THE SAN BERNARDINO
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AMERICAN
“A Man In Debt is So Far A Slave” -Emerson
NEWSPAPER A Community Newspaper Serving San Bernardino, Riverside & Los Angeles Counties Volume 51 No. 44
February 18, 2021- February 24, 2021
Mailing: P.O. Box 837, Victorville, CA 92393
Office: (909) 889-7677
Email: Mary @Sb-American.com
Website: www.SB-American.com
Power concedes nothing without a demand. It never did and it never will. Find out just what people will submit to and you have found out the exact amount of injustice and wrong which will be imposed upon them and these will continue till they have resisted either with words or blows or with both. The limits of tyrants are prescribed by the endurance those of whom they suppress. —Fredrick Douglass (1849)
Black Broadway, Madame Lillian Evanti and Washington DC’s Black History By Stacy M. Brown, NNPA Newswire Senior National Correspondent @StacyBrownMedia
Black History Month News
Madame Lillian Evanti in France in 1926 (Photo: Agence de presse Meurisse - Bibliothèque nationale de France / Wikimedia Commons) There’s little question that African Americans have been a significant part of Washington, DC’s civic life and identity since the city was first declared the new national capital in 1791. According to Cultural Tourism DC, African Americans were 25 percent of the population in 1800, and most of them were enslaved. While most were free by 1830, slavery was still in practice. On April 16, 1862, nine months before President Abraham Lincoln issued the Emancipation Proclamation in January 1863, the U.S. Congress passed the District of Columbia Emancipation Act, making the District of Columbia’s slaves the first freed in the nation. African Americans flocked to the District, where the nightlife became famous, and U Street was the thriving center for Black culture and social exchange. Reportedly, iconic figures like Zora Neale Hurston and Mary McLeod Bethune found refuge in what became known as Black
Broadway. Performers like Louis Armstrong and Billie Holliday were regulars. And so was Madame Lillian Evanti. Born Lillian Evans in D.C. in 1890, Evanti was the first African American to perform with a major European opera company. A Howard University graduate, she made her professional debut in Nice, France, in 1924 and adopted the stage name Evanti. According to whitehousehistory. org, Evanti returned periodically to the District and performed on Lafayette Square several times in the 1920s and 1930s. At the Belasco Theater, a sixstory building had a soaring facade, Evanti performed before a desegregated audience. During one 1926 appearance, Marian Anderson joined Evanti for a performance before a football game between Howard and Lincoln universities. Later, Evanti performed for
President Franklin D. Roosevelt and First Lady Eleanor Roosevelt. “She made me feel right at home,” Evanti reportedly said after chatting with the First Lady. “That was a time when colored people – as we were known – could feel good, could have some hope that the world wasn’t all bad,” Cleveland McFadden, a Northern Virginia-based art collector and “sometimes historian” noted. “We hadn’t ‘made it’ by any means, but you could feel D.C. was more home than just about any place in the United States,” McFadden offered. “Singers and performers like Madame Evanti helped to take us different places in our minds and spirits. And, because she was from here, from the area, her impact was probably felt deeper than the superstars who visited and performed on Black Broadway.” W h i t e h o u s e h i s t o r y.o r g historians wrote that, on August 28, 1943, Evanti made her most
acclaimed performance in the capital, portraying Violetta in the National Negro Opera Company’s La Traviata, which was staged on a barge floating in the Potomac River. “Throughout the 1940s and 1950s, she traveled to Latin America as a good-will ambassador on cultural outreach journeys organized by the State Department and received decorations from the governments of the Dominican Republic, Haiti, Liberia, and Nigeria,” the historians wrote. “Beginning in the mid-1930s, Evanti was an advocate for the establishment of a national cultural center in Washington for classical and contemporary music, drama and dance – legislation establishing such a center was approved in 1958.” Evanti, a composer and a collector of works by African American artists, died in 1967 in Washington, DC.
CDC Issues First-Step Guidelines to Reopening Public Schools, Now California Educators Look to Lawmakers to Provide Much-Needed Funding and Resources, Vaccines Anxious Parents Make Compelling Cases and Pleas to Govern by Science, not Politics
State/ County News SACRAMENTO — The anticipated CDC Guidelines to reopen public schools safely was released Friday, reiterating what California’s educators have been calling for over the last 10 months: Masks and PPE, 6-feet for physical and social distancing, handwashing stations and proper ventilation, surface cleaning and sanitization; contact tracing, weekly testing, and prioritizing vaccinations for educators and school staff already on campus. “No one wants to be back in classrooms with students more
than educators who know there is no equal substitute for regular in-person learning but, for that to happen, there must be multilayered safety measures in place, as echoed today by the CDC," said CTA President E. Toby Boyd. “The CDC also strongly encouraged states to prioritize teachers and other school staff to get vaccinated. They cautioned that if we want to get children back for in-person instruction, we must protect teachers and education support professionals from getting COVID. We agree!”
Black History Month Spotlight || 28 yearold Jamaican American Entrepreneur Makes History as one of Amazon's Youngest Delivery Service Partners
School districts have made very clear that they do not have the resources to make sure the proper ventilation is in place, testing, PPE, and the other multi-layered safety measures. “Educators and school employees in the field can attest to that. The multiple variants are posing an even greater threat across all communities and increasing fear and anxiety levels,” said Boyd. “For these and myriad reasons, we have to get shots in the arms of employees who are required to report in-
person and before the students return to campus. Then, pivot to vaccinating those who phase back in to in-person teaching and learning. This addresses the concerns over supply and provide the confidence educators, students and their parents are seeking.” Congress will need to pass the American Rescue Plan to begin releasing the muchneeded funds to the states to begin readying classrooms for the safe return of California’s students, educators and staff. continued on page 2
Cori Gordon, 28, never imagined she’d become one of Amazon’s youngest Delivery Service Partners when she migrated to the U.S. from Jamaica in 2013. Bright-eyed and eager post completing her studies at Northern Caribbean University, Cori began her professional career working in the retail and automotive industries before realizing she had a penchant for entrepreneurship. “I experienced burn out working 80 plus hours for someone else,” Cori says. “After a bit of soul searching, I realized it was important for me to direct all those hours of energy into something I owned.” Cori searched online for business opportunities that presented a built in customer base and a clear track for success. “I knew right away the Amazon Delivery Service Partner program could be a great fit for me,” Cori says. “Everyone knows and loves the company and though I hadn’t led my own company before, the training and development resources they offered inspired me to apply.” In 2018, Amazon launched the Delivery Service Partner (DSP) program to share its experience in operations and logistics with aspiring entrepreneurs. The program empowers entrepreneurs to build their own last mile delivery companies from the ground up with Amazon’s support, infrastructure, technology, and a suite of exclusive services. In the two years since its inception, these thriving entrepreneurs have experienced remarkable growth, with more than 1,300 DSPs operating across the U.S., Canada, UK, Spain, and Germany and nearly 85,000 jobs created. Cori’s DSP, Cortoyou operates out of Amazon’s newly launched delivery station in Staten Island and delivers to customers in her home borough of Brooklyn. “The
most fulfilling thing about being a DSP owner is being a job provider,” Gordon says. “It’s such an honor for me and I get so excited when an employee gets a new car, or a new phone, because I know their employment with my company is helping them reach their goals.” The breadth of diversity in the program has been inspiring. Owners include military veterans, former sellers on Amazon.com, educators, city council members, and many others who come from a variety of backgrounds. They are great coaches and mentors who have built customer obsessed teams that have delivered more than 1.8 billion packages worldwide, using more than 40,000 Prime branded last mile vehicles—from electric vehicles to step vans to delivery vans— generating more than $4.5 billion in revenue for their small businesses. In August, Amazon announced a new diversity grant to help reduce the barriers to entry for Black, Latinx, and Native American entrepreneurs interested in starting a DSP. With the launch of this grant program, Amazon is investing in building a future for diverse business owners to serve their communities. The $1 million commitment funds startup costs, offering $10,000 for each qualified candidate to build their own DSP businesses in the U.S. Those interested in applying can visit logistics.amazon.com. As the eldest child of nine, Cori knew she had a knack for leading, but she never guessed she’d be in a position to employ more than 50 drivers and make history as an Amazon business partner. “I hope my story inspires young people of color to look into the program and evaluate if they’re ready to align with a company driven by customer obsession and delivering results,” Cori says. “The journey has been amazing thus far.”