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Lauri Supponen

Lastuja 'Chips' - for orchestra -


i las•tu : finn. a thin, shaved off slice of wood (shaving, chip).

,,Puusta asetta vuoleksiessa lennähtelee puusepältä lastuja hänen työhuoneensa permannolle. Yksi ne lakaisee ovesta ulos, toinen nakkaa lieteen palamaan, kolmas heittää lapsille leikkikaluiksi. Tämmöiset kirjaniekan kynäelmät ovat lastuja nekin. Kun ei niitä aina henno tuleenkaan työntää, niin jättää ne niiden poimittaviksi, jotka siitä kenties ovat huvitetut.

,,

Nämä »lastuni» tässä tarjotaan sen näköisinä, jommoisiksi ne itsestään, kirjoituspöydältä pudotessaan, ovat siihen paikkaansa kähertyneet. - Juhani Aho

Instrumentation : 2 Flutes (2nd doubling Piccolo) 2 Oboes (2nd doubling Cor Anglais) 2 Clarinets in Bb (2nd doubling Bass Clarinet in Bb) 2 Bassoons (2nd doubling Contrabassoon) 4 Horns in F 2 Trumpets in C (each equipped with straight metal mute and wah-wah mute) 3 Trombones (2 Tenor, 1 Bass - all eq. with straight mute and wah-wah mute) 1 Tuba (eq. with mute) Timpani 2 Percussionists Instruments: snare drum, suspended cymbal, glockenspiel, low tam-tam, guero, large metal object (e.g. anvil, cowbell) and bass drum Harp Strings (divisible by 2, and by 1st desk soloists)

Altough the six events may be played as a suite, it is hoped that they be placed in different slots during the concert. For instance at the beginning, before the end, in between pieces or during tuning or an interval. They may be placed in any order at the discretion of the conductor.

NOTA The following 1/4-tone notations are used :

The smaller microtones are ordered as follows : (note that arrows are applicable in both directions, and on all accidentals)

Score in C (Piccolo sounds an 8ve higher, Contrabassoon and Contrabass an 8ve lower. Bass Clarinet sounds as written)

Durata c. 50''


Lastuja e = 100

Flauta 1

    

 

pp

Flauta 2

   

 

 

 

pp

Oboe 1

Oboe 2

Clarinetto 1

Clarinetto basso

Fagotto 1 Fagotto 2

 

 

Corno 2

Corno 3

Corno 4

 

 

 

 

 

  

   

  

  

e = 100

Corno 1

 

  

 

   p

  

 

       

p

    

 

 

 

 

Trombone tenore 1

 

Trombone tenore 2

 

Trombone basso 3

 

Tuba

  

con wah-wah sord. stem removed

con wah-wah sord. stem removed con wah-wah sord. stem removed

con sord.

e = 100

Alti

 

div. in 2

 

   

    

pp



 

 

 

 



 



3

   

pp

   

 

pp

ppp

   

ppp  

   

ppp

 

 





 

   

con wah-wah sord. stem in

con wah-wah sord. stem in

 

 

 ppp

pp

 

3 different fingerings

3 different fingerings 2 1 3

     5

ff

     

f



     3

 

   

 

 

  

3

      6

        

ppp

pp

f

   

 

c. sord.

ppp



 f 

   5

   3

poco f

pp

pp



pp

 

 

pp

mp

5

  

  

5

p

 

  

p

ppp

      ppp

   

 non dim.

 

 

 

 

 

non rit!

  

non dim.

 

 

 

          

 

 

 

ppp

non dim.

 

non dim.

                   non vib!

    

non rit!

c. sord.

pp

3

 

3

non vib!

non dim.

non dim. 3

  



  

ppp

     

 

  

mp

  

non dim. 3

3

3

c. sord.                                                     non dim. 3 6 6 6 6 6 pp 3 c. sord. non vib!                                      pp           e.s.p ord. 3 poco tenuto non dim. solo gliss. harm.     sul IV                           pp ppp non dim. mp ppp sub f pp 

   

poco tenuto

ppp

poco tenuto

 



 

   

ppp

pp

           ppp

 

  

  

gli altri ord.

  

 

 

      

 

pp

 

ppp

div. in 2 poco tenuto

ppp

 





 poco f    

                             

  

 

  

    

ppp muta in Cl.2 (subito)

 

  



f

  

    

mp



 

ppp



 

pp

mp

non dim.

 

ppp poco tenuto

ppp

non dim.

 

muta in Picc. (subito)  



    

non rit!

 

ppp

5



5:3

ff

5

5

f

   

Celli

Contrabassi



ppp poco tenuto

ppp

               ppp 6 6 solo                   ppp   

 

pp

ppp

solo

Lauri Supponen (2010)

    1 2 3 

              ppp ppp pp poco tenuto                

                       

Violini II



poco tenuto        

solo

Violini I



 

ppp

p

Tromba 2



         p

 

Tromba 1

A.

 

 



    

pp

ppp

 Copyright © Lauri Supponen -10 All rights reserved

 

sub f ord.



   

sub f ord.

e.s.p

   

3



II

e.s.p 

3

e.s.p

  

 

  

 

f ord.

f

3

ppp

ppp

3

3

ppp e.s.p

ppp

 

 

 

 


e=110 (q = 55)

 Fl.1   5

Picc.

Cl.2



Cor.3

Cor.4

Tr.1

Tr.2

Timp.

Perc.I

Perc.II

Arp.

p

Clarinetto 2

 

3

Bi.



 

cresc.

3

 

cresc.



 

 



 

p

cresc.

 

 

3        3   mp  

 

 

 



 

 

 

           p

6

  p

p

    

  

 

 

senza sord.

 

 

senza sord.

 

 

 



 

 

 

 

 

e=110 (q = 55)

solo

 

solo

 

solo

 

solo

gett.          

senza sord.

senza sord.

senza sord.

Vn.II

(gli altri tacet)

solo

Vc.

(gli altri tacet)



 

senza sord.

ppp

pp

 

3

ppp



  

ppp 3

ppp

pp

 

pp

pp

p

 

mf

p

 mp

p

mp

 

tutti div.

  

  

  

tutti div.

  

non vib!

 

non vib!

 

with thick end of side-drum stick

    

   

 

   

 

 

   

 

 

   

 

 

   

 

 

   

 

    

   

 

   

 

    

 

poco f

    

5

5

         f

Db Fb Ab

  

    

    poco  a poco più stacc.       (ord.)

5

p sub

corta

   

corta

   

mf

5

   

5

p sub





e.s.p

5

5

poco f

   

 



 

 

 

 

 

    

ff (espress.) c. legno batt. (1/2 hair)

poco f

 

  

   5

pp

  

         

corta

e.s.p

 

ff

 

 

  

poco f (espress.)

   

   

(ord.)

 

 

  poco a poco più stacc.             

non vib!

   

poco f

poco f

 

corta

poco f

 

 

pp sub

 

  

non vib!

 



   

 

con sord. (straight)

mf

poco f



 

   

  cortiss.      

   

pp sub

   

 

 

       poco f                          

mp pp

f

pp sub

mp pp

      

 

   

 

pp

f

 

   

pp

    

 

   

    f

ppp

 

 

 

 



  

 

Alt.

f



muta in C.fg. (subito)

      

pp sub

     

poco f

Snare drum (snares off) and Bass Drum

solo

    

pp sub

2

   

corta

3

pp sub



5

poco f

mp

  

3



 

poco f tenuto

 

e=110 (q = 55)

Susp. Cymbal



   

  



poco f

3

  

 

 

3

 

   





  



poco f

mp

mp

poco f

mp

 

3

7



poco f



7

 

  

(keep the





poco f

 rhythm)         same              p

 

 

 

Vn.I

Cb.

p

  



cresc.

 

 

  

 

     

 

e=110 (q = 55)

 

 

   

 

Cor.2

 



Fg.1

Trb.1

 

Cl.1

Cor.1

p

Ob.2

Fg.2

 

Piccolo

solo Ob.1

  

 

poco f

     



         

     corta    

 

   

 

   

 

 


  Picc.   10

Ob.1

q. = 60

pp

Ob.2

fff

    pp

Cl.1

Cl.2

Fg.1

fff

      

  

  

pp

  

fff pp

  

fff pp



pp

  

fff

fff

 

fff

  

 

 

  

 

 

fff

fff

  

 

 

  

  fff

 

  fff

 

pp

 

  

 

 

  

Tr.1

 

 

  

Trb.1

 

 

con sord. (straight) 

 

 

con sord. (straight) 

 

 

  

 

sord. senza     

Trb.2

Trb.3

Tba.

q. = 60

   Perc.I    Arp.

   

  

 

 

  

Vn.I

q. = 60

tutti div.

    

Vn.II

 

    

  

Cb.

tutti div.

 

  

 

like a stab

  

     

tutti div.

 

3

  

  

    

fff

 

3

 

fff

fff

 

fff

3

fff

   

  

poco f

pp

      fff

 

pp

p

 

 

in the foreground

    p

 poss.

f

poss.

  

  

mp 

3

 

     

 

   

 

p

        

gett. (continuous)

3



 

p

 gett.  (continuous)        p

p

 

ff

   

 

   



   

 

 

p



 

p

           

        

gett. (continuous)

gett. (continuous)

gett. (continuous)

     p

          

gett. (continuous)

Db Fb



gett. (continuous)

  

fff

 

   

 

  fff

 

 

3

  

fff

  

gett.

 ff

f

f

f

f

poss.

poss.

f

poss.

f

damp just before the beat 

 

    

  

gett.

 

 

 

   fff

       

 

3

gett.

 

gett.

 

p

    

 

  

 

fff

3

 

 

f

  

senza sord.

 

muta in C.fg. (subito)

  

 

mp

  

 

mp

   

 

  

  senza sord.        

3

 

in the foreground

  

 

     p

       fff

    

    



  

fff like a stab

 

fff

like a stab

like a stab

 

fff

 

  

 

like a stab

   I                 II    

  Vc.

                 ff II 

ff

Vla.

like a stab

(q = 90)

tutti div.

 

Low Tam-tam

I

p

fff

 

(q = 90)

l.r.   

3

f

(q = 90)

Glockenspiel

ff

pp

fff

 

Cor.3

f

  

pp

  

fff

  Cor.1  

q. = 60

fff

3

  

    

poss.

pp

  

  

   fff 

3

3

  

  

      

Contrafagotto

C.fg.

 

  

Bii.

(q = 90)

 





     

 

             

 



6

 

gett.

 

 

             gett.   

                   3 3                   

           

   fff

  

     


Biii.

  Fl.1   14

Fl.

Ob.1

Ob.2

Cl.1

Cl.2

Fg.1

q = 60

   

Cor.2

Cor.3

Cor.4



f poco rubato

 

 

 

 

 

  

 

      

   

 p



p

 

   

    ff 

 

 

 

a.f.a.p.

  

ppp

con sord. (metal)

5

        f

senza sord.

con sord. (metal)

pp

   

 

  

 

pp poco tenuto

ff

6

mp

 

 

 

(1 long scrape)

  

c. sord. 

 

 

 

 

 

 

  

 



cresc. play in own time (free bowing) c. sord. notes to be held until the following note cresc.

   



 

 3

 p

mp



poco f

  



 

tacet!

 p

 

tacet!

p

 tacet! 

p

  

 



  





tacet!

3

 To Bsn. tacet! 

tacet!

ff

mp

mp

 



 mf 

tacet!

ff

 

 

tacet!

muta in Cl.bas. (subito) tacet!

 





 



f muta in C.ingl. (subito)

ff



  

        



solo

   

p

7

6

   

 

  

3

 

    ff       tacet!     ff p     tacet!    

play in own time (free bowing) notes to be held until the following note

6

p poco tenuto

ff







 

 

 ff

 f 



       f    

ff

 

ffp

ff

poco tenuto

 

p

 

ff

7

mp

p

p

 

   

 q = 60    Guero  

 

7

pp

 

ff

mp

 

ff

          pp f 

ff

5

 

q = 60

Cb.

ff

   

Vc.

 

ppp

 

Vla.

ff

            f

       ff                ff    mp               ff mp               ff mp                 

p

Vn.II

3

 

a.f.a.p.

 

Vn.I

f6

ff

tutti div.

    sffz

ff

    

tutti div.

sffz

            p           p unis.

      mp

    

     p

ff

  

  

  

 

sim.



tacet!

    

sim.



4

muta in Picc.        tacet! (subito)    

f

 

    ff 

Trb.1

Perc.I



f

ff

  

poco tenuto

Timp.



      tacet!     

ff

ff

   

 



     

ff

7

(start slow, then acc. to make up for the time)

senza sord.

Tba.

      

       

(start slow, then acc. to make up for the time)

 

Tr.2

Trb.3

  

 

Trb.2

       

p

Tr.1

poco rubato

  

        

 

q = 60

Cor.1

 

Fagotto 2

Fg.2

 

ff

ff

  


 

 Fl.1  18

q = 50

 

Piccolo

Picc.

 

Ob.1

 

Corno Inglese

C.ingl.

 

Cl.1

 

Clarinetto basso

Cl.bas.

Fg.1

 

Cor.1



 

Cor.2

 

q = 50

 

Cor.3

 

  

pp

solo

Cor.4

Trb.3

Tba.

 

pp

 

 

 

q = 50

Timp.

C.  

  

 

solo

 

  

  

solo

   

p

  dim.

  

 

    

  pp

 

ppp poss.



   

  

  

 

  

p

 

 





 

p

  

 

 

 

p

5

   

con wah-wah sord.

stem removed     

  

 

   

 

  



  

 

 

 

     

 

 

 

 

 

 

 

 

 

 

 

ppp poss.

 

make note speak here at the latest. ten.

  Vn.I  

 

ppp poss. (quasi bisbigliando)

con sord. pizz. (as fast as poss.)

  

Vn.II

 

ppp poss. (quasi bisbigliando)

 

 Vla.

 

tutti div.

    

tutti div.

Vc.

Cb.

   (in 1 bow)

     

 p

(in 1 bow)

   

 

 (in 1 bow)        

 

   3

 3

      

pp

 

pp

pp  (in 1 bow)         

pp



       

damped with cloth

  

pp

ppp



3

  

arco e.s.p.

  

 e.s.p.  

ppp

ppp

     

  

  

pizz.

 

pp

ppp poss.

       ppp poss.

poco f



poco f

e.s.p.

ppp

e.s.p.

ppp



poco f

arco

 

ppp poss.

 

   

q = 50

con sord. pizz. (as fast as poss.)

 

 

 



 

   

carefully start making note speak

  

 

 

ppp poss.

 

 

ppp poss.

pp

ppp

3

   

   

ppp poss.

pp

  

pp

pp

  

     

pp



  

p

legato

  

   

p

  

  

5

(play here at the latest, but not if the tuba note doesn't sound.) ten. muta in Fl. (subito)

play note only right after you hear the low tuba note

pp

p



  

pp

  

3

 



  

 

  

 



poco f

 

 

  

           

 G G         mp pizz.

arco (gett.)

 


  Fl.1  

 

22

q = 110

Flauta

Fl.2

Ob.1

C.ingl.

Cl.1

Cl.bas.

Fg.1, 2

  

  

5



3

f

 

  

 

Cor.4

  

Trb.3

Tba.

ff



Timp.

 poco f

f

senza sord.

,

  

Arp.



metal mallet   hard      

cresc.

 

 

q = 110

sim.

fff senza sord. non div.

sim.

         fff

Vc.

        mf fff non    div.       fff

Cb.

p

f

      ff

      ff

 

 

3

 

  

f

5







fff

gliss.

 

gliss.





gliss.

3

 fff

 

  



fff

 

ff



 

  

 

3



ff

3

fff

gliss.

 

 

gliss.

 

 

ff

 



ff

   

f

poco f



5

  

5



 

play if poss.

 



 etc. fff poss.

fff poss. 3



3

 3

3













3

3

Bass drum

 

 

 



 

   

fff

3

3

p

p

f

           3

3

p

f



 

 

   

5

3

p

 

 

 5 

 



fff

3



fff 3

 

fff

3

f

fff

mp

fff

cresc.

                                                        



                                                    

f

 

5

6

                                                 

p

gliss.

ff



f

5



 

 gliss. 

 

  

D# Eb F# Gb A

 







gliss.

   

senza sord. non div.

non div.

Vla.

cresc.

      Vn.I   

Vn.II

  

pp

fff

 

3

  

cresc.



5 













 

f

 

cresc.

p

 q = 110   

   



fff

 

cresc.

,p

fff





 

     



poco f

f play in own time (hold the note until the next) legato (slurred ad lib.)

  

 

      

  

play up the natural harmonic series on B in own time (hold the note until the next) legato (slurred ad lib.)

 

5

gliss.

poco f

Large metal object (e.g. anvil/cowbell)

Perc.I



5



   

dim.

  

  

 

 

senza sord.   

 



fff







5

gliss.

senza sord.

Trb.2

   

poco f

senza sord.

Trb.1













f

gliss.

ff

C Tpt.

 

5

  

ff

 







 

 



5





5

fff Bassoon

ff

Cor.3

 





 

fff

fff

 

 



D.

   fff     fff    

f

 q = 110 Cor.1    Cor.2

 

 

p

p

3



     

cresc.

cresc.

cresc.

cresc.

3



 

3

  

     

3

3

                

3

3

3

   

3

fff

3

              3

3

3

fff

   

   

   

 3

3

 

fff

 

fff

Dur. c. 1'


Lauri Supponen: Lastuja