Music Sales Choral Binder 2018-19

Page 1

The Music Sales Group

CHORAL BINDER 2018-19

SACRED, SECULAR AND CHRISTMAS



Music Sales Choral Binder 2018-19 All titles listed are SATB unless otherwise stated * With Accompaniment Page

Title

Catalogue Code

SACRED 3 Geoffrey Burgon: And there was war in heaven (Upper Voices)* 15 John Joubert: O eternal God 27 Paweł Łukaszewski: Ave maris stella 41 Paweł Łukaszewski: Missa Brevis (SSA)* 65 Matthew Martin: The Fifth Service* 79 Matthew Martin: Psalm 150* 95 Paul Mealor: If ye love me (Upper Voices)* 101 Paul Mealor: Missa Sancta Maria Tota Bona 121 Paul Mealor: The Selwyn Service (Magnificat and Nunc Dimittis)* 151 Nico Muhly: Lord, keep us modest when we claim* 157 Nico Muhly: Marrow 171 Tarik O’Regan: Alleluia, laus et gloria 187 Owain Park: For the Fallen 201 Owain Park: Justorum animae 211 Owain Park: A Prayer of Thomas Ken 219 Anna Thorvaldsdottir: Heyr þú oss himnum á 227 Ian Venables: Requiem aeternam* 237 James Whitbourn: Beatus vir 247 James Whitbourn: Set me as a seal upon thine heart*

CH73711 NOV296813 CH87021 CH87032 NOV297033 NOV297044 NOV296758 NOV296780 NOV296736 SRO100138 SRO100164 NOV296637 NOV167145 NOV296879 NOV296516 CH86900 NOV296956 CH86658 CH86636

259 269 280 295 301 323 330

SECULAR Peter Dickinson: Lullaby (from The Unicorns) Gabriel Fauré (arr. Wikeley): Chanson d’Amour* Edward Gregson: The Sad Tale of Barbara Allen* Bernard Hughes: If we shadows have offended Kevin Olson: A Summer Sonnet Tarik O’Regan: I listen to the stillness of you arr. Robert Rice: O Waly, Waly

NOV166826 NOV166958 NOV167057 NOV166155 NOV166716 NOV166661 NOV166573

337 345 351 363 370 381

ADVENT & CHRISTMAS Richard Allain: Advent Antiphon: O Dayspring* Howard Blake: Walking in the Air (AATBarBarB) arr. Stephen Cleobury: A virgin most pure* Julian Marshall: In dulci jubilo Stuart Nicholson: Tomorrow shall be my dancing day* Owain Park: While shepherds watched*

NOV296934 CH87120 NOV040106 NOV296791 NOV167079 NOV296692

Should you have any queries about any of these works or others in the Music Sales choral catalogue, please contact choral@musicsales.co.uk.

1


2


AND THERE WAS WAR IN HEAVEN XII REVELATION vii

GEOFFREY BURGON (1970/2008)

  SOPRANO 1  

   

Moderato h = 80

SOPRANO 2

Moderato h = 80

  

ORGAN

p

3

3

         3

3

  

PEDALS

p

3

  mp           5

And there was war in

3

3

3

                              

 

        

hea - ven,

And there was war in

          mp

And there was war in

  

hea -

 3

3

         

3

     

ven,

© 2008 Chester Music Limited

3

3

hea - ven,

    

 3

G.P.

3

3



3

           

G.P.

 


2

  

 

10

 

più f

     

And there was war

in

   hea - ven,

più f

     

And there was war in

               

mp 3

3

        mp

   mp       14

And there was war

in

      hea -

hea -

    

 

 

Mi - chael

and his

f

ven:

f

3

3

3

4

an - gels fought the

 

   

Mi - chael

and his

an - gels fought the

 

8ft

3

   

   

       

3

    



 3

3

ven:

 

 

3

                

 

  

3

3

f


3

      

 

   

18

dra -



dra -

    

gon;

gon;

           3

     

 3

3

3

3

     

3

and the

dra - gon

 

 

and the

dra - gon

      

3

3

3

3

                                     

f

23     

fought

    

fought

      and his

And pre -

 

an - gels,

And pre -

           3

 

an - gels,

     

and his

3

3

      

 3

3

3

3

3

3

3

                                     

5


4

   



28

- vailed

dim.

dim.

not;

      - vailed

   

  

not;

    dim.

3

3

  

 3

3

3

               

dim.

  mp      32

   

nei - ther was their place found a - ny

 

mp

   

3

3

3

       

   

   

   

more in

   

      

hea -

nei - ther was their place found a - ny

mp

      





ven.

more in hea -

ven.

     

   

    

    

   



  

 

 

 

 





6




5

  37

p

      

And the great dra - gon



was cast

p

 

      

And the great dra - gon

 

was cast

                                  pp            p

    

   

44

out,

    

  

    the

De - vil,

    

  

  

the

De - vil,

that old

out,

that old

           





   

  

50

Sa - tan,

ser - pent,

ser - pent,

        Which de - ceiv - eth

called

  



the

whole

world:

the

whole

world:



          

       

7

  and



  

      

  and

 

      

                        



     

Which de - ceiv - eth

Sa - tan,

called

     he was cast out,

       he was cast out,





  


6

      

      56

cast out

in - to the

    



earth,

    

cast out

   

      

    

62     

  

      

  

an - gels

were

cast

out

and his

an - gels

were

cast

out

 

 

   

 

And I

    

   

 



 

       

 

a loud voice

say - ing

in

   

 

 

And I

a loud voice

say - ing

in

heard

ff

him.

heard

 

  

    

 

  

f

    

and his

     

ff

with him.

    

    

   

in - to the earth,

       

with

   

                                      3

 f

3

3

3

3

8

3

3

3

3

3


7

     68

hea

-

ven,

  

 

   

 

hea

-

3

ven,

   

  

Now

is come sal - va

-

   

  



is come sal - va

-

strength,

Now

tion, and

3

 

 

  

   

  

   

King - dom of our God,

tion, and

King - dom of our God,

the

and

the

   



  

 

       the pow - er

of

his

      

and

and

              

 

and

   



strength,

               

           

73

the pow - er

of

his

 





Christ,





Christ,

                                       

 

 

  

 

9

 

   

 


8

  



78



 

 ff

  

 

3

3

     ff

       

  

3

3

 

-

tion, and

 3

3

dim.

 

    

 

dim.

 

  

83

- va

 

3

 3

now



is come sal -

    

now

is come sal -

        meno f

  

    

strength,

and

  

 

the



      

                                 - va

-

tion, and

strength,

now

f

   

  

3

 

   

3

    

f

10

3

 

3

    

  

is

come the

meno f


9

   

  

88

 

king - dom

king - dom

of our

God,

 

of our

God,

         

  

 

 



  

93

    

f

and

p cresc.

   

 



now is come sal - va - tion,

3

3

    

king- dom of our

God,

 

   

3

 

3

and the power

 

God,

p cresc.

  of

his Christ,

 

of

his Christ,

  

 



 





p

p

11

and

and the power

  

  

    

strength, and the

king- dom of our

  

     

 

 

   

now is come sal - va - tion,

strength, and the

p cresc.

3

3

  


10

  p cresc.      98





 

now is come sal - va - tion,

p cresc.

   

 

now is come sal - va - tion,

  

cresc.



    103

power

  

power

and

strength,

and



strength,

   

and the

  

king - dom

   

and the

king - dom

of our God,

and the

  

 

of our God,

 



 

and the

 

  of

   

his Christ,

  of

p cresc.

 

   

his Christ,

 



 





p

now is come sal - va - tion,

p cresc.

      

 

 

now is come sal - va - tion,

3

 

3

 

12

and

strength, and the

 

strength, and the

 





and

 


11

     108

king - dom

  

king - dom

 

of our

God,

 

of our

God,

  

  and

the

power

  and

of

Christ.

his

f

   

the

power



f

 

of



his

Christ.

 

f





        

f



   

 

   

 

 

  

rall.

112

 

                  

 

     

 

 

                13

   

 


14


John Joubert O ETERNAL GOD for SATB choir unaccompanied

NOVELLO

15


Commissioned by Nicholas Fisher for the Choir of Gloucester Cathedral in celebration of the th composer’s 90 birthday on 20 March 2017 and dedicated to the memory of Michael Perham (died 17 April 2017), bishop and liturgist.

O eternal God, endue us with a settled, quiet, and composed temper of spirit, like that of the celestial natures. Make us constant and unmovable in the choice of our happiness. Fix a perpetual cause of joy in our hearts. And fill us with that heavenly sense of things which will be always springing up in delightful thoughts, and comfortable hopes, and cheerful praises and thanksgivings to you, our God. Amen. Symon Patrick, Fifteen Sermons upon Contentment, 1719

Duration: c. 5 minutes

Order Number: NOV296813

16


O eternal God

Symon Patrick (1626–1707)

SOPRANO

Lento

O p

ALTO

(for rehearsal only)

O p

e - ter

O p

e - ter

O

e - ter

BASS

e - ter

TENOR

Piano

p

mf 4

en - due

nal

God,

en - due

us

-

with

en - due

us

with

-

nal

God,

-

nal

God,

a

f 3

mf

f

mf

spi - rit,

mf

set - tled, qui - et, and com - posed tem - per of

spi - rit,

3

3

Š Copyright 2017 Novello & Company Ltd.

17

- rit,

spi - rit,

3

a com - posed tem - per of

3

f 3

with

3 set - tled, qui - et, and com - posed tem - per of spi

a

us

mf

a

f

a

en - due

with

God,

mf

us

nal

set - tled, qui - et, and com - posed tem - per of

-

set - tled, qui - et, and com - posed tem - per of mf

John Joubert Op.183

3

a com - posed tem - per of

3

a com - posed tem - per of mf

3

a com - posed tem - per of

3

3


2

8

spi - rit,

- rit,

spi - rit,

like

like

-

ti - al

-

ti - al

-

ti - al

that of the ce - les mp

that of the ce - les mp

-

ti - al,

-

ti - al,

that of the ce - les

-

ti - al,

that of the ce - les

-

ti - al,

poco piĂš mosso

f

p

na - tures.

Make

us con - stant

f

p

na - tures.

Make

us con - stant

na - tures. Make

us

f

p

f

p

na - tures. Make

mp

mp

mf

ti - al,

ti - al,

mf

-

-

that of the ce - les - ti - al

that of the ce - les

that of the ce - les

ti - al,

like

mf

that of the ce - les

-

mf

ti - al,

11

that of the ce - les

-

that of the ce - les

p cresc.

that of the ce - les

p cresc.

like

that of the ce - les

p cresc.

spi - rit,

spi

p cresc.

us

18

con - stant

con

-

stant

and

and

un -

un -


3

14

and

and

- mov - ab - le

un - mov - ab - le

- mov - ab - le

in

the

17

in

hap - pi - ness.

the

in

the

choice

of

our

of

our

3 3

3 3

Fix

a per - pe - tu - al cause of

Fix

in

the choice

hap - pi - ness.

un - mov - ab - le

a per - pe - tu - al cause of

3

3

19

choice

choice

of

our

of

our

hap - pi - ness.

3 3

a per - pe - tu - al cause of

3 3

Fix

a per - pe - tu - al cause of

joy

joy

hap - pi - ness.

Fix

in

our

in

3

3

our


4 19

joy

in

in

hearts.

our

And fill us

22

with

that hea

with

that hea

-

spring - ing up,

sense

sense

which will

al

-

ways

things,

of things,

20

p cresc.

in de - light - ful

spring - ing up,

p cresc.

sense

ways

up

sense

of

things,

be

of

spring - ing

of things,

v’nly sense

v’nly sense

-

-

hearts.

hearts.

which will be al

hearts.

And fill us

our

joy

of things,

of things,

in de - light - ful


5 24

thoughts,

and com - fort - ab - le

hopes,

p cresc.

in de - light-ful thoughts,

and com - fort - ab - le

26

prai

-

3

3

-

prai

and cheer - ful

prai

3

you,

our

3

f

3

f

3

and thanks - giv - ings to 3

3

3

21

our

3

you,

you,

ses

and thanks - giv - ings to

-

and thanks - giv - ings to

f3

ses

f

-

3

ses

and thanks - giv - ings to

and cheer - ful

prai

and cheer - ful

ses

and com - fort - ab - le hopes,

in de - light-ful thoughts,

hopes,

p cresc.

and cheer - ful

and com - fort - ab - le hopes,

thoughts,

3

3

you,


6 28 ff

God.

O

ff

our

God.

O

O

ff our

31

-

God.

f

O

e - ter

-

f

e - ter

-

f

O

e - ter

-

f

O

e - ter

e - ter

-

-

nal

O

e - ter

nal

God,

nal

nal

God,

e - ter

e - ter

nal

nal

22

God,

nal

God,

-

-

-

nal,

-

nal,

-

nal,

nal,

mf

O

nal,

nal,

nal,

e - ter

e - ter

nal

-

-

mf

e - ter

nal

nal

O

-

mf

O

e - ter

mf

O

-

-

e - ter

nal,

e - ter

-

e - ter

e - ter

e - ter

God,

e - ter

God,

God,

-

God,

O

e - ter

nal

God.

-

ff

e - ter

-

nal


7

Tempo I

34

dim.

p

God. dim.

God.

God.

God,

e - ter

-

37

SOLO SOPRANO p

A

-

God,

God,

God,

God,

-

-

-

men.

en - due

us

p

p

O

e - ter - nal

p

O

with

e - ter - nal

mf

a

set - tled, qui - et and com-

en - due

us

with

us

with

a

mf

set - tled, qui - et, and commf

a

set - tled, qui - et, and com-

mf

with

a

set - tled, qui - et, and com-

us

23

e - ter - nal

O

e - ter - nal

en - due

O p

en - due

nal.

-

-

-

p

dim.

-

dim.

p

p


8 mf

40

3

tem

-

spi

tem

-

A

f

- posed f

- posed

per

of

3

per

of

spi

3 - posed tem - per of f

f

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3

tem

-

per

3

A

spi

spi

spi

spi

spi

-

-

-

-

rit,

rit,

-

-

rit,

rit,

-

-

spi

rit,

men.

tem

-

a com - posed

tem

mf

p cresc.

A

p cresc.

a com - posed

rit,

a com - posed mf

a com - posed mf

rit,

3

rit,

-

men. mf

3

43

-

-

of

-

-

men.

3

tem

-

per

3

-

men.

ti - al,

that of the ce - les

-

ti - al,

that of the ce - les

24

of

of

A

that of the ce - les

per

3

that of the ce - les

of

like

per

-

-

tem

like that of the ce - les p cresc.

3

like that of the ce - les p cresc.

of

3

like that of the ce - les p cresc.

per

-

-

-

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ti - al,

ti - al,

that of the ce - les

-

-

-

ti - al,

ti - al,

ti - al,

ti - al,


9

46

mf

A

-

men.

mf

that of the ce - les

mf

-

ti - al

that of the ce - les mf

-

ti - al

that of the ce - les - ti - al

mf

that of the ce - les

-

ti - al

A

-

-

p

na

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men.

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tures.

na

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tures.

tures.

p

-

tures.

f

A -

-

-

-

-

-

-

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A -

-

-

A

-

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men.

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-

-

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-

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25

-

A mfp

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A mfp

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A

-

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ff

men. f

ff

men. f

men. f

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ff

men.

men.

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f

-

-

-

A mfp

na

p

na p

A mfp

49

p

ff

ff


26


Paweł Łukaszewski AVE MARIS STELLA for double SATB choir unaccompanied

Chester Music 27


Ave maris stella.

Hail, O Star of the ocean. (Prayer to the Blessed Virgin Mary)

Duration: c. 3 minutes

CH87021 www.musicsalesclassical.com

28


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40


Paweł Łukaszewski MISSA BREVIS for SSA choir and organ (or ensemble)

Vocal score

Chester Music 41


Duration: circa 8 minutes

Order No. CH87032 Full Score CH87043 Parts are available on hire from the publisher.

42


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Matthew Martin THE FIFTH SERVICE for SATB choir and organ

NOVELLO

65


Commissioned by Simon Bell and written in memory of Margaret Bowen for the Choir of Dean Close School and Tewkesbury Abbey Schola Cantorum. The first performance was given on 9 November 2017.

TEXT

My soul doth magnify the Lord, and my spirit hath rejoiced in God my Saviour; for he hath regarded the lowliness of his handmaiden. For behold, from henceforth all generations shall call me blessed. For he that is mighty hath magnified me, and holy is his name. And his mercy is on them that fear him throughout all generations. He hath shew’d strength with his arm, he hath scattered the proud in the imagination of their hearts, he hath put down the mighty from their seat, and hath exalted the humble and meek. He hath filled the hungry with good things, and the rich he hath sent empty away. He rememb’ring his mercy hath holpen his servant Israel, as he promis’d to our forefathers, Abraham and his seed forever. Amen.

Duration: c. 5 minutes

Order number: NOV297033 www.musicsalesclassical.com

66


for the Chapel Choir of Dean Close School, Cheltenham in memory of Margaret Bowen

THE FIFTH SERVICE MATTHEW MARTIN

Magnificat pp 1 4 4 5 G

Very calm, always in strict time q = c.88

SOPRANO ALTO

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My

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© Copyright 2017 Novello & Company Ltd.

67

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78


Matthew Martin PSALM 150 for SATB choir and organ

NOVELLO

79


TEXT O praise God in his holiness, praise him in the firmament of his power. Praise him in his noble acts, praise him according to his excellent greatness. Praise him in the sound of the trumpet, praise him upon the lute and harp. Praise him in the cymbals and dances, praise him upon the strings and pipe. Praise him upon the well-tuned cymbals, praise him upon the loud cymbals. Let everything that hath breath praise the Lord. Glory be to the Father, and to the Son, and to the Holy Ghost, as it was in the beginning, is now, and ever shall be, world without end. Amen.

Duration: c. 4 minutes

Order number: NOV297044 www.musicsalesclassical.com

80


PSALM 150 (O praise God in his holiness) MATTHEW MARTIN

  SOPRANO  ALTO



  



Bright and extrovert q = 100

TENOR BASS

Bright and extrovert q = 100

Organ

Pedals

   4

                                    f Gt. ff Solo Trumpet                                                     

f       



O praise God

  

      

 

in his

 

    

    

ho - li - ness,

f

                     f                         

  

             

Tpt.

          

          

© Copyright 2018 Novello & Company Ltd.

81

     


2

    7

   

praise him in

         Gt.

           

 the

fir - ma - ment

       

 

   

 

 



of

            

   

 

  

his

 

Tpt.



pow’r.

 

 

   

 

  

     



  

 

 Sw. RH not too quiet                                                                   sim. mp dim. mf f Gt./Solo                             

10

 15

    

 

mf legato

mp

 

 

Praise

him,

mp

Praise

him

 

 

praise

him

                                   





 

 

 

82



 


3

  19

   

  in

no - ble

  

    

 

- cord - ing to his

ex

   

  

A

  

(Tpt.)

f



-

3

cel - lent

3

 

   

praise

him ac -



 

cresc.

 



 

      3

3

Small Tpt.

 

 

più f





f

                             f ff            Tpt.                           

                           bright

Gt.

 

great - ness.

 

  

3

      

 

him,

 

f

3      

            3

27

  

praise

cresc.

3

   



 

    

A



mp

 

3

mp

                                

   

23

acts,

3

   

          3

 



3

his

cresc.

                                  83

     


4

      30

mf

  

  

Praise him in the sound of the

            *

mf (B. tacet)

  

   trum





-





pet,

 

                     Tpt.

           

      sotto

  





        

                 f

praise him up - on the

lute

and

                  

         



Gt. mf









harp.

   ad lib. f

bright mutations/cornet

         

 

 

      32

  

                       mf

 

 





*A light baritone could be used to support Tenor 2.

84

  


5

   35



 mf

     

in the cym - bals and

     

    

 

dan - ces,

       



       



praise

him,

               RH bright

sub. mp stacc.

      



 

               



mp

Sw.

 

nn

                 

Praise him

   

mp

 

mf pesante

  39

molto

mf cresc.

 

  

praise

  



him,



praise

him,

him,

praise

                                    sim.

 

soft reed



mf

cresc.



 



       

più f

85


6

  43



praise

 

   

46   mf     

   



   3

     Solo mf  

praise

mf cresc.

 

Praise

 

him,

praise





pipe.

 

Sw. mp



3





 

mp bright

 

 

mf

him,

            him,

3

f

       

ff

                                    

3

                                



   Praise  

 

him,

                        



f

3

     

 

up - on the strings and

3

49

3

mf legato

 

 

 

3

    

praise him

 

                       

                     



p

him,

Solo Flute/mutations

f

 

  

mp

f

86

  


7 risoluto

   53

                       

 

     

                             

f marc. (S. tacet)

praise him

up - on

 

the

well - tuned

cym

-

bals,

f marc.

risoluto

    

     

                

    

 

Gt. heavy

 



brassy

 

 

    

       

f pesante

  

                 

                          

ff marc.

56

praise him

stacc.          

  

up - on

the

loud

cym - bals.

                              

ff marc.

stacc.                                        

      

      

Gt.

ff

                            87

                 

  


8

    59

  

sub. mp Praise

   

Praise sub. mp

him,

him,

                               

    

     

             

praise him, praise

62

praise

       

him, praise

    

praise

him,

              

 him,

him,

   

praise



him,

mm



 

 

 

                                       sim. mp

 

(closed lips) mm



Sw.

 88

 

Gt./Solo

sim.

 

mp


9

 S. 

 

67

A.

T.

B.

  

mf

mm

praise

p



p

3

mf



3

   

 

that hath breath,

mp cresc.

 

ev - ’ry - thing that hath

3

 

ev -’ry - thing

that

                          cresc. mp            

Let ev -’ry - thing

Let

ev -’ry - thing that hath

  

 3 

     

Let

3

mf cresc.

      3

mf cresc.

mp cresc.

 

 

      

p

him.

  

 

p

                                   

Let

him.

praise

    

p



Let ev -’ry - thing

 71

p

mm

 

 

3

3



breath



hath

breath

praise

 

    

    

più f

 89

3

 the

 


10

   75

3

that hath

 

3

   praise

 

  

3



 

 



the

Lord,

 



3



praise

the

   

 Lord,

      3

3       

       



3

  

 



 f



 poco tenuto (ad lib.)



 

         

ff

3

      f

be

f

T. B.

 

Tpt.                3

Gt. più f legato

78

 

Lord,

3

 

  S. A.  

Lord,

    

Lord,



breath praise the

breath praise the 3

3 





Glo - ry

                ff Sw. f

Gt.

                        90

3

to the 3

    be

3

to the

poco tenuto (ad lib.)

       

     


11

   82

a tempo (q = 100)

Fa -



   ther,   

 

 

    

Glo - ry be

a tempo (q = 100)



(keep same tempo/not too quick) f legato





f







    

  più f

   

                  

   

86

Fa

     

-

ther,

  

            and

to

         

  

     

3

   

Son,

            

                   3 Tpt. 3

the

Gt.

             3

  

to the

  

f legato

f pesante

     

  

3

and to the

              

            

Ho

-

-

3

            



        

91

ly

               3

    

 

             




12

   

  

89

Ghost,

  

          

    92

3





 

 

   

  

  

3

3

 92

 

f

  

world

3

be - gin - ning,

   

     3         3 3  

the

    

   

             legato

3

as it was in

ff



3           

             

be,

  

is now, and ev - er

3





shall

3

3

         3          

3            

f

with - out

  end.

     A     

  

  

ff

 

-


13

    95

a tempo (ma poco più mosso)

 

- men.

 



a tempo (ma poco più mosso)

                                                   Gt. più f e stacc.

        

                         

  

98

          

  

      

 

 

 

  



    

ff

101

Tutti

         

     

 



           





 

   

     

       

  



     sf         

    +32' 

 93


94


Paul Mealor IF YE LOVE ME for upper voices and organ

NOVELLO 95


Commissioned by St Marylebone Parish Church in memory of Miss Joie Macauley, the 900th Anniversary of the parish and the 200th Anniversary of the present parish church; first performed at the parish church by the Choir of St Marylebone Parish Church on 23rd July 2017.

If ye love me, keep my commandments. And I shall pray the Father, and he shall give you another comforter, that he may abide with you forever; Even the Spirit of the truth. John 14:15-17

Duration: c. 3 minutes

Order Number: NOV296758

96


For The Revd Canon Stephen Evans and the Choir and Congregation of St Marylebone Parish Church

If Ye Love Me John 14:15-17

PAUL MEALOR

Con rubato q = c. 76

UPPER VOICES

Pedals

- mand - ments.

ye

love

me,

keep my com -

mf

pp

Sw strings 8'

pp

7

If

Organ

And I shall

pray

the Fa

mf

-

ther,

pedals 8' only

mf

13

pray

the Fa

-

ther,

and he shall

Sw.

16' + sw/ ped

Copyright © 2017 Novello and Company Limited

97

f

give

you

f add to swell

f


2 19

an - oth - er

25

ff

you

Gt

ff

Pos. + Sw.

mf

p

p

the

mf

Spi - rit

of

the

truth,

pedals 8' only

pp

er;

pp

98

-

Sw strings 8'

for - ev

p

er,

with

-

Even

may a - bide

for - ev

mf

er,

+16' reed ff

31

-

for - ev

he

that

com - fort - er,


3

38

pp

Even

the

of

the

truth.

SOLO

If

ye

Spi - rit

44

love

me.

99


100


Paul Mealor MISSA SANCTA MARIA TOTA BONA for SATB choir unaccompanied

NOVELLO 101


Commissioned by St Marylebone Parish Church in memory of Miss Joie Macauley, the 900th Anniversary of the parish and the 200th Anniversary of the present parish church; first performed at the parish church by the Choir of St Marylebone Parish Church on 23rd July 2017.

Duration: c. 8 minutes

Order Number: NOV296780

102


For The Revd Canon Stephen Evans and the Choir and Congregation of St Marylebone Parish Church

Missa Sancta Maria Tota Bona Mass for St. Marylebone Kyrie Eleison PAUL MEALOR

Misterioso q = c. 72

SOPRANO

pp

Ky - ri

ALTO

pp

Ky - ri

pp

TENOR

-

Ky

pp

BASS

- ri

Ky - ri

-

e_e - le - i - son,

e_e - le - i - son,

-

e_e - le - i - son,

-

e_e - le - i - son,

mf

Piano (for rehearsal only)

Chris - te

e - le - i - son.

mf

mf

Chris - te

Chris - te

mf

Chris - te

Misterioso q = c. 72

rit.

e - le - i - son.

e - le - i - son.

e - le - i - son.

rit.

Copyright © 2017 Novello & Company Limited

103


2

S. 5

a tempo

Ky - ri

A.

-

p

Ky - ri

p Ky - ri

T.

B.

Ky - ri

Pno.

-

Pno.

Chris - te

Chris - te

- le - i - son,

Chris - te

- le - i - son,

Ky - ri

ff

e - le - i - son,

Ky - ri

ff

Chris - te

e - le - i - son,

e - le - i - son,

e - le - i - son,

Ky - ri

Ky - ri

Ky - ri

Ky - ri

e - le - i - son,

Ky - ri

104

e_e -

-

-

-

e_e - le - i - son,

-

e_e - le - i - son,

e_e - le - i - son,

e_e -

e_e - le - i - son,

e_e -

-

-

e_e -

-

-

e - le - i - son,

Chris - te

- le - i - son,

f

ff

e - le - i - son,

Chris - te

Ky - ri

rit.

- le - i - son,

B.

a tempo

10

T.

e_e - le - i - son,

S.

A.

f

ff

Chris - te

e_e - le - i - son,

e - le - i - son,

f

Chris - te

-

e_e - le - i - son,

e_e - le - i - son,

f

-

p

rit.

p


S. 15

Ky

A.

Ky

Ky

T.

B.

Ky

Pno.

-

ri

-

-

ri

-

-

ri

-

ri

e_e

-

le

e_e

-

le

-

le

e_e

-

-

-

le

i

-

-

-

-

-

e_e

i

-

-

BASS

ex - cel - sis

Piano (for rehearsal only)

ex - cel - sis

-

son.

-

ter - ra

pax ho -

-

pax ho -

De

-

De

o,

-

o,

et in

et in

ex - cel - sis

Glo - ri - a in

son.

f

-

Glo - ri - a in

son.

Vivace q = c. 118

ter - ra

f

Gloria

TENOR

-

f

-

-

f

Glo - ri - a in

son. fff

ALTO

-

fff

i

Glo - ri - a in

-

-

Vivace q = c. 118

SOPRANO

fff

i

-

3 fff

105

ex - cel - sis

De

-

o,

et in

De

-

o,

et in


4

S. 4

- mi - ni - bus

bo - nae vo

A.

- mi - ni - bus

ter

T.

B.

ter

Pno.

-

-

bo - nae vo

ra

pax ho

ra

pax ho

-

-

te,

T.

B.

Pno.

be - ne - di - ci - mus

-

ta - tis.

lun

-

nae

mi - ni - bus bo

-

nae

vo - lun - ta - tis.

te,

te,

Lau - da - mus

a - do - ra - mus

a - do - ra - mus

ta - tis.

-

Lau - da - mus

vo - lun - ta - tis.

be - ne - di - ci - mus

A.

-

mi - ni - bus bo

8

te,

lun

S.

-

3

te, glo - ri - fi - ca

mus

3 te, glo - ri - fi - ca

-

mus

3

106

-


S.

5

11

Gra - ti - as a - gi - mus ti - bi

A.

Gra - ti - as a - gi - mus ti - bi

T.

B.

te.

14

tu - am.

T.

B.

glo

Pno.

tu - am.

glo

-

-

-

-

ri - am

ter mag - nam glo

-

-

ter mag - nam glo

prop

-

Do - mi - ne

ter mag - nam

ter mag - nam

-

-

De - us Pa - ter om-

tis,

107

-

-

ri - am

De - us Pa - ter om-

Rex cae - les

Rex cae - les

ri-am tu - am.

-

prop

De - us,

ri-am tu - am.

Do - mi - ne De - us,

Gra - ti - as a - gi - mus ti - bi

-

prop

-

Gra - ti - as a - gi - mus ti - bi

S.

A.

te.

Pno.

prop

tis,


6

19

S.

Molto calmo q = 104

pp

- ni - po - tens.

A.

B. Pno.

-

pp

us

23

Chris - te.

B.

Pno.

Do - mi - ne

pp

Pa - ter om - ni - po - tens.

Do - mi - ne

Fi - li u - ni - ge - ni - te, 3

Fi - li u - ni - ge - ni - te, 3

Fi - li u - ni - ge - ni - te,

Je - su

Je - su

Je - su

Do - mi - ne

3

3

De - us, Ag - nus De

-

i,

3

Do - mi - ne

3

Do - mi - ne

Chris - te.

Pa - ter om - ni - po - tens.

Do - mi - ne

Chris - te. T.

pp

Je - su

3

Chris - te.

A.

Molto calmo q = 104

S.

Fi - li u - ni - ge - ni - te,

Do - mi - ne

De - us

De

Do - mi - ne

- ni - po - tens.

T.

3

De - us, Ag - nus De

-

3

De - us, Ag - nus De

-

3

De - us, Ag - nus De

-

i,

i,

i,

3

Pa - tris,

Fi - li - us

Fi - li - us

p

qui

Pa - tris,

3

qui

Pa - tris,

3

Fi - li - us

p

Pa - tris,

3

3

108

Fi - li - us 3

3

3

p

qui p

qui


S.

7

27

tol - lis pec - ca - ta mun - di,

A.

tol - lis pec - ca - ta mun - di,

T.

tol - lis pec - ca - ta

B.

mun - di,

tol - lis pec - ca - ta mun - di,

Pno.

mi - se - re - re no -

mf

Qui

mf

rit.

-

se

mi

-

se

-

re - re

no

re - re

3

-

-

no

-

-

-

rit.

3

109

-

-

ff

no

f

-

-

3

se - des ad dex - te - ram Pa - tris, mi - se - re - re

ff

ff

-

ff

no

3

- des ad dex - te - ram Pa - tris, mi - se - re - re

B.

Qui

-

f

bis;

mi

Qui

bis;

3

se - des ad dex - te - ram

se - des ad dex - te - ram

se

bis;

3

mf

Pa - tris,

Pno.

mi - se - re - re no -

Pa - tris,

T.

Qui

S.

A.

mi - se - re - re no -

bis;

31

mi - se - re - re no -

mf

bis.

bis.

bis.

bis.


8

Tempo primo (q = c. 118)

36

S.

fff

Quo - ni - am tu

so - lus San

-

-

fff

A.

Quo - ni - am tu

T.

B.

ctus, tu

so - lus San

-

so

-

ctus, tu

so

so - lus San

so - lus San

A.

T.

-

-

tu

Do - mi - nus,

Pno.

-

ctus, tu

ctus, tu

so

-

-

-

lus

-

te. Cum san - cto

-

3

te. Cum san - cto

-

so - lus Al - tis - si - mus, Je - su Chris

tu

so - lus Al - tis - si - mus, Je - su Chris

3

Je - su Chris

lus

Je - su Chris

-

so

3

-

tu

lus Al - tis - si - mus,

B.

lus Al - tis - si - mus,

Do - mi- nus,

3

so

3

40

so

tu

Do - mi - nus,

S.

lus

fff

-

Tempo primo (q = c. 118)

Pno.

Do - mi - nus,

fff

Quo - ni - am tu

lus

Quo - ni - am tu

-

3

110

-

te. Cum san - cto

te. Cum san - cto


S. 44

spi - ri - tu,

A.

B.

spi - ri - tu,

spi - ri - tu,

Pno.

A

- su,

A.

in

glo - ri - a De - i

Je - su, in

T.

glo - ri - a De - i

Je - su,

B.

Pa - tris.

Pa - tris.

in

Je - su,

Pno.

in

A

Je - su,

spi - ri - tu,

Je - su,

Je - su,

-

-

-

men, in

men, in

glo - ri - a De - i

Pa - tris.

glo - ri - a De - i

111

Je -

Je - su,

-

Je - su,

spi - ri - tu,

su,

spi - ri - tu,

-

Je - su Chris - te, cum san - cto

Je

Je - su Chris - te, cum san - cto

S. 50

spi - ri - tu,

Je - su Chris - te, cum san - cto

Je - su Chris - te, cum san - cto

spi - ri - tu,

T.

9

Pa - tris.

Je - su,

Je - su,

glo - ri - a De - i

Pa - tris.

glo - ri - a De - i

A

-

A

-

-

-

Pa - tris.

men, in

men, in


10

S. 54

A A.

A T.

-

-

men,

-

-

men,

glo - ri - a De - i

Pa - tris.

B. glo - ri - a De - i

Pno.

Pa - tris.

A

A

A

-

-

men,

A

men,

-

-

A - men,

A - men,

A - men,

A - men,

men,

A - men,

men,

A - men.

A - men.

A - men,

A - men,

A - men.

A - men,

A - men.

Sanctus and Benedictus

Adagio espressivo q = c. 62

SOPRANO

pp

ALTO

San - ctus,

San- ctus, pp

TENOR

pp

BASS

poco rit.

San - ctus,

San

San

San

-

-

-

Adagio espressivo q = c. 62

Piano (for rehearsal only)

a tempo

ctus,

ctus,

San - ctus,

San - ctus,

poco rit.

a tempo

ctus,

San - ctus,

112

pp

San -

poco rit.

San

San

San

-

ctus,

-

ctus,

-

ctus,

poco rit.


S. 5

A.

11

a tempo

-

ctus,

San

B.

San - ctus,

Pno.

San

-

-

-

a tempo

ctus,

San

ctus,

mf mf

Do - mi - nus mf

B.

Do - mi - nus

-

ctus,

-

-

poco rit.

a tempo

us

us

us

-

us

Sa

-

-

ctus,

-

San

-

San

San - ctus,

San

San - ctus,

ctus,

De

De

ctus,

De

-

San - ctus,

De

poco rit.

9

Do - mi - nus

Pno.

-

Do - mi - nus

T.

-

a tempo

mf S.

A.

San

San

San- ctus,

San - ctus,

T.

poco rit.

San

ctus,

-

ctus,

-

ctus,

poco rit.

poco rit.

ba - oth.

pp

Ple pp

Sa

-

ba - oth.

Sa

Sa

-

-

ba - oth.

ba - oth.

San - ctus, San

pp

-

ctus,

San - ctus, San - ctus,

pp

San - ctus, San - ctus, poco rit.

113


12

S. 15

A.

a tempo

poco rit.

-

ni - sunt

San

San- ctus,

San

B.

San - ctus,

Pno.

San

f S. f

ter

-

glo - ri f

- a

glo - ri - a

a tempo

-

San - ctus,

poco rit.

a tempo

San

San - ctus,

tu - a,

tu - a,

glo - ri - a

tu - a,

tu - a,

glo - ri - a

San

glo - ri - a

glo - ri - a

114

-

San - ctus,

-

San

ctus,

tu - a.

tu - a.

tu - a.

poco rit.

-

-

ra

ctus,

-

ctus,

-

ctus,

poco rit.

ff

Ho - san

-

-

na

in ex -

na

ff

Ho - san

in ex -

Ho - san

a tempo

ff

ff

Ho - san

tu - a.

poco rit.

poco rit.

f

Pno.

et

ctus,

glo - ri - a

B.

-

ctus,

glo - ri - a

T.

-

a tempo

19

A.

a tempo

coe - li

San - ctus,

T.

a tempo

-

na

-

na

in ex -

a tempo


S.

13

24

- cel

A.

- cel

T.

B.

Pno.

-

-

sis,

Ho

sis,

-

Ho

san

-

san

in ex cel

- cel

-

sis,

Ho

-

na

in

na

sis, Ho - san

in

san

-

-

ex - cel

-

-

na

-

in

ex

sis, Ho -

-

27

- san

A.

- san

-

-

na,

Ho

na,

Ho

poco rit.

in

ex - cel

-

-

- sis, Ho - sa - na B.

T.

- san

Pno.

-

na,

Ho

-

san

san

-

-

na

in

-

-

na

in

ex - cel

ex

na

in

ex - cel

san

-

-

115

cel

-

-

-

sis.

-

-

sis.

in

poco rit.

-

-

sis, Ho -

ex - cel

cel

S.

sis, Ho -

-

na

ex - cel

-

-

-

-

-

-

sis,

sis.


14

a tempo SOLO

p T. Ben - e 31

Pno.

a tempo

-

di

- ctus

qui

ven

-

it

in

-

no - mi - ne

Do - mi -

S. 34

A.

Pno.

-

na

in ex - cel -

sis,

Ho

na

Ho - san

-

in ex - cel -

ff

ff

TUTTI

Ho - san

-

ff

Ho - san

Ho - san

- ni.

T.

B.

ff

-

na

Ho

-

-

in

ex

sis,

Ho

na

in ex - cel -

116

sis,

-

cel

-

-

san

san

-

-

na

in ex -

na

in ex -

sis, Ho - san

san

-

-

na

na

in ex -


S. 38

- cel

A.

- cel

T.

B.

-

sis, Ho - san -

na,

-

sis, Ho - san -

- cel

in ex - cel

Pno.

15

-

Ho - san - na

in ex - cel

-

-

sis.

in ex - cel

-

-

sis.

Ho - san - na

in

ex - cel

Ho - san - na

in ex - cel

na,

rit.

sis, Ho - san - na

sis, Ho - san -

na,

-

rit.

-

-

-

-

sis.

-

sis.

Agnus Dei

Espressivo q = c. 42 pp

SOPRANO

ALTO

Ag

-

-

-

TENOR

BASS

-

ppp

Ag

nus

De

-

i, qui

tol

-

-

lis pec - ca - ta mun - di,

ppp

Ag

poco rit.

-

ppp

Ag

-

nus

De

nus

De

nus

De

-

-

-

i,

Ag

i,

Ag

i,

Ag

-

-

nus

De

nus

De

nus

De

Espressivo q = c. 42

Piano (for rehearsal only)

-

-

-

i,

117

i,

i,

poco rit.


16

S.

poco rit.

a tempo

4

mi

A.

-

se

Ag - nus

T.

T.

B.

Ag Ag

- nus

- nus

Ag - nus

Pno.

-

re

De

-

-

De

De

De

re

i,

-

-

-

i,

i,

i,

no

-

-

Ag - nus

Ag - nus

Ag - nus

Ag - nus

De

-

De

De

De

-

-

-

118

Ag - nus

Ag

mf

mf

-

nus

Ag - nus

Ag - nus

i,

De

-

i,

mf

i,

i,

mf

i,

Ah

bis.

poco rit.

a tempo

mf

a tempo

De

De

-

-

De

i qui

i,

-

i,

a tempo


17

7

S.

Ah

A.

Ag - nus

a tempo

poco rit.

poco rit.

Ah

De

-

i,

Ag - nus

Ah

De -

i,

Ag - nus

De -

i,

T.

tol - lis pec- ca - ta- mun- di mi - se - re - re no bis.

T.

Ag

B.

- nus

Ag - nus

Pno.

De

De

-

-

i,

i,

Ag - nus

Ag - nus

poco rit.

De -

De -

i,

i,

a tempo

119

Ag - nus

Ag - nus

De -

De -

i,

i,

poco rit.


18

a tempo

10

S.

ff

Ag

-

nus

ff

T.

B.

Ag

De

-

- nus

ff

De

-

tol

-

i,

De

i,

-

i,

p S.

A.

B.

-

cem.

Ag - nus De - i,

p -

cem.

Ag - nus

p

De - i, rit.

Ag - nus

De - i,

p Ag - nus De - i, Ag - nus De

Ag - nus

Pno.

Ag - nus De

Ag - nus De

De - i,

Ag - nus De

Ag - nus De

- i,

* Second soprani may join the alti here if necessary

120

do

-

-

na

na

no

no

Ag - nus

De

-

-

-

De

-

i,

i.

i.

i.

pp

i.

pp

-

i,

pp

-

SOLO

-

bis

pp Ag - nus De -

-

bis

a tempo

rit.

pa

T.

13

pa

do

Ag - nus

poco rit.

De

-

Ag - nus

lis pec - ca - ta mun - di,

De

-

Ag - nus

a tempo

Pno.

i, qui

i,

Ag - nus

a tempo

Ah

ff *

A.

poco rit.

i.


Paul Mealor THE SELWYN SERVICE (MAGNIFICAT & NUNC DIMITTIS) for SATB choir and organ

NOVELLO 121


MAGNIFICAT My soul doth magnify the Lord, and my spirit hath rejoiced in God my Saviour. For he hath regarded the lowliness of his handmaiden. For behold, from henceforth all generations shall call me blessed. For he that is mighty hath magnified me, and holy is his Name. And his mercy is on them that fear him throughout all generations. He hath shewed strength with his arm, he hath scattered the proud in the imagination of their hearts. He hath put down the mighty from their seat, and hath exalted the humble and meek. He hath filled the hungry with good things, and the rich he hath sent empty away. He remembering his mercy hath holpen his servant Israel, as he promised to our forefathers, Abraham and his seed, for ever. Glory be to the Father, and to the Son, and to the Holy Ghost; As it was in the beginning, is now, and ever shall be: world without end. Amen.

NUNC DIMITTIS Lord, now lettest thou thy servant depart in peace, according to thy word. For mine eyes have seen thy salvation, Which thou hast prepared before the face of all people; To be a light to lighten the Gentiles; and to be the Glory of thy people Israel. Glory be to‌ Book of Common Prayer

Duration: c. 7 minutes

Order number: NOV296736 www.musicsalesclassical.com

122


for Sarah MacDonald and the Chapel Choir of Selwyn College, Cambridge

THE SELWYN SERVICE PAUL MEALOR

I – Magnificat

    

     

    

    

Allegro misterioso q = c. 120

SOPRANO

ALTO

TENOR

BASS

 pp



My

soul

doth

 

mag - ni - fy the

Allegro misterioso q = c. 120 Pos. 8' Bourdon, Sw. to Pos.

                             Organ

Pedals

ppp molto legato Sw. Strings 8'

      

   16', Sw. to Ped.   ppp

 

 

 

5 A.

    

Lord,

Org.

Ped.

  

And my spir - it

 

hath re - joiced in God

                                

 



© 2017 Novello & Company Limited

123

  



my

       


2

9 S.

A.

       

Ped.

  

For he hath

sav - iour.

Org.

pp

Org.

Ped.

-

ed

the

     

 





    

  

      

low - li - ness

A.

                            

13 S.

re - gard

   

of his hand - maid - en:

 

 

For be -

 

                              

For be -

         







124


3 17 S.

    

mf

  

- hold, from hence - forth all gen - er

A.

    

mf

  

-

Org.

Ped.

   

-

 

 

a - tions shall call,

- hold, from hence - forth all gen - er

a - tions shall call,

call

call

 

    

    

mf

mf

rall.

21 S.

      

me

A.

   

  

me

    Org.

Ped.

bless

bless

   

-

-

-

-

-

ed.

ed.

                    p

   

-

Gt. 8' 4'

 

 

 125

       

  


4

A

a tempo

  

25 S.

A.

 

mf

   

For

He

that is migh - ty

   

mf

For

He

Ped.

  

 

Sw. 8' 4'

mf

  

30 S.

A.

  

 -

-

ni - fied

ni - fied



me,

and

Ho

me,

and

Ho

 mag

hath

 mag

-

-

-

-

            Gt. 8', Gt. to Sw.

mf

 hath

that is migh - ty

   Org.





 

 -

ly

 -

is

ly

 his

is

 his

                                      Org.

Ped.

  

 

 

 

 

126


5

  

35 S.

B

f       

name.

A.

T.

B.

And his mer

   





                  

Org.

Ped.

 

add to Swell



Gt.

 

that

Ped.

fear

them that

              

on

them that

  

  

cy

is

on

  

-

cy

And his mer

-

   

  

And his mer

f



cy

       

 



  

 

 

 







f

 

   

through - out



 

 all

 all



through - out



him

through - out

                    

Gt. 8', Gt. to Sw.

 



full Sw.

   

him

fear

on

 



fear

is

  

him

              is

Org.

that

on

 

-

cy

f

through - out



               is

B.

him

             them

T.

fear

-

f

              them

A.

 

39 S.

And his mer



-

      

name.

-

f

   

add to Pedal

127

   

3

3

3

     

3



3




6 43 S.

A.

T.

B.

Org.

Ped.

    

    

   



   

 ge

ge

Ped.

-





-

-

-

-

 -

ne

-

-

ne

-

 -

-

-

 ge

-

 ge

    



    



ne

-

 -

-

-

ne

-





     

-

      

-

           





-

-

-

-

 -

-

-

tions.



tions.



tions.



 - ra tions.                                      5

Org.

-

-

   

                                    

- ra

B.

all

- ra

T.

-

all

- ra

A.

-

45 S.

            

5



5





 128



 


7

47 T.

B.

Org.

Ped.

C

Poco meno mosso

         

ff   

He hath showed

 

  ff

      ff      

strength





 

with

his arm,



 

strength

with

his arm,

He hath showed

            

Gt .

     ff

5

         

            

       

 

49 T.

 

He hath scat - tered the proud in the im - a - gi - na - tion of their hearts.

B.

        

 

He hath scat - tered the proud in the im - a - gi - na - tion of their hearts.

                   

Org.

Ped.

 

    

 

129

        


8 52 S.

A.

         

He hath put down the might - y ff

Ped.

     

     

He hath put down the might - y

       Org.

   

        ff

          

    3

           3

and hath ex -alt

Ped.

     

-

         

and hath ex -alt

      

their seat,

3

Org.

from

             

      



and hath ex -alt

B.

3

T.

 

              

     



their seat,

      

and hath ex -alt

A.

from

  

54 S.

    

-

-



                

             

           

ed the

-



ed the

ed the

hum

-

hum -

hum

-

ble and meek,

ble and meek,

ble and meek,

            ed the

hum -

ble and meek,

       

 





130


56 S.

A.

T.

B.

                   

 

and

  

and



 



hath

 

hath

9

ex - alt



 

-

ex - alt

-

 

-

-

 

and

 hath

 





 -

-

-

-

ed

-

-

ed

 

 -



-

 

ex - alt



-

-

-

-

-

                               Org.

Ped.

    

     

 

-

hu

-

   

- ed,

B.

   

ex - alt

-

-

-

-

-

  

 

  

the

T.

Sw.

    

the

A.

hath

      58

S.

and



hu

ex

- ed,

ex



-

-

-

-

-

 alt



 

-

-

ble,

 

the



hu

 

-

-

-

ble,

the

hu

-





-





-

alt

-



-

-

ed.



ed.

                                                   Org.

Ped.

     

 





    

 131


10







ble,

the

hu

       

ble,

the

hu





60 S.

A.

T.

         

-

-

-

-

Org.

Ped.

A.

T.

          

                   

ex

B.

-

-

-

-

-

-

-

-

-

-

                    ex -alt ed! ex -alt ed! ex -alt ed!               ex -alt ed!

ex

ex -alt ed!

 

62 S.

-

              

ex -alt ed!

B.

-

 -

-

-

-

-

-

-

ble

 -

-

-

 

 -

-

-

-

alt -

-

 



ed!

alt -

ed!

-

-

-

ble

 

-

ex

-

ex

 

-

-

 



alt -



ed!

alt -

ed!



 

                                                   Org.

Ped.



          

 132


11 fff

    



    



64 S.

and

A.

meek. fff

and

meek.

* Dec. T. / B.

T.

                  

           

         

             

e

    

* Can. T. / B.

B.

e

e

e

e

e

e

e

e

meek.

e

e

       Org.

Ped.





        

* Here, Dec. and Can. Tenors and Basses perform a hocket across the chapel on ‘e’ as in ‘exalted’

    



     



66 S.

A.

rall.





** The Darling Solo

T.

    

meek,

B.

  



  

hum

-

        -

-

-

-

 -



** The Darling Solo is to be performed only by Mark Darling. If Mark Darling is not available, the organ should play the tenor solo line.

133

 ble



and

pp

 

meek.




12

70 S.

A.

D

   

Tempo I

pp

 

               

          

hun - gry

He hath filled Pos. 8' Bourdon Sw. to Pos.



the

pp

 

He hath filled

   



the

with good

hun - gry

with good

ppp

Org.

Ped.

Sw. Strings 8'

     

 

 

 

   16' Sw. to Ped.  

ppp

74 S.

   

    

things, A.

things,

Org.

Ped.

  

and the rich

he

  

and the rich

he

  



  



     

hath sent emp

hath sent emp

                         







    

134

-

-

ty

ty

a -

a -


13

78 S.

A.

T.

Org.

Ped.

           

 

T.

Org.

Ped.

 

mer - cy

 

hath

his



  

 

He re-mem - ber - ing

mer - cy

hath

                                                      

 



    

    

     

    

hol - pen his ser - vant

B.

pp

  

  his

hol - pen his ser - vant A.

He re-mem - ber - ing

- way.

83 S.

- way.

 

    

  

Is - ra



-

el,







  

  

As he prom- ised to

  

 

  

 

As he prom- ised to

  

Is - ra



-

el,

 

As he prom- ised to

pp

  

 

As he prom- ised to

                            

      

    

 

 

 

 135

mf

  

mf


14

87 S.

 mf         our fore - fa

-

thers,

          mf

A.

our fore - fa T.

-

thers,

 mf        our fore - fa

-

thers,

          mf

B.

our fore - fa

-

thers,

A - bra - ham

A - bra - ham

A - bra - ham

A - bra - ham

  

  

  

  

and his

and his

and his

and his

Spacious

S.

ev

A.

T.

   

ev

   

ev

B.

   

seed,

seed,



-

-

-

-

-

-

-

-

-

er.

er.

for

for

for



Glo

for

-



ry



ff

Glo

-

ry

er.

Spacious                           ev

Org.

seed,

ff

91

    

seed,

{

Pos.

     

-

-

-

er.

 

      ff

136


15

S.

A.

T.

B.

E

    

94

Ped.

be

to

be

to

         



       

Org.

T.

B.



the

Fa

-

-

-

-

the

Fa

-

-

-

-





fff

-

Glo

fff

Glo

-

ry



be.



ry

be.

                               

           97

A.



Sw. + Pos. Mixtures

ff

S.

             

-

-

 

 

ther,

and

to

ther,

and

to

the

 the

    







Glo

-

ry

Glo

-

ry

                          Org.

Ped.

          





  

  

137




16

    

100 S.

     

Son,

A.

        be.      

Son,

T.

B.

and

to

the

Ho

and

to



the

Ho

 -

-

-

-

-

-

-

-

be.

                          Org.

Ped.



           103

S.

A.

T.

B.

            

 -

-

ly



 

ly



 

ghost;

As

it

As

it



ghost;

   

 

Ho

-

-

-

-

-

-

ly

Ho

-

-

-

-

-

-

ly



                                Org.

Ped.

          





  

  

138




17

    

106 S.

was

A.

in

     



was

T.

in

    

ghost.

B.

     

   

ghost.

Org.

Ped.

A.

T.

B.

the

be







-

gin

-

-

-

-

 

-

the

be

-

gin

-

-

-

the

be

-

gin



-

-

-

-

the

be

-

gin

-

-

-

-

 

 



                                      109

S.

                   



 -

-









and

ev

ning,

is

ning,

is

now,

and

ev

-

er

now,

-

er

 

-

ning,

is

now,

and

ev

-

er

-

ning,

is

now,

and

ev

-

er





                          Org.

Ped.

         



139


18

    

112 S.

         

Ped.

     

A.

T.

B.

Org.

Ped.

world

-



with

be:

world



with



-

be:

world

with

-

                                  



              

 -

-

out



out

    

 

 



 



Gt.



 



end,







end,





 



-

out

end,

 



-

out



           



115 S.

be:

shall

Org.

 

-



with



shall

B.

world

be:

shall

T.

 

shall

A.

 



end,

       

  



  

 

140

 




19

    

118 S.

rall.

world

A.

T.

B.

Org.

Ped.

     

 with





-

world

with



-

world

with

-

    

A.

T.

B.

Org.

Ped.

-

end.

 -

 





out



with



out

end.

-

out

end.

-

out

end.





 

 

 



                                           

121 S.

-

world

     





F

a tempo

 





A

     

A

-

-

-

-

-

    

  

A

-

-

-

-

-

men,

       

A

-

-

-

-

-

men,

                  

    

        

-

 

-

-

  

-

-

men,



men,

 

add Gt. Mixture

full Sw.

 

 

 141

 


20

  

    

125 S.

A.

T.

B.

Org.

Ped.

A



-

-

-

    

  

A

-

-

-

    

  

A

-

-

-

    

                        

129 S.

A.

   A

      

B.

Org.

Ped.

           

  A

   A

-

-

 

-

-

-

men.

men.

 -

-

-

-

   

 -

-

-

men,

-

-

-

men,

-

-

-

men,

men.

 

men.

Solo Trumpet





   

-

-

men,



 

  

  

 

  

 

  

  

  lunga

  

  

  lunga 

 

  lunga

       

142

-

 



                  

-

 -



                 

A

A

T.

rall.



  

 

lunga

lunga  

   


21

II – Nunc Dimittis Adagio espressivo h = c. 68

      

SOLO

Organ

pppp

      

 



 

 

Sw. Strings 8'

Pedals

    8' only  

pppp

5 B.

SOLO pp

    

Lord,

Org.

Ped.

   

    

    

    

Ped.

          

serv

     

part,

Org.

let -test Thou Thy

9 B.

now



  

de -

-

-

in

peace,

 

 

 

 

143

de -

  

ant

 

part

-

 



 

 

Ac - cord

   

 -

ing


22

14 T.

B.

  

          

Ped.

         

- va

Org.

Ped.

thy

word.

                 

 



eyes

have

 have

TUTTI

 

mf

 

 

 

seen thy

seen thy

-

 -

tion, which Thou hast

f

tion, which Thou hast

 pre -

 pre -

rall.

    

par - ed

be - fore the face

    

par - ed

be - fore the face

  

  

 

  

 

f

144

sal -

   f

 

mf

sal -

  

16' + Sw. to Ped.

f

add to Swell

Sw.

mf

Have

seen,

 

    

- va

B.

     

19 T.

For my

to

Org.

G

mf

of

all

of

all


23

H 23 S.

A.

         

f

       To be a f

    

   

    

     

Ped.

   

   

S.

A.

T.

B.

Org.

Ped.

     

to

to

light

 



light

light - en

the

gen

-

-

light - en

the

gen

light - en

the



gen

-

-

-



 

-

-

-



light - en



-

-

the

gen

 

                 

ff





Pos. + Sw. +16' Reed

ff

 

     

 



 

 

and to be the glo

-

ry

of Thy

peo

-

-

ple

- tiles;

and to be the glo

-

ry

of Thy

peo

-

-

ple

     

-

- tiles;

    

-



to



to

ff

light

Gt. bell-like

            27

light

ff

peo - ple; to be a

Org.

      

peo - ple; to be a

B.

ff

ff

To be a

T.

a tempo

    

    

   

 

- tiles;

and to be the glo

    

-

ry

of Thy

 

peo

-

- tiles;

and to be the glo

-

ry

of Thy

peo

-

     

                   

   

add Gt. Mixtures

   



 -

ple

-

ple

      

145


24

    

S.

Is

A.

     Is

T.

     Is

B.

Org.

Ped.

I

          

be

T.

B.

-

-

-

el.

 -

-

-

-



ra

-

-

fff



el.

-



Glo - ry

ra

Glo - ry



-

fff

ra

Agitato molto espressivo

be

A.

-



el.

          Is ra el.                                                  32

S.

rall.



30

        



to

the

Fa





to

the

fff



Glo - ry

fff

Fa



 -

-

-

-

ther,

 -

-

-

-

ther,

be,



      Org.

Ped.

fff

          

Glo - ry

be,

 



fff

146






25 34 S.

    

and

A.

    

and

T.

B.

   

to

the

to

the



    



and

to

the

  

and

Son,

Son,



to

the



glo - ry

be,

glo - ry

be,



      Org.

Ped.



     

    

Ho

A.

T.

B.

       

Ho





    



36 S.



 -

-

-

-

-

-

-

-

ly

Ghost;

ly

Ghost;

   

As

it

As

it





Ho

-

-

-

-

ly

Ho

-

-

-

-

ly

                                      Org.

Ped.

          





 

147






26

    

38 S.

was

A.

     

was

T.

B.

in

the

be





-



-

-

-

Ghost.



The

be

-

gin



-

-

-

-

Ghost.

The

be

-

gin

-

-

-

-



ning,

 

gin

-

be

   

-

gin

the

    

in





-

-

-

-

ning,

 ning,

ning,

                                                   Org.

Ped.

           40

S.

     is

A.

     is

T.

B.

Org.

Ped.

    





 





 

now,

and

ev

now,

and

ev

-

-



er

shall

be:



er

shall



be:

is

now,

and

ev

-

er



shall

be:

is

now,

and

ev

-

er

shall

be:

    

                                      

            

 148


27

    

42 S.

A.

T.

B.

Org.

Ped.

A.

T.

B.

Org.

Ped.

 

 

     

world

with



-

out



world

     

with



-

out

end,

world

with

world

with

            



end,







-

out

end,

-

out





 

 





end,

                         

    

 

 



 

world

with

-

out

end.

world

with



-

out

end.

world

with

world

with

                

  

rall.

    

44 S.







 

 









-

out

end.

-

out

end.





  

 

 



           

    

 

 

   149

  


28

S.

A.

T.

B.

Org.

Ped.

J

a tempo

     

46

A

-

-

men,

A

-

-

-

-

men,

A

-

-

-

-

men,

A

-

-

-

-

men,

          

 

           

 A 

 A 

 

A

  



 

    

  

     

  

     

  

A

A

A

A

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

  

   

  

   

  

 lunga   

men.

men.

men.

men.

   

 

 

 150

    

                                  

  

Solo Trumpet

Ped.

-

  

    

- men,

Org.

 

rall.

                                      

- men,

B.

-

- men,

T.

 

-

- men,

A.

A

     

49 S.

 

lunga

lunga

lunga

  lunga          


Nico Muhly LORD, KEEP US MODEST WHEN WE CLAIM for SATB choir and organ

Chester Music 151


Commissioned by the Eastman School of Music through its George W. Utech Congregational Hymnody Fund. First performed on 26 October 2016 as part of the Eastman Rochester Organ Initiative (EROI) Festival.

Duration: c. 3 minutes

Text 1. Lord, keep us modest when we claim to know your heart's desires lest we invoke you to inflame belief's destructive fires. Let it suffice that we should find the star-stitched quilt of night a marvel that provokes our mind to seek yet deeper light. 2. From wonder let more wonder flow at how the atom spins, how cells are formed, evolve and grow, how life itself begins, how mass and energy give rise to yearnings in our hearts that reach beyond the farthest skies for where existence starts. 3. Then let our yearning hearts become an open door to prayer, a way to hear your Spirit hum through words and acts of care, a way to stretch our self-concern beyond our routine course, a way to live that helps us learn you are life's end and source. 4. And let these simple prayerful ways dispel the violence bred when faith is turned from thanks and praise to hatred, fear and dread. Yet even more may prayer make clear faith's universal claim: you hold the whole creation dear, and love is your true name.

Thomas H. Troeger

152


LORD, KEEP US MODEST WHEN WE CLAIM Thomas H. Troeger

Nico Muhly

4 4 1. Lord, 3. Then

keep us let our

mod est when we yearn ing hearts be

claim come

to an

know your heart's de o pen door to

sires prayer,

lest a

4 4 6

we way

in to

voke you hear your

to Spi

in rit

flame be lief 's des truct hum through words and acts

ive of

fires. care,

Let a

night course,

a a

10

it way

suf fice that to stretch our

mar way

vel that to live

we should find self – con cern

the be

star stitched quilt of yond our rou tine

14

pro that

vokes helps

our us

mind learn

to you

Š 2016 St Rose Music Publishing Co. and Chester Music Limited.

153

seek are

yet deep life's end

er and

light. source.


2 18

UNIS

2. From won der

let more won der

flow

at

how the a tom spins, how

cells are formed, e

pp

24

volve and grow, how life

it

self be

gins,

how

mass

and e

ner

gy give rise

29

yearn ings in our hearts

that

reach be yond the

154

farth est skies for where ex is tence starts.

to


3 35

DESCANT

4. And let these

4. And

let these

sim

ple prayer ful

sim ple

prayer ful

ways

ways

dis

pel

the vio lence

dis

pel the

bred

vio lence bred

when

when

40

faith

is

turned

from thanks and praise to

faith

is

turned from thanks and

praise

155

ha tred

to

and

ha tred, fear and

dread.

dread.

Yet


4 44

Yet

e

e

ven

prayer

make

ven more may prayer make clear faith's

clear

u ni

49 3

is

your

true

and

love

ver sal

claim:

6 4

name.

6 4

a tion dear, and love is your true name.

6 4 6 4 6 4 156

and

you hold the whole cre

A

A

love

men.

men.


Nico Muhly MARROW for SATB choir unaccompanied

Chester Music 157


Commissioned by the Netherlands Chamber Choir for the project 150 Psalms to be premiered by the Tallis Scholars during Utrecht Early Music Festival, September 1st, 2017.

Text O GOD, thou art my God: early will I seek thee. My soul thirsteth for thee, my flesh also longeth after thee: in a barren and dry land where no water is. Thus have I looked for thee in holiness: that I might behold thy power and glory. My soul shall be satisfied, even as it were with marrow and fatness: when my mouth praiseth thee with joyful lips. Have I not remembered thee in my bed: and thought upon thee when I was waking? Because thou hast been my helper: therefore under the shadow of thy wings will I rejoice. Psalm 63 vv.1–3, 6–8 Book of Common Prayer (1662)

Duration: c. 3 minutes

158


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170


Tarik O’Regan ALLELUIA, LAUS ET GLORIA for SATB choir unaccompanied

NOVELLO 171


Commissioned by the British Broadcasting Corporation for the Pro Musica Girls' Choir of Hungary, winner of the 2003 Let the Peoples Sing competition. SATB version arranged for Robert Istad and the California State University, Fullerton’s University Singers. Duration: 2 minutes

Text:

Alleluia, laus et gloria et virtus Deo nostro, Quia vera et justa sunt judicia ejus. Alleluia. Alleluia, praise and glory, and honour, unto the Lord our God, For true and righteous are his judgments. Alleluia. Revelation 19: 1–2

172


Commissioned by the British Broadcasting Corporation for the Pro Musica Girls' Choir of Hungary, winner of the 2003 Let the Peoples Sing competition

ALLELUIA, LAUS ET GLORIA Fanfare for SATB Choir TARIK O’REGAN

Maestoso q = 56

       f

    

laus et

Al - le - lu - ia,

Presto h. = 66 (q = 198) mp

glo - ri - a,

SOPRANO f

      Al - le - lu

ALTO

-

 f     

Al - le - lu - ia,

f

TENOR

     

-

Al - le - lu

      f

BASS

 

-

laus et

-

Al - le - lu - ia,

Piano (for rehearsal only)

       

 

     

ia,

glo - ri - a,

        

al - le - lu - ia,

    

-

ia,

glo - ri - a,

 

   

     

 

 

     

© Copyright 2015 Novello & Company Limited

173



p always dry



-

mp



   

laus et

Maestoso q = 56

  

-

    

 

-

   

glo - ri - a,

mp



mp

Presto h. = 66 (q = 198)

       



 

      




2



   

  



   

6

S.

A.

          

  

al - le - lu - ia, glo - ri - a,

  

   

al - le - lu - ia, glo - ri - a,

T.



p sempre

    



        

al - le - lu - ia, glo - ri - a,

    

p always dry

glo - ri - a, B.

  

Pno.



        

   

 

12 A.



al - le - lu -

T.

   

Pno.



   

          

  



ia, glo - ri - a,

le - lu

-

  



   

al -

  

le - lu -

al -

le - lu

  

  

 

 

  

174



  



  

ia, glo



-

 





  



 

al - le - lu -

  

  

al -

 

 

ia,

 

le - lu -

  

 

 

ia, glo - ri - a,

 

- ri - a,

   

ia, glo - ri - a,



 

    

 





    



   

   

  

al -

 

   


3

  

17 A.

 

glo -

T.

   





ri - a,

al - le - lu -

Pno.



22 S.

A.

  

  

al

Pno.

-



-

  

le - lu - ia,

le - lu

-

  

 

al - le - lu -

  

laus

et





glo - ri

       

ia, glo - ri - a,

        

-

glo

al - le

-

 

    

  

175

lu -

-

-

ia,

  



 

 

-

-

 

glo - ri - a,

       

al - le - lu

     

 

ia, glo - ri - a,

ri

al - le - lu - ia,

  



    

a,

ri - a,

  





 

mp

p sempre

 

-

  

  

 

ia, glo -



   

    

  

al - le - lu



p

glo - ri - a,



ia, glo - ri - a,

  

    

    

p sempre

    

-

  

     

  

 

    



ia, glo - ri - a,

al - le - lu

  

al

T.

 

  

   

    

- ia, glo - ri - a,

    

 

-

  

ia, glo - ri - a,

    



 

 


4

  

27 S.

-a

A.

   

  

  

al - le - lu -

T.

    

Pno.

   



  

S.

A.

-

 

mp

Pno.



    

Qui - a

ve

   



al - le - lu -

 

al - le - lu

ia, glo

 

-



 

-

nos - tro,

   

 

-

-

 

176

    

 

ra

 

 

ri - a,

 

 

  



 

 et

  

      

ia,

 

  

al - le - lu -

  

  

 

ia, glo - ri - a,

      

al - le - lu

    

 

al - le - lu -

     

-

 

al - le - lu -



ia, glo - ri - a,

 

o

ia, glo - ri - a,

  

 

    

    

 

  



         

-

ia, glo - ri - a,

al - le - lu



 

 

De

  



   

  

tus

al - le - lu -



 

 

  

 

- ia, glo - ri - a,

-

   

 

 

         

vir

ia, glo - ri - a,



glo - ri - a,

T.

et



       

  

32



ia, glo - ri - a,

al - le - lu

-



 

ia, glo - ri - a,

    

 

  

 


5 37 S.

A.

 

  

jus

-

mf

ta

sunt

ju

    

  





al - le - lu - ia, glo - ri -

T.

  

    

al - le - lu

B.

 

Pno.

42 S.

A.

 



-

   



 

-a

e





glo - ri - a,

T.

      - ia, glo - ri

B.

Pno.

- ri

-

 

  



  

al

a,

 

-

  



   

al - le - lu

-

-

-

  

al

-

-

le - lu - ia, glo

le - lu



al

 

-

-

  

        

-



a,

-

-



-

ri - a,

  

al

ia, glo - ri - a,



le

      

177

-

-



 

 

   a,

al - le - lu -

pp

Glo

 

 



-

  

 

 

   

 

mp

-

al



lu

  

-

  

mp

  

le - lu - ia, glo

    

  

-

jus.





-

al - le - lu - ia,

 -

  

 

ia, glo - ri -

 

 -

ci



-

     a,

di

al - le - lu - ia, glo - ri -

a,

p

  

-



                    

 

  

 

-

  

ia, glo - ri -

 

  

-

 

a,

p

le - lu

-



ri - a,

mp

-

  

 

    



 

ia, glo - ri - a,

mp

-

-

  

     



ia, glo - ri - a,

   

   



   

  


6 47 S.

A.



 







glo - ri - a,

T.

        

   



     

al - le - lu - ia,

 Pno.

A.

 



  

  

   

ri - a,



   f



  laus et



Pno.

 



   

 

 

    

 





ri

    

 -

a,

-



ia, glo - ri

  



-

a,

      

178

  

 

al - le - lu -

a,

ia,

 

al - le - lu -

   

- ia,

 



 

           

  

ia, glo -

-

  

ri - a,

 

 

ia, glo - ri - a,

        



   

al - le - lu

   

 

  

    

a,

 

-

al - le - lu -





    

-

   

a,

   

a,

-

-

ia, glo - ri

 

glo - ri

 



le - lu

  



  

 

glo - ri

-

ia,

-

-

    

al - le - lu

  

-

laus et

al

 

  

 

-

ia, glo -

    



le - lu

al - le - lu

al - le - lu - ia, glo - ri

- ia, glo - ri - a,

B.

 

  

mf

    

  

al - le - lu - ia,

  



al - le - lu -

al - le - lu - ia,



   



     

 

glo -

T.



 

52 S.



-

mf

glo - ri - a,

al - le - lu - ia,

B.

Al

  

f

    

 

 


7

  

 

Qui - a

ve

57 S.

A.

    

  

al - le - lu -

T.

  

    

 

-

Qui - a

 Pno.



62 S.

A.

       

 sunt

  

 

ju - di -



glo - ri -

T.

     

sunt

 Pno.



 







a,

ia, glo - ri -

    

ve

-

ra

 



 

  

ci - a





a,

    





e -

jus.

  

  

al - le - lu -

a,

et

jus - ta

 

   

 





ju - di - ci - a

e -

jus.

       

     

      

  

       

179

 

 

le - lu

-

ia,

  

 

 

      

 Al

  

-

al - le - lu

  

  



al - le - lu - ia, glo - ri - a,

ia, glo - ri - a,

 

 

   

al - le - lu -

      

    

ia,

 



 

 

Al

-

al - le - lu -

ia, glo - ri - a,

         

al - le - lu

jus - ta

-

al - le - lu - ia, glo - ri - a,

a,

et

  

   

 

   

 

ia, glo - ri - a,

           

       

al - le - lu

   

  

   

- ia, glo - ri -

B.

ra

      

 

 

-

   

ia, glo - ri -

al - le - lu

B.

    

    

-

-

ia, glo - ri - a,

  

le - lu

-

ia,

 

 

   

    




8

     

67 S.

A.

glo

  

  

-

ri - a

  

 

et

vir

T.

al - le - lu

B.

       

Pno.



72 S.

A.

T.

 

glo



-

 

  

 

  

mf

- tro,

Pno.



 

et

vir



a,

Qui - a

  

   

ia, glo - ri -

ve -

-

tus

 

   



a,

 mp  

 

et

-

al - le - lu

nos

-

-

-

     

 

a,



jus

 

ve



a,

ia, glo - ri -

 

-

-

  

   a,



-

 



al - le - lu -



ta

 

al - le - lu - ia,



-

-



  

a

 

-

 

mp

                            

180



     -

-

   

al - le - lu

ia, glo - ri - a,

al - le - lu - ia, glo - ri -

  

-

    

 

      

mp

De - o

 

  



al - le - lu - ia, glo - ri - a,

      

   

ra



al - le - lu - ia,

 

     

nos - tro,



al - le - lu - ia, glo - ri - a,

-



De - o

   

  

mp

glo - ri -

Qui

  

a,

     

 

 

tus





ia, glo - ri -

ri - a

al - le - lu

B.

  

  

             

 

-

-

mp

al - le - lu - ia, glo - ri -

  

sunt

      

 

 

    



 


9

  

77 S.

A.

 -

-

-



T.

    

    

a,

al - le - lu -

  

- ia, glo - ri -

 

mf

B.

  

Pno.



82 S.

A.

ju

 

 

a,

di - ci

-

al - le - lu

  

a

    

  

et

jus

  

 Pno.



 

 

 -

a,

ia, glo - ri -

-

a,

al - le

       

 

glo - ri

ia, glo - ri - a,

-

al

  

-

  

 

e

-

-

 



   

 



 

   

le - lu

-

   a,

-

       

 



lu

-

-

 

            

181

-

sunt

ju

-

ia,

  

ri -

 





a,

ia, glo - ri -



-

 

a,

 



  a,

le - lu -

       

  

   

al - le - lu

 



Al

  

ia, glo - ri -

jus.

al - le - lu - ia, glo

  

  

ia, glo - ri -

le - lu -





 

al

ta



     -



- ia,

-



mp

 

al - le - lu

B.

 

ia, glo - ri - a,

  

    

  

    

          

al - le - lu - ia, glo - ri -

T.

mp

      

  

-

ra



glo - ri -

-

-

    

al - le - lu - ia,

    a,

al - le - lu -

    

glo - ri

 

-

 

        

a,



    

   

   


10 87 S.

A.

T.

mp

  - di

-

-

glo -

 

 

  

    

 ci



ri - a,

 

al -

Pno.

 



al

-

A.

  

le

-

-

 

molto

-

-



-

   

 

Pno.



   



  



ia, glo - ri - a,

     

ia,

 

al - le - lu -

ia,

 

 lu

-

Al

le - lu -

 

al - le - lu -





ia,

-

  

-



f

al - le - lu f





al

-

    

glo - ri

-

-

  

-

  

ia, glo - ri - a,

      

ia,

 

a,

al - le - lu - ia,

       

al - le - lu - ia,

     

  

  

 

le - lu



al - le - lu f

al - le - lu - ia,

 

  

al

 

     

le - lu

  

182

  

ia, glo

-



-

-

ia, glo

     

le

-





  

al -

    

ia, glo - ri - a,

  

-

-

ri - a,

 -





    

 

  

 



  

     

ia,

le - lu -

 

 

al -

al -

ia, glo - ri - a,

-

le - lu -

ri - a,

   

 -

-

    

f

al - le - lu - ia,

   

-



     

  

al

e

  

     

 

jus.

 





                                       

glo - ri - a,

al - le - lu - ia,

 

  

-

jus.





-

  

molto

   

-

al - le - lu - ia, molto

B.



a

f

glo - ri - a, molto

T.

 

molto

92

S.

  

al - le - lu -



-

-

le - lu -

                

  

-

     

- ia, glo - ri - a,

B.

-



al -

   

le - lu -

 

ia,

 

le - lu -

     



     


  

 

97

S.

  

-

    glo

A.

-

-





ri - a,

-

T.

glo

B.

Pno.



-

  

    



  



ri - a,

    

   

  

102

S.

al

     

-

-

 

al - le - lu -

A.

   



B.

Pno.

   



al

-

-

  







glo - ri - a,

      

    

  

  



 le

    

ia, glo

  

   -

ia, glo

le

  

    

 

 

(e)

 

 

-

 

-

(e)



    

 

   

lu

    



ri - a,



    



  

ia, glo

al - le - lu



  

    

  

  

-

 

  

-

ia, glo



glo - ri - a,

-

 

lu

    

  



  

-

 

   



 

-

-





glo - ri - a,

    

 

183

 

 



-

(a),

 

 

  ia

  

 

-

ri - a,

  



    

al

    

 

 

 

-



 

 



   

al - le - lu -



    

 

  

ia,



 

   

  

le -

al - le - lu -

(a),

 

ia, glo - ri - a,

   





al - le - lu - ia, glo - ri - a,

 

ia,



al - le - lu - ia, glo - ri - a,

   

 

 

-

  

ri - a,

   

     

    

-

 

ia, glo - ri - a,

  

al - le - lu

ia



    

al - le - lu -

-

  

al - le - lu -

ri - a,





al - le - lu - ia, glo - ri - a,

    



ia,

ia, glo - ri - a,

   

al - le - lu - ia,

   

-



-

al - le - lu - ia,

 

-

-



ia, glo - ri - a,

 

-

  

-

    

al - le - lu

 



-

   

     

  

ia, glo - ri - a,

glo - ri - a,

T.

-



al - le - lu

  

  

-

al - le - lu -

- ia, glo - ri - a,



  

 



al - le - lu -

- ia, glo - ri - a,

  

lu

11

    

 

   

   

       


12

   

107

- lu

 

 

-

ia,

al

 

-

le

-

 lu

ff



 

ia.

-









A - men,

a -













men,

a - men,

S.

   

 

    

 

glo - ri - a,

A.

  

al - le - lu -

   



al - le - lu - ia,

T.

   

 

B.

 

    

al - le - lu -





 

A - men,

    



al - le - lu - ia,

    

 



 

  



A - men,

     ff



men,

a - men,

    



al - le - lu - ia,

ff

ia, glo - ri - a.



a -

ff

  



 

 

ff

ia, glo - ri - a.

glo - ri - a,

   





    

glo - ri - a,

    

 



al - le - lu - ia,



a -

men,





a - men,

    



 



 



al - le - lu - ia,

glo - ri - a,

al - le - lu - ia,

al - le - lu - ia,

al - le - lu - ia,

 

   

 

 

 

 

 

     

 

 

 

 

 

 

Pno.



    

 

    

 

 

    

184

 

  

    

 

  

    

 

  


13

112

  a -

 



men,

a

  -

men,

 





a - men,

a -

 



men,

a -

 

     

sffz

men, a - men,

a

  -

men.

-

  men.

-



S.

  

a -

A.

 men,

   

 a



al - le - lu -

T.

  

a -

B.

 men,

    

 a



al - le - lu -

 Pno.

 



     

 

 -

ia,



al - le - lu -

 -

men,



al - le - lu -

    

    

ia,

 

 men,

ia,

a -

al - le - lu -

a -

  men,

    

185

ia,

a -



 

men, a - men,

glo - ri - a,

ia,

sffz

 a

sffz

men, a - men,

a

glo - ri - a,

    

 a

     

       

    

     

        



al - le - lu -

     





    

 

  

a -









    

a - men,

    

ia,



a - men,

    

    

men,



sffz



    

 





 -

 

men.

 

sffz

a

men.

-

men.

  

  

 

 


186


Owain Park FOR THE FALLEN for SSAATTBB choir unaccompanied

NOVELLO 187


Duration: c. 4 minutes

They shall grow not old, as we that are left grow old: Age shall not weary them, nor the years condemn. At the going down of the sun and in the morning We will remember them. Laurence Binyon Extract from ‘For the Fallen’

Order Number: NOV167145

188


For Joseph Wicks and the Beaufort Singers

FOR THE FALLEN LAURENCE BINYON

OWAIN PARK

Reflective (q = 63)

 

SOPRANO

 

mp

    

p

 

They shall grow



They shall grow

   ALTO

not

old,

  

   

not

old,

      

They shall

 

They

shall grow

mp

not

 

 

 

 

 

They shall grow

not

  

old,

TENOR

BASS

Piano (for rehearsal only)

   

 







© 2017 Novello & Company Limited

189





 

 

 




2 7

mp

     

cresc.

 

They shall grow

not

   

old,

They shall grow

S.

 



grow

not

 

old,

 

   

old,

cresc.

  

 

 

old,

 

They shall grow

mp

They shall grow

not

not

  

A.

    

They shall grow

 

not

old,

cresc.

 

They shall

T.

B.

 



  

 



 



 

  

 

190

 

 







    




3 12

 

   

p

 

  

 

mf

p

            

 

mf

p

 

p

  

 

not

old,

mf

not

  

old,

S.

 

old,

not old,

cresc.

They shall grow

not

old,

  

A.

      

 

grow,

mf

they shall grow not old,













T.

B.



 

      



p espress.

         

   

 191

we

 

as

we

that are

   that are left

   

  

p espress.

as

  

as we

     

p espress.

  

     

  grow



old,

  

       


4 18





S.

  

  

mp

   

They shall grow not

old:

A.

 

   

 

 p espress.

  

as

 we

that are left

 

grow



 

 

   

old:

T.

   

 

that are left

 



left

grow

grow



 

 

old:

B.

 



  

old,





 



  

 

as

we

that are left

grow

        

    

    



 

   

old:



192

   

 



    



 

grow

   

 


5 24

S. mf

f

       

 

Age

shall not

   

wea-ry them,

nor the years

 

p

nor

  

mp

      

     

con demn, the years con demn.

  



 

the years

con

-

  

demn,

A. p

 

Age



shall

not

 T.



wea

-

ry

them,

p

nor

mp

  

old:

 

p

 

Age shall not



           

Age

shall not

p

mp

 wea

-

wea

  

-

ry

ry them,

  

the years

 

them,

(p)



p

con -

 

nor the

years

con

-

B.

 

p

mp

 wea

   

 

       

 

     

   

  

193

-

mf

 

ry them,

     

   

Age

   

  

  

 

 



 

shall not

     


6 28

p

 

 



 

con - demn,

nor

the

years,

S.

 



       

3

nor

  

mf

the years,

mp cresc.

    nor the

 

years

con-

A.

 

p

   con

 

con

-

    

 

demn,

 

mp

-



 

mf

 

nor the

mp cresc.

  

nor the years,

demn,

T.

 

     

 

- demn,

con - demn,

- demn,

mp          wea - ry them,

 

    

mp cresc.

nor the years

con-demn,

  

     

  

         

 

194

  mf

nor the

     nor the

B.

 

  

years

mf

 





      



    

nor the

    3

   


7

          

32

poco f

SOLO

nor the



years con - demn.

S.

  -

 

 

At the

mp



- demn,

years

con

-

demn.

At the

years

con

      

con

  years

   

 

-

 

 





ing

down,

-

    

 

  

 

   

195

mp en dehors

 

   



go



of the

At the

mp

At the

  

 



    

demn.

demn.

          

-



 con

mp

go

down,

    

demn.

At the go-ing down

mp

 -

mf

         

go-ing

At the

 B.

 

of the sun

        

T.

go-ing down

mp

 

con - demn.

A.

  

       

demn.

 

mf

 

con

-

 



ing

down,

   

   



      

      


8

Un poco meno mosso 37

TUTTI p

      

We will re -

S.

p

      

We will re -

 

       p

We will re -

sun

A.

       p

We will re -

 

 

    pp

and in the mor - ning

       p

We will re -

T.

         go-ing down

 

of the sun

 

mp             dim.



   

and in the mor - ning

At the go-ing down

B.

pp

of the sun

pp

     

and in the mor - ning

pp

   

and in the mor - ning

 

 

                  

196

           

  

p

       We will re -

 

 

  re -

   re -

Un poco meno mosso         







          


9 42

  

poco f

- mem

-

ber

  

     

  

     

p

them,

mp

We will re - mem - ber

Tempo I

 

 them,

S.

  

poco f

- mem

 -

ber

them,

poco f            - mem - ber

A. poco f

  

- mem

-

p

them,

We will re - mem - ber

poco f

-

ber

poco f

  

- mem

-

poco f

  

- mem

-

ber

them,

mf

  

We will

 

   



- mem



-

 

             3

      

-

mem - ber

mp

p

We will re - mem - ber

   

       

them

them



 them,

 

197

      

     





mp

them,

We will re -

them,

mp

     

them,

  

re

We will re - mem - ber

  

ber

mp

 

     

them,

mp

p

B. poco f

mem - ber

We will re - mem - ber

      ber

-

     

them,

  

  

re

p

3

- mem

p mp           

We will re - mem - ber

            T.

  

We will

them,

them,

     

  

 

mp

mf

      ber

mp

them,

Tempo I   

  

  

   

 



  



  

 


10 47

p

 

mm

re - mem

-

S.

mp

     



We will re -mem

 

-

ber

mm

A.

mm

 

mp

    

We will re-mem

p



re - mem

-

ber

them,

T.

 



- mem

- ber

      

them,

We will re -mem

p

    re - mem

 - ber

-

ber

them,

 

 

We

them,

 re -

B.

mp

       

We will re mem - ber them,

  

 

  

    

 

    

We will re-mem - ber

 

    

 

     

198

   

  

   

 them,

       

    

 


11 53

  

 

 

    

- ber

them,

re - mem

-

ber

S.

them,

 

We will re-mem

p

 

 



-

ber

them,

re - mem

-

-

-

ber

poco cresc.

    

them,

ber

We will re-

them,

re

-

A.

 

    



We will re - mem - ber

re - mem - ber



them,

them,

T.

   



will re-mem

  - mem

-

-

ber

ber

them,

poco cresc.

     

We will re-mem -

  

re - mem

them,

-

ber

B.

      

   

-

We will re - mem

 



         

 

     poco cresc.



ber

them,

          

 



 

199

We will re - mem

 

 

   

   

 -

  

 ber

    

 

 


12 58

  

 

them,

re

-

mem

-

 

 

 

 

p

 

  

 

 

 

ber

them.

S.

 

- mem



-

 

- mem

ber

them.

-

p

ber

them,

 

(p)

re

- mem - ber

A. poco cresc.

       

 



We will re - mem - ber

 

(p)

them,

re - mem - ber

  

them.

them.

re - mem - ber them.

T.



 

-

ber

 



p

them,

re - mem - ber

  

them,

 

re

-

-

mem

-



ber

them.

them.

B.

 

them,

 

 

 

p

     

 

 

 

 

   

We will re - mem - ber

    

   

  

   

  

  

200

     

them.

  

 

 

 

   


Owain Park JUSTORUM ANIMAE for SATB divisi choir unaccompanied

NOVELLO 201


Duration: c. 4 ½ minutes

Justorum animae in manu Dei sunt, et non tanget illos tormentum mortis. Visi sunt oculis insipientium mori, illi autem sunt in pace. The souls of the righteous are in the hand of God, and there shall no torment touch them. In the sight of the unwise they seemed to die; but they are in peace. Wisdom 3:1-2a, 3b

Order Number: NOV296879

202


For Stephen Layton and The Choir of Trinity College Cambridge

Justorum animae

Wisdom 3:1-2a, 3b

Slow; plaintive q = 60-63

OWAIN PARK

SOPRANO I

 







SOPRANO II

 







ALTO

 







TENOR

 







BASS I

Jus - to

BASS II

Piano (for rehearsal only)

S. II

A.

T.

B. I

rum

a - ni - mae

in

ma

-

nu

De - i



 

 





 



 



  

     

 



Jus

   







 

        

- mae

  

    in

ma

in

ma

    

-

nu De - i

-

-

nu

sunt,





   





to

-

 

mp



Jus

 

© 2017 Novello & Company Limited

203

De

-

 

   

  

to



-

rum a - ni -

         

mp

    

rum a - ni - mae

-

i

to

sunt,

       

   

            

         



Jus



 

-

Jus

  

Jus - to -



sunt,

   

mp

     mp legato

- rum a - ni - mae

B. II

-

 

6

S. I

            

      

mp soave

    

-

 -

to

-

in

ma

-

-

ni

-

   

       

rum a



 

  

mf



Jus

-

 

    


2

10

S. I

        mf

Jus - to

          mf

S. II

A.

T.

mf

rum

-

-

  



B. I

 

Jus

B. II

to

 

- to

S. I

-

-

     a

rum

p

  

 

 mp en dehors

A.

  



Jus - to

T.

B. I

B. II

 

 



  

pp

 

 

 

-

i

sunt,

in

i

ma

-

    

mp

in ma - nu

De

-

Jus - to

poco f

-

-

in

pp

ma

Jus - to pp

-

Jus - to pp

-

Jus - to

-

 

   

  

-

   i

 



 



 



 



           



rum

a - ni - mae p mp

  

    

 

mp

p

De - i

-

a

-

   

  

     a

-

  

a mp

a - ni - mae mf dim.

sunt,

-

rum

p



nu

ni - mae

  -

p

ni - mae

p

-

 

  

ni - mae

   



 

mp

-

204

   

a mp

  



   

 

rum

rum

  

    



  

 

sunt,

 

nu De - i

rum

      

-

nu,

                         

-

-

  

Jus - to pp

a - ni - mae

 

 

rum

mp

ni - mae

    

 

 

-



sunt,

  

ma

mp

De

nu

in

sunt,

-

         

sunt,

S. II

De - i

  

  

ni - mae

  

-

a tempo

mp

mp

a - ni - mae



nu

De

     

-

-

    

-

mf

 

rum

-

nu

                

14

-

 -

in ma

                  

a

    

in ma

mf

rum

  

a - ni - mae

  

- mae

-

poco rall.

dim.

  

         

ni

-

 in

 in

in

   


mp

19

S. I

S. II

  



in

-

ma mp

    in

A.

ma

 

 

 

 -

ma

B. II

-

ma

 

-

  

24

S. I

S. II

A.

T.

B. I

B. II

 

 

 

 

 

nu

De - i

 

 

sunt,

De - i

sunt,

 -

i

sunt,

De

 

sunt,

-

De

-

i...





 

i



  

sunt,

 





p legato; poco marcato

  

     

et non



tan - get

il - los tor -



  

  



  

 

   

  

     

et non

tan - get

il - los tor - men - tum

- men - tum



mor - tis,

   

    

  

 

   

et non

tan - get

  

p legato; poco marcato

p espress.



mor

 -

   

  

mor

205

-

        

-



non

tan

tis,

      

 

  

il - los tor - men - tum

il - los tor - men - tum

et

  

tan - get

   

     

     

tis,

 

et non

non p espress.

et non

  

  

 p espress.

p poco a poco cresc.

et

 

  

 

De

nu

    

De - i

 

nu

 

nu

ma - nu

-

   

nu

 

 

-

in

ma

B. I

-

mp

- mae mae,

T.

 

3

Poco più mosso; animando (with the feeling of 6/8)

mor

-

 -

get,

tis,

     tor -

              


4

29

S. I

S. II

 

tan





-

get

il

       

tan - get il - los tor - men

A.

 

T.

  

  

   

sempre cresc. poco a poco

B. I

et non

tan - get

 

-

-

34

S. I

 



f

  

mor

-

-

-

ff

A.

T.

B. I

       

mor f

 

mor f

B. II

 -

-

  

 

-

 

-

tor - men

  

  

-

   

mor

-

    

-

mor

-

 

mor

tor - men - tum

-

 

-

-

-

-

mp

mor

       

tis,

  

  

mor mf

  

-

-

-

-

-

 

 



       

   

-

tis,

tum

tor - men - tum

 -

-



  





    



p

-

tis.



tis.

 

-

dim.

-

 

 

     

206

-



il - los tor - men - tum mor



-

-

tis.

tis,

il - los tor - men - tum

 

-

mor

  



 

p

tum,

   

mor

      

 -

-

rall.

tum



    

  

mf

-

tis,

     

        

-

     

tis,

 

il - los tor - men

-

-



tor - men

 -

tis,

-

il - los



-



tum

   

tan - get



 

tis, dim.

-

il - los tor - men - tum mor - tis,

tum

     

tis, mf sempre cresc.

et non

men

       

      

-

tis,

 -

-

mf sempre cresc.

tan - get

il - los tor - men - tum mor f dim.

tor



 

 -

los

          

 

mor

molto

mor

        

men

f

S. II

et non

      

  

tum

il - los tor - men - tum

sempre cresc. poco a poco

B. II



mp sempre cresc. poco a poco

 

-

-

mor - tis,



p

mm



p

tis.

 

tis.

mp

Jus -

   



    



    

 




5 39

Tempo I

S. I

  

S. II

  

A.

  

T.

  

B. I

p



-

Tempo I

S. I

 

mor

 

mp en dehors

    

sunt

o

Vi

-

 

B. II

 

-

-

  



-

 

-

   

in - si - pi - en

p





-

   

 

 

  

 

 

 

-



 

-

-



ti - um

 

-

  

mo

tis.

 

p

si...

-

-

ri,

-

-

 -

    3

*Single flickering notes should be placed on the beat.

207

sunt

  

 

   

  

 



    

  



 

  

  

 sunt

-

 

mp en dehors

-



si

   

  

ri,



p

poco rall.



sunt,

mo

 

De - i

-

 

si...

 -

-

-

nu

3       

Vi





Vi

B. I

-

mor

 

 

ma

   

  

cu - lis

 

   

tis,

  

in

              

mo

 

 

*

-



-

*

p

T.

Un poco meno mosso

p

A.

 

*

  -

  

  

Vi - si

S. II

rum a - ni - mae

     

43

 

    

p

 

mm

  

 

 

mm

- to

B. II



poco rall.



Vi p

-

si

 o

-

-

-

  

  

sunt

  

cu

-

-

 



 




6

48

S. I

S. II

 

  

o - cu - lis

in - si

mp

-

-

pi - en

-

ti - um

   

 

o - cu - lis

T.

in

 

  

- lis,

B. I

 

- ri,

B. II

S. I



o

-

 

 

3

  

cu - lis

in

si

-

o

-

A.

       

-

3

B. II

mm

   

 

  

-

rum a - ni - mae

  

 

 

  

  



mo mp

mo

  

 

 

mo

-

ri,

 



  



    

ri,

-

ri,

-

ri,

mp

Jus -



   

  





 

 

 

 

 

 

 

 

            

 



     



-

ri,

 

  

- to

 

  

   

lis,

  

-



  



mp



-

  

mm



p

p legato molto

mm p legato molto

B. I

-



-

ri,



cu

p legato molto

T.

-

-

 

-

in



  

mo

ri,

p

mm

ti - um

     

-



mm p legato molto

S. II

pi - en

  

  

      



(p)

 

52

  mo

  

-



mo mp

mo

A.

  

        

 

 

in

    

ma

-

 

nu

De - i



 

208



  

sunt,

  

 

 


7 56

S. I



Poco meno mosso; affettuoso

mf

S. II

  il

      

-

li

au

-

mp

A.

   il

mp

T. I

  il

T. II

-

-

-

li

il

B. II

il







-

-

au

-

au

Poco meno mosso; affettuoso

        

  

  

il

-

li

au - tem

-

tem

-

-

-

tem

in

   

il - li au - tem

pa

-

pa

-

in

-

pa

-

-

       



   

  

-

 

in...

-

tem sunt

 

-

in

ce,

 

   

  

sunt

au

209

sunt

sunt

li

 

       

      

        

in

in

mp

sunt,

sunt

      

sunt

tem

      

li



 



au

ce,

tem

li

-

-

il

 

pa

-

  

in

au

-

mp

      

li





sunt

mp

B. I

tem

mf

 

  

     

in

   

       

 

 

    


8

 

60

S. I

mf

pa

-

mf

S. II

 

-

ce,

 

 -

T.

pa

B. I

 

-

B. II

pa



 



  

 

 

ce,

 

a - ni - mae

in

 

 



 

    

ce,





pa

-

-



pa

-

-

in

-

pa

nu

mp

De

-

-

i

 

ce.

-



 

  



         

 

  

p

pa

ce.

sunt.

 



-

  

in

210

ce.

p

-

 

 

mp

ma

ce.

p

 



-

mp

 

in

-

p

           

 

  

pa

mp

 

     

Jus - to - rum

-

in

 

 

p

in



mf en dehors

mf

  

 

mp

 

ce,

mf

  

ce,

mf

A.

 

 

-

ce.

      

 


Owain Park A PRAYER OF THOMAS KEN for SATB choir unaccompanied

NOVELLO 211


Commissioned by Wells Cathedral Voluntary Choir for the Association of Cathedral Voluntary Choirs in celebration of their 20th anniversary

th

First performed on 29 October at Wells Cathedral, performed by Association of Cathedral Voluntary Choirs conducted by Michael Cockerham

O God, make the door of this house wide enough to receive all who need human love and fellowship, and a heavenly Father's care; make it narrow enough to shut out all envy, pride and hate. Make its threshold smooth enough to be no stumbling block to children, nor to straying feet; make it rugged enough to turn back the tempter’s power: Make it a gateway to thine eternal kingdom. Amen. Thomas Ken (1637-1711)

Duration: c. 3 minutes

Order Number: NOV296516

212


A Prayer of Thomas Ken THOMAS KEN

OWAIN PARK

Teneramente; flessible

   p molto legato    

SOPRANO

O

God,

O

 

O

God,

make the

 

          p  

e - nough

wide

wide

 

   

 



p

   

to re - ceive

wide

      

   

    

   

   

   

house

door cresc.

of this

house

door

of this

 

 

all



   





 

house



 

   

who need hu

   

          

-

 

  

-

man

  

        

all

       

  

   

    

       

 

  

 

   





 





 

     

e - nough to re - ceive

 

house

of this



 

e - nough to re - ceive

p

wide

    

 

of this

door cresc.

e - nough to re - ceive

  p    

 

5

B.

make the

flessible  Teneramente;       

Piano (for rehearsal only)

T.

make the

O God, p molto legato

door

 

God,

   

BASS

cresc.

  p molto legato       

TENOR

A.

make the

p molto legato        

ALTO

S.

 

mp

 

   

cresc.

 



 

   

all

all



© 2016 Novello & Company Limited Not for rental or hire by third parties.

213

who need hu - man

   

who need hu - man

who need hu

  

        



 -

man

 



 


2

  mp  

10

S.

  

love

and

     

fel - low - ship,

 

         

  

 

  

  

and

fel - low - ship,

mp

love

and

   

love

and

 

 

  

  

     

 

 

      

 

 

care;

B.

 

 

 

care;

T.

  

 

 

care;

A.

 

         

care;

   

  



 

        

       

p dolce

  

and

a

 

heav’n - ly







 

 

 

 

  

    mp

Fa

-

ther’s

  

-

ther’s

 

 



Fa - ther’s



 

 



 

 

  

   3     

    

  

       

mp

  

    3     

make it mp

nar- row

make it

nar- row

    

make it

nar - row e - nough,



Fa

heav’n - ly

   



Fa - ther’s

heav’n - ly

   

p dolce

   mp          make it

   

heav’n - ly

p dolce

and a

fel - low - ship,

     

15

S.

 



  

and a

fel - low - ship,

  

mp

B.

   

and a

  

love

T.

 

  

mp

A.

  

p dolce

nar- row

214

e -nough

e -nough

to

to

to

nar -row e -nough to

    

      

shut out all 3

     

             

e -nough

 

         

shut out all

shut out all

 

  

shut

  



out

 

3

3

 

 


3

  mf   

     

      

  

  mf    

  

20

S.

en - vy,

mf

A.

en - vy,

T.

en - vy,

mf

B.

mp

3

pp

 

pp

 

3

pride and hate.

mp

pp

Make its p

   



     mf   be

    



       

 

no stum - bling block to

       be

 

mp

 

 

child - ren,

 

no stum - bling block to

 

child - ren,

                     

  

mf

mp

be

mf

 

be

no

block to

        

no stum - bling block to

  

 

 

 

 

 

         

child - ren,

 

mp

 

 





      

stray - ing



 

nor to

stray - ing

feet;

feet;

   

      stray - ing

feet;

   

nor to p espress.

nor to





 





 

stray - ing



feet;













     

 

p espress.

p espress.



215

  

nor to

child - ren,



 

p espress.

 

   

mp



 

 

    

smooth e - nough to

     

3

    

mp



smooth e - nough to

Make its thresh - old

3 3

       

    

Make its thresh - old

3



thresh - old smooth e - nough to

mp

p

   

smooth e - nough to

  

   



   

pride and hate.

 

mp

    

en - vy,

mf

B.

p

   

26

T.

  

Make its thresh - old

pride and hate.

mp

mp

3       

 

A.

pride and hate.

mp

p

   

    

S.

pp

3


4 mp sempre cresc.            

  

   

      

        

   

      

    

  

   

      

   

30

S.

make it

A.

 

rug - ged

  

e - nough

to turn

 

make it

     

rug - ged

e - nough to

turn back the

mp sempre cresc.

T.

B.

make it rug - ged mp sempre cresc.

e - nough to

make it

e - nough to

       

 

  

      

rug - ged

 

 

 

back the tempt - er’s

  

pow’r:

     

     

   

            

a

a

gate - way

gate - way

to thine e - ter

to thine e - ter

      

pp p       

  

to

thine e - ter

Make it

a

gate - way

gate - way

   

 

 

 

 

 

 

 





mf

nal king - dom. mf

p   pp          a

  -

to thine e - ter

-

nal king - dom. mf  

-

nal king - dom. mf  

-

nal king - dom.

    





    

 

 

 

    

216

 



3

p    pp       

Make it

B.

  



     

Make it

T.

turn

pow’r:

p    pp         Make it

A.

f   

    

35

S.

tempt - er’s pow’r:

turn back the tempt - er’s

 

 

3

f

        

back the tempt - er’s pow’r: f

mp sempre cresc.

f

 

 



 



              

      

      

 


5

   p teneramente    

41

S.

A

A.

    

-

p

 A

T.

-

   p   A

-

    p

B.

-

-



 

  

   

    mp

men,

  mp   mp   a

B.

-

   

a

T.

-

  

-

-

mp  

  

-

 

  

a

   

-

-

men,

-

men,

men,

men,



  

men,

a

    a

 

 

a mp

-

a

-

men,

 

men,

  

 



 

         

pp

-

p legato

-

-

 

-

-

-

-

-

p legato

   -

-

p legato

  

-

 

    217

   -

 -

 

-

 

   

 

 -

 

men. pp

  

-

men. pp

   

  

-

-

-

men. pp

-

      

-

men,

  

-

mp

a

men,

men,

mp

  

a

-

     

a

a

    

-

  

 

-

 

  



men,

-

p espress.

a

 

 

 -

-

    

 

A

-

A.

-

   

47

S.

-

  

mf

    

 

men.

      


218


Anna Thorvaldsdottir HEYR ÞÚ OSS HIMNUM Á for SATB choir unaccompanied

Chester Music 219


Written for Skálholt Summer Concert Series, August 2005. Duration: 4–5 minutes

The work is written from an old Icelandic psalm by Olafur á Söndum (1560–1627). There are numerous verses in the psalm – four of them are used in this piece.

TEXT Heyr þú oss himnum á, hýr vor faðir, börn þín smá, lukku oss þar til ljá, líf eilíft þér erfum hjá, og að þér aldrei flæmumst frá.

Hear us in heaven, loving Father, as we, your small children, ask for the fortune to receive eternal life. We shall not stray from your path.

Þitt ríki þróist hér, það þín stjórn og kristni er, svo að menn sem flestir, safnist, Guð, til handa þér, fegin yfir því fögnum vér.

May we help your kingdom to grow here on earth. Following your guidance, we gather around in your name, and gladly celebrate.

Síst skarta sönglist má, sé þar ekki elskan hjá, syngjum því þýtt lof þá, Þér, Guð drottinn, himnum á. Maður rétt kristinn mun þess gá.

We cannot make a joyful song unless we are moved by love. So let us sing our gentle praise to you, Lord God, in heaven, as the truly faithful have done.

En þegar aumir vér, öndumst burt úr heimi hér, oss tak þá, Guð, að þér, í þá dýrð, sem aldrei þver.

When our poor souls pass away from this world, take us God to you, into your everlasting glory.

Amen, Amen, það eflaust sker.

Amen, Amen, may this be done.

PRONUNCIATION GUIDE f (start) f (middle) f (before l or n) g (start) g (middle) g (before i or j) hv j kk nn r tt and tn þ ð

a (short) as in hat a (long) as in father á as in mouse e (short) as in met e (long) as in bear é as in yet i or y as in hit i or y (before ng) as in seen, but shorter í or ý as in seen o (short) as in not o (long) as in oar ó as in open ö as in German Goethe u as in French deux u (before ng) as in moon, but shorter ú as in moon æ as in mile au as in French feuille

220

as in father as in vase as in bad as in good as in saga as in yet becomes kv as in yet pre-aspirated i.e. hk becomes tn always trilled pre-aspirated i.e. ht as in thin as in breathe


Heyr þú oss himnum á Ólafur á Söndum

Anna Thorvaldsdottir

q = 62

SOPRANO

ALTO

TENOR

3 4

5 4

3 4

5 4

3 4

pp

3 4

pp

6

4 4

himn um á,

4 4

himn um á,

4 4

himn um á,

4 4

himn um á,

Heyr

3 4

5 4

3 4

3 4

5 4

3 4

5 4

himn um á,

hýr vor fað ir,

hýr

hýr

hýr

fað ir,

fað ir,

fað ir,

heyr

4 4

p

3 4

6 4

3 4

4 4

3 4

6 4

3 4

4 4

heyr,

smá,

börn þín smá,

börn

p

3 4

5 4 5 4

3 4

heyr þú oss

4 4

6 4

börn þín smá,

börn

mp

p

5 4 5 4

oss Guð,

3 4

3 4

heyr,

himn um á,

oss Guð,

6 4

Heyr

5 4

6 4

6 4

Heyr þú oss

Piano (for rehearsal only)

ppp

ppp

3 4

Heyr þú oss

BASS

3 4

smá,

heyr oss Guð,

heyr oss Guð,

lukk u oss þar til

lukk u oss þar

lukk u

lukk u

þar

þar til

3 4 3 4 3 4 3 4

ljá,

ljá,

ljá,

ljá,

heyr

heyr

4 4 4 4 4 4 4 4

4 4

5 4

3 4

4 4

4 4

5 4

3 4

4 4

Copyright © 2017 Chester Music Limited

221

4 4 4 4

líf ei líft þér

líf

þér

líf

þér

líf

þér


2 12

p erf um hjá,

erf um hjá,

erf um hjá,

erf um hjá,

18

4 4

og að þér aldr ei

og

og

aldr ei

og

það þín stjórn og

4 4

aldr ei

5 4

kristn i

er,

5 4 það þín stjórn og

4 4

aldr ei

það

stjórn

4 4

kristn i

5 4

kristn i

stjórn og

kristn i

4 4

2 4

4 4

flæm umst

flæm umst

frá.

Þitt

rík

i

þró

ist

3 4

4 4

hér,

3 4

p

rík

i

4 4 hér,

2 4

4 4

2 4

4 4

2 4

4 4

3 4

4 4

2 4

4 4

3 4

4 4

flæm umst

flæm umst

4 4

er,

er,

mp

frá.

4 4

frá.

rík

frá.

Þitt

mp

svo að

rík

2 4 2 4

flest ir,

mp safn ist

p

4 4

2 4

safn ist

flest ir,

4 4

hér,

4 4

hér,

Guð,

til

4 4

safn ist

2 4 svo að

3 4

i

flest ir,

4 4 er,

i

p

svo að menn sem flest ir,

svo að menn

3 4

p

p

4 4

5 4 það

2 4

5 4 Guð,

4 4

Guð,

til

til

4 4 safn ist

5 4

5 4 5 4

Guð,

til

4 4

5 4

4 4

2 4

4 4

5 4

4 4

5 4

4 4

2 4

4 4

5 4

222


3 24

5 4

hand a

3 4

þér,

5 4

3 4

hand a

5 4

hand a

5 4

hand a

30

þér,

p feg in

yf

ir því

þér,

þér,

3 4

pp

3 4

pp

4 4

2 4

4 4

fögn um

pp

feg

2 4

in

feg in

yf

fögn um

ir því

feg

in

4 4

2 4

4 4

fögn um

vér.

Síst skart a söng list

3 4 3 4

pp

vér.

2 4

fögn um

p

Síst skart a söng list

3 4

p vér.

Síst skart

a

p vér.

Síst skart

a

3 4

5 4

3 4

2 4

4 4

3 4

5 4

3 4

2 4

4 4

3 4

3 4 3 4

má,

má,

3 4 3 4

4 4 4 4

þar ekk

þar ekk

i

i

4 4 má,

má,

4 4

5 4 5 4

p

elsk an

hjá,

ekk

i

ekk

i

5 4

lof

mp elsk an

hjá,

syngj um syngj

5 4 sé

syngj um því

þýtt lof um

lof

elsk an

hjá,

syngj um því þýtt lof

elsk an

hjá,

syngj

um

lof

3 4 3 4

þá,

þá,

3 4 3 4

4 4 4 4 4 4

þá,

þá,

4 4

3 4

4 4

5 4

3 4

4 4

3 4

4 4

5 4

3 4

4 4

223


4 35

4 4 4 4 4 4 4 4

41

þér

5 4

3 4

2 4

4 4

5 4

3 4

2 4

4 4

5 4

3 4

2 4

4 4

himn um á.

þér, Guð Drott inn,

himn um á.

p

þér p

Mað ur rétt krist inn

Mað ur rétt krist inn Mað ur rétt krist inn

himn um á.

Mað

5 4

3 4

4 4

5 4

4 4

5 4

4 4 4 4 4 4 4 4

þér

þeg

himn um á.

ar aum ir

p Þeg

ar

p Þeg

ar

p Þeg

ar

3 4 3 4 3 4 3 4

vér,

vér,

vér,

vér,

4 4 4 4 4 4 4 4

mun þess

ur

En

gá.

4 4 4 4

gá.

4 4

3 4

2 4

4 4

4 4

3 4

2 4

4 4

4 4

Mað ur rétt krist inn

umst úr

önd umst burt úr

önd

mun þess

gá.

4 4

2 4

önd umst burt úr

önd

mun þess

mp

umst úr

5 4

heim i

5 4

heim i

5 4

heim i

5 4

heim i

hér,

hér,

hér,

hér,

mun þess

oss tak

oss tak

oss tak

oss tak

gá.

þá, Guð, að

þá, Guð, að

Guð, að

Guð, að

4 4

3 4 3 4 3 4 3 4

4 4

3 4

4 4

5 4

3 4

4 4

3 4

4 4

5 4

3 4

224


5 46

3 4 3 4 3 4 3 4

51

þér,

þér,

þér,

þér,

6 4 6 4 6 4 6 4

í

þá dýrð,

í

sem

dýrð,

í

sem

dýrð,

í

sem

dýrð,

sem

5 4 5 4 5 4 5 4

2 4

p aldr ei

þver.

2 4

mp aldr ei þver.

2 4

aldr ei þver.

2 4

aldr ei þver.

(p)

Am en,

p Am en,

(p)

Am en, (p)

Am en,

4 4 4 4 4 4 4 4

Am en,

Am en,

Am en,

Am en,

3 4 3 4 3 4 3 4

3 4

6 4

5 4

2 4

4 4

3 4

3 4

6 4

5 4

2 4

4 4

3 4

3 4

það

ef laust sker.

2 4

3 4 3 4 3 4

2 4

það

ef laust sker.

það

ef laust

það

sker.

ef laust sker.

2 4 2 4

mp

Am en,

mp

Am en, mp

Am en, mp

Am en,

4 4

Am

en,

4 Am 4 4 4 4 4

en,

Am

en,

Am

en,

Am

3 4

en,

það

ef laust

3 það 4 3 4 3 4

ef laust

það

ef laust

ef laust

4 4 4 4

3 4

2 4

4 4

3 4

4 4

3 4

2 4

4 4

3 4

4 4

225

sker.

4sker. 4

það

það

4 4

sker.

sker.

sker.


226


Ian Venables REQUIEM AETERNAM for SATB choir and organ

NOVELLO 227


Requiem aeternam dona eis, Domine. Et lux perpetua luceat eis. Te decet hymnus, Deus, in Sion. Et tibi reddetur votum in Jerusalem. Exaudi orationem meam Ad te omnis caro veniet. Requiem aeternam dona eis, Domine. Et lux perpetua luceat eis.

Eternal rest grant unto them, O Lord, and let perpetual light shine upon them. A hymn becomes you, O God, in Zion, and to you shall a vow be repaid in Jerusalem. Hear my prayer to you shall all flesh come. Eternal rest grant unto them, O Lord, and let perpetual light shine upon them. from the Mass for the Dead

Duration: circa 5 minutes

228


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236


James Whitbourn BEATUS VIR for SSATB choir unaccompanied

Chester Music 237


Commissioned for the Choir of St Matthew’s Church, Northampton. First performed on St Matthew’s Day, 21 September 2017, conducted by Justin Miller.

Beatus vir, qui timet Dominum: in mandatis ejus cupit nimis. Potens in terra erit semen ejus: generatio rectorum benedicetur. Gradual for the feast of St Matthew

Duration: c. 5 minutes

Order Number: CH86658

238


BEATUS VIR Gradual for the Feast of St Matthew

JAMES WHITBOURN

Dolce (q = c. 66)

SOPRANO

Be - a

ALTO

Be

-

-

Be

S.

-a

B.

Pno.

-

-

tus

a

-

-

mf

p

-

a

-

-

-

-

tus

vir,

mf

p

tus

vir,

mf

p

tus

vir,

-

-

-

-

mp

-

-

vir,

mf

p

Copyright © 2017 Chester Music Ltd.

239

tus

-

-

-

-

be -

-

-

be

-

-

-

be

mp

-

be - a

vir,

tus

-

-

p

-

Be -

-

-

- tus

Be - a

-

-

-

p

vir,

p

-

-

-

-

mp

tus vir, qui ti - met Do - mi - num,

mf

Be - a

-

-

be

-

mp

T.

-

Be - a

-

-

vir,

A.

a

Dolce (q = c. 66)

6

p

-

TENOR p BASS

Piano (for rehearsal only)

p

-

-


2

12

S.

A.

T.

B.

Pno.

-a

-

-

-

-

-

-

tus

-a

-

- tus

T.

B.

Pno.

-

vir,

vir,

vir,

-

-

-

-

mp

-

a

a

a

-

a

-

-

-

-

-

-

-

-

be

-

tus

-

-

-

-

-

-

mf

vir,

-

-

-

tus

mf

mf

tus

vir,

vir,

tus

qui

be

-

Do - mi - num,

ti

-

be - a

-

-

-

-

-

240

-

-

-

ti

-

met

a

qui

vir, qui ti - met

mf

vir,

tus

be - a

met

PiĂš mosso (q = 80)

PiĂš mosso (q = 80)

be - a

-

mp

be

-

mp

-

be

tus

be

-

pp

mp

tus

-

pp

mf

-

vir,

be - a

pp

pp

mp

vir,

A.

tus

18

S.

-

vir,

-a

pp


3

24

S.

A.

T.

B.

Pno.

- tus vir, qui

-

Do

-

-

A.

T.

ni

ni - mis.

f

ni - mis.

f

f

B.

Pno.

- mis.

mi

-

Po - tens

Po - tens

Po - tens

Po - tens

-

e - jus cu - pit

ni

tus

vir,

in

e - jus cu - pit

in man - da - tis

in man - da - tis

-

in

mi

num:

Po - tens

ni - mis.

-

-

Do

-

ni - mis.

f

-

30

tus,

ti - met Do - mi - num:

f

S.

num:

man - da

man - da

in man - da - tis

in ter - ra

e - rit se-men

in ter - ra

e - rit se-men

-

cu

e - jus:

mis,

cu - pit

tis

e - jus cu - pit

tis

-

-

e - jus:

-

e - jus cu - pit

e - jus

-

pit

ge - ne - ra - ti - o

ge - ne - ra - ti - o

rec

-

rec

-

in ter - ra

e - rit se-men

e - jus:

ge - ne - ra - ti - o

rec

-

in ter - ra

e - rit se-men

e - jus:

ge - ne - ra - ti - o

rec

-

in ter - ra

e - rit se-men

241

e - jus:

ge - ne - ra - ti - o

rec

-


4

37 3 S.

pp

p

- to -rum be-ne -di - ce - tur.

3

Be - a

Be - a

3

p

- to -rum be-ne -di - ce - tur.

3 - to -rum be-ne -di - ce - tur. 3 B.

Pno.

S.

A.

T.

B.

Pno.

3

3

44

-

-

be - a

-

be - a

be - a

- tus

be - a

- tus

242

vir,

pp

vir,

be - a

tus

-

tus

-

-

be

-

-

-

-

-

-

-

be -

mp

p

p

mp

vir,

mp

-

be - a

-

vir,

vir,

p

tus

pp

Be - a

- tus

tus vir, qui ti - met Do - mi - num,

-

vir,

-

pp

be - a

Tempo primo (q = c. 66)

-

tus

p

vir,

p

be - a

tus

-

p

Tempo primo (q = c. 66)

-

- to -rum be-ne -di - ce - tur.

-

p

T.

-

- to -rum be-ne -di - ce - tur.

A.

-

pp

p

-

-

-


5

50

vir, qui ti - met Do -mi - num,

S.

A.

-a

-

-a

T.

B.

Pno.

-

-

mp

tus

vir,

mp

p

tus

vir,

57

A.

T.

B.

Pno.

ti

-

-

Do

-

-

Do

-

-

mi

243

-

-

-

met

-

met

man - da

Do

-

man - da

met

e - jus cu - pit

vir,

in man - da - tis

e - jus

in man - da - tis

mf

-

num:

-

-

ni

-

e - jus cu - pit

in

-

-

in man - da - tis

vir, qui

tus

in

-

mf

mf

tus

-

mi - num:

tim

ti

PiĂš mosso (q = 80)

PiĂš mosso (q = 80)

-

-

-

ti

-

mi - num:

-

Do

qui

mi - num:

-

-

mf

-

-

qui

mf

-

met

-

-

qui

-

p

-

vir,

-

p

p

tus

S.

be - a

be - a

-

-

tus,

-

-

-

p

-

-

cu - pit

tis

e - jus cu - pit

e - jus cu - pit

cu

mis,

tis

-

-

-

pit


6

f 63

S.

ni - mis.

f

A.

T.

ni

f

ni - mis.

B.

Pno.

ni

- mis.

e - rit se - men

e - jus,

Po

e - rit se - men

e -

jus,

e - rit se - men

e -

jus,

Po

e - rit se - men

e - jus,

in ter - ra

in ter - ra

e - jus,

fp

Po

-

tens

fp

-

tens

fp

Po

-

tens

tens

Po-tens in ter - ra

e - rit se - men

-

in ter - ra

fp

(sempre f)

mf

ge-ne-ra- ti

-

o

rec-to

-

-

-

-

o

rec-to

-

-

-

e - rit

se - men e -

ge-ne-ra- ti

jus:

p

ge

in ter - ra e - rit se - men e - jus: ge

-

ne

B.

244

-

p

Pno.

mf

in ter - ra

T.

Po - tens

69

A.

mis.

S.

in ter - ra

Po - tens

-

Po - tens

f

in ter - ra

Po - tens

f

Po - tens

ni - mis.

-

ne

-

ra

ra

-

ti

-

-

ti

-

o

o


7

p

74

S.

-

-

rec

T.

-

-

rec

to

-

to

-

Pno.

-

to

-

80

S.

A.

-

-

-a

-

-

-

-

-

-

-

pp

Pno.

rum

be

rum

be

-

ne - di - ce

-

-

ne - di - ce

3

-

-

-

-

-

(a)

-

-

-

Be

p

-a

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

-

245

-

-

-

-

-

-

-

-

-

-

Be

-

-

-

-

-

-

-

tus,

Be p

tur.

-

tur.

-

Be - a

tur.

-

p

-

-

p

-

-

mf

tur.

3

-

-

pp

B.

mf

pp

-

Be - a

pp

-

tus

vir.

-

tus

pp

vir.

pp

-a

T.

be - a

be - ne - di - ce

-

mf

3

p

be - ne - di - ce

rum

rec

tur.

mf

3

-

-

p

p

be - ne - di - ce

rum

p

B.

-

3

rum

-

A.

-

mf

tus

vir.

tus

vir.

tus

vir.


246


James Whitbourn SET ME AS A SEAL UPON THINE HEART for SATB choir and organ

Chester Music 247


Composed for the wedding of James Roman and Grace Svatek Trinity Church, Princeton, New Jersey, November 4, 2017

Duration: c. 4 ½ minutes

Order Number: CH86636

248


Set me as a seal upon thine heart SONG OF SOLOMON: 8

JAMES WHITBOURN

Amabile q = c. 92

SOPRANO

ALTO

TENOR

BASS

Organ

A.

T.

B.

Org.

mm

pp

mm

8'

mm

pp

pp legato

mp

Set

mm

mm

mm

Set

me as

a

me as

a

mm

up - on thine

seal

seal

up - on thine

heart,

heart,

mm

mm

pp

mp

pp

mm

mm

6 S.

pp

mm

Copyright © 2017 Chester Music Ltd. All rights reserved

249


2

11 S.

set

A.

me as

set

a

seal

me as

a

mp B.

set

me as

a

seal

Org.

p

15

T. B.

arm:

up - on

for

love

thine

thine

is strong as

mf

arm: mf

arm:

mf

a

seal

up - on

mf

thine

thine

arm,

mp

arm:

thine

16'

death,

love

death,

for

love

is

strong,

strong

as

strong

as

love

is

strong,

250

strong

is strong as

is strong as

is

love

love

for

for

Org.

seal,

S. A.

a

up - on

me as

seal

T.

up - on

set mp

as


19

S.

death,

A.

death, love

B.

is

death,

T.

death, strong

strong

as

death,

Org.

love

love is strong as

love

death,

is

strong,

strong

mp S.

mp

a

seal

up - on

thine

A.

set

T.

B.

Org.

a

seal

up - on

thine

set

me as

a

seal

up - on

thine

(mp)

as

death,

death,

heart,

heart,

me as

a

seal

up - on

thine

mp

heart,

set

251

set

as 3

strong

death,

mp

3

mp

me as

me as

death,

as

3

set

strong,

as

strong

is

24

3

3

3


4

S. 28

set

A.

set

T.

heart,

me as

a

me as

a

seal

seal

as

p

seal

up - on

mf

p

p

arm:

thine

arm:

is

strong

for love

is

strong,

strong

as

death,

is

strong,

strong

as

death,

for love

mp

252

as death, love

mf

mf

love is strong as death,

for love is strong as death, love

arm:

thine

arm:

thine

up - on

for love is strong as death, mf

mf

mf

thine

on

mf

p

Org.

on

p

B.

a

up

-

-

up - on thine heart,

33 S.

T.

seal

mf

a

A.

up

up - on thine heart,

B.

Org.

up - on thine heart,

me as

heart,

mf

is


38

S.

love is strong as

A.

T.

strong

B.

strong

Org.

as

death.

as

death.

as

death.

wa - ters

f

Ma - ny

wa - ters

Ma - ny

wa - ters

can - not

quench

can - not

quench

can - not

quench

f

B.

mf

can - not

Org.

quench

love,

love,

f

Ma - ny

T.

love,

43 S.

A.

Ma - ny

f

death.

strong

f

5

ma - ny

wa - ters

love,

can - not mf

mp

mp

ma - ny

quench

love.

quench

love.

p

253

can - not

wa - ters

wa - ters


6

47 S.

A.

Org.

p

ma - ny

can - not

love.

56

pp

Org.

quench

Org.

can - not

wa - ters

quench love.

52

mp

3

254

p


60

S.

mp

Set

mp

A.

T.

B.

Org.

Set

p

Set

a

seal

up - on thine

me as

a

seal

up - on thine

heart,

heart,

mp

(p)

Set

me as

a

seal

set

me as

a

set

me as

a

up - on thine

heart,

set

me as

B.

seal

heart,

up - on thine heart,

up

-

on

thine

mf

-

on

mf

as

a

seal

up - on

mf

up - on thine heart,

up

up - on thine heart,

up - on

arm,

thine

arm,

thine

thine

p

p

p

arm,

mf

for mf

for

mf

for

arm,

255

mf

p

a

mf

mp

heart,

seal

Org.

me as

up - on thine

seal

seal

T.

65

A.

a

S.

me as

7

p

mf

for


8

70 S.

love is strong as

A.

love is strong as

love B.

T.

Org.

A.

strong

T.

B.

strong

as

death,

death, love

is

strong

as

is

strong

as

as

f

death.

death.

as

death.

as

death,

is

death,

death, love

as

strong

strong

Org.

is

strong,

love

death,

is

strong

death,

as

love

strong

mp

74 S.

strong,

is

love

Ma - ny wa - ters

f

Ma - ny wa - ters

f

can - not

quench

Ma - ny wa - ters

quench

can - not

f

256

love,

can - not

f

Ma - ny wa - ters

quench

love.

love.


9

79 S.

A.

can - not

T.

B.

ma - ny

quench love,

love.

quench

love.

p

mp

quench

can - not

can - not

Org.

wa - ters

84 mp S.

mp

A.

Org.

pp

257


258


Peter Dickinson LULLABY

for SATB choir unaccompanied

NOVELLO 259


LULLABY from The Unicorns (1967/82/86) The Lullaby from ‘The Unicorns’ arose from an opera libretto I commissioned from John Heath-Stubbs (1918-2006) in the late 1960s. In his story two unicorns are discovered in a remote part of Africa. Both the East and West want to obtain them for research so they send out rival expeditions. The Western technique is to lure the unicorn with a young girl singing a lullaby. Both East and West capture unicorns but the mythical animals escape in the end. I never completed the opera but I made a sixmovement suite from it called The Unicorns. There are three songs and three instrumental numbers and the first performance was given with Elisabeth Söderström and Solna Brass under Lars-Gunnar Björklund at Ekensbergskyrkan, Solna, Sweden on 31 October 1982. This version was recorded (Albany TROY 760) and my arrangement of the three songs for voice and piano was recorded by Marilyn Hill Smith (Albany TROY365). The career of the Lullaby continued with a version for clarinet and piano, which I premiered with Jack Brymer aboard the Sea Princess in the Mediterranean on 29 September 1986. The oboe version was for Sarah Francis, and Duke Dobing and I have recorded it for flute and piano (Naxos 8.572287). Lullaby can be played with a variety of solo instruments and is also available for piano left hand and piano solo, which I have recorded.

Lullaby, sing lullaby, Lullaby for a Unicorn. Come gentle beast with limpid eyes, Here your peace and pleasure lies. Lullaby, sing lullaby, Lullaby for a Unicorn. Lay your wrathful rage aside, Mitigate your burning pride. Lay your dangerous horn to rest, On the ivory of my breast. Lullaby, sing lullaby, Lullaby for a Unicorn. © the Estate of John Heath-Stubbs c/o David Higham Associates

Duration: c. 3 ½ minutes

Order Number: NOV166826

260


­

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­

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­

­

261

­

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­

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­

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262


263


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264


265


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266


8

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267


9

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268


Gabriel Fauré CHANSON D’AMOUR arranged by Jonathan Wikeley for SATB choir and piano

NOVELLO 269


J’aime tes yeux, j’aime ton front, O ma rebelle, ô ma farouche, J’aime tex yeux, j’aime ta bouche Où mes baisers s’épuiseront.

I love your eyes, I love your brow, O my rebel, O my wild one, I love your eyes, I love your mouth Where my kisses wear themselves out.

J’aime ta voix, j’aime l’étrange Grâce de tout ce que tu dis, O ma rebelle, ô mon cher ange, Mon enfer et mon paradis!

I love your voice, I love the strange Grace of everything you say, O my rebel, O my darling angel, My hell and my heaven!

J’aime tout ce qui te fait belle, De tes pieds jusqu’à tes cheveux, O toi vers qui montent mes voeux, O ma farouche, ô ma rebelle!

I love all that makes you beautiful, From your feet to your hair, O you, to whom I raise my pleas, O my wild one, O my rebel!

Duration: circa 2 minutes

270


Chanson d’amour Théodore de Banville (1823-1891)

Gabriel Fauré (1845-1924) arr. Jonathan Wikeley

Allegro moderato q = 116

4 4

SOPRANO

p dolce

J’ai - me tes yeux, p dolce

4 4

ALTO

J’ai - me tes yeux, p dolce

4 4

TENOR

J’ai - me tes yeux, p dolce

4 4

BASS

J’ai - me tes yeux,

Allegro moderato q = 116

4 4 PIANO

4 4

p

4

j’ai

-

me ton front,

O

ma re - bel -le, _ô ma fa - rou

-

che,

j’ai

-

me ton front,

O

ma re - bel -le, _ô ma fa - rou

-

che,

j’ai

-

me ton front,

O

ma re - bel -le, _ô ma fa - rou

-

che,

j’ai

-

me ton front,

O

ma re - bel -le, _ô ma fa - rou

-

che,

© Copyright 2015 Novello & Company Limited. All Rights Reserved. International Copyright Secured.

271


2 7

senza rigore

pp

J’ai

- me tes yeux,

j’ai

-

me ta bou

-

che, Où

mes bai - sers s’é - pui - se -

- me tes yeux,

j’ai

-

me ta bou

-

che, Où

mes bai - sers s’é - pui - se -

- me tes yeux,

j’ai

-

me ta bou

-

che, Où

mes bai - sers s’é - pui - se -

- me tes yeux,

j’ai

-

me ta bou

-

che, Où

mes bai - sers,

pp

J’ai pp

J’ai pp

J’ai

senza rigore

pp

10

a tempo

- ront.

- ront.

- ront.

mes bai - sers s’é - pui - se - ront,

a tempo

marcato

272

mes bai - sers s’é - pui - se -


3 p

13

J’ai

-

me

ta

voix,

j’ai

- me l’é- tran - ge

J’ai p

-

me

ta

voix,

j’ai

- me l’é- tran - ge

J’ai

-

me

ta

voix,

j’ai

- me l’é- tran - ge

-

me

ta

voix,

j’ai

- me l’é- tran - ge

p

p

- ront.

J’ai

p

16

poco a poco cresc.

grâ

-

ce

de tout ce que tu

dis,

O

ma re - bel

-

poco a poco cresc.

grâ

-

ce

de tout ce que tu

dis,

grâ

-

ce

de tout ce que tu

dis,

O ma re poco a poco cresc.

O

ma re -

poco a poco cresc.

grâ

-

ce

de tout ce que tu

dis,

O

273

ma re - bel

-


4 19

f

- le, _ô

mon cher an

-

ge, Mon en - fer f

et mon pa - ra - dis!

- bel

-

le, _ô

mon cher

an f

-

ge,

et mon pa - ra - dis!

- bel

-

le, _ô

mon cher

an

-

ge,

et mon pa - ra - dis!

f

- le, _ô

mon cher an

S.

ge, Mon en - fer

et mon pa - ra - dis!

mf

cresc.

22

-

p

J’ai

p

- me tes yeux, p

j’ai

-

me ton front,

J’ai - me tes yeux,

j’ai

O

-

me ton front,

ma re - bel -le, _ô ma fa -

O

ma re -

A.

J’ai p

- me tes yeux,

j’ai

-

me ton front,

O

ma re - bel- le, _ô ma fa -

J’ai p

- me tes yeux,

j’ai

-

me ton front,

O

ma re - bel- le, _ô ma fa -

J’ai

- me tes yeux,

j’ai

-

me ton front,

O

ma re - bel- le, _ô ma fa -

T.

B.

p

274


5 25

pp

- rou

-

J’ai

che,

- bel- le, _ô ma fa - rou

-

- me tes yeux, pp

che, pp

J’ai

j’ai

- me tes yeux,

me ta bou

j’ai

-

che,

me ta

-

- rou

-

che,

J’ai pp

- me tes yeux,

j’ai

-

me ta bou

-

che,

- rou

-

che,

J’ai pp

- me tes yeux,

j’ai

-

me ta bou

-

che,

- rou

-

che,

J’ai

- me tes yeux,

j’ai

-

me ta bou

-

che,

pp

28

-

senza rigore

a tempo

mes bai - sers s’é - pui - se - ront.

bou - che, bai - sers s’é - pui - se - ront.

mes bai - sers s’é - pui - se - ront.

mes bai - sers s’é - pui - se - ront.

mes bai - sers,

senza rigore

mes bai - sers s’é - pui - se - ront,

a tempo

marcato

275


6 31

p

S.

J’ai

-

me

tout

-

me

tout

-

me

tout

p A.

J’ai p T.

J’ai

B.

mes bai - sers s’é - pui - se - ront.

p

34

cresc. poco a poco

ce qui te fait bel

-

le,

De tes pieds

jus - qu’a tes che - veux,

O cresc. poco a poco

ce qui te fait bel

-

le,

De tes pieds

jus - qu’a tes che - veux,

O cresc. poco a poco

ce qui te fait bel

-

le,

De tes pieds

jus - qu’a tes che - veux,

O

cresc. poco a poco

276


7 37

mf

toi

vers qui mon - tent mes voeux,

O

ma fa - rou - che, _ô ma re - bel

-

ma fa - rou - che, _ô ma re - bel

-

ma fa - rou - che, _ô ma re - bel

-

mf

toi

vers qui mon - tent mes voeux,

O mf

toi

40

S.

vers qui mon - tent mes voeux,

O

p

- le,

- le,

J’ai

-

me tes yeux, p

J’ai

p

j’ai

-

-

me tes yeux,

me ton front,

j’ai

A.

- le,

J’ai p

-

me tes yeux,

j’ai

-

me ton front,

- le,

J’ai p

-

me tes yeux,

j’ai

-

me ton front,

J’ai

-

me tes yeux,

j’ai

-

me ton front,

T.

B.

p

277

-

me ton


8 pp

43

ma re - bel -le, _ô ma fa - rou

O

front,

che,

-

ma re - bel- le, _ô ma fa - rou

O

J’ai

-

che, pp

- me tes yeux, pp

J’ai

O

ma re - bel- le, _ô ma fa - rou

-

che,

J’ai pp

- me tes yeux,

O

ma re - bel- le, _ô ma fa - rou

-

che,

J’ai pp

- me tes yeux,

O

ma re - bel- le, _ô ma fa - rou

-

che,

J’ai

- me tes yeux,

- me tes

pp

46

j’ai

-

yeux,

me ta bou

j’ai

-

che, Où

me ta

-

mes bai - sers s’é - pui - se - ront,

bou - che, bai - sers s’é - pui - se - ront,

j’ai

-

me ta bou

-

che, Où,

j’ai

-

me ta bou

-

che, Où

j’ai

-

me ta bou

-

che, Où,

mes bai - sers s’é - pui - se -

mes bai - sers s’é - pui - se - ront,

278

mes bai - sers s’é - pui - se -


9 49

poco rit. p

a tempo

S.

mes bai - sers s’é - pui - se - ront. p

A.

- ront,

mes bai- sers s’é - pui - se - ront.

p T.

mes bai - sers s’é - pui - se - ront. p

B.

- ront,

poco rit.

p

mes bai- sers s’é - pui - se - ront,

a tempo

marcato

52

mes bai - sers s’é - pui - se - ront.

279


The Sad Tale of Barbara Allen Edward Gregson

Quite slow and gentle q = 72

mp

PIANO

5

TENOR & BASS UNIS. mp

In

Scar - let town where I was born,

(mp)

Ped. sim.

10

A

SOPRANO & ALTO UNIS. mp

Copyright © 2017 Novello & Company Limited

mf

There was a fair maid dwel - ling,

(mp)

All Rights Reserved

280


3

p

15

T. & B. UNIS. mp

poco dim.

pp

mf

mp

S. & A. UNIS. p

p

dim.

poco

well - a - day,

p

24

poco

mf

Made ev -’ry youth cry

B

19

Her

name was Bar - bara

p

281

Al - len.


4

28

C

Faster, with spirit q = 90

S. & A. UNIS.

mf

All

T. & B. UNIS.

in

the mer

mf

-

ry

All

C Faster, with spirit q = 90

in

the

mer

-

mf poco marc.

31

month of May,

-

ry month of

sim.

When green buds they

were

When green

swel - ling,

May,

buds

Young

were swel - ling,

34

Jem - my Grove

on

Young Jem - my Grove

his

death - bed lay

on

For

love

his death - bed

lay

of

Bar

-

bara

For

282


5

37

Al - len.

love

of

Bar

-

bara

D

Tempo I (q = 72)

Al - len.

D Tempo I (q = 72)

p

40

poco cresc.

poco dim. mp

45

283


6

E Sombre

(ma l’istesso tempo)

49

SOLO SOPRANO

SOPRANO

p

ALTO

p

TENOR

BASS

p

Ah

mf

So

Ah

Ah

p

Ah

Sombre E (ma l’istesso tempo)

3

p

con Ped.

3

3

3

mf

3

3

mp 3

3

3

3

3

3

284


7 53

slow - ly, slow

-

ly

she came up

pp

Ah

pp

Ah

pp

Ah

And

slow - ly

she

came

poco cresc.

Ah

poco cresc.

Ah

Ah

Ah

pp

poco cresc.

Ah

pp

poco cresc.

Ah

pp

Ah

Ah

3

3

3

3

3

3

285


8 56

nigh

Ah

him,

poco cresc.

And

all

she said,

when

mp

Ah

‘Young

dim.

dim.

dim.

mp

dim.

Ah

Ah

Ah

Ah

mp

mp

mp

there she came:

poco cresc.

mp

dim.

Ah

286


9 59

man,

I

think

you’re

p

Ah

p

Ah

dy - ing’.

p

p

dy - ing

pp

pp

pp

mp

p

dy - ing

pp

mp

p

Ah

p

Ah

mp

Ah

pp

pp

dy - ing

287


10

F

62

he was dead

p

66

laid

laid

laid

laid

in grave,

in

grave,

in grave,

p

Her

Her

in grave,

Her

Her

he was dead

and

mf legato

he was dead

F

mf

marc.

with

sor - row,

heart was struck

with

heart was struck

with

heart was struck

with

288

‘O

sor - row,

‘O

sor - row,

sor - row,

heart was struck

and

mf legato

and

mf legato

When

p

he was dead

When

mf legato

When

p


69

Mo - ther, Mo

-

Mo - ther, Mo

-

ther,

Mo

-

ther,

make my

bed

For

make my

72

mf

to mf

I

shall

die

fp cresc.

shall

die

fp cresc.

bed,

For

I

shall

die

-

-

mf

-

mor - row,

f

to

mf

to mf

to

mf

to

to

289

-

mf

mor - row,

(mf )

-

mor - row,

I

mor - row,

mf

to

For

-

to

mf

die

bed,

shall

make my

bed,

make my

I

fp cresc.

ther,

11

fp cresc.

-


12

75

dim.

- mor - row’. dim.

- mor - row’.

- mor - row’. dim.

dim.

mp

mp

mp

mp

- mor - row’.

79

f marc.

f

‘Fare -

f

‘Fare -

f

‘Fare -

f

‘Fare -

cresc.

290


G Majestic q = 80 - well’, she said,

‘ye

mai - dens

- well’, she said,

‘ye

- well’, she said,

- well’, she said,

‘ye

G Majestic q = 80

fell

fell in;

fell in;

fell in;

all

And

all

take warn

Hence - forth

take warn

Hence - forth

291

shun the

shun the fault

I

shun the fault

shun the fault

I

I

take warn - ing

by

the

fall

Of

ing

by

the

fall

Of

ing

by

the

ing

by

the

fall

-

-

-

f marc.

take warn

Hence - forth

And

in;

fault I

And

And

ff molto pesante

84

all

all

mai - dens

mai - dens

mai - dens

‘ye

13

fall

Of

81

Of


14

cru - el Bar - bara

cru - el Bar - bara

poco rit.

Al - len,

Al - len,

cru- el Bar- bara Al - len,

cru - el Bar - bara

cresc.

of

of

cru - el Bar - bara

Al - len,

ff

ff

of

cru - el Bar - bara

Al - len,

cresc.

ff

of

cru - el Bar - bara

Al - len,

poco rit.

a tempo

92

Al - len,

ff

cru - el Bar - bara cresc.

cresc.

Al - len,

a tempo

ff

87

292

(loco)

f


poco rit.

dim.

99

(A.)

-

-

mp

-

mp

-

-

-

Al

mp

of mp

cru - el Bar - bara

of

cru - el Bar - bara

Bar - bara

Al - len.’

pp

pp

len.’

len.’

pp

-

pp

len.’

293

p

pp

len.’

Al

-

mp

Al

(S.)

Slower, thoughtful q = 66

Al

SOLO SOPRANO

15

Slower, thoughtful q = 66

poco rit.

95


294


Bernard Hughes IF WE SHADOWS HAVE OFFENDED for SATB choir unaccompanied

NOVELLO 295


If we shadows have offended, Think but this, and all is mended, That you have but slumbered here While these visions did appear. And this weak and idle theme, No more yielding but a dream, Gentles, do not reprehend: If you pardon, we will mend: And, as I am an honest Puck, If we have unearned luck Now to 'scape the serpent's tongue, We will make amends ere long; Else the Puck a liar call; So, good night unto you all. Give me your hands, if we be friends, And Robin shall restore amends. William Shakespeare (A Midsummer Night’s Dream Act 5 Scene 1)

Duration: circa 2 minutes

296


If we shadows have offended William Shakespeare A Midsummer Night’s Dream V:i

Bernard Hughes (b. 1974)

Broadly q = 56 SOPRANO

ALTO

3 4

p

3 4

p

If

If

TENOR

BASS

3 4

p

3 4

p

If

If

we

mp

p

sha - dows have of - fend - ed, mp

we

sha - dows have of - fend - ed,

Think but this, and

sha - dows have of - fend - ed,

Think but this, and

4

sha - dows have of - fend - ed,

Think but this, and

3 4 3 4

mp

mend

p

-

ed,

mp

mend

-

ed,

you

have

but

slum - bered

That

-

ed,

That

you

have

but

slum - bered

ed,

That

here mf

you

have

but

slum - bered

p

-

here mf

p

mp

mend

mf

p

mp

mend

That

here mf

you

have

Š Copyright 2015 Novello & Company Limited. All Rights Reserved. International Copyright Secured. Not for rental or hire by third parties.

297

all

is

all

is

all

is

p

Broadly q = 56 PIANO ( for rehearsal only)

is

p

mp

we

all

p

mp

we

Think but this, and

but

slum - bered

here


2 7

p

mf

mp

ah

While these vi - sions did ap - pear. p

mf

mp

ah

While these vi - sions did ap - pear. p

mf

mp

ah

While these vi - sions did ap - pear. p

mf

mf

While these vi - sions did ap - pear.

And this weak and

i - dle

11

ah

ah

ah

ah

ah

ah

theme,

No more yield- ing but

a

298

dream,

Gent - les, do not rep - re -


3 15

ah

ah

ah

ah

ah

ah

- hend,

19

if

mp

Else the Puck

a

li - ar

mp

Else the Puck

a

li - ar

mp

Else the Puck

a

li - ar

mp

Else the Puck

a

li - ar

you

par - don

we

will

mend:

mf

mp

call;

So, good night un - to

mf

mp

call;

So, good night un - to

mf

mp

call;

So, good night un - to

mf

mp

call;

So, good night un - to

mf

you

all. mf

you

all. mf

you

4 4

all. mf

you

4 4

all.

4 4 4 4 4 4 4 4

299


4 23

4 4

Give me

4 4

Give me

your hands, if

your hands, if

we

we

be

be

4 4 Give me

4 4

your hands, if

we

be

3 4

4 4

dim.

3 4

4 4

dim.

3 4

4 4

dim.

friends,

friends,

And

And

friends,

And

Ro - bin shall re - store a -

Ro - bin shall re - store a -

3 4 3 4

Ro - bin shall re - store a -

3 4

4 4

4 4

3 4

4 4

3 4

4 4

3 4

4 4

3 4

Give me

your hands, if

we

be

friends,

dim.

And

Ro - bin shall re - store a -

molto rall. 26

3 4

3 4

mp

- mends,

3 4

mp

3 4

mp

- mends,

- mends,

3 4

mp

- mends,

4 4 4 4 4 4 4 4

3 4

4 4

3 4

4 4

pp

and

p

Ro - bin

shall

re - store

a -

pp

mends. p

and pp

Ro - bin

shall

re - store

a -

mends. p

and

Ro - bin

shall

re - store

a -

mends.

pp

and

p

Ro - bin

shall

molto rall.

300

re - store

a -

mends.

3 4


Kevin Olson A SUMMER SONNET for SATB choir unaccompanied

NOVELLO 301


Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimm'd; And ev’ry fair from fair sometime declines, By chance or nature's changing course untrimm'd; But thy eternal summer shall not fadey Nor lose possession of that fair thou owest; Nor shall death brag thou wander'st in his shade, When in eternal lines to time thou growest; So long as men can breathe or eyes can see, So long lives this, and this gives life to thee. William Shakespeare (Sonnet 18)

Duration: circa 4 minutes

302


A Summer Sonnet William Shakespeare Sonnet 18

With a cool, unhurried Latin feel q = 120

4 4

SOPRANO 1&2

4 4

ALTO 1&2

4 4

TENOR 1&2 (or BARITONE)

mf

dut mf

dah

dut

dah

mp

bah

4 4

BASS

Kevin Olson (b.1971)

dah dut

dut

dah

dut

dah dut

dut

dah

dut

bah dah

dah

dah

bah dah bah dah bah dah bah

mf

dah

dah

dah

dah

dah

dah

bah

With a cool, unhurried Latin feel q = 120

4 4

PIANO ( for rehearsal only)

4 4

3

dah

dah dut

dut

dah

dah bah dah

dah

dah dut

dut

dah

dah

bah dah

dah

bah dah dah

dah

dah

bah dah bah dah bah dah bah

dah

dah

Š Copyright 2015 Novello & Company Limited. All Rights Reserved. International Copyright Secured. Not for rental or hire by third parties.

303

bah dah

dah

bah dah

dah

dah

dah bah dah

dah bah dah

bah dah dah

dah


2 1.

6

bah dah bah dah bah dah bah dah

dah dah

dah bah dah bah dah bah dah

dah dah

dah

dah

dah

dah

dah

dah

dah

dah

dah dah

bah dah dut

dut

dut

dut

dut

dut

dut

bah dah dut

dut

dah 1.

2. SOLO TENOR mf

Shall

I

com - pare

thee

to

a

sum - mer’s day?

mp S.

dut

dut

dah mp

dah

dah

dah

dut

dut

dah (mp)

dah

dah

dah

dut

dut

dut

dut

A.

T.

mp

bah dah

bah dah

bah dah

ba da dah dut

B.

dah

dah

dah

2.

304

dah

bah dah

dah


3 12

Thou

bah dah bah da bahdahdoo wot

dah

bah dah bah dah bah

doo wot

bah dah

dah

bah

dah

art more love - ly

and

dah

dah

dah bah dah

bah dah bah dah bah dah bah dah

dah

bah dah

dah bah dah

dah

dah

bah dah dah

dah

bah dah dah

dah

dah

15

more tem - per - ate:

dah

Rough

bah dah bah dah ba da doo wot

dut

dut

dah

dah bah dah ba da doo wot

dut

dut

dah

dah ba da doo wot

dut

dut

dut

dut

bah dah

dut

dah

dah

dah

305

dah


4 18

winds

do shake the

dar

ling buds

-

of

May,

dah

dah

dah

dah

bah dah bah dah bahdahdoo wot

dah

dah

dah

dah

bah dah bah dah bah

bah dah

dah

bah dah

dah

bah dah

dah

ba dadah dut

bah dah

dah

bah dah

dah

bah

doo wot

dah

dah

dah

21

And

sum - mer’s lease

too short

dah

dah

dah

dah dah

dah

dah

dah

dah

bah dah bah dah

bah dah bah dah bah

hath all

bah dah

dah

bah dah dah

dah

306

dah

bah dah

bah dah

a

date:

boo dut

bah dah dut

dah dut


5 24

f S.

dut

bah dah dah doo wot

Some f

-

time

dut

bah dah dah doo wot

Some

-

time

too hot

the eye

too hot

the eye

A.

T.

mf

dah doo wot

mf

bah dah

bah dah

dah doo wot

dah mf

dah

dah

dah

dah

dah

B.

bah dah bah dah bah dah bah

27 S.

of

heav

-

en shines,

And

of

heav

-

en shines,

And

A.

T.

bah dah

ba da dah

ba da dah

dah

ba da dah

dah

bah dah dah

ba da doo wot

dah

dah

dut

dah

dah

bah dah dah bah

B.

bah dah

dah

dah

307


6 30

of

-

ten is

his gold

com - plex

-

ion dimm’d:

of

-

ten is

his gold

com - plex

-

ion dimm’d:

bah dah

bah dah

bah dah

dah

dah

dah

dah

dah

dah

bah dah

ba dadah

dah

dah

dah

dah

ba da da da

dah

bah dah

dah

dah

33

dut

dut

And

ev

-

’ry fair

from fair

some-time

de- clines,

dut

dut

And

ev

-

’ry fair

from fair

some-time

de- clines,

dut

dut

dut

dut

dut

dut

bah dah

dah

bah dah

bah dah

dah

dah

dah

dah

dah

dah

308

ba da dah dah

ba da da

bah dah

dah

dah


7 36

mp

dah

mf

By

ba da dah

dah

chance mp

bah dah dah

ba da doo wot

dah

dah

dut

dah

dah

bah dah dah bah dah

39

bah dah

dah

mp

or

na

dah dah

bah dah

mp

-

ture’s chang-

dah dah

bah dah dah

dah

dah

SOLO TENOR f

But thy e - ter - nal S.

bah

dut

dut

duh dut

duh dut

A.

-

T.

ing course

un - trimm’d.

dut

duh dut

duh dut

dah dah

dah

dut

dut

duh dut

duh dut

bah dah

dut

dut

duh dut

duh dut

dah

dut

dut

duh dut

duh dut

bah dah B.

bah dah

3 4 3 4 3 4 3 4 3 4 3 4 3 4 3 4

309


8 42

3 4 3 4

S.

3 4

A.

3 4

T.

3 4

B.

sum

-

mer

shall

not

f

sum f

-

mer

shall

not

sum f

-

mer

shall

not

sum f

-

mer

shall

not

sum

-

mer

shall

not

4 4 4 4 4 4 4 4 4 4

fade,

Nor lose pos - ses - sion

3 4 3 4

fade,

3 4

fade,

3 4

fade,

3 4

fade,

3 4

4 4

3 4

3 4

4 4

3 4

46

2 4 fair

thou

owe

-

(e)st;

fair

thou

owe

-

(e)st;

fair

thou

owe

-

(e)st;

fair

thou

owe

-

(e)st;

fair

thou

owe

-

(e)st;

Nor

310

of

that

of

that

of

that

of

that

of

that

3 4

shall death brag thou

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

2 4

3 4

wan

-

der’st

wan

-

der’st

wan

-

der’st

wan

-

der’st

wan

-

der’st


9 50

in

his

in

his

in

his

in

his

in

his

in

his

S.

A.

T.

B.

mf

4 4

shade,

When

4 4

in

e - ter

-

nal lines

shade,

4 4

shade,

mp

shade,

dah bah dah mp

shade, mp

dah

4 4 4 4 4 4

dah

dah

dah

dah

bah dah dah bah dah

bah dah

dah

bah dah

dah

dah

dah

4 4 4 4 54

to

time

thou grow

-

est;

mp

boo mp

dah

boo

dah

dah

bah dah

grow

-

est:

dah

grow

-

est:

(mp)

dah

dut

dah

bah dah dah

311

dah


10 58 S.

mp A.

Shall

mp

T.

mp

bah dah

bah dah

bah dah

dah

dah

dah

dah

dah

dah

ba da dah dah

ba da dah dah

B.

bah dah

dah bah

61

bah dah

dah bah

mp

I

com - pare

bah dah

thee to

bah dah

a sum -mer’s day?

bah dah

dah

dah

dah

dah

dah

dah

Shall

I

com - pare

thee to

Shall

I

com - pare

thee to

ba dadah dah

bah dah

312

bah dah

bah dah

ba dadah dah dah

dah

dah

dah bah dah

dah

dah


11 64

a

sum -mer’s day? Shall I

a sum -mer’s day?

bah dah

Shall

I

ba dadah dah

com-pare

thee to

com -pare

thee to

bah dah

bah dah

ba dadah dah dah

dah

dah

dah bah dah

dah

dah

bah dah

a

sum -mer’s day? Shall

a sum -mer’s day?

bah dah

Shall

ba dadah dah

ba dadah dah

bah dah

dah bah

67

I

com - pare

thee to

I

com - pare

thee to

bah dah

bah dah

a

sum -mer’s day? Shall

a sum -mer’s day?

bah dah

dah

dah

dah

dah

dah

dah

Shall

I

com -pare

thee to

I

com -pare

thee to

ba da dah dah

bah dah

313

bah dah

bah dah

ba da dah dah dah

dah

dah

dah bah dah

dah

dah


12 70

mf

SOLO TENOR

Shall S.

a

sum -mer’s day? Shall

I

com - pare

thee?

dut

dut

I

com - pare

thee?

dut

dut

dut

dut

A.

a sum -mer’s day?

bah dah

T.

Shall

ba dadah dah

bah dah

bah dah

ba dadah dah dah

dah

dut

dut

dut

dah bah dah

dah

dut

dut

dut

B.

bah dah

dah

73

I

com - pare

thee

to

a

sum - mer’s day?

S.

dah

dah

dah

dah

bah dah bah dah ba dadoo wot

dah

dah

dah

dah

bah dah bah dah bah

doo wot

bah dah

dah

A.

T.

bah dah

bah dah

bah dah

ba da dah dah

bah

B.

dah

dah

dah

bah dah

314

dah

dah

dah

dah


13 76

Thou

art

more love - ly

and

dah

dah

dah

dah

bah dah dah

dah

dah

dut

dah bah

dah

bah dah bah dah bah dah bah

dah

dah

bah dah dah

dah

dah

dah

bah dah

Rough winds

do shake the

bah dah

dah bah

dah

more tem - per - ate:

dah

79

dah

dar -

bah dah bah dah ba dadoo wot

dut

dut

dah

dah

dah

dah bah dah ba dadoo wot

dut

dut

dah

dah

dah

dah ba dadoo wot

dut

dut

dut

dut

dah

315

bah dah

dah

dah

bah dah

dah

dah


14 82

-

ling buds

of

May,

And

dah

bah dah bah dah ba dadoo wot

dah

bah dah bah dah bah doo wot

bah dah

ba dadah dah

bah dah

dah

bah dah

dah

bah

dah

dah

bah dah bah dah

dah

bah dah bah dah bah

85

sum - mer’s lease

hath all

too

short

dah

dah

dah

dah dah

dah

dah

dah

dah

bah dah

dah

bah dah dah

dah

bah

dah

dah

bah dah

316

a

date:

too

short

a

all

too

short

a

bah dah bah

too

short

a

dah bah

too

short

a


15 88

So

long

as

men

can

breathe or

eyes

can

see,

date:

So

long

as

men

can

breathe or

eyes

can can

see, see,

date:

So

long

as

men

can

breathe or

eyes

can,

eyes

date:

So

long

as

men

can

breathe or

eyes

can,

eyes

can

date:

So

long

as

men

can

breathe or

eyes

can,

eyes

can

92

poco rit.

So

long lives

this,

and

this gives

dah

wah

see,

dah

wah

see,

dah

wah

see,

dah

wah

317

life

to

can

a tempo

thee.

(mp)

Shall

poco rit.

a tempo


16 96

q=120

(mp)

Shall (mp)

S.

Shall A.

I

T.

(mp)

(mp)

com - pare

bah

thee

dah

bah

to

a

dah

bah

sum

mer’s day?

-

dah

da

ba dah

dah

B.

dah

dah

q=120

dah

bah

dah

dah

98

I

com-pare

thee to

a

I (mp)

com-pare

thee to

a

I

com-pare

thee to

sum

-

mer’s day?

sum -mer’s day? Shall

a sum -mer’s day?

Shall

Shall

bah dah

dah

bah dah

dah

bah dah

dah

I

com-pare

thee to

I

com-pare

thee to

I

com-pare

thee to

da badah dah

bah dah

318

dah

bah dah

dah

bah dah

dah

dah


17 101

(mf )

SOLO TENOR

Shall

Shall I

com-pare

thee to

a

sum-mer’s day? Shall I

com-pare

thee to

a

com-pare

thee to

sum

-

I

com -

mer’s day?

S.

a

sum-mer’s day? Shall

A.

a sum-mer’s day?

a

sum

Shall

-

I

a sum-mer’s day?

Shall

mer’s day?

Shall

T.

bah dah

da ba dah dah

bah dah

bah dah

bah dah

da badah dah

B.

bah dah

dah

dah

dah

319

dah

bah dah

dah


18 104

Solo Tenor may improvise melody on repeats

- pare

thee

to

I

com-pare

thee to

I

com-pare

thee to

I

com-pare

thee to

bah dah

dah

bah dah

dah

a

a

sum

I

com-pare

thee to

sum -mer’s day? Shall

I

com-pare

thee to

I

com-pare

thee to

a sum -mer’s day?

a

mer’s day?

Shall

sum

bah dah

dah

-

Shall

-

mer’s day?

da badah dah

bah dah

320

dah

bah dah

dah

bah dah

dah

dah


19 107

Shall

a

sum

a

-

I

com - pare

Shall

Shall

bah dah

dabadah dah

bah

dah

to

a

sum

-

mer’s day?

mer’s day?

sum -mer’s day? Shall

a sum -mer’s day?

thee

dah

Shall

I

com-pare

thee to

I

com-pare

thee to

I

com-pare

thee to

bah dah

dah

dah

321

bah dah

dah

a

sum -mer’s day? Shall

a sum -mer’s day?

a

sum

bah dah

Shall

-

mer’s day?

ba dadah dah

bah dah

dah


20 110

Shall

S.

I

com - pare

thee to

a

I

com - pare

thee to

a

I

com - pare

thee to

sum

-

I

thee

com - pare

mer’s day?

sum -mer’s day?

A.

a sum -mer’s day?

T.

bah dah

bah dah

bah dah

ba da dah dah

B.

dah

dah

bah dah

dah

dah

Slower, freely 113

mp

to mp

fp

a,

to

a

sum - mer’s

day?

fp day?

S.

fp

to mp

a,

to

a

sum - mer’s

to mp

a,

to

a

sum - mer’s

to

a,

fp

day?

A.

day? fp

day?

T.

to

a

sum - mer’s

fp

day? fp

mp B.

to

a

Slower, freely

to

a

sum - mer’s

322

day?


Tarik O’Regan I LISTEN TO THE STILLNESS OF YOU for SATB choir unaccompanied

NOVELLO 323


‘I listen to the stillness of you’ for SATB choir unaccompanied from Mass Observation by Tarik O’Regan

Mass Observation was commissioned for the University of Michigan Chamber Choir, Jerry Blackstone, conductor, thanks to support from the William K. and Delores S. Brehm Choral Commissioning Fund, and the Barbara Abramoff Levy Fund

I listen to the stillness of you, My dear, among it all; I feel your silence touch my words as I talk, And take them in thrall.

My words fly off a forge The length of a spark; I see the night-sky easily sip them Up in the dark.

from Listening, published in Amores (1916), by D. H. Lawrence (1885–1930)

Duration: c. 3 ½ minutes

Order Number: NOV166661

324


325

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326


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arr. Robert Rice (b. 1971)

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3 4

SOPRANO

3 4

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p

do

mp

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3 4

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3 4

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do

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have

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fly,

do

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do

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‘do’ should be sung with a long ‘oo’. © Copyright 2015 Novello & Company Limited. All Rights Reserved. International Copyright Secured.

330

do

a

boat

do

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that will car - ry

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3 6

p

mp

do do do

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do

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two,

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do

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oo

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do do

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do do

do do

10

mea

-

dow the oth - er

do do do

do do

day,

do

A -gath -’ring flowers

do do do

do

331

both fine and

do do do

do do

gay,

do

A -gath -’ring

do do do do


4 14

flowers

both red and

do do do

blue,

do do

18

do

I

lit - tle thought what

do do do do

love can

do do do do do do

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do.

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mp

do

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oak,

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mp

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332

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5 21

do

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was a trust - y

do

do

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tree,

do

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do

do

do

do

do

do

do

do

he

bend

do

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24

do

do

do

ed and then he

-

do

do

do

do

do

did my false

love

to

do

cresc.

do

do

broke,

do

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did

my false love

my

to

false

me,

love

so

to

me,

did

cresc.

do

do

do

do

do

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me,

cresc.

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did

333

my false love

do


6 27

f

me,

my false

love to

me.

my false love to

me.

ah

so did my false

love to

A ship there

is, f

and she sails the

ah

f

me, ah

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ship there

f

ah

dm

dm

dm

30

sea,

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load - ed

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as deep

can

be,

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ah

is,

dm

and she sails the

dm

dm

as

ah

sea,

dm

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dm

334

dm

deep

dm

as

dm

deep

dm


7 33

dim.

deep

as the love

I’m

in,

I

know not

if

I

sink or

swim.

dim.

I

sink

or

dim.

can be,

Not

as

deep

as the love

I’m

in,

I sink or

swim,

dm

dm

or

dim.

dm

dm

37

dm

dm

dm

dm

dm

dm

dm

mf

Oh love

is

hand

some and love

is

fine,

is hand- some and love

is

fine, And

-

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mf

swim.

Oh

love

love’s

mf

swim.

Oh love

is hand

-

some

and

love

is

fine, And love’s a

mf

Oh

love

is

hand

-

some and love

335

is

fine,

And love’s a


8 rit.

40

jew

a

jew

jew

el

while it

jew - el

while it

-

el

-

-

el

is

while

new,

it

while it

is

new,

But

when it

is

old,

it grow - eth

is

new, But

when it

is

old,

it grow - eth

is

new,

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is

old,

it grow - eth

when it

is

old,

it grow - eth

But

rit.

43

dim. al niente

cold,

And fades

a

-

a

-

a

-

way

a

-

way

like

way

morn - ing

dew.

dim. al niente

cold,

And fades

way

like

morn

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ing

dew.

like

morn

-

-

ing

dew.

dim. al niente

cold,

And fades dim. al niente

cold,

And fades

like

morn - ing

dew.

Novello & Company Limited

Order no. NOV166573

336

14/15 Berners St, London W1T 3LJ www.musicsalesclassical.com


Richard Allain ADVENT ANTIPHON: O DAYSPRING for SSATBarB choir and soprano saxophone

NOVELLO 337


O Dayspring, Brightest of Light everlasting, And Sun of Righteousness: Come and enlighten him that sitteth in the darkness and the shadow of the earth. Antiphon to the Magnificat 21st December

Duration: circa 3 minutes

338


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A virgin most pure English traditional arr. Stephen Cleobury

1 q = c.132 SOPRANO G 4 ALTO

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© Copyright 2009 Novello & Company Limited

351

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352

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Novello & Company Limited

Order no. NOV040106

361

14/15 Berners St, London W1T 3LJ www.musicsalesclassical.com


362


Julian Marshall IN DULCI JUBILO for SATB choir unaccompanied

NOVELLO 363


In dulci jubilo Now sing with hearts aglow! Our delight and pleasure Lies in praesepio, Like sunshine is our treasure Matris in gremio. Alpha es et O! O Jesu, parvule, For thee I long always; Comfort my heart’s blindness, O puer optime, With all thy loving kindness, O princeps gloriae. Trahe me post te! O Patris caritas! O Nati lenitas! O Deeply were we stained Per nostra criminal; But thou for us has gained Coelorum gaudia. O that we were there! Ubi sunt gaudia In any place but there? There are angels singing Nova cantica, And there the bells are ringing In Regis curia. O that we were there! Anon.

Duration: c. 4 minutes

364


In dulci jubilo SOPRANO

6 8

ALTO

6 8

TENOR

6 8

BASS

6 8

q. = 48

JULIAN MARSHALL

mp

In dul - ci ju - bi - lo mp

Now sing with hearts

In dul - ci ju - bi - lo

Now sing with

p

a - glow!

hearts a - glow! mp

ah p

glow! mp

ah

glow!

6

Our de-light

and plea - sure Lies in prae - se - pi - o,

Like sun-shine is

Our de-light

and plea - sure Lies in

prae - se - pi - o,

sun-shine is

our

Our de - light and plea - sure Lies in prae - se - pi - o,

sun-shine is

our trea - sure

prae - se - pi - o,

sun-shine is

our trea - sure

Our de-light

and plea - sure Lies in

12

our trea - sure

trea - sure

mf

p

Ma - tris in

gre - mi -

o.

Al - pha es mf

et

O!

Al - pha es

et

O!

O p

Ma - tris in

gre - mi -

o.

Al - pha es

et

O!

Al - pha es

et

O!

O

et

O!

Al - pha es

et

O!

et

O!

Al - pha es

et

O!

mf

Ma - tris in

gre - mi

-

o.

Al - pha es

mf

Ma - tris in

gre - mi -

Š 2017 Novello & Company Ltd Not for rental or hire by third parties

o.

Al - pha es

365


2 18

Je - su, par - vu - le,

For thee

al - way;

Com - fort my heart's blind - ness, O

Je - su, par - vu - le,

For thee I long al - way;

Com-fort my heart's blind - ness, O

al - way;

Com - fort my heart's blind - ness, O

al - way;

Com - fort my heart's blind - ness, O

I long

p

ah

p

ah

24

mp

pu - er op - ti - me,

With all thy lov - ing kind - ness, O prin - ceps glo - ri - ae.

mp

30

pu - er op - ti - me,

With all thy lov - ing mp

kind - ness, O

pu - er op - ti - me,

With all thy lov - ing kind - ness, O prin - ceps glo - ri - ae. mp

pu - er op - ti - me,

With all thy lov - ing kind - ness,

mf

Tra - he me post

prin - ceps glo - ri - ae.

p

te!

Tra - he me

post te!

mf

O

Pa - tris ca

- ri - tas!

O

Pa - tris ca - ri - tas! p

O

p

Tra - he me post mf

te!

Tra - he me

post te!

Tra - he me post

te!

Tra - he

post te!

me

mf

Tra - he me post

prin-ceps glo - ri - ae.

O

mm

p

te!

Tra - he me

post te!

366

mm

O Pat - ris ca - ri -


3 36

Na - ti le - ni - tas!

O

Deep - ly were we stain - èd Per nos - tra cri - mi - na;

But

Na - ti le - ni - tas!

O

Deep - ly were we

stain - èd Per nos - tra cri - mi - na;

But

- tas

O le - ni - tas!

O

O le - ni - tas!

O

Deep-ly were we stain - èd Per

nos - tra cri - mi - na;

Deep - ly were we stain - èd Per nos - tra cri - mi - na;

42

Coe - lo - rum

gau - di - a.

O that we were

there!

gain - èd

Coe - lo - rum

gau - di - a.

O that we were

there!

us

has gain - èd

Coe - lo - rum

gau - di - a.

O

there!

us

has gain - èd

Coe - lo - rum

gau - di - a.

O

thou for us

has gain - èd

thou for us

has

thou

thou

48

we

there!

mf

O that we

were there!

U - bi sunt gau - di - a mf

In

an - y place

O that we

were there!

U - bi sunt gau - di - a mf

In

an - y

O that we were there!

ah

but

there?

place but

there?

there?

mf

O that we

were there!

ah

there?

367


4 54

There are an - gels sing - ing

No - va can - ti - ca,

And there the bells are ring - ing In

There are an - gels sing - ing

No - va can - ti - ca,

And there the bells are

There are an - gels sing - ing

No - va can - ti - ca,

there

bells are ring - ing

There are an - gels sing - ing

No - va can - ti - ca,

there

bells are ring - ing

ring - ing In

60

66

Re - gis cu - ri - a.

O that we were

there!

O that we were there!

Re - gis cu - ri - a.

O that we were

there!

O that we were

Re - gis cu

- ri - a.

O that we were

there!

O that we were there!

Re - gis cu

- ri - a.

O that we were

there!

O that we were

there!

there!

p

There are an - gels sing - ing

No - va

can - ti - na,

And there the bells are ring - ing In

p

There are an - gels sing - ing p

No - va can - ti - na,

And there the bells are

There are an - gels sing - ing p

No - va

can - ti - na,

And there the bells are ring - ing In

There are an - gels sing - ing

No - va can - ti - na,

And there the bells are ring - ing In

368

ring - ing In


5 72

pp

Re - gis

cu - ri - a.

O that we were there!

O that we werethere!

O that we were

pp

Re - gis cu - ri - a.

O that we were there!

O that we were there!

O that we were

pp

Re - gis cu - ri - a.

O

Re - gis cu - ri - a.

O

we

there!

O

there!

O

we

there!

O that we were pp

there!

O that we were

79

there!

O that we were there!

O that we were there!

O that we

were

there!

O that we were

O that we were there!

O that we

were

there!

O that we were there!

O that we were there!

O that we

were

there!

O that we were there!

O that we were there!

O that we

were

there!

rall.

85

there!

there!

there!

there!

No - va can - ti - na,

O that we were there!

No - va can - ti - na,

O

we

No - va can - ti - na,

O

we were there!

No - va can - ti - na,

O

we were there!

369

there!


to Victoria

Tomorrow shall be my dancing day Old Cornish poem Vivace

Gt. ORGAN

mp

Sw.

SOPRANO S. 4

8

did

so chance

To

my

mf

dan - cing day,

I

would my true love

Ch.

To - mor - row shall be

Trad. English arr. Stuart Nicholson

see

the le - gend of

my play,

© Copyright 2012 Novello & Company Limited. All Rights Reserved. International Copyright Secured.

370

4

To call

my true love


2

S. 12

to

A.

T.

B.

f

my dance. Sing f

Oh! my love, Oh! my

f

Sing f

Oh! my love, Oh! my

Sing

fp

Sing

16

have

Oh! my love, Oh! my

I done for my

This

mf

Sw.

Ch. 3

sing

Oh!

my

love,

sing

Oh!

my

love,

Sing!

love,

true love.

love,

This have I done for my true love.

mf This have I done for my true love. Sing! mp mf have mp

This mp

love,

fp

my true love.

I done for

mp

fp Oh! my love, Oh! my

love, fp

mp

371


3

21

sing Oh! my sing

Oh!

love,

my

love,

25

S.

SOPRANO

sing

Oh! my love,

Oh! my love,

Oh! my

sing

Oh! my

love!

sing

Oh! my

love!

love!

Ch.

a

vir - gin pure,

Of

Sw.

3

mf

I born of

Sing

sing

Then was mp legato

mf

her

I

took

flesh -

p legato ah A.

ALTO

p legato

ah

p

372


4

29

- ly sub - stance; Thus was

S. 33

to

f sub.

my dance. Sing

f sub.

A.

to

T.

B.

my dance. Sing

man’s na - ture, To mp

call

To

call

my true love

mp

To

call

4

Oh! my love, Oh! my

love,

fp

my true

love

fp Oh! my love, Oh! my

my true love

love,

f

Sing

Oh! my love, Oh! my

Oh! my love, Oh! my

fp

love,

373

love,

fp

mp

This

mp

This

f

Sing

to

I knit

mf

Sw.

Ch. 3


5

37

have

I

done

for

my

true love.

mf This have I done for my true love. Sing! mp mf have mp

I done

This have I done

for

for

my

my

true love.

true love.

mp

sing Oh! my

love,

love,

41

Sing!

mf

sing

Oh!

my

sing

Oh!

my

Sing Oh! my love!

love, sing Oh! my love, sing Oh! my love!

sing Oh! my

love, sing Oh! my love, sing Oh! my love!

sfz

Sing!

sfz

Sing!

374

Ch. 3

mf Sw.


6

46

S.

A.

In a man - ger

B.

laid

ah!

p

ah!

B.

p

my

love!

Oh!

my

love!

p

ah!

To call

my true love

O

sing.

O

sing.

Oh!

ry poor this

-

sil - ly poor ass,

Sing p

ve

an ox and a

So

Sing

was my chance, Be - twixt A.

50

p

and wrapp’d I was,

p

T.

T.

TENOR SOLO mf

375

4


7 54

S.

A.

T.

B.

to my dance. fp f Sing f

Sing f

Sing

have mp

done

I done

for

my

for

my

for

my

true love.

true love.

Sing!

mf

Sing!

376

This mf

This

Sing,

mf

Sing!

sing

my

Oh!

sing

Oh!

my

mf

mp

mf

Ch. 3

Sing!

mp Sing, mp

true love.

fp

Sw.

love!

Oh! my love, Oh! my love!

This have I done for my true love. mp This have I done

love! fp

fp

I

Oh! my love, Oh! my love!

have

Oh! my love, Oh! my

Sing f

58

Oh! my love, Oh! my


8

62

mf

f

f

sing,

mf

love,

sing,

sing,

sing f

f

love,

Oh!

my

love,

sing

Oh!

my

love,

sing,

sing,

Oh! my love,

Oh! my love,

mf

sing,

Oh! my

Oh! my

cresc. sempre

sing! fp

love! fp fp

love!

sing!

Sw.

f

* f

To - mor - row shall be

my dan - cing day,

To - mor - row shall be f

my dan - cing day,

To - mor - row shall be

my dan - cing day,

To - mor - row shall be

my dan - cing day,

*f

I

I

I

I

Gt. to mixt.

mf

fp

66

3

f

Gt.

* Altos & basses may omit from bar 67, last beat, to the upbeat of bar 74.

377


9

70

would my true love

would my true love

did

did

so chance To

see

so chance To

see

would my true love did so chance To see would my true love

did

74

call

see

call

call

call

my true

love

to

love

to

my dance. Sing ff

the le - gend

of

my play,

the le - gend

of

my play,

the le - gend

my dance.

Sing Oh!

my true

love

to

my dance.

Sing Oh!

To

To

To

sing ff

4

love,

love,

sing

sing

Oh! my love, Oh! my

Gt.

to

my play,

Oh! my love, Oh!my ff

of

love

my play,

my dance. Sing

of

my true

Oh! my love, Oh!my

the le - gend

ff

my true

To

so chance To

f

sing

Sw.

378

Oh! my love, Oh! my


10

78

Oh! my love, Oh!my

love,

love,

Oh!

my love, Oh! my love, Oh! my love, Oh! my p sub. molto cresc.

Oh! my love, Oh! my love,

sing

cresc. p sub. molto

sing

Oh!

my love, Oh! my love, Oh! my love, Oh! my p molto cresc.

sing

Oh! my love, Oh! my love,

love,

fp 82

love! fp

love!

love!

love!

sing

Oh! my love, Oh! my love,

Sw.

fp

Sing! fp

Sing!

mp

mf

This mf

have

379

Oh! my love, Oh! my

molto cresc.

4

I done

for

my

true

love.

I done

for

my

true

love.

This have I done mf

for

my

true love.

for

my

true love.

This have mf

3

Ch.

4

p sub.

Oh! my love, Oh! my love, Oh! my mp molto cresc.

This have I done


86 mp

Sing, mp

Sing! mp mp

Sing,

Sing!

Oh!

my

love,

Sing

Oh!

my

love,

cresc.

sing,

Sing mf

sing, mf

mf

mp

mf

11

mf

sing f

Oh!

sing

Oh!

my

f

my

sempre cresc.

90

love, love,

sing, f

sing,

ff

Oh! my

Oh! my

love,

sing ff

Oh!

my

love!

sing

Oh!

my

love!

Oh!

my

love!

Oh!

my

love!

senza rit.

love,

ff

ff

senza rit.

f

ff

+ 32' reed

123456789

380


While Shepherds Watched NAHUM TATE

OWAIN PARK

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





 ď ˘ ď ˘ď€ł ď ˘ď ˘ď€´







Lovingly q = 76

SOPRANO ALTO

TENOR BASS

Lovingly q = 76

ď ˘   ď ˘ ď ˘ď ˘ 

ORGAN

(Sw.) p

 ď ˘ď ˘ ď ˘  ď ˘ Solo mp

ď Ş

ď Ş

Ped.

ď ˘ď ˘ ďƒŽ S ď ˘ď ˘ A  4

T B

 ď ˘ď ˘ ď ˘ď ˘

ďƒŽ

ď ˘ď ˘ ď ˘  ď ˘ 8

S A

ground,

T B

ď€żď ˘ ď ˘ ď ˘ď ˘ ďƒŽ ďƒŽ



ď Ş

mp

the

their

A

mp

ďƒ¤ ď Ş

an - gel of

the

Copyright Š 2016 Novello & Company Limited Not for rental or hire by third parties.



381

the



mf ďƒŽ glo - ry shone

ď Ş

a -

ďƒŽ ďƒŽ



Lord came down and

ď ˘  ď ˘ ď ˘ď ˘  ď ˘ď ˘ ď ˘ ď ˘

ď Ş

seat - ed on

(Sw.)



all



ď Ş

flocks by night



ďƒŽ

While shep-herds watched

ď ˘  ď ˘ ď ˘ď ˘  ď ˘ď ˘ ď ˘ ď ˘

A ď Ş ďƒ¤ mp

round.

‘Fear

‘Fear


2

S

B 13 ď ˘ ď ˘ ď ˘ ď€Śď ˘ ď ˘

not,’

A

ď ˘ď ˘  ď ˘ ď ˘ ď ˘

mp ď Š said he (for mp

not,’said he

ď ˘ď ˘ ď€Śď ˘ ď ˘ not,’ said ď ˘ ď€żď ˘ B ď ˘ ď ˘ď ˘

T

not,' said he

(for

he (for

 ď ˘ď ˘ ď ˘ ď ˘ ď ˘

S

C 17 ď ˘ď ˘ ď ˘  ď ˘ ď ˘ď ˘ ď€Śď ˘ ď ˘ tid - ings of

A

ď ˘ď ˘ T ď€Śď ˘ ď ˘ tid - ings of ď€żď ˘ B ď ˘ ď ˘ď ˘ tid - ings of

tid - ings of

 ď ˘ď ˘ ď ˘ ď ˘

dread

had

(for

might - y dread had

ď ˘

mp

ď ˘

ď ˘ ď ˘

joy

great

joy

great

great

great

I bring

I bring

joy

joy

I bring

I bring

to

to

to

to

Solo

382

ďƒ¤

ď Ş ďƒ¤

ď Ş

ďƒ¤

seized their trou - bled

might - y dread had

C ď ˘  ď ˘ ď ˘ď ˘ f

might - y dread had

ď ˘ ď ˘ mp

B ď Ş ď ˘ď ˘ď ˘ ď ˘ ď ˘  ď ˘ For rehearsal only

seized

seized

ď Ž

seized

mind);

their

mind);

you and all

you and all

‘Glad

f

‘Glad

ďƒ¤ f

mind);

‘Glad

man

you and all

f

ď Ş

you and all

‘Glad

their mind);

their

f

man

man

man

-

-

-

-

ďƒŽ

ďƒŽ

kind.’

kind.’

ďƒŽ

kind.’

kind.’

mf

ďƒŽ

ď Ş


ď ˘ď ˘ ď ˘  ď ˘



ď ˘ď ˘ ď€Śď ˘ ď ˘



21

S

A



ďƒŽ ďƒŽ



ďƒŽ ďƒŽ

D mp 'To mp

you in

T

B

ď ˘ď ˘ ď€Śď ˘ ď ˘



 ď ˘ď ˘ ď ˘ď ˘





ď ˘ď ˘ ď€Śď ˘ ď ˘

town this day

B

ď ˘  ď ˘ ď ˘ď ˘

 ď ˘ď ˘ ď ˘ ď ˘

is

ď Š

born of

 ď ˘ ď ˘ ď ˘ď ˘

ď Ş

Ah

ď ˘ď ˘ ď€Śď ˘ ď ˘

ď ˘  ď ˘ ď ˘ď ˘

ďƒŽ



ď Ş

25

T

mp

ďƒŽ

Ah

D

mp

mp

mp

mp

Da - vid's

383

line

a

Ah

Ah

Ah

mp

Ah

 ď ˘ď ˘ ď ˘ ď ˘

A

ďƒŽ

Da - vid's

Ah

ď ˘  ď ˘ ď ˘ď ˘

S

ďƒŽ

mp

Ah

3

For mp rehearsal only

Sav - iour, who

is


4

ď ˘ď ˘ ď ˘  ď ˘ 29

S

Christ the Lord;

A

T

ď ˘ď ˘ ď€Śď ˘ ď ˘

ď ˘ď ˘ ď€Śď ˘ ď ˘

 ď ˘ď ˘ ď ˘ ď ˘

ď ˘ď ˘ ď€Śď ˘ ď ˘ 33

S

there shall find

A

ď ˘  ď ˘ ď ˘ď ˘

find

T

B

and

and

ď€żď ˘ B ď ˘ ď ˘ď ˘ ď ˘  ď ˘ ď ˘ď ˘

and

and

this shall be

the

this shall be

this shall be

this shall be

hu - man view

ď ˘ ď ˘ ď ˘ ď€Śď ˘ ď ˘ there shall find

 ď ˘ ď ˘ ď ˘ ď ˘ď ˘

hu

you shall find

to

hu

-

mans

ď ˘  ď ˘ ď ˘ď ˘

ď ˘ ď ˘

 ď ˘ď ˘ ď ˘

ď ˘

to

hu

-

mans

dis

ď Ş -

ď Ž

mans

ď Ş ď Ž

dis

heav'n - ly

-

-

The

384

heav'n

f

The

E

ď ˘ ď ˘

mf

played,

all

mf

ď Ş ďƒ¤

ďƒ¤

ďƒ¤

played,

Ah

mf

ď Š

ďƒ¤ ďƒ¤

ly

babe you

babe

you'll

ď ˘

ly

babe you

ď ˘

mean - ly wrapped in

Ah

ď Ş

mf

babe

ď ˘

Ah

mf

played,

heav - en - ly

f

ďƒ¤

-

-

ď Š

ď ˘

dis - played,

-

ď ˘

f

The

sign:

sign:

dis

heav'n

the

The f

sign:

E ď ˘

sign:

the

to

the

f

to


5

ď ˘ď ˘ ď€Śď ˘ ď ˘ 37

S

mp

swath - ing bands, and

A

T

ď ˘ď ˘ ď€Śď ˘ ď ˘

ď€żď ˘ B ď ˘ ď ˘ď ˘ ď ˘  ď ˘ ď ˘ď ˘  ď ˘ď ˘ ď ˘ ď ˘

S A

ď ˘  ď ˘ ď ˘ď ˘ ďƒŽ

in a man - ger

ďƒŽ





ďƒŽ





ďƒŽ





laid.'

mp

strong mf DESCANT (Solo or semi-chorus)

ď ˘ď ˘ ďƒŽ ď€Śď ˘ ď ˘

ďƒŽ

 ď ˘ď ˘ ď ˘ď ˘ ďƒŽ

Thus

ďƒŽ ďƒŽ

Thus

spake the ser - aph,

and forth - with

spake the ser - aph,

and forth - with

ď ˘  ď ˘ ď ˘ď ˘  ď ˘ď ˘ ď ˘ ď ˘

strong mf

F

mp



in a man - ger



laid.'

mp

ďƒŽ

laid.'

mp

and

laid.'

in a man - ger

and

strong mf T B

and

42

S

ď ˘ď ˘ ď€Śď ˘ ď ˘

in a man - ger

mp

F

ď Ş

385

mf

throng

of

ap - peared a shin - ing

ap - peared a shin - ing

ď Ş

throng

of


6

ď ˘ď ˘ ď ˘ ď ˘ 

S

ď Š

f

47

an

S A





ff ď ˘ď€ž ď ˘ ď ˘ ď ˘  ď ˘

ď ˘ ď ˘ ď ˘ď€ž ď€Śď ˘ ď ˘ ff

glo

glo

-

-

glo - ry

be

ď ˘ď ˘ď€ž ď€Śď ˘ ď ˘ glo - ry ff   ď ˘ ď ˘ B ď ˘ ď ˘ď ˘ ff

T

glo - ry

ď ˘ ď ˘  ď ˘ ď ˘ď ˘  ď ˘ď ˘ ď ˘ ď ˘ ď ˘ ff

be

ad

-

f

ry

God on high, and

be

to

be

God

to

to

ď ˘

f

f

ď ˘ ď ˘

to

cresc.

to

to

ď ˘

f

386

peace;

earth

ď Ž

ď Š

earth

be

ď Ş earth

be

ď Ş

be

peace;

good

'All

to

ďƒŽ

peace;

and

be

ďƒŽ

be

God

earth

'All

song:

the earth

to

f

the

God on high, and

ď ˘

ful

to

-

ďƒŽ

song:

and f

their

dressed their joy

ď Š

to

cresc.

God on high, and

be

who ad - dressed

cresc.

ry

ď ˘   ď ˘ ď ˘ď ˘ ď ˘ ff

A

God,who thus

ď ˘  ď ˘ ď ˘ď ˘ 

51

God,

 ď ˘ď ˘ ď ˘ď ˘

 ď ˘ď ˘ ď ˘ ď ˘

S

prais - ing

an - gels prais - ing

f

S

gels

ď ˘ď ˘ ď€Śď ˘ ď ˘ f

T B

-

good

good

peace;

good

peace;

good


 ď ˘ď ˘ ď ˘  ď ˘

55

S

will

S A

T B

from

ď ˘ď ˘  ď ˘ ď ˘

 ď ˘ ď ˘ ď ˘ď ˘

will

hence

ď ˘  ď ˘ ď ˘ď ˘

58

-

-

en

be

heav'n to

heav

from

ď ˘  ď ˘ ď ˘ď ˘

S

will hence- forth

 ď ˘ď ˘ ď ˘ ď ˘

men

mf

forth

be

-

and

nev

-

gin

and

nev

-

er

-

er

be

-

gin

and

nev

mf

-

gin



ďƒŽ

mf

7

rall.



er





cease.'

ď ˘ď ˘ S ď ˘ď ˘ A   ď ˘ď ˘ ď ˘ ď ˘

ďƒŽ

ďƒŽ

mp

cease.'

T B

ďƒŽ

ďƒŽ

ďƒŽ

ďƒŽ

cease.'

ď ˘  ď ˘ ď ˘ď ˘  ď ˘ď ˘ ď ˘ ď ˘

ď Ş

(TUTTI)

be

-

mp

387

gin and nev

-

er

ďƒŽ



ďƒŽ



ď ˘



ď ˘ ď ˘



cease,

rall.


8

ď ˘ ď ˘ď€´ ď€Śď ˘ ď ˘  ďƒŽ

S A

Adagio

ď • ďƒŽ

62

p T B

 ď ˘ ď ˘ď€´ ď ˘ď ˘ď€´ ďƒŽ

ď • ďƒŽ

ď • ď ˘ď ˘ď ˘  ď ˘   ď ˘ ď ľ

ď • ďƒŽ

ď • ď ˘  ď ˘ď ˘ ď ˘  ď ˘ ď ˘ ď ľ

T B

 ď ˘ď ˘ ď ˘ď ˘



 ď ˘ď ˘ ď ˘ ď ˘

-

be

-

gin

nev

and

gin

-

and

nev

er

-

er

 

cease.

cease.

Tempo primo

ďƒŽ





ďƒŽ





ďƒŽ

p

rall.

ď Ş

ď Ş





ď • 





ď • 

rall.

mp

p

mp Solo

mp Ped.



ď ˘  ď ˘ ď ˘ď ˘

be

Adagio

ď • ďƒŽ

ď ˘ď ˘ ď ˘  ď ˘ 65

S A

Tempo primo

ď Ş

388

ď • ď ľ

ď Ş

ď • ď ľ


ALPHONSE LEDUC A S S O C I AT E D M U S I C P U B L I S H E R S BOSWORTH CHESTER MUSIC LE CHANT DU MONDE J. CURWEN DUNVAGEN EDITION WILHELM HANSEN EDWIN ASHDOWN

MUSIC SALES N O V E L L O & C O M PA N Y PA T E R S O N ’ S P U B L I C A T I O N S ST ROSE PUBLISHING G. SCHIRMER THAMES PUBLISHING UNIÓN MUSICAL EDICIONES

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