Sanjana Kamath | Architectural Portfolio | 2020-23 | SPA Vijayawada

Education

BACHELORS IN ARCHITECTURE

School of Planning and Architecture, Vijayawada, India

2020-Present

SENIOR SECONDARY EDUCATION

Abu Dhabi Indian School, Abu Dhabi, U.A.E.

2016-2020

High School

Abu Dhabi Indian School, Abu Dhabi, U.A.E.

2014-2016

Sanjana Kamath

Mangalore I Vijayawada

19/08/2002

Software Efficiency

Drafting

3D Modeling and BIM

Hello! I’m Sanjana Kamath, a third year undergraduate student currently pursuing a degree in Architecture at School of Planning and Architecture, Vijayawada.

To me, architecture is about creating spaces that narrate a story. From the origin of an idea, through the immersive design process and to the resulting project, each step intertwines to knit together a narrative that is unique with respect to its context and its purpose is to guide a user through its pages. Each project I work on is a combination of my passion for design and storytelling.

+919591012593

sanjanaukamath@gmail.com

www.linkedin.com/in/sanjanaukamath

Visualization

Presentation

Videography

Skillset Workshops

Concept Development

Architectural Visualization

3D Modelling

Architectural Journalism

Photography

Dance

Vertical Design Studio

Dr. Prasad Onkar and Dr. Archana

Hands-On Sculpture Workshop

Mr. Santhosh Kumar and Mr. Barun Mandal

SPAV

English I Hindi I Konkani I Kannada I Arabic

Academic Projects

2023

Mixed Use Complex - Commercial and Hotel

Chennai, Tamil Nadu

Semester VI (Ongoing)

2022

Vijayawada Municipal Corporation

Vijayawada, Andhra Pradesh

Semester V

Vijayawada Case Study

Semester V

Mysore Municipal Corporation Documentation

Semester V

Community Center

Thagachagere, Karnataka

Semester IV

2021

Primary School

Vijayawada, Andhra Pradesh

Semester III

Third Skin - Residence

Mumbai, Maharashtra Semester II

Published Works

Antara Magazine

IIA Andhra Pradesh Chapter Designer

Competitions and Achievements

2022

Habitat 2.0 I Student Housing | Noida, India

Top 15 | Honorable Mention

Archmello

Glamping I Campsite Design I New Zealand

Mango Architecture

The Cafe Interiors | South Korea

Archdais

Dance Trophy | Annual ZoNASA Convention

Dance Trophy | Annual NASA Convention

NASA, India

2021

Transparence 16.0 Case Study I Kashiwa, Japan

National Winner

Saint-Gobain India

Ethos Empowers

GSEN Trophy

Griha Trophy

Top 10

ANDC Trophy

LIK Trophy

Chhaya Magazine

SPAV Annual Students’ Magazine Lead Designer

The Unfinished House

Transparence 16.0 - Case Study

National Winner

06 Working Drawings

01 Aastha

Key Words: Municipal Corporation I Redesign I Commercial V Semester I Vijayawada, Andhra Pradesh

The world around us changes at a rapid pace and with that, the institutions that overlook its functions are expected to adapt themselves to the needs of the new ages. Built on the foundations of transparency, trust and transition, this proposal for the new look of the Vijayawada Municipal Corporation challenges the outdated notions that a government building is meant to be imposing and unreachable. With elements that reflect the city’s rich heritage, it is meant to be familiar enough for general public to approach and is clearly structured for efficient circulation.

The brief mandates creation of a commercial area for generation of revenue. Given the prime location, this space is meant to attract several customers and function efficiently throughout the day. Since it is attached to a government body, it is important that the design of the commercial space is not too unfamiliar or people will hesitate to enter. Hence the inspiration for its design is taken from the place that reflects the heritage of a city most - its streets.

SITE CONTEXT CONCEPT DIAGRAM

This diagram represents the process behind the design. All factors mentioned below have been taken into consideration to achieve the final iteration.

FORM DEVELOPMENT

Massing begins with the creation of a central street having blocks on either side, which forms the lifeline of any city

The street then intersects with several smaller sub-streets, dividing the region into several sub-blocks with multiple points of access

TYPICAL FLOOR PLAN

Illustrated on the right is a part of the floor plan of the proposed commercial space. On site, the same layout is repeated with inverted symmetry on either side, creating a diagonal line of plazas that are connected via sub-streets, thus creating smooth transitions between indoor and outdoor.

LEGEND

SECTION THROUGH PLAZA

1. Main Street

2. Sub Street

3. Central Plaza

4. Govt. Emporium

5. Small Vendors

6. Kalamkari Textiles

7. Jewelry store

8. Toy store

9. Food store

10. Public Toilet

11. ATM 12. Cloak room

EXPLODED VIEW FORM DEVELOPMENT

A shape similar to the commercial space, but mirrored along its centre to give inverted symmetry and a sense of movement is used as the base form.

The form is then further expanded, applying inverted symmetry again and then providing a central courtyard and circulation cores.

The form is oriented to allow wind flow as well as penetration of light and heights are varied to establish hierarchy as well as to maximise potential views that surround the site

COUNCIL HALL

COUNCIL HALL

Courtyard for public gathering Vertical Circulation Cores

Public Offices Council Section Internal Offices

HERITAGE ELEMENTS

A city’s municipal corporation is its identity, its pride. Hence, it is important for this building to reflect the city’s heriatage. The entire facade of the Vijayawada Municipal Corporation is made out of locally sourced exposed red brick and the flooring is made of Kadapa tiles. The central courtyard for public discussions is an element of traditional houses in Vijayawada. Jaalis are a highlight feature that aid lighting and ventilation. Additionally, arches are an prominent element borrowed from the old Municipal Corporation’s facade. These features ensure that despite transitioning into a more modern definition, the city corporation stays true to the place it serves.

Courtyard

Clay Tiles Kadapa Tiles Arches

Jaali Exposed Brick

02 Gurukul

Key Words: Primary School I Education I Vernacular I Rural III Semester I Vijayawada, Andhra Pradesh

Gurukul is a primary school that inculcates the values of the ancient Indian education system into a modern context. With open and semi-open spaces being the highlight of the design, this project aims to enhance personal and interpersonal growth among students, allowing school to become a place where overall development is catered to, as in the past. Concepts such as integrated and vocational education are explored in order to create interesting spaces.

Prioritising comfort in between collaborative and concentrative spaces, the complex is made using vernacular materials, elements and construction techniques such as courtyards, jaalis and pitched roofs. Micro and macro level planning goes hand-in-hand to ensure that students are comfortable not just within classrooms but on the premises as a whole. Clear distinction between kindergarten and primary spaces allows simplified circulation.

CONCEPT DIAGRAM

SITE CONTEXT

FORM DEVELOPMENT

Starting at the macro level, The base for the premises is created by interlocking simple forms

Subsequent zones are separated based on function

Voids are created to enhance lighting and ventilation

CLASSROOM DESIGN

Moving on to the micro level, individual classroom layouts are decided as modules which are arranged around the courtyard. The classroom module for kindergaten features group seating while primary classrooms have individual seating. Cross-ventilation is ensured by openings and ventilators. The windows of each classroom are angled to prevent glare, ensuring incident light reflects within the room before falling on the board. The windows also have reflective light shelves that aid with diffusing light and achieving maximum visual comfort.

Such a window arrangement contributes to an interesting elevation while helping with mutual shading andensuring thermal comfort by adhering to

1. Podium

2. Teacher’s Table

3. Student Seating

4. Storage

5. Entry/Exit

window-wall ratios.

Courtyard

Open Classroom

ROOMS

1.

2.

3.

4.

5.

6.

7.

1. Music

2. Dance

3. Art & Craft

4. Drama

1.

5.

7.

8.

VERNACULARISM

As the premises takes its inspiration from ancient Indian education systems, it is only fitting that its appearance reflects the same. The facade is a combination of exposed brick and plaster while the pitched roof is covered with burnt clay tiles. Full height jaali walls are incorporated to bring in light and aid ventilation.

On the interior, exposed brick and green walls act as sensory elements, bringing in a comfortable, natural feel. These are paired with locally sourced tiles for flooring and aluminium for the finishing of metallic elements. Overall, the vernacular materials give an earthy tone to the structure and help in maintaining thermal comfort.

03 Rachana

Key Words: Residence I Comfortable I Nuclear family I Modern II Semester I Mumbai, Maharashtra

The idea is to maximise interaction within the family, with the family and nature while minimising visuals of the cluttered neighbourhood. This is achieved by an intricate yet comprehensible layout involving double heighted spaces, careful use of materials and interplay of the indoor and outdoor, all coordinating to enhance visual interaction. The overall design blends the past with the future by applying a modern elegance to traditional elements.

Located at the edge of a sea-facing, dense residential suburb in Mumbai, Rachana is a compact two-storey hybrid residence catering to a busy family of city-dwellers. The brief mentions creation of a holistic layout that caters to the familys’ personal and professional lives. A heavenly getaway from the bustling city of dreams, this project aims to design a home in which each space has its unique purpose - be it interaction, introspection or interest

CONCEPT DIAGRAM

SITE CONTEXT

FORM DEVELOPMENT

The structure is developed on a simple, compact 3.75 x 3.75m grid for ease of development

Form is staggered for views and the layout revolves around a central traditional courtyard

Vertical Circulation

Hierarchy, visual interaction and visual isolation through differences in levels using voids

Creation of distinct public, semi-public and private zones both vertically and horizontally

Private Courtyard

Public Semipublic

Privacy of residents is ensured by ensuring that no windows are placed on the West and South facades. Light penetrates the space by passing through angled louvers that maintain optimum levels of brightness as well as act as privacy screens - taking upon the function of traditional jaalis. Upon entering, one is greeted by a prayer space behind a traditional courtyard under the canopy of a generous double heighted lobby.

View from Entrance Lobby

LEGEND

MATERIAL PALETTE

1. Entrance Porch

2. Courtyard

3. Prayer Space

4. Living Room

5. Dining Room

6. Kitchen

7. Utility

8. Kitchen Garden

9. Home Office

10. Car Parking

11. Bathroom

12. Guest Bedroom

13. Master Bedroom

14. Family Room

15. Study Room

16. Balcony

The Labyrinth

Key Words: Student Housing I Hybrid Living I Connectivity Noida, Uttar Pradesh I Honorable Mention I Top 15 Competition by Archmello [Team of three]

Student life is said to be the prime of exploration and what better place to live in than a housing complex occupied by like-minded peers making their way through the maze of life? The Labyrinth is a concept that arises from the most important aspect of student life - making connections. Every space in a typical housing complex is re-imagined as a hybrid community space, fostering accidental conversations that act as third teachers. Wide circulation areas and steps double as seating that can incorporate informal activities and programs while smaller closed spaces give room for private introspection.

The aim is to design a community where a student has a range of living options to choose from. An accommodation that comes loaded with complimentary facilities such as fitness centeres, laundry services, air conditioners, food courts, playgrounds, gardens & more. A community which respects individuality but at the same time is flexible such that it blurs the threshold between indoors & outdoors making it not only aethestically pleasing but is also functional, sustainable & fulfilling in terms of the physcial & psychological needs of students.

FORM DEVELOPMENT

The given site is divided into a simple 5x5x3m grid for ease of creation of blocks

Establishing a 45° orientation for maximising wind flow, two blocks facing each other and opening onto a central path are created

Openings are created on the west side to allow wind penetration and the blocks are staggered to create interaction spaces

Hierarchy and visual connections are created via levels, keeping the east block higher than the west to trap wind

HOUSING MODULES SITE PLAN

Single Double Quadruple Occupancy Occupancy Occupancy

The complex includes 20 Studio units, 20 Double Occupancy units and 20 Quadruple occupancy units, each having 2 to 4 varying arrangements with balconies facing different directions for ease of cluster creation and placement. Multiple occupancy units include clearly divided private and shared spaces.

VIEW OF CENTRAL PATHWAY VIEW OF AUDITORIUM

SPATIAL ORGANISATION

Simple cuboidal massing is erected based on established zoning, taking care to add and subtract forms along each level for an element of interest. Intricate organic landscaping is developed in order to break the monotony of the grid layout including a central walkway that comprises of several twists and turns in order to incorporate plazas, water bodies, outdoor sports facilities, OATs, and seating - all placed adjacent to each other to support cross-

Vertical Circulation Cores Outdoor Access

disciplinary interaction. The central walkway happens to be the main highlight of the entire design as it forms the core from where the concept originated.

Apart from being a hub of activity, it also visually connects different levels of the complex as well as the two corners of the site, creating a comprehensible, open layout that fosters interactive learning.

EXPLODED VIEW

LEGEND

The two masses are staggered not just horizontally, but vertically as well, establishing hierarchy and creating visual connections across open spaces. These varying levels are connected by a network of open staircases with unique designs that lead up to the terrace of the building making them hubs of interaction apart from being means of circulation.

Different programs and activities are thus juxtaposed together in three dimensions to offer new connections across every level.

SECTION THROUGH HOUSING UNITS

1. Administration

2. Convenience Store

3. Cyber Cafe

4. Gym

5. Restaurant

6. Wellness Centre

VIEW OF DINING HALL VIEW OF BOOKSTORE

7. Bookstore 8. Auditorium 9. Emergency Room 10. Dining Hall 11. Game Rooms 12. Library

Housing Services

Commercial Corridor

Group

Annyeong Andong

Key Words: Cosy I Cultural I Warm I Modern

Nakdong, South Korea

Competition by Archdais [Team of three]

Since the beginning of time, spaces of social gathering have reinforced co-existing. Cafes are one such social gathering space that are on the rise in the recent times, South Korea being the 15th largest consumer of coffee in the world has led to a large cafe culture in the country.

With the majestic Nakdong River cascading on one end and mighty mountains towering over the other, the site is located in the city of Andong in South Korea - a culture and tourism hub known for its Folk Festival, traditional museums and luxurious moon boat rides. The cafe, named Annyeong Andong invites locals and tourists alike to experience it’s seamless transitions between private, semi-private and public spaces.

FORM DEVELOPMENT

The design finds its inspiration in the Taeguk of the Korean national flag

Spaces are alternated to balance the traditional and modern elements, acting as Yin and Yang

The forms are simplified with lines

Daecheong - wood floored main hall

Ondol - Heated floor

Spaces are zoned as per function

Ru - Raised wood floored hall

Bang - Private Enclosures

EXPLODED VIEW OF THE PRIVATE POD

The pods on different levels of the cafe are the highlight of the design. They can act as a private workspace or an introvert’s heaven, providing a varied experience for each user. It uses local materials, adding to the charm and authenticity of the space, while maintaining a modern overall aesthetic. This combination of traditional and contemporary elements creates a comfortable and inviting atmosphere that appeals to a diverse range of customers.

View of Pod View of Staircase

THE LOGO

The logo for Annyeong Andong encompasses the core concepts of the cafe.

An 녕(

Yeong) 안(An)Dong

Going back to the Taeguk, the logo is meant to symbolise Yin-Yang along with representing the union of traditional and modern by the means of wordplay that merges Korean and English alphabets.

1. Entrance

2. Live Station

3. Kitchen

4. Male Toilet

5. Female Toilet

6. Group Seating

7. Semi-Open Seating

8. Private Seating

9. Private Pods

Live Coffee Station

Surrounding Landscape

DESIGN FEATURES

The central roof of the cafe reflects a Buddhist influence on the traditions of Korea, having sloped wooden trusses and overhanging eaves. The first floor of the cafe has pods and private seating with windows overlooking stunning views of the river. The central double heighted space features a live coffee station surrounded by pods at varying heights under cosy custom lights. The spaces on the ground floor are enhanced using roof planters. The hanging vines add a natural, cosy charm to the rooms.

Group Seating Area

Semi-Open Seating

A warm tone is maintained for the interior of the cafe. Beige is the main colour that spans across the walls, contrasted by the dark brown of the locally sourced pine wood. Colours such as orange and green are incorporated as highlights, creating an overall cosy and comfortable vibe when paired with ambient lighting.

A performance stage has been created on the entrance side. Paired with minimal seating, it creates the perfect setting for an unforgettable show with the calm river as a backdrop.

Provided its location in the cultural hub of Nakdong and inspired by the traditional Hanok, the cafe is made of natural materials. It features usage of several vernacular and sustainable elements and materials such as pine wood for columns, terrazzo flooring, mud walls, mulberry paper walls and windows, and gaewa tiled roofing.

On the rear side, custom seating that replicates the popular moon boats surrounds a koi pond, creating a private, romantic setting for customers to enjoy.

Moon Boat Seating

Performance Stage

Working Drawings

ELECTRICAL LAYOUT

LEGEND:

PROJECT: RESIDENTIAL BUILDING DRAWING

SECTION AA’

BRANDING & LOGO DESIGN

Made using Adobe Illustrator, Adobe Photoshop

EXPERIMENTAL POSTERS

Greek Mythology Series

Made using Adobe Photoshop, Adobe Lightroom

SOCIAL MEDIA MANAGEMENT

Core Member of college Design & Editorial team