Ruders CONCERTO IN PIECES

Conductor’s Score, 120508

EDITION WILHELM HANSEN

Poul Ruders CONCERTO IN PIECES Purcell Variations for orchestra

Full Score

Commissioned by the BBC Symphony Orchestra for premiere at Symphony Hall, Birmingham 29 May 1995 as part of the BBC’s "Music Live -95" festival in Birmingham The premiere was conducted by Andrew Davis

Poul Ruders

CONCERTO IN PIECES 1994-95

Purcell Variations for orchestra

Duration: ca. 17 min.

Score

Orchestra 3 Flutes (3rd db. Piccolo) 3 Oboes (3rd db. English Horn) 3 Clarinets (1st & 2nd in B , 3rd in A db. Cl. Picc. in E ) 1 Bass Clarinet in B 1 Alto Saxophone in E 3 Bassoons (3rd db. Contra Bassoon) 4 Horns in F 3 Trumpets (1st & 2nd in B , 3rd in C) 3 Trombones 1 Tuba 5 Timpani (1 player) 4 Percussionists:

I: Bass Drum, "Water Chimes" (two detached Tubular Bells, lowered into a pail of water; struck normally before lowering) II: Crotales (two-octave set), "Water Gong" (a tuned Gong (Paiste), lowered into a pail of water; struck normally before lowering), Basler Drum, Vibraphone (shared with Perc. III) III: Vibraphone (shared with Perc. II), Metal Wind Chimes, 5 Roto-toms (see part for details), Snare Drum, Tubular Bells IV: Glockenspiel, Tam-tam, Java Gong (largest possible), 7 tuned Gongs (Paiste) 1 Harp 1 Piano db. Celesta and Synthesizer (see below for details) Strings (large string-body) The score is written in transposition

Midi out

Midi in

Synthesizer equipment: 1 keyboard (synthesizer or digital piano), transmitting on MIDI-channel 1 1 AKAI S-1000 Sampler, with 8Mb RAM 1 mixer 1 “echo“ 1 stereo volume pedal

Keyboard

AKAI S-1000 L R out in Volume pedal out in

The samples are created by Gert Sørensen and come on 2 “floppy-disks“ The disks are included in the hire material from Edition Wilhelm Hansen.

Mixer

Echo

Poul Ruders CONCERTO IN PIECES Purcell Variations Programme Note CONCERTO IN PIECES was commissioned by the BBC as a celebration of two major events in British history of music: the 1995 tercentenary of the death of Henry Purcell and the 50th anniversary of Benjamin Britten’s Young Persons’ Guide to The Orchestra in 1996.

Being non-British my first reaction to the commission was a mixture of feeling very honoured and - as a foreigner - being quite scared of ‘messing around’ with two such holy cows of a national musical tradition not my own.

On the other hand, the subjects stipulating the commission weren’t that far away from my own upbringing: having been a member of Copenhagen Boys’ Choir I’d come across both composers more than once, in fact, on the home front (so to speak) my father owned quite a collection of old 78s of Purcell’s music, which I heard all the time and loved very much. Later on in life, composers of Britten’s mould -the highly professional orchestral dramatist - became a role model for my own artistic endeavours, so - having personally obtained that status or not - the urge to and challenge of trying to do a ‘show-piece’ with an educational angle based on Purcell presented too much compositional temptation for me to resist.

One thing was clear, though, from the beginning: if I wanted to come out of this venture alive, I’d have to choose a Purcell theme as far away in shape and nature as possible from the marvellous one Britten selected for Young Persons’ Guide ... (a dance tune from Abdelazar, or The Moor’s revenge). For me to choose the same tune, well, I’d just as well jump out the window ...

So I decided to use the fast, swinging ‘Ho-Ho-Ho’ witches’ chorus from the beginning of Act II of Dido and Aeneas. The original 4-part chorus appears intact, seamlessly merging into Variation I, both sections composed for full orchestra. Then, the first of several spoken commentaries appears, commentaries summing up as well as introducing what’s going on in terms of orchestral activities.

As opposed to Britten I focus more on the various combinations of instruments - the many faces of the symphony orchestra - rather than merely presenting the individual instruments. However, CONCERTO IN PIECES (the title hardly calls for further elaboration) may be performed without the commentaries, as an uninterrupted set of variations.

Variation II - again a movement growing organically out of the previous one - focuses on the orchestral phenomenon of ‘relayrunning’: various instruments taking over from each other, mainly to ease the problem of breathing and generally to give everybody ‘a break’ in technically and physically demanding passages.

Variation III occurs more ‘head-on’ than variations I and II. This time the technique of ‘hoqueting’ is being explored: a melodic line or group of musical statements moving around intact between the various instruments or group of instruments. In this case the (unlikely) similarity between piano and trombone (in a certain register) and the more obvious kinship between horns and trumpets set off the variation and gradually the entire orchestra is being engaged in huge collective dialogue.

Variation IV is a ‘blues-like’ recitative for solo saxophone (alto) and hushed divided strings, peppered with synthesizer, ‘bending’ flutes - and horns and tubular bells and gongs being lowered into water pails! the original theme - one could say - is already now well under water; the whole set of variations is like a walk through a mirror-gallery: we start out with the recognizable ‘portrait’, but the further we get into the hall of mirrors, the more disfigured and contorted the picture becomes. But is’s still the same original walking by!

Anyway, after this, the first variation featuring a solo-instrument, Variation V pops up like a film edit, this time the tuba being the centre of attention: an Air for tuba (this wonderful mellow instrument) in an accompaniment of ‘yapping’ horns, trumpets and trombones (various mutes like wa’wa), imitating human voices. Mr. Purcell himself appears fractionally in total recognizability here and there, paving the way for Variation VI in which the original ‘portrait’ is being completely and utterly atomized: a percussion (piano) and double bass variation paying homage to the mood of the original ‘Ho-Ho-Ho’: that of mockery and ferocity.

In Variation VII the harp takes the solo part in an almost ‘cubistic’ version of the initial theme, surrounded by descending lines in flutes, low trumpets, vibraphone and celesta. The concluding chorus of Dido ... ‘With dropping wings ye Cupids come’ hovers lazily on the horizon.

Thus having reached other planets of this particular Purcell ‘solar system’, Variation VIII is a recitative for harmon muted trumpet and strings playing near the bridge (sul ponticello) and hammering with the wood of the bow (col legne battuto): an ‘icy’ fantasy on the last recitative from Dido, in which the spirit of the Sorceress descends to Aeneas in the likeness of Mercury.

The penultimate movement, Variation IX, is a pizzicato intermezzo (with underlying double bass harmonics) taking us back to nearvisibility again: Variation X: Finale Fugato, a huge, pulsating minimalist fugue on a ‘condensed’ version of the original witches’ chorus. It is scored for full orchestra and towards the end horns horns and trombones play in unison Purcell’s theme, right through the surrounding orchestral whirl. Towards the very end they rise, thus in a standing position leading the rest of ‘the band’ in the ‘home run’.

Poul Ruders

Each public performance of CONCERTO IN PIECES should be accompanied by the following notice: The book MUSIC: A YOUNG PERSON’S GUIDE features CONCERTO IN PIECES. You can read about the music and hear it on the enclosed CD. MUSIC: A YOUNG PERSON’S GUIDE is published by Dorling Kindersley. (see also next page)

MUSIC A YOUNG PERSON’S GUIDE Written by Neil Ardley with music by Poul Ruders A look-and-listen guide to the instruments of the orchestra Includes a specially commissioned CD which allows the reader to hear as well as read about the music Featuring a new piece of music by the innovative young Danish composer, Poul Ruders Music performed by the internationally acclaimed BBC Symphony Orchestra, conducted by Andrew Davis Close-up photography of young musicians Illustrated timelines chart the lives of composers and their works A practical guide to music for children aged ten years and upwards Specification Format: 280 x 216 mm Extent: 80 pp Full colour throughout Over 300 illustrations 20.000 words Price: £16.99 inc. VAT ISBN 0 7513 5320 5

A DORLING KINDERSLEY BOOK

Danish version to be published in spring 1996

by Høst & Søns Forlag and Edition Wilhelm Hansen

Spoken commentary text (this text also appears within the music) Var. I, bar 27: We’ve just heard the entire orchestra in it’s full glory. Now the woodwinds and the strings will chase each other around and shortly various other groups from the orchestra will join in a huge collective dialogue.

Var. III, bar 58: Sometimes the string section of the orchestra plays huge, towering chords; that’s called “divisi”, which means divided in Italian and it makes the perfect background for a soursweet saxophone solo. You’ll also hear a true newcomer to the symphony orchestra: the synthesizer.

Var. IV, bar 38: The tuba is called the “cello” of the brass instruments and in fact the tuba has a unique capability of sounding uncommonly smooth, perfect for carrying a sombre tune through say - a background of muted, “yapping” horns, trumpets and trombones.

Var. VI, bar 2: The percussion plays an enormously important part in the modern orchestral repertoire. Here’s but a tiny selection from the virtually endless display of percussion instruments: Timpani, Marching Drum, Snare Drum, Roto-toms, Tuned Gongs and Tam-Tam. Even the piano may be used as a percussion instrument.

Var VI, bar 40: The harp tends to drowm in the general din of orchestral sound. However, it blends in nicely with flutes, clarinet, celesta and vibraphone.

Var. IX, bar 54: You’ve now been shown a few of the many faces of the modern symphony orchestra, from the full blast of the “tutti” to more subtle combinations of individual groups and instruments playing solo parts. So, let’s reassemble the entire orchestra as well as Henry Purcell’s theme from the bottom up in a huge, pulsating fugue.

Poul Ruders CONCERTO IN PIECES Purcell Variations

THEME AND VARIATION I Vivace Maestoso full orchestra 1 VARIATION II Vivace Scherzando woodwinds, strings 7 VARIATION III Parlando Alla Breve full orchestra 12 VARIATION IV Largo Recitativo saxophone, strings, “bending” winds, percussion, synthesizer 22 VARIATION V Allegretto Capriccioso tuba, brass (muted), woodwinds, strings 29 VARIATION VI Martellato Feroce percussion, piano, double basses 33 VARIATION VII Andante Lamentoso harp, flutes, clarinet, trumpets, vibraphone, celesta, tubular bells 37 VARIATION VIII Adagio Lontano trumpet, strings 39 VARIATION IX Intermezzo violins (pizz.), violas, cellos, double basses (harmonics) 41 VARIATION X Finale Fugato Vivace full orchestra 44

CONCERTO IN PIECES Purcell Variations

Theme

Poul Ruders, 1995

Vivace Maestoso Flauto

= 120

à2

1 2

Piccolo

à2 Oboe

1 2

Corno Inglese

Clarinetto in Si

1 2

Clarinetto in La/ Clarinetto in Mi Clarinetto Basso in Si

Sassofono Alto in Mi à2 1 2 Fagotto 3 à2 1 3 4 Corni in Fa

à2 2 4

in Si

1 2

3 Trombe in Do

3

1 2 3 Tromboni 3

Tuba

soft mallets 5 Timpani

Gran Cassa

(

)

1

2 Percussione 3

4

Synthesizer

Arpa

Pianoforte l.v.

senza 8va

8va

div.

Violino I

Violino II

Viole

Violoncelli div. unis.

Contrabbassi

WH 30261

Copyright © 1995 by Edition Wilhelm Hansen, Copenhagen

ISBN 87 598 0759 8

2

Variation I 1 ( = ) à2 1 Fl.

1 2

Picc.

à2 Ob.

1 2

C.I.

à2 1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

à2 1 2 Fg. 3

à2

à2

à2

à2

1 3 4 Cor. in Fa

2 4

1 in Si 2 3 Tr. in Do 3

1 2 3 Trbn.

3

Tuba

Timp.

1 Perc.

4

Arpa

Pno.

8va

8va

8va

Vln. I div.

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

unis.

3

2 à2

8 Fl.

à2

1 2

Picc.

à2 Ob.

1 2

C.I.

à2 1 Cl.in Si 2

Cl.in Mi

à2 1 2 Fg. 3

1.

à2

1 3

4 Cor. in Fa

à2 2 4

1 in Si 2 3 Tr. in Do 3

1 2 Trbn. 2

Tuba

upper C → B Timp.

F →F

Campa4 nelli

div.

unis.

unis.

Vln. I

div. unis.

Vln. II

div. unis.

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

4

3

à2

sub.

14 Fl.

à2

1 2 sub.

Picc.

sub.

à2 Ob.

1 2

to Ob. C.I. sub.

à2 1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

à2 1 2 Fg. 3

sub.

à2 1 3

sub.

4 Cor. in Fa

à2 2 4

1 in Si 2 3 Tr. in Do 3

1 2 Trbn. 2

Tuba

Timp.

Camp. 4

Pno.

marcatissimo (senza ped.)

8va

div. unis.

Vln. I

div.

Vln. II

Vla.

Vlc.

div.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

5

4

à2

20 Fl.

1 2

cresc.

Picc.

cresc. à2

sub.

Ob.

1 2

cresc.

sub.

1 Cl.in Si 2

Cl.in Mi

cresc.

Cl.Bso. in Si

1 2 Fg. 3

sub.

1 3 sub.

4 Cor. in Fa

2 4

Tr. 3 in Do

1 2 3 Trbn.

3

cresc.

Timp.

Camp. 4

cresc.

Arpa

Pno.

8va

‘la meta’ (outer half)

8va

tutti div.

Vln. I sub.

cresc.

sub.

cresc.

Vln. II

div.

unis.

div.

Vla.

pizz.

Vlc.

cresc.

sub.

pizz.

unis.

Cb. sub.

cresc.

WH 30261 Poul Ruders: CONCERTO IN PIECES

6

1 Only if commentary is spoken

à2

2 Only if commentary is not spoken

25 Fl.

1 2 to Fl.

to Fl.

to Cl. in La

to Cl. in La

Picc.

à2 Ob.

1 2

1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

1 2 Fg. 3

Spoken commentary: 1 3

We’ve just heard the entire orchestra in it’s full glory. Now the woodwinds and the strings will chase each other around and shortly various other groups from the orchestra will join in a huge collective dialogue.

4 Cor. in Fa

2 4

1 2 3 Trbn.

3

C

D F

F

C

D F

F

Timp.

Cassa 1 3

Camp. 4

Arpa

gliss.

Pno.

gliss.

3

loco

8va

8va

8va

8va

loco

loco

Vln. I

unis.

unis.

Vln. II

Vla.

arco

div. arco

unis. arco

3

Vlc.

pizz.

arco

div. arco

Cb.

pizz.

WH 30261 Poul Ruders: CONCERTO IN PIECES

unis. arco

3

7

Variation II 5 Vivace Scherzando

(

=

)

1 1 2 Fl.

Fl. 3

1 2 Ob. 3

1 Cl.in Si 2

Cl.in La

Sax.Alto in Mi

1 2 Fg. 3

1 3 4 Cor. in Fa 2 4

Cassa 1

Pno.

8va

unis. pizz.

Vln. I sub. pizz.

Vln. II sub.

Vla. sub.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

8

6 à2

6 1 2 Fl. 3

à2 1 2 Ob. 3

1 Cl.in Si 2

Cl.in La

Sax.Alto in Mi

1 2 Fg. 3

(pizz.)

Vln. I

(pizz.)

Vln. II

Vla.

pizz.

Vlc.

10 1 2 Fl. 3

1 2 Ob. 3

à2 1 Cl.in Si 2

Cl.in La

Sax.Alto in Mi

1 2 Fg. 3

Vln. I

arco Vln. II

Vla.

WH 30261 Poul Ruders: CONCERTO IN PIECES

9

14

7

à2

1 2 Fl. 3

à2 1 2 Ob. 3

à2 1 Cl.in Si 2

Cl.in La

arco

(pizz.)

Vln. I

cresc.

Vln. II

cresc.

Vla.

cresc. arco Vlc.

cresc.

Cb.

cresc.

19 1 2 Fl. 3

1 2

Ob. 3

1 Cl.in Si 2

Cl.in La

sim.

1 3 4 Cor. in Fa

sim.

2

Vln. I

Vln. II

Vla.

pizz.

Vlc.

pizz.

Cb.

10

8 22 1 2 Fl. 3

1 2 Ob. 3

1 Cl.in Si 2

Cl.in La

1 3 4 Cor. in Fa 2

Vln. I

Vln. II

(pizz.)

Vlc.

(pizz.)

Cb.

26 1 2 Fl. 3

1 2 Ob.

3

1 Cl.in Si 2

Cl.in La

1 3 4 Cor. in Fa 2

Vln. I

Vln. II

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

11

9 30 1 2 Fl. 3

1 2 Ob. 3

1 Cl.in Si 2

Cl.in La

1 3 4 Cor. in Fa 2

Vln. I

Vln. II

Vla.

(pizz.)

arco

Vlc.

(pizz.)

div.

arco

Cb.

34 1 2

Fl.

3

1 2 Ob. 3

1 Cl.in Si 2

Cl.in La

1 3 4 Cor. in Fa 2 4

Vln. I

cresc.

Vln. II

cresc.

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

12

Variation III 10 Parlando Alla Breve

= 80 (

= )

1 1 2 Fl. 3

1 2 Ob. 3

1 Cl.in Si 2

Cl.in La

1 2 Fg. 3

à2 1 3 4 Cor. in Fa 2 4

1 in Si 2

3 Tr. in Do 3

1 2 3 Trbn.

3

2

Perc. 3

4

Pno.

senza

punta d’arco

Vln. I

senza vib.

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

13

11 7 1 2 Ob. 3

1 Cl.in Si 2

Cl.in La

1 2 Fg. 3

à2 1 3 4 Cor. in Fa 2 4

1 in Si 2 3 Tr. in Do 3

1 2 3 Trbn.

3

Pno.

Vln. II

13 1 2 Ob. 3

1 Cl.in Si 2

Cl.in La

1 2 Fg. 3

1 3 4 Cor. in Fa 2 4

1 in Si 2 3 Tr. in Do 3

1 2 3 Trbn.

3

Pno.

Vln. II

WH 30261 Poul Ruders: CONCERTO IN PIECES

14

12 18 1 2

Fl. 3

1 2 Ob.

3

1 Cl.in Si 2

Cl.in La

1 2 Fg. 3

à2 1 3 4 Cor. in Fa 2 4

1 in Si 2

3 Tr.

in Do 3

1 2 3 Trbn.

3

sempre l.v.

Crot. 2 marc.

sempre con ped.

Vib.

3 marc.

sempre l.v.

8va

Camp. 4 marc.

Pno.

div.

Vln. I

Vln. II con vib.

div. à3 Vla.

WH 30261 Poul Ruders: CONCERTO IN PIECES

15

23 1 2 Fl. 3

1 2 Ob. 3

1 Cl.in Si 2

Cl.in La

1 2 Fg.

3

à2 1 3 4 Cor. in Fa 2 4

1 in Si 2 3 Tr. in Do 3

1 2 3 Trbn.

3

Crot. 2

Vib.

3

8va

8va

loco Camp. 4

Pno.

pizz.

Vln. I

pizz.

Vln. II

Vla.

div. à3

pizz.

Vlc.

WH 30261 Poul Ruders: CONCERTO IN PIECES

16

13 28 1 2 Fl. 3

1 2 Ob. 3

1 Cl.in Si 2

Cl.in La

1 2 Fg. 3

à2 1 3 4 Cor. in Fa 2 4

1 2 3 Trbn.

3

Crot. 2

Vib.

3

loco 8va

Camp. 4

Pno.

(pizz.)

Vln. I

(pizz.)

Vln. II

Vla.

(pizz.)

Vlc.

WH 30261 Poul Ruders: CONCERTO IN PIECES

17

14 33 1 2 Fl. 3

1 2 Ob.

3

1 Cl.in Si 2

Cl.in La

1 2 Fg.

3

à2 1 3 4 Cor. in Fa 2 4

1 2

3 Trbn.

3

Crot. 2

Vib.

3

8va

Camp. 4

Pno.

Vln. I

Vln. II

Vla

Vlc.

WH 30261 Poul Ruders: CONCERTO IN PIECES

18

38 1 2 Fl. 3

1 2 Ob. 3

1 Cl.in Si 2

Cl.in La

1 2 Fg. 3

Ă 2 1 3 4 Cor. in Fa 2 4

1 in Si 2 3 Tr. in Do 3

1 2 3 Trbn.

3

Crot. 2

Vib.

3

8va

8va

loco

8va

loco

Camp. 4

Pno.

8va

(pizz.)

arco

(pizz.)

arco

Vln. I

Vln. II

Vla.

(pizz.)

arco

Vlc.

div.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

19

15 44 1 2 Fl. 3

1 2 Ob. 3

1 Cl.in Si 2

Cl.in La

1 2 Fg. 3

à2 1 3 4 Cor. in Fa 2 4

1 in Si 2 3 Tr. in Do 3

1 2 3 Trbn.

3

Crot. 2

Vib.

3

8va

8va

8va

loco

loco

Camp. 4

Pno.

8va

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

loco

20

16 49 1 2 Fl. 3

1 2 Ob. 3

1 Cl.in Si 2

Cl.in La

1 2 Fg. to Cfg. 3

à2 1 3 4 Cor. in Fa 2 4

1 in Si 2 3 Tr. in Do 3

1 2 3 Trbn.

3

Crot. 2

Vib.

3

8va

loco Camp. 4

Pno.

8va

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

21 accelerando

1 Only if commentary is spoken

2 Only if commentary is not spoken

54 1 2 Fl. 3

1 2 Ob. 3

1 Cl.in Si 2

Cl.in La

à2 1 3 4 Cor. in Fa

Spoken commentary: 2 4

‘Sometimes the string section of the orchestra plays huge, towering chords; that’s called ‘divisi’, which means divided in Italian and it makes the perfect background for a sour−sweet saxophone solo. You’ll also hear a true newcomer to the symphony orchestra: the synthesizer’.

1 in Si 2

3 Tr.

in Do 3

Crot. 2

Vib.

3

Camp. 4

Pno.

8va

8va

Vln. I

Vln. II

Vla.

non div.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

22

Variation IV 17

Largo Recitativo

18

= 42 (Bend)

1 1 2

Fl. (Bend) 3

1 Cl.in Si 2

Cl.in La

Molto liberamente solo 7

Sax.Alto in Mi

à2

3.

1 3 Portamento 4 Cor. in Fa Portamento 2.

2 4

Water-chimes 1

Water-gong 2 Perc.

Metal-wind-chimes 3

Tam-Tam 4

7

to Synth.

Synth. con

Pno.

8va

div. à4 gliss.

gliss. (senza sord.)

Desks: I/III V/VII Vln. I div. à4

gliss.

con sord.

II/IV VI/VIII

div. à3

con sord.

Vln. II

(senza sord.)

Vla.

div. con sord.

Vlc.

div. con sord.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

l.v.

3

3

23

10 1 2

Fl.

3

3

3

3

3

Bend

Sax.Alto in Mi

3 4 Cor. in Fa 2 4

Wt.-Ch. 1

Wt.-G. 2

Wd.-Ch. 3

Tam

4

7

Synth.

I/III V/VII Vln. I div.

II/IV VI/VIII

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

7

24

19 17 1 2

Fl. 3

1 Cl.in Si 2

Cl.in La

7

3

3

3

3

3

3

Sax.Alto in Mi 6

3

9

3 4 Cor. in Fa 2 4

Wt.-Ch. 1

Wt.-G. 2

Wd.-Ch. 3

Tam

4

7

Synth.

I/III V/VII Vln. I div.

II/IV VI/VIII

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

25

20 22 1 2 Fl. 3

1 Cl.in Si 2

Cl.in La 3

Sax.Alto in Mi 7

7

sub.

3 4 Cor. in Fa 2 4

Wt.-Ch. 1

Wt.-G. 2

Wd.-Ch. 3

Tam

4

7

Synth.

I/III V/VII Vln. I div.

II/IV VI/VIII

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

7

26

26 1 2

Fl.

3

1 Cl.in Si 2

Cl.in La

3

3

3

3

Sax.Alto in Mi

3 4 Cor. in Fa 2 4

Wd.-Ch. 3

7

7

Synth.

I/III V/VII Vln. I div.

II/IV VI/VIII

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

7

27

29 1 2 Fl.

3

1 Cl.in Si 2

Cl.in La

Sax.Alto in Mi 6

3 4 Cor. in Fa 2 4

Wt.-Ch. 1

Wt.-G. 2

Tam

4

7

Synth.

I/III V/VII Vln. I div.

II/IV VI/VIII

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

28

21 Attacca if commentary is not spoken

33 1 2 Fl. to Picc.

3

Spoken commentary: ‘The tuba is called the ‘cello’ of the brass instruments and in fact the tuba has a unique capability of sounding uncommonly smooth, perfect for carrying a sombre tune through− say−a background of muted, ‘yapping’ horns, trumpets and trombones’.

1 Cl.in Si 2

Cl.in La

3

3

3

3

3

3

Sax.Alto in Mi 3

Wt.-Ch. 2

Wt.-G. 3

Wd.-Ch. 4

Tam

7

sim.

to Pno.

Synth.

7

I/III V/VII Vln. I div.

II/IV VI/VIII

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

29

Variation V 22

Allegretto Capriccioso

= 72

1 Fl.

1 2

Picc.

Ob.

1 2

Fg.

1 2

1 3 4 Cor. in Fa 2 4

1 in Si 2

3 Tr.

in Do 3

1 2

3 Trbn.

3

solo Tuba 3

3

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

30

23

3

3

3

=

7 Fl.

3

3

1 2 3

3

3

3

3

3

3

Picc.

3

Ob.

3 3

3

3

1 2 3

(1 ) Fg.

3 3

3

3

3

3

3

3

3 3

3

1 3

metal mutes 1 3 4 Cor. in Fa

metal mute

(2 )

2

harmon (wa−wa) 1 in Si 2 3 Tr. harmon (wa−wa) in Do 3

harmon (wa−wa) 1 2 3 Trbn.

harmon (wa−wa) 3

Tuba

sul pont. senza vib.

div.

3

‘la meta’: sul pont. senza vib.

3

3

3

Vln. II 3

3 3

3

3

3

Cb.

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

11 Fl.

1 2 3

3

3

3

3

3

3

3

3

Picc.

3 3

3

Ob.

1 2 3

3

3

Fg.

3 3

3 3

1 3

1 3 4 Cor. in Fa 2

1 in Si 2 3 Tr. in Do 3

1 2 3 Trbn.

3 (solo)

3

3

3

3

3

Tuba

3

3

3

3

3

3

3

Vln. II 3 3

Cb. 3

WH 30261 Poul Ruders: CONCERTO IN PIECES

3

3

31

24

3

3

3

15 Fl.

1 2 3

3

3

3

3

Picc.

3 3

Ob.

3

3

3 3

1 2 3

3

3

Fg.

3

1

1 3 4 Cor. in Fa 2

1 in Si 2 3 Tr.

in Do 3

1 2 3 Trbn.

3 3

3

3

3

3

Tuba sub.

3

3

3

3

3

3

Vln. II

Cb.

25

3

3

19 Ob.

1 2 3 3

Fg.

3

1 3

1 3 4 Cor. in Fa 2 harmon off 1 in Si 2 3 Tr. harmon off in Do 3

harmon off 1 2 3 Trbn. harmon off 3

3

3

Tuba sub.

3

Vln. II 3 3

Desks I & II sul pont. senza vib.

Vlc. 3

WH 30261 Poul Ruders: CONCERTO IN PIECES

32

3

3

3

3

3

3

3

3

3

3

3

3

23 Fl.

1 2

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

3

3

3

3

Picc.

3

3

3

Ob.

3

3

3

3

cresc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

1 2 3

3

3

Fg.

3

3

3

3

3

3

3

3

3

3

3

3

3

3 cresc.

cresc.

3

3

3

3

3

3

3

3

3

3

3

3

1 2 3

3 3

3

3

3

3

3

à2

cresc.

3

1 3 3

cresc. 3 4 Cor. in Fa 4

metal mute à2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

2 4

cresc.

3

3

3

3 3 3

3

3

3

3

str. mutes 1 in Si 2 3

3 Tr.

str. mute

3

3

3

3

3

in Do 3

3

3

3

3

3

3

3

3

3

3

str. mutes 1 2 3

3 Trbn.

str. mute

cresc.

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

cresc.

3

3

3

3

Tuba

3

3

3

div. sul pont. senza vib.

Vln. I 3

3

3

3

3

3

3

3

3

3

cresc.

3

3

3

3

3

3

Vln. II 3

cresc.

3

unis. sul pont. senza vib.

3

3

3

3

3

3

3

3

Vla.

cresc.

Tutti (sul pont. senza vib.)

3

3

3

3

3

Vlc. 3

3

3

3

3

3

3

3

Tutti (sul pont. senza vib.)

3

cresc.

3 3

Cb. 3

3

3

3

3

3

cresc.

WH 30261 Poul Ruders: CONCERTO IN PIECES

3

3

33

Variation VI 3

26

Martellato Feroce

1

=

( = 108)

attacca if commentary is not spoken

metal mutes off

1 3 4 Cor. in Fa metal mutes off 2 4

str. mutes off 1 in Si 2

3 Tr. str. mute off in Do 3

Spoken commentary: str. mutes off 1 2

3 Trbn. str. mute off 3

The percussion plays an enormously important part in the modern orchestral repertoire. Here’s but a tiny selection from the virtually endless display of percussion instruments: Timpani, marching drum, snare drum, Roto−toms, tuned gongs and Tam−Tam. Even the piano may be used as a percussion instrument.

Timp.

Cassa 1

snare off Basler- 2 drum

Snare drum 3

7 Tuned Gongs 4 Tam

8

Pno.

Cb.

4

To Roto-Toms

=

5 RotoToms 3

R.H. Gongmallets

Tam

Gongs Tam 4 L.H. Tammallet

8

Pno.

loco

loco senza

8va

8va

ord. div.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

34

27 8

coperti

Timp. hard mallets

Cassa 1

Baslerdrum 2

hard mallets Rotos 3

Gongs 4

(both hands) 8va 15ma

Pno. 15ma

12 Timp.

Cassa 1

Baslerdrum 2

Rotos 3

Gongs 4

17 Timp.

Cassa 1

Baslerdrum 2

Rotos 3

Gongs 4

WH 30261 Poul Ruders: CONCERTO IN PIECES

35

28 21 Timp.

Cassa 1

Baslerdrum 2

Gongs 4

8

Pno.

8va

Cb.

25 Timp.

Cassa 1

Baslerdrum 2

Rotos 3

Tam

Gongs

Gongs Tam 4

8

Pno.

8va

Cb.

29 29 Timp.

Cassa 1

Baslerdrum 2

Rotos 3

Gongs Tam 4

8

Pno.

8va

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

36

32 Timp.

Cassa 1

Baslerdrum 2

Rotos 3

Java Gong

Tam

Gongs Tam 4 Large Java Gong

8

Pno.

8va

Cb.

30

attacca if commentary is not spoken

36

G.P.

Timp.

D

C F

G (Var.X)

G.P. Cassa 1

to vibraphone Baslerdrum 2

Tubular Bells 3

G.P. Arpa

Spoken commentary: ‘The harp tends to drown in the general din of orchestral sound. However, it blends in nicely with flutes, clarinet, celesta and vibraphone’.

G.P. 8

Pno. to Cel.

8va

8va 8va

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

37

Variation VII 31 Andante Lamentoso

=

( = 54)

1 1 2 Fl.

3

1 Cl.in Si 2

Cl.in La

Tr. 1 in Si 2

Timp.

8va

8va

(no motor) Vibraphone 2

Tubular Bells 3

solo

Arpa

Celesta

Vln. I

Vln. II

32 11 1 2 Fl.

3

Cl.in La

Tr. 1 in Si 2

8va

Vib.

8va

2

Tub. Bells 3

Arpa

G

Cel.

WH 30261 Poul Ruders: CONCERTO IN PIECES

8va

loco

38

19 1 2

Fl.

3

Cl.in La

8va

Vib.

2

Arpa

Cel.

33 26 1 2

Fl. 3

Cl.in La

Tr. 1 in Si 2

8va

Vib.

8va

2

Tub. 3 Bells

Arpa

D

A

Cel.

WH 30261 Poul Ruders: CONCERTO IN PIECES

39

34 1 2 — Fl. 3 —

to Cl. in Mi Cl.in La

8va

8va

l.v.

Vib.

2

étouffez

Arpa

Norm.

G

A

Cel.

To Pno.

feroce

Vln. I

feroce

Vln. II

Variation VIII 34 1

Adagio Lontano harmon mute

= 42 1

solo

*

2 3

2 3

3

2 3

2 3

Tr. 1 in Si * 3rd. slide out all the way throughout the solo to make the quarter tones possible.

div. con sord.

sul pont.

div. con sord.

sul pont.

div. con sord.

sul pont.

Vln. I

Vln. II

Vla.

Vlc.

35 3

7

3 3 2

3

Tr. 1 in Si

Vln. I

Vln. II

Vla.

WH 30261 Poul Ruders: CONCERTO IN PIECES

2 3

2 3

2 3

2 3

40

36 3

13

2 3

2 3

2 3

2 3

3

Tr. 1 in Si

3

(sord.)

Vln. I

(sord.)

Vln. II

3

3

(sord.)

unis.

Vla.

Vlc. col legno batt.

18 Tr. 1 in Si

2 3

2 3

3

3

3

3

2 3

3

poss.

3

Vln. I 3 3 3

Vln. II 3 3

3

Vla.

37 1 3

24

3

3

1 3

3

2

Tr. 1 in Si 3

3

poss.

trem. punta d’arco

Vln. I sub.

trem. punta d’arco Vln. II sub.

3

3

3

Vla.

col legno batt.

Vlc.

2 3

38

=

2 3

29 Tr. 1 in Si

accelerando

3

8va

senza sord.

unis. ord.

pizz.

3

3

Vln. I 6 8va

unis. ord.

senza sord. pizz.

sul D

3

3

3

Vln. II 6 8va

senza sord.

3 pizz.

ord.

Vla. 6

col legno batt.

3

pizz.

3

3

3

Vlc. 3

WH 30261 Poul Ruders: CONCERTO IN PIECES

3

41

Variation IX 39

Intermezzo

= 120

1 Cor 2 in Fa 4

Tuba

Pno.

(pizz.)

Vln. I

(pizz.)

Vln. II

(pizz.)

Vla.

(pizz.) * Vlc.

div. arco Cb. Actual pitch * Guitar竏値ike pizz. lots of vibrato.

40 8 Vln I.

Vln II.

Vla.

Vlc.

Cb.

41 16 Vln. I

Vln. II

gliss.

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

42

(pizz.)

42

43

23 Vln. I

(pizz.)

Vln. II

(pizz.)

Vla.

(pizz.)

Vlc.

Cb.

31 Vln. I

Vln. II

Vla.

Vlc.

Cb.

44 39 Vln. I

Vln. II

.

gliss Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

43

45

46

47

à2

Cor. 2 in Fa 4

Tuba

Spoken commentary:

Pno.

senza 8va

sul D s. glis

s.

glis

Vln. I

Vln. II

sul G s. glis

sul D

glis

s.

sul D

glis

glis

Vla.

sul G

.

iss

Vlc.

gl

pizz.

arco

Cb.

To be repeated until narrator has finished.

If commentary is not spoken, omit this bar.

55 Cl.Bso. in Si

Fg.

1 2

Cor. 2 in Fa 4

Tuba

from the full blast of the ‘tutti’ to more subtle combinations of individual groups and instruments playing solo parts.

So, let’s reassemble the entire orchestra as well as Henry Purcell’s theme from the bottom up in a huge, pulsating fugue’.

Pno.

sub.

8va

arco Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

accelerando

s.

s.

ss.

gli

"You’ve now been shown a few of the many faces of the modern symphony orchestra, (cont.)

44

Variation X Finale fugato Vivace 47

Vivace

48

= 132

1 1 2 Fl. 3

Ob.

1 2

C.I.

1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

Fg.

1 2

Cfg.

à2 1 3 4 Cor. in Fa à2 2 4

1 in Si 2 3 Tr. in Do 3

1 2 3 Trbn.

3

Tuba

Timp.

1

2 Perc.

3

4

Arpa

Pno.

8va

Vln. I

Vln. II arco Vla.

Vlc.

pizz.

Cb.

(arco)

WH 30261 Poul Ruders: CONCERTO IN PIECES

45

49 7 C.I.

1 Cl.in Si 2

Cl.Bso. in Si

Fg.

1 2

à2 1 3 4 Cor. in Fa

à2 2 4

cup mutes 1 in Si 2 3 Tr.

cup mute

in Do 3

arco Vln. II

Vla.

Vlc. sempre Cb. sempre

50 12 1 2 Fl. 3

Ob.

1 2

C.I.

1 Cl.in Si 2

Cl.Bso in Si

Fg.

1 2

1 3 4 Cor. in Fa 2 4

1 in Si 2 3 Tr. in Do 3

arco Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

46

51 18 1 2 Fl.

3

Ob.

1 2

C.I.

1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

Fg.

1 2

à2 1 3 4 Cor. in Fa

à2 2 4

(cup) 1 in Si 2 3 Tr. (cup) in Do 3

Tuba

non coperti Timp. soft mallets

Tam. Tam

4

Pno.

8ba

Vln. I

Vln. II

Vla.

Vlc.

arco

pizz.

Cb. (arco)

WH 30261 Poul Ruders: CONCERTO IN PIECES

47

23 1 2

Fl.

3

Ob.

1 2

C.I.

1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

Fg.

1 2

1 3 4 Cor. in Fa 2 4

1 in Si 2 3 Tr.

in Do 3

Tuba

Timp.

Pno.

8ba

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

48

52 29 1 2 Fl.

3

Ob.

1 2

C.I.

1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

Fg.

1 2

Cfg.

à2 1 3 4 Cor. in Fa

à2 2 4 (cup)

1 in Si 2 3 Tr.

(cup)

in Do 3

Tuba

Timp.

Cassa 1

Tam

4

Pno.

8va

Vln. I

Vln. II

Vla.

Vlc.

arco Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

unis.

pizz.

49

53 34 1 2 Fl.

3

Ob.

1 2

C.I.

1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

Fg.

1 2

1 3 4 Cor. in Fa 2 4

1 in Si 2 3 Tr. in Do 3

Tuba

Timp.

Cassa 1

Pno.

8va

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

50

54 39 1 2 Fl.

3

Ob.

1 2

C.I.

1 Cl.in Si 2

Cl.in Mi

Cl.Bso in Si

Sax.Alto in Mi

Fg.

1 2

Cfg.

à2 1 3 4 Cor. in Fa

à2 2 4

(cup) 1 in Si 2 3 Tr. (cup) in Do 3

Tuba

Timp.

Cassa 1

Tam

4

Pno.

8va

Vln. I

Vln. II

Vla.

Vlc.

(pizz.)

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

51

44 1 2

Fl. 3

Ob.

1 2

C.I.

1 Cl.in Si 2

Cl.in Mi

Cl.Bso in Si

Sax.Alto in Mi

Fg.

1 2

à2 1 3 4 Cor. in Fa

à2 2 4

1 in Si 2 3 Tr.

in Do 3

Tuba

Timp.

Cassa 1

Pno.

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

52

55 49 1 2

Fl.

3

Ob.

1 2

C.I.

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

Fg.

1 2

1 3

4 Cor. in Fa 2 4

(cup) 1 in Si 2

3 Tr. (cup) in Do 3

Vln. I

Vla.

Vlc.

(pizz.)

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

53

56 55 1 2 Fl. 3

Ob.

1 2

C.I.

1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

Fg.

1 2

à2 1 3 4 Cor. in Fa

à2 2 4

1 in Si 2

3 Tr. in Do 3

Tuba

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

54

59 1 2 Fl. 3

à2 Ob.

1 2

C.I.

1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

Fg.

1 2

Cfg.

à2 1 3 4 Cor. in Fa

à2 2 4 (cup)

1 in Si 2 3 Tr.

(cup)

in Do 3

Tuba

coperto Timp. hard mallets

Cassa 1 (no snare) Baslerdrum 2

hard mallets RotoTom 3

Tam

4

Pno.

8va

Vln. I

Vln. II

Vla.

Vlc.

(pizz.)

div.

arco

Cb. arco

WH 30261 Poul Ruders: CONCERTO IN PIECES

55

57 64 1 2

Fl.

3

à2

Ob.

1 2

C.I.

à2 1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

Fg.

1 2

à2 1 3 4 Cor. in Fa

à2 2 4

1 in Si 2 3 Tr. in Do 3

Tuba

Timp.

Cassa 1

Baslerdrum 2

Roto-T. 3

Tam

4

Pno.

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

56

58 à2

70 1 2 Fl. 3

à2

Ob.

1 2

C.I.

à2 1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

Fg.

1 2

à2 1 3 4 Cor. in Fa

à2 2 4 (cup)

1 in Si 2

(cup) in Do 3

Tuba

Timp.

Cassa 1

Baslerdrum 2

Roto-T. 3

Tam

4

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

57

59 75 1 2 Fl. 3

Ob.

1 2

C.I. sub.

1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi sub.

Fg.

1 2

1 3 4 Cor. in Fa 2 4

cup竏知utes off 1 in Si 2 3 Tr. cup竏知ute off in Do 3

Tuba

Timp.

Cassa 1

Baslerdrum 2

Roto 3

Tam

4

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

58

60 à2

80

sim.

1 2 Fl. 3

sim.

Ob.

1 2

sim.

1 Cl.in Si 2

Fg.

1 2

84 1 2

Fl.

3

sim.

Ob.

1 2

1 Cl.in Si 2

Vln. I

61 89 1 2 Fl. to Picc.

3

Ob.

1 2

C.I.

à2 marcato 1 3 4 Cor. in Fa 2 4

marcato 1 2 3 Trbn.

3

Vln. I

Vln. II

Vla.

Vlc.

unis.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

Picc.

59

62

à2 96 Fl.

1 2

Picc.

Ob.

1 2

C.I.

Cl.Bso. in Si

Fg.

1 2

Cfg.

à2

sim.

1 3 4 Cor. in Fa

2 4

sim.

1 2

3 Trbn.

3

Tuba

Tam

4

Pno.

8va

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

60

à2 101 Fl.

1 2

Picc.

Ob.

1 2

C.I.

1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

Fg.

1 2

Cfg.

à2 1 3 4 Cor. in Fa 2 4

1 in Si 2 3 Tr. in Do 3

1 2 3 Trbn.

3

Tuba 8va

8va 8va

Timp.

Cassa 1 (snare on) Baslerdrum 2

Roto-T. 3 sim.

Tam

4

Pno.

8va

8va

Vln. I

Vln. II

Vla.

Vlc.

div.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

8va

61

63 105 Fl.

1 2

Picc.

Ob.

1 2

C.I.

1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

Fg.

1 2

Cfg.

1 in Si 2 3 Tr. in Do 3

sim.

Tuba 8va

8va

Timp.

Cassa 1

Baslerdrum 2

Roto-T. 3

Tam

4

Pno.

8va

8va

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

8va

62

64 109 Fl.

à2

1 2

Picc.

Ob.

1 2

C.I.

1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

Fg.

1 2

Cfg.

à2 1 3 4 Cor. in Fa 2 4

1 in Si 2 3 Tr. in Do 3

1 2 3 Trbn.

3

Tuba 8va

8va

Timp.

Cassa 1

Baslerdrum 2

Roto-T. 3

Tam

4

Pno.

8va

8va

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

63

113 Fl.

à2

1 2

Picc.

Ob.

1 2

C.I.

1 Cl.in Si 2

Cl.in Mi

Sax.Alto in Mi

Fg.

1 2

à2 1 3 4 Cor. in Fa 2 4

1 in Si 2 3 Tr. in Do 3

1 2 3 Trbn.

3

Timp.

Cassa 1

Baslerdrum 2

Roto-T. 3

Pno.

8va

8va

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

8va

64

116 Fl.

à2

1 2

Picc.

à2 Ob.

1 2

C.I. à2 1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

Fg.

1 2

Cfg.

à2 1 3 4 Cor. in Fa 2 4

1 in Si 2 3 Tr. in Do 3

1 2 3 Trbn.

3

Tuba loco

marc.

Timp.

Cassa 1

Baslerdrum 2

Roto-T. 3

Tam

4

Pno.

8va

loco

8va

Vln. I

Vln. II

Vla.

Vlc.

unis.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

8va

loco

65

65

à2 120 Fl.

1 2

Picc.

à2 Ob.

1 2

C.I.

à2 1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi à2 Fg.

1 2

Cfg.

à2 1 3 4 Cor. in Fa 2 4

1 in Si 2 3 Tr. in Do 3

1 2 3 Trbn.

3 sim.

Tuba

Timp.

Cassa 1

Basler− drum 2

Roto-T. 3

Tam

4

Pno.

8va

loco

8va

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

loco

66

66 125 Fl.

à2

1 2

Picc.

à2 Ob.

1 2

C.I.

à2 1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

à2 Fg.

1 2

Cfg.

à2 1 3 4 Cor. in Fa 2 4

1 in Si 2 3 Tr. in Do 3

1 2 3 Trbn.

3

Tuba

Timp.

Cassa 1

Baslerdrum 2

Roto-T. 3

Tam

4

Pno.

8va

loco

8va

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

loco

8va

67

67

à2 129 Fl.

1 2

Picc.

à2 Ob.

1 2

C.I.

à2 1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

à2 Fg.

1 2

Cfg.

à2 1 3 4 Cor. in Fa 2 4

1 in Si 2 3 Tr. in Do 3

1 2 3 Trbn.

3

Tuba

Timp.

Cassa 1

Baslerdrum 2

Roto-T. 3

Tam

4

Pno.

loco

8va

loco

8va

loco

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

8va

loco

68

à2 133 Fl.

1 2

Picc.

à2 Ob.

1 2

C.I.

à2 1 Cl.in Si 2

Cl.in Mi

Cl.Bso. in Si

Sax.Alto in Mi

à2 Fg.

1 2

Cfg.

1 in Si 2 3 Tr. in Do 3

Tuba

Timp.

Cassa 1

Baslerdrum 2

Roto-T. 3

Tam

4

Pno.

loco 8va

8va

Vln. I

Vln. II

Vla.

Vlc.

Cb.

WH 30261 Poul Ruders: CONCERTO IN PIECES

69

68 138 Fl.

1 2

cresc.

Picc.

cresc. à2 Ob.

cresc.

1 2

cresc.

C.I.

à2 1 Cl.in Si 2

Cl.in Mi

cresc.

Cl.Bso. in Si

Sax.Alto in Mi sub.

à2 Fg.

1 2

à2

stand up!

1 3 4 Cor. in Fa

stand up!

2 4

1 in Si 2 3 Tr. in Do 3 stand up!

1 2

3 Trbn. stand up!

3

C

B

Timp.

to Snare Dr. Roto-T. 3

Arpa

senza

Pno.

Vln. I

cresc.

Vln. II

Vla.

Vlc.

WH 30261 Poul Ruders: CONCERTO IN PIECES

loco

70

69 allargando

Flt. 141 Fl.

à2

Norm.

1 2

6

cresc.

Flt. Norm.

Picc.

6

cresc.

6

à2 Ob.

div.

1 2 6

cresc.

C.I.

cresc.

6

à2 1 Cl.in Si 2 6

Cl.in Mi

cresc.

6

cresc.

Cl.Bso. in Si

cresc.

Sax.Alto in Mi

cresc.

Fg.

1 2

cresc.

Cfg.

cresc.

à2

Flt.

Norm.

Flt.

Norm.

1 3 4 Cor. in Fa

cresc.

2 4

cresc.

6

Flt.

str.–mutes

Norm.

1 in Si 2 3 Tr.

6

str.–mute

Flt.

in Do 3

Flt.

Norm.

Flt.

Norm.

1 2

cresc.

3 Trbn.

3

cresc.

Tuba

cresc.

Timp.

cresc.

Cassa 1

cresc.

Basler− drum 2

Snare drum 3

Tam

4 8va

l.v.

s.

s.

glis

Arpa

Damp

8va l.v.

glis

15ma

gliss.

Pno.

gliss.

15ma

loco

cresc.

8va

8va

gliss.

Vln. I

cresc. gliss.

Vln. II

cresc. div.

gliss.

Vla.

cresc.

Vlc.

cresc.

Cb. div.

WH 30261 Poul Ruders: CONCERTO IN PIECES

cresc.

WH30261 ISBN 978-87-598-0759-0