Dillon STRING QUARTET NO. 7

ISSUU Version For perusal only

Peters Contemporary Chamber Series

DILLON String Quartet No. 7 Score and Parts

EP 72493a

ISSUU Version For perusal only

ISSUU Version DILLONonly For JAMES perusal String Quartet No. 7

POD PETERS on demand ALLE RECHTE VORBEHALTEN

· ALL RIGHTS RESERVED

EDITION PETERS L E I P Z I G · L O N D O N · NEW YORK

ISSUU Version For perusal only The score consists of 34 short but continuous sections of which sections fig. 9 and fig. 34 are the longest. These sections from two equal parts: figs. [1] - [9] - [17] & figs. [18] - [33] - [34] Figs. 9 & 34 (the longer sections) are constructed upon the open C natural strings of the viola and cello respectively and consist of symmetrical movement around periodic iterations of these (pedal) tones. The other shorter sections divide equally between scalar and gestural patterns and between solo and tutti textures.

Composed: Minneapolis/London, March – July 2013

Duration: c. 10 minutes

to Irvine Arditti on the occasion of his 60th birthday Commissioned by Musica, festival international des musiques d’aujourd’hui de Strasbourg First performance: 28 September 213, Salle de la Bourse, Strasbourg by the Arditti String Quartet

ISSUU Version String Quartet No. 7 For perusal only

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© 2013 by Peters Edition Ltd, London

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Minneapolis/London Fine : July 2013

ISSUU Version For perusal only

ISSUU Version For perusal only

ISSUU Version For perusal only

ISSUU Version For perusal only Photo © Dylan Collard

James Dillon

James Dillon (b. 1950) has been published by Edition Peters since 1982. In that year, Parjanya-Vata for solo cello won the Kranichsteiner Musikpreis at the Darmstadt Summer Course for New Music. His String Quartet No. 1 was premiered by the Arditti Quartet the following year at the Huddersfield Contemporary Music Festival – one of many festivals regularly featuring Dillon’s music. Other works include his ‘German Triptych’ (Überschreiten, 1985; helle Nacht, 1987; Blitzschlag, 1996) and the opera Philomela (2004). In 2003 he was awarded an honorary doctorate by the University of Huddersfield and in 2007 took up the position of Professor of Composition at the University of Minnesota.

James Dillon ( *1950) wird seit 1982 von der Edition Peters verlegt.

Im gleichen Jahr wurde Parjanya-Vata für Violoncello solo bei den Darmstädter Ferienkursen für Neue Musik mit dem Kranichsteiner Musikpreis ausgezeichnet. Das Arditti- Quartett brachte im Folgejahr Dillons Streichquartett Nr. 1 beim Huddersfield-Festival für Zeitgenössische Musik zur Uraufführung – nur eines von vielen Festivals, bei denen seine Musik regelmäßig erklingt. Zu weiteren Werken gehören das „German Triptych“ (Überschreiten, 1985; helle Nacht, 1987; Blitzschlag, 1996) sowie die Oper Philomela (2004). Im Jahr 2003 erhielt er die Ehrendoktorwürde der Universität Huddersfield, und 2007 übernahm er eine Professur für Komposition an der University of Minnesota.

T h e Pe te r s C o n te m p o r a r y C h a m b e r S e r i e s of fe r s t h e o p p o r tu n i t y to d i s c ove r n e w wo r ks to p ro g r a m m e, stu d y a n d p l ay. R e p r e s e n t i n g t h e f u l l b r e a d t h o f o u r l i b r a r y o f m o d e r n c h a m b e r m u s i c, t h i s c u r a te d s e r i e s o f p e r f o r m a n c e m ate r i a l s r a ng e s f ro m e sta b l i s h e d r e p e r to i r e to p i e c e s r e c e nt l y p r e m i e r e d.

Mit einer sorgfältigen Auswahl aus unserem breitgefächerten Katalog moderner Kammermusik lädt die Peters Contemporary Chamber Series dazu ein, neues Reper toire zu entdecken, zu erkunden und zu Gehör zu bringen. In Form von Auf führungsmaterialien umfasst sie etablier te Werke ebenso wie erst kür zlich uraufgeführ te Kompositionen.

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