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False Memories I - III Morphoses for Orchestra

Jukka Tiensuu 2008


Jukka Tiensuu:

False Memories Morphoses for Orchestra

Instrumentation: 2 flutes, 2 oboes, 2 clarinets in Bb, bass clarinet, 2 bassoons, 2 horns in F, 2 trumpets in C, 2 trombones, tuba 3 percussions: 1. timpani (5 timpani needed). Seated far left (seen from the conductor) 2. crotales (played with two contrabass bows), tom-toms, large bass drum, large tam-tam. Seated far left (seen from the conductor). 3. vibraphone (played with two contrabass bows), tom-toms, large bass drum. Seated far right (seen from the conductor) strings

Performance note The movements may be performed in any order or separately. Setup: Trumpet 2, timpani and percussion 2 as far left as conceivable (seen from the conductor), trumpet 1 and percussion 3 equally far right. It is suggested that the trumpets play standing and campani in aria. Notation: Accidentals

apply till the end of the bar. However, they are occasionally repeated to facilitate sight-reading.

xz

A quarter-tone higher/lower than the written note. Also apply till the end of the bar, though occasionally repeated.

Ornaments:

All trills tr and ornaments are semitonal. Trills are always played till the end of the note (i.e. as long as it is tied to a note of the same pitch). Mordent starts on the main note (as usual). Slow, wide vibrato. Up and down ca. 2 times a second (sounds like a slowed-down opera recording). Appoggiaturas are played before the beat. All tremoli are measured. The glissandi are played contiously during the indicated time (not portamento), but expression through change of speed is encouraged. A small note-head at the end of the glissando-sign only shows the approximate ending pitch, it is not articulated. Likewise, normal notes in the middle of glissando are for orientation only, they are not to be re-attacked. Strings slide (glissando), wind players bend, the pitch a maximum amount of minor third up and down (wind players: use combination of fingering and embouchures to create as continuous a slide as possible). tenuto, play note to the full (written) length. All staccati are short regardless of the duration of the written note. Staccatissimo - as short as possible with the indicated dynamics.

_ .

o l.v.

al niente, let the sound completely die away. Let vibrate.

II. Nostalgy: perc. 2 and 3. will both need two (contrabass) bows for this movement. Let ring throughtout. The dynamics between the two and with the other instruments should be carefully balanced. Strings: in bars 1-20 and 45-50 the violins, in bars 42-49 the violas, should play with a slight temporal distance. Each player (or stand) starting and ending each note a fraction of a second later than the player/stand before. The distance between the first and the last stand should be roughly 1 - 1½ seconds.

III. Trauma: tr < >

Trill always accelerando simultaneously with crescendo, then rallentando with diminuendo to make the effect more "menacing".


False Memories I: Review 1

R = 104-112 Feroce

Morphoses for orchestra

Jukka Tiensuu 2008 3

3

3

3

3

3

fl1 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

fl2 3

3

3

3 3

ob1 3

ob2 3

cl1 3 3

cl2

3

bcl

3

bn1 3

bn2

3

hn1 3

hn2

tpt1

tpt2

tn1

tn2 3

tba 3 3

3 3

Timp.

3

3 3

3

3

p.1 G. C.

3

3

3

3

3

p.2 G. C.

3

3

3

p.3 3

v1 3

3

3

3

3

3

3

3 3

v2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

va

vc

cb


2 6 fl1 3

3

3

3

3

3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

fl2 3

ob1 3

ob2

cl1 3 3

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

v1 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

v2

va

vc

cb


3 11 fl1 3

3

3

3

fl2

ob1 3

ob2 3

cl1 3

3

3

3

3

3

cl2

bcl

bn1 3

bn2 3 3

3

3

3

hn1

hn2

tpt1 3

tpt2 3

3

tn1 3

tn2 3

tba 3

p.1 3

3

3

3

3

3

3

3

p.2 3

p.3

v1

v2

va 3

vc 3

cb 3


4 16 fl1

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

unis.

v1

v2

va

vc

cb


5 21 fl1 6

6

6

fl2 6

6

3

3

6

3

ob1

ob2

3

cl1 6

3

5

3

6

6

3

cl2 5

3

5

3

3

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

3

v1 6

6

6

3

v2 6

6

3

6 3 3

3

3

va 5

vc

cb

5

3

5


6 24 fl1

fl2

ob1

ob2

cl1

cl2

3

3

3

3

bcl

bn1 3

3

bn2 3

3

3

3

hn1

hn2

tpt1

tpt2 3

3

tn1 3

3

tn2 3

3

tba 3 3

p.1 3

p.2 3

p.3

v1

v2

va 3

3

vc 3

cb

3


7 28

6

fl1 6 3

fl2 6

ob1

ob2

5

cl1 5 5

cl2 5

bcl

bn1

bn2 5

hn1 5

hn2

tpt1 5

tpt2 5

tn1

tn2

tba

p.1

p.2

p.3

v1 5

5

v2 5 5 5

va

vc

cb


8 32 fl1

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

(spiccato)

v1

v2

va

vc

cb

(non spicc.)


9 37 fl1

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1 (sempre)

tpt2 (sempre)

tn1

tn2

tba

p.1

p.2

p.3

v1

v2

va

vc

cb


10 42 fl1

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1 (sempre)

tpt2 (sempre)

tn1

tn2

tba

p.1

p.2

p.3 (cedez

v1

v2

va

vc

cb

a tempo)


47 fl1

/

/

/

/

fl2

/

/

/

/

11

ob1

/

/

/

/

ob2

/

/

/

/

cl1

/

/

/

/

cl2

/

/

/

/

bcl

bn1

/

bn2

/

/

/

/ /

/

/

/

/

/

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

/

v1

/

v2

/

va

/

vc

cb

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/


12 54 fl1

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

v1

v2

va

vc

cb


13 59 fl1 6

fl2 6

3

6

3

5

3

ob1

ob2

cl1

cl2

bcl cresc. p. a p.

bn1 cresc. p. a p.

bn2 cresc. p. a p.

hn1 cresc. p. a p.

hn2 cresc. p. a p.

tpt1

tpt2

tn1

tn2

tba poco cresc.

p.1

p.2

p.3

v1 6

3

v2 6

3 3

va 5

pizz.

vc cresc. p. a p. pizz.

cb cresc. p. a p.


14 63 bcl

bn1

bn2

hn1

hn2

tn1

tn2

tba

vc

cb

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

/

69 fl1 cresc. p. a p.

fl2 cresc. p. a p.

ob1

cresc. p. a p.

ob2

/

/

/

/

/

/

/

/

/

/

/

cresc. p. a p.

/

/

/

/

/

cresc. p. a p.

/

cl1

cresc. p. a p.

cl2

bcl

/

bn1

/

cresc. p. a p.

cresc. p. a p.

bn2 cresc. p. a p.

/

/

/

/

/

/

/

/

/

/


15 75

6

fl1 6 3

fl2 6 5

ob1 5

5

ob2 5

cl1

cl2

bcl

bn1

bn2 5

hn1 5

hn2

tpt1 5

tpt2 5

tn1

tn2

tba

p.1 poco

p.2

p.3

pizz.

+

3

+

v1 3

pizz.

+

pizz.

3

++

v2

+

+

+

va

pizz.

+

vc 3

pizz.

cb

++


16 78 fl1

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

3

++

+ +

v1 3

+ +

3

+ +

+

+

v2 3

3

++

3

+

+

+

+ +

va 3

3

+ + vc 3

cb


17 81 fl1

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3 3 3

+ +

arco

v1 +

+ +

+

3

v2 3 3

+

+

+

+ +

va 3

+ + vc 3

cb

arco


18 84 fl1 marcato

fl2 marcato

cl1 marcato

cl2 marcato

tpt1 marcato

tpt2 marcato

v1 marcato

v2 marcato

vc

88 fl1

fl2

cl1

cl2

bn1 marcato

bn2

tpt1

tpt2

tn1 marcato

tn2 marcato

v1

v2 arco

vc marcato


19 92 ob1 marcato

ob2 marcato

bcl marcato

bn1

bn2 marcato

tn1

tn2

vc

96 fl1

ob1

ob2

cl2

bcl

bn1

bn2

tpt1 con sord.

tpt2

tn1

tn2

v1

v2

vc


20 3

100

3

fl1 3

3

fl2

ob1

ob2

5

cl1 5

3

cl2

bcl

bn1

bn2

hn1 (sempre)

hn2 (sempre)

6

tpt1 6

3

3

tpt2 3

3

tn1 (sempre)

tn2 (sempre)

tba

p.1

p.2

p.3

5

div.

5

v1 3

5

div.

v2

div.

va 3

3

3

3

3

div.

vc

arco

cb


21 (cedez

a tempo)

105 v1

v2 unis.

va marcato unis.

( )

vc cresc.

marcato

( )

cb marcato

110 fl1

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

unis.

v1 3

marcato unis.

v2 marcato

3

va

vc 3

cb 3

cresc.


22 113 fl1

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1 3

tn2 3

tba

p.1

p.2

p.3

5

v1 3 5

v2 3

va

vc 3

cb 3

5


23

rall. 117

6

fl1 3

3

3

3

3

3

3

3

6 3

fl2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

6

ob1

ob2

5

cl1 3

3

3

3

3

3

3

3

5

5

5

cl2 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

bcl

bn1

bn2 5

hn1 3 5

hn2

tpt1 3

3

3

3

5

3

tpt2 3

3

3

3

3 5

tn1 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

tn2

tba 3 3

3 3

3 3

p.1 3

3

3

3

3

3

3

3

3

3

3

3

p.2

p.3 ["huh"] (short exhale)

rall. v1 3

3

3

3

3

3

3

3

5

3

3

3

3

3

3

3

3

5

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

5

v2

va 3

3

3

3

3

vc

cb

5 5


False Memories II: Nostalgy Morphoses for orchestra

1

Jukka Tiensuu 2008

F ~ 40 Languido molto

Crotales bowed (upbow sempre)

2

sempre simile, col arco e l.v.

p.2

Vibraphone bowed (upbow sempre) Motor ON (slow)

(

on repeat) sempre simile, col arco e l.v.

play on repeat only

p.3 poco portamento

1a volta con sord. v1

con sord.

poco portamento

v2

pizz. l.v.

3

cb+vc play on repeat only

vc (

on repeat)

3

(vibr.)

pizz. l.v.

(simile)

cb (

8

on repeat)

10

p.2 (< sempre)

p.3

v1

v2 3

vc

cb

3

3


2

14 p.2

p.3

v1

v2

vc

3

cb

20

3

fl1 espressivo 3

fl2 3

espressivo

tpt1 espressivo con sord.

tpt2

p.2

p.3

ord.

3

v1 3

3

dolce

v2 6

3

3

suave

con sord.

va 3

calmo

3

3


3

27 fl1

fl2

z

z

ob1

z

ob2

z

cl1

cl2

bn1

bn2

tpt1

tpt2

p.2 sempre l.v. (come prima)

p.3 sempre l.v. div.

v1

senza sord.

ord.

s.v.

z

div. s.v.

z

(come prima) (slow vibr.)

1.+2. soli

1.+2. soli

espressivo ord.

v2 espressivo senza sord.

va

vc

cb

s.v.

(slow vibr.)


4

38 fl1

fl2

ob1

ob2

cl1

cl2

con sord.

tpt1

tpt2 (l.v.)

p.2 Tutti

v1 Tutti

v2 ord. con sord.

va

pizz. l.v.

vc piu

pizz. l.v.

cb

46 p.2

p.3

div.

v1

div.

v2 div.

va


False Memories III: Trauma 1

R ~84-96 Eccitante

Morphoses for orchestra

3

Jukka Tiensuu 2008 3

3

fl1

3

3

fl2

cl1

cl2

Timp.

p.1 G.C. Tam-tam

p.2 G.C.

p.3

legatissimo

con sord.

v1

con sord.

legatissimo

v2

va

9

3

3

fl1 3

3 3

fl2 3

cl1

cl2

p.1 soft sticks sempre

Tam-tam (slow)

l.v.

p.2 soft sticks sempre

p.3

senza sord.

v1 3

v2

3

con sord.

va 3

3


2

14

3

3

3

fl1

3

3

3

fl2 3

cl1

cl2

p.1 Tam-tam

l.v.

p.2

p.3

v1 3

3

senza sord.

v2

va

20 fl1 3

3

fl2

cl1 3

3

3

cl2

p.1

p.2

p.3

ord.

v1

ord.

v2

va


3

25 fl1

fl2

vibr.

ob1

( ) slow wide vibr.

ob2

( )

3

cl1 3

6

3

cl2 3

bcl slow wide vibr. ( )

( )

bn1 slow wide vibr. ( )

bn2

hn1

hn2

tpt1

tpt2 con sord.

tn1

tn2

tba

p.1 G.C.

3

p.2 3

p.3

(

( )

(

v2

slow wide vibr.

)

v1

slow wide vibr.

)

( ) senza sord.

va

pizz.

vc

pizz.

cb

3


4

28 fl1

fl2

ob1

ob2

cl1

cl2

3

3

3

3

bcl 3

3

bn1 3

3

bn2

6

3

3

hn1 3

3

hn2

tpt1

tpt2

senza sord.

this bar on repeat only

tn1 this bar on repeat only

tn2 3

3

tba

p.1 3

p.2 3

p.3

div.

unis.

v1

div.

unis.

v2 3

unis.

div.

va 3

arco 3

div.

vc 3

arco

cb

div.


5

31 fl1

fl2

ob1

ob2

5

cl1

5

cl2

5

bcl

bn1 3

bn2 3

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

( ) Tam-tam

p.2

p.3

3

v1

3

v2

va

unis.

vc 3

unis.

cb


6

38 fl1 5 6

fl2 5

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2 senza sord.

tn1

tn2

tba

p.1

p.2

p.3

div.

v1

div.

v2

3

div.

va div.

vc div.

cb

6


7

43 fl1

fl2

ob1

ob2

cl1 3 3

cl2 3

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1 ( )

tn2 ( )

tba

p.1

p.2

p.3

div.

3

unis.

3

v1

div.

3

unis.

3

v2 3

3

unis.

va 3

unis.

vc

unis.

cb

div. 3

unis. 3

3


8

48 fl1

fl2

ob1

ob2

5

6

cl1

5

3

cl2

bcl

bn1

bn2 3

3

3

3

hn1

hn2

tpt1

tpt2

tn1

tn2 3

3

tba

p.1

( )

G.C.

3

3

p.2 3

p.3

v1

unis.

v2

div.

va

vc

cb

3


9

legatissimo

51 fl1

legatissimo

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

unis.

v1

v2

unis.

va

vc

cb


10

on repeat: all players softer (f->mf, etc.) bars 57-68.

54

fl1

fl2

ob1

ob2

legatissimo

cl1

legatissimo

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3 on repeat: all players softer (f->mf, etc.) bars 57-68. ord.

v1

ord.

v2

va

vc

cb


11

58

3

fl1

3

fl2

3

3

cl1

3

cl2

3

v1

3

v2

3

62

3

fl1

3

3

fl2

3

3

cl1

3

3

cl2

3 3

v1

3

3

v2

65

3

3

fl1

3

3

fl2

3

cl1

3

3

cl2

3

3

v1

3

v2

3


12

5

68

5

fl1 5

legato sempre 5

5

fl2 5

legato sempre 5

5

5

5

5

5

5

5

ob1 5

legato sempre

ob2 5

legato sempre

cl1 5

legato sempre

cl2 5

legato sempre

bcl

bn1

bn2 legato sempre

hn1 legato sempre

hn2 legato sempre

tpt1

tpt2 legato sempre

tn1

tn2

tba

p.1 Tam-tam

l.v.

p.2

p.3

div.

v1 div.

v2 div.

div.

va

sul D sul G

div.

vc div.

cb

unis. sul E


13

71 fl1

fl2

vibr.

ob1

( ) slow wide vibr.

ob2

( )

3

cl1 3

3

3

3

cl2 3

bcl slow wide vibr. ( )

( )

bn1 slow wide vibr. ( )

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2

tba

p.1

p.2

p.3

6

unis.

(

slow wide vibr.

)

v1

( ) 6 6

unis.

6

6

(

5

v2

slow wide vibr.

)

( ) 6

unis.

6

5

senza sord.

va 6

unis. 5

vc 5 5

cb

5


14

74

fl1

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2 on repeat only

tpt1 6

on repeat only

6

tpt2 6

6

6

tn1

tn2

tba on repeat only

3

p.1 3

3

p.2 3

p.3

v1

v2

va

pizz.

vc

pizz.

cb

3


15

77

5

fl1 5

6

5

fl2 5

ob1

ob2

5 5

cl1 6 5

5

cl2

bcl

bn1

bn2

hn1

hn2

tpt1 6

tpt2

tn1

tn2

tba

3

p.1 3

3

3

p.2 3

3

3

3

3

p.3

1. solo

tutti div.

div.

v1 6

div.

unis.

v2

div.

unis.

div.

va div. 3

pizz.

arco

vc arco

cb

div.

pizz.

3

arco


16

81

5

fl1 10

5 5

fl2 10

5 5

5

ob1 5

10

5 5

5

ob2 5

10

5 5

cl1 5

10 5

cl2 5

10

bcl

bn1

bn2

hn1

hn2 5

5 5

5

tpt1 10

5

tpt2 5

10

tn1

tn2

tba

3

p.1 3

3

p.2 3

3

p.3

unis.

v1

v2 div.

unis.

va div.

vc

cb

div. unis. pizz.

arco

unis.


17

84 fl1 6

fl2

ob1 6

ob2

cl1 6

cl2

bcl

bn1

bn2

hn1

hn2

tpt1 6

6

6

tpt2 6

6

6

tn1

tn2

tba

3

3

p.1 3

3

Tam-tam

3

l.v.

p.2 3

3

p.3

1. solo

v1 6

v2

va

3

vc

3

cb


18

87

fl1

fl2

ob1

ob2

cl1

cl2

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2 3

3

tba

p.1

p.2

p.3

Tutti

v1

v2

va

3

3

vc

3

cb

3

3

3


19

90

5

fl1

fl2 5

ob1 5

ob2 5

cl1 5

cl2 5

bcl

bn1

bn2 legato sempre

hn1 legato sempre

hn2 legato sempre

tpt1

tpt2

tn1

tn2

tba

p.1

( ) Tam-tam

p.2

p.3

div.

6

v1 5

6 6

div.

6 5

v2 6

6 5

div.

unis.

div.

unis.

va 6

5 6

5

vc 5

5

5

div.

cb 5

5

unis.


20

poco rall. al fine 5

94

5

fl1 legato al fine

3 5

5

fl2 3

legato al fine 5

5

5

5

5

5

5

5

ob1 legato sempre

ob2 legato sempre

cl1 legato sempre

cl2 legato sempre

bcl

bn1

bn2

hn1

hn2

tpt1

tpt2

tn1

tn2 3

tba

p.1 damp Tam-tam

(silence)

p.2

p.3

poco rall. al fine

p. a p. meno vibr.

senza vibr.

p. a p. meno vibr.

senza vibr.

unis.

v1

unis.

v2 3

va

vc

3

cb


Jukka Tiensuu: False Memories