dah dah
bah dah dah
dah
dah
SOLO TENOR f
But thy e - ter - nal S.
bah
dut
dut
duh dut
duh dut
A.
-
T.
ing course
un - trimmâ&#x20AC;&#x2122;d.
dut
duh dut
duh dut
dah dah
dah
dut
dut
duh dut
duh dut
bah dah
dut
dut
duh dut
duh dut
dah
dut
dut
duh dut
duh dut
bah dah B.
bah dah
3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4
309
8 42
3 4 3 4
S.
3 4
A.
3 4
T.
3 4
B.
sum
-
mer
shall
not
f
sum f
-
mer
shall
not
sum f
-
mer
shall
not
sum f
-
mer
shall
not
sum
-
mer
shall
not
4 4 4 4 4 4 4 4 4 4
fade,
Nor lose pos - ses - sion
3 4 3 4
fade,
3 4
fade,
3 4
fade,
3 4
fade,
3 4
4 4
3 4
3 4
4 4
3 4
46
2 4 fair
thou
owe
-
(e)st;
fair
thou
owe
-
(e)st;
fair
thou
owe
-
(e)st;
fair
thou
owe
-
(e)st;
fair
thou
owe
-
(e)st;
Nor
310
of
that
of
that
of
that
of
that
of
that
3 4
shall death brag thou
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
2 4
3 4
wan
-
der’st
wan
-
der’st
wan
-
der’st
wan
-
der’st
wan
-
der’st
9 50
in
his
in
his
in
his
in
his
in
his
in
his
S.
A.
T.
B.
mf
4 4
shade,
When
4 4
in
e - ter
-
nal lines
shade,
4 4
shade,
mp
shade,
dah bah dah mp
shade, mp
dah
4 4 4 4 4 4
dah
dah
dah
dah
bah dah dah bah dah
bah dah
dah
bah dah
dah
dah
dah
4 4 4 4 54
to
time
thou grow
-
est;
mp
boo mp
dah
boo
dah
dah
bah dah
grow
-
est:
dah
grow
-
est:
(mp)
dah
dut
dah
bah dah dah
311
dah
10 58 S.
mp A.
Shall
mp
T.
mp
bah dah
bah dah
bah dah
dah
dah
dah
dah
dah
dah
ba da dah dah
ba da dah dah
B.
bah dah
dah bah
61
bah dah
dah bah
mp
I
com - pare
bah dah
thee to
bah dah
a sum -merâ&#x20AC;&#x2122;s day?
bah dah
dah
dah
dah
dah
dah
dah
Shall
I
com - pare
thee to
Shall
I
com - pare
thee to
ba dadah dah
bah dah
312
bah dah
bah dah
ba dadah dah dah
dah
dah
dah bah dah
dah
dah
11 64
a
sum -mer’s day? Shall I
a sum -mer’s day?
bah dah
Shall
I
ba dadah dah
com-pare
thee to
com -pare
thee to
bah dah
bah dah
ba dadah dah dah
dah
dah
dah bah dah
dah
dah
bah dah
a
sum -mer’s day? Shall
a sum -mer’s day?
bah dah
Shall
ba dadah dah
ba dadah dah
bah dah
dah bah
67
I
com - pare
thee to
I
com - pare
thee to
bah dah
bah dah
a
sum -mer’s day? Shall
a sum -mer’s day?
bah dah
dah
dah
dah
dah
dah
dah
Shall
I
com -pare
thee to
I
com -pare
thee to
ba da dah dah
bah dah
313
bah dah
bah dah
ba da dah dah dah
dah
dah
dah bah dah
dah
dah
12 70
mf
SOLO TENOR
Shall S.
a
sum -merâ&#x20AC;&#x2122;s day? Shall
I
com - pare
thee?
dut
dut
I
com - pare
thee?
dut
dut
dut
dut
A.
a sum -merâ&#x20AC;&#x2122;s day?
bah dah
T.
Shall
ba dadah dah
bah dah
bah dah
ba dadah dah dah
dah
dut
dut
dut
dah bah dah
dah
dut
dut
dut
B.
bah dah
dah
73
I
com - pare
thee
to
a
sum - merâ&#x20AC;&#x2122;s day?
S.
dah
dah
dah
dah
bah dah bah dah ba dadoo wot
dah
dah
dah
dah
bah dah bah dah bah
doo wot
bah dah
dah
A.
T.
bah dah
bah dah
bah dah
ba da dah dah
bah
B.
dah
dah
dah
bah dah
314
dah
dah
dah
dah
13 76
Thou
art
more love - ly
and
dah
dah
dah
dah
bah dah dah
dah
dah
dut
dah bah
dah
bah dah bah dah bah dah bah
dah
dah
bah dah dah
dah
dah
dah
bah dah
Rough winds
do shake the
bah dah
dah bah
dah
more tem - per - ate:
dah
79
dah
dar -
bah dah bah dah ba dadoo wot
dut
dut
dah
dah
dah
dah bah dah ba dadoo wot
dut
dut
dah
dah
dah
dah ba dadoo wot
dut
dut
dut
dut
dah
315
bah dah
dah
dah
bah dah
dah
dah
14 82
-
ling buds
of
May,
And
dah
bah dah bah dah ba dadoo wot
dah
bah dah bah dah bah doo wot
bah dah
ba dadah dah
bah dah
dah
bah dah
dah
bah
dah
dah
bah dah bah dah
dah
bah dah bah dah bah
85
sum - merâ&#x20AC;&#x2122;s lease
hath all
too
short
dah
dah
dah
dah dah
dah
dah
dah
dah
bah dah
dah
bah dah dah
dah
bah
dah
dah
bah dah
316
a
date:
too
short
a
all
too
short
a
bah dah bah
too
short
a
dah bah
too
short
a
15 88
So
long
as
men
can
breathe or
eyes
can
see,
date:
So
long
as
men
can
breathe or
eyes
can can
see, see,
date:
So
long
as
men
can
breathe or
eyes
can,
eyes
date:
So
long
as
men
can
breathe or
eyes
can,
eyes
can
date:
So
long
as
men
can
breathe or
eyes
can,
eyes
can
92
poco rit.
So
long lives
this,
and
this gives
dah
wah
see,
dah
wah
see,
dah
wah
see,
dah
wah
317
life
to
can
a tempo
thee.
(mp)
Shall
poco rit.
a tempo
16 96
q=120
(mp)
Shall (mp)
S.
Shall A.
I
T.
(mp)
(mp)
com - pare
bah
thee
dah
bah
to
a
dah
bah
sum
mer’s day?
-
dah
da
ba dah
dah
B.
dah
dah
q=120
dah
bah
dah
dah
98
I
com-pare
thee to
a
I (mp)
com-pare
thee to
a
I
com-pare
thee to
sum
-
mer’s day?
sum -mer’s day? Shall
a sum -mer’s day?
Shall
Shall
bah dah
dah
bah dah
dah
bah dah
dah
I
com-pare
thee to
I
com-pare
thee to
I
com-pare
thee to
da badah dah
bah dah
318
dah
bah dah
dah
bah dah
dah
dah
17 101
(mf )
SOLO TENOR
Shall
Shall I
com-pare
thee to
a
sum-mer’s day? Shall I
com-pare
thee to
a
com-pare
thee to
sum
-
I
com -
mer’s day?
S.
a
sum-mer’s day? Shall
A.
a sum-mer’s day?
a
sum
Shall
-
I
a sum-mer’s day?
Shall
mer’s day?
Shall
T.
bah dah
da ba dah dah
bah dah
bah dah
bah dah
da badah dah
B.
bah dah
dah
dah
dah
319
dah
bah dah
dah
18 104
Solo Tenor may improvise melody on repeats
- pare
thee
to
I
com-pare
thee to
I
com-pare
thee to
I
com-pare
thee to
bah dah
dah
bah dah
dah
a
a
sum
I
com-pare
thee to
sum -mer’s day? Shall
I
com-pare
thee to
I
com-pare
thee to
a sum -mer’s day?
a
mer’s day?
Shall
sum
bah dah
dah
-
Shall
-
mer’s day?
da badah dah
bah dah
320
dah
bah dah
dah
bah dah
dah
dah
19 107
Shall
a
sum
a
-
I
com - pare
Shall
Shall
bah dah
dabadah dah
bah
dah
to
a
sum
-
mer’s day?
mer’s day?
sum -mer’s day? Shall
a sum -mer’s day?
thee
dah
Shall
I
com-pare
thee to
I
com-pare
thee to
I
com-pare
thee to
bah dah
dah
dah
321
bah dah
dah
a
sum -mer’s day? Shall
a sum -mer’s day?
a
sum
bah dah
Shall
-
mer’s day?
ba dadah dah
bah dah
dah
20 110
Shall
S.
I
com - pare
thee to
a
I
com - pare
thee to
a
I
com - pare
thee to
sum
-
I
thee
com - pare
mer’s day?
sum -mer’s day?
A.
a sum -mer’s day?
T.
bah dah
bah dah
bah dah
ba da dah dah
B.
dah
dah
bah dah
dah
dah
Slower, freely 113
mp
to mp
fp
a,
to
a
sum - mer’s
day?
fp day?
S.
fp
to mp
a,
to
a
sum - mer’s
to mp
a,
to
a
sum - mer’s
to
a,
fp
day?
A.
day? fp
day?
T.
to
a
sum - mer’s
fp
day? fp
mp B.
to
a
Slower, freely
to
a
sum - mer’s
322
day?
Tarik Oâ&#x20AC;&#x2122;Regan I LISTEN TO THE STILLNESS OF YOU for SATB choir unaccompanied
NOVELLO 323
‘I listen to the stillness of you’ for SATB choir unaccompanied from Mass Observation by Tarik O’Regan
Mass Observation was commissioned for the University of Michigan Chamber Choir, Jerry Blackstone, conductor, thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund, and the Barbara Abramoff Levy Fund
I listen to the stillness of you, My dear, among it all; I feel your silence touch my words as I talk, And take them in thrall.
My words fly off a forge The length of a spark; I see the night-sky easily sip them Up in the dark.
from Listening, published in Amores (1916), by D. H. Lawrence (1885–1930)
Duration: c. 3 ½ minutes
Order Number: NOV166661
324
325
326
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327
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328
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329
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2
O Waly Waly Somerset folksong
arr. Robert Rice (b. 1971)
Adagio q = 40
3 4
SOPRANO
3 4
ALTO
3 4
TENOR
p
do
mp
The wat - er
3 4
BASS
is
do
do
wide, p
do
do
do
do
do
I can - not
get
o’er,
do
do
do
do
do
do
do
do
And neith - er
do
do
do
do
Adagio q = 40
3 4
PIANO ( for rehearsal only)
3 4
3
do
do
do
have
do
do
do
do
do do
do
I wings to
fly,
do
do
do
do
do
Give me
do
do
‘do’ should be sung with a long ‘oo’. © Copyright 2015 Novello & Company Limited. All Rights Reserved. International Copyright Secured.
330
do
a
boat
do
do
do
do
do
that will car - ry
do
do
do
do
3 6
p
mp
do do do
do do
do
Oh down in the stagger breathing
do
do
oo stagger breathing p
two,
do
And both shall row,
do do
do
do
my
love and
do
I.
oo
do do
do do
do
do do
do do
10
mea
-
dow the oth - er
do do do
do do
day,
do
A -gath -â&#x20AC;&#x2122;ring flowers
do do do
do
331
both fine and
do do do
do do
gay,
do
A -gath -â&#x20AC;&#x2122;ring
do do do do
4 14
flowers
both red and
do do do
blue,
do do
18
do
I
lit - tle thought what
do do do do
love can
do do do do do do
do do do
do.
do do do
do do
mp
do
do
do
do
do
do
do
do
do
do
do
do
do
do
poco f
I leanâ&#x20AC;&#x2122;d my
back
up a - gainst some
oak,
do
do
do
do
do
do
Think - ing that
mp
do
do
do
do
do
do
mp
do
do
do
do
do
do
332
do
do
5 21
do
do
do
he
do
do
do
do
was a trust - y
do
do
do
do
do
do
tree,
do
But first
do
do
do
do
do
do
do
do
he
bend
do
do
do
24
do
do
do
ed and then he
-
do
do
do
do
do
did my false
love
to
do
cresc.
do
do
broke,
do
So did
And so
did
my false love
my
to
false
me,
love
so
to
me,
did
cresc.
do
do
do
do
do
do
do
do
do
do
do
do
do
do
do
do
to
me,
cresc.
do
So
did
333
my false love
do
6 27
f
me,
my false
love to
me.
my false love to
me.
ah
so did my false
love to
A ship there
is, f
and she sails the
ah
f
me, ah
A
ship there
f
ah
dm
dm
dm
30
sea,
Sheâ&#x20AC;&#x2122;s
load - ed
deep
as deep
can
be,
But not
ah
is,
dm
and she sails the
dm
dm
as
ah
sea,
dm
Sheâ&#x20AC;&#x2122;s load - ed
dm
334
dm
deep
dm
as
dm
deep
dm
7 33
dim.
deep
as the love
I’m
in,
I
know not
if
I
sink or
swim.
dim.
I
sink
or
dim.
can be,
Not
as
deep
as the love
I’m
in,
I sink or
swim,
dm
dm
or
dim.
dm
dm
37
dm
dm
dm
dm
dm
dm
dm
mf
Oh love
is
hand
some and love
is
fine,
is hand- some and love
is
fine, And
-
And love’s a
mf
swim.
Oh
love
love’s
mf
swim.
Oh love
is hand
-
some
and
love
is
fine, And love’s a
mf
Oh
love
is
hand
-
some and love
335
is
fine,
And love’s a
8 rit.
40
jew
a
jew
jew
el
while it
jew - el
while it
-
el
-
-
el
is
while
new,
it
while it
is
new,
But
when it
is
old,
it grow - eth
is
new, But
when it
is
old,
it grow - eth
is
new,
But when it
is
old,
it grow - eth
when it
is
old,
it grow - eth
But
rit.
43
dim. al niente
cold,
And fades
a
-
a
-
a
-
way
a
-
way
like
way
morn - ing
dew.
dim. al niente
cold,
And fades
way
like
morn
-
-
ing
dew.
like
morn
-
-
ing
dew.
dim. al niente
cold,
And fades dim. al niente
cold,
And fades
like
morn - ing
dew.
Novello & Company Limited
Order no. NOV166573
336
14/15 Berners St, London W1T 3LJ www.musicsalesclassical.com
Richard Allain ADVENT ANTIPHON: O DAYSPRING for SSATBarB choir and soprano saxophone
NOVELLO 337
O Dayspring, Brightest of Light everlasting, And Sun of Righteousness: Come and enlighten him that sitteth in the darkness and the shadow of the earth. Antiphon to the Magnificat 21st December
Duration: circa 3 minutes
338
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343
344
345
346
347
348
349
350
A virgin most pure English traditional arr. Stephen Cleobury
1 q = c.132 SOPRANO G 4 ALTO
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355
-
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1 G 5
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56
Sa - viour
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357
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side!
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and be you
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B B B
Novello & Company Limited
Order no. NOV040106
361
14/15 Berners St, London W1T 3LJ www.musicsalesclassical.com
362
Julian Marshall IN DULCI JUBILO for SATB choir unaccompanied
NOVELLO 363
In dulci jubilo Now sing with hearts aglow! Our delight and pleasure Lies in praesepio, Like sunshine is our treasure Matris in gremio. Alpha es et O! O Jesu, parvule, For thee I long always; Comfort my heartâ&#x20AC;&#x2122;s blindness, O puer optime, With all thy loving kindness, O princeps gloriae. Trahe me post te! O Patris caritas! O Nati lenitas! O Deeply were we stained Per nostra criminal; But thou for us has gained Coelorum gaudia. O that we were there! Ubi sunt gaudia In any place but there? There are angels singing Nova cantica, And there the bells are ringing In Regis curia. O that we were there! Anon.
Duration: c. 4 minutes
364
In dulci jubilo SOPRANO
6 8
ALTO
6 8
TENOR
6 8
BASS
6 8
q. = 48
JULIAN MARSHALL
mp
In dul - ci ju - bi - lo mp
Now sing with hearts
In dul - ci ju - bi - lo
Now sing with
p
a - glow!
hearts a - glow! mp
ah p
glow! mp
ah
glow!
6
Our de-light
and plea - sure Lies in prae - se - pi - o,
Like sun-shine is
Our de-light
and plea - sure Lies in
prae - se - pi - o,
sun-shine is
our
Our de - light and plea - sure Lies in prae - se - pi - o,
sun-shine is
our trea - sure
prae - se - pi - o,
sun-shine is
our trea - sure
Our de-light
and plea - sure Lies in
12
our trea - sure
trea - sure
mf
p
Ma - tris in
gre - mi -
o.
Al - pha es mf
et
O!
Al - pha es
et
O!
O p
Ma - tris in
gre - mi -
o.
Al - pha es
et
O!
Al - pha es
et
O!
O
et
O!
Al - pha es
et
O!
et
O!
Al - pha es
et
O!
mf
Ma - tris in
gre - mi
-
o.
Al - pha es
mf
Ma - tris in
gre - mi -
Š 2017 Novello & Company Ltd Not for rental or hire by third parties
o.
Al - pha es
365
2 18
Je - su, par - vu - le,
For thee
al - way;
Com - fort my heart's blind - ness, O
Je - su, par - vu - le,
For thee I long al - way;
Com-fort my heart's blind - ness, O
al - way;
Com - fort my heart's blind - ness, O
al - way;
Com - fort my heart's blind - ness, O
I long
p
ah
p
ah
24
mp
pu - er op - ti - me,
With all thy lov - ing kind - ness, O prin - ceps glo - ri - ae.
mp
30
pu - er op - ti - me,
With all thy lov - ing mp
kind - ness, O
pu - er op - ti - me,
With all thy lov - ing kind - ness, O prin - ceps glo - ri - ae. mp
pu - er op - ti - me,
With all thy lov - ing kind - ness,
mf
Tra - he me post
prin - ceps glo - ri - ae.
p
te!
Tra - he me
post te!
mf
O
Pa - tris ca
- ri - tas!
O
Pa - tris ca - ri - tas! p
O
p
Tra - he me post mf
te!
Tra - he me
post te!
Tra - he me post
te!
Tra - he
post te!
me
mf
Tra - he me post
prin-ceps glo - ri - ae.
O
mm
p
te!
Tra - he me
post te!
366
mm
O Pat - ris ca - ri -
3 36
Na - ti le - ni - tas!
O
Deep - ly were we stain - èd Per nos - tra cri - mi - na;
But
Na - ti le - ni - tas!
O
Deep - ly were we
stain - èd Per nos - tra cri - mi - na;
But
- tas
O le - ni - tas!
O
O le - ni - tas!
O
Deep-ly were we stain - èd Per
nos - tra cri - mi - na;
Deep - ly were we stain - èd Per nos - tra cri - mi - na;
42
Coe - lo - rum
gau - di - a.
O that we were
there!
gain - èd
Coe - lo - rum
gau - di - a.
O that we were
there!
us
has gain - èd
Coe - lo - rum
gau - di - a.
O
there!
us
has gain - èd
Coe - lo - rum
gau - di - a.
O
thou for us
has gain - èd
thou for us
has
thou
thou
48
we
there!
mf
O that we
were there!
U - bi sunt gau - di - a mf
In
an - y place
O that we
were there!
U - bi sunt gau - di - a mf
In
an - y
O that we were there!
ah
but
there?
place but
there?
there?
mf
O that we
were there!
ah
there?
367
4 54
There are an - gels sing - ing
No - va can - ti - ca,
And there the bells are ring - ing In
There are an - gels sing - ing
No - va can - ti - ca,
And there the bells are
There are an - gels sing - ing
No - va can - ti - ca,
there
bells are ring - ing
There are an - gels sing - ing
No - va can - ti - ca,
there
bells are ring - ing
ring - ing In
60
66
Re - gis cu - ri - a.
O that we were
there!
O that we were there!
Re - gis cu - ri - a.
O that we were
there!
O that we were
Re - gis cu
- ri - a.
O that we were
there!
O that we were there!
Re - gis cu
- ri - a.
O that we were
there!
O that we were
there!
there!
p
There are an - gels sing - ing
No - va
can - ti - na,
And there the bells are ring - ing In
p
There are an - gels sing - ing p
No - va can - ti - na,
And there the bells are
There are an - gels sing - ing p
No - va
can - ti - na,
And there the bells are ring - ing In
There are an - gels sing - ing
No - va can - ti - na,
And there the bells are ring - ing In
368
ring - ing In
5 72
pp
Re - gis
cu - ri - a.
O that we were there!
O that we werethere!
O that we were
pp
Re - gis cu - ri - a.
O that we were there!
O that we were there!
O that we were
pp
Re - gis cu - ri - a.
O
Re - gis cu - ri - a.
O
we
there!
O
there!
O
we
there!
O that we were pp
there!
O that we were
79
there!
O that we were there!
O that we were there!
O that we
were
there!
O that we were
O that we were there!
O that we
were
there!
O that we were there!
O that we were there!
O that we
were
there!
O that we were there!
O that we were there!
O that we
were
there!
rall.
85
there!
there!
there!
there!
No - va can - ti - na,
O that we were there!
No - va can - ti - na,
O
we
No - va can - ti - na,
O
we were there!
No - va can - ti - na,
O
we were there!
369
there!
to Victoria
Tomorrow shall be my dancing day Old Cornish poem Vivace
Gt. ORGAN
mp
Sw.
SOPRANO S. 4
8
did
so chance
To
my
mf
dan - cing day,
I
would my true love
Ch.
To - mor - row shall be
Trad. English arr. Stuart Nicholson
see
the le - gend of
my play,
© Copyright 2012 Novello & Company Limited. All Rights Reserved. International Copyright Secured.
370
4
To call
my true love
2
S. 12
to
A.
T.
B.
f
my dance. Sing f
Oh! my love, Oh! my
f
Sing f
Oh! my love, Oh! my
Sing
fp
Sing
16
have
Oh! my love, Oh! my
I done for my
This
mf
Sw.
Ch. 3
sing
Oh!
my
love,
sing
Oh!
my
love,
Sing!
love,
true love.
love,
This have I done for my true love.
mf This have I done for my true love. Sing! mp mf have mp
This mp
love,
fp
my true love.
I done for
mp
fp Oh! my love, Oh! my
love, fp
mp
371
3
21
sing Oh! my sing
Oh!
love,
my
love,
25
S.
SOPRANO
sing
Oh! my love,
Oh! my love,
Oh! my
sing
Oh! my
love!
sing
Oh! my
love!
love!
Ch.
a
vir - gin pure,
Of
Sw.
3
mf
I born of
Sing
sing
Then was mp legato
mf
her
I
took
flesh -
p legato ah A.
ALTO
p legato
ah
p
372
4
29
- ly sub - stance; Thus was
S. 33
to
f sub.
my dance. Sing
f sub.
A.
to
T.
B.
my dance. Sing
manâ&#x20AC;&#x2122;s na - ture, To mp
call
To
call
my true love
mp
To
call
4
Oh! my love, Oh! my
love,
fp
my true
love
fp Oh! my love, Oh! my
my true love
love,
f
Sing
Oh! my love, Oh! my
Oh! my love, Oh! my
fp
love,
373
love,
fp
mp
This
mp
This
f
Sing
to
I knit
mf
Sw.
Ch. 3
5
37
have
I
done
for
my
true love.
mf This have I done for my true love. Sing! mp mf have mp
I done
This have I done
for
for
my
my
true love.
true love.
mp
sing Oh! my
love,
love,
41
Sing!
mf
sing
Oh!
my
sing
Oh!
my
Sing Oh! my love!
love, sing Oh! my love, sing Oh! my love!
sing Oh! my
love, sing Oh! my love, sing Oh! my love!
sfz
Sing!
sfz
Sing!
374
Ch. 3
mf Sw.
6
46
S.
A.
In a man - ger
B.
laid
ah!
p
ah!
B.
p
my
love!
Oh!
my
love!
p
ah!
To call
my true love
O
sing.
O
sing.
Oh!
ry poor this
-
sil - ly poor ass,
Sing p
ve
an ox and a
So
Sing
was my chance, Be - twixt A.
50
p
and wrappâ&#x20AC;&#x2122;d I was,
p
T.
T.
TENOR SOLO mf
375
4
7 54
S.
A.
T.
B.
to my dance. fp f Sing f
Sing f
Sing
have mp
done
I done
for
my
for
my
for
my
true love.
true love.
Sing!
mf
Sing!
376
This mf
This
Sing,
mf
Sing!
sing
my
Oh!
sing
Oh!
my
mf
mp
mf
Ch. 3
Sing!
mp Sing, mp
true love.
fp
Sw.
love!
Oh! my love, Oh! my love!
This have I done for my true love. mp This have I done
love! fp
fp
I
Oh! my love, Oh! my love!
have
Oh! my love, Oh! my
Sing f
58
Oh! my love, Oh! my
8
62
mf
f
f
sing,
mf
love,
sing,
sing,
sing f
f
love,
Oh!
my
love,
sing
Oh!
my
love,
sing,
sing,
Oh! my love,
Oh! my love,
mf
sing,
Oh! my
Oh! my
cresc. sempre
sing! fp
love! fp fp
love!
sing!
Sw.
f
* f
To - mor - row shall be
my dan - cing day,
To - mor - row shall be f
my dan - cing day,
To - mor - row shall be
my dan - cing day,
To - mor - row shall be
my dan - cing day,
*f
I
I
I
I
Gt. to mixt.
mf
fp
66
3
f
Gt.
* Altos & basses may omit from bar 67, last beat, to the upbeat of bar 74.
377
9
70
would my true love
would my true love
did
did
so chance To
see
so chance To
see
would my true love did so chance To see would my true love
did
74
call
see
call
call
call
my true
love
to
love
to
my dance. Sing ff
the le - gend
of
my play,
the le - gend
of
my play,
the le - gend
my dance.
Sing Oh!
my true
love
to
my dance.
Sing Oh!
To
To
To
sing ff
4
love,
love,
sing
sing
Oh! my love, Oh! my
Gt.
to
my play,
Oh! my love, Oh!my ff
of
love
my play,
my dance. Sing
of
my true
Oh! my love, Oh!my
the le - gend
ff
my true
To
so chance To
f
sing
Sw.
378
Oh! my love, Oh! my
10
78
Oh! my love, Oh!my
love,
love,
Oh!
my love, Oh! my love, Oh! my love, Oh! my p sub. molto cresc.
Oh! my love, Oh! my love,
sing
cresc. p sub. molto
sing
Oh!
my love, Oh! my love, Oh! my love, Oh! my p molto cresc.
sing
Oh! my love, Oh! my love,
love,
fp 82
love! fp
love!
love!
love!
sing
Oh! my love, Oh! my love,
Sw.
fp
Sing! fp
Sing!
mp
mf
This mf
have
379
Oh! my love, Oh! my
molto cresc.
4
I done
for
my
true
love.
I done
for
my
true
love.
This have I done mf
for
my
true love.
for
my
true love.
This have mf
3
Ch.
4
p sub.
Oh! my love, Oh! my love, Oh! my mp molto cresc.
This have I done
86 mp
Sing, mp
Sing! mp mp
Sing,
Sing!
Oh!
my
love,
Sing
Oh!
my
love,
cresc.
sing,
Sing mf
sing, mf
mf
mp
mf
11
mf
sing f
Oh!
sing
Oh!
my
f
my
sempre cresc.
90
love, love,
sing, f
sing,
ff
Oh! my
Oh! my
love,
sing ff
Oh!
my
love!
sing
Oh!
my
love!
Oh!
my
love!
Oh!
my
love!
senza rit.
love,
ff
ff
senza rit.
f
ff
+ 32' reed
123456789
380
While Shepherds Watched NAHUM TATE
OWAIN PARK
ď ˘ ď ˘ď&#x20AC;ł ď&#x20AC;Śď ˘ ď ˘ ď&#x20AC;´
ď&#x201A;ˇ
ď&#x201A;ˇ
ď&#x201A;ˇ
ď&#x20AC;ż ď ˘ ď ˘ď&#x20AC;ł ď ˘ď ˘ď&#x20AC;´
ď&#x201A;ˇ
ď&#x201A;ˇ
ď&#x201A;ˇ
Lovingly q = 76
SOPRANO ALTO
TENOR BASS
Lovingly q = 76
ď ˘ ď&#x20AC;ł ď&#x20AC;Ś ď ˘ ď ˘ď ˘ ď&#x20AC;´
ORGAN
(Sw.) p
ď&#x20AC;ż ď ˘ď ˘ ď ˘ ď&#x20AC;´ď&#x20AC;ł ď ˘ Solo mp
ď Ş
ď Ş
Ped.
ď ˘ď ˘ ď&#x192;&#x17D; S ď ˘ď ˘ A ď&#x20AC;Ś 4
T B
ď&#x20AC;ż ď ˘ď ˘ ď ˘ď ˘
ď&#x192;&#x17D;
ď ˘ď ˘ ď ˘ ď&#x20AC;Ś ď ˘ 8
S A
ground,
T B
ď&#x20AC;żď ˘ ď ˘ ď ˘ď ˘ ď&#x192;&#x17D; ď&#x192;&#x17D;
ď&#x201A;ˇ
ď Ş
mp
the
their
A
mp
ď&#x192;¤ ď Ş
an - gel of
the
Copyright Š 2016 Novello & Company Limited Not for rental or hire by third parties.
ď&#x201A;ˇ
381
the
ď&#x201A;ˇ
mf ď&#x192;&#x17D; glo - ry shone
ď Ş
a -
ď&#x192;&#x17D; ď&#x192;&#x17D;
ď&#x201A;ˇ
Lord came down and
ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘ ď&#x20AC;ż ď ˘ď ˘ ď ˘ ď ˘
ď Ş
seat - ed on
(Sw.)
ď&#x201A;ˇ
all
ď&#x201A;ˇ
ď Ş
flocks by night
ď&#x201A;ˇ
ď&#x192;&#x17D;
While shep-herds watched
ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘ ď&#x20AC;ż ď ˘ď ˘ ď ˘ ď ˘
A ď Ş ď&#x192;¤ mp
round.
â&#x20AC;&#x2DC;Fear
â&#x20AC;&#x2DC;Fear
2
S
B 13 ď ˘ ď ˘ ď ˘ ď&#x20AC;Śď ˘ ď ˘
not,â&#x20AC;&#x2122;
A
ď ˘ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ ď ˘
mp ď &#x160; said he (for mp
not,â&#x20AC;&#x2122;said he
ď ˘ď ˘ ď&#x20AC;Śď ˘ ď ˘ not,â&#x20AC;&#x2122; said ď ˘ ď&#x20AC;żď ˘ B ď ˘ ď ˘ď ˘
T
not,' said he
(for
he (for
ď&#x20AC;ż ď ˘ď ˘ ď ˘ ď ˘ ď ˘
S
C 17 ď ˘ď ˘ ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘ ď&#x20AC;Śď ˘ ď ˘ tid - ings of
A
ď ˘ď ˘ T ď&#x20AC;Śď ˘ ď ˘ tid - ings of ď&#x20AC;żď ˘ B ď ˘ ď ˘ď ˘ tid - ings of
tid - ings of
ď&#x20AC;ż ď ˘ď ˘ ď ˘ ď ˘
dread
had
(for
might - y dread had
ď ˘
mp
ď ˘
ď ˘ ď ˘
joy
great
joy
great
great
great
I bring
I bring
joy
joy
I bring
I bring
to
to
to
to
Solo
382
ď&#x192;¤
ď Ş ď&#x192;¤
ď Ş
ď&#x192;¤
seized their trou - bled
might - y dread had
C ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘ f
might - y dread had
ď ˘ ď ˘ mp
B ď Ş ď ˘ď ˘ď ˘ ď ˘ ď ˘ ď&#x20AC;Ś ď ˘ For rehearsal only
seized
seized
ď Ž
seized
mind);
their
mind);
you and all
you and all
â&#x20AC;&#x2DC;Glad
f
â&#x20AC;&#x2DC;Glad
ď&#x192;¤ f
mind);
â&#x20AC;&#x2DC;Glad
man
you and all
f
ď Ş
you and all
â&#x20AC;&#x2DC;Glad
their mind);
their
f
man
man
man
-
-
-
-
ď&#x192;&#x17D;
ď&#x192;&#x17D;
kind.â&#x20AC;&#x2122;
kind.â&#x20AC;&#x2122;
ď&#x192;&#x17D;
kind.â&#x20AC;&#x2122;
kind.â&#x20AC;&#x2122;
mf
ď&#x192;&#x17D;
ď Ş
ď ˘ď ˘ ď ˘ ď&#x20AC;Ś ď ˘
ď&#x201A;ˇ
ď ˘ď ˘ ď&#x20AC;Śď ˘ ď ˘
ď&#x201A;ˇ
21
S
A
ď&#x201A;ˇ
ď&#x192;&#x17D; ď&#x192;&#x17D;
ď&#x201A;ˇ
ď&#x192;&#x17D; ď&#x192;&#x17D;
D mp 'To mp
you in
T
B
ď ˘ď ˘ ď&#x20AC;Śď ˘ ď ˘
ď&#x201A;ˇ
ď&#x20AC;ż ď ˘ď ˘ ď ˘ď ˘
ď&#x201A;ˇ
ď&#x201A;ˇ
ď ˘ď ˘ ď&#x20AC;Śď ˘ ď ˘
town this day
B
ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘
ď&#x20AC;ż ď ˘ď ˘ ď ˘ ď ˘
is
ď &#x160;
born of
ď&#x20AC;ż ď ˘ ď ˘ ď ˘ď ˘
ď Ş
Ah
ď ˘ď ˘ ď&#x20AC;Śď ˘ ď ˘
ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘
ď&#x192;&#x17D;
ď&#x201A;ˇ
ď Ş
25
T
mp
ď&#x192;&#x17D;
Ah
D
mp
mp
mp
mp
Da - vid's
383
line
a
Ah
Ah
Ah
mp
Ah
ď&#x20AC;ż ď ˘ď ˘ ď ˘ ď ˘
A
ď&#x192;&#x17D;
Da - vid's
Ah
ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘
S
ď&#x192;&#x17D;
mp
Ah
3
For mp rehearsal only
Sav - iour, who
is
4
ď ˘ď ˘ ď ˘ ď&#x20AC;Ś ď ˘ 29
S
Christ the Lord;
A
T
ď ˘ď ˘ ď&#x20AC;Śď ˘ ď ˘
ď ˘ď ˘ ď&#x20AC;Śď ˘ ď ˘
ď&#x20AC;ż ď ˘ď ˘ ď ˘ ď ˘
ď ˘ď ˘ ď&#x20AC;Śď ˘ ď ˘ 33
S
there shall find
A
ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘
find
T
B
and
and
ď&#x20AC;żď ˘ B ď ˘ ď ˘ď ˘ ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘
and
and
this shall be
the
this shall be
this shall be
this shall be
hu - man view
ď ˘ ď ˘ ď ˘ ď&#x20AC;Śď ˘ ď ˘ there shall find
ď&#x20AC;ż ď ˘ ď ˘ ď ˘ ď ˘ď ˘
hu
you shall find
to
hu
-
mans
ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘
ď ˘ ď ˘
ď&#x20AC;ż ď ˘ď ˘ ď ˘
ď ˘
to
hu
-
mans
dis
ď Ş -
ď Ž
mans
ď Ş ď Ž
dis
heav'n - ly
-
-
The
384
heav'n
f
The
E
ď ˘ ď ˘
mf
played,
all
mf
ď Ş ď&#x192;¤
ď&#x192;¤
ď&#x192;¤
played,
Ah
mf
ď &#x160;
ď&#x192;¤ ď&#x192;¤
ly
babe you
babe
you'll
ď ˘
ly
babe you
ď ˘
mean - ly wrapped in
Ah
ď Ş
mf
babe
ď ˘
Ah
mf
played,
heav - en - ly
f
ď&#x192;¤
-
-
ď &#x160;
ď ˘
dis - played,
-
ď ˘
f
The
sign:
sign:
dis
heav'n
the
The f
sign:
E ď ˘
sign:
the
to
the
f
to
5
ď ˘ď ˘ ď&#x20AC;Śď ˘ ď ˘ 37
S
mp
swath - ing bands, and
A
T
ď ˘ď ˘ ď&#x20AC;Śď ˘ ď ˘
ď&#x20AC;żď ˘ B ď ˘ ď ˘ď ˘ ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘ ď&#x20AC;ż ď ˘ď ˘ ď ˘ ď ˘
S A
ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘ ď&#x192;&#x17D;
in a man - ger
ď&#x192;&#x17D;
ď&#x201A;ˇ
ď&#x201A;ˇ
ď&#x192;&#x17D;
ď&#x201A;ˇ
ď&#x201A;ˇ
ď&#x192;&#x17D;
ď&#x201A;ˇ
ď&#x201A;ˇ
laid.'
mp
strong mf DESCANT (Solo or semi-chorus)
ď ˘ď ˘ ď&#x192;&#x17D; ď&#x20AC;Śď ˘ ď ˘
ď&#x192;&#x17D;
ď&#x20AC;ż ď ˘ď ˘ ď ˘ď ˘ ď&#x192;&#x17D;
Thus
ď&#x192;&#x17D; ď&#x192;&#x17D;
Thus
spake the ser - aph,
and forth - with
spake the ser - aph,
and forth - with
ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘ ď&#x20AC;ż ď ˘ď ˘ ď ˘ ď ˘
strong mf
F
mp
ď&#x201A;ˇ
in a man - ger
ď&#x201A;ˇ
laid.'
mp
ď&#x192;&#x17D;
laid.'
mp
and
laid.'
in a man - ger
and
strong mf T B
and
42
S
ď ˘ď ˘ ď&#x20AC;Śď ˘ ď ˘
in a man - ger
mp
F
ď Ş
385
mf
throng
of
ap - peared a shin - ing
ap - peared a shin - ing
ď Ş
throng
of
6
ď ˘ď ˘ ď ˘ ď ˘ ď&#x20AC;Ś
S
ď &#x160;
f
47
an
S A
ď&#x20AC;
ď&#x20AC;
ff ď ˘ď&#x20AC;ž ď ˘ ď ˘ ď ˘ ď&#x20AC;Ś ď ˘
ď ˘ ď ˘ ď ˘ď&#x20AC;ž ď&#x20AC;Śď ˘ ď ˘ ff
glo
glo
-
-
glo - ry
be
ď ˘ď ˘ď&#x20AC;ž ď&#x20AC;Śď ˘ ď ˘ glo - ry ff ď&#x20AC;ž ď&#x20AC;ż ď ˘ ď ˘ B ď ˘ ď ˘ď ˘ ff
T
glo - ry
ď ˘ ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘ ď&#x20AC;ż ď ˘ď ˘ ď ˘ ď ˘ ď ˘ ff
be
ad
-
f
ry
God on high, and
be
to
be
God
to
to
ď ˘
f
f
ď ˘ ď ˘
to
cresc.
to
to
ď ˘
f
386
peace;
earth
ď Ž
ď &#x160;
earth
be
ď Ş earth
be
ď Ş
be
peace;
good
'All
to
ď&#x192;&#x17D;
peace;
and
be
ď&#x192;&#x17D;
be
God
earth
'All
song:
the earth
to
f
the
God on high, and
ď ˘
ful
to
-
ď&#x192;&#x17D;
song:
and f
their
dressed their joy
ď &#x160;
to
cresc.
God on high, and
be
who ad - dressed
cresc.
ry
ď ˘ ď&#x20AC;ž ď&#x20AC;Ś ď ˘ ď ˘ď ˘ ď ˘ ff
A
God,who thus
ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘ ď&#x20AC;
51
God,
ď&#x20AC;ż ď ˘ď ˘ ď ˘ď ˘
ď&#x20AC;ż ď ˘ď ˘ ď ˘ ď ˘
S
prais - ing
an - gels prais - ing
f
S
gels
ď ˘ď ˘ ď&#x20AC;Śď ˘ ď ˘ f
T B
-
good
good
peace;
good
peace;
good
ď&#x20AC;ž ď ˘ď ˘ ď ˘ ď&#x20AC;Ś ď ˘
55
S
will
S A
T B
from
ď ˘ď ˘ ď&#x20AC;Ś ď ˘ ď ˘
ď&#x20AC;ż ď ˘ ď ˘ ď ˘ď ˘
will
hence
ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘
58
-
-
en
be
heav'n to
heav
from
ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘
S
will hence- forth
ď&#x20AC;ż ď ˘ď ˘ ď ˘ ď ˘
men
mf
forth
be
-
and
nev
-
gin
and
nev
-
er
-
er
be
-
gin
and
nev
mf
-
gin
ď&#x201A;ˇ
ď&#x192;&#x17D;
mf
7
rall.
ď&#x201A;ˇ
er
ď&#x20AC;´ď&#x20AC;´
ď&#x201A;ˇ
cease.'
ď ˘ď ˘ S ď ˘ď ˘ A ď&#x20AC;Ś ď&#x20AC;ż ď ˘ď ˘ ď ˘ ď ˘
ď&#x192;&#x17D;
ď&#x192;&#x17D;
mp
cease.'
T B
ď&#x192;&#x17D;
ď&#x192;&#x17D;
ď&#x192;&#x17D;
ď&#x192;&#x17D;
cease.'
ď ˘ ď&#x20AC;Ś ď ˘ ď ˘ď ˘ ď&#x20AC;ż ď ˘ď ˘ ď ˘ ď ˘
ď Ş
(TUTTI)
be
-
mp
387
gin and nev
-
er
ď&#x192;&#x17D;
ď&#x20AC;´ď&#x20AC;´
ď&#x192;&#x17D;
ď&#x20AC;´ď&#x20AC;´
ď ˘
ď&#x20AC;´ď&#x20AC;´
ď ˘ ď ˘
ď&#x20AC;´ď&#x20AC;´
cease,
rall.
8
ď ˘ ď ˘ď&#x20AC;´ ď&#x20AC;Śď ˘ ď ˘ ď&#x20AC;´ ď&#x192;Ž
S A
Adagio
ď &#x2022; ď&#x192;&#x17D;
62
p T B
ď&#x20AC;ż ď ˘ ď ˘ď&#x20AC;´ ď ˘ď ˘ď&#x20AC;´ ď&#x192;Ž
ď &#x2022; ď&#x192;&#x17D;
ď &#x2022; ď ˘ď ˘ď ˘ ď&#x20AC;´ ď ˘ ď&#x20AC;Ś ď&#x20AC;´ ď ˘ ď ľ
ď &#x2022; ď&#x192;&#x17D;
ď &#x2022; ď ˘ ď&#x20AC;ż ď ˘ď ˘ ď ˘ ď&#x20AC;´ď&#x20AC;´ ď ˘ ď ˘ ď ľ
T B
ď&#x20AC;ż ď ˘ď ˘ ď ˘ď ˘
ď&#x201A;ˇ
ď&#x20AC;ż ď ˘ď ˘ ď ˘ ď ˘
-
be
-
gin
nev
and
gin
-
and
nev
er
-
er
ď&#x20AC;´ď&#x20AC;ł ď&#x20AC;´ď&#x20AC;ł
cease.
cease.
Tempo primo
ď&#x192;&#x17D;
ď&#x201A;ˇ
ď&#x20AC;´ď&#x20AC;ł
ď&#x192;&#x17D;
ď&#x201A;ˇ
ď&#x20AC;´ď&#x20AC;ł
ď&#x192;Ž
p
rall.
ď Ş
ď Ş
ď&#x201A;ˇ
ď&#x201A;ˇ
ď &#x2022; ď&#x201A;ˇ
ď&#x201A;ˇ
ď&#x201A;ˇ
ď &#x2022; ď&#x201A;ˇ
rall.
mp
p
mp Solo
mp Ped.
ď&#x201A;ˇ
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Tempo primo
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ALPHONSE LEDUC A S S O C I AT E D M U S I C P U B L I S H E R S BOSWORTH CHESTER MUSIC LE CHANT DU MONDE J. CURWEN DUNVAGEN EDITION WILHELM HANSEN EDWIN ASHDOWN
MUSIC SALES N O V E L L O & C O M PA N Y PA T E R S O N ’ S P U B L I C A T I O N S ST ROSE PUBLISHING G. SCHIRMER THAMES PUBLISHING UNIÓN MUSICAL EDICIONES
PUB33418