False Memories I - III Morphoses for Orchestra
Jukka Tiensuu 2008
Jukka Tiensuu:
False Memories Morphoses for Orchestra
Instrumentation: 2 flutes, 2 oboes, 2 clarinets in Bb, bass clarinet, 2 bassoons, 2 horns in F, 2 trumpets in C, 2 trombones, tuba 3 percussions: 1. timpani (5 timpani needed). Seated far left (seen from the conductor) 2. crotales (played with two contrabass bows), tom-toms, large bass drum, large tam-tam. Seated far left (seen from the conductor). 3. vibraphone (played with two contrabass bows), tom-toms, large bass drum. Seated far right (seen from the conductor) strings
Performance note The movements may be performed in any order or separately. Setup: Trumpet 2, timpani and percussion 2 as far left as conceivable (seen from the conductor), trumpet 1 and percussion 3 equally far right. It is suggested that the trumpets play standing and campani in aria. Notation: Accidentals
apply till the end of the bar. However, they are occasionally repeated to facilitate sight-reading.
xz
A quarter-tone higher/lower than the written note. Also apply till the end of the bar, though occasionally repeated.
Ornaments:
All trills tr and ornaments are semitonal. Trills are always played till the end of the note (i.e. as long as it is tied to a note of the same pitch). Mordent starts on the main note (as usual). Slow, wide vibrato. Up and down ca. 2 times a second (sounds like a slowed-down opera recording). Appoggiaturas are played before the beat. All tremoli are measured. The glissandi are played contiously during the indicated time (not portamento), but expression through change of speed is encouraged. A small note-head at the end of the glissando-sign only shows the approximate ending pitch, it is not articulated. Likewise, normal notes in the middle of glissando are for orientation only, they are not to be re-attacked. Strings slide (glissando), wind players bend, the pitch a maximum amount of minor third up and down (wind players: use combination of fingering and embouchures to create as continuous a slide as possible). tenuto, play note to the full (written) length. All staccati are short regardless of the duration of the written note. Staccatissimo - as short as possible with the indicated dynamics.
_ .
o l.v.
al niente, let the sound completely die away. Let vibrate.
II. Nostalgy: perc. 2 and 3. will both need two (contrabass) bows for this movement. Let ring throughtout. The dynamics between the two and with the other instruments should be carefully balanced. Strings: in bars 1-20 and 45-50 the violins, in bars 42-49 the violas, should play with a slight temporal distance. Each player (or stand) starting and ending each note a fraction of a second later than the player/stand before. The distance between the first and the last stand should be roughly 1 - 1½ seconds.
III. Trauma: tr < >
Trill always accelerando simultaneously with crescendo, then rallentando with diminuendo to make the effect more "menacing".
False Memories I: Review 1
R = 104-112 Feroce
Morphoses for orchestra
Jukka Tiensuu 2008 3
3
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fl1 3
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fl2 3
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3 3
ob1 3
ob2 3
cl1 3 3
cl2
3
bcl
3
bn1 3
bn2
3
hn1 3
hn2
tpt1
tpt2
tn1
tn2 3
tba 3 3
3 3
Timp.
3
3 3
3
3
p.1 G. C.
3
3
3
3
3
p.2 G. C.
3
3
3
p.3 3
v1 3
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3 3
v2 3
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va
vc
cb
2 6 fl1 3
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fl2 3
ob1 3
ob2
cl1 3 3
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
v1 3
3
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v2
va
vc
cb
3 11 fl1 3
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fl2
ob1 3
ob2 3
cl1 3
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3
3
3
cl2
bcl
bn1 3
bn2 3 3
3
3
3
hn1
hn2
tpt1 3
tpt2 3
3
tn1 3
tn2 3
tba 3
p.1 3
3
3
3
3
3
3
3
p.2 3
p.3
v1
v2
va 3
vc 3
cb 3
4 16 fl1
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
unis.
v1
v2
va
vc
cb
5 21 fl1 6
6
6
fl2 6
6
3
3
6
3
ob1
ob2
3
cl1 6
3
5
3
6
6
3
cl2 5
3
5
3
3
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
3
v1 6
6
6
3
v2 6
6
3
6 3 3
3
3
va 5
vc
cb
5
3
5
6 24 fl1
fl2
ob1
ob2
cl1
cl2
3
3
3
3
bcl
bn1 3
3
bn2 3
3
3
3
hn1
hn2
tpt1
tpt2 3
3
tn1 3
3
tn2 3
3
tba 3 3
p.1 3
p.2 3
p.3
v1
v2
va 3
3
vc 3
cb
3
7 28
6
fl1 6 3
fl2 6
ob1
ob2
5
cl1 5 5
cl2 5
bcl
bn1
bn2 5
hn1 5
hn2
tpt1 5
tpt2 5
tn1
tn2
tba
p.1
p.2
p.3
v1 5
5
v2 5 5 5
va
vc
cb
8 32 fl1
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
(spiccato)
v1
v2
va
vc
cb
(non spicc.)
9 37 fl1
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1 (sempre)
tpt2 (sempre)
tn1
tn2
tba
p.1
p.2
p.3
v1
v2
va
vc
cb
10 42 fl1
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1 (sempre)
tpt2 (sempre)
tn1
tn2
tba
p.1
p.2
p.3 (cedez
v1
v2
va
vc
cb
a tempo)
47 fl1
/
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/
fl2
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11
ob1
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ob2
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cl1
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cl2
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bcl
bn1
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bn2
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hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
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v1
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v2
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va
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vc
cb
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12 54 fl1
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
v1
v2
va
vc
cb
13 59 fl1 6
fl2 6
3
6
3
5
3
ob1
ob2
cl1
cl2
bcl cresc. p. a p.
bn1 cresc. p. a p.
bn2 cresc. p. a p.
hn1 cresc. p. a p.
hn2 cresc. p. a p.
tpt1
tpt2
tn1
tn2
tba poco cresc.
p.1
p.2
p.3
v1 6
3
v2 6
3 3
va 5
pizz.
vc cresc. p. a p. pizz.
cb cresc. p. a p.
14 63 bcl
bn1
bn2
hn1
hn2
tn1
tn2
tba
vc
cb
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69 fl1 cresc. p. a p.
fl2 cresc. p. a p.
ob1
cresc. p. a p.
ob2
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cresc. p. a p.
/
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/
cresc. p. a p.
/
cl1
cresc. p. a p.
cl2
bcl
/
bn1
/
cresc. p. a p.
cresc. p. a p.
bn2 cresc. p. a p.
/
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15 75
6
fl1 6 3
fl2 6 5
ob1 5
5
ob2 5
cl1
cl2
bcl
bn1
bn2 5
hn1 5
hn2
tpt1 5
tpt2 5
tn1
tn2
tba
p.1 poco
p.2
p.3
pizz.
+
3
+
v1 3
pizz.
+
pizz.
3
++
v2
+
+
+
va
pizz.
+
vc 3
pizz.
cb
++
16 78 fl1
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
3
++
+ +
v1 3
+ +
3
+ +
+
+
v2 3
3
++
3
+
+
+
+ +
va 3
3
+ + vc 3
cb
17 81 fl1
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3 3 3
+ +
arco
v1 +
+ +
+
3
v2 3 3
+
+
+
+ +
va 3
+ + vc 3
cb
arco
18 84 fl1 marcato
fl2 marcato
cl1 marcato
cl2 marcato
tpt1 marcato
tpt2 marcato
v1 marcato
v2 marcato
vc
88 fl1
fl2
cl1
cl2
bn1 marcato
bn2
tpt1
tpt2
tn1 marcato
tn2 marcato
v1
v2 arco
vc marcato
19 92 ob1 marcato
ob2 marcato
bcl marcato
bn1
bn2 marcato
tn1
tn2
vc
96 fl1
ob1
ob2
cl2
bcl
bn1
bn2
tpt1 con sord.
tpt2
tn1
tn2
v1
v2
vc
20 3
100
3
fl1 3
3
fl2
ob1
ob2
5
cl1 5
3
cl2
bcl
bn1
bn2
hn1 (sempre)
hn2 (sempre)
6
tpt1 6
3
3
tpt2 3
3
tn1 (sempre)
tn2 (sempre)
tba
p.1
p.2
p.3
5
div.
5
v1 3
5
div.
v2
div.
va 3
3
3
3
3
div.
vc
arco
cb
21 (cedez
a tempo)
105 v1
v2 unis.
va marcato unis.
( )
vc cresc.
marcato
( )
cb marcato
110 fl1
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
unis.
v1 3
marcato unis.
v2 marcato
3
va
vc 3
cb 3
cresc.
22 113 fl1
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1 3
tn2 3
tba
p.1
p.2
p.3
5
v1 3 5
v2 3
va
vc 3
cb 3
5
23
rall. 117
6
fl1 3
3
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6 3
fl2 3
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6
ob1
ob2
5
cl1 3
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3
5
5
5
cl2 3
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3
3
3
3
3 3
bcl
bn1
bn2 5
hn1 3 5
hn2
tpt1 3
3
3
3
5
3
tpt2 3
3
3
3
3 5
tn1 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
tn2
tba 3 3
3 3
3 3
p.1 3
3
3
3
3
3
3
3
3
3
3
3
p.2
p.3 ["huh"] (short exhale)
rall. v1 3
3
3
3
3
3
3
3
5
3
3
3
3
3
3
3
3
5
3
3
3
3
3
3
3
3
3
3
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3
3
3
3
3
3
3
3
5
v2
va 3
3
3
3
3
vc
cb
5 5
False Memories II: Nostalgy Morphoses for orchestra
1
Jukka Tiensuu 2008
F ~ 40 Languido molto
Crotales bowed (upbow sempre)
2
sempre simile, col arco e l.v.
p.2
Vibraphone bowed (upbow sempre) Motor ON (slow)
(
on repeat) sempre simile, col arco e l.v.
play on repeat only
p.3 poco portamento
1a volta con sord. v1
con sord.
poco portamento
v2
pizz. l.v.
3
cb+vc play on repeat only
vc (
on repeat)
3
(vibr.)
pizz. l.v.
(simile)
cb (
8
on repeat)
10
p.2 (< sempre)
p.3
v1
v2 3
vc
cb
3
3
2
14 p.2
p.3
v1
v2
vc
3
cb
20
3
fl1 espressivo 3
fl2 3
espressivo
tpt1 espressivo con sord.
tpt2
p.2
p.3
ord.
3
v1 3
3
dolce
v2 6
3
3
suave
con sord.
va 3
calmo
3
3
3
27 fl1
fl2
z
z
ob1
z
ob2
z
cl1
cl2
bn1
bn2
tpt1
tpt2
p.2 sempre l.v. (come prima)
p.3 sempre l.v. div.
v1
senza sord.
ord.
s.v.
z
div. s.v.
z
(come prima) (slow vibr.)
1.+2. soli
1.+2. soli
espressivo ord.
v2 espressivo senza sord.
va
vc
cb
s.v.
(slow vibr.)
4
38 fl1
fl2
ob1
ob2
cl1
cl2
con sord.
tpt1
tpt2 (l.v.)
p.2 Tutti
v1 Tutti
v2 ord. con sord.
va
pizz. l.v.
vc piu
pizz. l.v.
cb
46 p.2
p.3
div.
v1
div.
v2 div.
va
False Memories III: Trauma 1
R ~84-96 Eccitante
Morphoses for orchestra
3
Jukka Tiensuu 2008 3
3
fl1
3
3
fl2
cl1
cl2
Timp.
p.1 G.C. Tam-tam
p.2 G.C.
p.3
legatissimo
con sord.
v1
con sord.
legatissimo
v2
va
9
3
3
fl1 3
3 3
fl2 3
cl1
cl2
p.1 soft sticks sempre
Tam-tam (slow)
l.v.
p.2 soft sticks sempre
p.3
senza sord.
v1 3
v2
3
con sord.
va 3
3
2
14
3
3
3
fl1
3
3
3
fl2 3
cl1
cl2
p.1 Tam-tam
l.v.
p.2
p.3
v1 3
3
senza sord.
v2
va
20 fl1 3
3
fl2
cl1 3
3
3
cl2
p.1
p.2
p.3
ord.
v1
ord.
v2
va
3
25 fl1
fl2
vibr.
ob1
( ) slow wide vibr.
ob2
( )
3
cl1 3
6
3
cl2 3
bcl slow wide vibr. ( )
( )
bn1 slow wide vibr. ( )
bn2
hn1
hn2
tpt1
tpt2 con sord.
tn1
tn2
tba
p.1 G.C.
3
p.2 3
p.3
(
( )
(
v2
slow wide vibr.
)
v1
slow wide vibr.
)
( ) senza sord.
va
pizz.
vc
pizz.
cb
3
4
28 fl1
fl2
ob1
ob2
cl1
cl2
3
3
3
3
bcl 3
3
bn1 3
3
bn2
6
3
3
hn1 3
3
hn2
tpt1
tpt2
senza sord.
this bar on repeat only
tn1 this bar on repeat only
tn2 3
3
tba
p.1 3
p.2 3
p.3
div.
unis.
v1
div.
unis.
v2 3
unis.
div.
va 3
arco 3
div.
vc 3
arco
cb
div.
5
31 fl1
fl2
ob1
ob2
5
cl1
5
cl2
5
bcl
bn1 3
bn2 3
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
( ) Tam-tam
p.2
p.3
3
v1
3
v2
va
unis.
vc 3
unis.
cb
6
38 fl1 5 6
fl2 5
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2 senza sord.
tn1
tn2
tba
p.1
p.2
p.3
div.
v1
div.
v2
3
div.
va div.
vc div.
cb
6
7
43 fl1
fl2
ob1
ob2
cl1 3 3
cl2 3
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1 ( )
tn2 ( )
tba
p.1
p.2
p.3
div.
3
unis.
3
v1
div.
3
unis.
3
v2 3
3
unis.
va 3
unis.
vc
unis.
cb
div. 3
unis. 3
3
8
48 fl1
fl2
ob1
ob2
5
6
cl1
5
3
cl2
bcl
bn1
bn2 3
3
3
3
hn1
hn2
tpt1
tpt2
tn1
tn2 3
3
tba
p.1
( )
G.C.
3
3
p.2 3
p.3
v1
unis.
v2
div.
va
vc
cb
3
9
legatissimo
51 fl1
legatissimo
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
unis.
v1
v2
unis.
va
vc
cb
10
on repeat: all players softer (f->mf, etc.) bars 57-68.
54
fl1
fl2
ob1
ob2
legatissimo
cl1
legatissimo
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3 on repeat: all players softer (f->mf, etc.) bars 57-68. ord.
v1
ord.
v2
va
vc
cb
11
58
3
fl1
3
fl2
3
3
cl1
3
cl2
3
v1
3
v2
3
62
3
fl1
3
3
fl2
3
3
cl1
3
3
cl2
3 3
v1
3
3
v2
65
3
3
fl1
3
3
fl2
3
cl1
3
3
cl2
3
3
v1
3
v2
3
12
5
68
5
fl1 5
legato sempre 5
5
fl2 5
legato sempre 5
5
5
5
5
5
5
5
ob1 5
legato sempre
ob2 5
legato sempre
cl1 5
legato sempre
cl2 5
legato sempre
bcl
bn1
bn2 legato sempre
hn1 legato sempre
hn2 legato sempre
tpt1
tpt2 legato sempre
tn1
tn2
tba
p.1 Tam-tam
l.v.
p.2
p.3
div.
v1 div.
v2 div.
div.
va
sul D sul G
div.
vc div.
cb
unis. sul E
13
71 fl1
fl2
vibr.
ob1
( ) slow wide vibr.
ob2
( )
3
cl1 3
3
3
3
cl2 3
bcl slow wide vibr. ( )
( )
bn1 slow wide vibr. ( )
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2
tba
p.1
p.2
p.3
6
unis.
(
slow wide vibr.
)
v1
( ) 6 6
unis.
6
6
(
5
v2
slow wide vibr.
)
( ) 6
unis.
6
5
senza sord.
va 6
unis. 5
vc 5 5
cb
5
14
74
fl1
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2 on repeat only
tpt1 6
on repeat only
6
tpt2 6
6
6
tn1
tn2
tba on repeat only
3
p.1 3
3
p.2 3
p.3
v1
v2
va
pizz.
vc
pizz.
cb
3
15
77
5
fl1 5
6
5
fl2 5
ob1
ob2
5 5
cl1 6 5
5
cl2
bcl
bn1
bn2
hn1
hn2
tpt1 6
tpt2
tn1
tn2
tba
3
p.1 3
3
3
p.2 3
3
3
3
3
p.3
1. solo
tutti div.
div.
v1 6
div.
unis.
v2
div.
unis.
div.
va div. 3
pizz.
arco
vc arco
cb
div.
pizz.
3
arco
16
81
5
fl1 10
5 5
fl2 10
5 5
5
ob1 5
10
5 5
5
ob2 5
10
5 5
cl1 5
10 5
cl2 5
10
bcl
bn1
bn2
hn1
hn2 5
5 5
5
tpt1 10
5
tpt2 5
10
tn1
tn2
tba
3
p.1 3
3
p.2 3
3
p.3
unis.
v1
v2 div.
unis.
va div.
vc
cb
div. unis. pizz.
arco
unis.
17
84 fl1 6
fl2
ob1 6
ob2
cl1 6
cl2
bcl
bn1
bn2
hn1
hn2
tpt1 6
6
6
tpt2 6
6
6
tn1
tn2
tba
3
3
p.1 3
3
Tam-tam
3
l.v.
p.2 3
3
p.3
1. solo
v1 6
v2
va
3
vc
3
cb
18
87
fl1
fl2
ob1
ob2
cl1
cl2
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2 3
3
tba
p.1
p.2
p.3
Tutti
v1
v2
va
3
3
vc
3
cb
3
3
3
19
90
5
fl1
fl2 5
ob1 5
ob2 5
cl1 5
cl2 5
bcl
bn1
bn2 legato sempre
hn1 legato sempre
hn2 legato sempre
tpt1
tpt2
tn1
tn2
tba
p.1
( ) Tam-tam
p.2
p.3
div.
6
v1 5
6 6
div.
6 5
v2 6
6 5
div.
unis.
div.
unis.
va 6
5 6
5
vc 5
5
5
div.
cb 5
5
unis.
20
poco rall. al fine 5
94
5
fl1 legato al fine
3 5
5
fl2 3
legato al fine 5
5
5
5
5
5
5
5
ob1 legato sempre
ob2 legato sempre
cl1 legato sempre
cl2 legato sempre
bcl
bn1
bn2
hn1
hn2
tpt1
tpt2
tn1
tn2 3
tba
p.1 damp Tam-tam
(silence)
p.2
p.3
poco rall. al fine
p. a p. meno vibr.
senza vibr.
p. a p. meno vibr.
senza vibr.
unis.
v1
unis.
v2 3
va
vc
3
cb