Fink Unscripted

Masked Magic

Venetian

INSIDE THIS ISSUE

Notes from Les – Meet farmworker-turned-artist Narsiso Martinez from the newest Riv mag

Beings and Doings – He went toe to toe with Hoffman, corrupted John-Boy Walton, and was frozen solid by Arnold Schwarzenegger. John Fink’s life has been a lesson in… living.

Montecito Miscellany – Aquean made a splash at the Maritime Museum, Doublewide Kings’ More Mesa jam, and Fiesta’s Spirits are named

Spotlight Coast Village – Specials and highlights along Coast Village Road in this new feature Local News – The Montecito Country Mart Post Office has been saved from closing Tide Guide

The Giving List – National Library Week brings magic shows, maker markets, and a possibly surprising reminder of what libraries really

Edit

16 On Entertainment – The SB Symphony tours America with The Grand playing along, plus the Jurkowitz Theatre sees an Unnecessary Farce

18 Your Westmont – Art graduates showcase their talent, men’s soccer to play crosstown rivals for a cause, and observatory opens April 17

20 Moonlight Masquerade – The fun was high, the voices were sung, and the faces were masked for the SB Opera’s recent gala

22 Meet the Doctor – An introduction to Cardiologist, Gregory A. Cogert, MD, FACC, FHRS in this new series

23 The Spoken Word – The healing outdoors with Dr. John La Puma, the SB Literary Festival, Susan Page at CEC, and more

24 Curator’s Choice – Dwarf Sperm Whale skull from the Museum’s collections Sheriff’s Blotter

26 In Passing – Remembering George F. Wood and Frank Hurd Robinson IV

27 Elizabeth’s Appraisals – A Bible belonging to the Carrillo family is found alongside two brooches and tells of early Californio times and fashion

28 News Bytes – Montecito Sanitation to do a new rate study, a forum on the expanded Amtrak Surfliner service, and other tidbits

31 Robert’s Big Questions – What is the outcome of participating? Does it matter if we are passive in the outcome?

An Independent Mind – A look at the current objectives in Iran, what has been accomplished, and what hasn’t

36 Calendar of Events – It’s time for ¡Viva el Arte! Mariachi season, time to hit the trails onscreen and otherwise, time to Sing It Out! with AHA!, and dive into other happenings

38 Classifieds – Our own “Craigslist” of classified ads, in which sellers offer everything from summer rentals to estate sales

39 Mini Meta Crossword Puzzles

Local Business Directory

Notes from Les Narsiso Martinez: From Farmer to Artist

The New Riv Features This Artist Who Is Giving Farmworkers the Spotlight. And Narsiso Martinez Is the Right Man for the Job – Until Recently a Farmworker Himself

Migrant workers have been in the spotlight a lot lately. But who really are these people we pass working the fields as we drive down the 101 toward Los Angeles?

Fortunately, we have the searing work of artist Narsiso Martinez to shed light on the subject. Now an accomplished and highly collected artist, Narsiso worked the fields as a “picker” first in his country then in ours. He put himself through college and then a graduate degree, learning his artistic craft by day while returning to the fields at night – to pay for it all. Spoiler alert: it paid off.

Big Ag created happy images like the dancing Chiquita Banana girl, a Carmen Miranda of sorts, to help us feel good about the produce on our table, which in reality was often harvested under less than favorable conditions. Narsiso Martinez uses as his canvas the innocuous fruit crates he used to fill, upon which he depicts and ennobles his farmworking compadres and compatriots.

In so doing, Martinez brings the invisible laborer to the fore, carrying on the tradition of some other artists you may have heard of, like Jean-François Millet and Van Gogh. While that may sound like lofty praise, check out Narsiso’s work in the new (epic) Riv and see if you don’t agree. You can also find Narsiso’s work at LACMA and the Charlie James Gallery. He has shown at our own SBMA as well.

Portrait of Narsiso in front of his work taken by Yubo Dong

Beings and Doings

Plastics-Adjacent: The Loving, Centrifugal Argosy of John Fink

by Jeff Wing

The actor completes his audition with camera rolling, and even does it “off-book” – no script in hand. He’s come prepared and has done quite well, John has. Inching closer to that coveted role in this new TV series, he may soon join an ensemble that includes the great Celeste Holm!

There’s just this one other thing standing between John and this gig – a casting ritual called the personality test. By some reckonings a successful TV series is principally a dozen or so egos joined at the contract. The money folk want assurances these acting school hotshots can play well with others and not derail the investment. The young actor will be thrown a few key questions to gauge his malleability, his personal chemistry. The camera still rolling, the director belts out the actor’s name which, it must be said, does lend itself to shouting.

CHECKUPS ARE GOOD FOR YOUR FINANCIAL HEALTH

“John Fink!” the director barks. He sits back and effects an amused expression.

“Now that’s a really interesting name. Did you ever think of changing it?”

“Yes,” John says.

“To what?” the director asks.

“Irving Fink,” John says.

A pin-drop silence, and the room bursts into sputtering laughter. Fink is in.

Thoroughbred Fink

The Corner Green’s airborne hirelings are throwing down serious birdsong

today, flitting from tree to tree and (per the norm) taunting the earthbound little mutts below. John and I sit opposite each other at one of the lil’ iron tables there. The guy’s telegenic good looks and amused demeanor lay the groundwork before he’s spoken a word.

“I became an actor because I got away

Beings & Doings Page 324

I welcome the opportunity to learn about your unique goals and needs. Together we can create a strategy designed to help guide you along the path toward financial well-being.

Call to schedule a consultation today.

John Fink’s prime time headshot. You’ve likely seen this face in your living room. (courtesy photo)

John and James Coburn confer in Blake Edwards’ The Carey Treatment (photo courtesy of MGM)

MORE THAN A PLACE TO LIVE, IT’S A PLACE TO COME ALIVE.

Discover a sanctuary of elegance and ease, that creates a space to feel liberated, celebrated, and authentic.

Call to book a tour or RSVP for our upcoming event.

LIVE IN FULL BLOOM

THURSDAY, MAY 14th • 3:00PM

Join us for an afternoon focused on connection, wellness, and the joy of community

MARAVILLA

Montecito Miscellany An ‘Aquean’ Affair

by Richard Mineards & Friends

Darling, if ever there were an excuse to don something floaty and sip something chilled, it was the opening night of Aquean at the Santa Barbara Maritime Museum. The evening was balmy and golden, drawing a spiffy Montecito crowd to the waterfront setting with seaside sophistication.

The Pacific, just beyond, shimmered softly as guests arrived, greeting one another with familiar air-kisses and breezy bonhomie. Inside, the focus turned to artists David Ellis and Larry Vigon, whose exhibition Aquean offers an evocative exploration of time, tides, and transformation, delivered with a quietly captivating clarity.

The show is a rich mélange of photographs, paintings, prints, video, and mixed media, all circling the sea as eternal muse. And should anyone have wondered quite how Larry Vigon acquired his visual gravitas, one need only recall his design of the Fleetwood Mac album cover for Rumours – yes, that Rumours, the one that sold a gobsmacking 40 million copies worldwide. That triumph cemented his place in the rock and pop pantheon and led to a glittering roster of collaborators, among them Eric Clapton, Chicago, Counting Crows, Tom Petty, Bonnie Raitt, Frank Sinatra, and Carole King. Adding a touch of mystique to the evening, Larry Vigon’s wife was also in attendance, bringing a certain magic of her own as the famed muse behind the Fleetwood Mac song “Black Magic Woman.”

Alex Weinstein brought his lovely mother Donna Weinstein, a resident of Casa Dorinda, and shared his enthusiasm for the exhibition, noting, “We’re all quite impressed! The way these artists look at the ocean in such a new and creative way is fantastic.” Also in attendance were Maria and Dirk McCall, Cynder Sinclair, Fritz and Gretchen Olenberger, and Kate Ford, vice president of the Board. Fritz remarked, “Real art takes you beyond the obvious and to the unique. This show does this!” Representing Riviera Bank were Holly Onak, Alyssa Shapiro, Penny Little, with VP of Montecito Bank and Trust, Maria McCall, and captain of

Miscellany Page 324

The real star of the evening – Jim (photo by Priscilla)

Holly Onak, Alyssa Shapiro, Penny Little, Maria McCall, and Rick Wallace (photo by Priscilla)

Larry Vigon with his book, Serious Play (photo by Priscilla)

THE INSIDER’S GUIDE TO WHAT’S GOOD

Local News

We Saved the Montecito Country Mart Post Office!

• Lilac | Happy Hour: Tuesday through Sunday from 3 to 5 pm | Featuring $10 wines by the glass, including Prosecco, Pinot Grigio, and a GSM blend

• Lion’s Tale | Happy Hour: Monday through Friday from 4 to 5:30 pm All Night Happy Hour | Monday from 4 pm to 12 am Live Jazz | Every Wednesday from 6:30 to 9 pm Live Music | Every 3rd Thursday from 6 to 8 pm

• LOCAL | Happy Hour: Monday through Wednesday from 4 to 6 pm | Thursday through Sunday from 3 to 6 pm

• Monte’s | Happy Hour in the bar and lounge area: Wednesday through Sunday from 3 to 5 pm | Offering a selection of snacks, $10 house martini, discounted select glasses of wine, and $5 Pacifico!

• Renaud’s Bistro | $6 Almond Croissant Tuesdays (includes chocolate almond croissants)

Celebrate National Eggs Benedict Day with $10 Eggs Benedict / $12 Eggs Royale on Thursday 4/16 through Sunday 4/19

Celebrate National Oatmeal Cookie Day with our Buy One Get One (BOGO) deal on Fresh Baked Oatmeal Cookies on Thursday 4/30 (One Day Only)

SHOP

• Belrose Estate Jewelers | Complimentary Spa Day for your favorite piece of jewelry while you wait. Includes cleaning and verbal appraisal. (one per customer) We are also accepting multiple items for service and repair by our expert jewelers.

BEAUTY • Montecito Med Spa | 10% off all services through April 30th, when you mention Montecito Journal

ess than a month after reporting that signatures were needed for a petition to the USPS to not close our much-loved little post office outlet at the Montecito Country Mart (MCM) – we have good tidings! In the words of Legally Blonde’s Elle Woods, “WE DID IT!”

The MCM Post Office will remain open for business, and the shutdown has been cancelled by the USPS.

I discovered the fab news last week while doing my errands at the MCM. A new sign posted said, “The Post Office is Here to Stay!” and so I promptly stopped by the MCM post office. There I spoke with post office employee John Devereaux, who was all a-gushing about it in his back east Southern accent. He said that he himself had just found out on Friday, April 3, and for certain the Montecito Journal reporting on it drew lots of signatures and support, and he thanked everyone.

To find out more, I emailed MCM owner James Rosenfield, who kindly replied as follows, “We received nearly 2,000 signatures of support for our small post office in little more than a week. We also received the strong support of SB Mayor Randy Rowse and Congressman Salud Carbajal. The outpouring of support from patrons and other community members – and all the nice comments for our little post office – was both touching and impressive. This strong response from the community was what paved the way for the USPS reversal. We at the Mart are about preservation of architecture, but equally, about preserving culture. The post office has been a part of the lower village community for 40 years! We hope it will

Montecito Tide Guide

remain for another 40 years, or more!”

Thank you, Mr. Rosenfield, and MCM Manager Kristin Teufel for posting the signs alerting everyone and thanking everyone! #MontecitoLove 411: info@montecitocountrymart.com

JOURNAL newspaper

Executive Editor/CEO | Gwyn Lurie gwyn@montecitojournal.net

President/COO | Timothy Lennon Buckley tim@montecitojournal.net

Managing Editor | Zach Rosen zach@montecitojournal.net

MoJo Contributing Editor | Christopher Matteo Connor

Art/Production Director | Trent Watanabe Graphic Design/Layout | Stevie Acuña

Administrative Assistant | Jessica Shafran VP, Sales & Marketing | Leanne Wood leanne@montecitojournal.net

Account Managers | Sue Brooks, Tanis Nelson, Elizabeth Scott, Joe DeMello

Features | Jeff Wing

Proofreading | Helen Buckley

Contributors | Scott Craig Chuck Graham, Mark Ashton Hunt, Dalina Michaels, Robert Bernstein, Christina Atchison, Leslie Zemeckis, Sigrid Toye, Elizabeth Stewart, Leana Orsua, Jeffrey Harding, Houghton Hyatt

Arts and Entertainment | Steven Libowitz

Gossip | Richard Mineards

History | Hattie Beresford

Humor | Ernie Witham

Our Town/Society | Joanne A Calitri

Health/Wellness | Ann Brode, Deann Zampelli

Travel | Jerry Dunn, Leslie Westbrook

Food & Wine | Melissa Petitto, Gabe Saglie, Jamie Knee

Published by:

Montecito Journal Media Group, LLC

Montecito Journal is compiled, compounded, calibrated, cogitated over, and coughed up every Wednesday by an exacting agglomeration of excitable (and often exemplary) expert edifiers at

How to reach us: (805) 565-1860; FAX: (805) 969-6654; Montecito Journal, 1206 Coast Village Circle, Suite G, Montecito,

Happy Montecito Country Mart Post Office employee John Devereaux (photo by Joanne A. Calitri)

The Giving List Santa Barbara Library Foundation

by Steven Libowitz

There’s a reason why the Santa Barbara Public Library Foundation chose this week’s issue for their opportunity to be the focus on this Giving List column in the Montecito Journal weekly. National Library Week in 2026 takes place April 19-26, and is a seven-day country-wide celebration of libraries, library workers, and the many ways that local libraries support their neighbors.

This year’s national theme – “Find Your Library Joy!” – resonates with what the city library focuses on every day, including the joy of discovering an unexpected book, the peace of finding a quiet place to study, the sense of connection that comes from mingling with other caregivers at early literacy events or meeting new friends at library programs, or simply chatting with friendly staff at a Library on the Go visit.

From the stacks to the streets, the collective library staff are proud to sprinkle library joy wherever they can.

Event-Ready Skin Starts Here

There are events happening every day except Sunday during National Library Week. It all starts with Saturday’s Día de los niños/Día de los libros at Central Library, a big community event featuring a talent show starring local kids; crafts, face painting and other fun hands-on activities; a special appearance by Sparky from the Santa Barbara Fire Department; the Youth Makers Market, showcasing creative items made by local youth; and a live magic performance by Zany Zoe from America’s Got Talent and the Hollywood Magic Castle, which boasts illusions, audience interaction, music, dance and even a chance to learn three magic tricks.

Monday brings a special Library on the Go stop at Montecito Family YMCA, where there will be an unveiling of a free Little Library donated by the Friends of Montecito Library. Tuesday is National Library Workers Day, and you’re invited

to say “thank you” to a library employee. Festivities also include an encore screening of The Librarians, the new documentary that follows librarians across the United States who are dealing with book banning and censorship amid challenges in Texas, Florida and beyond. Library on the Go will be onsite at SBIFF’s Film Center before the screening to interact and converse. Library on the Go will also be at Shalhoob’s Funk Zone patio next Thursday, April 23, for a fun-filled evening featuring a custom, Santa Barbara-inspired Lotería – a localized version of the traditional Mexican board game of chance, similar to bingo, with fun library prizes. National Library Week celebrations close with the quarterly Open Mic Night, featuring a special musical performance on Storytime Square on Friday, April 24.

Strategically, at every event, postcards will be available for people to submit a personal “library story” to their respective district supervisors, to let the board know exactly how important libraries are to the community at a time when budget cuts are threatening programs.

“Our goal is to bring people together around the library,” explained Lauren Trujillo, the Library Foundation’s executive director. “We’re going into budget season right now for both the city and the county, and there will likely be cuts. We want to raise community awareness of how important the library resources are, and create a call to action to help us advocate. We’ve already collected over a thousand of these love letters and want to show how much the community loves the library.”

Holders of library cards – and you can get yours whenever a branch is open or at the Library on the Go vans – get special vendor discounts during the Library Week too, including 10 percent discounts at Yoga Soup, Chaucer’s Books, and Mizza. Guests can also visit

Giving List Page 244

The Michael Towbes Plaza is just one of the many improvements the SB Library Foundation is behind (courtesy photo)

The Society Edit 15th Annual Dream Foundation

Flower Empower Luncheon

by Joanne A. Calitri

Dream Foundation held its 15th Annual Flower Empower fundraising luncheon on Thursday, April 9, at the Rosewood Miramar Beach. The event welcomed more than 200 attendees from across the region and beyond. While guests arrived dressed to impress, the focus remained firmly on supporting the Flower Empower program.

Following check-in, guests enjoyed a formal photo opportunity and champagne while touring silent auction items displayed on the ballroom’s outdoor patio and garden. The reception concluded with emcee Andrew Firestone inviting guests into the ballroom for a seated luncheon. Tables were adorned with large rose bouquets, which were auctioned to the highest-bidding tables. Firestone welcomed attendees, noting, “I’ve been here 25 years, and this event is celebrating 15 years. I love that we are celebrating their vision together. We are here

A NIGHT WITH

to recognize deserving volunteers, hear firsthand about the mission of Flower Empower from keynote speaker Jennifer Drury, and support the Dream Foundation.”

During lunch, Firestone introduced Dream Foundation CEO Kisa Heyer, who thanked attendees, sponsors, board members, and volunteers for their support. She acknowledged board members Michael Flowers, Nathan Rogers, Kenny Slaught, and Scott St. Germain. Flower Empower coordinators Isabelle Meyer Stapf and Elizabeth Patterson also shared remarks.

Ahead of the event, Stapf and Patterson shared, “Flower Empower is a community in the truest sense. Growers donate what they’ve cultivated with care. Volunteers give their Saturday mornings to deliver it. Recipients open their doors to receive something beautiful when they need it most. Supporters make it all possible. Every person in that chain matters, and together they create something greater than the sum of its parts.”

Rita Barton, Dream Foundation’s Development Manager, added, “The

janis joplin

15th Annual Flower Empower Luncheon will welcome more guests than ever before, with over 250 attendees expected. We are hopeful this will also increase funds raised. This milestone year includes new elements such as a Bubble Cart and Photo Booth Wall for guests to enjoy.”

Honorees included adult volunteers Pat and Joe Boris and Jennifer Davila; youth volunteers Natasha Hurvitz and Stella Mast, both seniors at San Marcos High School; and Treat Donors of the Year Jill and Jean-Michel Carré, owners of Chocolats du CaliBressan.

I met Natasha and Stella for a quick photo and asked how they began volunteering. Natasha shared, “I started volunteering with my older sister. It was a way to spend time with her, and through it I discovered a passion for working with flowers. I also formed a strong friendship with Stella. The Flower Empower team has become like family. We’ve been volunteering for five to six years and are both presidents of the Dream Club at our school.”

Firestone then led the live auction alongside Layla Khashoggi, raising approximately $40,500 from six items donated by community members and businesses.

Keynote Speaker Jennifer Drury, both a volunteer and recipient of Flower Empower, delivered a moving address that received a standing ovation.

Firestone followed with the “Ask,” raising an additional $60,500, bringing the total to approximately $101,000 toward the organization’s $250,000 fundraising goal.

Attendees included Robin and Roger Himovitz, Elizabeth Patterson, Nick Gianis, Terease Chin, Ingrid Biancone, Carly Harrod-Bass , Luca Romani, Danielle Dally, and Wayne Kelterer

Event committee members included Rebecca Borgioli, Shannon DiPadova, Shéri Dirksen, Lynette Hall, Robin Himovitz, Jenny Johansson, Tammy Kronen, Margaret Lloyd, Amy Love, Joanne Ohlman, Carolyn O’Mara,

Crosby Slaught, David Sparer, and Serena Weddle

Sponsors included Casa Dorinda and the Santa Ynez Band of Chumash Indians. Guests received swag bags with beauty products, a heart-stone crystal, and a wrapped cookie.

Flower Empower is an all-volunteer program delivering weekly floral arrangements and treats to individuals in need. To date, the program has delivered more than 146,000 bouquets.

411: www.dreamfoundation.org

Mary Bridget Davies Photo: Jason Niedle

Youth Volunteers Stella Mast and Natasha Hurvitz (photo by Joanne A. Calitri)

Robin Himovitz and Lynette Hall (photo by Joanne A. Calitri)

Elizabeth Patterson and Kisa Heyer CEO Dream Foundation (photo by Joanne A. Calitri)

Bounty

We’re bringing together the best of the Central Coast for a communal dinner series that’s all about laid-back luxury, local flavor, and great company. Gather around the table as we celebrate winemakers, farmers, and trailblazers to celebrate the bounty of the region. Each gathering features a local producer honoring the people behind the plates and bottles.

Spring & Summer Schedule

Thursday, April 23rd

Disko Wines

Wednesday, May 21st

Easy-Drinking Natural Wines

Alice Anderson & Christopher De Felice

Thursday, June 18th

Holus Bolus

Amy Christina & Peter Hunkin

Thursday, August 6th

Chanin

Gavin Chanin

To

Thursday, May 14th

Lo-Fi Wines

Thursday, June 4th

RACINES

Authentic Low Intervention Winemaking

Wednesday, June 25th

Louis de Montille

Thursday, July 9th

Tyler Justin Willett

Wednesday, August 19th

Sandhi

Sashi Moorman

Thursday, September 24th

Stolpman

Pete Stolpman

PHELAN FARM

Rajat Parr

Thursday, July 23rd

Outward

Natalie Siddique & Ryan Pace

Thursday, September 3rd

White Buffalo Land Trust

Ana & Jesse Smith

Thursday, Ocotober 15th

Lady of the Sunshine X Scar of The Sea

Gina & Mikey Giugni

On Entertainment A Symphonic Parade Through the States

by Steven Libowitz

The Santa Barbara Symphony took a deep dive across the pond to immerse in Italian classical music for last month’s pair of concerts at the Granada. Music from the continental country was also the focus of three concerts spearheading the indoor part of the La Piazza festival around the corner at the Library Plaza last weekend, with works that included vastly different settings for Respighi’s “The Pines of Rome” (with festival founder Jacopo Giacopuzzi and Alvise Pascucci‘s four hands on piano ) and Vivaldi’s The Four Seasons (with the symphony’s concertmaster Jessica Guideri in a violin-piano duo rather than the accordion soloist with the orchestra).

This weekend, April 18-19 at the Granada Theatre, Music and Artistic Director Nir Kabaretti steers the orchestra back to the USA with an all-American program encompassing four distinctly American composers across more than a century in celebration of America’s 250th birthday this summer. Our country is a lot younger than Italy, hence the more compressed time frame, but the program is designed to alight on touchstones that have served to shape and define America’s musical heritage.

“We’re an American orchestra so it’s always nice to go to our own roots,” said the Israeli-born Kabaretti who spent many years conducting in Italy. “It’s not only part of our DNA, but it’s important that we play this music. There were lots of directions to go in, but I wanted to mix the familiar with pieces that might be new to our audience, match very well-known works with pieces that are very important, but maybe less known.”

The “portrait of America in sound” Kabaretti came up with opens with Charles Ives’ “Three Places in New England,” an experimental New England work of nostal-

gia blending Civil War-era melodies, marching bands, hymns, competing rhythms, and a measure of the mild dissonance which Ives pioneered. The SB Symphony will be playing Ives’ piece for the first time since Kabaretti assumed leadership in 2007. “Ives was an important figure in the development of American music, the father in some ways, someone who inspired a lot of composers,” he said. “He was maybe the very first one to move away from the European tradition, a pioneer, a revolutionary in a way. The piece has parts that are very dark, but also includes patriotic songs of the time that are largely hidden. And it’s specifically about a place, similar to Respighi’s ‘The Pines of Rome’ that we played last month.”

Entertainment Page 354

The Symphony’s An American in Paris show will be April 18-19 at the Granada Theatre (courtesy photo)

Take Advantage of Record High Gold Prices!

Your Westmont ‘Reencounter’ Offers Tapestry of Talent

by Scott Craig, photos by Brad Elliott

This spring, escape to Solvang’s jewel box boutique hotel.

When you stay with us at The Winston, you get the best of both worlds—the charm of Solvang right outside the front door and the calming luxury of our meticulously designed guest rooms when you’re ready to leave it all behind.

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Family, friends and art lovers all packed into the Westmont RidleyTree Museum of Art to celebrate the 14 graduating art majors who presented their capstone projects in Reencounter on April 9. The exhibition, featuring a class of artists ready to make their mark on the world, will remain open through May 9.

Near the museum entrance, Elyona Brown of Laguna Niguel offers Divine Encounters, five oil and graphite pieces on wood panel that depict chance encounters, human interaction, and moments of simple touch. “We are who we are because of the people who touch us,” she says. “No matter our background or experience, the Spirit of God is alive within us and whenever you encounter someone, it’s an opportunity to experience the divine and experience the heart of God. Our lives are our own picture frame and the points of connection we make among each other are what make the picture itself.”

At the back of the museum, under a large window, hang four large relief prints on mulberry paper created by Carlsbad resident Diego Castañeda, who hand carved the images out of wood. Castañeda, whose surname translates to grove of chestnut trees, was inspired by his Peruvian and Norwegian heritage. “People have been asking about the value of immigrants and what good they’re going to do for my community,” he says. “I wanted to show that as walls go up, we can be a light amidst that.”

Katie Mayhew of Pasadena celebrates femininity and the transition to womanhood by depicting her friends with colorful COPIC Markers on Bristol board. Each of the five images also represents one of the five senses. “I started the process in September and overcame some roadblocks as ebbs and flows,” she says. “I’m proud of how it turned out. It feels good to put a lot of work into something and have it come to fruition.”

Ella Oostema of Salt Lake City created six delicately layered screen prints of landscapes across California and Utah. “My focus is on God’s creation and the little things – thistles, weeds, or flowers on the trees – people wouldn’t normally notice with a big landscape behind,” she says.

Page 304

Vintage Van Cleef & Arpels Lapis Lazuli 20 Motif 18k Gold Alhambra Necklace

Vintage BVLGARI Citrine Cabochon and 18k Yellow Gold Earrings

Vintage Aletto Bros. Ring

The talented artists of Reencounter

Elyona Brown and her Divine Encounters

Arianna Rheault and her artwork

Westmont

Moonlight Masquerade

Opera Under the Mask

by Zach Rosen

Somewhere between a swirl of silk gowns and the clink of champagne flutes, Opera Santa Barbara’s Moonlight Masquerade invited guests to slip behind velvet masks and enter the Rosewood Miramar for an evening of operatic enthrallment and Venetian glamor. As people entered to servers smoothly interweaving the masked crowd with caviar and canapés, they were welcomed by event chair Melody Ellison and co-chair Jenna Jobst Reichental energetically greeting guests alongside the other gala committee members Joan Rutkowski, Michele Sakakibara, and Sandy Urquhart

Once guests were seated, the company quite suitably broke into Lloyd Webber’s “Masquerade” after which beautiful rendition it was time for the rest of the evening’s program, and to highlight the night’s honoree: Dr. Bob Weinman

For those unfamiliar, Dr. Bob Weinman (besides being a strong supporter of the arts) prepares his own

comical videos on YouTube to introduce each of Opera Santa Barbara’s productions. So it was only natural that he produced his own video detailing his life arc for the audience. The crowd chuckled along to facts about his childhood in Brooklyn, learning of his early love for music and song at the Met Opera, while getting glimpses into his extensive career as a (literal) rocket scientist with Northrop Grumman.

OSB’s incomparable Kostis Protopapas took to the stage to tell of Dr. Bob Weinman’s longtime support, sharing as well anecdotes of the close friendship they’ve enjoyed; an affinity that transcends the arts and donor relations. With everyone buoyed by the heartfelt stories, the evening’s entertainment was ready to begin.

Throughout the night, Opera Santa Barbara’s company took center stage with State Street Ballet performers interlaced between the different sets. From Roméo et Juliette’s “Je veux vivre” to West Side Story’s “Maria,” the range of performances warmed the entranced attendees with crowd favorites and OSB’s past highlights. Baritone Matthew Peterson,

tenor Arnold Livingston Geis, and soprano Oriana Geis-Falla led the show with the full chorus mellifluously filling the space at key moments.

The night’s menu was prepared by Caruso’s esteemed Chef Massimo Falsini with Jenavi’s wines affecting a delicate countermelody. The crisp bite and gentle minerality of Jenavi’s For Our Fire Heroes, a 2022 dry Riesling, accented the opening course of handpulled burrata adorned with the garlic-stuffed Confit Artichoke Romana, crunchy almonds and bitter greens balancing the creamy mound of fresh Italian cheese.

Guests dined on Risi e Bisi – creamy risotto with a salty, Parmigiano Reggiano snap and hint of earth from sweet peas – between arias and conversations. Pleasure in the tenderloin dipped in bordelaise and sips of Jenavi Loyal Paco 2021 Cabernet Sauvignon were only deepened by Peterson’s gravelly baritone.

Introducing Our New Spring Menu

“Nessun dorma” from Puccini’s Turandot was bookended by the live auction and paddle raise with auctioneer Keith Fox leading the charge. The night reached a crescendo with the full set of performers singing La Traviata ’s “Libiamo ne’ lieti calici.” Chorus members, spread throughout the room, stood up from their seats to let the song ring all around the audience – an operatic finale before the night melded into dessert and the dance floor.

Sponsors included Joan Rutkowski, Santa Barbara Auto Group, Sandy and Robert Urquhart, Arlington Financial, Susan Aberle, Meg and Dan Burnham, Mary Dorra and Jean Rogers, Nancy and Fred Golden, the Granada Theatre, Dick and Marilyn Mazess, Torben and Lauren von Staden, Bob Weinman (naturally), Monica and Brooke Williams, Rodney Baker and Robert Ooley , Judy Dean , Bella Domani , Farmers & Merchants Trust Company, Mary Hampson , Glen “Jeep” and Nancy Holden, Daniel and Donna Hone, Arlene Larsen, Montecito Bank & Trust, Farrokh and Sally Nazerian, David Reichert , and Fred and Linda Wudl

Cioppino

The Moonlight Masquerade planning committee (courtesy photo)

The evening was filled with arias and ballet (courtesy photo)

OSB’s Kostis Protopapas dressed the part (courtesy photo)

Soprano Oriana Geis-Falla, honoree Dr. Bob Weinman, and tenor Arnold Livingston Geis (courtesy photo)

Program

Prokofiev: Symphony No. 1

Chopin: Piano Concerto No. 1

Prokofiev: Piano Concerto No. 2

One of Today’s

Most Captivating Musicians in a Dual Role

Yuja Wang & Mahler Chamber Orchestra

Thu, Apr 23 / 7 PM / Granada Theatre

MacArthur Award-winning Choreographer A.I.M by Kyle Abraham

Tue, May 12 / 7:30 PM / Granada Theatre

“Lush movement, infectious music, and magnetic dancers.” The New York Times

West Coast Premiere Kronos Quartet

Three Bones

Sat, May 2 / 6 PM (note special time) / UCSB Campbell Hall

“The foremost ambassador of contemporary chamber music.” Polar Music Prize Citation

Philip Glass and The Poets

Featuring Music by Philip Glass (not present)

Performed by Timo Andres, piano and Taylor Mac, spoken word with special guest appearances by Lucinda Childs and San Francisco Girls Chorus Sun, May 17 / 7 PM / UCSB Campbell Hall

Meet the Doctor A New Series from Sutter Health

What drives someone to spend a life in medicine? In this new Q&A series, a group of leading local physicians share the moments that set them on their path, the breakthroughs shaping their fields, and the realities behind the work. Their answers are candid, occasionally surprising, and grounded in experience. Together, they offer a clear-eyed look at the people delivering care in our community and what continues to motivate them every day.

Meet Cardiologist, Gregory A. Cogert, MD, FACC, FHRS

Q. What inspired you to pursue a career in medicine, and how did you select your particular specialty?

A. As a Freshman at UCLA, I was hired as a data analyst by the heart transplant program. One evening while crunching numbers, a cardiologist asked me to put on a white coat and take a walk with him. He soon dropped me off in an operating room where I was given a stool to place at the head of the OR table, and I sat and watched as a team of surgeons opened a man’s chest and removed his heart. Staring into that empty chest as a fresh heart was removed from a cooler brought my future into instant focus. From that moment I knew I would dedicate my life to the science and technology of medicine. Committing to the health and well-being of a community and its individuals is a constant inspiration

Can you share a moment in your career that profoundly impacted you?

Completing my specialty training in cardiac electrophysiology at the Mayo Clinic in Rochester, MN, bestowed upon me skills to help patients previously told that “nothing could be done.” It is a great honor to provide curative life changing procedures to patients, many of whom have lost hope. In my first year out of training, I met a young woman with an Implantable Cardioverter-Defibrillator exhausted from numerous painful shocks. She was contemplating turning off the defibrillator and pursuing palliative care. Armed with the catheter ablation skills from my mentors at Mayo, I offered the patient a ventricular tachycardia ablation. After a successful ablation, she experienced a complete resolution of her heart problems and ultimately was able to have the defibrillator removed and live a life unencumbered by heart disease.

What medical advancements, innovations, technologies do you incorporate into your treatment of patients?

I do many different procedures including radiofrequency ablation, pacemaker, defibrillator, resynchronization device, conduction system device, loop recorder device implant and cardioversion.

In 2024, the FDA approved pulse field ablation technology for ablation of cardiac arrhythmia. I can provide the highest level of expertise to patients with arrhythmia. Pulse field ablation is safer and more effective than all prior modalities. The non-ther-

mal disruption of electrical tissue allows for a more complete treatment without the risks to collateral structures with the limited, previously available treatments. Patients that failed prior ablation procedures and were told they had no options are now being successfully treated with pulse field ablation.

What is the most rewarding part of your job – and the most challenging?

The most rewarding part of my job is using my knowledge and technical abilities to restore function and quality of life to my patients. Whether it is the athletes who thought their days of competition were over or the many patients who see me after a successful procedure and say, “I thought I was just getting old.” Seeing my patients living their life to its fullest is the best reward.

What is one thing about where you work or the work you do that you believe patients should know more about and understand?

As a medical community we need to do a better job educating people about atrial fibrillation. This is an exceedingly common medical condition the affects up to 25% of individuals over 40 years of age at some point in their life. Although most patients will experience symptoms and seek medical attention for this problem, there are a large number of patients with this diagnosis that do not experience any symptoms. There are two risks with asymptomatic atrial fibrillation. It can cause a large life-altering or life-ending stroke without warning. It can also cause heart failure and sudden death prior to being diagnosed. It is crucial to diagnose atrial fibrillation to prevent these completely treatable sequelae. Fortunately, wearable technology, including the Apple Watch, has dramatically improved diagnosing atrial fibrillation with automated atrial fibrillation alerts.

What is a daily ritual or habit that helps you stay grounded?

Exercise. As I tell every patient, “Exercise is the best medicine.” I start each day with some form of physical exertion. Whether it’s lifting weights, hot yoga, swimming laps, Peloton, or surfing, I consider daily exercise the most important part of each day. My job is physically demanding, and my patients deserve my physical and mental best. The strength, endurance, and energy afforded by physical activity keep me sharp and energized for my patients and my family. Regular physical activity improves my ability to handle the challenges of the day and allows me to keep a positive attitude in the face of the many challenges healthcare has to offer.

As Sansum Clinic begins a new chapter as part of Sutter Health, we remain united by a shared mission: to deliver compassionate, high-quality care to the communities we serve. Together, we are shaping the future of healthcare on the Central Coast.

The Spoken Word

La Puma Proffers Solution for our ‘Indoor Epidemic’

by Steven Libowitz

Santa Barbara’s own two-time best-selling author, TV personality, physician, professional chef and, most tellingly, regenerative-organic farmer Dr. John La Puma heads to Montecito’s beloved bookshop to talk about and sign copies of Indoor Epidemic, his just-published and heavily-researched work subtitled: 93% Inside Steals Sleep, Focus and Years – The 7% Outdoor Rx Restores Them. At a pair of press gatherings at his small farm on the city’s upper westside, La Puma talked about the concepts in the book – which show how too much time indoors (or rather not enough time outside) can lead to a plethora of problems that plague our society these days, including depression, difficulties with sleep, trouble focusing, and even high blood pressure, heart disease and cancer.

The good news is that it takes but a modicum of time in nature to address the problem. He not only discussed this fact, he happily demonstrated it on a tour around the charming urban-agricultural locale, showing off the sights, sounds, smells, and even touch and taste, as samples of his produce were shared. At different stations we learned that natural morning light combats overexposure to pixels, how movement in nature (“green exercise”) is more valuable than time at a gym, and why taking time to notice the sky and take intentional breaths pack big health benefits into relatively brief moments.

The catalyst for La Puma came about 15 years ago. He’d departed his recently purchased farm (and its litany of much needed upgrades) for an appearance on Dr. Oz in New York, but immediately longed to be back in town working on the land.

“I had a very successful speaking career and was lucky to get booked on Dr. Oz, but instead of adding more events in New York I felt compelled to get back to grow things other than my career,” he said. “I just wanted to go home and pull weeds, trap gophers and plant trees. Here I was on a fast track, and I apparently wanted to get off it. I wondered why. I wanted to figure out the science of it.”

More than a decade later he’d digested more than 2,000 peer-reviewed studies about how nature works as medicine. La Puma was ready and willing to share how, on average, as little as 17 minutes a day of intentional time in nature can significantly improve your health.

Indoor Epidemic has seven chapters that explain step-by-step how to counteract too much time indoors, each chapter focusing

on a different locale on the farm. It’s a process he has previously shared with groups of people – including a session with physicians at UCLA, who partook of the handson experience to help them articulate and prescribe the remedy to patients.

“It’s about repurposing the two-to-five hours – out of the average 12 hours a week that we already spend outside – as healthcare,” La Puma said. “Specific intentional time turns the minutes into medicine.”

La Puma will be at Tecolote Book Shop, 1470 East Valley Road, from 3-5 pm on Saturday, April 18. Much more information, including videos and a link to an audio copy of the book, is available at https://tinyurl.com/La-Puma-Book

More Tecolote Talks

Shaun Tomson, the Montecito-based world champion surfer turned bestselling author and globally respected leadership speaker, is publishing a 20th anniversary edition of Surfer’s Code, his self-help book borne out of personal tragedy that shares timeless values of commitment, resilience, courage, and personal responsibility. The updated edition, officially out April 28, includes a new introduction plus revised and updated material drawn from decades of lived experience in and out of the water, including some practices meant to address an increasingly broken world. At Tecolote at 3 pm on Saturday, May 2, Tomson signs copies and invites visitors to experience the power of making promises and carrying through on the commitment; aka “I will.”

Ann Shepphird stops in at Tecolote to talk about Destination New York City, the fourth book in her Destination Murder Mystery series, which combines exotic locales and a behind-the-scenes look at the travel industry itself; the combination rife with the mystery genre’s requisite plot twists and turns. In addition to signing copies of her books, Shepphird will also share details of the next mystery book in the series, set to take place in Santa Barbara, adding our charming seaside city to previous “Destination” sites of Maui, Monterey, and Lake Tahoe. The event on Saturday, April 25, coincides with Independent Bookstore Day.

Reel Fun at the SB Lit Fest

The Santa Barbara Literary Festival packs a truly impressive number of events into its brief two-day event over the weekend of May 2-3, its brisk pace

Spoken Word Page 304

Jess Bush

Céleigh Chapman Mendeleyev Will Breman

any library location or Library on the Go to enter raffles where the prizes include tickets to a sunset cruise aboard the Double Dolphin, ice skating lessons from Ice in Paradise, and gift certificate to Lewis & Clark, Fieldtrip Pocket Shop, and Blenders in the Grass.

In truth, the special events of the week outside of the raffle and discounts aren’t at all that different from a typical week at the local library, which remains a gathering place and important community resource – perhaps even more than in the days where all they did was lend books! Nowadays, the library is a vital participant in digital literacy and technological innovation.

“The library is so much more than books,” Trujillo said. “It’s a community centered resource for all. You can access standup paddle boards. You can check out camping gear. You can check out passes to the museums in

town. You can get tech coaching. We have chess and Dungeons and Dragons clubs. Right now, there’s a very popular program called the Comic Chaos Club for kids between the ages of eight and 10 who come and make comic books and read comic books like a book club together. It’s very cute. We have social workers through the Family Service Agency that are stationed at the library for appointment services, and can help you with anything from mental health services to accessing food stamps or housing support or getting help with a domestic violence issue. The list goes on and on.”

Not every benefit of the library is something tangible, either, Trujillo said.

“Going to the library is a way for us to feel seen and heard and supported as community members. With the world getting more challenging every day, you can find support at the hyper local level.

Curator’s Choice

You’re looking down the asymmetrical blowhole of a Dwarf Sperm Whale (Kogia sima), a small, toothed whale that is rarely seen because of its cryptic lifestyle. Adults of this species max out at under nine feet in length. If this skull seems a bit dolphinesque to you, it might interest you to know that dolphins are actually toothed whales. (Tell a friend and spread the good news.) The cycloptic-looking blowhole is not as unique as it seems. Toothed whales in general have a single asymmetrical blowhole; baleen whales have two blowholes. The sharp, curved teeth in the lower jaw help Kogia sima snag squid, the main component of its diet. This particular skull is one of over 44,000 specimens stewarded by Curator of Vertebrate Zoology Krista Fahy, PhD, in the Santa Barbara Museum of Natural History’s Department of Vertebrate Zoology.

You can get out of that news cycle and look to each other. That’s what we, as a community, should be seeking in this moment where it feels debilitating.”

The Santa Barbara Public Library Foundation was the driving force behind the Michael Towbes Plaza, the gorgeous reconfiguration of the Anapamu Street entrance that opened in November 2024. Just last weekend, the space hosted hundreds of community members at the inaugural La Piazza Italian celebration, with activities for kids and adults, and vendors offering Italian ice, gelato, pizza, bread, crafts and more.

The foundation itself inaugurates a new event on the Plaza next month with its first Library Night Live fundraiser on May 14. The cozy summery evening supports the library’s free literacy programs, and features special guest author and actor Max Greenfield, immersive book-themed experiences, wine and culinary bites, and a vibrant celebration of reading and community. The

proceeds benefit free tutoring, early literacy programs, English conversation groups, GED and citizenship prep, and job-readiness support serving hundreds of local learners each year.

“We’re so excited to see the people increasingly using the space over the past year, with vibrant community festivals and events,” Trujillo said. “But we want it to be even more utilized. That’s the reason we’re doing this Library Night there, to show the community how you can use it for your next gala or your next fundraiser.”

The funds from the event matter too. As budget cuts to social programs force more people to seek help elsewhere, the Library Foundation is readying to step in and help take up the slack, she said.

“We’re going to have a lot of greater needs and social services being requested. That burden falls to our societal safety net, which is the library. We need to be ready.”

Visit https://sblibraryfoundation.org

SHERIFF’S BLOTTER M

Vehicle Check/Suspect Driver / 2200 block Lillie Ave

Monday, March 30, at 15:22 hours

Deputies spoke with the subject, who was sitting in the driver’s seat of his vehicle which was parked on the street of Lillie Avenue. Subject mentioned he just drove his vehicle from Oxnard and does not have a driver’s license, in violation of 12500 CVC. Subject verbally identified himself, presented an ID card, and signed a citation with a different name – in violation of 148.9 PC (providing false identification), 529 PC (false impersonation), 470b PC (possession of falsified ID). His brother arrived on scene and mentioned the driver’s real name was the original, which matched an ID found in the driver’s wallet and a piece of mail found in the driver’s door pocket. The vehicle had tinted windows, 26708 CVC, and no front plate, 5200 CVC, and expired registration, 4000 CVC. Subject was cited for 12500 CVC, 26708 CVC, 5200 CVC, and 4000 CVC. Deputy requested the DA review charges for 148.9 PC, 529 PC, 470b PC.

Trespassing / Eucalyptus Road, Railroad Track

Tuesday, March 30, at 06:54 hours

Deputies contacted subject for trespassing on railroad property near Eucalyptus Road. He was cited and advised to depart the area. Subject signed the citation and departed the area without further incident.

Resident Check / 1500 block East Valley Road

Wednesday, April 01, at 15:25 hours

Reporting Party (RP) requested a check on the welfare of the subject. The RP was concerned for the subject’s health and welfare because the house was a mess and subject had recently fallen. Upon making contact with the subject and seeing the state of the house and the horrible living conditions such as rodents, black mold, and feces, Adult Protective Services was contacted by the sergeant.

Suspicious Vehicle / 1500 block San Leandro Lane

Friday, April 03, at 07:53 hours

A Montecito resident reported a suspicious vehicle she had seen in the area several times, believing it was following her. Investigation revealed the vehicle was registered in Montecito and displayed false registration tabs. The deputy contacted the registered owner and discovered the tabs belonged to his other vehicle. The license plate was removed from the vehicle.

Mark your calendars, lovers of the sea, as World Oceans Day falls on June 6 this year and we’ll be celebrating with free admission to the Sea Center on Stearns Wharf all day.

Dwarf Sperm Whale skull from the Museum’s collections

IN PASSING

George F. Wood: 1943 – March 14, 2026

George F. Wood of Montecito, CA passed away Saturday, March 14, 2026. He was born in 1943 in Cheyenne, Wyoming to parents, Miriam and George F. Wood. He was the grandson of Fremont County, Wyoming pioneer doctor, W. Francis Smith. George is survived by his wife, Beth Wood, his soul mate and best friend of 34 years, his son, Tod Wood and his granddaughters, Nalani and Sienna. In addition, he is survived by his nieces and nephews who always treasured their time with him and loved him deeply. One of his passions was mentoring young people and he took great joy in watching them grow and be successful!

George spent his youth exploring and developing a love of the great outdoors in Wyoming. From humble beginnings, George received a scholarship to the Colorado School of Mines, earning a Bachelor of Science in chemical engineering and then went on to the University of Chicago’s School of Business where he received an MBA. His education landed him employment as an investment analyst and eventually a partner at Stein Roe & Farnham in Chicago, IL.

George always loved the west and decided to head back home to Denver, Colorado to start his own investment firm in 1982. Through hard work, determination, a desire to help people as well as a passion for the investment process, he started Wood and Co. George felt deeply that counseling was the most important part of his work. He had an intuitive sense of others’ needs and wants. He combined what was truly important to his clients with his expertise and latest research to create investment accounts with individual stocks and bonds tailored to each client. He treated all his clients with respect and integrity. He took a true and strong interest in those around him, resulting in many of his clients becoming lifelong close friends.

In the span of 34 years, George built an incredibly successful investment management firm in Denver. In 2014, he merged his firm with Wally Obermeyer’s Obermeyer Asset Management of Aspen, CO, becoming Obermeyer Wood Investment Counsel. George remained a partner until his retirement in 2019, a remarkable 50-year career!

George enjoyed giving back to his alma mater, the Colorado School of Mines, by chairing their foundation investment committee for 15 years and serving as member of their Board of Governors.

George continued his love of the west with his wife, Beth, hiking and skiing in their homes in Aspen and Steamboat Springs. They frequently enjoyed hiking and

camping with llamas in the mountains of Colorado. George also loved the water and spent years exploring the inland passage between Vancouver Island and British Columbia by boat. Later, he loved being the captain of the Fun Machine, their boat in the Santa Barbara Marina.

George touched the hearts of people everywhere he went and will be remembered with love and fondness by his friends and family. May you roam free again with the “Jackelopes” in the Rocky Mountains, George!

A small family service to remember George is being planned. If you would care to remember George, contributions are being made to the Friendship Center, 89 Eucalyptus Lane, Montecito, CA 93108.

Frank Hurd Robinson IV

Frank Hurd Robinson IV, of Santa Barbara, passed away after a long illness, leaving a life marked by curiosity, determination, and a profound passion for aviation.

Born in Montclair, New Jersey, to Mary (Snyder) and James Milton Robinson, he grew up with his younger sister, MaryAnn, in Hornell, New York. A childhood airplane ride sparked his lifelong love of aviation.

Frank earned a degree in physics, and later an MBA, from the University of Buffalo. He was recruited by Aero Spacelines and moved to Santa Barbara to begin working as an aeronautical engineer on the design of The Guppy.

In 1982, he founded Frank H. Robinson & Co. (later SyncDev, Inc.), where he coined the term ‘Minimal Viable Product’ and used his distinctive approach to market validation to bring venture capital and Fortune 500 companies together to launch new products.

In 1982, he welcomed twin daughters, Halie and Alexa, on the same day his red-and-white Cessna Turbo 310R airplane was delivered. Frank often said that was the best day of his life.

He had a deep and enduring interest in aviation safety and founded “Serious About Aviation,” a monthly forum for Santa Barbara pilots that achieved nationwide recognition for excellence.

He is survived by his wife, Claudia Flintermann, her children, Grace and Jack; his daughters, Halie and Alexa; and the mother of his children and loving friend, Joan Robinson.

A celebration of Frank’s life will be held at Signature Aviation, at the Santa Barbara Airport, May 9th at 2:00 pm. Kindly RSVP: 228jrobin@gmail.com

Elizabeth’s Appraisals

Braided Brooches

by Elizabeth Stewart

In her mom’s belongings, EC found a bible that belonged to Isabel Robbins Carrillo (1845-1914), a lady from one of Santa Barbara’s most distinguished families. Along with the bible she found two brooches, and EC wondered if the brooches could date from the Californio period (1769-1846). Our area had transitioned from the Spanish Period (1769-1821) to Mexican Rule (1821-1846). After the Mexican American War, (1848) the Californio Ranchos were in decline, as were the clothing styles of the Californios. The braided brooch is in a European style of the 1850-1860s and the “button” brooch is in a later style of 1880-1890s.

Clearly, the Carrillo family was known in the Californio period as cattle ranchers, hide and tallow traders. Renowned for their horsemanship and hospitality, trademarks of the Californio way of life, the clothing of the period is also distinctive; a Spanish flair, reminiscent of folk styles of the 18th century. Conversely, the style of these brooches places them in the later part of the 19th century perhaps not within the traditional Californio era.

Matching the dates of her life to the style of the braided brooch, it is possible that the braided brooch belonged to Isabel Robbins Carrillo’s grandmother Maria Josefa Raymundo de Castro (1792-1853) or her mother Maria de la Encarnacion Carrillo (1814-1876). If either woman were wearing such a piece in the mid-19th century, she would have been dressed in the Continental style with a European flair, the brooch adding a slightly masculine, almost military flavor.

From the European Continent and regimental uniforms came the braided metallic silk corded style of the braided brooch, and that braiding is also a signature of both Spanish and French clothing. I estimate the brooch to date from 1850-1860. Women wore these at the collar of a shirtwaist, and the lightweight braid made them wearable on cotton fabric. The style in the last half of the 1800s was for full skirts, tight bodices, small, belted waists, and decorative features of braiding, ruffles, ribbons, with brooches worn at the collar.

By the last half of the 19th century, exotic Spanish styles and the romance of Spain as interpreted in clothing (and architecture) was fashionable. For this article, I studied the costumes of the famed Spanish dancer who made Spanish clothing a worldwide style, the courtesan and eventual mistress of King Ludwig I of Bavaria, the controversial

Lola Montez, who wore such a braided brooch circa 1850-60. Spain was her choice: she was not born in Spain, nor Alta Californio, but in County Sligo, Connacht, Ireland in 1818 as Eliza Rosanna Gilbert. She made her debut as a Spanish dancer in 1843 in London, Paris, and Warsaw. Lola dressed in the Spanish style and did wear braided metal brooches to fasten a velvet cloak. Her stage presence was anything but the demure Californio matron. Lola did perform in San Francisco in 1853. Her Spanish dancing career declined in tandem with her advancing age, and she married a local newspaper reporter and retired to Grass Valley, CA.

The tradition of braided metal brooches, metallic mesh thread woven upon a support of silk threading, dates to French and Spanish military (regimental) jackets of the 18th century. I found such an embellished braid in the collection of the MET Costume Institute, as a textile trim. The MET also has an example in their collection of a metal tassel watch fob, made of 10k gold thread, which, like our example, is blackened with oxidation.

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By the late 19th century “tassel” brooches made of gold became popular. These featured rolled or plated gold and lesser valued wirework in imitation of the metallic thread brooches worn in the previous years – by both women and men – as a military flourish. When 10k or 14k gold tassel brooches added black enameling, these were worn as mourning brooches, especially as made popular in England after the death of Prince Albert (1861).

EC’s “button” brooch, more feminine, lacier, and with a sentimental design of flowers, dates from the last years of 1900; a glass button with a reserve engraved and painted sweetheart design. The sweetness of the style places it later than the more structured metallic wire tassel brooch.

Is the tassel brooch a Californio brooch? In that era, finery was “imported” from the East Coast, so we cannot be sure it was made expressly for the Californio clothing style. Was it worn by a member of a noted Californio family? YES. Because of this fact, the value is in the category called irreplaceable.

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The braided brooch

The “button” brooch

News Bytes MSD Begins First Rate Study in 10 Years

by Joanne A. Calitri

The Montecito Sanitary District has approved its first comprehensive sewer rate study in a decade, initiating a formal public process to consider potential rate adjustments. The Board of Directors voted on April 8 to move forward with the proposal, with a public hearing scheduled for June 10, 2026, as required under Proposition 218.

The study, conducted by an independent consultant, reflects rising operational costs, aging infrastructure, and increasingly strict regulatory requirements. Much of the MSD’s system dates to the 1960s, with key components nearing the end of their lifespan. To address these challenges, the MSD plans to invest more than $60 million over the next five years in upgrades, including major improvements to its wastewater treatment plant and system-wide repairs.

District officials emphasize that the proposed adjustments are intended to ensure long-term reliability and protect public health, while inviting community input throughout the review process.

411: www.montsan.org/rates

Employer Forum Highlights Expanded Surfliner Service

Business leaders and HR professionals are invited to the “Train to Work Employer Forum” on April 22 at the Hilton Garden Inn in Goleta, spotlighting the expanded Amtrak Pacific Surfliner service launching in May. Hosted by SBCAG and the Santa Barbara South Coast Chamber of Commerce, the event will explore how rail can support employee recruitment, retention, and commuter flexibility.

Attendees will hear from regional transportation providers, including LOSSAN, MTD, and BCycle, and learn how to integrate train travel into commuter benefits programs. Interactive discussions will cover schedules, first- and last-mile connections, and practical tools for daily use. Participants will also receive complimentary ride passes to try the service firsthand.

411: https://tinyurl.com/Surfliner-Employer-Forum

Celebrate Earth Day with the Santa Ynez Band of Chumash Indians

SUNDAY THRU THURSDAY AM - PM 7:0010:00

SUNDAY THRU THURSDAY 7:30 AM - 10:00 PM

FRIDAY AND SATURDAY 7:30 AM - 12:00 PM

FRIDAY AND SATURDAY AM7:0012:00AM

The Santa Ynez Band of Chumash Indians’ Environmental Department will host its annual free Chumash Earth Day event from 10 am to 2 pm on Saturday, April 18, at Kitiyepumu’ Park, located on the Santa Ynez Reservation at 100 Via Juana. The theme is “Life Grows Where Water Flows.” This zerowaste event will feature family-fun activities for all ages, including educational booths, face painting, arts and crafts, raffles and giveaways, local food trucks and a special appearance from Smokey Bear. Over 30 local businesses and organizations will be in attendance. Representatives from the tribe’s Culture Department and Santa Ynez Tribal Health Clinic will also be in attendance. The Solvang Rotary Club will join the celebration with dwarf goats in tow, while the USDA-Natural Resources Conservation Service returns with its popular inflatable soil health tunnel; an interactive walk - through exhibit that brings the hidden world beneath our feet to life and highlights the importance of healthy soils. Registration will take place at the event, with the first 200 people receiving a “swag bag,” which will include a t-shirt, reusable cup and custom-designed stickers.

411: https://syceo.org/earthday

Little Dom’s Events

- April 29, 6 pm: Winemaker Dinner with Peter Stolpman of Stolpman Wines

- May 2-3 from 12-4 pm Little Dom’s Seafood is hosting its fifth annual crawfish boil 411: www.ldseafood.com

Art From Scrap Expands Store Hours

New store hours are Tuesday to Friday from 11 am to 6 pm and Saturday from 11 am to 5 pm.

The creativity of Arianna Rheault envelopes the southwestern corner of the museum with various media, including oil painting, charcoal, screen printing onto clothes and wood carving. “I don’t like to bind myself to any medium because each one holds its own language and I want to express myself in whatever language I’m feeling drawn to,” she says. The Santa Rosa resident is a survivor of childhood domestic violence and has been fascinated with making art about God’s redemption. “My work highlights how God doesn’t promise a life without suffering, but He always promises to weave art out of it and invite us into His master storytelling.”

Crosstown Soccer Rivals, Greater Purpose

A 60-year soccer tradition is getting a new look this spring while benefiting a globally recognized local charity.

Since 1966, Westmont and UC Santa Barbara have faced off in one of the Central Coast’s longest-running athletic rivalries. For decades, the match served as a preseason staple in August. However, with Westmont’s recent transition to NCAA Division II membership, scheduling within the respective calendars became difficult.

To preserve the tradition, the programs are moving the annual matchup to April. The Warriors and Gauchos will meet Saturday, April 18, at 7 pm at Harder Stadium for the inaugural Direct Relief Community Shield Game. The event also marks the 60th anniversary of Harder Stadium.

Direct Relief, a Santa Barbara-based humanitarian organization, has delivered more than $10 billion in medical aid globally since 1948. While admission to the match is free, Direct Relief will accept donations to support humanitarian efforts ranging from local clinics to international disaster response.

“The history of these two storied soccer programs provides a powerful backdrop to unite the community in support of a meaningful cause,” Westmont head coach Morgan Cathey said. “We hope this is the first of many matches that bring the local soccer community together.”

The partnership is particularly meaningful for the Warriors, as Direct Relief

works closely with Sports Outreach International, an organization Westmont teams have partnered with for mission trips to Kenya, Uganda, and Rwanda.

Over their 60-year history, the teams have played 63 times, with the Gauchos holding a 33-24-6 series lead. Officials noted that moving the game to April ensures both student bodies are on campus, unlike the previous August dates.

“It’s fitting that a community game such as this would also serve to benefit one of our most impactful charitable organizations,” UCSB head coach Tim Vom Steeg said.

Heather Bennett, Direct Relief vice president of community engagement, said the match demonstrates the role sports can play in fighting health inequities, helping “turn the energy on the field and in the stands into meaningful impact.”

Observatory Features Jupiter and Double Stars

The Westmont Observatory opens to the public Friday, April 17, after 7:30 pm for a night of stargazing that will feature views of Jupiter and the star pair Mizar and Alcor. The event is expected to last several hours.

Mizar and Alcor, located in the handle of the Big Dipper, are two pairs of double stars. Historically, they were used as an ancient eye test to determine visual acuity.

Westmont hosts these free viewings on the third Friday of every month, beginning at sunset. In addition to the college’s powerful Keck Telescope, members of the Santa Barbara Astronomical Unit will bring their own telescopes to share with the community.

Free parking is available near the observatory, which is located between the baseball field and the track and soccer complex. To enter campus, visitors should use the main entrance off La Paz Road. The lower entrance off Cold Spring Road closes to the public after 7 pm. In the event of inclement weather, please call the Telescope Viewing Hotline at (805) 565-6272 or check the observatory website to see if the viewing has been canceled.

Spoken Word (Continued from 23)

standing in stark contrast to the venerable Santa Barbara Writers Conference that lasts just shy of a full week annually in June, thus serving as a sort of counterpoint that flips SBWC upside down in a number of ways.

The SB Literary Fest features a mass influx of authors who engage in talks and panel discussions, while actual workshops are largely only an hour long. This is the reverse of SBWC, whose days are taken up with numerous workshops over the course of the conference, the author speaking events inserted here and there into the itinerary. Another contrast is the peripatetic nature of the May Santa Barbara Literary Festival, which takes place at almost a dozen different venues, mostly in the beautiful downtown area. SBWC, by comparison, offers its wares within the confines of the Mar Monte Hotel on Cabrillo. Taken together, lucky writers, readers, and all-around lovers of the published and spoken word should be fully sated by the time mid-June rolls around.

The Literary Festival has so many speakers, it’s easy not to notice some of the big names in the screenwriter and film makers section, those not normally noted for literary works. This category includes Matthew Weiner, who topped his success as a writer and executive producer on The Sopranos by creating and serving as showrunner of the even more popular and influential series Mad Men. Some would say both series can be seen as much more literary than many modern novels.

Also coming is Bob Gale , the co-creator, co-writer and producer of the Back to the Future trilogy of films alongside the more famous Robert Zemeckis, the movies’ director (and husband of Literary Festival co-founder and Montecito Journal columnist Leslie Zemeckis ). Gale conceived the story, developing the concept of a teenager traveling back to high school with his father and coming up with the idea of a DeLorean as the time-traveling device.

Among screenwriter, director and actor John Gatins’ credits is the 2012 film Flight, which earned him a nomination for the Academy Award for Best Original Screenplay for the movie that starred Denzel Washington and was directed, not coincidentally, by Robert Zemeckis.

Weiner and Gatins will team up to discuss “Story, Structure, and Screenwriting,” covering the elements that turn a blank page into an unforgettable film or television series including character, dialogue, structure, revision and collaboration. The conversation takes place at the (very recently repurposed) Karpeles Manuscript

Visit https://tinyurl.com/CEC-Page-Queen 

Library at 1:45 pm on Sunday, May 3. Actress, writer and stand-up comedian Cathryn Michon moderates.

The aforementioned Bob Gale will offer in his event (12:15 pm on Saturday, May 2) an inside look at the creation and evolution of the Back to the Future franchise, diving into the writing process, the decisions that shaped the films’ iconic characters, and their later adaptation to a Broadway musical. Billy Zane, who played one of bully Biff Tannen’s high school cronies in his first film role, will be on hand to sign autographs at the end of the event.

In an event at the intersection of entertainment and journalism, the panel called “Inside the wild rise of Rolling Stone” brings together Peter Richardson, author of the just-published Brand New Beat: The Wild Rise of Rolling Stone Magazine, PEN USA Award-wining journalist Ann Louise Bardach, former Rolling Stone writer-editors Abe Peck and Charles Perry, and moderator Jerry Roberts. The panel will talk about the magazine’s pioneering, rule-dismissing form of journalism and where the publication stands today at 5:15 pm on Saturday, May 2, at Restaurant Roy. Visit www.santabarbaraliteraryfestival.org

Turn the Page with Veteran Political Journalist

The Santa Barbara News-Press, –recently revived as an online only operation through NewsWell, a nonprofit based at Arizona State University – hosts writer Susan Page. The author and longtime USA Today Washington Bureau Chief will be appearing at the News-Press’ first ever event at CEC’s Environmental Hub on April 23. Page, whose best-selling biographies include books on Barbara Walters, Barbara Bush, and Nancy Pelosi, is promoting her new book, The Queen and Her Presidents: The Hidden Hand That Shaped History, which was released on April 14. The book is described as The Crown meets The West Wing in an illuminating history that chronicles the largely unknown story of Queen Elizabeth II’s relationship with 13 American presidents, from Harry Truman to Donald Trump over her 70-year reign. Incidentally, that’s just three more American presidents than Page herself has personally interviewed. The event, supported by the Santa Barbara Literary Festival, includes a cocktail hour with Page and the Santa Barbara News-Press team, with a Q&A and book signing to follow. Admission is free.

Westmont men’s soccer coaches and players toured Direct Relief

Robert’s Big Questions An Independent Mind

Participatory in Feeling?

by Robert Bernstein

Spectator sports have rarely held much interest for me for a variety of reasons. But recently I came across this concept that may explain why: “Participatory in feeling. Passive in outcome.”

Sports fans will often say something like “We beat the Patriots” or “We’re Number One.” Of course, the fan was usually just sitting on a couch watching TV.

While leading a hike recently, two women let me know they were in a rush to get back to watch a basketball game on TV, which diminished the actual participatory experience of our outing.

But it also affirmed the idea that sports fans get some kind of participatory feeling when they know they are watching the event live, rooting for their team. Watching a recorded version later loses that feeling, even though the team cannot possibly know you are rooting for them while watching them on TV.

Many aspects of life can feel similar. Elections give us only one chance to vote. We can knock on doors, make calls or donate money. But for a national election our individual impact feels minimal.

I have felt the same frustration while watching Putin’s brutal attack on Ukraine. I can send money to Ukrainian support organizations, but it feels inadequate. Meanwhile, I eagerly watch the news to see how “we” are doing. But that “we” is largely an illusion. They are fighting, suffering and dying. I am just watching.

Television seems like the ultimate form of this experience. We watch passively, while feeling that we somehow influence the outcome. The outcome of a TV drama is more fixed than a sports outcome, yet it draws us in.

Social media seems to offer an alternative where we are participating and not just passively observing. But this is often an illusion; which explains why people often feel frustration and emptiness after spending too much time there. Huge corporations design the algorithms that determine whether anyone even sees your post.

You feel like you have made the perfect argument, yet there is no guarantee any minds will have been influenced. In dreams we often switch between watching, narrating and participating in the dream experience. In real life we are usually just a spectator.

I think we can be more effective in our lives if we notice this distinction. Some people solve this through what feels like direct action. They might volunteer in a soup kitchen or build houses with Habitat for Humanity. Which does little to solve root problems.

Working for policy change to make the world better can feel ineffective. But this is also a mistaken view. Unlike the case of watching sports on TV, our small actions can make a difference. As long as they are coordinated in concert with others who share our vision and goals.

Yes, I will bring this back to the Climate Crisis. If we are honest, we feel 1) Responsibility. 2) Urgency. 3) Lack of control. The result: Climate anxiety. Young people especially feel this. We feel that our actions have small effects. And the effects and feedback are separated by years from our actions.

Many people solve this by denying the reality. Others admit the reality but just disengage. They switch to caring about something that seems more solvable. Or they turn to sports or TV where sides and outcomes are clear.

One solution: Break the problem into solvable units. Build one local solar project. Elect one good candidate. But this may not add up to what is needed globally.

Another solution: Switch from outcome control to role fulfillment. Think of World War II. Everyone did their part. Gandhi said, “Whatever you do in life will be insignificant but it is very important that you do it.”

Recognize that while we can’t control the outcome, we can control our participation. The question is no longer “Did I produce the result?” but “Did I play my part well within my sphere?” It locates responsibility where it can truly be exercised. In a world where we feel participatory in feeling but passive in outcome, the measure of agency isn’t the scale of our impact, but the quality of our contribution.

Robert Bernstein holds degrees from Physics departments of MIT and UCSB. His passion to understand the Big Questions of life, the universe and to be a good citizen of the planet. Visit facebook. com/questionbig

Where Are We Going?

by Jeffrey Harding

The only war objective that the Administration has had success with is the degradation of Iran’s military capabilities. The other goals have not been achieved.

- There has been no regime change and the people have not risen up in rebellion.

- We have not eliminated Iran’s nuclear threat. We have degraded their programs, but they still have, according to reliable sources, 900 lbs. of semi-enriched uranium and, probably, refinement apparatus such as centrifuges. No one really knows for sure, but the Administration is not yet claiming they have wiped it out. If they had they wouldn’t have to pressure the Iranians to give it up.

- Right after we attacked (February 28) they shut down the Strait of Hormuz through which 20% of the world’s oil supply passes through.

- They still have, according to military estimates, a “substantial” though reduced supply of missiles and drones. Asymmetric warfare is difficult to defend.

- They have dragged their Arab neighbors into the war and now threaten to destroy their infrastructure and their oil and gas facilities as retaliation for our bombing.

- Negotiations have stalemated.

There are two important questions to ask about this war. One is, did the Administration and Trump carefully think it through before the decision was made to start the war? The other is, is the Administration, specifically President Trump, capable of achieving the war’s two most important objectives: oil flow and nukes?

to control the Strait. Trump dismissed that warning, thinking it would be a quick war.

The war has not been going well for the Administration and President Trump. The objectives of eliminating Iran’s nuclear capability and degrading their ability to create chaos in the Middle East and the world seem a long way off.

We do need to eliminate their nuclear capability. The Iranian regime has always wanted a nuclear weapon to protect against existential threats to the regime. They do not want to enrich uranium for peaceful purposes, and the most recent evidence was in the pre-war round of negotiations where we offered free lowgrade uranium for energy purposes if they would give up their nuclear program. They rejected the offer.

So far, the war’s outcomes are far from what Trump anticipated when he ordered the attack on Iran. Yes, the regime was decapitated, but new leaders have emerged. Their military has been devastated but they haven’t run out of missiles and drones. The Strait is effectively controlled by Iran.

Trump now seems desperate. His two posts on Truth Social were disturbing. On April 5 at 5:03 am he said, “Open the F***in’ Strait, you crazy bastards, or you’ll be living in Hell.” On April 7 at 5:06 am, he posted, “A whole civilization will die tonight, never to be brought back again. I don’t want that to happen, but it probably will.” And there was also the bomb them back to the stone age statement. I don’t think I’m the only one who finds this kind of rhetoric from a President of the United States of America unsettling.

The New York Times did a deep dive into the leadup to the war relying on insiders who were directly involved in the decision process. I urge concerned citizens to read it. The quick synopsis is that the Israelis ( Netanyahu ) pitched a scenario to Trump whereby the Iranian leadership would be decapitated, we could take out their ballistic missiles, they would be too weak to shut down the Strait, the risk to their neighbors would be minimal, the people would rise up against the regime, and a secular regime would take its place.

Trump’s intelligence advisers said: yes, leadership decapitation was feasible; preventing threats to neighbors was also feasible. The popular uprising and regime change was deemed “farcical,” or, as Secretary Rubio put it, “Bulls**t.” Even Vance opposed the war. General Caine specifically warned about Iran’s ability

Trump frequently changes his objectives in the war. He announces his reasons and goals and then changes them. He threatens and then backs off. An enemy might take this as bombastic bluff. So far, it hasn’t worked.

On Monday (April 13) Trump implemented a blockade of the Straits in retaliation for the collapse of the peace negotiations. He also threatened to hit water and power plants in Iran. Which means we will be back to war. If so, the Iranians have threatened to go all out by attacking water, power, and oil facilities of their Arab neighbors. That would be unacceptable.

We need an exit strategy. Based on where we are as of the date of this article (April 13) peace looks a long way off. To exit we need to open the Strait, defend the Gulf states, and continue bombing their nuclear sites. How long will that take? War is complicated and unpredictable.

with it,” he says. “I just started going out for plays at school and I loved it. I was ADHD, as they call it now. I was a poster kid for ADHD. And my father was 52 when I was born, and he wasn’t a great force in my life. Had he been younger I think he would’ve directed me towards business or something. As it was, I was left feeling free to do what I wanted. I got a lot of kudos for it, and I ended up after college wanting to pursue it. What else am I going to do? I love this. It’s great!”

Largely retired from the acting now, John Fink’s artistic apogee neatly paralleled the arguable Second Golden Age of film and television acting. Fink was (for instance) in the running for the role of Benjamin Braddock – Mrs. Robinson’s bewildered postgrad paramour and the role that launched Dustin Hoffman in The Graduate . It’s all I can do not to start blabbing excitedly.

When the writer of this piece was a schoolkid sporting a puka shell choker and many-zippered bell bottoms, Fink was cavorting onscreen with Columbo, haunting Roddy McDowall with co-ghost Stefanie Powers in Topper, flirting with Janet and Chrissy on Three’s Company (“…Come and knock on our door!”), and sharing Blake Edwards’ direction with James Coburn in The Carey Treatment. In a less salutary flashback, Fink came this close to corrupting John-Boy Walton. Sometime later he would be frozen solid by a merciless Arnold Schwarzenegger – comeuppance for the John-Boy thing, surely – and would lawyer up for Tina Turner in What’s Love Got to Do With It? Fink was on a golden age soap in the ‘60s, and would replace Ken Howard as Thomas Jefferson in the legendary Broadway production of 1776. Fink’s thespian cup ranneth over.

“Even when I was at Penn I would go up to the city and see My Fair Lady or see West Side Story. I loved theater. It was all about theater. No thoughts of Hollywood, none of that. Yes, I loved film. But it was about pursuing the stage.”

What’s in a Name

“John Fink.” Let’s tear this bandage off. While the name may invoke a cackling, black-gloved fiend from The Adventures of Rocky and Bullwinkle, Fink’s thoroughbred American visage could give a Wheaties box Impostor Syndrome. Combine screen-enhancing good looks with Yale Drama School chops and you’ve got a ubiquitous working actor strolling through your Columbo, your Waltons, your Quincy M.E., McMillan & Wife, your Three’s Company and Laverne & Shirley. This was TV’s second Golden Age; arguably the very last time whole families gathered round appointment television in a unifying bath of prime-time luminescence. As we nuclear families huddled in our cathode ray caves, the omnipresent John Fink was likely onscreen.

And the movies? Batman & Robin (see Finksicle above), The Client, Falling Down, Flatliners, The Number 23 (as Jim Carrey’s numerically haunted dad) – to name but a very few.

John’s very first film, a 1970 zeitgeist jamboree called Loving, saw him working with Eva Marie Saint (!), George Segal, Sterling Hayden, and Roy Scheider.

Fink hit the ground running and was working from the get-go. When he landed an early role in the classic ‘60s daytime soap opera Secret Storm, the swaggeringly confident thespian threw up his lunch in the hallway walking to set. But during the run of

Beings & Doings Page 344

S/V Bosporus, Rick Wallace, reflecting the evening’s seamless blend of culture and community.

As the treacle sun sank, guests drifted outside – cool, coastal, and quietly chuffed – as Aquean made a splashy success. by Lisa Duncan

More Mesa Magic

Santa Barbara’s social set turned out in fine form last week for a most agreeable cause, gathering at the Lobero Theatre in support of More Mesa – that rare, windswept stretch of coastline, wonderfully wild and beautifully free for all to enjoy.

The evening began, as all proper evenings should, with a VIP reception on the theater’s private terrace. Bathed in honeyed hues and a balmy breeze, guests

sipped chilled chardonnay and mingled – linen, laughter, and lively chatter.

The VIP reception included board members Mo Lovegreen, Lisa Stratton, Tisha Jones, Valerie Olson, John Storrer, Cameron Benson, Dan Gira, Jim Hurley, Jim Dougherty, and Kathy Pfeifer

Also in attendance were Gretchen Leiff, Kevin Kirkendall, Dennis Clegg, Royce Woodbury and Sheri Mobley, Hiroko Benko, and Janet McCann, Philip and Leslie Haight, and Brandon Mowery Conversation turned from conservation to camaraderie with seaside sincerity and social sparkle. As Jim Hurley noted, “This is all about raising awareness. We’re building community – it’s the crown jewel of open space.”

As dusk fell, the scene shifted indoors where the Double Wide Kings struck up

FICTITIOUS BUSINESS

NAME STATEMENT: The following person(s) is/are doing business as: STEVIE ACUNA GRAPHIC DESIGN, 218 SANTA YNEZ CT., Santa Barbara, CA 93103. STEVIE R ACUNA, 218 SANTA YNEZ CT., Santa Barbara, CA 93103. This statement was filed with the County Clerk of Santa Barbara County on April 10, 2026. This statement expires five years from the date it was filed in the Office of the County Clerk. I hereby certify that this is a correct copy of the original statement on file in my office. Joseph E. Holland, County Clerk (SEAL). FBN No. 2026-0000935. Published April 16, 23, 30, May 7, 2026

FICTITIOUS BUSINESS

NAME STATEMENT: The following person(s) is/are doing business as: ELECTRICIRQUE ENTERTAINMENT LLC, 522 W CARRILLO ST APT 3, Santa Barbara, CA 931015450. ELECTRICIRQUE ENTERTAINMENT LLC, 522 W CARRILLO ST APT 3, Santa Barbara, CA 93101-5450. This statement was filed with the County Clerk of Santa Barbara County on March 6, 2026. This statement expires five

years from the date it was filed in the Office of the County Clerk. I hereby certify that this is a correct copy of the original statement on file in my office. Joseph E. Holland, County Clerk (SEAL). FBN No. 2026-0000547.

Published April 16, 23, 30, May 7, 2026

FICTITIOUS BUSINESS

NAME STATEMENT: The following person(s) is/are doing business as: RECOVERY AND STRENGTH, 522 W CARRILLO ST APT 3, Santa Barbara, CA 931015450. MOORE STRATEGIC VENTURES LLC, 522 W CARRILLO ST APT 3, Santa Barbara, CA 93101-5450. This statement was filed with the County Clerk of Santa Barbara County on March 9, 2026. This statement expires five years from the date it was filed in the Office of the County Clerk. I hereby certify that this is a correct copy of the original statement on file in my office. Joseph E. Holland, County Clerk (SEAL). FBN No. 2026-0000565.

Published April 9, 16, 23, 30, 2026

FICTITIOUS BUSINESS

FICTITIOUS BUSINESS

NAME STATEMENT: The following person(s) is/are doing business as: AMADOR PAELLA, 25 S. SALINAS ST, Santa Barbara, CA 93103. OCEAN RESTAURANTS LLC, 25 S. SALINAS ST., Santa Barbara, CA 93108. This statement was filed with the County Clerk of Santa Barbara County on March 30, 2026. This statement expires five years from the date it was filed in the Office of the County Clerk. I hereby certify that this is a correct copy of the original statement on file in my office. Joseph E. Holland, County Clerk (SEAL). FBN No. 2026-0000841. Published April 2, 9, 16, 23, 2026

NAME STATEMENT: The following person(s) is/are doing business as: ROSEBOPS FLORAL, 602 LITCHFIELD LANE, Santa Barbara, CA 931091228. JESSICA M PERSHE, 602 LITCHFIELD LANE, Santa Barbara, CA 93109-1228. This statement was filed with the County Clerk of Santa Barbara County on March 24, 2026. This statement expires five years from the date it was filed in the Office of the County Clerk. I hereby certify that this is a correct copy of the original statement on file in my office. Joseph E. Holland, County Clerk (SEAL). FBN No. 2026-0000789. Published April 2, 9, 16, 23, 2026

The Doublewide Kings doing what they do best (photo by Priscilla)

Celeste Holm, Robert F. Simon, Renne Jarrett, and John in Nancy: the highest rated series ever to be cancelled (photo courtesy of Screen Gems)

a spirited, swaggering set. Band members and guest musicians were Palmer Jackson Jr., Charlie Crisafulli, Daniel Zimmerman, Bill Flores, John Simpson, Robert Teneyck, and George Friedenthal, who rocked out with rollicking rhythms that coaxed even the most composed crowd into a gentle groove. Zimmerman said, “If you’ve lived here a long time, you know it’s a very beautiful natural beach

where you can come as you are and just be yourself. We think that’s cool!” Teneyck added, “This town is full of generous people and we’re getting some synergy going! It feels great!” while Crisafulli cheekily joked, “We were offered to play for ‘Less Mesa,’ but we turned it down!”

By evening’s end, funds were raised, spirits soared, and More Mesa gained a few more champions – a splendid mix of stewardship, style, and rock-and-roll revelry.

All rather splendid, really. by Lisa Duncan

Fiesta Fever!

Santa Barbara positively twinkled to life this weekend as the ever-enchanting

Old Spanish Days Fiesta set the tone for a season of pageantry, pride, and rarefied revelry – a rather splendid social swirl, if ever there was one. With events unfolding across town, anticipation for Fiesta 2026 is already deliciously palpable – and now officially themed “Fiesta Forever.”

First stop: the historic El Presidio, where the 2026 “Saint Barbara” was presented with signature grace by the Native Daughters of the Golden West. Honoree Julie Foley, a descendant of the Ortega family, was warmly welcomed – a living link to Santa Barbara’s storied heritage. Among those in attendance was Colin Hayward, new El Presidente 2026, who remarked, “Fiesta is so meaningful to us, because the rich history is something we want to preserve and protect, and keep going, forever.”

Later, a properly polished gathering of community leaders and fiesta faithful assembled on the steps of City Hall for the official unveiling of the theme, with members of the Old Spanish Days Board of Directors out in full force. In attendance were David Bolton, Brandon Vallin, Director of the Parade, Scott Burns, Tony Miller, Fritz Olenberger, Boris Alves, and City Councilman Oscar Gutierrez, among others. The theme “Fiesta Forever” arrives with new programs this year, including a poetry contest, a photo contest, and a darling dog show – sure to be a paws-itively charming addition.

Competitions for the 2026 Spirit of Fiesta took place Saturday at the Lobero, where 20 finalists delivered a dazzling display of dance and devotion. From this talented troupe, Jenna Ramirez was crowned the 2026 Spirit, with Penelope Hernandez earning the Junior Spirit title. Last year’s Spirit Natalia Treviño and Junior Spirit Victoria Plascencia offered a graceful farewell.

Next up: La Primavera on May 2nd at El Paseo Restaurant, promising flamenco, mariachi, and Fiesta flair in full flourish. This Fiesta fever is just getting started! by Lisa Duncan

Butler Wedding Bells

Warren Butler, a seasoned entrepreneur with decades of experience in the

Santa Barbara hospitality industry, and Candice Cao, a locally active artist and internationally minded creative business professional originally from Beijing, met within the Santa Barbara community and recently celebrated their marriage.

Candice previously served as a torchbearer for the 2022 Beijing Winter Olympics.

The couple share a passion for art, culture, and lifestyle, and are building a life together centered on creativity, community, and meaningful connection.

They currently reside in the Santa Barbara area.

Sightings

Julia Roberts and her husband, seen shopping at the farmers market gathering green goodies to cook up something scrumptious… Katy Perry cavorting with the cool crowds of Coachella with her new beau Trudeau Gwenyth Paltrow’s launching her Spring 2026 collection of luxury fashion brand GWYN, and getting ready to star in a Netflix adaptation of the chronicle Strangers: A Memoir of a Marriage Meghan Markle shimmering in a slinky satin sleeveless olive green gown, with handsome hubby Harry at a sumptuous soirée hosted by Netflix, held at a private residence in our little Eden by the Beach…

From Richard and friends to you... Pip! Pip!

Lisa Duncan and staff

Richard Mineards feeling “chipper” with

The More Mesa Preservation Coalition (photo by Priscilla)

Old Spanish Days Board of Directors, past Spirits, and this year’s El Presidente Colin Hayward in the center (photo by Priscilla)

The band is ready to save More Mesa (photo by Priscilla)

Junior Spirit Penelope Hernandez during her riveting performance (photo by Priscilla)

El Presidente Colin Hayward with newly crowned Junior Spirit Penelope Hernandez and 2026 Spirit Jenna Ramirez (photo by Priscilla)

Say hello to the new Mr. and Mrs. Warren Butler (photo by Priscilla)

his character, Fink would so convincingly play drug-addled nice guy student Jimmy Dobbs (addiction a groundbreaking soap topic in that day), sympathetic strangers would approach him on the street, lay a hand on his shoulder and somberly wish him well. But in the beginning was The Stage.

“I got a year at Yale Drama School. I’d read that Paul Newman had been there, Julie Harris had been there. I didn’t want to get a diploma, I just wanted to make contacts, and it worked! I did some off-Broadway stuff, and John Guare [award-festooned playwright of The House of Blue Leaves, Six Degrees of Separation and many others] was one of those contacts. I was lucky enough to appear in two of his earliest plays, one at Yale and his first in New York, off-offBroadway at the legendary Caffe Cino. I’ve maintained a friendship with Guare ever since.”

John is one of those guys. He’s sped around Manhattan on the back of Hoffman’s moped, been old-school canceled by a jealous Dean Martin, and punched in the face by Michael Douglas. His Laverne & Shirley episode is enshrined in the Television Academy Hall of Fame. Life being a cactus flower, John’s has been colored by both heartbreak and joy, the two inextricably linked in ways the most eloquent seer would stammer in trying to articulate.

Phoebe, Sharkey, and the Next Room

“My wife and I had our first child in 1975, and at two and a half, she suddenly developed this little thing on her back. It was ultimately diagnosed as being a rare form of cancer. They removed the tumor, and she survived that.”

his hands, palms downward, to suggest buoyancy. “And I watched a white cloud come up off her body like that and go right up into the ceiling. And what was that? That really took me from being an agnostic into being a believer.” (Anyone inclined to politely scoff at this account is encouraged to revisit their high school Elementary Quantum Physics notes and see where credulity’s red line actually lives – author.)

Doctors had told him and his then-wife, Charlotte (known more familiarly to friends and fam as “Sharkey”), that the likely recurrence of the condition would oblige an aggressive regimen of radiotherapy and surgery.

John and Sharkey pondered the grim likelihood of recurrence, and the frankly eviscerating effects in that event the Hail Mary regimen would have on their Phoebe. John’s pre-internet research at the UCLA Medical Library was sobering. “Nobody, adult or kid, had ever survived this cancer using any of the standard techniques,” John says.

It was around this time John chose to leave acting, first for Phoebe and then for a decade to pursue his new passion – helping get out the word on his newfound health-related discoveries. He would return some 12 years later for more television, smaller parts in movies, and some local theater. Of immediate concern was Phoebe.

John and Sharkey’s Lamaze teacher directed them to an acquaintance whose mother-in-law had sought and found alternative cancer therapies. In the course of this journey they would also seek and find an escape from L.A., moving to the healthier, sea breeze-tossed village of Montecito in 1978. Phoebe would pass at 4 years old.

“My wife was an amazing woman,” John says of the enviably nicknamed Sharkey Fink. “She was such a leader in all of this. And she was the one who really inspired me; her smarts, her strength and her passion were so great.”

In the immediate wake of Phoebe’s passing, John experienced something that would prove spiritually metamorphic. “I was sitting alone in the room with Phoebe a few hours after she passed,” he says, then slowly raises

Phoebe’s passing would also take John from disquisitive investigator of cancer therapies to published author. His initially home-made compendium Third Opinion, a global directory of alternative health centers, is now in its fourth revised edition at Simon & Schuster. The book’s initiating research would find John traveling the world with two physicians, following leads and thoroughly vetting far-flung clinics. John would later travel to D.C., testify before a Senate committee and join a congressional advisory board called the Office of Technology Assessment, which from ‘72 to ‘95 looked at emerging therapies as prospective elements of policy. He would also spend 27 years as president of the Santa Barbara Chapter of Cancer Victors and Friends.

John’s high-spirited wife Sharkey would herself be taken by cancer in 2014, a scant two months after her own shocking diagnosis. Their next meeting would be in the presence of a Santa Barbara medium, whose unexpected, sudden chortling would be ascribed to a certain diaphanous livewire in the room. John and his visiting grown daughter would glance at each other and grin.

Spring Reawakening

When some two years after Sharkey’s passing an acquaintance tested John’s

interest in meeting someone, his recent comic misadventures in dating gave him pause. His friend’s description of widow Kerin Friden as both deliciously waggish and “drop-dead gorgeous” abridged John’s hesitation. Kerin had lost her husband 13 years before and had in the interim shown little interest in dating, having particularly foresworn politicians, athletes, and – yes – actors. Their mutual friend (or “common friend” as grammarian fussbudgets reminded Dickens in the day) pointed out to Kerin that John had a lovely sense of humor. When her friend also mentioned that John wore no socks, the deal was sealed.

When John and Kerin started hanging out together the curtains were figuratively thrown back, a warming bolt of figurative sunlight poured into the figurative room – well, you know. I can attest that a few minutes with the couple is like a short elevator ride with Nichols and May. For the past decade or so, the two volunteer with the Center for Successful Aging as peer counselors and run a group together.

Add John’s grown kids Lily and Andy , grandkids and in-laws – the concentric family circles widen to embrace and enliven the whole mess and the show goes on. I’ll note here – apropos of nothing – that “Fink” is phonetically identical to the Dutch word ‘Vink,’ meaning Finch, which Darwin hobbyists will recognize as that curmudgeon’s favorite adaptive superbird. And this energetic and emotionally adaptive Finch’s perspective is about what you’d expect.

“Reframe awful things in your life to find the hidden gifts,” John says. “Phoebe’s short life led Sharkey and me to helping many others, and it made us more grateful for the time we all have together.” Oh, and one other thing this veteran of Ally McBeal, Batman & Robin, and The Bionic Woman would like to add…

“My motto is have fun and keep having fun. When my kids saw my Advanced Health Directive, my daughter was reading and suddenly said, ‘What the hell is this? You want to be cremated and have your ashes flushed down the toilet? Why?!” And I said, ‘Because there’s no way you could do that without laughing.’ And that’s all. Keep having fun.”

Jeff Wing is a journalist, raconteur, autodidact, and polysyllable enthusiast. He has been writing about Montecito and environs since before some people were born. He can be reached at jeff@ montecitojournal.net

Lily, John, and Andy on Butterfly Beach (courtesy photo)

Kerin and John (courtesy photo)

The orchestra then ambles forward a decade to Samuel Barber’s “Violin Concerto,” a staple of the repertoire that has achieved international acclaim and is a perennial competition piece primarily due to the extreme technical demands of the finale, a movement full of relentless, fast-paced triplets that contrast with the largely lyrical and romantic first two movements. Kabaretti enticed violinist Alexi Kenney, who has been praised for both his lyrical sensitivity and virtuosity.

“He’s a beautiful player, an amazing musician who has everything,” he said. “He came very highly recommended by musicians that I know and trust. I am sure our listeners will enjoy seeing him take on this popular piece.”

After intermission, the symphony leaps forward to modern composer Jennifer Higdon’s “Blue Cathedral,” the modern composer’s deeply personal piece written in memory of her brother that evokes a spiritual atmosphere. The emotional journey through personal grieving comes via an accessible, atmospheric and richly orchestrated soundscape. There are actual glass instruments, several tuned crystal wine glasses to add to the effect of the “glass cathedral” vibe.

“It’s exciting to create more sonorities beyond the traditional ones,” Kabaretti said. “Everything is clearly written in the score, the exact dynamic where it goes from a forte to piano, where it has to move on and when it has to be mysterious and where it has to be very dramatic. Higdon has a different type of 21st century approach, a very beautiful voice… But we have to work on how we achieve those sonorities and balance the sound.”

In a rapid change of pace from the serene ending of “Blue Cathedral” that creates a moment of collective stillness in the Granada, the concert closes with the most popular piece on the program in George Gershwin’s “An American in Paris.” The very vibrant and equally jazz-tinged opus premiered just shy of a century ago and followed the composer’s success with “Rhapsody in Blue,” bursting with swaggering rhythms, bluesy harmonies, bright orchestral colors, and horns-a-plenty.

“Gershwin was the first one to bring popular music into a classical concert hall, and also maybe the very first American composer to achieve huge fame out of the country,” Kabaretti said. “‘Paris’ is great music, people are very proud of it, and love to hear it.”

Taken together, the concert follows a strong narrative arc, the conductor said, although there’s no theme tying them together other than their country of origin.

“Each piece is remarkably well written, well-orchestrated, and sits beautifully on the instruments – and they’re all unmistakably American. It’s usually pretty clear from the opening bars that they could not have been written by a non-American. They’re very different, and the audience will walk away with a deeper understanding of the American sense of music.”

Grand Gastronomical Jazz Gesture

The Grand on State, the new jazz club located one door away from the Granada at 1218 State Street and founded by longtime Santa Barbara keyboardist Brian Mann and his wife Jenna Berg, is still in its soft-opening phase. But the venue is celebrating the hiring of its new French chef this weekend with a nod to the Symphony’s ‘American in Paris’ concerts with a special three-day event, “Under Paris Skies,” boasting “soft keys, and savory notes.” The club has added new dishes and desserts (Leek and potato soup with lemon crème fraîche; Beef bourguignon with glazed carrots, pearl onions, button mushrooms, and fondant potatoes; Opéra Cake; Mousse au chocolat Valrhona; Financier pistache framboise) to delight the palate, while Mann and guests will provide the music from 7:30-10 pm on Thursday and Friday, and again in separate shows before and after the symphony concert on Saturday. Visit www.thegrandonstate.com/events

A Necessary Diversion for our Season of Discontent

Two cops. Three crooks. Eight doors. Go! So reads the first line of the synopsis for SBCC’s production of Unnecessary Farce, which closes out SBCC Theatre Group’s 2025-26 season at the Jurkowitz on campus, where it plays April 17-May 2. Farce was the first play by Paul Slade Smith, a successful Broadway actor turned playwright whose next work, the political comedy The Outsider, won two Helen Hayes Awards. Fortunately, the P-word and anything having to do with Washington, D.C. or a statehouse are nowhere to be seen in Unnecessary Farce, which takes place in a pair of adjoining cheap motel rooms. One has an embezzling mayor apparently cooking up a scheme with his female accountant, while next door two earnest undercover cops are hoping to catch the meeting on videotape.

That’s merely the setup for an evening of hijinks and hilarity, miscommunications and missteps both physical and otherwise, that has no pretensions to anything of societal import. In fact, according to director Sara Rademacher, the play’s title says it all: Unnecessary Farce.

“Its purpose is not to make you think deeply or solve anything. It’s just to really, honestly, be present. When you do that, it’s just funny and you go along for the ride.”

Which is exactly what Rademacher was looking for after helming a series of issues-laden shows with echoes for our time in Indecent and Animal Farm

“I’m usually drawn to things that are deep and culturally significant, ones that make you think, learn something, and have a conversation on the way home,” she said. “Farce is not only delightful to direct and really fun, but all I’m hoping all of us get out of this, including the audience, is a sense of relief. I’m all about eating your vegetables, but sometimes we need a donut.”

While the doughy confection plays a part, the relief part of course isn’t easily found for the characters in the comedy, where all sorts of things go wrong, people aren’t who they seem, and all the usual farce clichés and tropes apply.

Which is a good thing, Rademacher said.

“It can be boring to see something that you’ve seen over and over again if you get ahead of it, if you know what’s coming next, but the flip side of that is that those stereotypes and clichés or things that we recognize are universal and easy to understand. The idea of farce is to turn things inside out, so that we set something up that you understand right away, but then we play with your expectations. We can either fulfill them delightfully or upend them. And it’s funny either way.”

To be sure, the exquisite timing and reliance on hitting marks and providing all the cue lines on time for the side-by-side scenes can be hard work for the cast and crew, especially staging Unnecessary Farce at SBCC’s intimate and semi-surround space of the Jurkowitz Theatre.

“There are so many different layers going on, two rooms that are happening at the same time, so you’ve got to be precise,” Rademacher said. “If somebody misses a short cue line in one room, or leaves open a door that’s supposed to be shut, everything can go off really quickly. We just keep working on tightening things up.”

The audience, on the other hand, has no need to practice anything other than the willingness to go along for the ride and be entertained.

“There’s nothing controversial or challenging about this show,” Rademacher said. “It’s just supposed to be funny and joyful. That’s a pretty noble purpose right now.”

Unnecessary Farce will be at SBCC’s Jurkowitz Theatre from April 17-May 2 (photo by Ben Crop) Steven

ARTS & ENTERTAINMENT

Calendar of Events

by Steven Libowitz

THURSDAY, APRIL 16

In it for the Long Hull – Singer-songwriter-mandolinist Sierra Hull has been nominated for six Grammy Awards over time, four of them earlier this year for her latest release A Tip Toe High Wire. Among the album’s quartet of nominations was one for Bluegrass Album of the Year. Her six-count Grammy nominations are topped by the seven times she’s been named Mandolin Player of the Year by the International Bluegrass Music Association. The onetime prodigy mentored by Alison Krauss has earned her accolades through a winning combination of dazzling musicianship, expressive vocals, and genre-expanding imagination in her groundbreaking approach, blending bluegrass with chamber-folk finesse. The Tennessee native is deeply rooted in bluegrass, but like several of her mountain-bred contemporaries – and trailblazers of a previous generation such as admirer Béla Fleck – Hull’s music continually pushes boundaries while her command of the stage brings audiences enthusiastically along for the ride. Hull and her band will be at their most intimate, dynamic and emotionally resonant in tonight’s concert at Campbell Hall. Check out the ensemble’s NPR Tiny Desk concert for a preview at https://youtu.be/bGUy6cwbhyw. Appalachian troubadour and Old Crow Medicine Show alumnus Mason Via opens.

WHEN: 8 pm

WHERE: Campbell Hall, 574 Mesa Rd., UCSB campus

COST: $45-$60

INFO: (805) 893-3535 or https://artsandlectures.ucsb.edu

THURSDAY, APRIL 16-SUNDAY, APRIL 19

Fabulous Folklórico from BFRG – Ballet Folklórico del Rio Grande, under the direction of Miguel Peña, is a thirty-member organization drawn from alumni of the internationally recognized collegiate folklórico program offered at The University of Texas Rio Grande Valley, which offers the only folklórico dance major in the United States. BFRG has toured the world visiting countries such as Canada, France, Italy, Argentina, and Mexico and performed nationwide in prestigious venues, concert halls and educational programs, frequently partnering with fellow ¡Viva el Arte! artists Mariachi Garibaldi de Jaime Cuéllar for joint shows celebrating all aspects of Mexican culture, including the Día de Los Muertos and Christmas holidays. Expect brightly colored costumes, lots of fanfare and smiles when the ensemble settles in for four free concerts followed by receptions with the artists as part of the ever vivacious ¡Viva el Arte! series.

WHEN: 7 pm Thursday-Saturday, 6 pm Sunday

WHERE: Carpinteria Veterans Memorial Building, 941 Walnut Ave, Carpinteria (Thursday); Isla Vista School, 6875 El Colegio Road (Friday); Guadalupe City Hall, 918 Obispo Street, Guadalupe (Saturday); Marjorie Luke Theatre at Santa Barbara Junior High, 721 East Cota St. (Sunday)

COST: free

INFO: https://artsandlectures.ucsb.edu/learn/viva-el-arte-de-santa-barbara

SATURDAY, APRIL 18

Trail Running Film Festival – Santa Barbara’s latest celluloid celebration not only focuses on films that highlight global trail running stories but also boasts an optional opportunity to actually run on a trail just down the street from festival central. The Santa Barbara Museum of Natural History hosts the single evening event celebrating the joy, beauty, and challenges of running in wild places, something not terribly unfamiliar to local nature loving joggers. The program begins with the optional one-mile loop run at neighboring Rocky Nook Park for those who want to warm up in the fresh air beneath the oaks. This mild metabolic preamble segues to a relaxed pre-show happy hour featuring beer, wine, non-alcoholic beverages and snacks available for purchase, including burritos by Mylestone Barbecue Co. All of this is backdrop to interacting with leafy community partners including Sage Trail Alliance, Runners for Public Lands, and the Montecito Trails Foundation. Then it’s over to the museum’s Farrand Auditorium for two hours of short film screenings that highlight the diverse experiences of trail runners around the world, whose oxygenated gallivanting celebrates human resilience, connection with nature, and the magic of exploring landscapes on foot.  An intermission will provide time to stretch and socialize and connect to other trail-runners in town.

WHEN: 4:45-8:15 pm

WHERE: Santa Barbara Museum of Natural History, 2559 Puesta del Sol Rd. COST: $25

INFO: (805) 682-4711 or www.sbnature.org

SUNDAY, APRIL 19

Sing It Out! – The lyrics will decidedly not be controversial or full of sexual innuendo or even downhearted during the concert at the Lobero one night after Nerf Herder’s gig, when the annual AHA!’s Sing It Out! show returns to the venue for an event very accurately described as feel-good. The concert features a dozen teen performers taking to the stage to individually bust out a solo song backed by a live band; this in front of a full house of 600 people. The annual singfest is the culmination of a 14-week journey of self-actualization, resiliency, relationship building, and artistic expression. Aided by AHA! facilitators and music mentors, teens learn to overcome fear and individual challenges while learning to support – and receive support from – their peers. It’s all about navigating the interwoven individual and shared journey, at whose revelatory summit these young people resoundingly claim their long-sought voices and identities. The performance gives participants a perhaps once-in-a-lifetime rock-star moment that can be truly transformational. Santa Barbara native singer-songwriter/pop star Glen Phillips of Toad the Wet Sprocket – whose band also recently released an unplugged version of its classic songs, and who will also revisit a decades only project with the Watson siblings at SOhO later this month – is this year’s special guest.

WHEN: 6 pm (VIP reception at 4 pm)

WHERE: Lobero Theatre, 33 E. Canon Perdido St.

COST: $16-$157

INFO: (805) 963-0761 or www.lobero.org

SB ‘90s Power Pop Redux – A screenwriter pitching Nerf Herder’s almost instant success story would surely be lectured by a studio that the tale is too fantastic by half, and to go away and try again. But unlikely and explosive success is what happened to the Santa Barbara-based band – they who took as their name the insult hurled at Han Solo by a supremely annoyed Princess Leia in the first canonical Star Wars movie. Nerf Herder scored big when Arista re-released their local indie debut album, the record chock full of mostly tongue-in-cheek power pop. Album tracks skewered Van Halen’s David Lee Roth/Sammy Hagar trade, chronicled prostitution in the pre-revitalized Haley Street, professed love for a proboscis-pierced young lady and, most memorably, offered up a surprisingly clever little ditty about lost love with lyrics spun round increasingly vindictive and self-abusive behaviors (“Sorry”). Thirty years after the album paved the way for the band to record the theme song for Buffy the Vampire Slayer, Nerf Herder plays their first-ever headlining gig at the Lobero, with fellow local ‘90s sensations Summercamp (who charted with the single “Drawer” in 1997) opening. It’s a trip down memory lane to relive misspent youth (or in some cases late 30s) during the Clinton years. The show sold out even faster than “Van Halen” became a hit single, but those who don’t get in can look forward to Nerf Herder (redux), a largely unplugged revisiting of the original.

WHEN: 7 pm

WHERE: Lobero Theatre, 33 E. Canon Perdido St.

COST: $45/$85 (sold out)

INFO: (805) 963-0761 or www.lobero.org

TUESDAY, APRIL 21

Heart Is Where the Holcombs Are – Indie-folk/Contemporary Christian music husband-and-wife Drew and Ellie Holcomb head to the Lobero Theatre to traverse the breadth of Americana, their relationship, and much more. Both have enjoyed

separate careers but have found their strongest achievements on stage and in recording studios together, including most recently laying down their first-ever duo album, 2025’s Memory Bank. The current Never Going to Let You Go Tour further affirms their unique synergy and appeal, bringing the musician couple back to those intimate, connection-driven evenings that meld original storytelling, harmony-rich performances and the warmth that has made their music a fixture in fans’ hearts.

WHEN: 8 pm

WHERE: Lobero Theatre, 33 E. Canon Perdido St.

COST: $45.50-$169.50

INFO: (805) 963-0761 or www.lobero.org

Only at the Pollock – The movie-biz documentary Only in Theaters, which premiered at SBIFF in 2022, serves as an intimate and moving journey as the family behind Laemmle Theatres – the beloved 84-year-old arthouse cinema chain in Los Angeles – navigates seismic changes, financial pressures, and other challenges. The multigenerational business has supported the art of film for almost as long as the Oscars, and is the emotional center of this state-of-the-industry love letter to cinema for a general audience. Cameron Crowe, Ava DuVernay, James Ivory, Nicole Holofcener, and Allison Anders all appear in the doc directed by Raphael Sbarge. The director will be on hand for the post-screening conversation with Greg Laemmle and moderator Ross Melnick, director of the Carsey-Wolf Center. The topic will be the very future of arthouse cinema, a conversation transpiring only a few miles from where SBIFF has taken action on that front with its recently opened Film Center.

WHEN: 7 pm

WHERE: Pollock Theater, UCSB campus

COST: free (reservations recommended)

INFO: (805) 893-5903 or www.carseywolf.ucsb.edu/pollock

THURSDAY, APRIL 23

Wang Dang Doodle –Classical pianist Yuja Wang has returned to Santa Barbara many times since her thrilling local debut as a 22-yearold at Hahn Hall 17 years and one week ago in 2009, when her reading of Scarlatti, Brahms, Chopin and Stravinsky rang straight and true. Fortunately, she’s shown up in a variety of settings and venues over the years, including last year at the Granada as part of a duo tour with fellow pianist Víkingur Ólafsson. A new setting is in store tonight when Wang appears with the Mahler Chamber Orchestra as both soloist and conductor back at the Granada. The MCO was at Ojai Music Fest two summers ago and makes its Santa Barbara debut with the program that features works by Prokofiev and Chopin.

WHEN: 7 pm

WHERE: Granada Theatre, 1214 State Street

COST: $50-$135

INFO: (805) 899-2222/www.granadasb.org or (805) 893-3535/https:// artsandlectures.ucsb.edu

NOTE TO READERS

This entertainment calendar is a subjective sampling of arts and entertainment events taking place in the Santa Barbara area for the next seven days or so. It is by no means comprehensive. Please also see my feature stories elsewhere in this issue for more events. In order to be considered for inclusion in this calendar, please submit information – including hi-res photos –by 12 noon Wednesday eight days prior to publication date. Email: slibowitz@yahoo.com.

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