









Welcome to your Albany Symphony’s spring concert! Thank you for visiting us at the Palace Theatre, which is a beacon for entertainment and activity in downtown Albany.
We offer special thanks to Advance Albany County Alliance — through their generous investment in arts and culture, they are investing in the richness of our shared experience. Thanks to their support, we are honored to use our stages to share traditions and perspectives that fully reflect our incredible communities and ensure that everyone has the opportunity to engage in music.
While today’s concert, featuring Reena Esmail’s Hindustani violin concerto, Ravel’s Boléro, and Berlioz’s Symphonie fantastique, is near the end of our current season, Music Director David Alan Miller has created a dazzling 2025/2026 season, featuring our favorite pieces with teen prodigies and legendary artists Midori and Garrick Ohlsson, and transformational works by living composers. Through America250 commissions, we aspire to reshape America’s musical future, as the orchestra gives voice to stories that expand our collective identity. Join more than 1,175 subscribers, and (re)subscribe today!
Yes, the season is winding down, but the music continues, as the number of concertgoers grows beyond 15,000. Mark your calendars and bring your friends to upcoming musical events.
‘Dun dun… dun dun… dun dun dun dun dun dun…” You guessed it! The Music of John Williams returns May 3, with film music from Jaws, Jurassic Park, and, of course, Star Wars and Harry Potter. Want to hang out with other John Williams enthusiasts? We got you. Join Crescendo Club for trivia night to prep for the concert.
Have adventurous young people in your life? At Tiny Tots, kids 3-7 hear the orchestra give an epic, imaginative story time. Scoop up $5 tickets to the symphonic fairy tale, May 12-13 in Albany and May 14 in Saratoga.
The annual, acclaimed American Music Festival, June 4-8, brings together thousands for innovative performances across Troy and Albany’s vibrant waterfronts. In addition to hallmark performances, Dogs of Desire June 6 and American Music Festival concert June 7, free activities are sprinkled throughout the week.
The musical voyage doesn’t stop there – we are embarking on a grand new adventure, July 2-6, Water Music NY: More Voices, commemorating the Erie Canal Bicentennial. Five composers have been exploring unique canalside communities. By gathering and promoting the diverse narratives of refugees and immigrants, people of color, women, Indigenous Americans, and nature itself, the Albany Symphony will present free concerts to spark dialogue, expand perspectives, and energize people about the Erie Canal’s past, present, and future. As the weather warms, the rivers thaw, and daylight shines, we cannot wait to welcome thousands to Water Music NY: More Voices, free outdoor festivals, July 2-6.
Thank you for the innumerable ways you have supported your symphony this year. You make the music more memorable.
With gratitude,
EMILY FRITZ-ENDRES EXECUTIVE DIRECTOR ALBANY SYMPHONY
Two-time GRAMMY Award-winning conductor David Alan Miller has established a reputation as one of the leading American conductors of his generation. As music director of the Albany Symphony since 1992, Mr. Miller has proven himself a creative and compelling orchestra builder. Through exploration of unusual repertoire, educational programming, community outreach, and recording initiatives, he has reaffirmed the Albany Symphony’s reputation as the nation’s leading champion of American symphonic music and one of its most innovative orchestras. He and the orchestra have twice appeared at “Spring For Music,” an annual festival of America’s most creative orchestras at New York City’s Carnegie Hall, and at the SHIFT Festival at the Kennedy Center in Washington, D.C. Other accolades include Columbia University’s 2003 Ditson Conductor’s Award, the oldest award honoring conductors for their commitment to American music, the 2001 ASCAP Morton Gould Award for Innovative Programming, and, in 1999, ASCAP’s firstever Leonard Bernstein Award for Outstanding Educational Programming.
serves as Artistic Advisor to the Little Orchestra Society in New York City and the Sarasota Orchestra, and, from 2006 to 2012, served as Artistic Director of “New Paths in Music,” a festival of new music from around the world, also in New York City.
Mr. Miller received his most recent GRAMMY Award in 2021 for his recording of Christopher Theofanidis’ Viola Concerto, with Richard O’Neill and the Albany Symphony, and his first GRAMMY in 2014 for his Naxos recording of John Corigliano’s “Conjurer,” with the Albany Symphony and Dame Evelyn Glennie. His extensive discography also includes recordings of the works of Todd Levin with the London Symphony Orchestra for Deutsche Grammophon, as well as music by Michael Daugherty, Kamran Ince, Michael Torke (London/Decca), Luis Tinoco, and Christopher Rouse (Naxos). His recordings with the Albany Symphony include discs devoted to the music of John Harbison, Joan Tower, Roy Harris, Morton Gould, Don Gillis, Aaron J. Kernis, Peter Mennin, and Vincent Persichetti on the Albany Records label. He has also conducted the National Orchestral Institute Philharmonic in three acclaimed recordings on Naxos.
Frequently in demand as a guest conductor, Mr. Miller has worked with most of America’s major orchestras, including the orchestras of Baltimore, Chicago, Cleveland, Detroit, Houston, Indianapolis, Los Angeles, New York, Philadelphia, Pittsburgh, and San Francisco, as well as the New World Symphony, the Boston Pops, and the New York City Ballet. In addition, he has appeared frequently throughout Europe, the UK, Australia, and the Far East as guest conductor. Mr. Miller
A native of Los Angeles, David Alan Miller holds a bachelor’s degree from the University of California, Berkeley and a master’s degree in orchestral conducting from The Juilliard School. Prior to his appointment in Albany, Mr. Miller was associate conductor of the Los Angeles Philharmonic. From 1982 to 1988, he was music director of the New York Youth Symphony, earning considerable acclaim for his work with that ensemble. Mr. Miller lives in Slingerlands, New York, a rural suburb of Albany.
DAVID ALAN MILLER CONDUCTOR
SYMBOL KEY
^ STATIONARY CHAIR
+ ON LEAVE
ViOLiN
Christina Bouey CONCERTMASTER
LIFETIME CHAIR GOLDBERG CHARITABLE TRUST
Eiko Kano
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Elizabeth Silver ^
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Funda Cizmecioglu
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Mitsuko Suzuki
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The Albany Symphony Orchestra celebrates our living musical heritage. Through brilliant live performances, innovative educational programming, and engaging cultural events, the Albany Symphony enriches a broad & diverse regional community. By creating, recording, and disseminating the music of our time, the Albany Symphony is establishing an enduring artistic legacy that is reshaping the nation’s musical future.
SATURDAY | APRiL 5, 2025 | 7:30PM
DAVID ALAN MILLER, CONDUCTOR KALA RAMNATH, VIOLIN ABHIJIT BANERJEE, TABLA
Maurice Ravel Boléro (1875-1937)
Reena Esmail
Concerto for Hindustani Violin
I. (Aakash) Space
II. (Vayu) Air
III. (Agni) Fire
IV. (Jal) Water
V. (Prithvi) Earth
Postlude: Atonement
Hector Berlioz
Symphonie fantastique (1803-1869)
I. Rêveries, Passions
II. Un bal
III. Scène aux champs
IV. Marche au supplice
V. Songe d’une nuit du sabbat
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All programs and artists are subject to change. During the performance, please silence mobile devices. Recording and photographing any part of the performance is strictly prohibited.
OVERVIEW: There are at least two significant ways that this program coheres: each of these works has an extra-musical dimension to it. In the case of Ravel and Berlioz, there is a story behind the notes; and as Esmail writes in her program note, “This Violin Concerto explores the ancient elements of the Five Elements (space, air, fire, water, earth).”
In addition, the whole question of orchestration is raised: what is the special sonic world we are entering in each composer’s case? Ravel does us a favor by revealing individual instrumental voices, one at a time: a sort of orchestral primer. Esmail combines Eastern and Western traditions of instrumentation, repetition, and melody. And Berlioz, who, in 1844, wrote a book called Treatise on Instrumentation, has given us a large (about 90 players) and long (55 minutes, five movements) work that is both psychologically and aurally immersive.
Notes by Paul Lamar
To know the music of Maurice Ravel (1875-1937) is to discover the numerous artistic paths he took during his career. He had the last word on the waltz with his wild, ironic La Valse. He wrote charming
Convenient
piano music, like Ma Mere l’Oye. He loved things Spanish: in addition to Boléro, he penned Rapsodie espagnole and Alborada del gracioso. Ballet? Try the sumptuous music to Daphnis and Chloe. And of all the composers who wrote concertos for the left-handed pianist Paul Wittgenstein (a casualty of WWI), Ravel was the most successful: his effort is standard repertory fare.
And orchestration! Not only did he adapt some of his own piano music for the orchestra, but he gave us a stunning arrangement of Mussorgsky’s piano suite Pictures at an Exhibition (1922) that is now the way most people come to the piece. Indeed, as Bagar and Biancolli note in their book The Concert Companion, “A craftsman among craftsmen, a fastidious and tireless worker, a consummate scholar, Maurice Ravel…recognized only one art, not several, in that music, painting, and literature differ from one another only as regards means of expression…One of his excelling talents was his understanding of styles...”
In 1931 Ravel declared publicly that this work “constitutes an experiment in a very special and limited direction…consisting wholly of ‘orchestral tissue without music’…folk-tunes of the Spanish-American kind…and it is for the listener to take it or leave it.”
Many might just as soon leave it at this point in their musical experience. This ballet music from 1928 has, perhaps, worn out its welcome, at least on recordings or over the radio, but the pleasure of hearing AND seeing it performed live may bring around those who have grown tired of its hypnotic familiarity. After all, it is a piece notable for its orchestral color, and what better way to appreciate it than to see how the sounds are being made.
If you want to add the ballet story to your thinking, it goes like this: a Spanish senorita dances on a table in a tavern. A throng of men eyes her every move, becoming more and more passionate as the dancing intensifies. Near the end, as Edward Downes relates, “(K)nives are drawn, and there is a violent tavern brawl.”
Or maybe you remember Boléro fondly as the musical accompaniment to the 1984 Olympic performance by ice dancers extraordinaire Jayne Torvill and Christopher Dean.
The work opens with a solo snare drum that beats insistently throughout, over which instruments, one after the other, play a sinuous tune on a descending C major scale. Listen. And watch.
Notes by Paul Lamar
This Violin Concerto explores the ancient concept of the Five Elements (space, air, fire, water and earth), through the modern lens of climate change. Each of these elements can be so uniquely beautiful and awe-inspiring when they are in balance with one another — and yet when they are out of balance, they can cause boundless destruction. This work is a celebration of the incredible ecosystem we call home, a tough look down the road of destruction of that home, and a prayer of atonement, and hope for the restoration.
I was incredibly honored to collaborate with Kala Ramnath on this concerto — we each brought our unique body of knowledge into creating something that reached further than either of us could have conceived alone. It was Kala who first came to me with the concept for this work, and it is her melodies, with their unique raag and taal, and lively rhythmic interplay that form the backbone of this concerto. I expanded out those melodies into orchestra, surrounding Kala and creating a work that allowed musicians from both cultures to meet one another, and step into each others’ expressive worlds.
These issues that affect our natural world are so broad — they cross countries and cultures. It is our hope that this work brings us together, and allows us to have these difficult discussions from a place of mutual respect and understanding.
Notes by Reena Esmail
Perhaps one of the most notable features of the music of Hector Berlioz (1803-1869) is its connection to a program. Words struck Berlioz, who was himself a music critic, and he drew on Shakespeare (Beatrice and Benedict, based on Much Ado About Nothing), Byron (Harold in Italy), and Goethe (The Damnation of Faust), among others, for inspiration.
Personal experiences also provided him with a programmatic framework. His passionate feelings for Irish actress Harriet Smithson, whom he first saw in 1827 in a Paris production of Romeo and Juliet and who later became his wife, prompted him to create this unconventional, 55-minute symphony, subtitled “Episode de la vie d’un artiste” (episode from the life of an artist).
In all of his large works he exploited the full color palette of the orchestra: watch and listen.
This is the note, slightly edited, I wrote for the scheduled ASO performance of this piece in April, 2020. Now, five years after the pandemic canceled that concert, we can enjoy Berlioz’s masterwork, which received its premiere in 1830.
The symphony begins in medias res: a poet daydreams. The reverie, brought on by a nonfatal dose of opium, is characterized by a wandering line in the violins, with occasional interruptions by other orchestral voices. The poet is ill at ease, but only until he “sees” the image of the woman for whom he pines. The thought of her is, psychologically speaking, an idee fixe—an obsession. Berlioz creates a tune in the violins (with flute) a little more than five minutes in that recurs in each of the subsequent movements: a musical idee fixe. From here on there is an ebb and flow of intensity in dynamics, tempi, and shape of the lines that climb and fall as the lover contemplates the love object. The motive is transformed over and over; it then returns quietly as the spent dreamer drifts to sleep.
Movement two depicts a ball. Of course, there is grand waltzing, with the harp used prominently.
Again the love melody returns, but this time in ¾ to fit the setting. The waltz is frenetic at times, mirroring the poet’s anxiety.
Titled “In the Country,” the third movement opens with a little dialogue between the English horn and the oboe. The bucolic setting and the piping shepherds briefly give peace to the plagued poet. Birds sweetly chirp. The natural harmony, suggested by duets in thirds, is, however, upset by the return of the love motive, creating a storm of doubt in the devoted artist. At the end comes the English horn solo, which is answered, ominously, not by his partner, but by thunder.
The fourth movement begins with martial timpani: the poet, who, under the influence of the opium, imagines that, out of jealousy, he has killed his beloved and is on his way to the scaffold. Running lines in the strings and the bassoon, whose color is rather eerie, play under the square, precise steps of the condemned. The mood of the movement is alternately controlled and solemn or passionate.
Near the end, the clarinet plays the love theme, a pleasingly painful reminder to the poet of whom he has murdered. The guillotine falls, and the astute listener can hear a head roll.
Concluding the symphony is “Dream of a Witches’ Sabbath.” The poet’s funeral is characterized by growling in the low strings, dying winds, and ghoulish galumphing by kettledrums and winds. Witches, trolls, and goblins have all gathered for the event. The love tune returns, cheapened and distorted by a mocking clarinet and oboe. Those in attendance seem not to be praising the dead artist but rather having fun at his expense. (Of course, this may be the lovestruck Berlioz’s musical selfpunishment for having such vengeful thoughts in the first place!) Chimes try to provide some dignity, and the familiar “Dies Irae” tune (Day of Wrath) makes an appearance in the tubas; a fugue attempts to organize the situation; but everything else remains unbuttoned and derisive.
Notes by Paul Lamar
With numerous ensembles, orchestras and programs suiting a range of playing levels and musical styles, Empire State Youth Orchestra's programs invite youth musicians of all ages the opportunity to excel, grow and perform as individuals, leaders and as team.
Maestro Kala Ramnath, with her ‘Singing Violin’ stands among the world’s finest, most inspirational instrumentalists. Her playing has been featured on the Grammy-nominated Miles from India project, and her compositions have appeared on the Grammy-winning album In 27 Pieces and the Kronos Quartet’s 50 For The Future. The UK-based Songlines magazine hailed Kala Ramnath as one of the 50 world’s best instrumentalists and selected album Kala as one of its 50 best recordings. She was the first Indian violinist ever to be featured in the violin Bible, The Strad. She was the subject of a solo essay in the third edition of The Encyclopedia- Rough Guide to World Music. Her contributions feature in Hollywood soundtracks like the Oscarnominated Blood Diamond and many more.
Born into a dynasty of prodigious musical talent, one which has given Indian music such violin legends as Prof. T.N. Krishnan and Dr. N. Rajam, Kala’s violinistic vision began manifesting early. Recognizing her innate talent, her astute grandfather, Vidwan A. Narayan Iyer, took her under his tutelage. Thus began her most auspicious journey to astounding renown and international acclaim.
She also became a pre-eminent disciple of the legendary vocalist Pandit Jasraj. During this mentorship, Kala began formulating a voice unlike other Indian or non-Indian violinists. Justifiably, her voice came to be dubbed ‘Singing Violin’.
Acknowledged as a virtuoso of staggering proportions, Kala has performed at the most prestigious world stages and music festivals in India.
Kala has been bestowed the ‘A Top’ grade by India’s Radio and Television and is one of the youngest artists to have achieved this honor. She is the recipient of many awards — notable among them are the ‘Rashtriya Kumar Gandharva Sanman’, ‘Pandit Jasraj Gaurav Puraskar’, the ‘Sur Ratna’, and most notably of all, the Sangeet Natak Academy Puraskar.
An established name in the world music scene, Kala today is keen to enrich the lives of underprivileged children through music in the form of her foundation, ‘Kalashree’.
To learn more about Kala Ramnath, visit kalaramnath.com
Considered among the front-ranking tabla players from India, Abhijit Banerjee is one of the most sought-after creative artists in the realm of Indian classical music. A student of the legendary Late Pandit Gyan Prakash Ghosh, Abhijit has crafted a unique style and innovative approach, bringing him accolades and awards worldwide for his sensitivity, skill, and deep
sense of musicality. Apart from his contributions to Indian music, he has left his mark in a diverse field of crossover music both as a performer.
In addition to a highly successful career in Indian Classical music, his crossover work includes collaborations with musicians such as Ry Cooder, Larry Coryell, and Trilok Gurtu. Abhijit founded his touring ensemble TARANG, performing his original compositions and released CDs of the same title. Abhijit has collaborated with AARHUS JAZZ ORCHESTRA, Denmark, and Copenhagen Radio Big Band and is a founding member of Raga Jazz, a band bringing Jazz, Scandinavian, and Indian Music together. Abhijit has scored music for Indian television & won the National Award for Documentary Music for the film about Calcutta, which was screened in the Munich and Amsterdam film festivals. Abhijit has founded & established the Dhwani Academy of Percussion Music in Los Angeles, New York, and Kolkata, attracting talented students worldwide. The Academy also works towards promoting Indian music and has initiated needy blind children in the art of music.
To learn more about Abhijit Banerjee, visit banerjeeabhijit.com
Reena Esmail works between the worlds of Indian and Western classical music, and brings communities together through the creation of equitable musical spaces. Esmail holds degrees from The Juilliard School and the Yale School of Music. A resident of Los Angeles, Esmail is the 20-25 Swan Family Artist in Residence with Los Angeles Master Chorale, and was the 20-21 Composer in Residence with Seattle Symphony. She currently serves as Co-Chair of the Board of New Music USA, and Co-Founder and Artistic Director of Shastra, a non-profit organization that promotes cross-cultural music connecting musical traditions of India and the West.
To learn more about Reena Esmail, visit reenaesmail.com
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David Alan Miller | Heinrich Medicus Music Director
SATURDAY, OCTOBER 11, 2025 • 7:30PM
PALACE THEATRE
OPENING NIGHT
Alex Berko + Stravinsky’s Firebird
David Alan Miller, conductor
Zlatomir Fung, cello
JEAN SIBELIUS: Finlandia
ANTONÍN DVOŘÁK: Cello Concerto
ALEX BERKO: New Work
IGOR STRAVINSKY: The Firebird Suite (1919)
SATURDAY, NOVEMBER 8, 2025 • 7:30PM
PALACE THEATRE
Bobby Ge + Holst’s The Planets
David Alan Miller, conductor
Keila Wakao, violin
Albany Pro Musica
BOBBY GE: Violin Concerto
GUSTAV HOLST: The Planets
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SATURDAY, DECEMBER 13, 2025 • 7:30PM
SUNDAY, DECEMBER 14, 2025 • 3:00PM
TROY SAVINGS BANK MUSIC HALL
David Alan Miller, conductor
Yi-heng Yang, fortepiano
Christina Bouey, violin
JOHANN SEBASTIAN BACH: Brandenburg Concerto No. 5
ISAAC THOMAS: New Work
WOLFGANG AMADEUS MOZART: Piano Concerto No. 20
FRANZ JOSEPH HAYDN: Symphony No. 94, “The Surprise”
SATURDAY, JANUARY 17, 2026 • 7:30PM
PALACE THEATRE
André Raphel, guest conductor Midori, violin
JENNIFER HIGDON: TenFold
DMITRI SHOSTAKOVICH: Symphony No. 10
LUDWIG VAN BEETHOVEN: Violin Concerto
SATURDAY, FEBRUARY 14, 2026 • 7:30PM
SUNDAY, FEBRUARY 15, 2026 • 3:00PM
TROY SAVINGS BANK MUSIC HALL
VALENTINE’S DAY WEEKEND
Loren Loiacono + Tchaikovsky & Mahler
David Alan Miller, conductor
Kara Dugan, mezzo-soprano
John Brancy, baritone
PYOTR ILYICH TCHAIKOVSKY: The Tempest
GUSTAV MAHLER: Songs of a Wayfarer
LOREN LOIACONO: New Work
ROBERT SCHUMANN: Symphony No. 3, “Rhenish”
SATURDAY, MARCH 14, 2026 • 7:30PM
SUNDAY, MARCH 15, 2026 • 3:00PM
TROY SAVINGS BANK MUSIC HALL
Francisco del Pino + Beethoven & Bruckner
David Alan Miller, conductor
Anwen Deng, piano
FRANCISCO DEL PINO: New Work
LUDWIG VAN BEETHOVEN: Piano Concerto No. 4
ANTON BRUCKNER: Symphony No. 7
SATURDAY, APRIL 18, 2026 • 7:30PM
SUNDAY, APRIL 19, 2026 • 3:00PM
TROY SAVINGS BANK MUSIC HALL
Joel Thompson + Rachmaninoff’s Second Piano Concerto
David Alan Miller, conductor
Garrick Ohlsson, piano
JOEL THOMPSON: To See the Sky
SERGEI RACHMANINOFF: Piano Concerto No. 2
EDWARD ELGAR: Enigma Variations
SATURDAY, JUNE 6, 2026 • 7:30PM
EMPAC, TROY
AMERICAN MUSIC FESTIVAL Cuong, Theofanidis & Assad
David Alan Miller, conductor
Daniel Matsukawa, bassoon Sandbox Percussion
CLARICE ASSAD: Terra, Concerto for Bassoon & Orchestra
CHRISTOPHER THEOFANIDIS: New Work
VIET CUONG: New Work
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OFFICERS
Faith A. Takes, CHAIR
Marisa Eisemann, MD, VICE-CHAIR
Daniel Kredentser, MD, VICE-CHAIR
John Regan, VICE-CHAIR
Kaweeda G. Adams, TREASURER
BOARD OF DIRECTORS
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Dr. Benjamin E. Chi
Marcia Cockrell
Ellen Cole, Ph. D.
Becky Daniels
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Alan P. Goldberg
Jerel Golub
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Mark P. Lasch
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Denise V. Gonick
Sherley Hannay
Edward M. Jennings
Judith B. McIlduff
John J. Nigro
Kirsten Broschinsky DIRECTOR OF DEVELOPMENT
Daniel Brye HOUSING COORDINATOR
Alayna Frey SENIOR PATRON SERVICES MANAGER
Emily Fritz-Endres EXECUTIVE DIRECTOR
J.J. Johnson PERSONNEL MANAGER
Paroma Lahiri SENIOR DEVELOPMENT MANAGER
Kristin Locashio OFFICE ASSISTANT
Stu Serio MUSIC LIBRARIAN
Derek Smith GENERAL MANAGER
Lily Whiteman PROGRAMS MANAGER
The Albany Symphony acknowledges the support of our corporate and community partners whose contributions recognize the importance of the Albany Symphony in building civic pride, educating our youth, and contributing to the cultural life of all people in the Capital Region. Updated February 20, 2025.
The Albany Symphony is grateful to the many private foundations and government agencies at the local, state, and federal levels whose ongoing support ensures the vitality of the orchestra. Updated February 20, 2025.
The Albany Symphony is grateful to the following individuals for their vital ongoing support. Updated February 20, 2025. *Denotes deceased
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Dr. Joyce J. Diwan
Ben & Linda English
David Ernst
Malka & Eitan Evan
Joseph & Linda Farrell
Jack M. Firestone
Mr. James Fleming & Lawrence Tyler Waite
Mr. & Ms. John K. Fritze
Ms. Maureen Geis
Lynn Gelzheiser
Terry Gitnick
Ms. Jill Goodman & Mr. Arthur Malkin
The Family of Morton Gould
Sally & David Hyslop
In honor of Board Chair, Faith Takes
Howard & Mary Jack
Mr. & Mrs. E. Stewart Jones Jr.
Marilyn & Stan Kaltenborn
Herbert & Judith Katz
Holly Katz & William Harris
Robert C. & Mary P. Lafleur
Dr. Joseph Lalka & Teresa Ribadenerya
Janine & Robert Lane
Robert J. Langone & Margaret O’Brien
Sara Lee & Barry Larner
Georgia & David Lawrence
Agnes Leahy
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Robert & Jean Leonard
Donald Lipkin & Mary Bowen
Tom & Sue Lyons
Dr. & Mrs. Richard MacDowell
Chuck & Barbara Manning
Judy & Ted Marotta
Mrs. Nancy McEwan
Judith B. McIlduff
Mr. James Morrell
Meaghan Murphy & Nicholas Faso
Francis J Murray & Wendy Jordan
Stewart C. Myers
Hugh* & Vaughn Nevin
Heidi & Lee Newberg
Patricia & Kevin O’Bryan
Mary-Ellen Piche
Susan & William* Picotte Fund of the Community Foundation for the Greater Capital Region
William A. Roos
Nancy Ross & Robert Henshaw
Ruby & Quiri Inc.
In memory of Marie Takes
Alan & Leizbeth Sanders
Janney Montgomery Scott
Ms. Harriet Seeley
Peggy & Jack Seppi
Mr. David Richard Shaffer
Perry Smith & Roseanne Fogarty
Dwight* & Rachel Smith
Paul & Janet Stoler
Robert P. Storch & Sara M. Lord
I. David & Lois Swawite
Anders & Mary Ellen Tomson
Avis & Joseph Toochin
Josey Twombly
Michael & Margery Whiteman
Lawrence & Sara Wiest
Deshanna C. Wiggins
Albany Black Chamber
Anonymous (2)
$500-$999
The Aumick Family
Bausback & McGarry LLP
John Bohrer-Yardley
Sara Cashen
Mr. David Clark
Ms. Maureen Conroy
Jane & John Corrou
Drs. Ellen Cosgrove & Jeffrey Fahl
Dr. & Mrs. William J. Cromie
Becky Daniels
Mary Degroff & Robert Knizek
Mary Beth Donnelly
Lawrence E. Felton
Emilie Gould & Bob Scher
Katharine B. Harris
Susan M. Haswell Charitable Fund
Ann M. Jeffrey
Christopher Lee & Diane Johnson
Mr. William Lawrence
The Makrin Family
Elise Malecki
Tom McGuire & Barbara Bradley
Sarah M. Pellman
Sara & John Regan
Beverly & Bob Reinhardt
Frank L. Rose
Deborah Roth & Alan Kaufman
Steven Sandler
Donna Sawyer
Peg & Bob Schalit
Lawrence Schell & Karyn Loscocco
Mr. Glenn Schnackenberg
Schwartz Heslin Group, Inc.
Wayne A. Senitta & Dan Washington
Cynthia W. Serbent
Ms. Ronnye B. Shamam
Marie D. Sturges
Janet Vine
Jeff & Barbara Walton
Mr. Eric Dean Weiss
Anonymous
$250-$499
Eric & Kaweeda G. Adams
Mrs. Susan Aron-Defronzo
Jeevarathnam Ayyamperumal
Phyllis Bader-Borel
Richard & Susan Baker
Donald Ballou
Ms. Susan Bardack
Susan & Gus Birkhead
Rachel Block
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Sharon Bonk
Ruth Bonn
Mrs. Naomi Bradshaw
Robert G. Briggs
Diane & William Brina
Wesley R. & Shelley W. Brown
Michael Buckman
Carol F. Bullard
Carol Butt
Richard & Lorraine Carlson
Mr. Eric Chan
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Jim Cochran & Fran Pilato
Deanna Cole
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Michael Cucka
Mae D’Agostino
Mr. Robert Dandrew
Carol Davis
Ron & Linda Dunn
Janice B. Dyer
In memory of James Gumaer
John Engster
Pam & George Kash
Pam Fernandez
Mr. Thomas F. Flynn
In memory of Marie Takes
Mark & Kathleen Fontaine
Kellie Fredericks
Elaine C. Freedman
Marvin and Sharon Freedman Advised Fund of The Community Foundation for the Greater Capital Region
Roy and Judith Fruiterman
Robert J. Gallati
Lawerence Gambino & Linda Hunt
Mr. Ronald C. Geuther
Gary Gold & Nancy Pierson
Mr. Mark T. Goldberg
Eleanor & Allen Goodman
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John & Frances Gross
David E. Guinn
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Scott & Caryn Halle
Michael Halloran
Leif & Claudia Hartmark
Robert R. Henion III
Karen Hunter & Todd Scheuermann
Eric & Priscilla Johnson
Philip Kahn
Ms. Jan Hack Katz
Mr. Robert A. Katz & Laura Mandelson
In memory of James Gumaer
Kathy & John Kavanaugh
Drs. R. Beth & Zvi Klopott
Adam Knaust
Dr. Beatrice Kovasznay
Margaret & Charles Kowalski
Ann Lapinski & Fred Barker
Sally Lawrence
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Sheila Mosher
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Dr. Erica M. Sufrin
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Ben Szaro
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Kathlene Thiel & J. Eric King
In memory of Dr. Thomas Older
Mr. & Mrs. Richard Toll
Hon. Paul D. Tonko
Virginia E. Touhey
Jeff Vandeberg
Stephanie H. Wacholder & Ira Mendleson III
Wheelock Whitney III
Stephen & Carolyn Wilson
Paul Wing
Michael & Linda Wolff
Brad Workman & Maria Phillips
Barbara & Michael Zavisky
Dr. David & Iva Zornow
$100-$249
Aimee Allaud
Camille & Andrew Allen
Thomas Amyot
Ms. Gayle Anderson
Carol L. Anderson
Amy & Martin Anneling
Elizabeth & John Antonio
Susan Antos
Ms. Suzanne S. Arenos
Jeffrey Asher
Steven Axelrod
Susan & Ronald Backer
Mr. & Mrs. Joseph Baggott
R. Bailey
Anne & Hank Bankhead
Susan Barnard
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Debra Bausback
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Daniel Becker
Sitso Bediako
Dr. R. Ivan & Clare Beretvas
Mr. Jerry & Mrs. Judy Berger
Edward & Rosemarie Bogdan
Valerie Bok & Joseph Lomonaco
E. Andrew Boyd & Sarah Fishman Boyd
Mrs. Mary J. Brand
Mrs. Anne Brewster
David Brickman & Karen Ciancetta
Dr. Rachelle Brilliant
Clifford Brown & Marilyn Brownell
Asbjorg "Sunny” Brown
Christina Brueggemann
Gregory Thomas Brunelle
Bruce & Crescentia Brynolfson
Stanley Michael Byer
Michael A. Byrne
In loving memory of Mary Rita Flanagan
Charles & Eva Carlson
Sarah & Patrick Carroll
Paul Castallani
Michael J. Cawley
Mrs. Jenny Charno
In memory of Elsa Debeer
Judith Ciccio
Stuart Cohen
Matthew Collins
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Miriam Cooperman
Amber Craigmile
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Bonnie & Steven Cramer
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Joan Danziger
Philip Degaetano
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James Dennehey
In loving memory of Joan Dennehey
Sharon Desrochers
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Mrs. Mary A. Devane
Mrs. Kathleen L. DeWeese
Larry & Christine Deyss
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Donna Dixon
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Mrs. Dolan
Terrell Doolan
Robert & Marjorie Dorkin
Jan & Lois Dorman
Marilyn & Peter Douglas
Caitlin A. Drellos
Mr. Robert S. Drew
Kevin Dubner
Susan J. Dubois
Kate & Jerry Dudding
Mr. Mark Eamer & Mr. Paul Lamar
Dr. Frederick & Barbara Eames
Dr. Ilze & Laurence Earner
Don Edmans & Debra Pigliavento
In memory of Florence & Howard M. Shaw
Ms. Katelyn Egan
Jefferson Ellinger & Amanda Brookins
David Emanatian
Anne Eppelmann
Ms. Linda E. Erickson
Tony & Lu Esposito
Laura Ferris
Mr. & Mrs. Paul Fisk
Sid Fleisher & Gayle Anderson
Lawrence & Susan Flesh
Anne E. Fortune
Nancy T. Frank
Alayna Frey
Robert J. Frost II
Fruscione Family
Philip M. Gallagher
Barbara & Eugene Garber
Elizabeth Garry & Betsy Cahill
Gary Paul Gelfenbien
Timothy & Joyce Gergich
Chuck & Sally Jo Gieser
Mr. Stewart Gill
Alba & Tony Giordano
Jordan Gobrecht
Alan J. Goldberg & Karen Lipson
Edward J. Gorman
Barbara H. Green
Hope Engel Greenberg & Henry
Greenberg
Mr. & Mrs. Walter Greenberg
Mark Harris & Melanie Greenspan
The Greiner Family
Mr. Worth Gretter
David & Marilynn Grimm
Cheryl Gutmaker
The Lady’s Got Glass
Carl & Susan Gutman
Mr. Winston J. Hagborg
Charles Hagelgans
The Hallisey Family
Mr. Henry & Mrs. Pauline Hamelin
Philip Hansen
Helen Harris
Mr. Stephen M. Harris
Kathleen R. Hartley
Mr. & Mrs. Richard Hartunian
Ms. Maryanne Harvey
Audrey T. Hawkins
John Hawn
Cathy Heckler
In memory of Delores Takes
DJ Roche & Lee Helsby
William Hetzer
Phyllis & Stephen Hillinger
Sharon Hillis
Thea Hoeth
Susan Hollander
Mr. Richard Allan Horan
Martin Atwood Hotvet
Mr. Robert & Mrs. Ellen Hotz
Burr Hubbell
Marilyn Hunter
Mr. R. Daniel Hurwitz
John & Janet Hutchison
Paul Hyams & Lisa Kwong
Jason & Jennie Hyatt
Janet Ingraham
Ms. Martha M. Jarosh
Mr. Scott B. Jelstrom
Philip & Brigitte Johnson
Victor Juhasz
George Kash
John & Marcia Keefe
William & Dana Kennedy
Patricia A. Kennedy
Lori A. Kenney
Peter Keyoskey
Margaret L. King
Rose Mary Kingsley & William Stewart
Ms. Margaret Kirwin
William Kolb
Anna Kuwabara & Craig Edwards
David & Diane Kvam
Ms. Barbara LaMarche
In memory of Frances T. McDonald
Eileen & Kevin Lang
Mr. Bryan F. LaVigne
Ms. Judy LeCain
Andrea Lefton
In honor of Gary Gold & Nancy Pierson
Aaron Lieberman
Joan A. Lipscomb
Karen Lipson
Timothy & Judith Looker
Ms. Karyn Loscocco
Ms. Kathryn Love
Stephen & Mary Madarasz
William & Gail Madigan
Keith Makrin
Claire M. Malone
William & Sophia Manos
Jennifer Marshall
In memory of Louise Woodruff
Heinmiller Marshall
David & Tanyss Martula
Louise & Larry Marwill
Mr. Arthur Mattiske
Theresa & Mark Mayhew
David & Laurie Mayo
Alfred & Linda Mayou
Mr. & Mrs. Alfred M. Mayou III
The McCamy Family
Mr. James McClymonds
Elena McCormick
Jacqueline Metsma
Victoria & Alan Michaels
Linda Milark
Pauline & Fred Miller
Ms. Ruth Anne Moore
Tom Benoit & Mary Moran
Steve & Doreen Morgan
Drs. Reid T. Muller & Shelley A. Gilroy
Stephen & Mary Muller
Judith Ann Mysliborski, MD
Ms. Sandra Nathan
Michael & Maria Neal
Glenn Newkirk
Jon & Gloria Norton
Ned O’Brien
Darren O’Neill-Knasick
Mr. Anthony Opalka
Peter & Kathleen Ordway
Carol & Ed Osterhout
Brad & Barbara Oswald
Mr. Stephen Pagano
William Panitch
James & Georgiana Panton
Robert & Samantha Pape
Patricia S. Parisi
Edward B. Parran & James F. Guidera
Robert & Loretta Parsons
Ms. Barbara Pedley
Lucia Peeney
James H. Peltz
Nancy Petersen
Bob & Lee Pettie
Christian & Carol Pfister
David Phaff
Agatha Pike
Neil & Shari Piper
Jack & Barri Pivar
Roberta Place
Mark Poskanzer
Joseph & Patricia Potvin
Diana S. Praus
Rosemary & Monty Pyle
Tina & Joseph Raggio
Bruce & Chieko Reed
Rand & Barb Reeves
Cheryl V. Reeves & Martha Schultz
Gail Rheingold
Kevin & Jennifer Richard-Morrow
George & Gail Richardson
Wayne Richter &
Monica Raveret Richter
Mr. Stephen & Mrs. Susan D. Ridler
Jill & Richard Rifkin
Alison Riley-Clark
Alan R. Rimmer
Kenneth & Susan Ritzenberg
Ramon & Mary Rodriguez
Mr. & Harlan & Mrs. Catherine B. Root
Rosemarie V. Rosen
Karen & Michael Rosen
Martha Rozett
Gretchen A. Rubenstein
Marin Wyatt Ridgeway & Don Ruberg
Jack & Mary Ryan
John Ryan
Mr. William D. Salluzzo
Mr. Paul & Mrs. Kristine Stella Santilli
David & Susan Sawyer
Mary Kay Sawyer
Mr. Robert Scher & Ms. Emilie Gould
Dr. Harvey & Happy Scherer
Jackie Scholten
Ralph* & Dorothy Schultz
Jim & Janie Schwab
Mr. John Schwarz
Dodie & Pete Seagle
Ms. Pamela Selover
Ms. Melanie Shank
Mr. & Mrs. William A. Shapiro
Ann Shapiro & Barry Pendergrass
John M. Sheppard
Steve Sills
Stephen C. Simmons Family
Judy Simon
Peter Slocum & Ann Sayers
Daniel Smith
John & Jacalyn Smith
John Smolinsky & Ellen Prakken
Rosalie & Roger Sokol
Deborah & Richard Sokoler
Teresa Maria Sole-Guiu
Mr. Jon R. Sorensen
Ms. Nancy Spiegel
Donald Stauffer
Mr. John Staugaitis
Mr. George Stephanou
Dr. Yaron & Mrs. Katie Sternbach
Jeannette & Larry Storch
Mr.* & Mrs. Martin Strnad
Norman & Adele Strominger
Ms. Sheila Sullivan
Adam & Kristen Suslak
Andrew & Beth Swartz
Richard & Mary Tennant
Joseph Thatcher
Philip Thomas
Gary Thompson
Esther Thornton
Bruce E. Tischler
Ms. Monica Trabold
Terry & Daniel Tyson
Carolyn Ustin
Marc Violette & Margaret Lanoue
Martha von Schilgen
Dr. Richard Vosko
Wendy Wanninger
Lois D. Webb
Dawn Stuart Weinraub
Jerry & Betsy Weiss
Karen & Michael Wilton
Ms. Lisa J. Wloch
Barbara Youngberg
Anonymous (9)
Create a lasting legacy of orchestral music in our community by including the Albany Symphony in your estate plans
Gifts of all sizes make it possible for the Albany Symphony to maintain our tradition of artistic excellence, innovation and community engagement for generations to come.
There are many options to make a planned gift that enable anyone to leave a legacy of music:
Charitable bequests
IRA or 401(k) beneficiary designation
Gifts of life insurance or appreciated stocks A bequest in a will or living trust
TO LEARN MORE ABOUT THE ENCORE SOCIETY, PLEASE CONTACT: Kirsten Broschinsky | (518) 465-4755 x144 | KirstenB@AlbanySymphony.com
JOIN THE MEMBERS OF THE ENCORE SOCIETY IN CREATING YOUR OWN LEGACY
* in memoriam
Kaweeda G. Adams
Anonymous
Melody Bruce, MD
Charlotte & Charles* Buchanan
Susan Bush
Susan Thompson* & Al De Salvo
Marisa Eisemann, MD
David Emanatian
Alan P Goldberg
Jerel Golub
Robert & Monica Gordon
Edward M Jennings
Judith Gaies Kahn
Marilyn & Stan Kaltenborn
William Harris & Holly Katz
Steve Lobel
Harry Rutledge
Gretchen A. & Lewis* C. Rubenstein
Rachel & Dwight* Smith
Paul Wing
The Albany Symphony is grateful to the following Encore Society Legacy Members who live on in our hearts
Matthew Bender, IV | Charles B. Buchanan | Charles Liddle, III
Adella S. Cooper | Dr. Heinrich Medicus | Marcia Nickerson
John L. Riley | Lewis C. Rubenstein | Ruth Ann Sandstedt
Dwight Smith | Harriet & Edward Thomas | Susan Thompson
Micheileen Treadwell | Stephen & Barbara Wiley | Merle C. Winn