Hvidtfelt Nielsen OPHELIA DANCES

020713

EDITION WILHELM HANSEN WH31938

Svend Hvidtfelt Nielsen

OPHELIA DANCES CONCERTO FOR

SINFONIETTA AND

ACCORDION

Full Score

I

Svend Hvidtfelt Nielsen

Ofelia Danser (Ophelia Dances)

Koncert for

Sinfonietta og

Accordeon

2012

II

3

Besætning: Fl/Picc Obo Kl. in Bb/ Bas-Kl. Fagot/Kontrafagot Horn Tpt i C Trombone 1 Perc.

(Vibrafon, Marimba, Rørklokker, Crotales, 3 Temple Blocks, Bambussæt, Wood-Chimes, Glass-Chimes, Stortromme) Pno. Accordeon Vn VnII Vla Vcl Kb.

Partitur i C Dur. ca. 20 min.

III

2

"Ofelia Danser" - ???

Hvad har komponisten tænkt sig. Er dette et forsøg på at lave et lydspor til en virtuel Hamlet-forestilling?

Danser Ofelia egentlig talt overhovedet? Eller har komponisten tænkt, at Ofelia var nok smuk og det synes han også hans musk er? Måske er det snarere en måde at dække over en meningsløs musik, der igennem ikke mindre end tolv satser ustandseligt går i stå og ikke formår at samle sig. Med mindre sats-inddelingerne er rent fup. Mange af dem glider umærkeligt over i hinanden mens andre, VI-IX bare er kastet oveni hinanden og afvikles samtidigt. Er det en sådan skizofrenitet i musikken komponisten alluderer til?

Nu er jeg jo selv komponisten, så jeg burde vide hvad jeg tænker mig. Det tætteste jeg kan komme er dog, at jeg synes musikken har en sprødhed og en sarthed, selv i sine mest robuste øjeblikke, der fik mig til at associere til Ofelia. Et navn jeg synes besidder en særlig fin skønhed. Og så er det da rigtigt, at det rent intellektuelt ikke er lykkedes mig at binde denne musik rationelt og uangribeligt sammen. Så, ja, vanviddet er taget ind i associationsfeltet som en kærkommen undskyldning.

Dansen er først sent kommet ind i billedet, i de sidste par uger af en tilblivelsesproces, der har strakt sig over ialt ni måneder.

Men da først tanken havde meldt sig hørte jeg overalt forsigtige tilløb til mulige danse.

Svend Hvidtfelt Nielsen, oktober 2012

"Ophelia Dances" - ???

What in the world should this mean? Is the composer suggesting that he has made a sound track for a virtual performance of Shakespeare's Hamlet? Does Ophelia dance at all?

Or did the composer believe, that Ophelia is beautifull and so is his music. He believes?

Maybe it is rather a way to make up for the randomness and lack of coherence of his music?

No less than 12 movements has been schethed. If not this apparent mass of movements is also purely virtual.

A shere gimmick as many of these movements are played attacca and movements VI-IX are played similtaniously, simply tossed on top of one another!

Well, being the composer I should know. The closest I can get to an explanaition is however, that to me the music has a certain fragility, that reminds me of this Ophelia of Hamlet.

And in my music, I hear her dance.

Svend Hvidtfelt Nielsen, oktober 2012

IV

"Ofelia Danser" er skrevet til og tilegnet: Bjarke Mogensen og Ă…rhus Sinfonietta

Skrevet med støtte fra Statens Kunstfond

5

Ophelia Dances Concerto for Sinfonietta and Accordion

Svend Hvidtfelt Nielsen 1/2/12 23/5/12 6/8/12

Calme con trasparenza

Flute

= ca. 60

Clarinet in B

Horn in F

behind acc.

Bassoon

Oboe

Piccolo

con sord.

Trumpet in B

Trombone

con sord.

Percussion

Arco

Vibraphone

Piano

con sord.

Violin II

Viola

Violoncello

col legno Double Bass

II III

con sord.

col legno

Calme con trasparenza = ca. 60

Violin I

Crotales

Accordion

6 4

Picc.

Ob.

cantabile

Cl.

Bsn.

Hn.

Tpt.

( )

Perc.

Tbn.

Bamboos

a

Vibraphone Crot.

Pno.

a

Db.

Crotales

Vc.

a

Vla.

a

Vln.

Vln. II

a

Accord.

= press mallet hard on key to create a glissando

7 8

Ob.

Cl.

Bsn.

A

Picc.

con sord.

Hn.

Tpt.

Tbn.

Perc.

Crot.

Pno.

Accord.

Vc.

Db.

col legno

gliss.

col legno

A

Vla.

Vln.

Vln. II

8

Picc.

Ob.

Cl.

Bsn.

cant.

Tbn.

Vib.

Vln.

con sord.

a

a

espressivo

Vln. II

Vibraphone

gliss.

Accord.

Tpt.

Flute

11

Vla.

13

Fl.

Ob.

sempre

B

Crotales

Vln.

Vln. II

Vla.

B

a

Vib.

Accord.

15

Fl.

Ob.

Hn.

Tpt.

Cl.

(con sord.)

Perc.

Accord.

Wood Chimes Bamboos 3 Temple Blocks

senza sord.

Vln. II

Vla.

Wood

Crot.

III IV

17

Fl. Ob.

Cl.

Vln.

C

Vln. II

Tpt.

Tom-t.

Accord.

9

(bell..)

subito

senza sord.

III IV

C

Vla.

10 19

Fl.

Ob.

Cl.

Hn.

Tpt.

Bsn.

Tbn.

Tom-t.

Crot.

Pno.

Vln.

Vln. II

Vla.

Vc.

col legno

Db.

Accord.

arco

pizz.

pizz.

11

II

Tranquillo e tenuto = ca. 32

Glass Chimes

23

Tri.

Crot.

Crotales

Vln. II

!

III IV

I II

II III

II III

IV

Vla.

arco

Tranquillo e tenuto = ca. 32

Vln.

III

IV

I

III IV

II III

IV

II

I II

!

arco

Vc.

I

III Piu Mosso, ritmico e elegante = ca. 96

12

Fl.

Ob.

Cl.

Bsn.

senza sord.

Hn.

senza sord.

Tpt.

senza sord.

Tbn.

s z

arco

Vibraphone

Crot.

Pno.

Accord.

Vln.

Piu Mosso, ritmico e elegante = ca. 96

pizz.

pizz.

Vln. II

pizz.

Vla.

Vc.

pizz.

Db.

pizz.

13

A

5

Fl.

Cl.

Hn.

Ob.

Bsn.

Tbn.

Tpt.

Tri.

Vib.

Crotales

batt.

Pno.

Accord.

A

Vln.

Vln. II

Vla.

Vc.

arco

arco

Db.

14 9

Fl.

" #

B

Ob.

Hn.

Cl.

Bsn.

Tbn.

Tpt.

(balance woodw.)

con sord.

Wood

Tri.

Wood Chimes Bamboos 3 Temple Blocks

Pno.

Accord.

Vln.

"#

Vln. II

Vla.

Vc.

Db.

pizz.

subito

pizz.

B

15 13

Fl.

Cl.

Hn.

Ob.

Bsn.

Tpt.

Tbn.

Wood

Crot.

Accord.

Pno.

Marimba

Vln. II

Vla.

Vc.

Vln.

Db.

16 17

Fl.

Ob.

Cl.

Bsn.

C

(behind acc.)

(behind acc.)

Hn.

Tpt.

Tbn.

Mar.

(behind acc.)

Pno.

Accord.

Vln.

Vla.

Vln. II

Vc.

C

17

21

Fl.

Ob.

(behind acc.)

Bsn.

(behind acc.)

$%

&

Cl.

(balance woodw.)

Hn.

Tpt.

Wood

Mar.

Pno.

(balance woodw.)

Accord.

Tbn.

$%

Vln.

Vln. II

Vla.

Vc.

Db.

&

18 25

Fl.

Hn.

&

D

! #

Tpt.

#

Cl.

! #

Ob.

Bsn.

&

senza sord.

Tbn.

Wood

Mar.

Pno.

Vln.

(bell...)

&

Accord.

! #

#

! #

&

D

Vln. II

Vla.

Vc.

Db.

!

31

Fl.

19

Ob.

Cl.

Hn.

Tpt.

Bsn.

Tbn.

Wood

Mar.

Pno.

Accord.

Vln.

Vln. II

Vla.

arco

Vc.

arco

Db.

!

pizz.

20 34

Fl.

Ob.

Hn.

E

Bsn.

Cl.

!

Presto furioso subito = ca. 128

Tpt.

Tbn.

Wood

Mar.

Pno.

Accord.

Vln.

Vln. II

!

Presto furioso subito

E = ca. 128

Vla.

Vc.

pizz.

Db.

pizz.

21 38

Fl.

Cl.

Hn.

Ob.

Bsn.

Tpt.

Tbn.

Wood

Mar.

Pno.

Accord.

Vln.

Vln. II

Vla.

Vc.

Db.

22

Fl.

Ob.

Bsn.

Tbn.

Wood

Vln.

F

arco

arco

arco

p

Db.

Vc.

p

Vla.

p

Vln. II

Accord.

Mar.

Pno.

F

Hn.

Tpt.

Cl.

43

23

47

Fl.

Cl.

G

Ob.

Bsn.

Hn.

Tpt.

Tbn.

Wood

Mar.

Pno.

Vc.

arco

G

Vla.

Vln. II

Vln.

Db.

Accord.

arco

24 51

Fl. Ob.

Cl.

Bsn.

Tbn.

Vln.

con sord.

con sord.

con sord.

Accord.

Hn. Tpt.

Vln. II

Vc.

Vla.

IV 25

Presto furioso sempre = ca. 128

Fl.

Ob.

Bsn.

Wood

senza sord.

poco

Vln.

pizz.

pizz.

pizz.

Vc.

Db.

pizz.

Presto furioso sempre = ca. 128

pizz.

Vla.

Vln. II

Accord.

Pno.

Tubular Bells

Tub. B.

senza sord.

Tbn.

senza sord.

Hn.

Tpt.

Cl.

' '

26 5

Fl.

Ob.

Bsn.

Tbn.

Tub. B.

Accord.

Cl.

8 ' '

Fl.

Cl.

Tub. B.

Accord.

Ob.

Bsn.

A

'

Fl.

Ob. 11

Cl.

Bsn.

Vln.

arco

A

Accord.

!

27

!

espress.

Vln. II

Vla.

15

Fl.

Ob.

Cl.

Bsn.

Tub. B.

Vla.

Vln. Vln. II

Accord.

arco

espress.

28

B 21

Fl.

Ob.

Cl.

Bsn.

Tpt.

Tbn.

Tub. B.

B

Vla.

C

' '

Bsn.

Vln. II

Vln.

espress.

28

Accord.

Fl.

Tub. B.

C

Cl.

Ob.

arco

Vla.

Vln. Vln. II

Accord.

' '

Fl.

Ob. 33

Bsn.

poco

Vln.

Vln. II

Vla.

Tub. B.

Accord.

Cl.

29

espr.

37

Fl.

Ob.

Cl.

Bsn.

Vln. II

Vla.

D

!

D

Vln.

Tub. B.

Accord.

!

30

" #

41

Fl.

!

" #

!

Hn.

Tub. B.

Pno.

Vln.

Vln. II

" #

!

" #

Vla.

Vc.

Db.

Accord.

Tpt.

Wood

Tbn.

Cl.

Bsn.

Ob.

!

46

Fl.

!

Bsn.

Hn.

Tbn.

Wood

Tub. B.

Tpt.

31

= ca. 85

!

#

Cl.

!

'

Ob.

#

E

Pno.

Accord.

Vln. II

Vla.

Vc.

Vln.

!

#

!

! E #

= ca. 85 pizz.

pizz.

pizz.

pizz.

Db.

pizz.

32 51

Fl.

Bsn.

Cl.

Ob.

Hn.

Tpt.

Tbn.

Wood

Tub. B.

Pno.

Accord.

Vln. II

Vla.

Vc.

Vln.

Db.

53

Fl.

Ob.

Cl.

Bsn.

Tpt.

Wood

Tub. B.

Pno.

Vln. II

Vla.

Vc.

Vln.

Db.

Accord.

Hn.

Tbn.

!

% = 128 #

33

F

%F = 128 #

!

34 56

Fl.

!

Bsn.

Tub. B.

Vla.

Vc.

Fl.

Cl.

Bsn.

Hn.

Vln.

poco danzante

arco Vla.

Accord.

Ob.

Vln. II

60

!

Vln.

Db.

Accord.

Cl.

Ob.

arco

63

Fl.

35

Ob.

Cl.

G

Bsn.

Hn.

Tpt.

Tbn.

Wood

Tub. B.

Pno.

Accord.

arco

Db.

arco

G

arco

Vc.

Vla.

Vln. II

Vln.

36

Fl.

66

Ob.

Vla.

Vc.

Vln. Vln. II

Accord.

Cl.

Bsn.

69

Fl.

Ob.

Cl.

Tpt.

Tub. B.

Accord.

Vc.

con sord.

To Mar.

Vln.

Vln. II Vla.

37 73

Fl.

Ob.

Cl.

Bsn.

Hn.

Tpt.

Tbn.

Wood

Tub. B.

Pno.

Accord.

attacca subito

Vln.

Vln. II

Vla.

Db.

Vc.

attacca subito

V. 38

Poco Misterioso = ca.60

Fl.

Ob.

Pno.

Bass Clarinet in B

To B. Cl.

Wood Chimes Bamboos 3 Temple Blocks

dolce cantabile

col legno

arco col legno

Poco Misterioso = ca.60

Wood

Vc.

Db.

Accord.

Tpt.

This could be played by Bass Clarinet if preferred.

Cl.

To Picc.

ord.

A

6

Fl. B. Cl.

Bsn.

Pno.

Accord.

Vc. Db.

(col legno)

A

col legno

dolce cantabile

Piccolo

11

Picc.

Ob.

B. Cl.

Bsn.

Hn.

39

To Cbsn.

( )

Tpt.

Tbn.

con sord.

Tom-t.

Mar.

Pno.

Vln.

Vla.

Db.

col legno

Vc.

col legno

col legno

Vln. II

Accord.

40 15

B. Cl.

Hn.

Tbn.

Mar.

Pno.

Accord.

Vla.

Vc.

Db.

! B

Tom-t.

!

(

(

(

Db.

(

Vln. II

Vla.

Vc.

(

!

(

Vln.

Mar.

Accord.

19

Hn.

Vln. II

Vln.

!B

attacca subito

(

(

attacca subito

VI-IX

Picc.

41

Con trasperanza: Misterioso, Danzante, Agitato, Sereno... = ca.40

Ob.

B. Cl.

Bsn.

Hn.

Contrabassoon

Tpt.

Tbn.

Tom-t.

To Tom-t.

To B. D.

Mar.

Pno.

Accord.

Vln.

trasperanza: Misterioso, Danzante, Agitato, Sereno...

Con = ca.40

Vln. II

ord. con sord.

ord. con sord.

Vla.

Vc.

Db.

ord., con sord.

42

A

7

B. Cl. Cbsn.

Pno.

Accord.

Db.

ord., con sord.

A

Vln.

Vc.

Vln. II

12

B. Cl. Cbsn.

Pno.

II III

Vla.

III

IV

senza sord.

I II

senza sord.

III IV

Vln.

Vln. II

Accord.

Piu Mosso subito = 120

B 16

B. Cl.

43

Cbsn.

Hn.

Pno.

% &

Accord.

&%

Piu Mosso subito

B = 120

Vln. Vla.

18

B. Cl. Cbsn.

&%

Hn.

Pno.

Accord.

) ) )

Vla.

&%

Vln.

espr.

44 20

Picc.

Ob.

B. Cl.

Cbsn.

Tbn.

Tom-t.

Mar.

Vln.

Vln. II

Accord.

Pno.

Tpt.

espr.

Vla.

Vc.

Db.

danzante

Hn.

45

C 24

Picc.

Ob.

B. Cl.

Cbsn.

Hn.

Tbn.

Mar.

Accord.

con sord.

C

Vln.

III IV

II III

Vla.

Vc.

Db.

Vln. II

Pno.

Tpt.

Tom-t.

46 28

Picc.

Ob.

Hn.

Tpt.

Tbn.

Cbsn.

Tom-t.

Mar.

Pno.

Accord.

III IV

Vc.

Db.

Vla.

Vln. II

Vln.

B. Cl.

47

D 31

Mezzo Tempo = ca. 60

Ob.

B. Cl.

Picc.

accompanying bassoon Cbsn.

leading melody

Hn.

Tpt.

Tbn.

Tom-t.

Mar.

Pno.

= ca. 60

senza sord. col legno

senza sord. col legno

III IV

Vc.

Mezzo Tempo

D

Vla.

Vln.

Db.

Vln. II

Accord.

softer than the rest of the ensembler not necessarily audible

softer than the rest of the ensembler not necessarily audible

48 33

Picc.

Ob.

B. Cl.

Cbsn.

Tpt.

Mar.

Pno.

Db.

softer than the rest of the ensembler not necessarily audible col legno

col legno

Vc.

III IV

Vla.

Vln.

Vln. II

Accord.

Tom-t.

Hn.

Tbn.

dolce

49 35

Picc.

Ob.

B. Cl.

Cbsn.

E

Tpt.

Tom-t.

Mar.

Pno.

Vln.

Vc.

Db.

E

ord.

dolce Vla.

ord.

Vln. II

Accord.

Hn.

Tbn.

50 37

Picc.

Ob.

B. Cl.

Cbsn.

To Cl.

To Bsn.

Hn.

Tpt.

Tbn.

Tom-t.

Mar.

Pno.

Accord.

To B.D.

Vln.

III IV

Vln. II

Vla.

Db.

Vc.

51

F

39

Picc.

Ob.

B. Cl.

Hn.

Tpt.

Cbsn.

Tbn.

Tom-t.

Bass Drum

Mar.

Pno.

Accord.

II III

II III

I II

F

II III

Db.

Vc.

Vla.

Vln.

Vln. II

III IV

52 Clarinet in B 42

B. Cl.

Vln.

III IV

Db.

To Crot.

III IV

ord.

ord.

Vc.

Vla.

Vln. II

Accord.

Pno.

con sord.

Tbn.

B. D.

47

Pno.

Vln.

Vln. II

Vla.

II III

Vc.

I II

( )

II III

III

IV

X

Molto dolce e sereno

53

= 40 Crotales Crot.

Molto dolce e sereno

Vln.

Vln. II

= 40

I II

Vla.

Vc.

espr.

IV

III

II

IV

II III

II

II III

I

A

8

Ob.

Cl.

Accord.

I II

I II

I II

A

Vc.

Vla.

Vln.

Vln. II

54

fermato ad. lib.

14

Picc.

Ob.

Crot.

(

(

(

(

B

II III

III

III

(

IV

(

(

II

(

B

(

Vc.

Vla.

Vln. II

(

Vln.

Cl.

Accord.

espr.

19

Picc.

Ob.

Vln. II

Vla.

Vc.

Vln.

Cl.

Crot.

Accord.

espr.

II III

espr.

55

21

Picc.

Cbsn.

Hn.

Cl.

Ob.

Tpt.

con sord.

Tbn.

B. D.

Crot.

Pno.

Vln.

Vc.

Db.

Vla.

Vln. II

Accord.

To Vib.

II III

IV

III

IV

III

II

II

56 23

Picc.

C

Pno.

IV

III IV

II

I II

Vc.

26

Picc.

Tpt.

Pno.

Accord.

Vla.

Vln. II

To Fl.

Vc.

Vln.

II III

I II

I

C

III

II

Vln.

Vla.

Vln. II

molto dolce

Accord.

Tpt.

Cl.

III IV

57 30

Tpt.

Pno.

Vla.

Accord.

D

33

Pno.

Accord.

36

Tpt.

!

Accord.

Pno.

XI Cantabile = ca. 50

58

!

senza sord.

Hn.

Tbn.

Tpt.

Accord.

Wood chimes

Wood Chimes

Fermata ad lib.

con sord.

con sord.

con sord.

con sord.

(

(

(

motor off

(

arco

(

(

(

(

Cadenza ad lib. continue through 1. A 3 bar beginning and ending is indicated. These indications are merely suggestions. The soloist is free to improvise in what way s/he chooses.

12

Accord.

16

Accord.

(

If no cadenza continue through 2.

12

Perc.

Accord.

! = min. 120

(

1.

Perc.

Vln.

Vib.

Vc.

Hn.

Vla.

7

Vln. II

Tbn.

Tpt.

Perc.

Pno.

senza sord.

senza sord.

etc.

Fermatos could be as long as needed.

The last fermato should minimum double the note value.

( ( (

(

( ( (

(

attacca subito

(To Tub. B.

Free tempo (fairly slow)

(

(

attacca subito

XII

Senza probleme (?)- Danzante

59

= ca. 76

Flute

Fl.

Cl.

Ob.

Bassoon

Bsn.

Hn.

Tpt.

Tbn.

Perc.

Tubular Bells

Tub. B.

Pno.

Accord.

*

*

Senza probleme (?)- Danzante = ca. 76

senza sord.

Vln.

senza sord.

Vln. II

senza sord.

Vla.

pizz.

Db.

senza sord. pizz.

Vc.

60 5

Fl.

Hn.

A

Tpt.

Cl.

Bsn.

Ob.

Tbn.

Perc.

Tub. B.

*

Pno.

Accord.

Vln.

Vla.

Vln. II

pizz.

pizz.

A

pizz.

Vc.

Db.

61 9

Fl.

Ob.

Cl.

Bsn.

Hn.

Tpt.

Tbn.

Perc.

Tub. B.

* *

Pno.

*

Accord.

arco

Vln.

Vln. II

Vla.

Vc.

Db.

arco

62

B

14

Fl.

Ob.

Cl.

Bsn.

Hn.

Perc.

Tub. B.

Pno.

Accord.

Tbn.

Tpt.

Vln. II

Vla.

arco

B

Vln.

Vc.

Db.

63

18

Fl.

Bsn.

Cl.

Ob.

Tpt.

Perc.

Tub. B.

Pno.

Vln.

Vln. II

*

*

*

Vc.

Db.

Vla.

To Crot.

Accord.

Hn.

Tbn.

64 21

Fl.

Cl.

Hn.

Ob.

Bsn.

Perc.

Tbn.

C

Tpt.

Crotales

Tub. B.

Accord.

Pno.

C

Vln.

Vln. II

Vla.

Vc.

Db.

65

25

Fl.

Cl.

Bsn.

To Tub. B.

Tubular Bells

Accord.

Crot.

Pno.

Ob.

Vln.

Vln. II

arco

Vla.

arco

Vc.

Db.

arco

66

D

29

Fl.

Ob.

Cl.

Bsn.

Hn.

#

Tbn.

Vln.

Vla.

D

#

arco Vc.

Vln. II

Accord.

Tub. B.

Pno.

Db.

32

Fl.

#

&

! #

#

Ob.

!

67

Cl.

Hn.

Tpt.

Bsn.

Tbn.

Accord.

Vln.

#

!

&

!#

#

pizz.

pizz.

pizz.

Vc.

pizz.

Db.

Vla.

Vln. II

Pno.

pizz.

68 38

Fl.

E

( )

Ob.

Cl.

Hn.

Tpt.

Bsn.

Tbn.

Perc.

Tub. B.

Pno.

Vln.

E

Accord.

arco

Vln. II

Vla.

Vc.

( )

Db.

!

!

43

Fl.

!

" $%

F

# $%

69

" $%

Ob.

Cl.

Bsn.

Hn.

Tpt.

Tbn.

Wood

Tub. B.

Pno.

Accord.

Wood Chimes Bamboos 3 Temple Blocks

Vln.

!

pizz.

pizz.

pizz.

Vla.

Vc.

Db.

pizz.

pizz.

Vln. II

"F $%

# $%

" $%

70

# $%

49

Fl.

Cl.

Bsn.

Hn.

Tpt.

Tbn.

Wood

Tub. B.

Pno.

Accord.

# $%

Vln. II

Vla.

Vc.

Vln.

Db.

" #

Ob.

" $%

" $%

" #

" #

G

54

Fl.

$

Bsn.

Ob.

Cl.

Hn.

Tpt.

Tbn.

Wood

Pno.

Marimba

Accord.

Vln.

Vln. II

Tub. B.

mosso subito Piu

= ca.

140

71

"#G

$

mosso subito Piu = ca. 140

Vla.

Vc.

Db.

72

58

Fl.

Ob.

Bsn.

Hn.

Cl.

&HTempo primo = ca. 76

Tpt.

Tbn.

Wood

Accord.

Vln.

arco col legno

arco col legno

Vla.

Vc.

arco col legno

primo & H Tempo = ca. 76

pizz.

pizz.

pizz.

pizz.

arco col legno

Db.

arco col legno Vln. II

Pno.

Mar.

$%

pizz.

$%

62

Fl.

$%

Ob.

% $%

" $%

Cl.

73

Piu Mosso = ca. 90

Tpt.

Tbn.

Bsn.

Hn.

Mar.

Pno.

Vln. II

$%

% $%

Vla.

Vc.

Db.

" $%

Vln.

Accord.

!

Piu Mosso = ca. 90

!

74 66

Fl.

!

(

Ob.

Cl.

(

(

(

Bsn.

Hn.

Tpt.

Tbn.

(

(

(

Mar.

Accord.

Vln.

Vla.

Vln. II

(

(

(

(

(

(

(

(

(

Db.

!

Vc.

Pno.

Fine 25/10/2012 rev. 14-15/01/13 NebbegĂĽrdsbakken

WH31938 ISBN 978-87-598-2925-7