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Music for Orchestra (1992–2005)

Juha Ojala


Music for Orchestra 3 flutes 2 oboes 1 English horn 3 clarinets in Bb 3 bassoons 4 horns 4 trumpets in C 2 trombones 1 bass trombone 1 tuba

(with straight mutes, II & IV also with brass mutes) (with straight and cup mutes) (with straight and cup mutes) (with straight and cup mutes) (with straight mute)

percussion

(three executors)

percussion 1:

percussion 2:

percussion 3:

• 4 suspended cymbals (s, m, l, xl) • 3 antique cymbals (f#, e, d#; mounted) • snare drum • 3 timbales (high, medium, low) • 2 wood chimes (regular and large) • 4 wood blocks (high to low)

• tamtam • 4 suspended cymbals (high to low) • marimba (range from F to ab2)

• gran cassa • snare drum • 3 timbales (high, medium, low) • wood chimes • 4 temple blocks (high to low) • a pair of congas (high and low)

Percussion 2 also plays the gran cassa.

piano

(lid open, note stand askew for access to strings)

1st violins 2nd violins violas celli contrabassi

8–16 8–16 6–12 6–12 5–10

Contact: Juha Ojala email: juha.ojala@oulu.fi tel.: +358 – 50 – 338 2068 home address: Mika Waltarin katu 16, FI-06100 Porvoo, FINLAND


ALL INSTRUMENTS – The score is a C score, that is, written in concert pitch. – Accidentals refer to the following note (except in obvious cases of fast repetition). – All trills are semitone trills unless otherwise indicated (in fl. 1 and 2, and cl. 1) – Despite the meter indication in sustaining meter, there should be no metric accents on "strong beats". – The duration of the piece is approximately 11” – The assigned dynamics reflect the final level of loudness, e.g., all instruments marked pp should together make pp, producing a homogenous quality of fused timbre. BRASS – All brass instruments use straight mutes at some point. – Horns II and IV need also brass mutes. – Trumpets and trombones need cup mutes in addition to straight ones. PIANO – All clusters are chromatic clusters, top and bottom notes are indicated. – The exact pitches of the finger glissandi on strings depends on the model of the piano. STRINGS – All strings but double basses are divisi a 2 almost throughout. In mm. 128–135 divisi a 4 may be preferred. In some cases where double stops are used, the part division is indicated by brackets: [upper part on left and lower part on right] PERCUSSION – The three percussionists should be located along the back part of the stage (left, middle, right) in order to achieve antiphonal effects in the percussion dialogues. – The percussion instruments are notated like this: Perc I ° #œ &

œ

Perc II #œ

3 antique cymbals (crotales)

/ /

¢/

snare drum

œ œ

wood chime

°

3 timbales

œ œ œ

4 wood blocks

œ œ œ œ large

wood chime œ 4œrototoms œ œ œ

¢

/

œ

4 suspended cymbals

œ

œ

œ

˙

/

?

Perc III

tamtam marimba

œ

&

°

/ / /

¢/

gran cassa (bass drum)

˙

snare drum

œ œ

wood chime

3 timbales

œ œ œ

4 temple blocks

œ œ œ œ

2 congas

œ

œ


1 11 27 37 47 69 77 85 96 111 123 126 135

– – – – – – – – – – – – –

10 27 37 46 68 76 84 95 112 122 125 134 163

String plane with ww & perc instillations Dialogue of woodwind and brass planes; percussion lurking Transition to percussion dialogue; winds settle Percussion dialogue of points in string setting Percussion dialogue continues; introduction of lines / planes String plane Wind plane juxtaposed with percussion points String plane with wind plane Wind lines in string setting; perc instillations to perc dialogue Dialogue of wind planes; add perc points; add string plane Cadenza: violin line, other lines Transition: line / plane fusion Synthesis: Wind and string planes

Music for Orchestra delves into the spatiality of music with reminiscences of Bauhaus, Василий Кандинский (Vasili Kandinsky) and his series of Compositions, and particularly the works of the 1920s, including the curious Contrasting Sounds of 1924. Key elements of com-position are point, line and plane; their color or timbre.


Flute 1

  

Flute 2



Music for Orchestra

q = 60

fast    

pp







English Horn

Clarinet in Bb 1

  

ff con vibrato

  

pp

  

 

Bassoon 1

Bassoon 2

 

ff

subito

fast     

p

ppp

p

fast     

ff

   ff

   ff      ff

        2.

ff

ff

   

ff

   ff

suspended cymbals, medium soft mallets on edges

 

Violini II

Viole

Violoncelli

G.C.,

  

pp



pp



pp



l.v.

 

  

glissando with fingertips on the lowest portion of the strings

  q = 60

 

div. pp

div.

laissez vibrer



 



 



 



  

 

div.

  

 pp

 

 

 

 

 

 

 

   pp

pp

div.

ff l.v.

  

tamtam, heavy, dense mallet

 

 

pp

 soft timpani   cart-wheel mallets

gliss.

    antique cymbals, brass mallets     ff

 

Piano

    

ff

ppp



ppp

  

Contrabassi

p



ff

Percussion 2

Violini I

  

fast        ppp p subito fast        

Trombones 1 & 2

Percussion 3

  ff 

Trumpets in C 3 & 4

ppp

ff

Trumpets in C 1 & 2

pp

  

 

Horns in F 2 & 4

   

ff

Clarinet in Bb 3



ff

ppp

Percussion 1

  

pp

Clarinet in Bb 2

Bass trombone & Tuba

ff

Oboe 2

Horns in F 1 & 3

  

fast    

Oboe 1

 

lunga (8-9")

Flute 3

Bassoon 3

 

Juha Ojala

ff l.v.

   

         

G.C., timpani mallets

 

ff

l.v.

lunga (8-9")

    ff

   

ff

      ff       ff

  

ff

  

pp

(lift the pedal slowly as the sound dies out)

pp subito

 

  

 

  





  

   

pp subito

  

pp subito

pp subito




2

  9

Fl. 1

pp

A

q = 90

pp

   

Ob. 1

pp

C. A.

Cl. 1

Cl. 2

Cl. 3

f

  

 

 

  

  

p

f



p

f

p

  

 

f

p



f

 f

f

 f

f

f

f

  

 

  

 

p

  

 

  

  

  

 

  

f

mp

   

mp

meno

  

meno



  



meno

  

 

  



meno

   



   

meno

  

mp

f

mp

f

  

mp

mp

f

mp

f

 

   

mp

    

mp

f

   

mp



p

f

p



 

p

  

meno



   mp



pp

p

     

   mp



p

ppp

   

 

p

     

Tbn. 1&2



     

  

     



Vc.

p

         

p

snare drum and timbales, sticks

Vla.

  

  

pp

suspended cymbals, medium soft mallets on edges

Vln. II

        

Perc. 2



p

p





              

ppp

 

p

 



 



p

   ppp  

accel. ...

   

mf

A

 

 



 

 





 



  

ppp

  

q = 90

 

 

f

 

 

f

 

 

    

 

     

f

     

      

p

f

pizz.

mf

   mf

p

 

p

  mf



p

divisi

 p



pp

 





    p

           p  mf             mf

pp

 

p

 

pp

   

  

       

mf

    

mp

mf

  

 

   

   



 

   

   

 

 

  

  

mf

   

mf

mp

mp

mp

     

    mf

p

 

p

p

p

p

  

mf

 

pp

p

pp

 

p

        

 

   





 

   

ppp

        ppp

   

p

          



   

pp

p

           

 

       

p

mf

p

       

  



       

    

       

p

 

                p p

p

unis. pizz.

p

 



  pp

      

   

mp

pp



 

  

pp



     

mp

   

pp

  



meno

f

 

pp

  



p

     p

 

mp

 

   mf

     

  

pp

1/2

f

 

snare drum and timbales, sticks



 

    

p

p

meno

Tpt. 3&4

Cb.

 

Tpt. 1&2

Vln. I

 

Hn. 2&4

Perc. 3



p

  

Bsn. 2

Perc. 1

Bsn. 1

Tbn. 3 & Tba.

f

Ob. 2



Fl. 3

Hn. 1&3



accel. ...    

   

Fl. 2

Bsn. 3



mp

p

mp

     

p

    pp


3

  17

Fl. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Hn. 1&3

ff

  

 

ff

ppp

 

 

   

   

 

   

   

   

    

ppp

ff

 

ppp

ppp

Perc. 3

Vln. I

   

 

pp



 

  





    

fff

fff

ff

fff



  

ff



pp

pp

  

fff

pp

 

 

  

  

 



  

 

  

   

 



  

   

   

 



   

 



 



p

  



 

 

  

 

 

  

 

pp

p

 

 

 

     

mf

   

f

Trb. tacet           Tuba mf        

pp

ff

 

  

f

ff

pp

    pp

  ff

f

      f

      

f

f

 

  

 





  

    

pp

             

       

f

pp

     pp

          

mp

mp

 

p

  

p

 

 

  

      

mp

 

mp

    

       

           

pp

pianissimo e poco a poco crescendo al forte fortissimo

 

mp

mf

f

  

mf



 

 



  

mf

mf

mf

mf

  

mf

  

mf

     

 

mf

  

      3

mf

mf

mp cresc.

mp cresc.

f

mp cresc.

f

mp cresc.

f

mp cresc.

 

 f

      mf       

   

  

f

f

 

  

mf

 

f



   

mp

mf

 

 

 

f

 

   mp

mf

 



   mp            

   



f

mf

mp

   

p

 

 

    

       

   

3. p

mp

  

p

pp

f

ff

f



         

   

   

mf

f

mp

   

pp

mp

mp

 

    

ff

pp

mp

p

              

mf

    

mp

  

mf

  

       

ff

f



p

   

mf

 

pp

mp

f

  

pp

mp

   

mf

  

 



 

 

pp

 

mp

 

 

   

   

mf

            

pp

fff

ff

pp

  

 

mp

   

fff

 



       

 

  

 

 

 

   

Vc.

pp

  

ff

pp

 

    

     

 

   

Vla.

fff

 

      f

 pp  

 

  

pp

      

 

 

fff

f

Vln. II

Cb.

 

f

  

Perc. 2

ff

  

ff



pp

Perc. 1

 

ff

 

ff

fff

 

Tbn. 1&2

pianissimo e poco a poco crescendo al forte fortissimo

pp

Tbn. 3 & Tba.

 

   

pp

Tpt. 3&4

ff

 

   

ff

 

 

Tpt. 1&2



ff

ff

 

ff

   

ppp

ppp



 

 

ff



  

Hn. 2&4

 

ff

 

Ob. 1

  

  

Fl. 3

Bsn. 3

Fl. 2



mp cresc.

    

f

f



mp cresc.

    



f



    f

mf

f mp cresc.

  

f



mp cresc.

  f

         

mf

  p

     

f

p


4

   25

Fl. 1

 

Fl. 2

 

Ob. 1

 

Ob. 2

 

Cl. 1

Cl. 2

Cl. 3



cresc.

f

cresc.





f

cresc.



f

cresc.

Bsn. 2

 

cresc.

 

f

cresc.

  



f

cresc.



  

 

  

 

f

f

    

Tbn. 1&2

Tbn. 3 & Tba.

Perc. 1

  

  

cresc.

cresc.

 



   



  



  



   







  



 

   fff  

 

 

cresc.

 

 

    

 

   





p

p



   

 



 

     

 

 

  3   3        

 

3

fff

  



   

pp

   



pp

 

Perc. 2

Perc. 3

Vln. I

         

Vln. II

 

Vla.

Vc.

ff

   f

p

go to tamtam

ff

  3                    

 

wood blocks

pp

3

3

3

 



 

 

 

 

 

 

ff

 

3

3

3

fff

 sul pont.  gliss. 

  sul pont.gliss.  

      

   

3   

   

  

 

 

mf loco, ord.

mf

fff

fff

  p

arco, div.

arco, div.

wood chimes & temple blocks with hard mallets  3

loco, ord.

 sul pont.gliss. 

     

giochissimo 3

 

mf

mf

    

 B

loco, ord.        mf  sul pont.   gliss.     

   sul pont. gliss. 

   

3

   

giochissimo 3

marimba, med. hard or hard mallets

go to marimba

ff

3

ff

 

                     

 

ff Cb.

tam-tam, the great mallet

p

3 still with sticks              

  

 

p

ossia for marimba passage

   

 

3

p

     



fff

 

       

 

 

fff

p

  

fff

 p

    

 

 

fff

  cresc.

 

p

p

fff

    fff



fff



fff



p





 



3.

f

   

fff





f

fff

fff

cresc.

f



fff

     f  cresc.



fff



cresc.

       cresc. f   3         





       



fff

cresc.

f

  

B

fff



  

Tpt. 3&4



  

f



fff

   fff



f

Tpt. 1&2

f cresc.

      

Hn. 2&4



  

f

 

Bsn. 1

Hn. 1&3

f

 

C. A.

Bsn. 3

Fl. 3



3

 

ff

    f

   


5

   30

Fl. 1

Fl. 3

Cl. 1

Cl. 2

Cl. 3

Hn. 1&3

Tpt. 3&4

 

ff
e dim....

f



 





 





 

f

f

ff
e dim....

mp



 



 



ff
e dim....

mp



mp

ff
e dim....

   

f

 

 





3

 

  3



3

f

shaft with   

3

3

Cb.

sfp

   

f

f

  

  

f

mf

 

ord.

sfp 3





 

f

f

     f

   

  mf        mf       

mp

ff

  

 

    

   

mp

p

mp

mp

mp

   

mp

mp

 mp    

mp



mf

 

 

 

mf

 

 

 

 

 

   

    

         mf

         mf

  

p

mp

 

pp

ppp

pp

ppp

     

mp

 

ppp

     

p

 

mf

 pp

p



 

pp

   

  

p

 

   

dim. sempre

p

mp

 

mf

  f    

   

mp

  

     

p

mp

 

mf

   

 

  

mf

p

 

pp

        p     

        ppp            pp

p

pp

ppp



mp

mp

Tuba



pp

      pp ppp 

  

3

3

     



    

mf

f

f

   mf



 f      

mf

  f f
e dim.... snare and timbales                 

suspended cymbals, mallets

 

p

3

 

ff

 

    

unis.

unis.

unis.

 

p

espress. p

           

mp

let sound until end of m. 37,

f

pizz. f

  p

    

   p

   

p

f

espress. pizz. f

espress. pizz. f

snare and timbales, sticks

 

divisi

 

 then slowly raise pedal    pizz.     fff

unis. espress.

f

    f
e dim.... f      

Vc.



 

Vla.

   

   

f
e dim....

sfp

Vln. II

mf



Vln. I

 

   

f

ff
e dim....

   

                         3 3  3 3  3             3

      f ff
e dim....      

3

3

    

   

      sfp     

sfp

3

3 3 3 3                 

mf

  

f
e dim....

  

mf

   

mp

f

ff
e dim....

   

Pno.

f

 mp

 

   

 

   



 

Perc. 2

   

mf

    

 

   

f

mf

 

 

    f

ff
e dim....



   

ff
e dim....

   

 ff


e   dim.... 

mp

Tbn. 1&2

Perc. 3

ff
e dim....



mp

mp

Tpt. 1&2

Perc. 1

 





Hn. 2&4

Tbn. 3 & Tba.

ff
e dim....

Bsn. 2

Bsn. 3



 

ff
e dim....

Bsn. 1



mp

f

 

C. A.

 

Ob. 2



f

 

Ob. 1

ff
e dim....

mp

f

 

f

 

Fl. 2



espress. pizz.               

dim. sempre

p

          pp

  

  

  


6

Fl. 1

C 37     

Fl. 2



 p

      p

 

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

p

 

 

p

 p

  

    mp

pp

  

  

mf



pp

mf

 

Tpt. 3&4

 

Tbn. 1&2

  ppp    

Perc. 2

ppp

Perc. 3

   

Tpt. 1&2

Perc. 1

 

Hn. 2&4

Tbn. 3 & Tba.

Bsn. 2

Hn. 1&3



Bsn. 1

Bsn. 3

p

    

rototoms, soft rubber mallets

3

pp

      



   

  p

arco sul pont., sempre tremolando    

pp

pp p arco sul pont., sempre tremolando

 

 

pp

pp p arco sul pont., sempre tremolando

 

 

pp

 

  p

arco sul pont., sempre tremolando    

pp

 

 

p pp arco sul pont., sempre tremolando

pp

sul pont., sempre tremolando  arco    

 

congas, hands

pp

arco sul pont., sempre tremolando pp

Vln. I

 

Vln. II

p pp arco sul pont., sempre tremolando pp

Vla.

Vc.

   pp

  p

pp

p

Cb.

   3                         (retune the lowest back up...)

(the lowest still low)

 

3

gliss.

3

3 3 3 3 3 3                                      

    

ppp

 

go to gran cassa

    C

       glis    s.

    3

       

pp

 

  pp pp

3

3

 

 

     

      

pp

     

   

mp

   

   

mp

 

mp

 

mp

 

 

 

   

mp

mp

mp

mp

 

 

3

3

 

 

           

5:4

mf p

 

mf pp

    p

    p

p

p

p

  p

   

p

     p    

14

 

 

   

 

 

  

        

 

 

 

 

   

f


7

  43

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.



  



   

Cl. 2

f

  



pp

mf



pp

Cl. 3

 

Bsn. 2

ff

pp

ff



Tpt. 3&4

 





pp



   

 

ff

  

 

pp

ppp

mp

pp

   

  



  

ppp

mp

 pp

 

 

pp

ppp

mp



pp

  2.  

  

mf

Tbn. 1&2

             3 3

G.C.      

 

p

congas     

p

   

   

Vln. II

    

Vla.

    

Vc.

      

3

      

 

 

   

   

   

 

 

  

 

 ���

  

 

 

 

Vln. I

 

 

 

    

 



ff

 

 



3

glis s.

 

 

ss. gli

rototoms   

. iss gl

Perc. 2

Cb.

  

Tpt. 1&2

Perc. 3

ff

pp

pp

Perc. 1

 

Hn. 2&4

Tbn. 3 & Tba.

  

ff

pp

Hn. 1&3

pp

mf

Bsn. 1

Bsn. 3

 pp

p

Cl. 1

pp

 

                 gliss. pp pp 

(...and down, all the way down...)

sfp

 

pp

3                                                 3

ff

 

3

ff

3

     

 

   

   

ff

ff

 

ff

 

   

3

 

 

ff

   

 

ff

ff

 

ff

 

ff

3

 

 

 

 

   















pp mf ord., molto legato



pp mf ord., molto legato

   

 

pp mf ord., molto legato

 

 

pp mf ord., molto legato

 

 



ord., molto legato



pp mf ord., molto legato pp

 







   mf

ord., molto legato

pp mf ord., molto legato

pp

go to marimba

   

pp

 

large wood-chime



mf

wood chimes & temple blocks with soft mallets

   

pp

 

 

  

ppp

  

ppp















  

ppp

  

ppp

  

ppp

  

ppp

   

ppp

  

ppp


8

Fl. 1

50   

 pp

 

Ob. 1

 

Ob. 2

C. A.

Cl. 1

  

Cl. 2

 

Bsn. 1

 

Bsn. 2

 

 

Tpt. 1&2

Tpt. 3&4

 

p

 p

p

 

 

 

 

p

p

pp



pp

 

 

pp

ord.     

  

flatterz.

flz.

ord.  

flz.

ord.   

flz.

  

pp

 flatterz.  ord.     



  pp

      

 

    

 

    

 

 flatterz.  ord.     

  

pp



pp

p

  pp

  

  



 



pp

flatterz.

  pp

 

 

 

 

 

 

p

p

p

   

    

wood chimes & wood blocks with soft mallets

  

  

mp p

 

  

     

mp

  

ppp

    

   

wood chimes & temple blocks

p

 

Vln. II

Vla.

 

Vc.

 

 

   

ord.

pp



ord.



flz.

  

flz.

   

ord.

ord.





 

 

     

 

 

  

p

p

p

       

mp

mf

       3

         

3

pp

D

   pp

           p

mp

Perc. 2

Cb.





    

ppp

Vln. I

 

pp

ord.  flatterz.      

Tbn. 1&2

Perc. 3





Hn. 2&4

Perc. 1

pp

Cl. 3

Tbn. 3 & Tba.

  



  

Fl. 3

Hn. 1&3

p

D

 

Fl. 2

Bsn. 3

 

marimba, med. soft mallets



mf

                  

mp

p

  

   mf

pp

       

 

p

           mf

 

  

mf

  


9

  

   

 

 

   

 

57

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

flz.

mf

ord.   

   

   

 

 

  

 

 



 

ord.   

   

   

 

 

  

 





 

   pp

    pp

      

  

 





 

pp

   

     

 

  

 

 



 

    pp

     

 

  

 

 



 

    pp

    

     

  

 





 

   

    pp

     

  

 

 



 

   

     pp

     

  

 





 

ord.

     pp    

            

  

 

 



 

pp

flz.

mf

pp

flz.

ord.

 

  

  



 

   

 

     

 

  

 

     

mf

mf

mf

pp



pp

pp

pp

C. A.

Cl. 1

 

  

 

  

       

 

   

     pp     

   

  

     

  

    

 

 

   

   

     

    pp

     

 

Cl. 2

 

Cl. 3

 

Bsn. 1

 

Bsn. 2

Bsn. 3

Hn. 1&3

 

 

Tpt. 1&2

Tpt. 3&4

mp

mp

wood chimes & wood blocks     

 marimba 

Perc. 2

           p

 

Vln. II

Vla.

 

Vc.

Cb.

flz.

mp

flz.

   



mp

mp

pp

ord.

pp

pp

mp

ord.

flz.

    mp

pp

mp

     

       

wood chimes & temple blocks 5

Vln. I

   

pp

pp

pp

pp



  

  

 



 

 

  

 



 

 

  

 

   

 

   

p

Perc. 3



Tbn. 1&2

Perc. 1

mp

mf

Hn. 2&4

Tbn. 3 & Tba.

mp

 

mf

  

p

3

f

sfp

    

f

 

           

f

pp

       

 

pp

f

sempre pp

   

   

sempre pp

    

  

 

     

3 3                                         3 3

3

3

  

3

sempre pp




10

    



Fl. 2

  



Fl. 3

  

Ob. 1

  

Ob. 2

  

C. A.

 

64

Fl. 1

 

Cl. 1

 

Cl. 2

 

Cl. 3

 

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3







    

 















     

 



 

 



  









 



  











  







    

 







pp

pp

pp





 

pp



 

 

pp

pp

  pp



Tbn. 1&2

     

  

        

(retune the 3 highest rototoms)     

ppp

                                          3

Perc. 2

            

Vln. II

Vla.

ppp

        

           ppp

   

suspended cymbals, soft mallets





G.C.,

 





E

pp

glissando with fingertips on low strings

l.v.

q = 60

div., leg. come prima

 

ppp

div., legato come prima

div., legato come prima

pp

 ppp



 

 





 



  

  

 



 

 

pp



 



 pp

 



 

pp

 

pp

 



pp

ppp div., legato come prima



 ppp

l.v.

 soft timpani   mallets

pp

Vc.

    

    

ss. gli

Pno.

Cb.



Tpt. 3&4

Vln. I



 

Perc. 3



 

Tpt. 1&2

Perc. 1

  

  



q = 60



 

 

Hn. 2&4

Tbn. 3 & Tba.

pp



E




  73

Fl. 1



           

   pp

   

ff



pp

  

   ff    

Perc. 1



  

 

con sord.



ff

  

 

con sord.



cup mutes



cup mutes

 

ff

   

 

ff

  



Perc. 3

Vln. I

  

Vln. II

Vla.

Cb.



 



 

  



  

 

 

  

ff let sound until end of m. 78

  ff

 

     ff

    ff

arco

 

ff

 

 

 

       

 



 

pp



 



q = 90

  

pp







 





 

 

 

 

  pp 





 



   



 

  

p

snare drum and timbales, sticks

pp

 



 

 







 

 

 

 



 

mp

mp

   

  



   

  

  pp



   

   

   

pp

mp



mp

 mp



 mp  cup mutes        

pp

      pp

mp

     

 

mp

   Tuba 

c. s. mp

 

pp 3





mp



        

suspended cymbals, stick shafts on edges

 

mp

pp

pp

mp

snare drum and timbales, sticks

 

pp

  



 

pp

pp



  pp



   

pp

  



pp

      ppp

  

pp

pp

  

pp

ff

       ppp      ppp

l.v.



mp

pp

pp

      ppp

(put mutes on)

  

F

mp

pp

  

ppp

cup mute (trb)

sffz

  



    

l.v.

ff

tamtam, heavy, dense mallet

Vc.

   



Pno.

ff

antique cymbals, brass mallets

Perc. 2

   

 

pp

 

ff

Tbn. 3 & Tba.

pp

ff

 

ff

 

pp

pp

  

Tbn. 1&2

    



ff

Tpt. 3&4

ff

Tpt. 1&2

  

mp

ff

 

Hn. 2&4

   

pp

pp

  

Bsn. 2

 

mp

ff

Bsn. 1

  

 

Cl. 3

q = 90

ff

Cl. 2



  

Cl. 1



ff

C. A.



ff

Ob. 2

ff

Ob. 1

ff

Fl. 3

Hn. 1&3

F

Fl. 2

Bsn. 3



11

p

     

pp

  

 

   pp


 

12

   81

Fl. 1

p

 

Fl. 2

p

pp

 

 



mp

mf

 

 



 

 

 

 

mp

mf

 





mp

mf

p



mp

 mf 

pp

p

mp

mf

 



pp

mp

mf





mp

mf





mp

mf

  

  

p

Cl. 1

p

Cl. 2

p

 

Cl. 3

 

Bsn. 1

 

Bsn. 2

p

Bsn. 3

   p

Hn. 1&3

   p

  

Hn. 2&4

Perc. 1

Perc. 3

pp

pp

pp

p

mp

mf

pp



mp

mf

 

mf

 

  mf          ���

   

   

3  

 

  

mf

  

  

   

   

  

  

  

  

    

fp

                 

   

  

mp

  

  mp







mp

pp

 

mf

mp

pp



mp

 

pp



  p  mp           

Perc. 2

pp

pp

p Tbn. 3 & Tba.



mf

p

pp

mp

  

Tbn. 1&2



mf

 

  

pp

 

 

Tpt. 3&4

mf

mp

   

pp

p

 

Tpt. 1&2



mp

mf



   

q = 60

pp



mp

p

C. A.

mf



pp

p

Ob. 2

mp

mf

p

Ob. 1



mp

 

Fl. 3

 

G

mp

 

 mp    

pp

    

 

 

 

mp

 

   

 



  

mp

    

pp 3

           

pp 3

ppp

Vln. I

G.C., timpani mallets

Cb.

 

pp

 

pp

  

pp

 

 

senza sord.



pp

 p

   



p



p

G

 

pp

 

 

pp

 

 

 

pp

 

 

 

legato



   

pp

legato

 

 

  

l.v.

 

 







 

  



legato

pp

 

 

 



 

  



p

pp

pp legato

pp

mf

mf

mf

mf

mf

     mf

  

senza sord. wood chimes & wood blocks with soft mallets

p



mf

 

 

pp

mf

mf



pp legato

mf

     

senza sord.

   

q = 60

mf

 

senza sord.

pp



mf

      

senza sord.

 

   

mf

 

senza sord.

pending on reverberation

pp

Vc.

senza sord.

keep same pedal

   

Vla.

   

p until end of m. 98,

Vln. II

 

       (take mutes off)

 Pno.

senza sord.

ppp 3

3

medium soft mallets

 

     

mf

       senza sord. mf

   

    

  

p

3      

 





p

 

      



  

mf

mf

     mp       pp

mp




  88

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Hn. 1&3

Tpt. 1&2

Tpt. 3&4

Perc. 1

 

 

 

 

p

    pp

 



 

 

    pp

fff

 

 

 

 

   

fff

 



 



 

  

 

 

   

 

    

 

   

   

 

 

   p

 

 

mp

mp

mp

mp

mp

mp

mp



p



p

p

 

 



mp

 

 

 

 

 

mp

mp



mp

fff

 

p

p

 



pp



 

pp

 

  fff  



fff

 

 

pp



mp

ppp

 p

 p

p

 

 

 



 

  

pp

fff

 

   

pp

       pp 

fff

  fff

 

       fff

(put brass mutes on)

fff

ord.

 

(put mutes on)

fff

 

(put mutes on)

  

    

     p

 





     

 



senza sord.

  

  

p muffled

 

3      

    p

 

  



 

ppp

  

 



 

pp

 





 





 







 

  



 

 

 

l.v.

  

  

  

   

l.v. fff



ff

tamtam, heavy mallet

(trb. put mute on)

fff

antique cymbals, brass mallets





fff

 senza sord.   

 

 

 

    pp

     

pp

    p

 

(put mutes on)



fff

    

      fff       fff

fff

       fff

  

fff

snare drum and timbales, sticks

     

suspended cymbals, med. soft mallets

 

 

pp

loco

pp

p

pp

 





















 

 

  pp

pp subito

pp subito

pp subito

pp subito

pp subito

glissando on the lowest strings, same pedal

. iss gl

Vc.

 

 

   

p

fff

Tuba mp

ppp

 

senza sord.

 

espr.

fff

 

in stand



fff

mp

   

pp

 

fff

mp

Vla.

fff

  



Vln. II

 

 

Pno.

Cb.

 

Vln. I

 mp

 

 

Perc. 2

Perc. 3



Tbn. 1&2

Tbn. 3 & Tba.

 



 

Hn. 2&4



  

Bsn. 2

Bsn. 3



13




14

H   96

Fl. 1

Fl. 2

mf

mf



mf

C. A.

  mf

Cl. 1

mf

Cl. 2

mf mf

Cl. 3

 

Bsn. 1

Bsn. 2

Bsn. 3

mf

mf



 

mf

1.

Hn. 2&4

Tpt. 1&2

Tpt. 3&4

 

                    

pp

                    pp              

 

pp







 

       



 

 

 

p



       



  

pp



pp

                   

pp

pp

      

dim...

 

mf

  

   

dim...

p



  

pp

 

pp

 

pp



       

p

  

 

pp

 

  



      

mf





         pp

    

    pp      

     (take off the brass mutes)     

  

        

pp

Tbn. 1&2

Perc. 1

Tuba

 

 

   

snare drum and timbales

mf

congas

   H  

Vln. I

mf

 



rototoms

Pno.

Vln. II

 

Vla.

 

Vc.

 

     

dim...

snare drum and timbales, sticks

rototoms   

        

snare and timbales

p

    p



pp

pp

   pp

  

pp

  pp

 

         

     

 

congas, sticks

     pp p

 

snare and timbales

p

 

pp

    

 

pp

 

  

   

 

 

     

temple blocks          p    

p

   con ped. q = 90     

l.v.

 

 

Cb.



Ob. 2

Perc. 3

  mf

mf

Ob. 1

Tbn. 3 & Tba.

q = 90 

Fl. 3

Hn. 1&3



                 

  

 

 

 

  

 

arco sul pont., sempre tremolando

 

pp arco sul pont., sempre tremolando

   

 

pp arco sul pont., sempre tremolando

 

pp arco sul pont., sempre tremolando

   

pp

             

      

   

        

    pp  arco s.p., tremol.   

  

 

arco s.p., sempre tremolando

pp arco sul pont., sempre tremolando pp arco sul pont., sempre tremolando

 

 

pp arco sul pont., sempre tremolando

pp

         

  p

  p

  p   

  

       

p

    p   p

    p

 

    p

p

 

 

   

 

     

   

 

     

 

   

           

 

   

   

      

    

     

 

   

 

   


15

  

    

Fl. 2

 

    

Fl. 3

 

  

Ob. 1

 

    

Ob. 2

 

    

C. A.

 

Cl. 1

105

Fl. 1

mp

mp

 

 

p

    pp

p

   pp

p



 ppp

mf

 

ppp

mf



  

mf

  



    

  

 

  

Cl. 2

 

  

Cl. 3

 

   p   

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3

mp

mp

mp

p

p

 

 

p

 

     

Tpt. 3&4

   pp

p

ppp

pp

 p



p

pp

 

pp

  

    mf

   

 mf     mf

       

 bouchés   ppp  bouchés

p

ppp

mf

   mf  

mf

con sord.





con sord. ppp

trb. 3 con sord.

Perc. 3

congas         



rototoms

    

snare and timbales

temple blocks

 

              



      

                 

       

       

mp

mp

mp

mp

   

mp

mp

mp

 

mp

mp

                 

I

   pp    pp

 

 

pp

pp

 

    pp      pp     pp      pp

pp

 

wood blocks

 

 

 

 

   

     

             

temple blocks

pp

 

  

rototoms

       

   

       

       

  

p

       

 

       

   

   

 

 

 

                 

 

      

     

 

 

   

 

 

     

     

   

   

 

   

 

   

ppp

 

mf

 

mf

     

   

 

   

 

 

   

 p

 

       

   

mf

 mf

mf



mf

 

    mf      mf      mf  

 

   

p

p



p

             mf

ppp

mf

ppp

                           ppp mf          mf



 mf

     

mf

     

 

     

wood blocks

       

     

         

 

mf

 



con sord.

 

con sord.

con sord.

p

mf

con sord.

 

mf

pp

Perc. 1

Vc.

mf

 

    

    

Vla.



  

p

mf

pp

mf



pp

mf



mf



p

  

  

pp

mf







pp

  

p

mf

mf

  

  

Vln. II



pp

Tbn. 1&2

Cb.

mp

Tpt. 1&2

Vln. I

  

p

 

Hn. 2&4

Tbn. 3 & Tba.

p

I

ppp

                     

mf

ppp

mf

ppp

mf

ppp

             ppp mf             ppp mf             

              

p

mf

p

mf

   

   

       

  

snare and timbales

p3


16

Fl. 1

114      

Fl. 2

   

Fl. 3

   

Ob. 1

   

Ob. 2

C. A.

Cl. 1

Cl. 2



 

 

 

Hn. 1&3

p

   

   

 

p

 

 

 

 

Tpt. 1&2

Tpt. 3&4

 

mp



mp

   p

   

pp

 

   

 

  

 





   

pp

 



pp

 



pp

pp

 

pp

pp



pp



 

 

 ouverts  



     

 



pp

      p

pp

 

Tuba

  

snare and timbales

mp

  p

 





      

 

p





p

 

    

  

           

 



 

 



ord.

 

 

 

Vln. II

Vla.

Vc.

Cb.

ord.

pp

pp

ord.



pp ord.



pp

  



  

   

p

p

p

p

 p

   p

     mp

   

 



mp

  

pp



 

  

p

  

 

 

p

 



  

 



   

       

mp

p



 

 ouverts  p       



p

 

 



mp



p

   

p 3

Vln. I

mp

snare and timbales

Perc. 3



mp

  

   3    





 





p

      

  

p







p

mp

  

  

 

p

  

mp

suspended cymbals, with stick shaft on edge

Perc. 2

 

 pp





p



mp

pp

  

p

mp

 





    



  

  

mp



p

    

mp



mp

  

mp



 

   

p

 



 







mp

  

mp



pp

pp

pp

 

  

           p



p



 

pp

mp

 





p

p



    

mp



p

  



Tbn. 1&2

Perc. 1

mp

    

Tbn. 3 & Tba.

     

pp

p



 

p

p

mp

     

Hn. 2&4

p

   

  

p



 

mp Bsn. 3

 

mp Bsn. 2

 p

 

 

Bsn. 1

  

Cl. 3

p

    

   

p

pp

p

 

p

   p

  

  pp


17

   119

Fl. 1

crescendo sempre al .....

Fl. 2

Fl. 3

Ob. 1

Ob. 2

 







   



 







   





   

fff



  

fff



  

crescendo sempre al .....



crescendo sempre al .....



crescendo sempre al .....





 

crescendo sempre al .....

   



 



 

 

 

 



 







  





  





  



   



crescendo sempre al .....

Cl. 1

Cl. 2

Cl. 3

crescendo sempre al .....





 



 

     









crescendo sempre al .....

Bsn. 3

crescendo sempre al .....

Hn. 1&3

    



    

 

crescendo sempre al .....

Hn. 2&4

  

crescendo sempre al .....

    

Tpt. 3&4

Tbn. 1&2

Tbn. 3 & Tba.

Perc. 1

crescendo sempre al .....

      

 

crescendo sempre al .....

        3 

Perc. 2

Perc. 3

 





 





 

 













 

 



 

     

fff

   fff    fff

   fff

senza sord. f

 

 

3 3         3      3   3   3   

3

  

fff

   fff

   fff

  

fff

 

      



  

    fff      fff          fff    fff

  

  

Trb. 3

   

      3

 

  

  

senza sord. senza sord.

    ff

     ff     3   3   3   

    3  

 

          fff

ff

 

fff antique cymbals

3

 

3

mf

fff

  

fff

              

  

ff

 

 fff

    

  

 

 

 

 

 

 

 

 

 

 

 



 



 

  

ord.

 

p

Vln. II

p

Vla.

p

  

Vc.

p

Cb.



 

Vln. I

  

tamtam

    

Pno.





crescendo sempre al .....

Tpt. 1&2

fff

   

crescendo sempre al .....

Bsn. 2

fff

      

     

 

  





p

  

p

p

p

lunga (9-10")

fff (begin solo

p



lunga (9-10")

  

crescendo sempre al .....

crescendo sempre al .....

Bsn. 1

 

 

C. A.

  



   fff

 

fff

fff

fff

  Solo

during fermata) pp


18

J senza misura     gliss. 

ord. meno mosso accel. sul ponticello                                        ff 

123

Vln. I

pp

 

q = ca. 60

124

Fl. 1

Ob. 1

Perc. 2



 

  128

Fl. 1

Fl. 2

Ob. 1

C. A.

Cl. 1

Bsn. 1

Violin solo

Vln. I



con calore

 

f





p



  

= q = 54

      

      

   

   

   

pp con sord. pp



Vla.





 Vc.

 



con sord.

    pp  con sord.       pp

pp

              

flautato

p



esitando



gliss.

K

rit...





e = 108





pp



poco accel. >







esitando



p

più freddo 

più p

  

rit...



 

 

                   

p

p

                                               p più p 



   pp      

  

pp



  

    

   

   

 

con sord.

con sord.

           

pp

  pp



 

  

     

      simile      simile          con sord.        

    

   

pp con sord.

    

         simile         

    



   pp  con sord.     pp

         

 

    

          



  

          



  

  

simile

 









    

  

  

ppp

 simile                                                                         simile                      

   

     

  ppp

ppp

    



ppp

         

ppp

 

ppp

  

ppp

        

 

 

ritardando >

put on the mute and join the section

  

e = 108

pp

= q = 54

simile   



ritardando >

pp



pp

K

pp

   pp       pp

  

simile

Vln. II



 



    

p

    con sord.      

Cb.





        





  

senza misura

l.v.

Cl. 2

Bsn. 2

q = ca. 60 ord.

pp



mf



poco accel. >

tamtam, hard marimba mallet    mp   

Pno.

Vln. I



ppp

    ppp

 


L

  136

Fl. 1



Semplice e q = 60





sempre dolce



Fl. 2

Cl. 2

Cl. 3

pp
sempre

 

Tpt. 1&2

Perc. 1



   

pp
sempre

 

cup mutes

pp
sempre

  

 

  

pp
sempre



  Vln. I

  Vln. II

  Vla.

 

Vc.

 

pp



 pp

 s. glis

L

pp
sempre

 

      cup mutes        

Semplice e q = 60





with fingertips on strings

   

   

     

  



 

   

 

 



 

 

snare and timbales, sticks

 

     

 

pp
sempre

snare and timbales, sticks

    



sempre dolce



pp sempre, non cresc. o dim., legato













          



 



 

 

  

  

 

 

   

 

    

 

 

 

 

 

    

 

              

 

 

 



  





 

   

 

  

pp
sempre



        

   







  

   

tuba: con sord. pp
sempre



 

 

Pno.

   

    

 

pp
sempre trb: cup mute

G.C., timpani mallets

Cb.

cup mutes

suspended cymbals, stick shaft on edge

Perc. 3

pp
sempre

 

  

Perc. 2

      

   

 

con sord. pp
sempre

pp
sempre

con sord. pp
sempre con sord.

pp
sempre

Hn. 2&4

pp
sempre

con sord.

Tbn. 3 & Tba.



Tbn. 1&2

Bsn. 2

Tpt. 3&4

Bsn. 1

Hn. 1&3

    

pp
sempre

   

  



Bsn. 3

 

Cl. 1

 

pp
sempre

C. A.

pp
sempre

Ob. 2

 

pp
sempre

Ob. 1

pp
sempre



pp
sempre

Fl. 3





19



  

  















 













pp sempre, non cresc. o dim., legato

pp sempre, non cresc. o dim., legato

pp sempre, non cresc. o dim., legato































pp sempre, non cresc. o dim., legato

pp sempre, non cresc. o dim., legato





















pp sempre, non cresc. o dim., legato

pp sempre, non cresc. o dim., legato

pp sempre, non cresc. o dim., legato




20

  143

Fl. 1





Fl. 2

Fl. 3

Ob. 1

Ob. 2

C. A.

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

Bsn. 2

Bsn. 3



Hn. 2&4

 

 





 









 

 

 

 

Perc. 3



Pno.

  



            





 

 



Cb.















   

  

    

   

        



           without snares     

   

pp



pp



  



pp

 

 



 pp

  

 

 



 

 

 





 





 

 











 

 

 





 



 



 









 





 



Vln. II

Vc.



Vln. I

Vla.





              





     



 





fingers on middle strings

ss. gli

 

         

    



 





 

 

Perc. 2

 

 



Perc. 1



 

Tpt. 3&4

 

 

 

 

   



        

 

Tbn. 3 & Tba.



Tpt. 1&2

Tbn. 1&2



Hn. 1&3



 


 



   

  

   

   

Ob. 1

  

Ob. 2

149

Fl. 1

Fl. 2

Fl. 3

C. A.

Cl. 1

Cl. 2

Hn. 1&3

 

 

 

 

 



 

 



 

 

 

 



 

 

 



  

 

  

 

  

 

 

 

 

 

  

 pp 

     

 

pp



      

   

Tuba

 

pp

 

 

woodblocks, med. soft mallets

pp
sempre

 

   

 

 

  

temple blocks, soft mallets

 

pp
sempre







 

 

Vln. I

 

pp

pp

ppp



 



pp



pp



pp









pp

ppp

 ppp

 

ppp

rototoms



 

    

ppp

pp
sempre







 

cymbals with stick shaft on edge

pp
sempre

ppp

   



 



 





 







 

 

 













 

M

  



 



  

 

 

  



 

(still tuned down)





 



pp

 



 

 

pp
sempre



ppp

congas (open), soft mallets         

 

  



  

ppp



 



 

   

 

 

 3.     

Vln. II

Vc.

ppp

   

  

 



pp



Vla.

ppp

Pno.

 

Perc. 2

pp



 

pp

 



 

pp

ppp 

ppp

 

ppp

pp

ppp

 

ppp





ppp

Tbn. 1&2

Cb.

ppp



 



M



ppp



 





Tpt. 3&4

Perc. 3

 

Tpt. 1&2

Perc. 1

 



 

 

Hn. 2&4

Tbn. 3 & Tba.



Bsn. 2

Bsn. 3

 

 



 

Bsn. 1



Cl. 3



21

 















 



 







 







 












22

  





 

157

Fl. 1

Fl. 2

Fl. 3

Ob. 1

Ob. 2

 

Cl. 2

Cl. 3

 

Bsn. 1

Bsn. 2

Bsn. 3

Hn. 1&3



Tpt. 3&4



  

pp



pp

pp

pp

 

pp

   

 

 

 



 

 



 

 

 

  



 



 

 

  

     



 

 



 

  

  

 



pp

 







 

(9"-10")

 

ppp

 

ppp

 

ppp

  

ppp

 

ppp

 

 

1. lontano



ppp

Tbn. 1&2

   

Perc. 2

 

pp
e dim...

  



 

 

 

Vla.

Vc.

  



 



  

  dim...

 

  

pp
e dim...



   



pp

  

 





dim...

dim...

dim...



pp



 

(9"-10")

 

  

 

  



 



  

ppp

 



 



  

 



 



  

 



 

 



  



 

ppp

 

 

 

 



ppp

ppp

 

ppp

 

ppp

ppp

 

 

ppp

 

 

 

fingers on lowest strings

 

ppp

tamtam, stick shaft on edge

 

 

   

G.C., timpani mallets





ppp

 

dim...

antique cymbal, brass mallet



ppp

 

 

 

 





 



 



 

dim...

 

 



dim...

  

dim...

dim...

 

s. glis



  

Vln. II

  

snare drum, sticks (snares on)

Vln. I

  



Pno.

snare drum, sticks (snares on)

Cb.



 

Perc. 3

pp





Tpt. 1&2

Perc. 1



 

Hn. 2&4

Tbn. 3 & Tba.



pp

pp

 

Cl. 1

pp

 

C. A.



 



         

Baltimore 1992 — Kokkola 2005


Juha Ojala: Music for Orchestra