#2 Undergraduate Architecture Portfolio

PORTFOLIO PORTFOLIO PORTFOLIO

Undergraduate Architecutre

Selected Works

by M Ikhsan Maulana Lubis

WORK EXPERIENCE

M IKHSAN MAULANA LUBIS

Graduating with a Bachelor of Architecture degree shaped me into a thriving, communicative, critical, creative, and innovative person. During my study, I took part in two architecture studios as an Intern—where I faced various projects & design stages—which increased my competence in this field. Most of my experience, I am trusted to do 3D modeling, shop drawing, as-built drawing, 3D visualization, and 3D animation video. With such knowledge, skills, and experiences, I am also trusted to work on some commissioned projects.

Contacts & Info

ihsanml57@gmail.com | +62 822 7680 0884 | linkedin.com/in/mikhsanlbs | issuu.com/san.lbs

ARCHITECTURAL ACHIEVEMENT

Nov 2022 -

.2022 .2022

Dec 2021Mar 2022

PT. Suryamas Bumi Raya Tembalang, Semarang

.2023

TA Award Nominee

• Conceptualized ongoing projects

• Conducted design development

• Created 3D modelling and visualization

• Involved in design presentation with the cilent

• Develope my skills on 2D, 3D modelling and drawing skill

• Projects involved: Polytechnic ATMI Campus Building, Universitas Diponegoro Entrance Gate

BD Studio — Medan

Internship Internship

• Led a team for competition entry

• Created architectural drawings; 2D and 3D

• Site visit including site measurements and construction monitoring

• Developed design alterations & options

• Handled interior designs

• Constructed design presentations & Involved in design presentation with the cilent

• Projects involved: Sayembara IAI: Gerbang Kota Balikpapan, Sayembara IAI: Bank Kalsel, Private House Mrs. Pasaribu & Mrs. Nainggolan, Iskandar Muda Clinic, Perumahan Karangsari, Shinjuku Izakaya Sushi & Bar

ORGANIZATION & RELATED EXPERIENCE

Speaker of Leadership Training

Encouraged 50 architecture students on effective time management.

Speaker of Architectural Design Bootcamp 2021

Shared design process of 2021 WEX Competition submission with 80 architecture students.

Mentor on Architectural Design Bootcamp 2021

Supervised & provided feedback for two teams each consist of 3 member on drafting concepts, form exploration, and compiling presentations.

Chairman of Dewan Perwakilan Arsitektur // DPA

Led, organized, and supervised staffs & coordinated with the chairman of HMA Amoghasida.

Staff of Aspiration // DPA

Conducted questionnaire & interviews with students to collect aspiration & inputs on the porgram of HMA

Field Coordinator of LKMMPD Architecture Dept.

Strategized & organized rundown & coordinated with other committees to ensure the event runs according to rundown.

Held and curated by the Department of Architecture Diponegoro University, Project Title : “Sepinggan International Airport with Continuous & Sustainable Identity by Utilizing Localities”

Supervisor : Bharoto, M.T.

.2022

PATM Award Winner

1st Place Design Studio - 4, held by the Department of Architecture Diponegoro University, Project Title : “Ambarawa National Railway Museum, Art Space & Gallery”

Supervisor : Bharoto, M.T.

Judges : Ahmad Setiadi, IAI., Christian Ihotasi Siregar, S.T., M.Sc., IAI., Gustav Anandhita, S.T., M.T.

.2022

.2021

EDUCATION

.2023

Aug 2022 -

Jun 2022

SKILLS

Sayembara IAI: Bank Kalimantan Selatan

Top 10 Nominee, held by IAI Kalimantan Selatan and Bank Kalimantan Selatan

Wiswakharman Expo: Kembali Susuri Arti

Top 10 Nominee, held by Universitas Gajah Mada

Judges : Budi Pradono, Effan Adhiwira, Kurnia Widiastuti, Wiendu Nuryanti

Universitas Diponegoro

Bachelor of Architecture — GPA : 3,85/4,00

Computation skills

Sketchup, AutoCAD, Photoshop, CorelDRAW, PremierePro, Lumion, Lightroom, InDesign

Soft skills

Communicative, Team Work, Creative, Public Speaking, Fluent in English

EDUCATIONAL PROJECTS

Part 1

Access the 3D animation video on: https://youtu.be/6yI64ttmFh0

Site : Balikpapan, Kalimantan Timur

Area : 298.600 sqm

Year : 2023

Status : Final Year Project

DESIGN BACKGROUND LOCATION

Airports are gateways for community mobility, drivers of industry/trade, and symbols of a region, city or country. Sepinggan Airport, with its potential as one of the three gateways to the national capital, has helped create a situation where there is a massive movement of people towards the new capital city. Sepinggan Airport has a strong character, not only as an air mobility facility, but also as the gateway to the nation’s capital.

Yori Antar in the book Alor Nusantara Airport Design (2017:24), said that in the past when arriving at an airport, locality would be felt, but now what is felt more is the industrial element. This leads to how the difference between one place and another cannot be felt. Based on these circumstances, it can be said that Sepinggan Airport, with its inherent strong character, still does not have an identity.

According to the Directorate General of Civil Aviation, the Sepinggan Airport area as a whole stands on an area of 300 hectares. With applicable regulations:

KDB : 60%

KDH : 20%

Land use : Industrial and Office

Topography : Flat, near the seaside

Sepinggan Airport is located at Jl. Marsma R. Iswahyudi, Sepinggan, South Balikpapan District, Balikpapan City, East Kalimantan. The airport is operated by PT Angkasa Pura I and is located in the South Balikpapan area, with ± 300 hectares of airport land and directly adjacent to the sea.

Aerial view of Balikpapan in the form of a gable roof arrangement that is evenly divided. This impression will be applied to the exterior appearance of the roof provision of the terminal building.

“Pranala Lamin”

Links; linguistically defined as a reference that leads to another reference or source.

The presence of the roof structure is adapted to the space underneath.

“reference” means the locality of Balikpapan, Lamin. Found in the medium of airport passenger terminal architecture.

There are 3 roof heights from the space below. The height of the roof at the entrance area is the highest, intended as a marker for passengers/drivers.

medium lamin

BIRD EYE PERSPECTIVE

Stone-wall was applied to the ground floor wall. The material was chosen in addition to its dark color, the raw texture of the stone also creates shadows in the gaps between the stones, so that visually the appearance will be darker.

The roofing material uses a dark asphalt roof to create a similar roof impression.

The wall covering material uses wood claddings, a combination of wood and cement.

The combination of covering material, paint, and structure of the secondary skin installation.

Dayak carvings using yellow, red, black and white colors are presented with woven bamboo material as sun shading.

ENTRANCE GATE

CHECK-IN AREA

ARRIVAL AREA PERSPECTIVE

WAITING ROOM AREA

ROOFING DETAILS

DEPARTURE SECURITY CHECK

The phenomenon of the harbor is a story of separation between one person or group of people and another. But now the space is no longer available, unable to witness the moment directly. The planning and design of the harbor focuses on presenting a nostagia space that provides an opportunity for “non-passenger” visual interaction with shipping activities.

Site : Belawan, Medan Area : 70.000 sqm

Year : 2022

Status : Design Studio - 5

Issues/Problems Response & Settlement Conceptualization

In general, the existing condition of port areas in Indonesia has scooped up ‘almost all’ land, both from expansion, industrial development, and the growth of fishing settlements around the port itself. Environmental problems follow, such as waste impacts and damage to environmental quality (water, air and soil) in the port area.

CONTEMPORARY ARCHITECTURAL ISSUES: “Everyday Urbanism”

In the past, port visitors, i.e. relatives, friends, family, could witness the departure of the ship from the pier directly and form a memory of this event.

At the port (now), this phenomenon cannot happen for reasons of convenience, security, and privacy of the port authority, so the non-passenger sterilization boundary is at the arrival/departure hall.

Focusing planning and design on the relationship of the building to the characteristics of the site, and enhancing the architectural-natural connection to solve environmental problems.

•

•

Restore the coastal contextual identity of “polluted” (industrial) areas and improve environmental quality by sublimating the landscape with buildings.

non-passenger sterile boundary (arrival/departure hall) (dock)

non-passenger sterile boundary

The design of the harbor will present a space that breaks the sterile boundary with the new, as a nostalgic space that provides opportunities for non-passenger visual interaction with shipping activities. And at the same time solve the spatial and environmental problems of the port.

(NEWLY DESIGNED)

non-passenger sterile boundary

non-passenger sterile boundary

Design Strategy Building Mass Transformation

The mass of the building is divided into several parts to facilitate the structure and spatial arrangement.

The reduction is done to show the separation between the 2 building masses, the terminal building and the parking lot building.

Recalling the pattern of user activities, the determination of space is largely the terminal building and parking area. Since the entrance is from the north, the parking area is placed in the southern area of the site.

BUILDING MASSING

The circulation flow starts from the terminal building area - departure areaarrival area - parking lot. The arrangement of spaces is based on embarkation/ debarkation techniques and the most effective user activity patterns.

Check-in area

Baggage claim area

Departure area + concession

Connector Hall + concession

Vertical circulation area

Hall/drop-off area

An additional floor was added to the parking lot as a management area (considering privacy). Integration with the train station is maintained by adding a pedestrian bridge.

Arrival area

Waiting room

Private concession (passenger)

Vertical circulation area

Departure and arrival hallway

Maximizing vegetation with the presence of a green roof that functions as a relaxing area (passengers) and viewing area responds to the issue of sterilization at the passenger port.

The development of the roof covering takes into consideration the distribution of structural loads. The different roof shapes also emphasize the different functions of the building.

The curved shape is taken from the curve created between the land and sea boundaries on the design site.

The curved shape into the site (west), also maximizes the land for vehicle and user circulation.

mass reduction for open area (green roof) adding viewing areas (public) and connecting roads

Structure and Enclosure

The processing of the building envelope is tied to the structure, so the development process is a continuous working system. The base of the building envelope (wall covering) exposes the rigid structural system from the outside view. Subsequent processing will also maintain the accents generated to display the structural splendor of this building.

ROOF STRUCTURE SYSTEM

The shape of the roof in addition to displaying the different functions of the building is also developed based on the structural layout created. The parking & management building uses a roof with a shell shape and structural system to make it more massive so that it can balance the overall visual appearance (because its mass is smaller than the terminal building).

GROUND FLOOR PLAN

Recalling the passenger terminal aims to bring back memories of the past, and the architectural development applied was when the structure was still part of the visuals of the building, not something to be hidden.

The main building (passenger terminal) uses a folded plate form and structural system, responding to the wide span of the building it shelters. Closer “folds” were applied to accentuate the exposed structure below.

FIRST FLOOR PLAN

Given that the longitudinal sides of the building point east and west, it requires a secondary skin to break the direct sunlight into the building. The development of the form also maintains the goal of displaying the splendor of the structure.

This goal of “massiveness” of the building mass is also represented in its outer envelope. However, it remains smaller on the side that leads to the main building to maintain the balance of the composition.

SECOND FLOOR PLAN

SECTION A-A

SECTION B-B

roof load-bearing structure

roof load-bearing structure

Building Perspective

AMBARAWA NATIONAL RAILWAY MUSEUM, ART SPACE, AND GALLERY

Location : Ambarawa, Central Java

Area : +- 42.000 m2

Year : 2022

Status : Design Studio - 4

Design Background Issues

The Indonesian National Railway Museum in Ambarawa stands on the non-operational Ambarawa station. The building that stands at the station is a heritage building that must be preserved. However, there are still many problems in it, and the potential of the area to support the development of arts and culture can be maximized by adding art spaces & galleries as supporting facilities.

The Ambarawa Railway Museum comes with an entry - exit scheme, so there is no continuity of activity on the site. The museum’s potential to be developed into a public space has not been applied. Using non-collection spaces to facilitate user activities towards art and history; namely art space, gallery, and open space.

Ambarawa Railway Station, which is a heritage building, makes the design on the site must pay attention to the guidelines for designing buildings on heritage sites. This design focuses on the addition of new buildings (addition work) to the existing, but does not eliminate the existing image.

Important Notes

To understand the design of heritage sites, a precedent study was conducted with the following results:

• The creation of integration or deliberate separation/contrast of old and new.

• How to look at the surrounding context to observe certain architectural elements that can be used as references.

• The use of reflective contrasting materials to maintain the spatiality of the site.

• How to respond and respect the context and character of the existing, and not try to overpower the existing.

• The form of application does not have to imitate but can be used as a reference that can present a fusion of old and new.

Space Processing

Mass Processing

Display Area 1 & 2

Display area (arrangement of existing). Low contrast here means almost no contrast at all. The application is done by mapping circular circulation (according to the flow of historical displays) to maximize. Then, the addition of pavement for users, as well as the addition of roof coverings with the same material as the platform building.

existing

The user movement scheme on the site applies an entry-exit scheme on the same corridor, there is no continuity of activity. The location of historical displays is reversed in order, the location of locomotive displays and separate wagons, so there is no continuity between existing spaces and the circulation presented.

The rearrangement of space and circulation applies the space organization written by Francis DK Ching about the organization of space with the type of arrangement “Spaces Linked by a Common Space”.

Implementation

The main (new) building is an art space & gallery placed next to the main (existing) building. The two spaces are connected by an intermediate space in the form of a plaza and amphitheater.

Historical displays and display objects that were previously separated are presented in the same area to maximize museum observation activities.

The circulation space which is also an open space is located right in the middle of the site to connect all existing buildings.

Circulation arrangement from the entrance site to the location of display placement.

Addition of pavement and roof covering for the locomotive and carriage history display area.

The application of wood material on the projection part of the platform building (existing) to highlight the contrast applied to this building.

Concreate material is applied around the building, is a neutral color so that it does not interfere with other elements that want to be highlighted.

The circulation space in the center uses spandex roofing material to differentiate from the contrasting masses beside it.

A B

Platform Building

The convention hall and management building use simple colors; black on the roof, and white building envelope. Presenting a minimalist character so that it does not overpower the existing buildings.

Repetitive elements from the existing building are reapplied as openings that surround the building.

In addition to maintaining the existing character, the openings created also present a less massive building form and are effective in daylighting.

The application of materials with neutral colors and without additional ornaments gives the impression that the building still feels new, but at the same time does not try to beat the existing building. A

The management building [B], uses the openings in the main building [A] in the application of window openings.

The openings are smaller and placed on the same axis as the building [A]. Smaller openings are applied and placed more randomly to maximize visually distinguishing the functions of the standing buildings.

The existing building applies a structure with an analog form.

Cantilevers are applied to the side facing the old building, reinforcing the contrast presented despite the same basic form.

The new building also features the same exposed structure as the old building, but in a different form with diagonal columns. The need for a wide span of the work storage room function, applying a cross beam system as a lateral load distributor.

The exposed structure on the ground floor is presented in a diagonal form, contrasting from the structural system of the old building.

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DENAH BANGUNAN PENUNJANG 1:300

INTERNSHIP PROJECTS

Part 2

UNDIP CAMPUS MAIN GATE

Site : Diponegoro University, Semarang

Year : 2022

Team : M Ikhsan, Ridwan K, Rizaqi A

In Charge : Concept, 3D, and 3D visualization

Undip Tembalang Campus is a research-based campus located in Semarang, Central Java. The presence of the main gate also presents a design that represents Undip as a research campus. There are several design challenges, namely connecting the park separated by the campus entrance, transportation patterns to reduce congestion during peak hours, and considering pedestrian-friendly pedestrians.

Continued connectivity to the park is presented using a skywalk that stands above the main gate. Its presence also considers accessibility and comfort both from the slope of the ramp of 5 degrees and the availability of sitting areas every 400m as a place to rest. The ramp railing and overall skywalk design are presented more simply so as not to become an attraction that weakens the presence of the main gate as the main landmark.

The problem of congestion that often occurs during peak hours is responded to by creating a new vehicle transportation system. Circulation solutions are carried out so that the volume of vehicles can be decomposed, at the same time the land that can be used for active park areas increases, as well as the crossing area / zebra crossing.

The design concept and its application remain mindful of locality and low-maintenance materials. Avoiding the use of glass and other high-maintenance materials. Sculpture symbolizes the fighting spirit of Prince Diponegoro and is applied to the elements forming the gate which symbolizes the date of the founding of Undip.

SHINJUKU IZAKAYA

sushi & bar

Site : Medan, North Sumatra

Year : 2022

Team : M Ikhsan, Ar. Irwan Lubis, Clarisa Baker, ST

In Charge : Design concept, 3D interior and exterior model

Status : Finished

This project is a reconstruction project of an abandoned building into a new building with the reduction of structures, walls, and exterior areas. The work began with the addition of new walls and the design of the layout of the inner area. Then the facade is processed to display an impression that suits the function of a sushi food building, namely a Japanese-style facade.

Concept:

Bringing ornamental features in Japanese architectural style to the exterior, such as bamboo material as a seconday skin, wooden lattice on openings and traditional Japanese roof shape. The exterior is maximized with bamboo vegetation and lanterns.

Adapting the pedestrian atmosphere of the Shinjuku district in Japan into the interior, such as the use of cabins for dining areas, crate furniture as seating, raw concrete/wood/plain floor tiles, and murals with a je-Japanese feel.

Iskandar Muda Clinic

Site : Medan

Year : 2022

Team : M Ikhsan, Alifa Azzahra, ST

In Charge : 3D modelling and pre-design drawing

This project is a redevelopment of a joint clinic located at Iskanda Muda Foundation, Medan. The existing building was demolished and redesigned with an additional length of 14 meters and an additional floor to 3 floors to accommodate the existing polyclinic. Processing of the building facade uses simple materials and paint finishing due to the fast construction target. To avoid a monotonous impression, paint finishing and opening design become important points in the design process.

Housing Area Karangsari

Site : Pematangsiantar

Year : 2022

Team : M Ikhsan, Ar. Irwan Lubis

In Charge : Concept and 3D of type 36 house

This project is a subsidized housing project with a house type of 36. The toughest design process is in processing the shape of the building. Due to the subsidized housing, the costs incurred must be cut to the minimum and it is a challenge to present a minimalist yet visually elegant design.

Private House TB Simatupang

Site : Pematangsiantar

Year : 2022

Team : M Ikhsan, Ar. Irwan Lubis

In Charge : 3D modelling and pre-design drawing

This project is a private house project with land higher than the main road level. There are two entrances to the house. The first is the main access that is more public (guests) and the second access is used for the family (private). The concept of space and design is presented openly due to the large land that allows openings on almost every side of the building. Materials are presented with raw colors and slight variations to maintain the visual stability of the building

Private House Mrs. Pasaribu

Site : Pematangsiantar

Year : 2022

Team : M Ikhsan, Ar. Irwan Lubis

In Charge : 3D modelling and pre-design drawing

This project is a private house project with a narrow plot of land and the side area of the building is attached to another building. The design challenge involved creating enough openings so that during the day the inside of the building could be exposed to sufficient sunlight. The shape created is a high-building body in the main area (center). The high ceiling is covered with glass in the facade area and sun shading is applied using perforated metal. Perforated metal is also applied to the gate which is high enough to maintain the privacy of residents but wind and light can still enter. The gate area is also combined with a concrete wall and brick roster as a vent.

COMPETITION PROJECTS

Part 3

BANK KALSEL

Site : Banjarmasin, Kalimantan Selatan

Year : 2022

Team : BD Studio Medan

In Charge : 3D Modelling

Lereng Linduang Wildlife Center

Site : Sumatera

Year : 2022

MAIN ISSUE & BACKGROUND

Indonesia is a very biodiverse country with many of flora and fauna, but nowaday its biodiversity is increasingly fade away due to mass extinction and loss of natural environment because urban development. The situation in urban society now seems to isolate plants and animal from daily basis, also provide a margin between human, plant and animal life. Lereng Linduang as a wildlife centre precenting a place for protection, breeding, caring for flora and fauna, as well as being a place for society to interact and enjoy the beauty of flora and fauna. Besides that Lereng Linduang also presenting place for playing and education for child as the next generation who will face this issues.

20142017 20192021

Recorder 241 Conflict beetween human and Animal. the Conflict is dominated with tiger (77 recorded event) followed by bear, clouded leopard, crocdile, etc.

the data that was collected by the Head of the Agam Natural Resources Conservation Resort, it’s recorded that they’re 20 cases of livestock being victims of wildlife.

the National Park, Kerinci Sebat, located near the site also have a teritory dispute with a community near the National Park. the excact border of the National Park remain unclear and many community doesn’t realize which their home are inside the National Park Border. this lead to deforestation for field opening and human wildlife encounter. the problem it self actually can be trace back to the time of new order era.

New Order Regime established new National Park located in the outskirt of Kota Padang without took into account the aspirations of the people.

This act let to many people didn’t realize their home are inside the National Park border so that they were force to move. and many protestor were silenced by the regime.

with the end of New Order regime as well as the rise of the freedom of speech. arose many protest from the people who were not happy with their new home.

and with lack of monitoring from the local goverment, many people who used to live in the National park were going back there and demaging the natural environment over there.

With this problem, question arise. How we can protect, care, and breed floral and fauna and at the same time giving aplace for interaction and education for community about the importance of human and nature connection ?

DESIGN THINKING

Barat

Team : M Ikhsan, Ridwan K, Radita P

MAIN CONCEPT

Bringing conservation and education functions in architecture that remains synergistic with the natural context. Humans, buildings and nature synergize by hiding buildings and applying vernacular architecture. Presents human-animal-plant interactions by providing a barrier but it doesnt reduce the value of interactions with the forest-walk scheme that surrounds the site.

SITE CONTEX

Site are located in west Sumatra, specifically at outer area of Kota Padang. the site it self located among two different urban setting, one is urban area of Kota Padang and another one is green area of Kerinci Seblat National Park.

the site itself are located specificlly at Lambung bukit, Kecamatan Pauh, Padang City, West Sumatra. Majority of urban type located around the site were farmland and small village. on the southeast of the site, there are a public university called Andalas University. so this site can take benefit from the surrounding urban life.

SITE RESPOND AND DESIGN STRATEGY

Contouring existences provide potential in spatial processing of space. In addition to providing convenience for grouping space, the existing contours which are included in one of the natural elements try to be maintained as much as possible not to reduce the character of the site.

Placement and management of building masses respond to the state of the existing climate. Consider the continuity of architectural objects to last for a long time.

the site is divided into three main zoning; Nature Zone, Human Zone, and Transition Zone. between the Nature Zone and the Human and Transition zone a border will be build to maintain a connection between human and nature.

DESIGN GUIDLINE

The Site itself is quite mountainous in the east side of the site. the site can be acsessible from the north site where the terrain is less mountainous.

BUILDING REGULATION

From administrative perspective, the site is located slightly outside of Kota Padang’s administrative border. the road that pass the site is the road that lead to Kerinci Seblat National Park.

1. Building Height Restriction, 2 floor building of the building have a maximum height of 8 meter.

2. The architectural style for public buildings must develop a modern architectural style but still contain traditional Minangkabau elements / characteristics.

3. Base on local Building Line Regulation, the building line is 6m for secondary local type road.

WILD LIFE DATA

According to IUCN Red List of Threatened Species., some of the animal that is considered as endangered is :

Making Interactions between humans and animals are generally daily presented in the zoo with cage barriers.

the Border will be made with the tipology of skyview. this is designed like this so that the people will still have a visual connection with the nature but still create a semi-border between the two zone.

Architecture Integration with the surrounding nature in human zone. some of the building will be designed not to stand out from the surrounding area rather combine with the original terrain.

bringing intervention limits in other forms without reducing the value of interactions.

Building design will be following local architecture which is in this case will be following the Minangkabau Vernacular Architecture.

the building that stand out from the ground will be using an iconic roof borrowed form the Minangkabau Architecture typology.

Sumatran Tiger Anoa Tapir

Sumatran Orangutan Sumatran Rhino Beo Nias

PLAYFUL ZONE

The play zone is an additional interaction zone with the aim of introducing children under the age of 10 with nature through the games provided. This zone can be used as a refreshing vehicle for visitors especially children.

ANIMAL ZONE

LEGEND

ANIMAL ZONE (ZOO)

SECTION

DRAWING

The zoo zone is an insitu conservation area where animals can be monitored by the situation starting with their health, strength and agility with the aim of preparing to release the animal into the wild.

1. Parking & Ticketing Area

2. Outbound Area

3. Education Areea

4. Manager Office

5. Storage

6. Research Lab

7. Zoo Area

1 6 2 3 4 5 7 8

TICKETING

Ticketing buildings are transitional buildings between the inside zone and the outer zone (parking area). This building consists of public facilities such as lavatory and ticketing space. This building carries an open concept evidenced by the absence of a paring wall in the building which is equipped with the addition of traditional elements in the form of wall elements which are replaced by woven bamboo as a form of use of natural materials.

MANAGER BUILDING

The building manager is a building that is intended as a workspace for the wildlife center manager who carries the concept of uniting buildings with nature and local footprint. This is evidenced by the adaptation of the shape roof which resembles a mound of soil equipped with camouflage in the form of several points of holes as the light entering the space in which it is deep. This zone has lower elevations compared to other buildings with the aim of this zone not being accessible to visitors and only intended for managers.

EDUCATION CENTER

The education zone is a zone where visitors can dig deeper into the science of conservation of animals within the scope of the West Sumatra region. The building has a centering concept with the intention that its users can feel and see the whole footprint and can learn through indirect reliance through segment segments in the education zone.

PRA-REKA PFC

Site : Purbalingga

Area : 5000 sqm

Year : 2021

Status : UPH 72h Competition Entry

Team : M Ikhsan, Ardian N, Ridwan K

Project brief :

Designing interactive spaces and spaces that accommodate adaptable and sustainable social activities, where the space can integrate with nature, to respond to this issue. The application case study is on street vendors; where the design of objects / tools / selling spaces can be a solution for street vendors to comply with COVID-19 health protocols, be multifunctional, and integrate with nature.

Concept :

Modular architecture is a concept of building a design object based on certain modules. because this design aims to provide a place for street vendors on a massive scale. The module is designed with the aspect of ‘adaptable’ to the Covid-19 pandemic. PFC Pre-Design is a simulation of the application of the Food Vendor module in the Purbalingga Food Center (PFC).

The site location is in Purbalingga Food Center, this site is in front of the dharjono thunder stadium, Purbalingga. Around the site there are also many residential areas.

Axonometri

Module 1

Module 1 is intended for small-scale street vendors. The module material itself comes from aluminum which is easy to clean and has resistance to viruses. The module is designed so that it can be opened and closed, besides that this design also serves to save space.

Modul3 2

Module 2 is for large-scale street vendors. One module is designed to accommodate 2 vendors. The roof cover is designed to be 4m high so that air circulation is maintained.

The roof uses glass so that the sellers can be exposed to the sun sufficiently.

DINING AREA

The roof uses a folding system so that the roof can be opened and closed as needed considering that one way to prevent the spread of the virus is to get enough sun exposure.

Wooden partitions are used to minimize the sunlight that enters when the folding roof is opened.

The combination of wooden and glass partitions serves to divide the space, but does not restrict interaction between vendors.

The table uses a folding system to demarcate the space and become a partition wall.

The table uses a folding system to demarcate the space and become a partition wall.

Site : Yogyakarta

Area : 1350 sqm

Year : 2021

Status : WEX 2021 Competition Entry

Team : M Ikhsan, Bintang A, Ridwan K

Issue : Indonesia is a country with many races, ethnicities and cultures. Diversity, which should be a reason for us to unite, has instead become a reason for us to clash. Racism and discrimination. Racism and discrimination arise because of streotypes that develop in society. This is something that is not seen but felt. It does not attack logic, but feelings.

This issue is an invisible societal problem. One way to open people’s eyes to this problem is to represent the issue in an architectural work through the experience of space. Seen and Felt.

Taparu pavilion is presented as an architectural work and a place for users to ‘reflect’ on the problems of racism and discrimination in order to increase our love for ‘differences’ that characterize Indonesia’s pride.

Project brief :

Participants are asked to create architectural works that express local and national moments in the past as a tool to explore strategies for spatial experiences and programs that are able to create an expression of pride for users of their identity as Indonesians, and are inspired to actualize it in real action.

Concept:

Forms of interaction and moments are presented into several spaces established in public space. Public Space is a place for different ‘circles’ of users who can be heterogeneous in one place.

This location was chosen because it is a tourist area of Yogyakarta City so that this area is visited by many tourists from both inside and outside Yogyakarta City. In addition, the identity as a ‘student city’ is an important aspect because the issues raised are still hot among students.

The space experience is divided into 3; feeling space, knowing space, and hope space. Forms of interaction and moments can be felt by users when experiencing space according to the sequence, and the pavilion is also formed with an entry and exit scheme.

The space is presented below the ground level which is getting narrower in the future, creating a depressing atmosphere for users. Pillars, wall textures, randomized paving stones combined with darker materials give the user an uncomfortable feeling before going to the next space.

The second room is an ‘exhibition room’ which explains that the interaction experienced in the previous room is a projection of ‘feelings when experiencing racism’ through architectural elements. The period of the building is more of a point of interest.

The space is formed with a downward ramp that means ‘coming back to earth as a human being’. The increasingly open lattice of the roof also means ‘new light’ in our lives.

Ruang Merasakan

Ruang Mengenal

Ruang Harapan

Taparu Pavilion

The ‘felt space’ experience focuses on the user’s interaction with the architectural elements; pillars, walls, floors, giving rise to a schema of distress, discomfort and obstacles. “How does one live when racism haunts”.

The second room experience presents a gallery show on the issue of racism and also introduces eastern Indonesian figures from various social strata through narratives and infographics. In this space, the moment of ‘contemplation’ is focused on remembering the issues of racism and social inequality in society that are still repeated.

The space of hope comes as the last space and closes the scheme of space interaction; a transitional space designed as a new form of hope for all problems and disputes.

Ruang Merasakan

Ruang Mengenal

Ruang Harapan

PERSONAL PROJECTS

Part 4

OFFICIAL RESIDENCE PNS

This house is designed for the Tangerang city tax office. the existing land is asked to be made into 3 house lots. the house designed is a type 40 house, the design of the house is built not touching the existing footprint boundaries in order to maximize the incoming light so that it can reduce the use of energy in the house. the house also carries a minimalist concept in order to minimize the use of ornaments and construction costs.

RENDERING PROJECT RESORT

This project is a resort located in a mountainous area. It consists of several types of rooms and other facilities such as swimming pools and other public areas. The atmosphere to be emphasized is the calm atmosphere of the mountains themselves, lush and misty areas. The setting is applied in the morning so that the shading of vegetation and architectural forms stand out.

RENDERING PROJECT FLOWER MARKET

This project is an architectural animation visualization of a market typology, specifically a flower market. The flower market is a market with 24-hour activities or it can be said that the market does not sleep. This work is presented with the concept of critical regionalism that features Betawi architecture in its architectural body. In addition to visualizing the architectural form, showing how the market looks in the afternoon/evening is also an important point considering that this market has non-stop activities.

RENDERING PROJECT SEMARANG ZOO

This project is a zoo project located in the city of Semarang. It is a large-scale zoo featuring all kinds of land mammals, birds, reptiles, etc. The setting also varies according to the original habitat of the animals. The settings presented also vary according to the original habitat of the related animals. Forest areas are presented in the cages of deer, cows, birds, and horses. There are also savannah settings for lions, zebras, camels, rhinos, etc. It is a challenge to visualize a zoo because it not only displays the relationship between architectural forms and humans, but also displays the relationship between nature, vegetation, humans, and animals.

RENDERING PROJECT COFFEE SHOP

This project is a visualization of a coffee shop located in Tanggerang, Banten. This coffee shop is carried out with an industrial concept by utilizing raw materials such as wood, concrete, roster, iron. Lighting from accent lighting is an important point in creating the atmosphere. The dimly lit atmosphere is created so that users can enjoy the architectural details that are emphasized by the use of LED strips, spotlights, and wall-mounted lights.

RENDERING PROJECT APARTMENT

This project is a visualization of an apartment in a residential area in Surabaya. The architectural design carries the concept by creating greenery in the building area. The presence of the green area is found in the maximization of KDH on the ground floor, the presence of a garden on the balcony of each floor, and the green roof. Visualization is presented with a daytime atmosphere to display the relationship between natural lighting, the impression of vegetation, architecture, and humans, so that even in the hottest conditions the atmosphere of the space created is still cool ambiance.