Issuu

A B O U T

My personal and family background has constantly exposed me to the world of creation and innovat on. Originally from Tahiti, I grew up in a family where the entrepreneurial spir t and passion for design were omn present My father, through his boatbuilding business, ntroduced me to the nautical world from an early age, while my mother by creating a hotel with unique arch tecture, awakened in me a deep interest in arch tecture and nterior design

EDUCATIONAL PATH

Scient fic baccalaureate, specializing in mathematics

Mention Bien 2018-2020

1 year of communications studies at Univers té de Montréal 2020-2021

EXPERIENCE

PHOTOGRAPHY INTERNSHIP

Volunteering for extreme sports photographer Tim McKenna in Tahiti 2017

WEB COMMUNICATIONS OFFICER

Poster design and webmaster of the Vanira

Lodge family hotel s Instagram page May 2019 to July 2021

With th s n mind, I began studying interior design at the University of Montreal, dr ven by a desire to discover the world

These studies gave me new perspectives, particularly in the conceptual and graph c aspects I acquired a solid grounding in the use of 3D model ng software such as Revit, AutoCAD and SketchUp I've also been tra ned to work on innovative projects and integrate original concepts nto my designs. In the end, the skills I acquired are varied, rang ng from design theory and art history to bu lding technology and project management

Bachelor s degree in Interior Design, Univers té de Montréal 2021-2024

PLAN CREATION FOR ENTREPRENEURS

Entrepreneur : Karlo Kramer, Montreal 2023

6 months student exchange at ENSAV - La Cambre in Belgium in Interior Arch tecture Autumn 2023

SALES ADVISOR, WEB COMMUNICATIONS

MANAGER

Boutique Marie Dumas / October 2023 to May 2024

REVIT

AUTOCAD SKETCHUP

SUITE MICROSOFT ENSCAPE

R U E L L E S

Ruelles de l'âge is a center for it nerant seniors, aged 50 and over, based on the voluntary process of leaving the streets

The service offered is inspired by Maslow's pyramid, to create a therapeut c pathway guiding indiv includes three key objectives: acc environment, re ntegration into th fulfillment

The center s architecture has bee centered on spaces that meet the Housing offers privacy and comfo encourage social interaction, and development

The homes have been designed to be br ght and open, w th secure access from the street to avo d a feeling of confinement

Circulation spaces and community areas are conducive to socialization and conviviality. Spontaneous meeting areas have been created, such as welcoming corridors and community spaces, with the aim of stimulating exchanges and strengthening social ties within the center

Spaces dedicated to personal development provide access to a variety of facilities, ncluding a library and gym. Qualified medical and psycholog cal professionals are also on hand

A M Y S T E R I O U S

D E I 2 0 1 0 - W o r k s h o p

T u t o r J e a n C o u t u r e

D u r a t i o n 3 m o n t h s

D E S I G N O F A F U N E R A L C E N T E R

What is life after death?

Our project focuses on the notion of vertical ty, representing the path to another world.

We have therefore focused on two ma n poles Passage, perce ved as an upward connection between the d fferent levels and occupants of the space Mystery, provided by the skylight, conferring a singular exper ence on the occupants of the ceremony room, and closely linked w th the work of the employees

The mystery of beyond W A Y

Transition from one state to another

FRONT ELEVATION LEFT ELEVATION RIGHT ELEVATION BACK ELEVATION

The skylight enters the ceremony room, prov d ng a special sett ng for the deceased's coffin On the office floor, th s skylight is incorporated into an area dedicated to contemplat on, often used for short breaks during the day Ultimately, it represents the employees' comm tment to designing fully personalized ceremonies for each family.

S P A C E

D E I 1 1 2 0 - 3 D M o d e l i n g

S e c o n d y e a r

T u t o r O m a r B a k a r

D u r a t i o n : 3 m o n t h s

Creat on of an indoor space to experiment with functionalities of Autodesk's Revit software. The space created is a municipal co-work ng a

U I T H E L E V A T I O N

N O E U D

This project is a shared habitat for three singles with totally different lifestyles The project is inspired by the film Snowcake, linking three characters, Alex being the one who unites Linda and Magg e. The liv ng space is insp red by shared living, while tak ng care to g ve each person h s or her own personal space The overall interior volume revolves around Alex, forming the link between the other two characters

A N I T I N E R A R Y

The project was divided into two parts:

Firstly, the existing showcases had to be redesigned to showcase the specimens on display

Secondly, the space had to be redesigned to offer an experience. This project aims to open up the world of zoology to non-scientists by offering an immersive experience in the h story of animal evolution

It guides vis tors through a journey that combines chronology and theme, highlighting each specimen n its uniqueness

Immersion will be maximized through the use of fragmented d splay cases creating a direct connection between visitors and the spec mens on display particularly in a darkened room where only illuminated specimens will be visible

The themat c organ zation will follow a chronological sequence, guiding v sitors through the d fferent branches of the zoological tree

Wall-mounted showcases will emphasize the s ngularity of each specimen, wh le island showcases will allow detailed exploration around a particular specimen

The first approach was to immerse visitors in an env ronment where they would feel surrounded by specimens To ach eve this, a dark room lit only by glass cases containing numerous birds was envisaged.

The key idea was to find innovat ve ways of making vis tors feel immersed n the specimens

Several concepts emerged in response to this challenge:

A second idea was to play with the optical illusion by nstalling a wall repeat ng the same frames as those in the showcases In this way vis tors could observe each other through the frames on the wall This repetition of the window frames in a wall created an intriguing visual experience

Finally, a th rd approach involved the use of frosted walls to allow visitors to see their own shadows interacting with the specimens on display offer ng a un que perspective on the relationship between man and nature