IDI Graphic Design Practitioner Analysis Booklet

The Designers RED DOG

ELIA COLOMBO

YASMIN HUERTA

S O PH I A Y

I H ES

Siobhan Houlihan | Marie Jane Mannion | Karien Pretorius | Lola Ramjane

Contents

RED DOG

BY Marie-Jane Mannion

4 6 SOPHIA YESHI

BY Siobhan Houlihan

ELIA COLOMBO

BY Lola Ramjane

8 10 12 YAZMIN HUERTA

BY Karien Pretorius

BIBLIOGRAPHY 12-15 PAGES

by S IOBHAN H OULIHAN

Sophia Yeshi is a graphic designer and illustrator from Baltimore, MD, who runs her brand Yeshi Designs out of Brooklyn, New York. She describes herself as queer, Black and South Asian, and her identity clearly informs her process and work - from the clients she works with to the messages that she expresses through design.

RAYN FALL DANCE STUDIO

She started from humble beginnings, taking advantage of 30-day free trials to learn the software and fundamentals of design, until it was time to attend college. renowned college, she attended the local University of Baltimore after seeing the course in a music app advert.

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From the stories she tells, it is obvious that she’s overcome a lot in order to work in graphic design, and that’s very aspirational to me.

Her work is colourful, bold, dynamic and eye-catching, while often maintaining an unapologetically feminine aesthetic, and featuring illustrations of people under-represented in marketing design, such as women of colour, LGBTQ+ people and larger-bodied people. Her desire, and active and open decision to create work on topics that she is passionate about, are certainly traits that I find admirable and would like to emulate in my creative practice.

Sophia works with clients in many tech and social media. Her designs cover a broad spectrum of topics, and her style is visible across her work, while keeping each piece unique and on brief. I appreciate that she chooses to work with brands and individuals who share similar values as her and wish to use depictions of a more diverse range of people.

She also does a great deal of work creating free, digital-only designs, such as infographics and flyers for Instagram.

Designing for this platform and other social media networks, with their unique specifications, possibilities and legal concerns is becoming more popular every day.

Visually, I also find her design choices unique and appealing. While I personally love colour and pattern, I often do not get a chance to use it and therefore sometimes don’t feel comfortable being that adventurous with either. Sophia’s work is filled with curved lines, rounded shapes, and warm, saturated colour. Her illustrated figures, such as her work for Rayn Fall Dance Studio and Power Decals (fig 1 & 2, respectively), are filled with energy and movement.

meaningful. I need to share my story, be authentic and also speak to black women, women of colour, - Yeshi, S. (2020) the LGBTQ+ community.”

Copyright Law POWER DECALS

Her use of pattern to add visual interest without it becoming too busy - and as a complement to the subject of the work is another signature that I find innovative without being repetitive.

In terms of the subject matter, Sophia is not one to shy away from controversial topics either. This is most often seen in her infographics. She has created large-scale informational designs for museum exhibits, as well as free multi-slide instructions on social media, on important topics such as civic engagement, racial bias and social justice. Although the subject matter may be contentious, she presents it in a way that is educational and empowering.

Her bold aesthetic and ethical choices in regards to her practice, as well her ability to utilise immensely popular social media platforms to generate and sell her brand, make Sophia a creative to watch and be inspired by.

The issue of copyright is particularly important when it comes to creative endeavours such as design. Copyright is an intellectual property right (one’s legal right to ownership of an idea or creation) that is automatically bestowed on original works when you create them. It acts as protection by legally assigning the creator as the owner of a work, and stops other people from using or modifying your work without permission.

The growth of the internet, and in particular social networking sites, have created various issues of copyright, due to their popularity, the way they are used, and the terms & services of social platforms. Social media platforms like Instagram allow for “the production and dissemination of images and other materials take place in the blink of an eye, with the risk of being misused.”

(Gonzalez, L.H., 2017).

Many things are covered by copyright, but the complexities lie in what is considered covered by copyright, and what is considered ‘copying.’ There are also new issues appearing all the time with regards to the internet and the sharing of art in the digital era. On a basic level, original works such as - but not exclusively - literature, music, artwork including design and illustration, typographic layouts, software code/GUIs, and music and video recordings all receive copyright upon creation. (UK Government) There are a few reasons why copyright is known to exist. The first is economic, in order to help the owner or creator make a living from their work and the things they make.

The second is public and/or cultural, which is encourage people to create and disseminate knowledge, art and culture. The third is moral, which is the idea that morally we own the things we create and should therefore be in control of how they’re used. (Stokes, S., 2012) Generally, the first owner of a copyright is the author of the work. However, when that work is created while the individual is employed, their employer becomes the first owner of copyright, unless an alternative agreement is reached. In order to infringe on copyright, the rules governing whether or not it is a copy depend on the type of media and the extent of the similarities to the original work.

While this allows for designers and other creatives to share their work to an unprecedented audience, there are concerns that come along with that power. For example, while a photographer is generally regarded as holding a photo’s copyright, simply agreeing to Instagram’s terms of service grants the platform with almost all of the rights conferred by copyright, other than outright ownership.. (Bosher, H., 2020).

In addition to the aforementioned issues, there is also the fact that the internet is global and is accessible by almost anyone, anywhere in the world. This brings up concerns with regards to intellectual property laws in a particular place. Copyright legislation is not completely standardised, where the copyright holder resides and where the copying takes place.

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by MARIE-JANE MANNION

Red Dog is a graphic-design agency based in Dublin, Ireland, with an office in New York. They have been in business since November 1993. The company was created by Mary Doherty and Irene Gough. Irene is no longer with the company and now focuses on illustrating, while Mary is still the Managing Director and has maintained its success.

There is much that stands out about Red Dog to a graphic design student, or even a recent graduate or professional within the industry. It has been over 25 years since the company was founded and it has enjoyed significant growth within this period, going from a staff of two people to their current tally of 18.

They kept the focus on the clients and stayed true to their ideals, as evidenced by their relationship with Concern, a non-profit organisation. Their website and social media highlights work produced for 17 annual business reports.

Red Dog’s versatility in being able to work on any project, with any company, no matter the size, is impressive. Their work for Orbidal, where they were tasked with rebranding and renaming the company, is one such example.

The process involved a new look, and new collateral promotional items, like business cards, letterheads, website and app design, as well as involvement in the US side of the website. Tellingly, the design was shortlisted for several awards. The use of a unique style of illustration sets it apart, and helps the company continue to grow, remaining as competitive and creative as ever.

They also know their market very well, whether it is Ireland or the US. They understand what will attract local people.

Clever writing and eye-catching taglines in their branding for hotel groups Delata and Clayton group are key elements of their success. The designs for the cosmetics, words for collective shampoo Where Red Dog stand out is in their conditioner etc and in-house branding client relationships and how they all adopt a humorous, informal tone maintain them, excelling at the smaller that would likely appeal to customers. jobs that are the bread and butter of the work and that could be considered In conclusion, Red Dog excel at selfmundane tasks. So when it comes promotion. They have designated to the promotional branding and social media people, who upload advertising, Concern have no doubt as original content encompassing to their design agency’s capabilities. creative use of GIFs, unique design contests and illustrations. Their work Projects like # more women – a design will prove very endearing to the campaign to encourage more women average consumer, as well as being being granted leading roles within highly influential within the industry.

Irish politics – are inspirational. The ad campaign is simple semiotically -- there Red Dog’s success highlights how are symbols used that are associated you can still be in business, even with women, such as the colour pink. amidst an economic crisis, and grow And the vibrancy of alternative colours as a company, maintaining high also grabs the viewer’s attention. standards and creativity in the process

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Copyright Law So, what is copyrightable?

One important point is that the author is not always entitled to the copyright and its proceeds.

If the work was ‘made for hire’ by the company, then the rights or copyright will be held by the company. (https ://dbei.gov.ie/en/What-We-Do/ I n n ov a t i o n -R e s e a r c h -D e v e l o p m e n t / Intellectual-Propert y/Copyright)

Original works by an author or creator in fields such as music, art, journalism and design.

These rules are enforced for the protection of the authors, so they can be fairly reimbursed for their efforts whether it be moral rights or their economic rights Looking at copyright in relation to art and design, specifically graphic design In another scenario, Red Dog, in the for companies like Red Dog, what are course of design work, may hire on the main points that we need to know? a consultancy basis, photographers, illustrators, writers etc, for the work Copyright can vary depending on your that they produce as individuals. In this location. Red Dog are based in Ireland instance, Red Dog need to make sure and have an office abroad, so they would that they legally take care of all their need to be familiar with multiple versions clients’ needs. Usually, there is a clause of copyright law. In all EU countries after release that the designer and and others signed up to (insert name of the design agency can use the work agreement here) copyright law comes in their portfolio. However, this info into effect once the work is produced in should be specified in both contracts. a tangible format, whether that be in print An interesting note about Red Dog media, online or as a performance etc. is that they do their own branding and promotion, while also managing tasks for other clients.

In Ireland, the law specifically states these that if you are infringed upon, you need to go after the infringer. By contrast, What happens to the copyright when in the US, you can copyright your Red Dog, or another design agency, is work for a fee, and in the event of an hired to work for a client? The transfer infringement, you can take action. of ownership of copyright should be in the legal agreement and it needs It is advisable in every country to add to include a detailed assessment of a copyright ‘c’ in a circle with the name what the work is, the fee involved etc. of author or company and the date it was made, although this isn’t enforced In conclusion, it is important when and its not considered essential for the creating a work, with regards to an work to be copyrightable. From viewing individual, an agency or even the designers work and Red Dogs work we customer, that you are clear about don’t see the work has been hallmarked. your rights and how you may avail There work is often recorded in place /in of the service. It should be noted situ though and they would have detailed whether the fee includes final work, or any of the design work involved.

FIG.8 records of the design and making process.

FIG.10

Typography is so important in graphic design but it seems a bit of a dying art form, and I think I would really overemphasis read loads books, look at all the designers from the past and look at how much work they put into their craft.

Mary Doherty, 23 Feb 2018, whydesign.ie

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by karien pretorius

Her signature style involves patterns, textures, the human body, vibrant colour palettes mixed with grayscale or black-andwhite images and often, a strong influence of African culture. In creating these types of collages, she goes to work by sourcing images from books, magazines and newspapers; cutting and then combining them into the perfect composition with her own hand-rendered ones, be that Holding a degree in Design and traditional or digital.

Visual Communication from the Faculty of Arts and Design at UNAM, Huerta has a very unique background that spans over a number of sectors within the design industry, such as publishing and teaching, while her portfolio illustrates great versatility both in the commercial field as well as freelancing.

Yazmín Huerta is an international, freelance multimedia Art Director and Visual Artist based in Mexico City. Since the age of nine, growing up in the famous capital, Huerta became a lover of the city’s chaos, disorder and load of visual information that influenced her work and is a common trait found in the surreal collages she creates today.

“work as a freelancer allowed her the freedom and opportunity to express what she believes in”

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Her work for S1NGULAR (‘NO MO’) and ANCESTRAL, are great examples of how work as a freelancer allowed her the freedom and opportunity to express what she believes in (female empowerment in the case of ‘NO MO’), in her own style, using her own creative techniques and processes.

In contrast, Huerta also worked commercially in public television at Canal Once - a channel based in Mexico City.

After years of publishing and illustration, she was pushed out of her comfort zone to fill the role of Broadcast Designer and had to teach herself motion graphics. Where once she was used to designing spreads, she was required to produce all sorts of work from set designs, visual identities and logos.

Copyright Law

Although she was able to learn new skills and explore different media; compared to her private work, it seems like she had When it comes down to collages, a collage Another important component to take little freedom to design using her own will be protected by copyright as long as into consideration, when using other it is an original. The problem, however, is people’s work for the purpose of collage unique approach.

artists who want to use images or elements making, is the “moral rights” of the original of work produced by others when putting artist. These rights were communicated Nevertheless, her work for the channel them together. by the Copyright, Designs and Patents was meaningful and inspired the audience Act 1988, which protects the work of of a young Mexican generation they hoped Moving forward, it is recommended by an artist that lives on after 1 August 1989 in DACS that artists first check if any of the the United Kingdom. to influence. existing work they want to use is protected by copyright, while keeping in mind that “Right of integrity” is one of the most copyrighted work lasts for the lifetime of relevant. An artist has the right to object the artist who created it, plus an additional to any depreciative handling of their work, such as adding, deleting, altering or 70 years after their death. adapting the original piece. It also refers In case the work is protected, the artist to handling that distorts or mutilates the needs to carefully consider what he/she work, which could ruin the reputation of or plans to do with it. If the artist is thinking of damage the honour of the artist. recreating the entire work or a significant part thereof, there is a high chance it might infringe copyright. “Significant” is considered to be worked out qualitatively and not quantitatively. Also, on an individual case basis. What seems like a small element of an existing work, for example, Huerta’s style, technique and processes could actually be considered significant if are what I identify with most. As a former it is recognisable in the artist’s collage and art student, I have come to enjoy creating if it forms an essential part of it.

collages, as well as exploring a variety of media, combining traditional and digital work whilst studying at IDI. As Huerta, my hope is to bring change in designs that has meaning using cultural experiences from my travels as inspiration and influence.

What I admire about Huerta is her versatility; her work done for studios as well as a freelancer. She is not afraid to experiment or to learn new skills. I, on the other hand, enjoy my comfort zone and tend to stick to what I am good at.

I prefer security and always hoped to find it in a company or studio. Her history shows, however, the great freedom and opportunity that lies in the variety of work that can be done, in your own style, in freelance too.

If any of the work the artist intends to use is found in the public domain and is no longer protected by copyright, there is no need to reference another party. The artist should, however, be aware that the medium in which a public domain artwork is reproduced, could be copyrighted itself.

A good example is a photograph of a piece of art: the piece of art could be in the public domain, but the photograph of it comprises a different work, which could still be protected by copyright.

In case the artist is in doubt, it is possible to use his/her own work in collages. If the artist still has copyright on it, he/she can use any amount of it. But, if the artist’s copyright has been assigned to another person, his/her previous work can be used as long as the artist does not repeat or copy the principal design – only elements of it.

Last but not least, if the artist intends to create a collage by using his/her computer, he/she needs to take note that permission is needed from the copyright owner to store electronic copyrighted work. Using a very small amount of an existing work, that cannot be recognised or identified with a specific work, should not pose any problem. No complaints should arise following reproduction of these kind of collages. Any one thing more significant could face copyright infringement when it is reproduced.

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lol a ramjane

by

- Colombo, E.

Elia Colombo is a freelance designer and illustrator based in Italy. He works for individual clients and international brands such as Adobe, Adidas, Nissan, Ikea and Audible, just to name a few!

He studied both communication design and philosophy, which explains the conceptual nature of his work and his evident critical thinking. After attending design school in Milan, Colombo began working in pre-press, which involves preparing digital files for a printing press. Subsequently, he was exceedingly involved in branding, working as an illustrator for a software product strategy,

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design and development firm and then acquired multiple job roles as a visual designer. He is now a digital illustration professor, where his teachings are focussed on the theory and application of vector graphics in the digital art field.

as colour, typography, imagery, layout, balance, hierarchy, etc. It highlights his strength of being able to make his designs look visually pleasing, as well as being able to produce artwork with a strong concept behind it.

A large part of Colombo’s career has been spent in the visual design field, mixing graphic and user interface design.

He is concerned with the aesthetics of any type of digital design, for example, websites and apps. It involves taking into consideration all design elements such

Years of dedication, experimentation and practice has amounted to a distinctive style. The contrast between the simple form and bright colours, and the subject matter, can be seen to both subdue his commentary on contemporary society and simultaneously highlight it. He takes a minimalistic approach, cleverly simplifying conceptual and deep observations. He takes an introspective approach in regards to forming concepts for his artwork, obtaining inspiration from his own perception of the world, capturing it in his artwork. “For me, creativity is seeing what others do not see and being able to put it into practice�.

I feel this quote sums up the uniqueness of the artwork that he produces.

Copyright Law

Colombo’s illustrations document the way in which he sees the world, evidencing his philosophy of design being integrated into his life and not the other way around. His artwork tackles current events and the issues of contemporary society, covering a variety of topics, including self-love, social media, suicide, education and the barriers of the modern social structure.

The subject matter of his artwork is ironic and witty, exposing the harsh reality of modern society. On the surface, his work is colourful, bold and exciting, but this exterior is a vessel to explore important topics in a contemporary and engaging way. Transforming his views and opinions into a scintillating visual form makes them, in my opinion, much more compelling and impactful.

Since 1911, copyright law has existed to protect the designer. In order to obtain copyright for any original creative work, you simply have to be the creator; as long as it was created in accordance with copyright law in the first place, it will be classed as your own intellectual property.

This gives you the full rights in terms of use, editing and profit and also deciding who else gets to use your work and how they may use it. This logic applies to freelance design, since the designer is working for themselves, whereas if a designer works for a company, then the company is viewed as the copyright holder.

is inevitable that some may look similar or share a similar style, especially with new trends emerging frequently and infiltrating the minds of designers. Elements can be taken from a designer’s visual language as inspiration, however, to copy or use a design itself would be classed as copyright infringement.

Graphic design consists of many working parts, which means that a complex set of rights can be involved in a singular project.

If the project demands different fields of design (photography, type, copywriters) then this will affect the rights for your client, so it is important that you know When passing over work to a client, unless the copyright laws on behalf of them and copyright is signed over, they must use this educate them accordingly. in the way that it was intended. Permission must be granted by the owner of the design to make any changes or adaptations. There are several types of agreements that can come into action when handing over the rights to any work depending on the context.

The owner may grant exclusive rights to intellecthhual property meaning that only they can hold those rights, as opposed to permitting non-exclusive rights, which means others will be able to hold the same rights at one time.

Using someone else’s images in design work, more often than not, will mean you are breaching copyright law. In the UK and Europe, copyright law means that you cannot use someone else’s imagery, even if you are editing it to make it your own or using it to make a drawing. That being said, if permission is granted from the copyright holder, or if the images are available under a suitable Creative Commons license, you are free to use the image however you wish.

His art is vector based, starting with a basic sketch and then digitalising it in Adobe Illustrator. These vector-based images can be scaled to any size without losing any quality, meaning his work is of a high standard in terms of resolution There is a plethora of art and design as well as concept. being created every day and therefore it

Ownership of intellectual property is often a cause for dispute and therefore, it is imperative that the terms of copyright are documented in order to avoid uncertainty.

Before a project is taken on, an agreement should be signed pertaining to the ownership of the work on completion.

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Bibliography

S SOPHIA YESHI

BY Siobhan Houlihan

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Designer article COWAN, K. (2020). Sophia Yeshi on lifting each other up, fighting for better representation, and creating the world she wants to see. Creative Boom. [Online] July 27th. Available from: https://www.creativeboom.com/features/sophia-yeshi/ [Accessed: 29th September 2020].

LEVI, G.. (2020). Why Sophia Yeshi is Advocating for Inclusive Art in the Design Industry. Hello Giggles.

[Online] August 26th. Available from: https://hellogiggles.com/lifestyle/sophia-yeshi-interview-graphic-designer/ [Accessed: 29th September 2020].

Yeshi, S., Illustrations of Women for Diaspora Salon, 2019. [Online image]. Available at: https://www.yeshidesigns.com/work/power-decals [Accessed: 28th September 2020] Yeshi, S., Power Decals & @yeshidesigns Collection, 2020. [Online image]. Available at: https://www.yeshidesigns.com/work/power-decals [Accessed: 28th September 2020] Copyright Law Bosher, H., Yesiloglu, S. (2018). ‘An analysis of the fundamental tensions between copyright and social media: the legal implications of sharing images on Instagram.’ International Review of Law, Computers & Technology. [Online] 33 (2) pp.164-186. Available from: https://www-tandfonline-com.ezproxy.herts.ac.uk/doi/full/10.1080/13600869.2018.147589 [Accessed 2nd October 2020 Bosher, H. (2020). ‘Key issues around copyright and social media: ownership, infringement and liability.’

Journal of Intellectual Property Law & Practice. [Online] 15 (2)pp.123-133. Available from: https://doi-org.ezproxy.herts.ac.uk/10.1093/jiplp/jpaa006 [Accessed 2nd October 2020] The National Archive (Year Unknown) Copyright, Designs and Patents Act 1988. [Online]. Available at: https://www.legislation.gov.uk/ukpga/1988/48/section/11 [Accessed 2nd October 2020]

Yeshi, S., Rayn Fall Dance Studio flyer, Year Unknown.

[Online image]. Available at: https://www.yeshidesigns.com/work/yers?itemId=2vpyvgcjgv426zraf5gy85mrfotz25 [Accessed: 28th September 2020] Yeshi, S. (Year Unknown). Yeshi Designs ‘About’ page.

[Online] Available at: https://www.yeshidesigns.com/about [Accessed: 29th September 2020].

Artist Unknown, Sophia Yeshi Headshot, Year Unknown. [Online image]. Available at: https://www.yeshidesigns.com/about [Accessed: 28th September 2020] Yeshi, S., Illustration for Built By Girls, 2020. [Online image]. Available at: https://www.yeshidesigns.com/work/built-by-girls [Accessed: 28th September 2020] Yeshi, S., Gales Branding, 2020. [Online image]. Available at: https://www.yeshidesigns.com/work/gales-branding [Accessed: 28th September 2020]

R RED DOG

Bibliography

BY Marie-Jane Mannion

Designer article

Copyright Law

Creative Ireland, year unknown, Interview with Red Dog’s Mary Doherty , no year. [online] Available at: http://www.creativeireland.com/articles/reddog.html [Accessed 4th October 2020]

Creative Commons, About the Licenses: what our licenses do. [online] Available at: https://creativecommons.org/licenses/ [Accessed 4th October 2020]

Red Dog, 2020 , Work. [online] Available at: https://reddog.ie/about [Accessed 4th October 2020] Janet Beck, 23rd Feb 2018, Interview with Mary Doherty, [online] Available at: http://whydesign.ie/interviews/mary-doherty/ [Accessed 4th October 2020] Orbidal homepage, 2020, [online] Available at: https://www.orbidalgroup.com/about-us/ [Accessed 4th October 2020] Delata hotel group, 2020, [online] Available at: https://dalatahotelgroup.com/ [Accessed 4th October 2020] Irene Gough Website [online] Available at: https://irenegough.com/projects [Accessed 4th October 2020] Mark Conlan illustrator, Orbidal ad campaign [online] Available https://markconlan.com/about [Accessed 4th October 2020] Red Dog, 2020 , Instagram page. [online] Available at: https://www.instagram.com/red_dog_design/?hl=en [Accessed 4th October 2020] Red Dog, 2020 , Facebook page. [online] Available at: https://www.facebook.com/reddogdesign/ [Accessed 4th October 2020 Images: Red Dog, 2020 , Work. [online] Available at: https://reddog.ie/work [Accessed 4th October 2020]

Copyright Basics: Crash Course Intellectual Property 2 CrashCourse Apr 30, 2015. [online] Available at: https://www.youtube.com/watch?v=Tamoj84j64I[Accessed 4th October 2020] Getting started with intellectual property. [online] Available at: https://www.ipoi.gov.ie/en/understanding-ip/getting-started-with-intellectual-property/which-kind-of-ip-is-rightfor-you-/ [Accessed 5th October 2020] Linda Scales, 2006, Copyright and the Visual Artist. [online] Available at: https://visualartists.ie/copyright-and-the-visual-artist/ [Accessed 4th October 2020] No author, Frequently asked questions: Copyright: Basics. [online] Available at: https://www.wipo.int/copyright/en/faq_copyright.html [Accessed 4th October 2020] No author, copyright.gov homepage. [online] Available at: https://www.copyright.gov/ [Accessed 4th October 2020] Terry Gorry Solicitor , Mar 30, 2016 , Copyright Law in Ireland-the Essentials. [online] Available at: https://www.youtube.com/watch?v=nX2VQgghCfw [Accessed 4th October 2020] Unofficial consolidated Copyright and Related Rights Act, 2000 (as amended) [Online]. Available at: (https://dbei.gov.ie/en/What-We-Do/Innovation-Research-Development/Intellectual-Property/Copyright/Copyright-Le gislation/Unofficial-Consolidated-Copyright-Legislation / ) [Accessed 4th October 2020]

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Bibliography

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YAZMIN HUERTA

BY Karien Pretorius

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Designer article ADOBE PORTFOLIO. Yazmín Huerta. [Online] Available at: https://yazminhuerta.myportfolio.com/projects. [Accessed: 5 October 2020] BEHANCE. (n.d.) Yazmín Huerta. [Online] Available at: https://www.behance.net/yazminhuerta/projects.

[Accessed: 28 September 2020] HUERTA, Y. (2020). Yazmín Huerta Facebook. 10 June, 2020. Available at: https://www.facebook.com/photo?fbid=10157262061977647&set=a.424905857646.

[Accessed: 8 October 2020] ISSUU. (2017). Yazmín Huerta book 2015-2017. [Online] Available at: https://issuu.com/yazminhuerta.artwork/docs/yazmin_huerta_book_2015-2017. [Accessed: 7 October 2020] LOMELÍ, N. (2018). 5 Artistas Mexicanos de Collage que Probablemente No Conoces. [Online] May 31st 2018. Available at: https://culturacolectiva.com/arte/mix-and-match-mejores-artistas-mexicanos-de-collage. [Accessed: 5 October 2020] SINGULAR, L. (2016). Amado caos de Yazmín Huerta.

[Online] July 11th 2016. Available at: http://cocteldemente.com/collage-yazmin-huerta/. [Accessed: 5 October] VAZQUEZ, MJ. (2019). Yazmín Huerta: el placer de deshacer y rehacer para un collage surrealista. [Online] April 13th 2019. Available at: https://www.domestika.org/es/blog/1901-yazmin-huerta-el-placer-de-deshacer-y-rehacer-para-un-collage-surrealista.

[Accessed: 5 October 2020] Copyright Law DACS. (n.d.). Collages. [Online] Available at: https://www.dacs.org.uk/knowledge-base/factsheets/copyright-in-collages. [Accessed: 8 October 2020]

E ELIA COLOMBO

Bibliography

BY Lola Ramjane

Designer article

Images

Behance.net. n.d. Behance. [online] Available at: <https://www.behance.net/gebe> [Accessed 14 October 2020]

Colombo, E., 2018. How Designers Look At Curves. [image] Available at: <https://www.behance.net/gallery/74462349/2018-ILLUSTRATIONS> [Accessed 14 October 2020].

Bulgaro, E., n.d. Elia Colombo. [online] Gebe.it. Available at: <http://www.gebe.it/> [Accessed 14 October 2020]

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Colombo, E., 2018. Self Cracking. [image] Available at: <https://www.behance.net/gallery/74462349/2018-ILLUSTRATIONS> [Accessed 14 October 2020].

Dribbble. n.d. Elia Colombo. [online] Available at: <https://dribbble.com/gebe> [Accessed 14 October 2020].

Colombo, E., 2018. Unfree Lancer [image] Available at: https://www.behance.net/gallery/74462349/2018-ILLUSTRATIONS [Accessed 14 October 2020].

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Copyright Law

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