Page 1

Daniel Catรกn

IL POSTINO Opera in Three Acts (Based on the novel by Antonio Skรกrmeta, and the film by Michael Radford)

libretto by the composer

Vocal Score

From the Rental Library of G. Schirmer, Inc. Date of printing:________________

Associated Music Publishers, Inc. New York, NY


Daniel Catรกn

IL POSTINO Opera in Three Acts (Based on the novel by Antonio Skรกrmeta, and the film by Michael Radford)

libretto by the composer

Vocal Score

Commissioned by the Los Angeles Opera

Associated Music Publishers, Inc. New York, NY


Important Notice Performances of this opera must be licensed by the publisher All rights of any kind with respect to this opera and any parts thereof, including but not limited to stage, radio, television, motion picture, mechanical reproduction, translation, printing, and selling are strictly reserved. License to perform this work, in whole or in part, whether with instrumental or keyboard accompaniment, must be secured in writing from the Publisher. Terms will be quoted upon request. Copying of either separate parts or the whole of this work, by hand or by any other process, is unlawful and punishable under the provisions of the U.S.A. Copyright Act. The use of any copies, including arrangements and orchestrations, other than those issued by the publisher, is forbidden. All inquiries should be directed to the publisher: G. Schirmer Rental Department PO Box 572 445 Bellvale Road Chester, NY 10918 (845) 469-4699 (914) 469-7544 (fax)


Contents Acto 1 Preludio .......................................................................... 1 Escena 1 .......................................................................... 4 Escena 2 .......................................................................... 8 Desnuda ........................................................................ 15 Escena 3 ........................................................................ 24 Escena 4 ........................................................................ 26 Change of Scene (Mario Riding Bicycle) ................... 36 Escena 5 ........................................................................ 38 Oda al Mar ................................................................... 51 Escena 6 (Romanza) ..................................................... 72 “Futbolito” .................................................................... 78 Escena 7 ........................................................................ 82 Escena 8 ........................................................................ 93 Acto II Escena 1 ........................................................................ 99 Escena 2 ...................................................................... 107 Escena 3 (Love Duet #1) ........................................... 115 Escena 4 ...................................................................... 120 Escena 5 ...................................................................... 127 Escena 6 (Love Duet #2) ........................................... 131 Escena 7 (El Estudio de Neruda) ............................... 135 Comprendo ............................................................... 142 Escena 8 ...................................................................... 147 Escena 9 ...................................................................... 151 Escena 10 (Love Duet #3) ......................................... 152 Escena 11 (Scene change for the celebration) .......... 162 Acto III Escena 1-Preludio ....................................................... Orchestral Interlude ................................................... Escena 2 ...................................................................... Escena 3 ...................................................................... Escena 4 ...................................................................... Escena 5 ...................................................................... Escena 6 ...................................................................... Escena 7 ...................................................................... Escena 8 ...................................................................... Escena 9 ...................................................................... Mario’s Farewell .........................................................

188 195 197 198 201 202 216 223 225 252 273


Characters Mario Ruoppolo ..................................................... Tenor Mario’s Father ....................................... Character Tenor Pablo Neruda .......................................................... Tenor Matilde Neruda ................................................... Soprano Giorgio ........................................................ Bass Baritone Beatrice ............................................................... Soprano Donna Rosa .............................................. Mezzo-Soprano Di Cosimo .......................................................... Baritone Priest ...................................................... Character Tenor Pablito ....................... Son of Mario and Beatrice (silent) 4 Thugs ........................................... 2 Tenors, 2 Baritones 5 Patrons ............................................. 3 Tenors, 2 Basses Chorus ......................................................................... TB

Synopsis (The action takes place on a small Italian island in the 1950's) Mario Ruoppolo is a gentle young man in an insular Italian fishing village where time moves slowly. Since Mario's seasickness doesn't allow him to fish, he takes the job of postman, delivering mail on a bicycle to only a single customer, the famous Chilean poet Pablo Neruda. Neruda has been exiled to Italy because of his communist views. After a while, the two become good friends. In the meantime, Mario meets and becomes smitten with a beautiful young lady, Beatrice Russo, in the village's only cafe. Mario has no idea how to pursue the longings of his heart. With the help of Neruda, Mario is able to better communicate his love to Beatrice through the use of poetic metaphors. Soon Mario is composing poetry of his own, with hopes of not only attracting Beatrice's attention, but of winning her heart. Mario and Beatrice are later married, and at the same time Neruda and his wife Matilde learn that they are allowed to return to Chile. Months after Neruda's departure and subsequent lack of contact, Mario makes a nostalgic recording of island sounds for Neruda, including the heartbeat of his unborn son. Several years later, Neruda comes back to the island and finds Beatrice and her son in the same old cafe. She tells him that Mario was killed just before the birth of their son, at a communist rally in Naples. He was selected to read his poetry (dedicated to Neruda) for the crowd, but police stormed the rally before he could reach the stage. Beatrice gives Neruda the recording of island sounds that Mario had made for him.

N.B.: The DS al Fine at the end of Act II, Scene 2, need not be an exact repeat from the segno to the fine. It should go on only as long as needed to give the entire troupe time to leave the stage.

Duration: full evening


Para mi musa mi compa単era y sobre todo mi gran amor Andrea

***


Il Postino Preludio

Daniel Catán

(A small crowd of rowdy guys campaigning for Di Cosimo can be heard. The sound comes out of a speaker on top of a car.)

   

Di Cosimo

   

         

mp

    

Ca - la di

So - tto

or - gu

Pf. I

   -

llo de_I - ta - lia

          

       3

           

        

  

 

Ma - dre,

 

Pa - tria,

 

 

            

 

             

su - bli - me, no -ble, fér -til y_a bun - dan - te

                  Ca -la di

            

Revised and corrected 10/2011

                                                              19

Di Cos.

                        3 3

  

   

ri - ca, pro-di - gio - sa,

Pf. I

 

Di Cosimo: (enters on second pass) mp 3

13 Di Cos.

First time through repeat, BANDA only. Percussion

        7

Pf. I

q = 120

      

Piano I

Di Cos.



So - tto

 

 



Is - la per -

              3

3

Copyright © 2010 byAssociated Music Publishers. Inc. (BMI), New York, NY International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

   

  

Property of: G. Schirmer Rental Library Rt. 17M, Chester, NY 10918 SUPPLIED ON LOAN ONLY


Preludio

2

   

25 Di Cos.

Pf. I

Pf. I

 

    

   

fec - ta_es

    

29 Di Cos.



 be

-

tre - lla

mar,



lla_el



 



fas - tuo

-

      

        

úl - ti - mo_ho - ri - zon - te

To - dos tus

   

  





             

                            vo - tar

sa

         

                

dre - mos a

Pf. I

de

34 Di Cos.

 



 -



  por

la

   

 

hi

-

  



   3   Vic - to

-

jos sal -

ria!

                   3


Preludio

Di Cos.

   

Di Cos.

Pf. I

       

   

45



por

la

Vic - to

  

 

 

    Pf. I

All:

40

  por

la

             

3

   3   Vic - to

-

 3  -

ria!

                     3

(As they exit the music is interrupted and we hear an important news bulletin. This announcement comes out of a radio in Mario's room.)

ria!

                                     3

VOZ DE LA RADIO

“Interrumpimos esta transmisión para comunicarles una noticia importante. En estos momentos, Pablo Neruda llega a la Estación de Roma! El gran poeta chileno es conocido en el mundo entero por su poesía y por sus ideas comunistas que con frecuencia le han causado serios problemas, como el que tiene ahora que lo ha enviado al exilio. Cientos de admiradores, mujeres en su gran mayoría, han venido a darle la bienvenida. El poeta es muy querido en Italia y, a juzgar por los abrazos entusiastas de una bella mujer, no sólo por sus ideas egalitarias. Las mujeres enloquecen con su poesía porque Neruda escribe poemas de amor, un tema de gran interés para la sensibilidad femenina.... El poeta vivirá en Italia, en la bella isla Cala di Sotto. Italia y su gobierno le extienden la mano a este extraordinario poeta.”

  


Acto I

4

Escena 1 (Mario at home daydreaming. It's early morning)

       pp       

  

 = 72

Piano I

5

Pf. I

Mro.



 

  fp f    

 

 

3

  

  



    

 

  

Mario: p

     16      nó (mf)

 

Pf. I

 

(Enter Mario's father)

 Pf. I

 

 

 



   

      p

 



  

   

(He tries to activate the water pump)

p

   

 

    

mf

3

3 3                              No pa - pá no_hay a - gua Se_a - ca - bó_es - ta ma - ña - na... Yo tam - bién que -rí - a... Se ter - mi-

13 Mro.

  

Poco più mosso q = 76

   

10

Pf. I



   

 



 



 

  

 

  p

 

           

3

To - da - ví - a

es - tá ca -lien - te?

 

mp

     3


Acto I Escena 1 19 Mro.

Pf. I

3 3             

   

Pes - qué un res -fria - do

mf

    

3           Tal vez ten - go_a - ler - gia...

        mé - ri - ca  

    28

Mro.

Pf. I

 





3

 

Re-ci - bí_es - ta pos tal

 

3

  



 

   

de_A -

 

        y_Al - fre - do

                      

    

 

pp

3

3

3

Es - ta_es A - mé -ri - ca

p

 3     

es de Gae - ta - no

     

    

f

p

 

  

3

Pf. I

     

25 Mro.

       3

la_hu - me - dad de la lan - cha...

  Pf. I

es - ta ma - ña - na

22 Mro.

5

   

y es - te

un

au - to_a - me -ri - ca - no

Di - cen que


Acto I Escena 1

6

3                          van a com-prar u-no A-quí di-ce “Va - mos a com-prar u - no”

32 Mro.

Pf. I

   p   

                   Cues tan un di-ne-ral Di-cen que es un país ri- co... 3

Mro.

Pf. I

3

       sin a- gua!   

40 Mro.

P. de Mro.

  Pf. I

 43

P. de Mro.

Pf. I

       3

          (pizz.)        

  

Ma - rio,

3

     

 

           3

nun - ca te_ha gus - ta - do la pes - ca...

A-

3

3

Padre de Mario:

           mf f   

       mé - ri - ca_o Ja-pón

 

 

3

 



Y no-so-tros a- quí,



 

Pe- ro no lo cre - o...

p

3

      

 

36

 

pe - ro pon - te_a tra - ba - jar!

3      

ya

no_e - res un ni - ño


Acto I Escena 1 45 Mro.

Pf. I

  

       

Mario:

 

Ah!

Mro.

Pf. I

     

 

                              pe-ro con las pro-pi-nas

P. de Mro.

Pf. I

 

Pf. I

mf

            

60

  

      3

                 

(Mario's father exits)

  

    

pp

    p   

ma - ña - na

      mf

  

mf



    

      

        

Cuán - do co - mien- zas

55

Pf. I

Padre de Mario:

     

   

3

    3

en el co - rre - o

el suel - do no_es gran co - sa

51 Mro.

Con- se - guí_un em - ple - o

p

48

      

A - no - che

7

 

        p         

(Mario sits back and contemplates the posters on the walls)

               

pp

       

      mp

     

                         

p

 

   


Acto I

8

Escena 2

(The Neruda house's patio)

q = 80

 

65

Pf. I

  mp    69

 Pf. I

   

p

 



                       

   cresc. 



legato,



                       p         



72

Pf. I

   

75 Nda.

Pf. I

Tus

    

     79

Mde.

  

mp

Neruda:

 

 ma - nos

    

 3     

Matilde:

te gust - tan las Nda.

 Pf. I

 

 -

 

 

 

p

    

res?

          

 

   



 

To -

   

mp

p

 

 

  



            

3

  

 6

mp

 

do



 

to - do lo_em - be - lle - ces con tus ma - nos

flo

     

 

       



 

dim. 

                                

  

mf

       

    

   

lo_em - be - lle - ces con tus

6

    


Acto I Escena 2 82 Nda.

Pf. I

   ma

Pf. I

  

Pf. I

     88

Mde.

      

Re - cién lle - ga

    p      

3               y_has con-ver - ti - do es - ta ca - sa de_e - xi             pp     

   tua

 



-



Matilde:

 



   



p

Pf. I

 

       mp       

voce parlata

 

3

  

te

pp 

lio

en un san -

3

3

 



ten - go

3

pa - ra

Qua - les?



  

    

A_ho - ra

  

mos

misterioso

  

-

       



    

 

-

rio

-

 





3

tie - ne sus ven - ta - jas Nda.

 

nos



 3  

 

3

86 Nda.

-

    

84 Nda.

-

 

9

   3

             


Acto I Escena 2

10 91 Mde.

  mí

Nda.

  





Soy

tu

Mde.

     p 

Nda.



bue - no

con - fir

 

 

3

 97



  

 -

      

Pf. I

      mf

    

bes

 

Es - ta - ba pen - san - do

 



   

  

 

Qué?

 

        

3

de - ma - sia - do

    

      mp

-

3        

te_o - cu - pa

 

     



Es

3

 

 

 sa

 

3

po - lí - ti - ca

lo

mar - lo

              

più mosso

La

pre



3

Mde.

 

     sim. 



3

 

        

-

p

 

siem



p

Pf. I

yo



3

94

-

 





  Pf. I

 

        3

      

mp


Acto I Escena 2 100 Nda.

  

   Pf. I

   

Quie - ro_a - yu - dar

a cons - tru - ir

   

   3

 

con





  

mp

105 Mde.

un mun - do más jus - to

  

mp

Matilde:

p

 

  

 

 



   

poe



  -



-

a

    



   

pp  



 

tu



3      



Ya lo ha - ces

Pf. I

3



  



   

3

 

102 Mde.

Neruda:

11



  Sí

Nda.

Pf. I

  

Neruda:

pensativo

No

    

mp espr.

pp

p

  

es

 

 3 



lo

 

su - fi - cien - te

     

 


Acto I Escena 2

12

Mde.

q = 100

  

108

 es

   Pf. I

tu

   3

mp

 

 

p

poe - sí

-

    



poe

-

-

 

-

3

-

-

 

 

 

ha - ce

li

poco rit.

 -

-

  

Pf. I

      p sub.

   

  nos en

-

 

se

 

 -

ñas



  

 

 

 

 

3

3

3

 = 94

bres

                       mp 3 3    3

117

a

3

nos

Mde.

a

  3                                     3 p 3

114

Pf. I

-

3

3

Mde.

3 3                            3 3 3

tu

Pf. I

 3

111 Mde.

 

            

   



que la ver - dad

es

3

 

 

 

más

legato, espr.   


Acto I Escena 2

  

122 Mde.

al

Pf. I

-



ta que la

lu

  

    

-

Pf. I

  

cre - ce_ha - cia_a - ba - jo

  

  

       

            

Pf. I

     pp 

 

   

ses

    

     cie

 

Y

 

pp      

 

vue - lan

  

 -

lo

sue - ñan

      

cuan - do

a

cuan - do

   

-

        mp cresc., espr.   

f

      

      

a - ves



 

 

p dolce

 

     

las



p

Meno mosso q = 80

 



y_el

  

 

mp

mf

      y



  

p

mp

-

             mp 6 3    

vue - lan

   

 

p

136 Mde.

  

-

mfp    

3

que no so - mos men - di - gos

   

dio

 

    

3

na

      

ros

     

 



 



130 Mde.

-

de_os - cu

Pf. I

  

 

 126

Mde.

   

13

man

    


Acto I Escena 2

14 140 Nda.

 

Neruda:

E

-

 3     3

res

más po - e - ta que

      Pf. I

     

 



   

Pf. I

     

yo!

    



Des



  

  







mf



-

  

Nda.

Pf. I

 

nu

-

-

     

3

-

-

3

de_o

na

-

148

Pf. I

  



  3 mf     

3 3

ro_en - cen

-

  

 

   





        

  

-

da

 

     



          p

  

di



Nda.

 

da



 

                            lu

   

145



 



143 Nda.



 3 mp mf       

3 3




Acto I

Nda.

Pf. I

        

    

misterioso

Des - nu

Pf. I

Nda.

      f       



Pf. I

 

Nda.

Pf. I

da

des - nu

    

      

da

des - nu

   

   

 

    

       

     

   

      

    

da

    

 

-

mf

-

 

ple co - mo





    

     f

ff

 

 



-

 

da

  

   

u

-

  

p

   

-

na de tus

  

    

                   mp cresc.        li



-

mp

sim

mp

-

     

   e - res tan



              

       ma - nos              p mp           

170

   

p

    

        des - nu        p       

163

-

    

158 Nda.

Desnuda

Movente q. = 66



151

15

-

sa

te

-


Acto I Desnuda

16

    rres     



176 Nda.

Pf. I

-

Nda.

   

Pf. I

Pf. I

   188

Nda.

     

p

Pf. I

-

 

p    

cresc. poco a poco

 -

 

      

     

p legato

    

 

        nu-da_e-res del - ga - da

          cresc. poco a poco        

    (p)  

 

 

      

pa - ren

 

-

-





da

    



   

 

     

  tie - nes

 

 

     

 

co - mo_el tri - go

      

       

des -

     

 

ca - mi - nos de man - za - na

     

mp

te

mp

 

mf

re - don

    

       lí - neas de lu - na

     

ma

  

-

 

  

  

trans

  

mí - ni

194 Nda.

 

p

tre

    183

 

    

     

des - nu

-

 

do

           

  

mf

 


Acto I Desnuda

   

200

Nda.

Pf. I

 

Pf. I

 

Nda.

Pf. I

-

-



zul

   3     mf           no-che_en

217

 

                      mf

 

cresc.

 

 

    

f

      3    ff dim.        212

Nda.



- nu

des - nu - da

         mp        207



 

 



 3 3             f            

e

-

-

da



 3 3             f             

Cu

-

 

ba

mp     

mf



co





  

-

 

   

    3   3   3           mp          

  

des -

  

 

molto



Pf. I

   



Nda.

17

-

 

  

  

      

 

  

res

 

mo

-

   p  

la

 

a

p

   

   3

   


Acto I Desnuda

18 222 Nda.

Pf. I

  

228 Nda.

Pf. I

 

 

    

mp

   en

   

238 Nda.

Pf. I

 

 

  lí

-



-



tre - llas

  

 

neas de

lu - na

ca

 

 

-

 

el

pe - lo

         



 

     



mi - nos de man - za - na

                 



  

  p



 

espr.

  

en



mf



nes

    

 y_es

-



p]





  

tie

[mp

  

 



      

     



  

de - ras

-

p

mf

f



- re - da

3

     mp   

 Pf. I

   

3

232 Nda.

  

    

                                                         p mp mf      del

-

ga

-

da

co - mo_el


Acto I Desnuda 245 Nda.

    tri - go

       Pf. I

q = 90

  

252 Nda.

  Pf. I

 

   

  

Pf. I

    

Nda.

Pf. I



  



li - sa

 

 

 

 

 

p dolce

  dolce  

    mp

 -

    

-

  

 



e=e

do

 



 

  

 



       espr.

 

  

  -

-

da

  

ppp



 

  

  



 

 

   

 

 

 



 

più dolce

e - res

 



-



     

    





Des



te - rres - tre

te

           



 



     

3

p

-

   

mp

trans - pa - ren

      

                                





q. = 66

    - nu

264

-

p ma sonoro

pp sub.

  

des - nu

  

 

258 Nda.





 

19

    

mp dolce



   pe -

       


Acto I Desnuda

20 272 Nda.

Pf. I

pp

   que

 -

  

-

pp

   

Pf. I

    tri - go       

Nda.

Pf. I

   

 

  

 

  

 

 

       

   

 E

 



     

  



-

-

  des -



 

-

da

 

                   

    

3

3

3

a

   -

-

         3

co - mo_el

   

  

res

des - nu - da

f

    3   

   

pp

 

 

f

  -

  

 

 

  



 

des - nu - do



 

del - ga - da

 

  

  

 

mp

   nu - da des nu                  

290 Nda.

  

      

3

 

zul

        



Pf. I



ña

  

 

285

-

  

279 Nda.



mp

  

 


Acto I Desnuda

   co

295 Nda.

Pf. I

mf

-

 

-

    

     mp

    - che     

Pf. I

 306

Nda.

 





lu

 312

Nda.

 

  Pf. I

 

 

mp

 

   

    

-

 

  

li - neas de

   

 

 

 

-

nos



 

de

 -

man-

                             

-

-

     

neas

ca - mi



-



no

  -

 

                          

8

 za

 

  

 

la

mp



na

 Pf. I

-

mo

 



 

3





3         

3

299 Nda.

-

21

            

-



na

  



  

     

        


Acto I Desnuda

22 317 Nda.

  Pf. I

 322

Nda.

Pf. I

         

 

des - nu - da

  

 

  

       

 

           

    go      

Pf. I

 332

Nda.

  Pf. I

f

 

  



- res



re

  

 -

  pp

f grandioso

da

don

   

 -



-

-

-

      

 



 

 

  

 

tri

     

 

y_a - ma

 

 -

da

    

 

 

-

 

        

da

del - ga

  

co - mo_el

q = 90



   E

-

 

 

 

      

327 Nda.



del - ga

e - res

     

 

ri

  

-



fp

 

lla

  

 




Acto I Desnuda 337 Nda.

e

  Pf. I

Pf. I

 

 

 

Pf. I

         



Nda.

  

 

me

 

    pp 

-

 

mf

 

   ro        

    

-

   

-

mf a piacere

 

-

ro





  

-

     

  

espr.

 

 

sia



q = 90

    de_o

-

    

 

   



no

 

u - na_i - gle

            

de_o

en

    



   

-

  

 

-



    

 



ra

 

351

-

 

p espress.

 

-



q. = 60

  Pf. I

nor



f

346 Nda.

  

-

      co - mo_el ve

341 Nda.



  

23

 

mp

    

p lunga

   p



    de_o

-

             



ro

 


Acto I

24

Escena 3 (Mario rings bicycle bell)

Mro.

Nda.

q = 86

      

356

  Pf. I

  359

Mde.

Nda.

Pf. I

Pf. I

 

 

 

 

Mario:

Neruda:

   

A

A-a

a - mor!

-

            

  

 

  



p

        

  

3

pa - ra

mí?

(Playfully)

 

-

Na

 

 



  

(Matilde comes out)

a - mor!

Hay al - go

 

  

 



a piacere

a - mor!

    A

 

gra - cias

          

-

Matilde:

  

su co - rre - o

dí - as

     

Bue- nos

Bicycle ring

363 Nda.

(Matilde slips into her gown and goes indoors)

 

 

 

   

   

-

da


Acto I Escena 3

25

(Neruda hides a letter behind his back)

366 Mde.

    

Pf. I

Nda.

Pf. I

 

  

 

   

En

ver - dad?

  

 



  

 

 

(They start playing amorously again)

    

 

(Neruda remembers that Mario is still there)

        

(Matilde gets the letter from behind his back)

 

 

   

espress.

      373

Mro.

Na - da?

   371

Pf. I

Matilde:

Neruda:

   

(pizz)

   Ah



  

  

3

3

3

   Gra - cias.

 

Gra - cias.

Mario:

Pf. I

                         6 3                 379               6 376

Pf. I

 

 

 





    

3



  

pp


26

      

 

q = 90

382

Pf. I

Pf. II

 

Mro.

  

Pf. I

Pf. II

        

Escena 4         

                 386

Acto I

  

   

Mario:

 

                          mu - jer!

mp

  

Pf. I

Pf. II

         

  

             

      

  

   

 

             p           

  

      

    

 

           



Mu - jer!

390 Mro.

           

      

  

  

  

       

   

  









      

 

mu - jer!



      

      

  





   

   o - tra mu - jer

    

               p        

  



 

  

    p


Acto I Escena 4

     

Mro.

Pf. I

Pf. II

Con- chi - ta

397 Mro.

Pf. I

Pf. II

Gio.

Pf. II

   

         

  

       

Las mu - je - res

en



a

   

 

-

  



  



 

 

 

  

        

     

 

Chi - le se_in - te - re

  p

  

   

 



  

 

 

  

    

  

     

  

a

 

      

 

-

              

  

 

Giorgio:

An dre



An - dre

        

400

 

   

 

 

  

Ma -ria_I - nés

  

              

     

   

394

27

   



  



      -

san

 

en po - lí - ti - ca

        

 


Acto I Escena 4

28 403 Mro.

Gio.

  

  

Mario:

Pf. I

Pf. II

Mro.

Gio.

 

mu - je

-

mf

         

res!

        

    

   

 

  

 

 

    p

  Ra - ro

       

Pf. II

  

   

se_in - te - re

Pf. I

               407

    

pe - ro to - das

 

Cier - to

    

   -

 

               

   

san en po - lí -

 

mp

           

  

ti - ca



       

           

 

   

    

 


412

Pf. I

Pf. II

    

 

  

  

pp

      

       Pf. I

 

    Pf. II

     

Pf. I

Pf. II

  

p

  

mf

   

  

     



  



  

  

 

    Qué nom - bre



    p    



 



  



 

 

     

 

        

 

  

es?

  

             

  

  

      

 

            

      

  

  

Mu - jer!





             

  

Mario:

 

      

        Y_es - te?                       

419 Mro.

p

 

29

     



  

416 Mro.

Acto I Escena 4

 




Acto I Escena 4

30 422 Mro.

Gio.

 

 

   

 

Giorgio:

 

Jean Ma - rie?

    Es hom - bre?

      O mu - jer?

 

Jean Ma - rie

Pf. I

Pf. II

     

                   426

Mro.

Gio.

 

 

 

   

         

 

Es hom - bre?

        

     

     

O mu - jer?

  

Jean Ma - rie?

 Pf. I

Pf. II

   

Mu - jer!

     

  

 

p

         p        

  

 

    

 

  

    

       

 

  

     

 

   

  

                   


Acto I Escena 4 429 Mro.

Gio.

Pf. I

Pf. II

  

  

 

Lo sa - bí

 

 

     

  

Gio.

  

   



            

 

    



              



 

      

     

   



Có - mo_es don Pa - blo? Es

  

            

  

  

  





          

    

     Giorgio: a voce bassa parlando          3        di - me

a!

 

           

-

 

mu - jer

q = 80

Ma - rio

Pf. II

Lo sa - bí

    

437 Mro.

  

 

  

 

   

a!

  Pf. II

-

 

433

Pf. I

31





 

       

Mario:

   

nor - mal?

   

  

p

p

voce parlata

Nor - mal?

  

Nor-


Acto I Escena 4

32

    mal?

442 Mro.

Pf. II

 

   

Sí,

Cla - ro,

Pf. II

            muy di-fe-ren-te cuan-do ha-bla   

   

nor - mal

445 Mro.

  

spiegando



 

 



        poco grandioso

Te das cuen -

                 3   

   



    p

         ta_in-me-dia-ta-men-te

449 Mro.

Pf. II

     452

Mro.

Gio.

Pf. II



   



p

          

 

Sa - bes có - mo ledi - ce_a su mu - jer?

      

  

  

      a piacere

A - a - mor!

        

Giorgio:

 No!

 

p

  



   3       A - ún si_es - tán le - jos

  

    

a piacere

A - a-

  p

 


Acto I Escena 4

457 Mro.

Gio.

   mor!

 



   3 

Pf. II

461 Mro.

 

  

  

   

 

    

p

A - sí te das cuen - ta

f

un po - e - ta!

 

q = 90

   3     

un po - e - ta!

Es ver - dad?

  

      f



Es

33



   



 

f

p



    

mp

     

Pf. I

          

 

Pf. II

                  

     

      3 3 3              

 

 

 

Voy a pe - dir - le

         

              


Acto I Escena 4

34

           un au - tó - gra-fo

464 Mro.

   

            p    

Pf. I

Pf. II

467 Mro.

 

     

3

que

ve - an



     

  

     



3

3

3

  

 

va - ya_a Ná - po - les

   

     



 



       

cuan - do

3



   

3



   

se - ño_a las chi - cas

Pf. I

Pf. II

y

     

 

 3

  

 

  

 3

          

   

lo_en

que soy a - mi - go

 

del

gran

   

 

   

    

3

   

3

3

3



 

  


      po - e

Mro.

 Pf. I

Pf. II

-

     

Mro.

 



 

 

474

      

   

      

 

     

         

-

 

El po - e - ta

Pf. II

      

   

    Sí     

Gio.

Pf. II

 

  

p

 

 

  

 

      

   

       

ta

del a - mor



            

        

 

      El po - e - ta

   

del

     

tam - bién

pue - blo

  

 

 

478 Mro.

 

     

da

del pue - blo

-

 

Giorgio:

Gio.



 

 

El po - e

 

   

Ne - ru

 

35

ta

 

 



470

Acto I Escena 4

   p

 

                             p              


Acto I

36

Change of scene Mario riding his bicycle

 

482

Pf. I

 



   

                        

Pf. II

                 3 6 6 3            

      

  Pf. II

490

Pf. I

Pf. II



               

 

6

 

 

           

          cantando

  



             

         3

  

    

      



      

  

 

486

Pf. I

 

  

      

                          

     


Acto I Change of Scene

494

Pf. II

Pf. II

     

  

    

          

Pf. I

Pf. II

                   

6

 

             

    

3

     

 3

                

  3                     6

     

  

 

3

 

 

   

   





500

3

 



 

   

6



          p         

497

Pf. I

         

    

   

  

Pf. I

37

3

    

                 

  

 

  



 

 

 

              

 

 



  


Acto I

38

Mro.

Nda.

q = 80

  

505

  

Nda.

 

Gra -cias

 Pf. I

Nda.

       517

Mro.

 

 

  

mp

 

  

       

que - das ahí pa - ra - do

     

    mp

Don Pa - blo...

 

            

   

3

co - mo_un pos - te

  

mp

    

Gra - cias

 

    

Cla - va - do

 

 

pa - sa?

    

Neruda:

mf

    

 

        

Pf. I

voce parlata

Qué

Te

pp

    

Co - rre - o!

   

f

     

510 Mro.

         

Mario:

Co - rre - o!

Bicycle ring

Pf. I



Escena 5

co - mo_u - na

  


Acto I Escena 5 522 Mro.

Nda.

Pf. I

     lan - za 

 

Pf. I

 No,

      

    

      

 

Más tran - qui - lo

       

    

 

ga - to



531 Neruda:

                 Ma - rio a - par - te de O - das e - le - men - ta - les 5

3

Nda.

Pf. I

           535

Nda.

Pf. I

      jo-res No_es 

  

p

de por - ce - la - na



  

     

que

co - mo to - rre de_a - je - drez



    

3

quie - to

 

527 Mro.

39

 

      3

3

ten - go_o - tros li - bros me -

   

       3               3

jus - to

        

que me so - me - tas

a com - pa - ra - cio- nes

y me - tá - fo - ras


Acto I Escena 5

40

       Don Pa - blo...

541 Mro.

Nda.

Pf. I

 

 

546 Mro.

Nda.

Pf. I

 

Nda.

 

Nda.

espress.

Pf. I

 

 pp 

 

     



com

de

-

pa

  

 

 -

 

rán

 

de - cir

  

 



me - tá - fo - ras?

 

mo - dos

 

3     

co - sas?

 



Meno mosso

   Son

554

e - sas

  Pf. I

     

 

Qué pa - sa?

 

   

 

3

son

 



550

Mario:

 -



 



u - na

 

 

do - la

co - sa

    







 con

  o

     

-



tra

qué


Acto I Escena 5 557 Mro.

Nda.

Pf. I

 

Più mosso q = 80 Mario:

 

Se

Pf. I

       de - me_un e jem

Pf. I

       Cuan - do di - ces

Nda.

Pf. I

 

    

 

- plo

 

  

que_el cie

     

  

tam - bién a - hí

quie - res de - cir?

  



    

lo_es - tá llo - ran

  parlando

Mario:



-

 



   

 

  

 3

Neruda:

569 Mro.

   

      p   

         

565 Nda.

3

u - sa_en la poe - sí - a?

562 Mro.

  

  

 

41

   

-

   

3

Que_es - tá

llo - vien - do

      

 

do

Qué

               

 

Muy


Acto I Escena 5

42 573 Nda.

Pf. I

   bien

pues

e



 

Mro.

    ca

-

u

   -

so_es



581

-

a

 



-

na

me

3

-

tá - fo - ra

   

Y por - qué se

ezagerando

-

        

cil!

-

 

    

-



 

 

Mario:

  Pf. I

 

mf        Qué fá

577 Mro.

 

-

-









a

   tan com - pli -

  

-

 

     

3

lla - ma

  



 

do?

 

p

Pf. I

  585 Nda.





 mp

  

      

 

Pf. I

Neruda:

Na - da tie - ne

que

 

 ver

        

           

   con la sen -ci -

     


Acto I Escena 5 590 Nda.

Pf. I

   llez

     o la

 

  

594

Pf. I

    

  598

Nda.

 

mp

  

Po

  Pf. I

 601

Mro.

Nda.

Pf. I

com - ple - ji

  

 

drías

a

Mario: libero

  

Quién?

 p   

    

 

dad

   

      Yo?

  

 

 

 

e - sa

car

     

    sí,

brir - me

co - sas

  

      p           

 -

de las

     



           

 

  

-

 

         

-

    



3

43

  

es

                  

-

ta?

             

  

-

 

-

   

tá_es - cri - ta...

       

       


Acto I Escena 5

44

       

606 Mro.

Nda.

Pf. I

  

es del

 

               

Nda.

Pf. I

  

Nda.

      tu

    Pf. I

 619

Nda.

Pf. I

    el

Mario:

-

pre

 

  

mf



un

pre

 

  

       

 

        615

Mro.

  

-

      

mio



 

 

lle - gan

              

mio

        a

             

dar

     

        

No - bel

          

  

     

          

 

           

   no lo

              

    

de li - te - ra -

    

y?

es de Sue - cia

           

ra



si me lo

         

  

-

-

 

       

ex - tran - je - ro

 

611

voy

    a re - cha

             


Acto I Escena 5 623 Mro.

Nda.

Pf. I

       zar

Nda.

Pf. I

se lo

Nda.

Pf. I

van

  

  

  

    

se lo

  

    

 

      

 

van

       

   

a dar

 

es - toy se - gu - ro

 

can - di - da - tos

  

      

 a

     gra - cias!

       

hay muy bue - nos

     

a dar

               

631 Mro.

 

Mario:

627 Mro.

   

45

 -

bro

  

     

  

      las o - tras car - tas?

   

      

 

   







   

 

 



   



 

    

No

 

des - pués las


Acto I Escena 5

46

635 Mro.

Nda.

Pf. I

  

   le

son

Pf. I

Pf. I

                      

 

   

  

 

pp

 





         Pa-blo quie           p       

- ro

 

   

 

     f

      p

 

 

que no

      mf deciso

 

   

  

    

  

   

   

    

qué pre - gun ta!

 

 

mp

   

per - dón don Pa blo

       te_o-ga Ma-til - de

       

mf

de_a - mor?

- o

mp





646 Mro.

car - tas

3

Nda.

640 Mro.

 

emozionato

yo

p



  

Don

(Neruda reacts)

f

 

  

ser po - e - ta

 

       p        

 

 

   p   

     


Acto I Escena 5

Nda.

Pf. I

 658

Mro.

Neruda: mp

3 3            me - jor ser car - te - ro      

653

  

  Pf. I

f

 

663 Mro.

   na  

Pf. I

 

     

Mro.

Nda.

Pf. I

 

   -

    



rar

a

     

  

  

la



poe - sí

  

    

           

Pa

no_en - gor

  -

   -

-

     

      das

     

a

 mf

 

 

  

     

  f   

don

   

 

es me - jor car - te - ro

 

con

      

          

         

  

     p      

   

Neruda:

      

3

No, Don Pa - blo

669

  

ca - mi - nas mu - cho_y

mf

- mo

     3

        

 Mario:

47

pue - do_e

 mp  

las mu - je - res

            p         

    blo

 

  

  

  Có - mo

  más o - ri - gi - nal

   

   f

 

 


Acto I Escena 5

48

  

674 Mro.

Pf. I

  

Pf. I

  

Pf. I

Mro.

ca

-

Nda.

Pf. I

   mar

  

-

ob

  

    

-

 

ser - va_el

el mo -vi - mien

           

no

po

   

-

 -

mi

     

-

 



nan

-

  

 

     

  

 

to

             

       



           

to

           

      

del

  

mar

    

-

del

      

do





ta

  

 

 

              

-

 

e

mo - vi - mien

    



  -

-

           

    

         

-



  

Mario:

ce_u

             



      

687

-

Neruda:

683 Nda.

ha

        p      679

Nda.

se

te

    

vas por

 la ca

            


Acto I Escena 5

692 Mro.

Nda.

 

3      

 

   le

-

        697

Mro.

Pf. I

  mar

y_a

 

  

          

vie

 

   -

 

            

        

 

 

nen

    

 



   

vie

    



y_ob - ser - vo_el

   3   me - tá

   

ta

       

vie - nen e - sas

-

        

-

 

por la ca - le

 

Neruda:

   Pf. I

  

         

703 Nda.

 

espr.

    

y_ob - ser - vas el mar

ta

  Pf. I

49

-

   

          

fo - ras?

                    

 

3



 -

-

-

              

-

  

  

-

   


Acto I Escena 5

50

     me - tá      - nen

708 Mro.

Nda.

Pf. I

           715

Mro.

Nda.

Pf. I

Nda.

  

       

   



  

   

   

fo - ras...

     

       

  



-

 

 

        

  

so

          

  

-

es tan her - mo

 

p

   

Es - te lu - gar

  

     ve - ras?

me - tá

3

  Pf. I

    

 

fo - ras...

 

  

-

     

720 Mro.

 

Mario:

 

          

   

de



    



Es - cu - cha






Acto I

Nda.

Pf. I

Pf. I

            p

          728

Nda.

Oda al mar

Allegro con brio q. = 80

    

726

   is

-

 

la

              

el

mar

  y

             

       cuán to                       

 

   

   



 

  se

 Pf. I

   

               

732 Nda.

mp

A - quí_en la

 

730

Pf. I



Neruda:





Nda.

51

 

sa - le

de



mar

              

mis

  -

mo



   a ca - da

                                




Acto I Oda al mar

52

Nda.

Pf. I

   ra

-

   

que

     

  

Nda.

Pf. I

que

no,

  mf

  



   

que no,

                



no,

 



    



   

di - ce que

       

               sí,

di - ce que sí,

 

742

  

 Pf. I

 

                         

740 Nda.

 

   

       



  

Pf. I

to,

            

737 Nda.



  

734

   

en a - zul

               

   

        

          

   

en es - pu - ma

    

 en ga

              


745 Nda.

  

Pf. I

Acto I Oda al mar

 

lo

-

Pf. I

 

-

-

  

   

   no

queno

   Quie

Pf. I

  

Pf. I

              

  No

   

pue de_es tar - se

  

-

-

 





to

  quie

-

                                    

753 Nda.

di - ce que



-

   

                             

 

 

que no.

750 Nda.

pe

    

       



                

747 Nda.

-

53

  

 -

-

-

-

  -

   to

 

                                    



  

              


Acto I Oda al mar

54 Calmato q = 80

              

756 Nda.

Pf. I

                   

Nda.

Pf. I

      

Nda.

Pf. I

q. = 80

Pf. I

mo

mar,

  

 

  

 

 

-

mp

re

  

       sin lo - grar con - ven - cer

            

 

 

-

    

me

lla



me

lla

-

   

mo

mar

 

   

  

   

-

-

pi - te pe - gan- do_en u - na

 

 

mo



 

  

     



pie - dra

 

   

   



la

    

    

    

   

        

    

 

allargando

grandioso

       

                            768

Nda.

       

  

me lla

     mar

765



    

        

   mp   

p

761

    

voce parlata

   

  

      

en - ton

 

-

ces

 

 


Acto I Oda al mar

                                con sie - te len - guas ver - des len - guas ver des                               pp pp                                                voce cupa e parlata p liberamente

772 lunga Nda.

Pf. I

        de sie - te pe - rros        

778 Nda.

Pf. I

      783

Nda.

  

Pf. I

     

     len   

Pf. I

 

ver - des

     

 

  guas

 

pe - rros ver

             

de sie - te ti - gres

  

(q. = 80)

         

     

787 Nda.

55

   

ver - des

               

ver

       

 

ver - des

 

des

                    

    



-

     

 

    

     



des

       

ver - des



 



-

   

de sie - te ma - res



  

 

    

 f

Ah

                              3

  

   

3


Acto I Oda al mar

56

 

h = 40

791 Nda.

 

Pf. I

Pf. I

     

Pf. I

co

   

mp



-

pp

   

mp     

3

-

rre

 

  



la

be

   

mp

 -

sa

 

          

     

 

     

     

 

     

3

 



  su

 nom

       

mf

     

  p

-



      

  

 

re - pi -tien - do

   

     

 



mf

pe - cho

  mf sonoro

    

      

de - ce

Y se gol - pe - a_el

pp

 

p

la_hu - me

   

804 Nda.

mf

  3   

     Pf. I

-

 

  

    

 

re

p

molto espress.

  

800 Nda.

la

f

796 Nda.

   

 



dolce

pp

  

 

bre

su

   nom

       



     

-





bre.

   

 


Acto I Escena 5

Mro.

Nda.

Pf. I

In stile recitativo

        

809

Nda.

  

Pf. I

817 Mro.

Nda.

Pf. I

   Ra - ro

        

      

 3 3           

Ra - ro

Qué crí -ti - co más se - ve - ro que

 p 

 

 



                   3

No,don Pa- blo,



ra - ro

3

   

yo



  

   

  

     

        

Có - mo

se lo_ex - pli - ca - ra?

Có - mo?

3

cuan - do_Us -

  

me sen -tí - a

  

3



es co - mo

            ted re-ci-ta-ba_el po - e - ma  

    

qué te pa - re - ce?

      e- res!  

voce parlata

Mario:

voce parlata

  813

Mro.

57

 p 

  

 

 

  


Acto I Escena 5

58

Mro.

q. = 80

  

821

  Pf. I

Cuan do_Us ted

  

    

  825

Mro.

   i

 

-

   

p

Nda.

   

Pf. I

Mro.

  

Neruda:

  

  



  

 

co - mo_el mar!

     

 

   se mo - vían

                   

Pf. I



 

    

de cía_el po - e - ma

 

p



   

las pa-la bras

                

 

de_a - cá



      832

ban

   

 

     

828 Mro.

        

  



          Pf. I

  

 

 

  i

-

 

gual

       

        

  

p'a - llá

   





  

     

      

  que_el

                     


Acto I Escena 5

    mar          

834 Mro.

Pf. I

Nda.

  

Neruda:

e-so_es el

                        840

Mro.

Nda.

Pf. I

 

i - gual

                    

rit

-

  

 

que_el mar

        





    

 

me ma - rié

     

      

Y me ma - rié

mo

       

         te ma - reas - te

 

                                     

        

  

 

 Pf. I

 

   

 

837 Mro.

59

  

   

  

      te ma - reas - te

                

     





  

             


Acto I Escena 5

60

  

844 Mro.

Pf. I

Mro.

Nda.

Pf. I

  

me

             848      bar - co         

   ma - rié

             

-

Nda.

Pf. I

Mro.

Nda.

Pf. I

   

 

           

blan

-

i

  

-

 

4

4

do_en sus

pa

               

 

4



4



co - mo_un

            

    

-

 

ba

4

4

 





do_en

mis

pa

4

 

-

4

  

la - bras

851 Mro.

Yo



tem

 



    

 

Neruda:



 

tem -

  Cla -

 4 4                   4 4         853 q = 80           ro! voce parlata                Ma - rio sa - bes lo que_has he - cho?       4      4            4 4          blan

-

-

-

-

la

-

bras


Acto I Escena 5

856 Mro.

Nda.

Pf. I

    

Nda.

Pf. I

No

Pf. I

 

ve - ras?

 

   

        

se - gu

-

3

3

pe - ro no va -le

 

  



     

 

no_im - por - ta

i-

-

3

me sa - lió de pu - ra

     

ca - sua -li - dad

 

  

ge - nes

                          

Las

       

 

  

ro

 

                  

              má

 

de

allargando molto

q = 80 a tempo

865 Nda.

        

U - na me - tá - fo - ra

  

no

       

  

 3

3

861 Mro.

 

61

es - pon ta - nea

             

   



    

sur - gen

6




Acto I Escena 5

62

870 Mro.

Nda.

Pf. I

 

       men - te              p                3          No sé si me_en - tien - da     

876 Mro.

Nda.

 Pf. I

    mun

 

882 Mro.

Pf. I

-

do

         

    

 

que

       p

   

   

 

 

los ma - res

     

-

  

to - do

  to

        

 

plo...

          

  

     



que por e - jem

    

 

 

   

voce parlata

Us - ted cree

Prue - ba!

el vien - to

    

  

  

 



 

Mario:

-

 

do_el

       

 

  

    

   

 

 

las mon - ta - ñas

 

 

 

el fue - go



     


Acto I Escena 5

            las ca sas las llu -vias

887 Mro.

Nda.

Pf. I

 

              

    Us

Pf. I

    

898 Mro.

Nda.

Pf. I

p

   

  

     

ra?

3           3

te - ra

Ya pue - des de - cir et - cé - te - ra

 

 

  

    

-

                            

ro

          

       3

es u - na me - tá

                         

    

fo -

                   

u - na hue - va - da lo que pre - gun - té?

-

 

3 3 3            

es

-

  

3

que_el mun - do_en - te

(Neruda reacts)

et - cé



- ted cree

   

Neruda:



893 Mro.

63

 

  3    

Neruda:

No hom - bre!

 


Acto I Escena 5

64 904 Mro.

Pf. I

 

Pf. I

Nda.

Pf. I

     

   

 

 

  Pf. I

 

-

 

        

  

-

na

 

 

 

te

 

  

con - tes

 

    

   

    voy a me - di -

to

-

 -

 

  

     

       

 

ra

         

  

ta?

  

tra

un

 

  

-

    

 

mi pre - gun

-

 

Mario:

   

   -ña

ra

  

916 Nda.

 

          Ma - rio ha - ga - mos                      

      tar

 

Neruda:

   

pu - so_u - na ca - ra

912 Mro.

3

      

908 Nda.

      

to

   

  

    

ma -

 

 

   y

3

te doy mi_o - pi -

 

   


Acto I Escena 5

919 Mro.

Nda.

Pf. I

  

Mro.

Pf. I

 

  

 



en

se - rio

don

Pa

 

 

  

tar?

         

si_el

 

 

  

mun

       p  

  3      es u-na me - tá

Nda.

Pf. I

 

     

-

-

 

  

 

fo - ra

Neruda:

 Si

     3

    

 

me va_a con - tes -

     

       

   

        3





to

           

3   

do_en - te - ro

  

blo

          

 

    

    





espress.

930 Mro.

 

 

-

    

923

 

Mario:

    nión

65

        p  

-

      

 

se - gu - ro

    

  do

  

 

lo voy

                                            

   


Acto I Escena 5

66

937 Mro.

Nda.

Pf. I

   

Pf. I

 

Nda.

a

sar

       

   



 

Me - tá

     

       

-

   

     

(Mario hesitates. He doesn't want to leave)

           tá - fo - ras?      

3

   

Neruda:



p

Me - tá - fo - ras



pp

 

   3



    



     

 



p



  



 

    

mf

Me

       

Allegro q = 86

-

 

  

 

   

Me -

 

                        

fo - ras...

libero

Adagio

    

fo - ras...

   

 

-

 

  -

       Pf. I



Me - tá

pen

        950

Mro.

            

944 Mro.



tá - fo- ras

 

a-

 

   6

6


Acto I Escena 5

                   tra - pa_e - sas me - tá - fo - ras          

955 Mro.

Nda.

Pf. I

67 mf

  

Me - tá - fo - ras

 

 

mf                    6 6

 

Nda.

Pf. I

       

 

     

963

Nda.

Pf. I

 

  

 

 

6

6



fla-cas

gor - das

Hay

ro-jas

ver des

 



6

6

    6                                    6

Mro.

 

    

 

  

  

mp



 

mp                  pe - que - ñas del- ga - das              gran - des re - don -das

es - toy lis - to!

959 Mro.

      

     

      

6

6



mf

To

-



mf

To

.

 .

mf

     

-

   



das

son

me



das

son

me

   .

 -

-



-

-

 

fo

 

fo

    

  -

-

 

ras

 

mp

ras

  

   

Hay

 


Acto I Escena 5

68



mp                 a - mar - gas e_i - rri - tan - tes              dul - ces pi - can - tes

967 Mro.

Nda.

     ca -lien - tes

  

frí - as

p

   



    

971 Mro.

Nda.

Pf. I



          

Nda.

Pf. I

es

-

mf

sas

   

           tá      tá

   

 

 





 

977 Mro.

 

  llo - ran

  rí - en

                       Pf. I



    









tam -

bién

son

me





son

me

     

  

  

   

 

 

 

 -



-

 

 

- fo - ras

- fo - ras

    

    

 

  

3             

p

Hay u - nas me - tá - fo - ras

   

 

mp

 

  

  p

es - ca - pa - di - zas

    


Acto I Escena 5

 

        lí - qui - das hu - mean - tes

983 Nda.

    Pf. I

 

Nda.

     f      Ten cui

Nda.

Pf. I

-

da - do con

  

xian

  



   

   p

-



 



   

tor-

llas



   

 p

 

   

lu - na las es - tre - llas cam - pa - nas

    

ra - bio - sas!

tes



e

f

 

-



El vien - to la ma - re - a

    

La

-

Mario:

   



       men - tas

   

-

 3 

     

         

fi

994 Mro.

-



        



    Pf. I

 

voce soffocata

  

989 Mro.

as

69

 

   

   es -

  

pe - li - rro - jas!

  

 

   

 

   




Acto I Escena 5

70

    

  

998 Mro.

  Pf. I

 

can - da - lo

1007 Mro.

    To

-

Neruda: p

Nda.

Pf. I

    p

   

Nda.

Pf. I

pp

    

das,

to

das,

to

 

 

 

  

-

-

 

das

al

fin



 

das

al

fin

 



 

 

 

 

 

  



-

fo

 



 me

-

-

-

fo

 -

-

  

ras

 

 

me

 





  



 



  

f

 Ah

    son  f   son

1013 Mro.

-

 

 

sas!



    To

-



p

 



 

mf

me -

ras

mf

me -

 

 

 

 


Acto I Escena 5

     tá

1019 Mro.

Nda.

     tá

 

-

fo

-

 

-

-

    Pf. I

      

1025 Nda.

Pf. I

          q = 80

  





 

   

                          

1031

Pf. I

 

ras

 

mf

ras

fo

71



mp

 

mp

 

 

   3

   

  

Has - ta ma - ña - na

 

 

 







             

  

      

    

 

   

     


Acto I

72

Escena 6

q. = 84

 

1037

Pf. I

(In the cafe/bar)

       f

Romanza

                  f    

Bce.

f

  

  

Ay!

Pf. I

a

   

  

     

aun - que blan - ca

   

      

   

 -

ra

-

pp

na

 

  

    



no

pu

Me

   -



           

  

     

lla - man

  

  

      

Y de_un sol en ve

Pf. I

a

1050 Bce.

p

          

Mo - re - ni - ca me

Pf. I



      

a

1046 Bce.

    

      

Beatrice: 1042

-

   

   

   

-





-

se_a

-

                     


Acto I Romanza 1054 Bce.



 



               sí

Pf. I

Bce.

 

1061

f

a

-

  

     

Bce.

a

 

  los

Pf. I





-

-

 

a

-

 

 

p



    3

a

-

-

-

-

                 

Mo - re - ni - ca

me

lla

      

 

                 



 

 

-

   -

man

                                             1067

Bce.



- a

Pf. I



 

3

              1064

 

Ay

Pf. I

-

73

 



ma - ri - ne - ros de_a - quí

 

 

 

si_o - tra

                         

vez

 

me

                 

 


Acto I Romanza

74

   

1070 Bce.

 



lla - man me

Pf. I

Pf. I

 

Ay

         

   

-

 

   

1088

Pf. I

de_a



de_a

     fp 

   Pf. I

 

1081 Bce.

voy



 -



quí

                                               1075

Bce.



 

 

 

   

 

 

             pp

de_a

  



quí

  

ay

 

-

 

   

 



pp lontano

    

   -

 

  

-

   

 

-

-

  



       

 



 

  

quí

 

    3

     

 




Acto I Romanza 1093 Bce.

  



Pf. I

1100 Bce.

    

allargando

   

 

A tempo q. = 50

     

Pf. I

 

       

hi - jo

Pf. I

del

  



voy

Pf. I

        pp

   



Più mosso

      

Rey

con

    



movendo

   

     

si_o - tra vez





él

con

    

     



    me

  

lla - ma



   



   



 

 

él



el

      



  



me

 

 

q. = 72

  

 

   



 



  

  

   

1110 Bce.

       

       

lla - ma

     

pp

1105 Bce.

  

  

Ay

  

dolce

Mo - re ni - ca me

  

    

3



 

mp

             

Ay!

      

75



 



 


Acto I Romanza

76 1117 Bce.



   







con

 Pf. I

 1125

Bce.

   

  



q. = 76

 

   mp

1128 Bce.







 

         

    

    

 

 

mf

Mo



 



 

                      mf         

p

 mo

 -

             p sub.        1131

Bce.

 



  

ca

Pf. I

 

 

       Pf. I



él

 

 

 



re

-



ni

-

       

-

re

-

 



-

ni -

f

ca

            

                                   



soy

Pf. I

 


Acto I Escena 6

q = 80

  

1134 Patron 1

Patron 2

Patron 3

     

3

Lle - gó Ma - rio!

  

3       

Patron #2: Recit.

El

  

hi - jo del Rey!

  

Patron #3: Recit.

     3

No! Ma - rio_es nues - tro jo - ven po - e - ta!

  Pf. I

Patron #1: Recit.

77

     

 

f

1140 Patron 4

Pf. I

  

Patron #2:

No cual - quie - ra,

p

 

            

Co - mu - nis - ta!

1145 Bce.

 

Beatrice: (A Mario)

  

Pf. I

  



  

Patron #5:



Ven Patron 5





  

que que - de cla - ro!

3

  

  

3

  



Y fut - bo - lis - ta tam - bién!

 


Acto I Escena 6

78

         

   

  

1150 Bce.

Mro.

Riq

      

Bce.

Mro.

Riq

     

Riq

 

Riq

1166

Perc.

Riq



Mro.

Riq





    Mario:         

     

     

        

 

 

     

     

     

      

  

    

 

 

   

     

 

Mario:

   

Snare drum

   

       

   

  



 

UNO CERO!!

 

   



 

 

 

   

bell

 

   



 

 

f

 

 

     

 

   

      

  

Bass drum

mf

     

      

  

  

        

Beatrice:

      

     

   

  

  

    

1170 Bce.

                   1162

Mro.

      

 

                     

1158 Bce.

      

1154

“Futbolito”

   

   Mario:

     

           


Acto I “Futbolito” 1174 Bce.

Mro.

Riq

    

Riq

Perc.

Riq

1182 



Mro.

Riq

      

Mro.

Riq

   

 

Riq

 

  

Beatrice:

     

Riq

        



 

      

 

 

   

 

 

   

  

  

     

 

   

  

 



     

          



 

Bass drum

mf

      

 

  

  

 



 

 

 

  

  

     

 

        

 

   

    

 

     

    Mario:      

        

 

DOS CERO!!

f

  

 

 





   

bell

    

 

 

mf

      

Snare drum



Bass drum



              

 

    

1198

Perc.

    

 

Snare drum

1194

Bce.

          

 

1190 Bce.



    

1186

Bce.

                                                      1178

Bce.

79

  

TRES CERO!! bell

 





f




Acto I Escena 6

80

Bce.

q = 80

  

1202

Beatrice: p voce parlata

       Qué mi - ras?

  Pf. I

Bce.

 

 

 

      

 

   

f

 

pp



  

 

   

    

Bea - tri - ce

Ru - sso

    

   

pp

   



p

Mario:

     

    

  

Có - mo te lla - mas?

sso

 

 Pf. I

       

    

1215

 

    

3  Mario:      

Beatrice: dolce

Mro.



 

Bea- tri - ce Ru -

Pf. I

 

1210



espress.

   Pf. I

Nun - ca_has vis - to_u - na mu - jer?

    1205

Mro.

     

  


1221

 Pf. I

       

  

 

Acto I Escena 6

pp

       

  

     

mp

3                

3

3

 

3

1227

 

Pf. I

   

mp

3

3

 

    

    

   

 

1238

Pf. I

   

                              

1234

Pf. I

  

3 3                 

1230

Pf. I

 



    

              

 

       



        

    

    

f

 

  

   

 

mf



  



   

  

    

        mp  espr.         

   mf        mp                        

  



  

           

p dolce

 

         

81

  

  

   

 




Acto I

82

Mro.

Pf. I

  

Escena 7



Agitato 1242 q = 100

  

Mario: f

Don Pa - blo!

 

Don

p

     

        ted, don Pa- blo!      

Pf. I

  1248 Mro.

         

Mro.

  

Pf. I

 

   

Don

   

   



Pa - blo!

  f

  



      5

Ha de ser im - por - tan - te

 

         

bu - fas co - mo_un ca - ba - llo



 





 

 

 

parlato

3

3

Don Pa - blo!

Neruda:

    1252

3

Ten - go que_ha - blar con Us -

p

Pf. I

  

3

Subito calmato

     

 

  

Agitato

  



1244

Nda.

Pa - blo!

sfz

Mro.

  

con dignita e molto espr.

 

q = 84

 

   

3    

Es - toy

e - na - mo - ra

    

3

 

  -

do


Acto I Escena 7 1258 Nda.

  

  

Neruda:

             Pf. I

Mro.

Nda.

Pf. I

Mro.

Nda.

Pf. I

Nda.

Mario:

No,

Don Pa - blo!

                       1264          Bea tri                                     Dan-te_A-li -ghie-ri 3

 

  Pf. I

    

tie - ne re - me - dio

        3

    

ce!

          

  

  

mp

    

   

Don Pa - blo

Dan - te

         

 

  3          3

Se_e - na - mo - ró tam - bién de_u - na Bea - tri - ce

  

   

 



 de  quién?         

   

   

3

Quie - ro se - guir en - fer - mo!

      

     3

            

   

 

No_es tan gra - ve

p

  

1267

    

           

Bue - no

1261

83

       

 

  

            

  Las Bea

      


Acto I Escena 7

84 3            tri - ces pro - du - cen a                  

        

1270 Nda.

Pf. I

1273 Mro.

Nda.

Pf. I

   

     

Mario:

      

-

3

3

liberamente

bles!

     

 -

in - con - men - su

senza rigor di tempo

 

- mo - res

 

Ma - rio,



ra

-



Nda.

Pf. I

liberamente

3

        3

Es - cri - bo_el nom bre de_e - se po -

qué ha - ces?

              e - ta con ha - che? Gra -cias 3              Da - me yo te lo_es - cri - bo     

1280 Mro.

Nda.

Pf. I

3           

a tempo

  

Es - toy

 

e - na - mo - ra - do

             

p

    

Ya!

3 3      

Tie - ne que_a - yu - dar

E- so ya lo di - jis - te

  p

3      

                

  

 

1276 Mro.

-

 

  -

me

         


Acto I Escena 7 1283 Mro.

Nda.

Pf. I

Mro.

Nda.

Pf. I

         Yo?                         1286 3 3  3          lió_u - na so-la pa-la - bra               

1289 Mro.

Nda.

Pf. I

  

Pf. I

              

      p

     

   

       

 

 

   Có - mo!

    

3 Ca - si na - da            

           

No_has ha - bla - do con e - lla?

 3   3 

      

    

A -sí tan rá - pi - do?

 

    3

Co - mo diez

    3

3

     

me que - dé mu- do, no me sa

 3        3

3

A -llí_es- ta - ba fren - te_a mí,

Me la que - dé mi - ran - do_y me_e - na - mo - ré

           

3 3 3         

                      3 3 3    3          

 

1292 Mro.

85

     

No, no, tan rá - pi - do no

                    -

3

 

pp

     3  

mi - nu

3

      

 

 

tos!

  




Acto I Escena 7

86 1296 Mro.

Nda.

Pf. I

    

          Des - pués

Nda.

Pf. I

      Ru - sso          Y tú?  



Nda.

Pf. I

 

  

 

           3

Nda.

Pf. I

3

     

 

    

 

     

No le di - jis - te ni_u - na pa - la - bra?

 

   3

Cin - co pa -la - bras

  

mp

   Cuá - les?

no se me_o - cu -rrió na - da

Bea- tri - ce

3         

1305 Mro.

Na - da

  

e - lla?

3

1302 Mro.

  

Y



3

Neruda:

    

Có - mo te lla - mas?

1299 Mro.

  

le pre - gun - té

3

  3       

Na - da de na - da?

  

    

 

le

di - je

cin - co pa - la - bras

    

p

3

    

 

3

Có - mo te lla - mas?

  pp

 



   

     Y

e - lla?


Acto I Escena 7 1309 Mro.

Nda.

Pf. I

          Bea-tri-ce Ru - sso voce parlata 3                         A ver Có - mo te lla - mas, e - so ha - ce tres pa -la - bras        3

 1312

Mro.

Nda.

Pf. I

 

Re - pe - tí:

 

 

             Pa- blo si no fue-ra mo-les - tia 3

Pf. I

         

      e - lla?        

1319 Mro.

Nda.

Pf. I

  

   

Neruda:

Qué?!

  mf  

   p

 

p

-



 

bir - me_un po - e -

  

ma pa - ra



          Ni si - quie - ra

      

 

 

 

Don

3         

 

Pue - de_es - cri

(Neruda reacts)



3

 

dolce

    

3

Bea - tri - ce Ru - sso

3

 

dolce

          

         Cuá-les fue-ron las o-tras dos? 3

3

1316 Mro.

87

la co - noz

      

 -

 

co

      


Acto I Escena 7

88 1324 Nda.

Pf. I

 

Pf. I

cer

 

    

  

  

        A - quí ten - go  

Pf. I

 

Nda.

Pf. I

    

     la - bios   

            

pa - ra_ins - pi - rar

  

-

          

    Y qué?

Bea - tri ce

la tu - vo_en sus

            

 

3            

3           

Pue - de_a - yu - dar

Neruda:

se

                 

co - no

            

   

es - ta pe -lo - ti - ta

ne - ce - si - ta

                 

  

      

   p           

1340 Mro.

                          

a la per - so - na

1334 Mario: mp Mro.

Un po - e - ta

morendo              

 

            

           1329

Nda.

 

    

pa - ra que se_ins - pi - re

        

 

          


Acto I Escena 7 1345 Mro.

 

  Pf. I

 

(Neruda reacts)

  

Pf. I

    cau - sa  

Pf. I

   rá

Nda.

Pf. I

pre

-

-

          

 

Neruda:

si_un

Ma - rio

   

sim - ple po - e - ma le



ancora deciso

ja

  

-

 

 

3

   

    3 

tan - tos pro - ble - mas,

el

po - e - ta,



 

mio

No

en - lo - que - cis

-

más

ga - na -

       

-

-

bel

        

 

 

el

    

 



-

 

                               1358

Mro.

  

3

1354 Mro.

       

3

    

1350 Mro.

mf deciso

q = 80

Mi - re        

 

89

pre

  -

mio No

-

te!

                


Acto I Escena 7

90 1361 Mro.

Nda.

 

 -

bel!

 

   Pf. I

Nda.

Pf. I

 

Mro.

Nda.

Pf. I

     

   

  

 3 

des - piér - ta - me

 

  

  

           3



3

3

ú - ni - co

en es - ta

is - la

es - ta_ex - tra - ña

pe - sa - di - lla!

                                   

que me pue - de_a - yu - dar!

Ma - rio

Ma - rio

3

 

3     3  

         

de



Ma - rio

        

 

 

us - ted es el

  

 

 

1369

 

1365 Mro.

bas - ta



     To - dos

   

3          

a - quí

son pes - ca - do - res

Ya!

                

  f

 

    

        pp p         

 


Acto I Escena 7

 

1374 Nda.

Pf. I

   

Nda.

Pf. I

 

       

Pf. I

  

     

 

      

mf

 

            

Mario:

3



   

 

Pes - ca - dor

Qué_ha - ce tu pa - dre?



 3

Al - gu - na

     p     

 

  mp

ha

vez

   

 

 

 

de - be_ha - ber

  

e - na - mo - ra - ron

A - llí tie - nes!

  

   3

           

   

f

  

  

           a sus mu - je - res

1388 Nda.

3

  Pf. I



Tam - bién e - llos

1384 Nda.

 

qué?

 

1379 Mro.

Y

 

91

 -

    

   

bla

 

-

  

do con

 

  

tu


Acto I Escena 7

92

Nda.

Pf. I

   ma

- dre

-

 

Mario:

 



No

cre

-

o

                 

 

 

ma - tri - mo

    

 

 

  

   

  Pf. I

pa - ra pe - dir - le

     

1395 Mro.

   

1391

ca - si no ha

 

Nda.

  

Pf. I

  pp

Neruda:

(Mario takes the letters from his bag to deliver.)

1404 Mro.

Pf. I

   

Va - mos,

 

    da - me mi co

 

 

-



rre - o

(Neruda reaches into his pocket to pull out some coins as a tip.)

Mario:

  

Gra - cias,

bla!

senza rigor di tempo

voce parlata



-

colla parte 1400

   

3

     

nio

   

 

 

(Neruda puts the coins back into his pocket.)

(Mario exits.)

    

  

  

no la quie - ro.

  


Acto I

93

Escena 8

      1411

Coro

Pf. I

(Mario walks around feeling desolate)

q = 66

   

      

Pf. II

 

         

  

     mar    

me

    

 

     

duer - me_el

mp espress.

duer - me_el



  

 



  

  

   

Aho - ra vuel - vo

   

  

   

Aho - ra vuel - vo

  

   

 

   

me

   

 

-

   

(Mario sits down somewhere and tries to write something, but fails)

     

 

p mp

mar

Pf. I

-

p lontano

Ya duer

1416

Coro

  

Ya duer

        Pf. II

p lontano

  



 

   

   

a mi Ro - sa_a mi Co - ral

a mi Ro - sa_a mi Co - ral

 

    



   

   

     p

Duer -

Duer -

   

 

        


Acto I Escena 8

94

     me     1422

Coro

   

1427

Coro

Pf. I

Pf. II

  

 

        

De

los

la

-

bios

De

los

la

-

bios

 

del

 mar

       

         

 

   3

vuel - vo_a

 3 

vuel - vo_a

   

  

 

          

ti

 



 



 



ti

 

3



  

mar

 

        

del

  

        

 

     Pf. II

duer - me_el mar

     

duer - me_el mar

me

Pf. I

 

  

  

 

  

 

 


Acto I Escena 8

q = 80

               

       

      

(An idea occurs to him. He opens Neruda's book, starts reading and eventually copying words to his notebook)

1431

Pf. II

95

p

  ral        ral De los la

     p   

       

q = 66

1435

Coro

       

      

De los la

Pf. I

Pf. II

 

          p         

    bo    1440

Coro

bo

 Pf. I

 

Pf. II



    

-

-

-

-





bios

 

         

ca

a

mi

a

mi

   

               

  

    

           

3     

 3    

Ro - sa_a mi Co - ral

Ro - sa_a mi Co - ral



3

 

     3

 

Vuel - vo_a tu

 

ca

 



  

 3  

 

Vuel - vo_a tu

la - bios del mar

 

 

la - bios del mar

bios

    

   

3

      

 





           

    

 


Acto I Escena 8

96

1445 Mro.

Pf. I

 

q = 80

Pf. I

 

       

  

 

     

 

 

3

lu - mi - no - sa!

                           

      

 

 Pf. II

   

                  p         

1449 Mro.

A - zul,

 Pf. II

Mario:

 

 

  

        

 

  

           mf        

  

 


Acto I Escena 8

1453 Mro.

Pf. I

Pf. II

         tu son - ri - sa!    

3

Pf. II

    

                       p   mp mf          

  

mf

lu - mi - no

                           

6

-

3

    

 

  

mp cant.

 

     

sa,

ma - ri - po - sa,

 

Pf. I

      

 

  

q = 90

1457 Mro.

mf

97

     

          

3

  

    p 

  3

  

          

  


Acto I Escena 8

98 1459 Mro.

Pf. I

Pf. II

    

Mro.

Pf. I

Pf. II

Pf. I

Pf. II

     

     

da!

           mp            1466                                

sa,

3

    

  

    

 

     

              

  

Bea - tri - ce

        

3

   

    -

                 

da!

    

                 

    

3

  

  

  

 

    

  

6

 

   

           

 

Des - nu

mp

mp

tu son - ri -



 -

6

            

f

  

 

  

      Des - nu     

1462

 



 

         



 

 

              

  

    

  

  

    

FINAL DEL ACTO I


99

Acto II Escena 1 q. = 84

 

     

Piano I

mf

       

                

4

Pf. I

7

 

   

    

 

  

    





              

            

  

   

 

 

  

 

   

   



    

              

      

mf

mf

Pf. I

 

 

 

 

 

   

      

f




Acto II Escena 1

100

 

11 Bce.

q = 96

       

 

3          

Beatrice: mp

Es - ta - ba pen - san - do

Donna Rosa: mf

D. Rsa.

Pf. I

           

 

 

   



 



a

-

        

18

D. Rsa.

   

  



          

Qué te di - jo?

 

     mf    

-

   p

  

 

Va - mos

 -

  

mf

dreamily

3

 

 

pp

Me - tá

cla - ro

 

bier - ta

  3         p

Bce.

Pf. I

   

   

bier - ta?

Pf. I

3

Con la ven- ta - na_a-

Sí D. Rsa.

Qué ha - ces?

14 Bce.

fo

  



 

 

a_ha - blar

 

 -

3

ras!

    

   Me -

 


Acto II Escena 1 3        

22 D. Rsa.

3

tá - fo - ras!

Pf. I

Bce.

 

29 Bce.



 

se_ex

Pf. I

-

-

-

    mp       3

ros



-

      

   

-

 

 

-

-

  

    

       

tro

    

co - mo

   



-

ri

      



 3

ma

3

  

    p

-

3



  

sa”

   



“tu son - ri - sa



jo:

 

3

 

   

  tu

Qué me - tá - fo - ras te hi - zo?

   

    

di

tien - de_en

 

 

po

Pf. I





   

33 Bce.

Me

 

u - na pa -la - bra tan lar - ga!



 

í

 

Hi - zo?

Pf. I

-

     

25

3                  3

Nun - ca te_o

101

 

  

     

 


Acto II Escena 1

102 38 Bce.

    

Beatrice:

Me que - dé ca - lla - da

Pf. I

 

     mf      

Bce.

    di - jo?

D. Rsa.

 

Pf. I

 

 

f

44 Bce.

D. Rsa.

   ma

Pf. I

Qué más te hi - zo!

3

     A - de - más

  

f

    

 

   3

-

      nos

 

 



  

de bo - ca

  

tie - ne

p

       en nin - gún mo - men to

   

     

No me to- có

        

mp

         

Qué más me

Y él?

No!

 

3

Qué_hi - cis - te tú?

f

 

3

   

En - ton - ces?

41

   

  

Donna Rosa:

D. Rsa.

      

  

 

  

 


Acto II Escena 1 47 Bce.

3       

103

         

Es - ta ba fe-liz D. Rsa.

      Y qué más?

  Pf. I

 



      

      

jo-ven pu - ra

D. Rsa.

Pf. I

 

      

53 Bce.

  to

D. Rsa.



    



Me mi - ró

 

 

 



    

 

     

      o - jos

lar - go ra

       3

                    f     

-

    

 

 

 

 

pen - san - do

a los

 

   

Y qué más?

 

 

con u- na

      



50 Bce.

de_es - tar ten - di - do

3

3 3             

Mi - ra mi -ji - ta, cuan - do_un hom - bre te to - ca con pa - la - bras fal - ta

Pf. I

 

 

 


Acto II Escena 1

104 56 Bce.

D. Rsa.

   po

Pf. I

   

co

 

 3         

 

3     

a tempo

 

Son

  Pf. I

62

 

lo pe - or

p

 

D. Rsa.

   

cu - lo

Pf. I

   

 

Meno mosso q = 86

3

  

Pre - fie - ro

que_un bo - rra-cho

     p   

      di - gan



que tu son

  

te to - que_el

        

-

ri

  

 

f

 

    



3

 p in stile recitativo 3             

a que te

   

         

 

Bce.

   

las pa -

la - bras D. Rsa.

Na - da tie - nen de ma - lo



 

3

f

pa - ra que me - ta las ma - nos!

pp

59 Bce.

-

 

       

liberamente

-

 

sa vue - la

 

 

Se_ex


Bce.

Tempo primo q = 96

  

65

Acto II Escena 1

   



3

tien - de!

Pf. I

70 Bce.

    Pf. I

  

D. Rsa.

Pf. I

        

-

ri



 -

3

po

-

    

3

    



 

 



Ah

 

voce

 

   

 

3

-

-

ri

 

3

Que

vue - le_o se_ex -tien - da



   

 

 

 -

po

 3

 3  

    

  ma

ma

       





sa

74 Bce.

co - mo

tro

 3

  

 

-

 



  

-

D. Rsa.

En tu ros

     

 

p

105

-

-

-

  

   



   

 

da lo mis - mo



 



 

 

-

  

   

Ar

  

-

-

sa



des!

   


Acto II Escena 1

106

77 Bce.







Se_ex D. Rsa.

 

Mi - ra

Pf. I

co - mo_es - tás

     

Bce.

 

     

un



(Donna Rosa snatches the note from Beatrice's bodice)

de

Pf. I

83 D. Rsa.

  

Pf. I

 

     f

  

5

(Donna Rosa puts the note in her pocket)



          



hor -

no!

    

-

  

 

libero

  



Dé - me -la

3

    

pp

   

libero

     

 

pp

     

-

 

Donna Rosa: libero f 3

tien

       



3

3

80

 



-

es mí - a!



        

 

 

(Slams the door)

Has - ta ma - ña - na!

 

     f

 


Acto II

107

Escena 2 (Enter Di Cosimo with a band of musicians and other supporters carrying signs with campaign slogans)

    

86

Pf. I

Di Cos.

Pf. I

q = 120

(After repeat, fade out on cue.)

Ca - la di

               

So - tto

      

    

3

    

mp

or - gu

           

-

llo de_I - ta - lia

                                      

Di Cos.

                          108          

Pf. I

             

3

Is



-

la

 

Pa - tria,

 

 

 

                           

su - bli - me, no - ble, fér - til y_a - bun

      

dan - te

Pf. I

Ma - dre,

         

  

103 Di Cos.

                                   3 3 3 3    92 Di Cosimo: mp         3            

ri - ca, pro - di - gio - sa,

Pf. I

mf

98 Di Cos.

Fine

                   3                Ca -la

per - fec - ta_es



di

-

So - tto

tre - lla



de

mar,



fas-

   


Acto II Escena 2

108

  

113 Di Cos.

Pf. I

       

Pf. I



tuo - sa

          118

Di Cos.

  

 hi

úl - ti - mo_ho - ri - zon - te





  

sal - dre

 

    

-

    

Di Cos.

    Pf. I

Di Cos.

Pf. I

Thugs: tutti

     por    

por

         



  



mos



por

la

Vic - to



la

Vic

 



la

Vic

 

 

  

   3

-

to

-

   3

-

to

-

       3

a

 

vo

 

tus

         126

Thugs

To - dos



121

(Donna Rosa comes out to see what is happening)

 



  



jos



be - lla_el

  -

   



-

   -







 

 

  

tar



3

 

 

(All Di Cosimo supporters sing)

ria!

                     3

ria!

 ria!

    

  



  


Acto II Escena 2

   

130 Thugs

    Pf. I

   

mp

    

136 Thugs

Pf. I

Di Cos.

(Thug #1)

E

Di Cosimo:

To

-

         

sa

Pf. I

-

               

cho

to

ria

 

-

  

-

 

da_el

a

 

 

 

da!

El

Es

mi

pro





 



 

gua?

   

a

  -

  

me

 

-

ce -

  

 -

 



gua_es ne

 -



Co - si - mo!



3

  

-

   

 

Se - ñor Di

 

 



To

 

p

 

da!

  

    



 -

147 Di Cos.

 

     Pf. I

   

Eh!



    

    



    

141

Thug #1: liberamente, senza rigor di tempo

    

109

sa

 


Acto II Escena 2

110

   

153 Di Cos.

    Pf. I

en

mi

bo





    

 -

le

-

 

 

ta!

 



   



    



 

Meno mosso

D. Rsa.

Pf. I

Donna Rosa: mp stile recitativo

       

158

Se - ñor Di

   

         

3

Co - si - mo!

Gra

 

 

D. Rsa.

   

Di Cos.

Pf. I

   

Di Cosimo:

 

 3  

 

a - gua

Na - da,

         

por el



pue - do_a - gra - de - cer - le?

cias,

 



164

3

-

 

es mi de - ber!

Có - mo

  

Só - lo

te!

vo -

    

Angry Voter #1: (Various characters are watching the scene)

   

170

Pf. I

(shouts at Di Cosimo)

                

3





3

  

 

   3

Nos pro - me - tie - ron

 

a - gua co - rrien - te

   3

ha - ce dos

3

 

   

 

 

 

 


Acto II Escena 2

   

174

(Angry Voter #1)

Angry Voter #2:

a - ños!

Pf. I

       

 

      Giorgio:      

178 Thugs

Gio.

No hicieron nada!

Sin verguenzas!

 

Angry Voter #4:

111

Angry Voter #3:

Angry Voter #5:

Descarados!

Ya estamos cansados de esperar!

Thug #2:

 

Cuidado, communista!

        

Mentirosos! Ladrones!

    Pf. I

   

Bass drum on stage

f

 

A tempo q = 120

Di Cos.

Di Cosimo: mp

    

184

    Pf. I

   



3   

Ha - ce dos

    3

mp

Di Cos.

a - ños

no

  

 

    

            

    

  

a - gua pa - ra

3

              fue

Di

 

to - dos!

3

p

       

       

pro - me - tió

Pf. I

       

189

  

Co - si - mo

el

que

 

 

  

      Me

   

     com - pro - me - to_y

       

           


Acto II Escena 2

112

       

  

                

                          

194 Di Cos.

   



ha - go_un ju - ra - men - to

Pf. I

   

198 Di Cos.

Pf. I

              

drán

Pf. I

Pf. I

Vein - te

 

        



   

3

     a tra - ba - jar,

    

  

    

3



 



que

   



  

dar - les







     

mer

Tal

vez

Do - nna

    



    





Ro

-

sa

  



      al - go que

co -

         

pue - da_a - co - mo - dar - los

                  

 

 

fa - mi - lias ven

   



ha - brá

208 Di Cos.

   

men - to

203 Di Cos.

un ju - ra -

     



 


Acto II Escena 2

  

213 D. Rsa.

Donna Rosa:

    Pf. I

           

218 D. Rsa.

Por

Thugs

Di Cos.

Pf. I

Di Cos.

Pf. I

Por

su

  

 

 -

pues - to

Vic - to

          

  

  

     

Di

Co

     

-



-

ria!

       

-

  

si - mo_ha da



Co

     



 

 

 

     

sí!

                     

                       

3

Di

pp

que

que sí!

Thugs:     3        Por su - pues - to que sí! Di Cosimo:      3      

la

(All Di Cosimo supporters sing)

3

 3  

A

 3 

 

su - pues - to

224 D. Rsa.



113

 

-

si - mo_ha da

-

    

do

su

do

su





 

 

 



    



pa - la - bra!

    

pa - la - bra!

          

 


Acto II Escena 2

114

  

232 D. Rsa.

Di Cos.

Pf. I

   

                 

241 Di Cos.

Es

Pf. I

  

   

     

      

A

-

gua

co - rrien

-

te

pa - ra nues - tra

is

-

la

A

-

gua

co - rrien

-

te

pa - ra nues - tra

is

-

la



  

 

 

 

mi pro - me

    

     

    

-

  



 

 

sa

un



 

 

 

             

 

 

 

  

ju - ra - men - to!

    

  

 

        

Dal Segno ad libitum

      

250 D. Rsa.

    Pf. I

        

256

Pf. I

Va mos,

   

(The crowd exits the stage, singing the music from the top of this scene.)

  

va mos

  (All exit. Donna Rosa joins Di Cosimo's campaign)

 

 

 

 


Acto II

115

Escena 3

Pf. I

 

q. = 84

 

262

 

 

Love duet # 1

           

mp

   

Pf. I

Mro.

Pf. I

 

Pf. I

q = 84

  

mf

 

Bea - tri - ce Bea - tri - ce

    

       p       

tu ri - sa

 

 

     

es

    

Beatrice:

3

 

      

No pue - do

mp

Meno mosso q = 76

mf

            

Mario:

mf

                      

          fp  

276 Mro.

                    272

Bce.

   

268

3

3

          

-

 

  

        

pe - ra_un mo - men - to

es

   u

-

       

 p  

    na

ro

       

  -

sa

     


Acto II Escena 3

116 280 Bce.

q. = 84

                  Pf. I

p

   283

Bce.

 

Pf. I

Pf. I

Mario: mp

   Só

       

 

- lo_un

-

    

-

  lí

  

 

to

-

 

  

 

quí

 

   a

 

-

quí

  p   

-

tri - ce

 

p

 

          

      

que -

         



    

Bea

neas de

No pue - do

q = 76

  

-

        

 

    



a

  

Beatrice: mf

                       

quí

mo - men

         tu tie - nes                         

292 Mro.

me_a

         288

Mro.

-

  

dar

Pf. I

  

lu

       

  -

na

     

   

Ca - mi

  

mf

-

     nos

           p         

de

  


Acto II Escena 3

      man     

296 Mro.

Pf. I

  za

   

 

 -

Bce.

Pf. I



          

Pf. I



 -

  

  

A

Pf. I

      

-

  

 

  



 

pp legato

-

    

 

 

-

 



  

 -

zul

  

Lí - neas

              man - za

 

Ay!



-



q. = 84 Beatrice: mf

      



308 Bce.

 

na

  

mf

a

             p         

 



lu

  

E - res

303 Bce.

        

na

300

117

-

  



  de

 

na

 

      





 

 

 

 

a

zul

  



  p

   

  

-


Acto II Escena 3

118







  

zul

 

313 Bce.

-

Pf. I

  

Bce.



a

 





 

318

  -

Mro.

  

  Pf. I

 

 

323 Mro.

  

Pf. I

Tu

son

  

  pp

   

  -

ri

-

  

-

-

 

 

zul



  

 

 

sa

se_ex

 -

tien

 -

de

  



 

      

so - bre

tu

 

 co

 

  

 





tro

 

 

-

 

 



 



  

   



  ros

-

-

  

Meno mosso





  -



Mario: mp molto expressivo



    



 -



mo

 


Acto II Escena 3

Mro.

q = 96

    ma

328



-

ri

3



 

po

             

-

                     3    3

Pf. I

333 Mro.

Pf. I

  



  co - mo

     

   

Bce.

-

ri

ma

      

Pf. I

         342

Bce.

Pf. I

      

-

-

3

 sa

   

po

   



co - mo

  

 



         

sa

     

-

     

   



3

     3    

-

ri

 -

   

    

3

ma

   

    

     3    

-

    



Beatrice:

 

sa



3

-

3



3

-

 338

119

 

 

po

-

    

 

     

  

-

 

    

  


Acto II

120

      

347

Pf. I

Escena 4

q = 80

350 Mro.

Nda.

Pf. I

 



Bicycle ring



Pf. I

    

Mario:

 

    

  



lo

es

  p 

Mario:

  

 

tie - nes ra - zón,

 

   Y_o - tra

co -



 sa...

 

u - na cin - ta gra - ba - da

3



    3    

3



  

      

 

3

que_e - ra_im - por - tan - te

3

3

 

   

3

Vi es - to_y pen - sé

Neruda:

      



 

            Te ca - ís - te de la ca - ma!     

359 Mro.

   



  Pf. I

354 Nda.

se me_ha_ol -vi

-

  

     da - do dar - le

es

 -

to


Acto II Escena 4 362 Nda.

(Mario gives him a bottle of wine)

  

Es

Pf. I

-

Nda.

    

      tá - fo - ras

   Pf. I

-



   

   

3

bién ten - go

 



pa - ra

 

3

             3

 

ú - til

  

pa - ra_a - no - tar tus me -

  

(Neruda gives Mario a beautiful notebook)

      

     

Ven

                             

 3    

   

al - go

    

     p  

 

tam

Pue - de ser

       

377

ra

3

Pf. I

-

 

371 Nda.

pe

pp

   ti





365 Nda.

 

Neruda:

 Pf. I

121

  

   mf

(Neruda threads the tape onto the recorder)

mi - ra


Acto II Escena 4

122 384 Mro.

Nda.

Pf. I

q = 86

        Es un ra - dio? 

 

No,

  p   

Nda.

Pf. I

Nda.

Pf. I

  

   

             es co - mo_un ra - dio

     

  

di - ces?

 

 

Cuán - tas ve - ces?

      

   



 

di - ces

      

ha - blas a - quí y_es -to re-

    



    



3

3

Re - pi - te lo que

te lo que

3

  

394 Mro.

  

    -

  

p

   pi

pe - ro



 

 

   

390 Mro.

Mario:

   

3

las que quie - ras

       

     3

3

 

  

  

      Es - cu - cha

 

 

 

lunga

p

  

p

 


Acto II Escena 4

q = 60

123

 (Pre-recorded music is heard, coming from the tape recorder)          

 

401

Pf. I

  

mp

    

404 Rec. Vce.

 Pf. I



Recorded voice: mp

 

       

Rec. Vce.

    o

Pf. I

     

 

413

  que tus

 - jos

 

   



no

   

be - sos

 

   

ja - más han de ser

  

 

  

 

  

Com - pren - do

    

 

poco allarg.



  

 

 

  



Pf. I

 

      mí - os

 

408 Rec. Vce.

Com - pren - do

     



 

 

3

3



 

 

que_en tus



a tempo

me_he de

  

 ver

 

ja - más

  

   3

 

 


Acto II Escena 4

124

VOZ DE ANTONIO EN LA GRABACION Poeta, soy Antonio. Conmigo están Cosme, Francisco, Salvador y todos los demás. Estamos todos. Para festejar, porque hoy es tu cumpleaños. Y por eso, recibe este regalo: tu Canto General se lo pelean. Ya no se encuentra ninguna copia. Y vamos a re-publicarlo. Gracias, Pablo, por habernos dado estas poesías que nos inspiran a seguir luchando por la justicia.

(Neruda stops the tape, removes it, and threads a new one.)

q = 60 418 Nda.

Pf. I

 

Neruda: (To Mario)

   

          3

Es im - por - tan - te_ha - blar

col canto

 

por los más des - pro - te - gi - dos

 

(Neruda takes the microphone and starts recording)

423 Nda.

liberamente, senza rigor di tempo

  “Queridos compañeros: Mi Canto General habla por los más desprotegidos de esta tierra. Me da mucho gusto publicar el libro en Chile. Me da una gran alegría. Y ahora… quisiera que escucharan a uno que aquí ha llegado a ser un gran amigo mío: Mario Ruoppolo quiere saludarlos y decirles algo sobre esta hermosa isla.”

 Pf. I

   




Acto II Escena 4

125

q = 76 424 Mro.

Nda.

Pf. I

  

pizz. mp

  

Bue - nos

mp arco

 

p

pp



 

 

 

         

5

Al- go so - bre_es - ta

 



a - qui

   dí - as

 

muted trpts

 

  



 

  

    



 



is - la?

 

Neruda:

   Pf. I

         

                  Al - gu - na ma - ra -vi - lla de tu is - la

436 Nda.

dí - as

No,

 

  

  

 

strings

Pf. I

Bue - nos

431 Mro.

No!

 

Mario:

    


Acto II Escena 4

126

440 Mro.

Nda.

  

Pf. I

 

Nda.

Pf. I

tri - ce

Ru

 -

  

 

 

  



mf

   

       O K        bien       

dolce

Bea

444 Mro.

Mario:

pp

 -

sso

  



 

 

  

 

    

(ríe)

 

Sí,

muy

  

 

 





  

    

    



 


Acto II

 

448

Pf. II

 

          pp

Pf. I

   p  

Pf. II

Pf. II

  

  

  

 

 



 

ca

  Pf. II

  

mf



460 D. Rsa.

  

  

-

Por lo

     sa

  



  

pron - to

 

 

     



ten - go_en - ce

 

    Lé - a - me - la

     

   

   

  

    

 

         

   la

Pa-dre

        

   

lé - a me -la

  

   

         

      

         

mf

Lé - a me -la

 

Donna Rosa:

         

456 D. Rsa.



 

      

      

mf



  

452 D. Rsa.

 

Escena 5

q. = 92

 

127

 -



rra - da_en

 

la

 

         Lé - a - me - la

     

     


Acto II Escena 5

128

  

463 Cura

 

Cura:

Es

  Pf. II

465 Cura

 

       

         p



  po

Pf. II

D. Rsa.

-

-

            

467

f    

Donna Rosa:





     

          

e

Pf. I

Pf. II

 

 

                 

 -

-

ma



                  f    



Lé - a - me - lo

un

 

       

 



Lé - a - me - lo

 

      

       

           


Acto II Escena 5

 



                  

 

 

 

               

(He tries to say it, but the words don't come out)

469 Cura

Pf. I

Pf. II

 

 

473

Cura:

 

Un

Pf. II

D. Rsa.

       Des  pizz     p        

Cura

Pf. II

-

ma!

   

  



   

 

Lé - a - me - lo

                                

 

mf

e

 

subito meno mosso

Cura:

-

Lé - a - me - lo

     

476

po

   

Lé - a - me - lo

Pf. I





    



  

Donna Rosa:

 



f

D. Rsa.

129

   mp

-

nu

 

 mf  

lunga

Ma

 -

p

 da!

        

     pp

 

 

a tempo (q. = 92)



-

do

-

 -

 

       mf

-

-

 

 


Acto II Escena 5

130 482 D. Rsa.

 





nna!

Pf. I

Ma

-

mf

        

486 D. Rsa.



do

-

                               

Pf. II



 

-

-

-

                 



- nna!

Pf. I

Pf. II

  

 Pf. II

mf

488



  

  

f

mp

    

  





3

3

  




Acto II

131

Escena 6 Love duet # 2

  

492 Mro.

Pf. I

            p            + tambourine

     

496 Bce.

q. = 84

Ma - rio!

Mro.

Pf. I



Bea - tri - ce!

                           

 

tus

Ay!

    o - jos

      son co - mo so - les

  

 Pf. I

       

de qué ha - blas?

 

mp

     

Ay!

Mro.

  

Qué?

  

500 Bce.

           



Beatrice: mp

    

Mario: mp

     

Me fal - ta tiem - po

pa - ra ce

     

           







 

    -

le -

      


Acto II Escena 6

132

504 Bce.

Mro.

 

  brar    

Pf. I

508 Mro.

Pf. I

 

        

Pf. I

y con - tar - los

     







-

-

-

-

-

 

     u

   -

no por

      p

   



u

    

-

   -

   

   -

    

-

 

 

   

          

  



  



bar - los

         



no tus ca - be

          

la

-

  

  

    

 

y_a

     



   

-



    

    

tus ca - be -llos





Ay!

               

  



Ay!

514 Mro.

  

 -

  

-

    



  

llos

 




Acto II Escena 6

Bce.

q = 84

  

521

Mro.

Pf. I

  -

  

neas de

lu

-

-

     p        

lu

  

a

-

Bce.

Mro.



  

   

Pf. I

 

 3  

Tu son - ri - sa

-

 

  

  

          co - mo la no - che_en Cu

pp

  

neas de



    

de

lu

 

no - che_a -

-

na

 

 

 

  

  

    

- ba_a

f

-

zul

f

3

   pp

   

na

 a

3

Pf. I

no - che

3

zul

Mro.



 

       

3

Bce.

 -

         531

 de

Lí - neas de lu

p

3

p

zul

no - che_a -

    mp          

na



zul

3

526

-

na,

de

133

-

    

zul

  

 

  



   

       

 

  

f

  


134 535 Bce.

 

 a

D. Rsa.

Mro.

   

Pf. I

     538

Bce.

 

  



-

   

 

Pf. I

Mro.

Pf. I



 

  

p dolce



Beatrice!!!!

 

 

mf

          sfz

mf

     

-

       no pue - do!

        Bea - tri - ce!

 

 

 

diós

  

 

(She exits)

lunga

 -

    

a tempo

-

Beatrice!!!!

zul

es - pe - ra!

   A 





        

            542

Donna Rosa:

-



zul



liberamente, senza rigor di tempo p

 







A - diós

Mro.

(Donna Rosa calls for Beatrice, rather loudly, from inside the cafe)

q = 96

 

 a

   

 

Acto II Escena 6

   

   


Acto II

135

Escena 7 El estudio de Neruda Adagio q = 60

    

545

Pf. I

    

   

solo vc.

f

   

Nda.

Pf. I

Neruda: p voce soffocata

      Chi -le    pp   

  

  

pp

549

 

(Neruda has just received a letter from Chile. It's brought him terrible news. He looks desolate)

 

mp

  

san - gre

     

   

  

  

        

la

   

   

  

de tus hi - jos

   

nue - va

             

552 Nda.

Pf. I

                    men-te de - rra - ma - da Hay tan - tos tan - tos        pp                      pp            

556 Nda.

Pf. I

   

 

  

tan - tos

  pp

 

cupo e terribile

    

muer - tos



  

A - ma - rra - dos

   



     

  he

     -

ri - dos

   

mor

-

   


Acto II Escena 7

136



559 Nda.

Pf. I

     di - dos

Pf. I

 

Nda.

 

 

568 Nda.

Pf. I

 

Cuán - ta

 



Di - me Tie - rra

    

 

di - me Mar



     



 

 

      3

       

                  

  

  pp    

       

3

animando e cresc.

        

3

 

 



 

3

   

Cuán - tas lá gri - mas

 

3



          

          ff 

ha -

p

ff

brá que llo - rar?

dos

san - gre ha - brá de co - rrer?

  

       

   

   

    

 

 

  

-

intenso



     

    Pf. I

en - te - rra

 

        

565

          

   

562 Nda.

 

più cantabile

     

p

   

Yo

                


Acto II Escena 7 571 Nda.

Pf. I

     ve - o

    

cupo e terribile, desolato

so - lo

a

     tenuto   

Pf. I

Pf. I

y

  

mu - je - res

   

 

de

       

co - mo_un la - dri - do

    

f

sin

 

 

   

   

    



 

 

     

 y

sin so - ni - do

pe - rro

f

  

 

hue - sos

f col grido

zar -par con di -

de tren - zas muer - tas



  

3     

ú - des a ve - la

    

   

 

f

-



 

    

    

 

p

ta

3

 

 

       tum - bas lle - nas      

-

3

 

 Pf. I

a

   

580 Nda.

ve - ces

 

     

577 Nda.



 

3         fun - tos pá - li - dos

   

574 Nda.

137

pp

ff cantabile

Chi

 ff

     

 

 

-

 le

    


Acto II Escena 7

138

583 Nda.

Pf. I

 

  

Pf. I

3       

es - toy le - jos de ti

 

poco più mosso

rar

    

 

      f   588

Nda.

 3  

     

     

y_os - cu - re - cer

en tu no

  

     

 

     

                    f                pp mp   

Qui - ro llo -

        3      3            

 

 3 

3

    

co - mo losrí - os

   ral

am - or mi - o

  3           3               585

Nda.

animando

3

         

-

   che

allargando

Pf. I

 

   

f



 

mi - ne

              

  

 

pp




593 Nda.

Pf. I

Tempo primo q = 60 pp espressivo

 

  

   

Cuan - do

   

Acto II Escena 7



    

  

vuel - va

me_a - ma - rra - re_a tu

pro - a

p

  

3 3              ción te - rres - tre y_a

596 Nda.

Pf. I

599 Nda.

Pf. I

 

    

Pf. I

       

    

 

    

-

dolciss.

  



  

3

 

-

ter

 

 

cu - bras

   





        



-

-

   

  

  

    

  

     3

has - ta que

  

 

 

e - ter - na - men - te

     



3

   



      

na - men - te

   

    3

de_em - bar - ca-

na - ve - ga - re - mos con - fun - di - dos

3

has - ta que tú me

 

          

e

  

3

   

me cu - bras

   

  







604 Nda.

  

       

poco a poco più dolce

  



pp

139

  

pizz.

pp

 


Acto II Escena 7

140 610 Nda.

Pf. I

Agitato q = 84

f agitato

   

  

(Enter Matilde)

A - mor mí - o

Pf. I

ven!

   

3            xi - lio me lle- ga-ra_a ven- cer,

          

    

614

Pf. I

  

  

618 Mde.

Adagio q = 64

    

  Pf. I

pp

    

   









pol

-

  

vo

mí - o

a mi mar

 

 

 

  

  

pp

      

 3     

Y tú pro - mé - te - me

 

   

   

Matilde:

si_es - te_e -

  6                    dim. 6      

p

mp

3

 

re - gre - sa_el

  

 

  

Pro - mé - te - me:

a mi tie - rra

     mp     

    

 

f

Nda.

 

612 Nda.

 

  

que jun - tos

  



 

 

re -


622 Mde.



 -

   Pf. I

   

-

Pf. I

    

Più mosso q = 70

Pf. I

629     p     

 

  

      

    



(They kiss passionately)

  

    

         

 

 

      

-



pe

   

ran

-



za

      

 

    

    

 

                        

         

p

-

 



  



 la_es

   

 

 

3

3

a vi - vir nues - tro_a



                                

     mp                  

633

Pf. I

    

 

 

 

 



sa - re - mos

y sem - brar

 

141



  

    

mor

-

   

  

gre

 

       

625 Mde.

Acto II Escena 7

(Matilde takes out a record from its sleeve and goes to the gramophone to play it)

   

   

 

 

pp


Acto II

142

Comprendo q = 60 Rec. Vce.

(Matilde and Neruda sing together with the recording. Eventually they dance too)

    Pf. I

    

     

3

Pf. I

     be - sos

Mde.

Pf. I

  

  

 

  

 

 

  

mp



   

 



o - jos





 

 

mí - os

o - jos

 

mp

 

   

que tus

 

  

   

Com - pren - do que_en tus

    

 

 mf



 

 

Matilde:

  

   

Com - pren - do que_en tus

Rec. Vce.

3

  

   649



ja - más han de ser

  

Com - pren - do

     

644 Rec. Vce.

 

 

 

Recorded voice: mp

 

 

      

poco allarg. a tempo

   no

   no

    



   

639

   

me_he de ver ja - más

   

me_he de ver ja - más

     

  

 3


Acto II Comprendo 655 Nda.

Rec. Vce.

Pf. I

  

 

Neruda: p dolce

Y

te_a - mo,

 

p dolce

  

Y

     p



    

    

y_en mis

te_a - mo,

    660

Mde.

  

143

y_en mis

lo - cos

y_ar - dien - tes des - va - rí - os

 

      

lo - cos

   

      

y_ar - dien - tes des - va - rí - os

 

   3

 

  

 

  

Matilde:

 

  Pf. I

     

665 Mde.

  

Nda.

Rec. Vce.

Pf. I

 

poco allarg.

do - ro

 

 



 

  

 

  

 

tus des - de - nes,

  

(the recorded voice and music fade out slowly, through bar 674)

 

3

a -

  

mf

Neruda:

mf

Y

Y

    

a -



tus des - ví - os,

             do - ro tus des - ví - os,       

 

  

 

  

tus des - de - nes,

ben - di - go

      

  

ben - di - go

Rec. Vce.

   

 

  

   

Y

     3

    

     3 


Acto II Comprendo

144

(Mario walks in during this scene. He does not interrupt the duet )

   

   

669 Mde.

te-a - mo

Nda.

y_en mis

     te-a - mo

y_en mis

     te-a - mo     

Pf. I

f

  



672 Mde.

   rí

Nda.

    rí     rí

-

-

Pf. I

-



 

 

lo - cos

y_ar

 

os

y_ar

    

f

  

mp

 

 

os

-

-

  

mp

tus

des - de



 

p

ben - di - go

tus

  des - va -

 

dien - tes

 



des - va -

dien - tes

 -

 

      

p

dien - tes

ben - di - go

 

 

lo - cos

           

des - de

des - va -

 

   

   

 -

nes

 -

nes

os





  





y_ar

     y_en mis

(dim. poco a poco)

Rec. Vce.

lo - cos

   

(dim. poco a poco)

Rec. Vce.

 

 

 

pp



   

3

  


Acto II Comprendo

     



a - do - ro

tus

       a - do - ro



677 Mde.

mf

mf

Nda.

Pf. I

             

   vez

Nda.

Pf. I





des - ví

   

   

-

 

-





f

Y_en

  f

os

Y_en

     

     3

 

3

 

en

 

de_a - mar - te me - nos

             

 

os

      

 

f



 

des - ví

 

de_a - mar - te me - nos

    vez 

 



      

682 Mde.

tus

 

145

   

en

 

ff   

vez de_a - mar

  ff vez de_a - mar

          3





3

   -

te me - nos,

   -

    3

te me - nos,

   




Acto II Comprendo

146

687 Mde.

 

 

mp

en

Nda.

  

 

 Pf. I

Pf. I



Pf. I

-

  



      quie - ro

        

 mu

-

 mu

-



me

 

 

-

me

 

 

-

 más

  

 

 

 

nos

te



mp

 

perdendosi

perdendosi



 

más

cho

te

  

 

nos

 

cho

te

 

 

te

 

  

   

 



  

698

vez de_a - mar

p

quie - ro

Nda.

-



692 Mde.

vez de_a - mar

mp

en



   

 

  

 

 

 

 

   


Acto II

Escena 8

(Loud knocking at the door)

   

705 q. = 92

f

Donna Rosa:

D. Rsa.

  

     

Se - ñor Ne - ru

  Pf. I

709 D. Rsa.

Pf. II

      

Pf. I

Pf. II

   

  

     

   

  

     

da

  f

 

Vi - ne_a

 

     



  

 

ver - lo

  

Se - ñor Ne - ru



712 D. Rsa.



(Mario hides. Matilde exits)

(Donna Rosa comes in )

 

Pf. I

 

 

da

147

por

al

 



-



go



  

   

 p



           





    

         

  

 

 



           

muy im - por - tan - te!

 

  



Ma

p

       

-

   

rio

       


Acto II Escena 8

148

  

716 D. Rsa.









Ruo - ppo - lo

Pf. I

       

ha_en - ve

      

 



bri - na

 Pf. I



-



           

ne

-

na - do_a mi

so -

   

  



         

718 D. Rsa.

  

   

           

  Pf. II





con

me

   

-

-

fo - ras!

 

     f   





  





  pp


Acto II Escena 8

721 D. Rsa.



   

Pf. II

725 D. Rsa.

Nda.

Pf. I

Pf. II

  

 





Es

-

 

 

Le - a!

     

  

    

           

to!



    

 

Le - a!

 

No!

        



  Pf. I

Sí!

Neruda:

Nda.



149

     

           



Lo_o - cul - ta - ba_en el sos - tén!

               f                                       

              



   Ah!

               


Acto II Escena 8

150 730 Nda.

 Pf. I

Pf. I

   lu

    

na

 

Pf. I

-

da,

pp

  



  

 

Es

muy

her



que si lo vuel - vo_a

 

de

 

-

 



Lí - neas





(To D. Rosa)

    

       f         f



   p



  

dí - ga -le



mo

   



-

so!



 

ver

                      f

     

ma - to!

 

Des - nu

   

    

lo Nda.

 



Donna Rosa: f

744 D. Rsa.

-

Pues

Pf. I

     

739 D. Rsa.

pp

  

    



 

735 Nda.



 

(Pretends to read)

     

Que - dó cla - ro!

 

(Slams the door)

   

Neruda:

    fp

      f secco



   


Acto II

151

Escena 9

       

749 Mro.

Nda.

Pf. I

(To Mario, with a hand gesture imitating a gun)

  

Neruda:



Que - dó

   

cla -

Mro.

Pf. I

   p    

Nda.

Pf. I

 -

Pa

   

   

 -



   

blo,

qué

    ber - lo 

 

Neruda:





de - bo_ha - cer?

Só - lo

 



 



  



 3

  

pue - des sa -

 

 

 

   Só - lo

 

p





   

-

ro?



   Pf. I

Meno mosso h = 96

760 Nda.

A

de - me Don

  

757

    yú

 

mp

Mario:

  

753



(Mario emerges from his hiding place. He collapses in the sofa)



 

 

 

   

 

 

  


Acto II

152

Escena 10 Love duet # 3 764

q = 66

 

Pf. I

 

  

    

mp

768 Mro.

  

Pf. I

772

   

Pf. I

  

 

 

  p

   

mp

Bea - tri

-

 

 

mp

mp

espr.

 

 



 

 

  

  

e

mp



 

Bea - tri

ce

 

mp

 

Mario:

 

  

  

  



  

  

 

           

       

Mro.

 

(Mario walks to Beatrice's window)

-

ce

  



 

 



  3  -

-

              

p

 

res

a -





3



 




Acto II Escena 10

153

(Beatrice starts the scene at the window but slowly decends to meet Mario)

q = 54   

775 Bce.

Mro.

 

Beatrice:

     zul

3

  él

  Pf. I

  

-

-

-

Me

           3

   

3



  3



con

         p  

movendo

voy

    

él

 

        

3

più mosso

con

       

  

   

3

ma



Ma - rio me

3

  

   

3

3

 3 

ma

        

   

sim.

          

782

-

3

 

3

  lla

Bce.

lla

          

778

Pf. I

Me

   

pp

Bce.



   Pf. I

mp



3

3

  p

con

él

 

  

  

p


Acto II Escena 10

154 786 Bce.

q = 84



 



se_ex - tien

Mro.

  

3

Tu

   Pf. I

Mario:

-

    



-

  

790 Bce.

ros

Mro.

  

Pf. I

ros

-



   794

Bce.



-

tro

  

Pf. I

so - bre mi

ros

 pp  

de_en tu

  

 

  

3

-

 lu

tro

a

-

na

  

 de

 

no - che_a

   

-

        p

3

no - che_a

 

 



-

3

 

-

   



 

tien

3

de



 

  

tro

zul

Mro.

   

 

3

-



p





se_ex

  

3   





sa

3

pp

mi

son - ri

de

    

-

  



 p

-

-

zul



    

zul co - mo

   p

  

3

3

la



 3 

 

no - che_en Cu - ba

  

   


798 Bce.

 

ff

 

Mro.

Pf. I

Pf. II

  

ff

 

-

a

-

       ff            ff       

Mro.

Pf. II



 

zul

   f



 

  

mp

          

    

 

f (molto appassionato)

e

 

 

             

-

da

     

   

   

 

molto appassionato

Des - nu

 

ffp

     

e

 

f



 Pf. I

f

 

   

155

zul

801 Bce.



q = 90

a

Acto II Escena 10

 

-

-

-

res

a

 

-

zul

-

-

-

res

a

-

zul

               3 6 3  6               

 

            


156 804 Bce.

Acto II Escena 10



 

Tu Donna Rosa: (From inside the cafe) f col grido

D. Rsa.

Mro.

Pf. I

Pf. II

         Bea-tri- ce!       

     mf

               

be

 

-

Mro.

Pf. I

Pf. II

  siem

-

      

       

pre

mf



 

  

-

 



 

  

 

     mf

      f  

ya





mp dolcissimo

 

                mf

Tu

      

     

f

        

       

   

ya

 

lla

 

Bea-tri- ce!

Ah

-

    

808 Bce.

 



Mí - a

    p

       

pp

 


Acto II Escena 10

811 Mro.

 

   mí

Pf. II

    

 

mp dolce

  Pf. II

 

pre

     

  

 p   

  

 

      

p

     

 

  

   

      

        

mf

 

mp

 

mp

Des - nu

 

ce

 

                  

-

  

rio

 

mp

Bea- tri

 

 

 

-

pp

-

    

Pf. I

-

 



 

Ma Mro.

a por siem

  

    pp     816

Bce.

-

  

 Pf. I

p

157

      

   

-

da

     


Acto II Escena 10

158

 

820 Bce.

e

Mro.

Pf. I

Pf. II

e

 

 

mf

f   

a

D. Rsa.

Mro.

Pf. I

Pf. II

  

-

-

   a

-

-

res

-

-

-

res

-

   

-

-

 

3

 



6



  

     



Bea - tri - ce!

 

zul

be

  

  



   

zul



-

Donna Rosa: f (From inside the cafe)

f

 

-

            3 6                             f

 

mf incalcando

822 Bce.

  

  

mf incalcando

  

 

   

     

mf

 

 -

          

lla

     


Acto II Escena 10

825 Bce.

 

tu D. Rsa.

Mro.

Pf. I

Pf. II

Bce.

  f

  

                 mf

      828

Bea - tri - ce!

ya

  

-

159

dolce

 

 



    mí - ni - ma

          3

6

p

  

  

trans - pa - ren - te Mro.

  

Pf. I

Pf. II

 

  

            

              

  

 

-

 

 

sa

Des - nu - da



ma -ri - po

          

  

      

dolce

tu son

   

    

       p     

 

    3

3

  

3

    


Acto II Escena 10

160

   

831 Bce.

 

   

se_ex -tien - de

Mro.

Pf. I

Pf. II

    ri - sa

Pf. I

   co   

Pf. II

3     

 3

                   

 

 

3

 

la

no

la

no

3

  

3

 -

 

che_en

 -

3

 

 

           

  

 

3

- mo

 

-

tro

so - bre tu cuer - po

co - mo

Mro.

so - bre mi ros

      3      

834 Bce.

  

3

che_en

 

3

 

  

        

    

3

     

    

 

   Cu

-

   Cu

          

  

  

ba

ba

 

mp

     



 -

 

3



3

   

  

           


Acto II Escena 10

    

837 Bce.

Cu

Mro.

Pf. I

Pf. II

-

      Cu     

ba



 

perdendosi

  

   844

 Pf. I

      

3

 







 

3



    

   

  

     

 3

                      

       



       

 

  

   

   

p

      mp

3

  

                  

     

   



     

  

           

       

3

 



          

Pf. II

    

Pf. II

ba

-

841

Pf. I

perdendosi

             

161

                  

   

 

     

 

  


Acto II

162

Escena 11

      848      

The scene changes for the celebration.

q. =92

Pf. II

 

espr.e cresc.

    853       Pf. II

  

859

  865

 Pf. II

Pf. II

   

    870

Pf. I

   

f

  



 

     mf



 

  

  

 



        

      

 

espr.e cresc.



   

mf



                              

Pf. II

                  legato



         

 

   

 

 

  

 

   

    

3

 

   



        



     3

 

 

   

  

f

 

 

  

 

     

         3

 

 

 


Acto II Escena 11 874

Pf. I

Pf. II

  

  

Pf. II

Pf. II

     3

  

 

 



       3

  

 

 



 



 

   

            

    

      

 

 

   

             

   

3

     3

  

3

3

3

    



   



 



    

      

      3

 

     

883

Pf. I

3

 

     

878

Pf. I

    

163

   

      3

  

     3


Acto II Escena 11

164 887

Pf. I

Pf. II

Pf. II

            

Pf. I

Pf. II

   

     f

 

         

 

 

 

 

  

  



        

     

 

 

 

e=e



896

            3

    

    

  

 

3

893

Pf. I

    

     f

    

    

3

 

3

 

 



 

           

 3



      3

 



     3

 

 



    3




899

Pf. I

Pf. II

 

 

 

  

902

Pf. I

 

   

Pf. II

910

Pf. I

Pf. II

 

f



 

 

 

 





 





 

  

 

 

    

 



 







  







 

 

 

 











 

    3

 



     3



 

  

 



 

 

 

 3

 

 

165

    

 

  

f espress.



      

 

  

Acto II Escena 11

 

  

  

 

 

 





 











 

 

 


Acto II Escena 11

166 (Every one is hushed in order to hear what Mario's Father is about to say...)

P. de Mro.

Pf. II

q = 60

  

918

 

  f

fp

  

 

“Só - lo

    a 3

 

pi

-

  

P. de Mro.

   ñor

947 Mro.

P. de Mro.

Pf. II

 



mi

hi

-

-



que me de

vi

jo

 

pe- ro

-

3

de_el

-

  

da

pa - ra ver

pa - ra

  

ver - lo

-

-

e

3

 Se -

  

lo

es - ta -

        

  

Bra - vo!

 

  

   

  

    f 

el

     f

Bra - vo pa - pá!

3

cie

 

mu - jer

f voce parlata 3 Mario:

               rá fe - liz de ver a Ma - rio

  

       

la lla - mó

a:

de - cí -

voce molto soffocata

  

E - lla

con tra - ba - jo

   

        

   

   

  

No vi - vió

des

3

3

    

voce molto soffocata



 

3

      hi jo” 941

do_a Je - sús

935 P. de Mro.

   

solemnemente

930 P. de Mro.

  

923 P. de Mro.

Padre de Mario:

All:

f

Bra - vo!

 

 

 

  

  


Acto II Escena 11

167

q = 86

            A - mi - gos…

953 Mro.

Cura

         

Pf. II

   

  

958 Mro.

Pf. II

(...nothing comes out of Mario... then...)

(Mario gets up to say a few words....but...)

Mario:

  

All:

shh…

 

              

 

             



   

rit.

    

                     

a tempo q = 86

   

Bea - tri - ce

    

    

 

                

 

   

       


Acto II Escena 11

168

Bce.

Beatrice:

        

963

f col grido

Eh! grido    col       Matilde:

Mde.

f

Eh! Donna Rosa:

D. Rsa.

          f col grido

Eh!

Mro.

       Ruo - ppo- lo! col grido           Eh! Neruda:

Nda.

f

Padre de Mario: f col grido

P. de Mro.

           Eh! col grido           Eh! Cura:

Cura

f

col grido Giorgio:        f

Gio.

Eh!

Pf. II

                   



          



          

Bra - vo! porlos no - vios!

Bra - vo!

porlos no - vios! Porlos

Bra - vo! porlos no - vios!

Bra - vo!

porlos no - vios! Porlos

          

Bra - vo! porlos no - vios!

 

          

Bra - vo!

porlos no - vios! Porlos

   

Ruo - ppo - lo



          Bra - vo! porlos no - vios!

          Bra - vo! porlos no - vios!

         



          

Bra - vo!



          

Bra - vo!



porlos no - vios! Porlos

porlos no - vios! Porlos

          

Bra - vo! porlos no - vios!

Bra - vo!

porlos no - vios! Porlos

Bra - vo! porlos no - vios!

Bra - vo!

porlos no - vios! Porlos

         

                       

 

               

     

             

 

               


Acto II Escena 11

   

968 Bce.

   

  

no - vios!

Mde.

D. Rsa.

 no  

     

- vios!

no - vios!

Nda.

P. de Mro.

Cura

Gio.

    no      no     no    

  

Pf. II

  

  

parlando la voce

  

3

  

Y_a - ho - ra

   quie - ro brin





- vios!

  

- vios!

     

 

        

       

     

     

 

pp

 

 

                 dar por mi_a-mi-go Ma-rio_Y de - cir - le  

Pf. II

972 Nda.

- vios!

no - vios!

         



169

                

  

  



 

3

que_ha si - do_un pla

p


Acto II Escena 11

170

 

978 Mde.

D. Rsa.

 

3          

Bra - vo sa - lud por los no - vios

3          

Bra - vo sa - lud por los no - vios

Nda.

P. de Mro.

Cura

Gio.

Pf. II

3                   cer ha- ber con-tri - bui do a su fe -li- ci-dad!

  

3          

Bra - vo sa - lud por los no - vios

  

 

      

3          

Bra - vo sa - lud por los no - vios

  

3        

Bra - vo sa - lud por los no - vios

 

          

        

   Sa - lud!

  

Sa - lud!

     Sa - lud!

   Sa - lud!

  Sa - lud!

        


Acto II Escena 11

  

986 Nda.

voce parlata, rubato

q = 120

Esta

 accordion   Pf. II

canción

Pf. II

         lar más li - ge

  

  

-

ra

 

        

 

 

 

 

 

 



Pf. II

    

    

          

 

pon - te

dos

    



ho - jas

   

tu com - pa - ñe - ra tu

    

  

 

ho - jas de

      

  

  

 -

3

sa

        

dos

  

  

                la ma - ri - po - sa con ho- jas de ro         p        

  

   

           

1008 Nda.

          

voce normale

Pa - ra vo - lar más li - ge - ra vo -

Co - mo

   Pf. II

   

                     

1000 Nda.

          

 

 

para los novios!

994 Nda.

 

171



  

 

3

ro -

3

 

   

 

com - pa - ñe - ra

                

 

                       6

 

sa


Acto II Escena 11

172

  

1015

Pf. II

  

1021

Pf. I

 

 

    

1024

Pf. I

      

   

     

 

    

 

    



            Giorgio:      

 

p



   

 



     

  

  

   

Don Pa - blo

 

 

     

Pa - ra_Us - ted

     

  

                      

                 



  

  

     

Mario & Beatrice dance

   Pf. II

  

   

Gio.

           

Pf. II

                                

                           

1018

Pf. II

(Neruda & Matilde dance)

       

   


Acto II Escena 11

        

(Giorgio gives Don Pablo a telegram)

1026 Nda.

Pf. I

Pf. II

  

Nda.

Pf. I

   

Neruda: f parlato

  

  

 

Pf. I

Pf. II



  

     

      

     

 

 

     

-

ver

  

                     

  



 



Po - de - mos

  

      

Vol



  

Mi -

      



 vol -

 

ver!



 

            



  

  

a

  

Chi

        

  

     

             

   



ra mi_a - mor!

Matilde:

 

E - pa!

                          

1032 Mde.

  

  Pf. II

     

    1029

173

-



  

le

    

   

  

 

 


Acto II Escena 11

174

1035 Mde.

D. Rsa.

 

  

 

Donna Rosa:

         3

3

3

Pa - ra na - da sir - vió la_es - co -

Gio.

 

Pf. II

Cura

Gio.

          

  

 

 

  

 

         

  

 

Cura:

 

  

  

 

  



     -

re

                   

        3

Va - mos!



pe - ta

pe

Pf. II

mp

Es -

p

1037 D. Rsa.

Giorgio:

Cal - ma,

 

hoy

no,

     

Do - nna Ro - sa

3       se - rá tris - te

               

pa - ra

        


Acto II Escena 11

1039 Mde.

  

Matilde:

Es

D. Rsa.

Nda.

P. de Mro.

Cura

Gio.

      

3

      3

  

Neruda:

Es

   

-





    

  

  

3

Se

-

-

tris - te

  

  

  

  

    

   3

Pe- ro_a -

 Por

  

tris - te

    

su - pues - to

rio

 

3

    

ñor!

ma

-

que la - men-

 se

La lla - mó_el

cal

-

    

jar,

 3



-

 se

ver - dad

Padre de Mario:

Ma

Pf. II

Es me - jor fes - te

 

ver - dad

175

 

 Es

-

    

    


Acto II Escena 11

176

   

1041 Mde.

    



pa - ra Ma - rio

D. Rsa.

  

     

tar!

Mro.

Nda.

P. de Mro.

Cura

Gio.

 

he - cho,



 



pe - cho!

Mario:

Bea -

     pa

    

   llá     por   

  

3      



  



 



-

hoy

no

fe

          3

su - pues - to

A lo

re

no,

Hoy

                 

he - cho,

      

-

liz!

pe - cho!

       



 

es-ta - rá

    

- ra Ma - rio

pe

Pf. II

A lo

  

3

    

                

 


Acto II Escena 11

 

1044 Bce.

D. Rsa.

Mro.

Nda.

P. de Mro.

Gio.

Pf. I

Pf. II



Beatrice:

Ma

  

-

   

rio

3

 

3

A

he

-

cho pe

-

cho!

 

 

lo

  

ce

Bea

   Pa - ra vo

-

-

  

3

lar más

li - ge - ra

vo

   

tri

  3

3

  

  

   3

     tri

-

177

-

ce

   Ruo

 -

-

lar

  3

a - sí es

 

 

        p

 Hoy

               

      

 

  

  

  

       

            

   

       

 


Acto II Escena 11

178

 

1047 Bce.

D. Rsa.

Mro.

Nda.

P. de Mro.

Cura

Gio.

Ma

       





- po

 

-

-

rio

Ru

es

-

3

Cura:

 

 

3

ho - jas

  

   3

  

 -

jor

3

me

-

jor

de

ro - sa

3

   

3

el Se - ñor!

3

que_un

ve

-

3

lo - rio

Don Pa - blo

 

  

 me

dos

es

   

sso

3

la lla - mó

 

lo

  

 

pon - te

  

 



  Pf. II

3

a

no,

Pf. I

-

 

  

    

 

 

 

 

 

 

    

  

 


Acto II Escena 11

 

1049 Bce.

Mde.

D. Rsa.

Mro.

Nda.

P. de Mro.

Cura

Gio.

                   

Pf. I

Pf. II

 

 

 

3

 

tie - nes lí - neas de

Matilde:

3

 

pron - to

 

 

pron - to

 

3

la lla- mó

        

3

mos a

Chi

es me - jor

u - na

bo

 

 

 

lu - na_a - zul

 

vol - ve - re

 

el

trans- pa

-

-

mos a

Chi

Se - ñor!



 



a - sí

es me - jor

u - na

bo

me preo - cu - pa

Ma

-

-

-

-

  le!

  da!

 

te

  le!

 

 

-

ren



Me lla-



 





3 3

 

 

3

 

 

                           



-

   

 

 

3



vol - ve - re

A - sí

tie - nes lí - neas de

   

3



lu - na_a - zul

 

3

 

 

179

-

  da!

rio

      

    

   

   

 

 

                

3

   

3

                     


Acto II Escena 11

180

        

1053 Bce.

D. Rsa.

Mro.

Nda.

P. de Mro.

Gio.

rit.

-

           

ma

Ma

    

dolce

 

 

Bea

3

A lo

-

tri

-

3

  rio

 

cho!

3

-

3

lar más li - ge - ra

    

 

     

3

Bea - tri

  

3

 

ce

Pa- ra vo

he - cho pe -

 

-

ce Ruo

-

vo - lar

  3

a - sí es

 

 



A tempo q = 86

 

Hoy

            Pf. I

Pf. II

 

 

          

 

     

    

    

  

       p

 

    

  

     

             

       

 


 

1057 Bce.

Mde.

D. Rsa.

Mro.

Nda.

P. de Mro.

Cura

Gio.



Ma

 

  



- ppo

Ru

-

 

 

sso

  

3

 

tie - nes lí - neas de

 3

  

a - sí

es

3

-

Matilde:

3

 

  



 

 

3

ho - jas

       

 

  

de

3 

3

ro - sa

 

 

3

3 

3

  3

la lla - mó

3

me - jor que_un ve - lo - rio

Don Pa - blo

3

 

me preo

     

            

  a - sí

 

pron - to

el Se - ñor!

    

 

3

es

  

 

A - sí

3 3          

 

 

tie - nes lí - neas de 3

Cura:

3

me - jor

la lla - mó

lo

  

 

pon - te dos

  

 

rio

  

 

Pf. II



181

pron - to

no,

Pf. I

-

 

    

Acto II Escena 11

 

      

 

 

        

  

  

                    

    3 3

 


Acto II Escena 11

182

   

1060 Bce.



Mde.

   

 

vol - ve - re

D. Rsa.

   

a

-

       lu - na_a - zul es me - jor

Mro.

Nda.

P. de Mro.

Cura

Gio.

     vol - ve

      el Se - ñor!      es me    

cu - pa

  Pf. I

 

Chi

-





-

u - na

bo

-





mos a

Chi



- jor

u - na

bo

 -

-

-

zul

 

le!

da!

       

ros - tro_es a

-

zul

 

 

le!

da!

rio

    

    

a

tu

-

    

 

               

-

  

 

-

  

      Pf. II

mos a



Ma

-



Ah

-

-



p





- re



lu - na_a - zul

 

3

   

 

       

3

                        

     

                      


Acto II Escena 11

 

1065 Bce.

Mde.

Mro.

Nda.

Pf. I

               

 

  



 





   

           



- zul

   

ca - sa



    



- zul

dolce

tu ros - tro_es a

            

 

tu ros - tro_es a

 

dolce

ca - sa

               Nos va - mos a

 

           

Nos va - mos a

   Pf. II

  

183

 

          

              

   

  

  

 



 

       


Acto II Escena 11

184

   

1070 Mde.

D. Rsa.

Nda.

P. de Mro.

Cura

Gio.

Coro

q. = 84

   

 

    

Donna Rosa:

Padre de Mario:

    

   

   

   

Matilde:

    

    Pf. II

pcoo accel.

Cura:

Giorgio:

  

 

  

 

Vi - van los

no - vios!

Vi - van los

no - vios!

  

 

  

 

Vi - van los

no - vios!

Vi - van los

no - vios!

  

 

  

 

Vi - van los

no - vios!

Vi - van los

no - vios!

  

 

  

 

Vi - van los

no - vios!

Vi - van los

no - vios!

  

 

  

 

Vi - van los

no - vios!

Vi - van los

no - vios!

  

 

  

 

Vi - van los

no - vios!

Vi - van los

no - vios!

  

  

 

Vi - van los

no - vios!

Vi - van!

 

  



Coro:

f

                    



 




Acto II Escena 11

 

1075 Mde.

q. = 112

accel.

 

 

Bra - vo!

D. Rsa.

 

Bra - vo!

 

 

Bra - vo!

Nda.

P. de Mro.

Cura

Gio.

  

Bra - vo!

 

 

Bra - vo!

  

Bra - vo!

 

 

Bra - vo!

  

Bra - vo!

 

 

Bra - vo!

 

Bra - vo!

 

 

Bra - vo!

Coro

 

Bra - vo!

  



 

Bra - vo!

    Pf. I

 

   Pf. II

 

 

  

  

 

 

Vi - van los

no - vios!

Sa -

  

 

Vi - van los

no - vios!

 

Sa -

  

 

 

Vi - van los

no - vios!

Sa -

  

 

 

Vi - van los

no - vios!

Sa -

  

 

Vi - van los

no - vios!

 

  

 

Sa -

Vi - van los

no - vios!

Sa -



Bra - vo!

   

   



185



  

los

no - vios!

     

    Sa -

    

  

       

   







f




Acto II Escena 11

186

  

 

1080 Mde.

lud

D. Rsa.

P. de Mro.

Cura

Gio.

  

 

    lud

   

    lud

 

Pf. II

  

Sa - lud

Vi - van

       



  

 

los

Vi - van

los

Vi - van



los

Vi - van





los



         



Sa - lud

  

Vi - van

 

   

Vi - van

Sa - lud

  

 

Sa - lud

lud

Pf. I



Sa - lud

    lud

Vi - van

Sa - lud

lud

Coro

Sa - lud

lud

Nda.



los



los



 

los

 



no - vios!



no - vios!



no - vios!



no - vios!



no - vios!



  

no - vios!

 

no - vios!

 

   

     

     

     








Acto II Escena 11

  

1084 Mde.



Vi

D. Rsa.

-

-

crescendo molto    

Vi

-

    Vi



Nda.

-

    Vi

-

crescendo molto

P. de Mro.



-

    Vi

-



-

   



-

-

Vi

  

-

     

crescendo molto

Coro

-

Vi

     Pf. I

 

       Pf. II

 

p

-

   

   

   

ff



ff



ff



ff



van!

 

van!



 

ff

van!

   



ff



  

van!

   

q = 84

van!



crescendo molto

Gio.

van!



crescendo molto

Cura

 



crescendo molto



ff

van!

 -

(Big flash of photo. Mario & Beatrice kiss. They all freeze)

 



crescendo molto

187

    f

    

     ff

 

 

   ff   

     

 

   

    ff   

     

     FINAL DEL ACTO II


188

Acto III Escena 1 - Preludio (During this orchestral passage we see Neruda's house closing down. All the furniture is being covered with the customary white sheets that bespeak of a long closure. Suitcases are lined up waiting for Neruda and Matilde to leave. Mario is there to help and say good bye to them.)

                   Largo q = 48

Pf. I

        p

    

        

8

Pf. I

  

            

6

Pf. I

      molto espress.     

     

 

  

                

solo oboe d'amore





 

 

 

  

 

  f

 

                    p subito                      

Pf. I

     

         mf         solo harp

     

        7

  

      

 

 

   

16

    

tenuto

11

Pf. I

  



 

     

            

   

      

 

   

 


Acto III Preludio

                        

   

18

Pf. I

189

      





   

 

                                  

    

22

Pf. I

   





  

     

    

     

                     

24

mp

        tenuto

                p subito           

29

Pf. I

    

     



 

 

 

  

    

solo oboe d'amore

        

f

 

7

Pf. I

 

20

Pf. I

   

 

 

 

         

     f

 

   

 

               

         

  

pp

 


Acto III Escena 1

190

Mro.

Nda.

q = 72

 Mario:                No,Don Pa - blo, de ve - ras, no

35

    

 

   

Nda.

Pf. I

          

                    

43 Mro.

Nda.

Pf. I

3                

Neruda:



39 Mro.

Pe - ro ma - ña - na

    Pf. I

 

 



         3

No,

    

 

     ñar!                          

 

3      

     



 



 

Te voy a_ex - tra -

      

   3

3        

Me_es - cri - be_u - na car-ta

 

    

p

mp

Yo tam - bién Don Pa - blo



                 

  

no quie - ro na - da

no ten - drás em - ple - o

 

   


Acto III Escena 1

          

46 Mro.

Nda.

Pf. I

Nda.

Pf. I

de vez en cuan - do?

Pf. I

Pf. I

  

Cla - ro!

 

   

              cam - bia muy pron - to_en mi pa - ís.         pp                    ver               

   

     

 

3

al

  3

  

 

me per - mi

 

 

 

      

3

-



  3  - ten vol -

    

go su - ce - de

 

   

 

   

y ten -

  

  

 

 



nue - va - men - te

que_es - ca - par

    3

 

      dré     

         

  

 

Hoy

pe - ro ma - ña - na

  

 mpmapiù solenne   To - do

     



Poco meno mosso q = 69

54 Nda.

mf

51 Nda.

 

      3

   

48

191

  

   

  


Acto III Escena 1

192

Nda.

Pf. I

Più mosso q = 80

3 3 3                       Voy a de - jar u - nas co - sas si pu - die - ras cui - dar - las

56

            

             vi - so

Nda.

Pf. I

Mro.

          

Nda.

Pf. I

           

Mro.

Pf. I

 

3

adón - de_en -viar - las

       

 

a Chi

-

         

le!

 

 

 

I - de



 

 

Des - cu - brí

  p  

 

yo mis - mo

        



   

    

  

selas lle - vo

 

  

 



Yo te_a

3              

Me - jor

    

65

só - lo_un tiem - po

Mario:

                    62



59 Mro.

       

più leggero

 3   -

           

 

a ge - nial!

 

 

 

  

 

 

 

      

        

o - tro po - e - ta

 

          


Acto III Escena 1

        que_es - cri - bió

69 Mro.

  Pf. I

       Se  

Pf. I

  77

Mro.

Nda.

     

Pf. I

   81

Mro.

Pf. I

  

      

    

  

 



D'A - nnun - zio

         

     

Lo co - no - ce?

          

 

lla - ma

   

so - bre Bea - tri - ce

        

73 Mro.

193

Neruda:

 

 

 

                 

  



Us

-

  

   3



     

 

pu - do_ha - ber

  



ted

   

  



es - cri -

 

     


Acto III Escena 1

194 85 Mro.

 

 -

-

-

-

   Pf. I

 89 Mro.

Nda.

 

 

 

Nda.

Pf. I

Neruda:

    

   



 

  

 

u

A - diós

  espr.    

te

f

 

 

tam - bién



 

  

voy

a_ex

   

-

meno mosso



   p    

     

  pp

tra

-

         

 

Don Pa - blo

 



            

    

no

A

 

-

  

ñar!

     

         

       



to

   

Ma - rio

93 Mro.

     

  Pf. I

-

 

 



-

 

diós

   

  

 


Acto III

195

Orchestral interlude

   

  

99

Pf. I

Pf. II

 

    

Pf. I

Pf. II

Pf. I

Pf. II

    

  

 

 

  

  

 



                   

  

           



                         

      

    

     

       

  

   

    

    

 

   

                    

 

 

                        

    

   

              p                

 

                                112

 

           

     f      105

 

              


Acto III Interlude

196

       3

119

Pf. I

Pf. II

Pf. I

Pf. I

   

       

         

  

      125                        130     

        3



  

                       espr. 3                

                         

    

       

 

        

rall.

   

 

       

     

 

   

 


Acto III

197

Escena 2

(Mario wanders around aimlessly. He carries the notebook Neruda gave him. He sits down and opens his notebook)

Meno mosso q = 69

  

 

134

pp

Pf. I

   

 

    

  

    

(Mario turns the pages, tries to write, but nothing comes out. He gets up and continues wandering)

  

 

140

Pf. I

pp

   

       

143

Pf. I

 

 

 

 

  

 

 

    

  

    

 

          

  

                 3 p      

                   

 

 

 

 

 

3

 

 

 


Acto III

198

Escena 3 146 Mro.

Gio.

 

q = 98

      

Mario: mf

Qué pa - sa?

Giorgio:

   f

 

Mi - ra!

Pf. I

     

149 Mro.

Pf. I

 

Mro.

Gio.

fp

     

Es - tá_en Ru - sia!

Recit. mp

Un pre - mio?

       vi - si - tar - nos 3

     3

Ru - sia,

tal vez pue - da

 

p

En Ru - sia?

Si_es - tá_en

    

Dan - do_un pre - mio!

   

3

a su re - gre - so

Giorgio:

voce   Ma - rio!

Pf. I

 3    

  

3    

   

    

152

 

 f

  Ma

-

 

rio!

              


Acto III Escena 3 3    

 

155 Gio.

Pf. I

        

157 Gio.

ver

 Pf. I

Gio.

que no vio_en el

  

Pf. I

muy o - cu - pa - do,

mu- cha gen - te que

p

 

f



e - xi - lio

No

  



3



tie - ne

-

po

      fo-to  

Recit. Mario: mp 3

  

Qué bue - na

     3   

       

 

3 3      

                       

  

162 Mro.

  

                          

tiem

Pf. I

6

     3  

159 Mro.

 3  

Es un hom - bre

  

199

y pa - sar por a - quí

 

  

           

  6                (Reading) 3 3                        “El jo - ven po - e - ta

  

p

Mi -lo - van Per - ko - vic

re -ci - bió_un pre -mio


Acto III Escena 3

200 (He looks at Giorgio and smiles)

        de ma - nos

166 Mro.

Pf. I

 

  

Giorgio:

169 Gio.

No!

     Pf. I

  

171 Gio.



    3

del Ma - es

-

   

 

No

   

 

3

3

Me la pue - do que - dar?

 

p

pue - des

6

      

tro”

 

 

 3  

 

La

voy a guar - dar

con las de -

                       

p

 

 

    

más

 6                              Pf. I

    

173 Gio.

ver

  3    cuan - do quie

 -

6

A - hí la pue - des

 

ras

                              Pf. I

  

 

   

       

p

  

 



   

 



  

    




Acto III

201

Escena 4 (A small group of noisy thugs campaigning for Di Cosimo)

Thugs

q = 120

  

177

  Pf. I



mp

   

Pf. I

Pf. I

Pf. I

 

  

Vo - te porDi

       

3

 

 

  

Vo - te!

    







 

Co

 

-

si - mo

3

   

 

Co - si- mo!

      

3

3

   

        

Co - si - mo!

El can - di -da- to del

3

Di

 

            vo - te por Di

        

3

3

3

a - gua!













  







            El can-di - da - to del a - gua! 3

      

  

                

196 Thugs

3

  

      A gua!

190 Thugs



        

183 Thugs

Con megafono

Vo - te



Thugs:

3

   Vo - te!









    

pa - ra nues - tra

    







3

       

 


Acto III Escena 4

202 201 Thugs

Pf. I

   is

Pf. I

-

  

la

 

    

3

 

3

 

3





Pf. I

q = 90

  

  

Giorgio:

         

Gio.

Pf. I

Ma - rio,

   

Di

 

Co -si - mo!



 

 

 

  



  

  

  

   

 

Mario:

 3    

en Pa - rís?

Ne - ru - da_en Pa - rís!

  

 

  3  U - na_en - tre -

con in - te - lec- tua - les,

3

vis - ta

         



     

 

 



lontano

   

216

a - gua!

Escena 5

   

3

 

El can - di - da - to del

3

            El can-di-da-to del a- gua!     

214

Gio.

     

A - gua!

(Enter Giorgio with Donna Rosa)

Mro.

3

                           

207 Thugs

3

    

G.P.

es - cu - cha:

 

 


219 Nda.

Pf. I

(We see Neruda at the interview on a different part of the stage)

    En Neruda:

Pf. I

   

    

        

U - na vi - da

   

muy

                     

               p   

  

  

fui

 

 

203

I - ta - lia

           222

Nda.

Acto III Escena 5

        

   

    

                 la gen - te más sen -ci - lla del mun - do

225 Nda.

Gio.

Pf. I

228 Nda.

   

Pf. I

  

  

     

Neruda: mf

 

las

 

liz!

        

  3     

         



Giorgio: mp

          p        

-

sin pre - sio - nes

  

fe

     

so - li - ta - ria

       

  

   

Qué_es lo que más ex - tra - ña?

 

    

pla

 

-

    

-

 

yas

    

 

 las

    


Acto III Escena 5

204

   

           flo - res y_a-can-ti - la - dos

230 Nda.

Pf. I

Nda.

            

          

233

  

el

D. Rsa.

de_I - ta

                  

-

lia!

          

mar

     

 

           236

mar

             

  

  Pf. I

el

   

      

     

 

Donna Rosa:

    q = 98   3         No nos men - cio - na!

Mario: Recit.

Mro.

Gio.

   

  

Si - gue

     

 

   

3

Oh

     

Giorgio: Recit. 3

E - so_es to - do

E - so_es to - do

Pf. I

 

 


Acto III Escena 5 240 D. Rsa.

205 ff  

 

No Mro.

Pf. I

Mro.

nos men - cio

 



 

-

na!

 

6                                            5 5 mp 5 f  5     242 3                      qué ha - bría de men-cio-nar - nos, en u-na_en-tre -vis - ta?

Por

5

5

                                          

Pf. I

  

5

5

5

f

244 Mro.

Pf. I

      

246 Mro.

  

Pf. I

   e

      

Es

un

po

5

3

5



    

tas



 

   

 

ha

 

-

e

-

     3 3          5

5

   -

 

5

                    

5

  

5

-

blan de la na - tu - ra - le

           

                 

5

5

   ta

     

    

   3

Y los po -

  

 

  

 -

za

 

     

 


Acto III Escena 5

206 249 Mro.

Pf. I

 

y

5

 



-

cen

se

vue

 -

-

     

 

5

5

 

mp

la 5

5



5

no - so

-

-

tros!

                                        5

256

 

5

  f 6              

5

5

5

Mario:

  

5

5

 3   Qué_es - tá

  Pf. I

no

                                                      5

Se_ha_ol vi - da - do de

Mro.

-

  

      

254

Pf. I

que co

pp

Donna Rosa: mp

5

D. Rsa.

de la gen - te

   

Pá - ja - ro que co - me

Pf. I

 

     

     

      3

no

   

252 D. Rsa.

  

 

5



di - cien - do?

  




Acto III Escena 5

207

(Enter the group of thugs, celebrating Di Cosimo's victory. They laugh loudly. They look drunk and violent)

 q = 98    258

Thugs

 

f    

Thugs:

Ga - nó Di

  

    mp

  Pf. II

    

Ga - nó Di

(Distant percussion. Then band enters on stage)

Pf. I

Thugs: f

 



   

    

 

        3



Co -si - mo!

  

  



Co -si - mo!

      

  

   

 

   

 

 

 



 

 

Thug #3: tutti                             Y los De - mó - cra - ta Cris - tia - nos en to - da_I ta - lia! To - da_I - ta - lia                     264

Thugs

Y los De - mó - cra - ta Cris - tia - nos

Pf. I

Pf. II

         





   

       

To - da_I - ta - lia

         

  

    

   


Acto III Escena 5

208

   269

Thugs

    

Ga - na - mos!

    

3 3                               

 Pf. II

 



   

         Ga-na - mos!         Ga - na - mos!

Pf. I

    

Pf. II



 

276

Thugs

Ga - na - mos!

3

Pf. I

  

  

     

 

   

 



 

    

 

  

  



    

 

(Exeunt)

    

3

En to - da_I - ta - lia!

En to - da_I - ta - lia!

    

     3





En to - da_I - ta - lia!

 3   





  

 3   

En to - da_I - ta - lia!

 

 



  

  



  

    

  

  

   


Acto III Escena 5

Mro.

Gio.

Pf. I

q = 69

  

283

 

     

Mario:

Giorgio:

Im - po - si - ble!

 3       

pp



 

 

   

Ga - na - ron en to - da_I - ta - lia?

 

          En to-da_I-ta - lia?





Gio.

Pf. I

 

Mro.

Gio.

Pf. I

 

    Pa





289



 



blo



    

e - so

 

 



 

  3   

di - cen

 

Si só - lo Don

   

 

 

 

      

Don



 

Pa - blo... Don Pa - blo...

es-tu - vie - ra_a - quí!

 

pp

    

E - so di - cen

  3      -

 



  

   

 

 

3



 



286 Mro.

    3      

En to - da_I - ta - lia!



3

p

    

p

209

 

                 

 

 

 

     

 


Acto III Escena 5

210

3               Quién sa-be dón-de_es- tá? Qué_es - tá_ha

  

292 Mro.

Pf. I

      

 



- cien - do?

           



(The characters freeze, except Donna Rosa and Di Cosimo)

 

         

        

 

295 Donna Rosa: f D. Rsa.

 

                  3        Se - ñor Di Co - si - mo,

Pf. I

        297

D. Rsa.

 

mi - lia

Pf. I

      

 

   

Se - ñor Di

Co - si - mo!

     



     5

con - tá - ba - mos con dos

 

u-na tra - ge - dia...

 

de

mi fa -

 

  



a - ños

  

Es

   

tra - ba - jo!

  


Acto III Escena 5 298 D. Rsa.

3               

5

Hi -ci - mos pla - nes, pe - di - mos prés - ta - mos!

Di Cos.

211

 

            3   

Di Cosimo:

Lo sien - to,

Pf. I

Di Cos.

      

 

      

sin ha - ber -lo ter - mi - na - do.

Di Cos.

 

 

Donna Rosa:

 

  



   

    

   

  

 

  

      

 

 

Mario:

f



3

  



  

  

en un fu -



   

Na - da va_a cam

  

  

No le_ha - ga ca - so!



 

  

tu - ro

Pf. I

 

Es - pe - ro_i-ni -ciar -lo nue - va - mente

En un fu - tu - ro! Mro.

   

    300   3                       

302 D. Rsa.

  



ba - jo

Pf. I

 

es u-na pe - na_a - ban-do -nar eltra-

    

 

  

  


Acto III Escena 5

212

3 3                    biar, si_es -per-ra- mos a que e-llos lo ha - gan!

304 Mro.

Di Cos.

Pf. I

          307

Bce.

q = 96

   

Pf. I

Pf. II

    p   310

Bce.

Pf. II

f

 

   

                3        

 

 

    

pp

 

ten - go al - go que de - cir - te,

 

    

   

  

f

     f

Ma- rio!

     

 

 

Ma - rio

 

 

Ma- rio!

 

  

ten - go al- go que de - cir - te,

    

 

         

 

Ma - rio

    

          

  

         

Pf. I

    

f minaccioso

Cui da - do! Co -mu - nis - ta!

 

Beatrice: f

            

  

    3

es - toy en - cin - ta

      


Acto III Escena 5 312 Bce.

 



mp

213

   

es - toy en - cin

        De ve - ras? Mario: f

Mro.

 Pf. I

Pf. II

 

   

   

315 Bce.

 

f

  

    

 

 

3

      

 

Mro.

Pf. I

Pf. II

     tien- de!         

         3

-

        

 

cin

-

   

     

Na - die nos en

To - dos son ig - no - ran - tes!

     f

En

ta

 

 



es - toy en - cin - ta 3

   

-

   

Te - ne - mos que ir - nos de_a - quí!

    

 

3 3           

3

     f

    

ta!

f

I

      

-

    

ff



f

   3


Acto III Escena 5

214

319

 

re

-

-

-

-

-

                 6

  

3

 

mos

a

Chi



6



6

Pf. I

Pf. I

3

 

 

Pf. I

-

            

3

le

 

3 

pa - ra que crez - ca_y

  

       mf   

 

  

 

 

res -

  

 

 3   

 pi

      

   

3

        mp   

 

-

   

          por el bien de Pa - bli - to

323



mp

 

Mro.

  

     321

Mro.

6

 

  

re poe-sí - a

 

 

  

3

En Chi- le_hay

          

 

 

  

  rí

        3

-

os,

      



Mro.



f

 

ma - res de



 


Acto III Escena 5

    pla

326 Mro.

Pf. I

Pf. I

-

 

Mro.

Pf. I

 

 

-

ri

 

-

 

 

A

 

 

 

 

 

-

 

 

Beatrice: mp

 

      



Pa -

ri - ca!

       

 

-

  

 

 A

      

 

-

 

 

   -

 

      

ca!

 



es

 

 

lle - ras

 

          



 

-

       f

 

        



  

cor - di



331 Bce.

ta,

   

329 Mro.

      

215

         

  

 fp     


Acto III

216

    

334 Bce.

Gio.

 

Bce.

     





Ma - rio!



pp

   

Beatrice:

Pf. I

Mario:



3 3        

3 3        

U - na car - ta de Chi - le!

U - na car - ta de Chi - le!









(Reading his name in the envelope)

   

  

   

Un mo - men - to

Ma - rio

p 3

   p

Ma - rio!

3

 

A - bre - la!

Mro.

Giorgio: mf

  338

q = 96

bli - to?

   Pf. I

Escena 6

(Enter Giorgio and Donna Rosa)

3

5

    

Ruo - ppo -lo

   



Es la pri - me - ra

 

(An actor, by the side, reads the letter. He has the cold, inexpressive voice of a civil servant. When he's finished, we see Mario putting back the letter inside the envelope.)

343 Mro.

        car - ta que re -ci -bo 

Pf. I

FILM: “Santiago, 15 de octubre, 1953. Estimado Señor: Pido a Usted enviar los objetos del Señor Neruda que podrá encontrar en la casa que habitó durante su estancia en Italia. Adjunto la dirección y una lista de los objetos mencionados. Atentamente, el secretario de Pablo Neruda”


Acto III Escena 6 350 Bce.

q = 96

   

Pf. I

ti?

p

ni_un sa - lu - do!

         

Donna Rosa:

f

     

     

Les di - je!

Pf. I

355 D. Rsa.

  -

-

se

5

5



 

      

 

3

La

5

 

cuan - do

gen- te_es a - ma - ble

5

3

5

5

te

ne - ce

5

só - lo



 -

5

5

5

5

5

si

-

-

ta!

   

                                      ff  f secco                 5

Pf. I

Pá -ja -ro que co - me

                

 

la

 

5

mp

357 D. Rsa.

mp

                                                      5

Pf. I

  5

vue

Ha -ce_un a -ño quese fue!

D. Rsa.

3

Ni_u - na pa - la - bra,

352 Bce.

   

  

    

Beatrice:

Y_a

217

5

5

6

 

6


Acto III Escena 6

218 359 Mro.

  

  

361 Mro.

   

Pf. I

Mro.

Pf. I

con e - se pá - ja - ro que co - me!

  

Ne - ce - si - tar pa - ra qué!

Qué hi

 

 

 

    

f

mf

 

 

      p          

 3  

f

3

Mario:          Más bien

370

 

       

Doloroso q = 66

 

3

      

        

  

365

Pf. I

   O . - tra vez

  Pf. I

f

Mario:

-

ff

 

     

 

 

e - ra

   

yo

   ff   

fp

   

   

él?

     

mp

ce por

p





 

 3     

        

 

el que siem - pre pe - día_a - yu - da

   


Acto III Escena 6

           Don Pa - blo,

374 Mro.

 

     Pf. I

           

378 Mro.

qué

 

Pf. I

Mro.

Pf. I

  

u - na me - tá

-

   

          

 

             con ton - te -rí - as                        

 

   

       

         

  

    

 

di - cen

que yo

le_e - ra

 

Qué_hi - ce por él?

    

  

 

 

 

3

 

3

ú - til

 

 



El

ve - í - a

Pesante

     

 

        

 

3

             

  3

p

Y_us - te - des

   

Lo mo - les - ta - ba

      

fo - ra

En - sé - ñe - me_un po - e - ma

pp

387

es

   

382 Mro.

  3    



        

       Pf. I

219

f

    f     

 

 

     

      

 


Acto III Escena 6

220

                    3  que yo no_e - ra po - e - ta

393 Mro.

  

                     

Pf. I

    

397 Bce.

  

 

 



    

    

        

y_a - ún

a - sí

   f       

  

 

    

Pf. I

          

         

401 Bce.

e - ta

Mro.

Pf. I

              mp     

y_a

      



          

3 3                        me tra - ta - ba co - mo_un a - mi - go

                



   

Beatrice:

3

No_es ver - dad

Mro.



3

que no e - res po-

    

 mf

     

3   3        

mp

  

él no voy a lla - mar -lo Pa - bli - to

          3

Y él qué cul - pa tie - ne?

 p

 



    pp

   


Acto III Escena 6

221

                                Qué, pien - sas que soy un po - e - ta? He_es - cri - to al - gún po - e - ma?

405 Mro.

    Pf. I

  



     

Mro.

Pf. II

              

  

417 Mro.

3

            

 

 

   

pp

 

por

qué va_a re - cor-dar - me

 

   

-

-

       3

  

    

 

     

3

co - mo po - e



 

        

 

 

 

 

   

  

   

3

 

 

3

  

  

  

Hay que_ad - mi - tir - lo

pp

Pf. II

 

 

      

 

Meno mosso q = 50 Mario:

     



de - ten - te ya

             413

 

   

    Giorgio:       Ma - rio,

Pf. I

 

 

408 Gio.

 

3

  ta

   

 


Acto III Escena 6

222

     

422 Mro.

Pf. II

Pf. II

no

                

427 Mro.

       sir - vo

me - nos

  

             

Mro.

Pf. II

   

        



      

  

3  







 

ta

 

 -

 

mal

 

pp

 

 

 3       

res - to de sus co - sas



nor



el



  

  

   



Ma - ña - na_en - via - mos

     443

Pf. II

Mario: Recit.





                    3 3



-

3

3

Es

   

439

co - mu - nis

 

           

 

  

               

 



  

co -mo car- te - ro



  

434

Pf. II

    

  

 

     


Acto III

223

Escena 7 (Mario wanders through Neruda's empty house)

Largo doloroso q = 50

    

448

Pf. I

  

p

Pf. I

   



 

    

453

 

 

     

                           

                                      

                   

 

457

Pf. I

             

           

  

   

461

Pf. I

Rec. Vce.

q = 60

   

466

    Pf. II

      mf

          

oboe d'amore

 

 

 

p subito

 

 

   3

 

 

 

           

 

(Mario finds the gramophone record and puts it on.)

 

 

 

 

Recorded Voice: mp

 

 

Com -

 

3

 

   


Acto III

224 470 Rec. Vce.

Pf. II

     pren - do   

      

Pf. II

  

 

    

  

no

   

 mp



 

 



 



mí - os



  



   

483

   

  

  

 

  

Com - pren - do

mf



ja - más han de ser

 

poco allarg.

Pf. II

be - sos

 

 

479 Rec. Vce.



  

mp

  Pf. II

 

que tus

   

474 Rec. Vce.

 

que_en tus



  

o - jos

 

a tempo

me_he

de

ver

ja

 

 -

más

  

 

3

(Mario takes off the record and goes over to the desk. He finds the inkwell and sees the tape recorder. He turns it on.We hear the ending of the recording he made with Neruda.)







   


Acto III

225

Escena 8 (We see Mario and Giorgio in the penumbra, trying to connect some wires to a battery)

Mro.

q = 60

  

488

               3

 

p

  

        

Giorgio:

5     

Si

 

 

p

   

 

491 Gio.

ppp

 (Sparks fly as they try to connect the battery)

Pf. I



que va_a fun - cio- nar?



          5

490 Gio.

5

Es - tás se - guro

   Pf. I

Mario:

fun - cio - na_a - den - tro,

 

5

    



  3  

fun - cio - na_a - fue - ra

    Pf. II

 

     

  



     5


Acto III Escena 8

226

492

 Pf. II

         494

 

Pf. I

6

           

ppp

                  

gliss .

. gliss



gliss.

 6

 

6

. gliss

 

6

gliss .

 Pf. II

 

6

6

                                                        

495

Pf. I

gliss.

       

 Pf. II

. gliss



gliss.

 6

6

6

6

                       

                                


496

Pf. I

6

Pf. II

Mro.

Gio.

Pf. II

6

gliss.

6

6

                                          



gliss.

gliss .

6



. gliss

6

gliss.

6

6

                                ff  498 Mario:     Eh! ff Giorgio:      

Pf. I



. gliss

 f     

227

                       

497

Pf. I

gliss .

  

Pf. II

 

. gliss

 

Acto III Escena 8

 

              

 



Eh!

  
























Acto III Escena 8

228 499 Mro.

Gio.

  

 

 

Fun















 

Gio.

 

  

 

 

Pf. II

  

 



-

 -



cio



na!

 -



na!







 







Pf. I



cio

f

500 Mro.

-

  

 



  Fun

Pf. I

Pf. II

 

  

 







 



Fun

-

cio

-

Fun

-

cio

-

 





 



na!

na!






Acto III Escena 8

229

501 Mro.

Gio.

     

 













Pf. I

Pf. II

          ff

502 Mro.

Gio.



  











 

Pf. II

  

 

 

ff





Eh!

Pf. I



Eh!

 

 



 

        

 



  



A - de -





 
















Acto III Escena 8

230

 

503 Gio.

lan

Pf. I

Pf. II

 

 

 











         Mario: p

   U

-

no



 -

 











3

nú - me - ro

 



3

 

 

        

506

Pf. I



 

no:

pp sempre

  

  

505

     u   





Pf. I

Pf. I

te

 

Mro.

504 Mro.

-



        

      

7

 

7

        7

       


Acto III Escena 8 507 Mro.

Pf. I

      O - las pe - que       

508

Pf. I

Mario: 3



   

Pf. II

- ñas

        7

 

      

    



7



 

       

        

7



      



7

             

   

 

 

 Pf. II

pp sempre

509

Pf. I

231

7

      

     

7

      

        

        

    

7

 

  



      

       


232 510





Acto III Escena 8

pp

Pf. I

 







Pf. I

     

 Pf. II





  Pf. II



7

        

 

     

     

       

pp

512

 

7

       511

Pf. I



7

 Pf. II

 

7

        

        

       

     

        7


Acto III Escena 8 513 Mro.

Pf. I

          

Mario:

233

  

Dos:

 

o - las

o

 

Pf. II

      

515 Mro.

Pf. I

   gran   

 -

       

           

Pf. II

6

         

6

6

     

6

     

516

Pf. I

las

des

6

  

-

        

Pf. II



6

3

6

         

        6

6

      6


Acto III Escena 8

234 517

  Pf. I

     

Pf. II

 



6

6

    

 

 

 mp

518

  Pf. I

     

Pf. II

 



6



6

 



6



 

 

       

 

6

         

 





 

  

6

 



6

6

    

       

6

3

519

Pf. I

 

     

Pf. II

   

 



6

 

6

           3



 

 

6



6

    

       

6


Acto III Escena 8

235

520 Mro.

  

 

      

    

6

Pf. II

    

         

      

6

Pf. II

   

 

3

   

   

6

 

 

 

      

 

   

   

6

6

    

6

 3

   

       

 

6

6

 

fuer - te

6

6

3

6

      

 

6

  

     

521

Pf. I

3

6

6



Vien - to

  Pf. I

f

Mario:

 

    6

  

      

6




Acto III Escena 8

236

522

Pf. I



  

Pf. II

   

3



6

     

 

      

   

6

 

6

    

     6



6

 

       

   

    6

   

6

    

6

  3

   

         

 

6

6

 

    

6

6

Pf. II

  

6



6

         

523

Pf. I

  

   

   

 

6



  

      

6


Acto III Escena 8

524 Mro.

  

Mario:

 

las

ro

Mar so - bre

  Pf. I

 

 



    

 

 

 

 



6

 

 

             

   

6

6

         

6

6

 

   

   

6

Pf. II

f



     

cas



 

6

525

Pf. I

-

 

 f

Pf. II

6

237

6

 

       

6


Acto III Escena 8

238

526 Mro.

  

Pf. I

Mario:

   el

   

   

f



   

    

 

              

Pf. II

 

 

do

   

6

        

6

 

3

    

6

        



6

          

6

6

 

527

Pf. I

-

6





a - can - ti - la

6

Pf. II

6

 

 

       

6

         6

        6

6

      

6

6

 

         

6


Acto III Escena 8

  

528 3

 Pf. I

               

Pf. II

 529



6

 



 

Pf. I

    

Pf. II



          6

       





   

6

        

 

6

    

Pf. I

    

Pf. II

 

 



  

    

6

   

      



   

6

      

6



6



      6

       

       

 



        

6

6

  

6

3

        

530

  

 

      

6

      

6



239

 

6

      

 

6

     

6


Acto III Escena 8

240 531

 

Pf. I

    

Pf. II



  

      

6

 

 

      

     

6





  

Pf. I

  

          

Pf. II



 

6



   

    

       

           

6

Pf. I

          

Pf. II

 

   

   

6

          

6

       

         

     

  

       

6

6

        

533

 

6



       

6

       

     

6

532

6

6

6

     

         

6


Acto III Escena 8 534

 Pf. I

Pf. II



 

     

   

    f

ff

 

f

       Cam-pa - nas!



Pf. I

Pf. II



 

    

540



 

Pf. I

    

 

  

 

    

  

       3

   

  

3

      



  



 

  

  

     

       

 

 

    

  

  

  Pf. II

  

La Ca - te - dral en do -min - go

     

   



ff

 

537 Mario: Mro.

   

241

 

     

  

      

 


Acto III Escena 8

242

543 Mro.

 

    Pf. I

  

Pf. II

      



  

pp

   

pp

 

6



    6

  

tris

 

   

  

    

   

  

       Pf. II

 

mp

     Pf. I

     mp

  

Re - des

546 Mro.

Mario:

-

tes

      

6

 

       

6


Acto III Escena 8 547 Mro.

   re

-

   Pf. I

 

Pf. II

 

Pf. II

Pf. I

   

  

6



    

6



     

 

6



 

6

 

          

  

    



6

     

6



6

  

       

6

 

   

 

   

  

6

   

6

     6

       549     

 Pf. II

f

     

des



    

6

548

Pf. I

243

   

6



     

6

  

       

6

mp


Acto III Escena 8

244

  

550

Pf. I

 

Pf. II



    

 Pf. II

    6

    

 

   

 



 



6

 

6

     

6

  

       



   

6

6

   

 

   mf



6

mf

6

 

   

   

       

 

 

   

6

 

6

    

Pf. II

 

    

552

Pf. I



mp

     



6

    

   

6

551

Pf. I

6



     

6

  

       

6


Acto III Escena 8

553

Pf. I

Pf. II

    

   

                           pp

pp

 

   

   

 

 

pp

3

3

 

   

245

 

 

 

 

Stars in the Sky Mro.

Pf. I

Pf. II

Pf. I

q = 50

   

559

Mario:

    



 

-

p

 3 3   564          

     

    

            

   

Es - tre

      Pf. II

 

p dolce

llas

     

      3

3

 

         

3

3



3

 

-

3

3

3

 

 

   

 

 



lo

  

 

 

en el cie

     

 

3  

                 3

3

    

3

 

 

   3

 

3

 

 

   


Acto III Escena 8

246

   



569

Pf. I

 

p

     Pf. II

 

573

Pf. I

Pf. II

  

q = 60

     

Mro.

Pf. I

Pf. II

    

   



     

Mario:

 3



  3

A - ma - ne - cer fren - te_al

 ff 

 

mar!

 

pp

  





ff





    3 3           

 



      p  

  

Sunrise by the Sea      

578

   

  

   3

3

  

 





     



 



  

 


580

Pf. I

Pf. II

Pf. II



 

      

584

Pf. I



 

   



 



  

 

 

Gio.

    

Pf. I

Pf. II

Giorgio:



       











(The front of the stage lights up. We see Giorgio with headphones on, Beatrice very pregnant and Mario with his ear on Beatrice's stomach)



 



 







 

  

 

 

  



 

Se_o - ye

to

  

 

    

Beatrice: ff

 ff

 



 



 



 



588 Bce.



 

247



 





 

Acto III Escena 8

De

 -

 

 

 



ve -

ras?

 

do!

 

 



  








Acto III Escena 8

248

 

590 Bce.

Gio.

  

 Pf. I

Pf. II

 



ff subito p

 

      De ve - ras?

Mro.

Gio.

      

to - do!

Pf. I

Pf. II

 

 

   

  

molto

 

molto



  

fff

    

      



Ah!

3

3

El co - ra - zón de Pa - bli

 

  

  

 



-

 

 

mp

 



Se_o - ye

f

 f

 

  



 

   592

Bce.

    

ff subito p

  

Ah!

El co - ra - zón de Pa - bli - to!



 

   6     

Mario: ff

Mro.

 f

 

 

    

to!

    

  


Acto III Escena 8

595 Bce.

Maestoso (poco meno mosso)

   

El

Mro.

 

Pf. II

ff

     

597 Bce.

Mro.

Gio.

  

 

co - ra - zón

 

lla - mar

 

 

 

 

El co - ra - zón de

Giorgio:

  Pf. I

ff

   

Pa - bli

 -

to

 

 

   

 



   



 

      

No lo

va - mos a lla - mar Pa - bli

 -

to

Pa - bli - to!

ff   

Se_o - ye to - do!

   

 

 3   3   

 

va - mos a

co - ra - zón de Pa - bli - to!

 

    

No lo

 3   3   El

 

f

3

249

     

    Se_o - ye to - do!

 

   

  

  


Acto III Escena 8

250

 

599 Bce.

  

 

No se lla - ma_a - sí

Mro.

Gio.

  

 

Pa

 -

bli

-

Pf. I

     

601 Bce.

-

   

-

-

 -

 

 

 

 

-

 

-

-

-

Gio.

   

 Pa

-

-

-

-

 Pa

  Pf. I

   

   

 

-

bli



-

bli

-

 



 

to

 



  

to

 

 

 

 

 

 

Pa

   

  

 -

to

 -

bli

-

-

-

-

   Se_o - ye

 

do!

 

 

 -

to!

   

No se lla - ma_a - sí

No_es Pa - bli

Mro.



To

 

-

  

to

  


Acto III Escena 8

 

   

603 Bce.

Mro.

Gio.

    



No_es Pa - bli

-

-

 

Pf. I

 

      

-

-

 

606

 

     

  

       

to!

to!

-

do!

 

   

 

 

 

   

      f        

         

611

Pf. I

-

-

Pf. I

251

    

  

 



  



 



   

  

                  

 

 

   

 

 

 

 

    



   

 

    

 

 

 

   

 

 

 

 

 

    

           



   


Acto III

252 q = 80

 

616

Pf. I

   p

619

 

Pf. I

   621

 Pf. I

Escena 9         

 

  

  

       



       

                                    

626

Matilde: mp

   



 



3

Mde.



   

623

Pf. I

 



    

 



 





  

 

  



         



 

    



  

Qué?

Nda.

Pf. I

      

     

Neruda: mp

  

     

  

Es cu - rio - so

 

Sien - to



    

    

  

que_he-mos re -gre -


   sa

Acto III Escena 9

   

629 Nda.

Pf. I

 632

Nda.

Pf. I

Nda.

Pf. I

Mde.

  

    

- do_a ca - sa

  

    el

   

 

 

  



a

Pf. I



         lar - go via - je                                 

vien - to

p

  

 3   3    re - gre - sar a mí

           





6

  

 

 -

pués de_un



      

         

 

des

      





la poe - sí - a

      

Matilde:

del

       

es

 3 

 

6

Es

Nda.

 

3

El so - ni - do

o - lor del mar

 

    

 

          

          637   

 6

 

 635       mis - mo

253

a - quí

  



 

 

en

don - de vi

3

          


Acto III Escena 9

254

641 Mde.

    vi - mos

Pf. I

   

Pf. I

       

 

Nda.

Pf. I

Pf. I

           

  

cuan - do

-

so

 

            

    

Y su - pues - ta - men

  

-

  

te

Matilde:

3

El e - xi - lio co - mien- za



-

jas

    

de_a

lio

-

3

pp

mar



             3          3

-

        3

              p         

-

vi

           p 3       

xi

 3

 

-

de



 

Neruda:

in - ten

pp

         



 

 



3 3          ví - a - mos en el e

650 Mde.

  más

 

       mp     

          

   

647 Mde.

nues - tro_a - mor

644 Nda.

6              6

3

6

 


Acto III Escena 9 653 Mde.

 Da

  Pf. I

656 Nda.

  

Pf. I







me_un

be

 -

   



Neruda:

-



mi_a



so



  

-

mor.

   

  

 

Matilde:

   

Si,

                 Y_a - ho - ra bus - que - mos a Ma - rio 3

Nda.

Pf. I

   pp p    

     

  

  





 

 

   

  

Si!

659 Mde.



-

 

255

 

y_a Be - a -

                 


Acto III Escena 9

256 662 Mde.

(A ball rolls out on stage from the wings, Pablito follows it out.)

  

  

Recit.

       

tri - ce.

  Pf. I

Ho - la,

             

 (Off stage, spoken)

666 Bce.

Pf. I

 

Pa - bli - to,

ven!

 

mp

Ven con ma - má

Pf. I

672 Bce.

a tempo (q = 80)

               

(Exit Pablito)

a - ho-ra te_al - can - zo

 Recit.         Matilde:

Pa - bli - to?

   

  rall.

       

   

(Beatrice enters and sees Neruda and Matilde)

3

 

3

3  Recit.       

có - mo te lla - mas?

 

  

     

Ve_a ju - gar a tu cuar-to Mde.

senza rigor di tempo

669 Bce.

    

Beatrice:

3

a tempo

p

3

  

Cuan - do le

 Pf. I



molto espr.

3

    

 

3

 

3

 morendo

 

 


Acto III Escena 9 675 Bce.

Pf. I

(recalling a happy moment)

    

di - je

de mi_em - ba - ra - so

 678

Bce.

   

3

“Lo lla - ma - re - mos Pa- bli - to,

Pf. I

Bce.

  sí

Pf. I

 -

  

É - ra - mos muy

Pf. I

686 Bce.

Pf. I

       

li

-

ces

ho - ras,

 ir

p

3       

a

mí me gus - ta - ba

 3

     a Chi - le!

 

poe -

  

 

  

          

morendo

3

y_a - pren - da

3

  

  

3

So - ña - ba con

 

Ma - rio_es - cri - bí - a_a to - das

         

     

-

   3

ba fe - liz!

più felice

 

-

oi - ga

 fe

 3     

684 Bce.

   

   

que

3

a!”

ta

 



681

-

     

pa - ra



 

es

 

  3

          

allargando e aprendo

3

3

257

 

subito più solenne



Lo_ex - tra -

 


Acto III Escena 9

258 689 Bce.

q = 69

   

       

ña - ba

Pf. I

Bce.

 

más

Pf. I

es - ta-ba muy tris - te

    692

 

des - pro - te - gi - dos

     



Pf. I

   699

Bce.

a tempo

 

3

pes - ca - do - res,

       lo_a - tur - dí - a

 



 

Pf. I

pp

   

de dar voz

a los

 

      

sus

 

tris - tes re - des

  

3  gl.       

ah

 

lo des - ga - rra - ba

       

   

(Voce parlata, except when there are long note values)

p

             



U - na ma - ni - fes - ta - ción

 



     

los

La_in - jus - ti - cia

 

 

    

Ha - bla - ba

 

     

695 Bce.

3 3            

3



    

  

co - mu - nis - ta

  

      3 

lo_in -vi - tó_a le - er un po -

(pp)

 

   

 

mp

 


Acto III Escena 9 702

   

Bce.

e - ma,

Coro

   

 

 

-

p

A

    



 

705

     3

Bce.

A

  

Pf. I

 

p

-

 

rri

-

 

 

yo no que - rí - a

 

  

 3    

-

rri

259

que

ba

Coro

Pf. I

 

pie

   

 

po - bres de_es - te

mun

     

ba

po - bres de_es - te

mun

     

los es - cla - vos sin

     

los es - cla - vos sin

pan!



Don

Pa

A

pan!

                     

(singing)

-



En

-

do

En



  

 

 

 -

 

blo

     

true - na la ra - zón en

-

true - na la ra - zón en

pp

 

do

 





 



-

 A

 

  

pe - ro

                 

fue - ra

     

no me_es - cu - chó

    pie

  

   

     

 

 


Acto III Escena 9

260

  

708 Bce.

   

     

3

es - ta - rí a_or - gu

Coro

    mar 

 -

 

mar

-

el

      

 

bli - to

Pf. I

    

 

 

-

El

mun

-

     

    



fin dela_o - pre - sión

             



  

 

lo co - no - ció

 

mun

 

 

do

 

do



va_a

va_a

 

Recit.          

la gen- te se tor - nó

 

 

   cam - biar

  

el fin

de



la_o - pre -

Es

el

      



  

vio

 

1/2 section

cam - biar

 

  

Es

  

   

-

fin dela_o - pre - sión

   

no

    El

Es

   

       

cha

711

Coro

 

 

 

Pa

        



   

Bce.

  Es

 

llo - so de mí

el

cha

      

Pf. I

-

  


Acto III Escena 9

     

714

   

Bce.

    sión

len - ta

Coro

 

fin

  

de

 

Es

el fin

 

 

   

-

   

 

 

  

717 Bce.

 

3

  

la_o

 

     

  

Ma - rio que - dó_a - tra - pa - do

 

   

Pf. I

Lle-gó la po -li - cí - a

tutti

   

 

261

de

pre



 

la_o - pre - sión

-

 

-

sión!

 

  

a -tra

  



 

   



   

pa - do

  

Actor

Coro

    Rea 

Pf. I

Actor:

            (Spoken and through the megaphone)

Ca - ma - ra - das! Ca - ma - ra - das!

 -

 

Rea

f Voice of actor

li

 -

 -

li

              

ce

-

 -

ce

-

  

 





           3

De - jen pa - sar al com - pa - ñe -ro Ma - rio



mos

to



mos

to

  

   

    

 -

-

dos

 -

-

 

dos

 

   


Acto III Escena 9

262 720

      Ruo-ppo- lo,

Actor

Coro

    jun 

-

-

tos

el

es



  



722 Bce.

 

   

  

 

Coro

Pf. I

-

 



-

fuer

   

 

  



zo

re

 

-

   

 

zo

re

 

     

 

den



        No quie - ro que va - yas!

-

den

 

   

’ f



tor

 -

  

-

 -

 

                dí-si-mo ma-es-tro Pa-blo Ne-ru- da!

    fuer

-

es

Ma - rio!

Actor

-

el

Beatrice:

es - tá de - di - ca -do_al gran -

tos

 

  

e - ma,

  3   3   

 -

 



 

jun



vie - ne_a re - ci - tar un po -

-

   

Pf. I

     3 

-

A

-

-

 

’ f

tor

A

      

  

-

        

3


Acto III Escena 9

725

 

Bce.

    rri 

  Pf. I

Pf. II

   p  

 

 

ba

po - bres de_es - te

f



-

los

-

ba

los

     f

 mun

-

po - bres de_es

   

  

 

    

 

Ca - ma - ra - das!



Ma - rio!

Ca - ma - ra - das!

 

- rri



Ma - rio!

  

Actor

Coro

q = 96

263

pp

    

-

do

te

mun

   

 -

do

  a -


Acto III Escena 9

264

727 Bce.

Actor

Coro

Ma

  

3      

      rri - ba los      

      

Pf. II

 

Man - ten - gan la cal - ma!

po - bres de_es - te

Pf. I

 

mun

 

-

do

     f

-

-

      

 mun

-

rio

-

-

do

    

mun

  

los



po - bres de_es - te

 



  

 

     

-

Lle - gó la po - li - cí - a

po - bres de_es - te

  

-

-


Acto III Escena 9

729

Bce.



 No

  

Actor

Coro

Pf. I

Pf. II

  

va

       po - bres de_es - te 

No

co - rran!

do!

A - rri

 

Ya

3     



mun

-

-

 

-

ba

  

     

  

los

-

    

po - bres de_es - te

 

po - bres de_es - te

vie - ne Pa - bli

    

do

 

3    

Cui - da - do!

 

     f

 

yas

   

  

-

Hay gen - te_a - tra - pa - da!

 

   

265

mun

   

-

-


Acto III Escena 9

266

731

Bce.





 

  

Actor

Coro

Pf. I

Pf. II

    mun 

 

do

        

    3

Man - ten - gan la cal - ma!

 -

-

do

   To - dos

jun - tos

 -

Es

un

 

  

   

    

mal

po - e - ma!

ce - mos

 

     

 

 

el

el

es -

Rea - li - ce - mos

     f

Rea - li

 

Me sien - to

to

 

   

es - fuer - zo


Acto III Escena 9

733

Bce.

Pf. II

Un po - e - ma!

  

fuer zo

    

Ma

-

-

-

rio!

Cui - da

-

-

-

do!

  

    

ff

Ah!

ff

mf

Ah!

               6

cresc.

   

 

re-den - tor

f

ff

mf

re - den - tor

   

   



       

    

Pf. I

  

Actor

Coro



267

6

6

 6

 

cresc.

   

  



ff

Mario: (spoken), Compañeros, voy a ler un poema dedicado al gran poeta Pablo Neruda… Un poema a Pablo Neruda… Compañeros…


Acto III Escena 9

268 735 Bce.

(Beatrice screams and the stage goes dark. We see the violence where Mario gets killed)



     Ah!    Ah!

Coro

          6        6 

Ah!

 Pf. I

Pf. II

  ff

          737

Pf. I

Pf. II

 

         

                   

740

Pf. I

Pf. II

ff       

        

  

  

 

 

 

6                    6

6

             

 

 

6

 

           

  

    

 

 


Acto III Escena 9

  

largando

742

Coro

 Ah



 

        ff               



   

  f  

  

 Ah





   

Ah

 

3

3

Pf. II



Ah

 Pf. I

269

 

 

 

   

 

ff

  

    

 

  ff

Largamente Beatrice: ff 746

Bce.

Coro



Ah!

ff      Ah!

  ff

   

     

 

 

 

 

 

   

Ah!

  

 

Ah

Ah

 Pf. I



Ah

  

 

 

 

  

  

  



  

  

mp

p

  

 


Acto III Escena 9

270 mp

752

 

Bce.

Ah!

Pf. I

Coro

 

  

 

Ah

      

  

 

Yo

 

 

    

pp



 

Ah

 

Neruda:

 

    

 



q = 60

3  3                               ve - o so - lo a ve - ces a - ta - ú - des a ve - la zar - par con di

  pp     Ah      p

Ah

     Pf. I

 

 



Ah

758 Nda.

  

  

 

    mp    





 

Ah

   p

  

   

 Ah

 

  

 



 

   



Coro

       Ah



Nda.



voce soffocata

  

     







 

Ah

Ah

 

 

   

     

-






Nda.

Coro



        fun-tos pá -li -dos 3

     Ah

Pf. I

        

y_a - ho - ra

Coro

Ah

  

Ah

  Pf. I

   

 

a - ho - ra



Ah

   

Ah

 

 

 

  

  



 

te_a

-



    

 



   





   

   

     

 

 

 

Ah

 



   

-

 

 

pa - ra

   

a

le - jas

Ah

 

  

 

 

Ah

pp



   

 

     

Ma - rio

 

       mor - ta - ja - do

   



764 Nda.

   



 

   

Ah

Ah

   



   

271



761

Acto III Escena 9

   


Acto III Escena 9

272

766

Bce.

Pf. I

 

Spoken: p

(She gives him the letter)

Mario dejó esta carta…

    

 

    siem - pre

Nda.

Coro



Ah



Ah

    pp    

        

  

   



para Usted







 





(Change of lights. Neruda alone)

  

 




Acto III

273

Mario's Farewell

3                   3 3 pp molto espr.  mp      

770

Pf. I

q = 66

pp

776 Mro.

 

781 Mro.

Pf. I

Pf. I

 

  

soy

     p     

   yo

   

pp

   

p

 

 

              

 

    

3

molto espr.

 

q = 60

 

     es - pe - ro

3        

Re - cuer - da que_u - na

 

 

se_a -

             p           

    

 

 3

Ma - rio

        cuer - de de mí            

 

 



3

p

Meno mosso

 

    3

3       

 

   

*Mario: p

784 Mro.

  

Que -ri - do Don Pa - blo

   Pf. I

 

 

* Mario sings solo through bar 808, he is joined by Neruda, in unison, at bar 810.

  

vez

   me pre - gun




Acto III Mario's Farewell

274 789 Mro.

   tó

   Pf. I

 

Mro.

Mro.

q = 72

   sé  

Pf. I

 

   804

   



  3

 

    





  

   



   -



   

na - da

 

   

pues

ya

lo

 

3

 

3

pen -

 

3

 

 





en

que le_en - ví - o_es



3

 

  

3

 

  3

a

3

  



is - la?

 

  

la



pu - de pen - sar

  

  Pf. I

en



 

 

  

798

  

 3

No

   Pf. I

  

 

so - bre_al - go_her - mo - so

 

793 Mro.

  

3

-



 

ta

cin

 

   

 -

ta

  


Acto III Mario's Farewell

  

808 Mro., Nda.

Pf. I

813 Mro., Nda.

    Pa - blo     

Pf. I

 818 Mro., Nda.

 

 

sen - ti

que

to

 

 

Pf. I

-

   ted

  

3

 



sas

be

 -

3

  

llas se_ha - bían

 

3

  3

Pe - ro_a - ho 3

  

  



pp

Don

 

 

  -

-

3

i

3

   

-

 

 

do

 

 

 

 

-

las

   



 

das

   



 

 

 

    

              3      

  

fue

 

823 Mro., Nda.

se

   

5

Pf. I

Cuan - do

3

 co

3

3

 

3



+Neruda:

      5  

       

275

ra

   

con us -

3

 

me doy


Acto III Mario's Farewell

276 828 Mro., Nda.

   cuen 

Pf. I

 

-

  

Pf. I

Pf. I

 

  

poco allarg.

  lo

 

  

3

p



 

 

Poco più mosso q = 63

    



 

 





 3

 

3

pp subito

 

po

-

 

e

 

 

-

ma

   

  

me da ver - güen - za



Pa - blo

     

       

  

 Don

Meno mosso q = 56

   



3             Pe - ro no se lo pon - go

3

es - cri - bí_un

  

    

 

rit.

 

 

 

  

     

 

ten - go_a - quí

 

 

que

  

3



3

ve - o

3

  Pf. I

  

         quie - ro de - cir - le

845 Mro., Nda.

y

840 Mro., Nda.

ta

  

834 Mro., Nda.



 



   


Acto III Mario's Farewell 847

277

5

                   Me_han in - vi - ta - do a le - er-lo_en pú - bli - co

Pf. I

  

Mro., Nda.

Più mosso q = 80

3     6                    3  p                     

      mar



  de_I

-

ta

 

-

el



  

Don Pa - blo

   

 



 

 

  

 

 

  3

  

lia

se lo de -

6

3         di - co_a_us - ted

          

   6               3    3                           

     Pf. I

3     

mp

6

853 Mro., Nda.

  

que me_en - se - ñó_a - mar

   Pf. I

  

851 Mro., Nda.

so - bre_el

    Pf. I

es

      mar

849

3

  

  

3

Mro., Nda.



 

  

 

    

  

 

de su_a - mi - go Ma - rio

          

 

  

 

 


Acto III Mario's Farewell

278

    

855 Mro., Nda.

più mosso

    Pf. I

                           can   

Pf. I

un

  

      

-

 3

 

 

 

3

 

 

   

 

     f

 -

  

da,



to

 

   

 

 

 

 

 

3     

si no_hu - bie - ra

lle -

    

3

3

   

 nun

    

 

3

blo,



 un

  

  -

 

  

-

    3      

 

Don Pa

 

can

   

  

  3      ga - do_a mi vi  3        

to

       Pf. I

     

862 Mro., Nda.

3

3

Es

859 Mro., Nda.







 -

               

ca

         


Acto III Mario's Farewell

  3      lo_hu - bie ra_es - cri

866 Mro., Nda.

Pf. I

-

 

f          



     ted

        Pf. I

     

      voz

872 Mro., Nda.

Pf. I

pp

 

     

p subito 

 3

si

me



tiem

3

 

pa- ra_us -

 

-

bla

la

  

 

 

poco più mosso

es

el

llan

 

p



 

 



y

 

Es

     

          

to





 

mp

 

869 Mro., Nda.

poco meno mosso



f

    

279

-

-

-

-

   

pp

 3

 3


Acto III Mario's Farewell

280

     -

875 Mro., Nda.

Pf. I

    

 

to

mar

del

     

       

   

     

879 Mro., Nda.

     Pf. I

vln solo

molto espress.

  

Pf. I

3

 

col canto

 3

       

3

3

ppp

 

  

  



  



 



     

mar

  



  

el

 

        

     

883

3

3

     

col canto

 

 

lunga

     

FINAL DE LA ÓPERA

Profile for ScoresOnDemand

Catán POSTINO  

Opera and Music Theatre; vocal score; Associated Music Publishers; musicsalesclassical.com; 37729

Catán POSTINO  

Opera and Music Theatre; vocal score; Associated Music Publishers; musicsalesclassical.com; 37729

Recommendations could not be loaded

Recommendations could not be loaded

Recommendations could not be loaded

Recommendations could not be loaded