
Barnard College, Columbia University

Barnard College, Columbia University
PG.
PG. 17 - 23
PG. 24 - 30
PG. 49
Material tRANSECTS FALL 2022 PG. 34 - 35 The Green Thumb FALL 2023 IRCAM’S H20 CENTER SPRING 2023 Crescendo SPRING 2023 PG. 40 - 45 the Three flutes FALL 2021 PG. 46- 48 Unveiling Brilliance SUMMER 2023 PG. 31 - 33 Metamorphosis SPRING 2022 PG. 36 - 39 Koinonia FALL 2023 4 - 16 Urban Condundrum FALL 2023Advanced Architectural Research + Design Studio
Instructor: Karen Fairbanks
In collaboration with Max Graves, Noa Greenwell, and Danielle Eregie Fall 2023
Site: Aspres, Strovolos iii, Cyprus
Built for internal refugees with no public investment in social infrastructure, the settlement poses questions about permanence, material resilience, and the dynamics of internal movement. The aim is to provide a framework for community-driven transformation, addressing boundaries between private and public, and redefining ownership thresholds.
EXISTING site plan
Aspres, StrovolosProposed site plan
Three main intervention sites, in collaboration with Max.
Consisting of variable sites scattered through Aspres, the project is anchored in a “community assembly” located on the south-western edge of the neighborhood. Its programming is designed to preserve the businesses there, provide a space for the discussion of matters concerning the development and maintenance of the community, and host other civic/social events for residents.
Proposed Site Plan
Highlighted Community Center, in collaboration with Max.
roof plan
The rooftop accessible through outdoor stairs from the ground level or elevator, features a garden with species native to Cyprus and found commonly throughout the community.
Second floor plan
The second level of the assembly is a continuation of the library through a mezzanine study space. It also hosts the recording booths for gathering oral histories from residents and sky bridge connecting to a conference room in the southern half of the building.
ground floor plan
The north half of the building hosts the neighborhood library along with the community archive. There is currently no existing space designated to collect the histories of the refugees living in Aspres and information is primarily found through first person encounters. The south side has work spaces for neighborhood-elected spokespeople intended to organize community events.
Samira UmpierreNeighborhood Library interior Bookshelves turn into the mezzanine balcony railings. First floor shelves accessed from both the stairs and the walkway leading to the bathroom. Auditorium style stairs inspired by the UNIC ARC Conference room.
Proposed programming
A few proposed programs are weekly outdoor markets, a neighborhood library, and a community archive housing residents’ histories.
A section through the Assembly Hall reveals an oral history archive as well as a neighborhood library, work spaces for community-elected spokespeople, meeting rooms, elevators, and rooftop gardens.
Our intention is to facilitate movement across all planes of the community site. The core programs of the Assembly are on the ground level for increased accessibility and elevators are in place to access upper floors.
Outdoor ground circulation is extended to the Assembly rooftop--accessible regardless of whether the Library is open.
Samira UmpierreThe programming of the Community Assembly explodes into a series of landscape interventions across the neighborhood to encourage community engagement. In collaboration with Max.
Satellite 2
Expanded playground, conversation pit, and urban satellite gardens. - Max
satellite 3
Basketball courts, expanded playground, and urban satelite gardens. - Max & Noa
satellite 4
Urban garden satellites - Max & Noa
satellites 5
Traditional oven pavillion satellites - Max
Samira UmpierreAdvanced Architectural Research + Design
Instructor: Karen Fairbanks
In collaboration with Noa Greenwell Fall 2023
Green Thumb aims to provide safe kitchens and trade skills development to refugees residing in Cyprus’ reception centers while awaiting their work permits, which typically spans nine months. The program focuses on sectors recognized by the Cyprus government for asylum immigration status, as well as houses an adaptable urban garden.
Our proposed site is Kofinou but our concept can be applied in several locations. In collaboration with Noa.
The portable containers can be deployed in a wide variety of site configurations. In collaboration with Noa.
Samira UmpierreOpen air classroom
Exploded Axonometric
OPEN-AIR CLASSROOM In-Use Plan
Storage Plan
Samira UmpierreCommunal kitchen
Exploded Axonometric, in collaboration with Noa.
communal Kitchen
In-Use Plan, in collaboration with Noa.
Detail drawing of crate features, can be used as a seat or garden box.
Detail of how the crates can be attached to walls or framing in both kitchen and classroom containers to serve as storage.
Not only will Green Thumb bring safe kitchens and classrooms into the ecosystem of the reception centers, but the collaborative nature of the blocks allows for infinite uses and imaginative solutions.
Instructors: Thomas Demonchaux, Antoine Santiard, Marcos G. Rojo
TA: Juan Pablo Azares
Spring 2023
Site
Selected bay of Centre Pompidou facade
Interior / exterior relationship
Close proximity to child daycare and a musician’s exposition informs my programming.
Material study
IRCAM and IRCAM’s H20 Center
Exterior scaffolding study
Centre Pompidou and IRCAM’s H20 Center
Samira UmpierreStairwell 2 brings visitors to the final level: the Adventure Playground. Inspired by playgrounds made of unconventional materials, this level uses the inherent strange materiality of the H20 Center and reconfigured walls to create an area for exploration and play.
Stairwell 1 leads to a second floor complete with semi-encapsulated music practice rooms insulated by water-filled EFTE walls. It is also where museum visitor may enter through an existing glass ‘caterpillar’ hallway.
The first floor houses a short term stay studio equipped with a kitchenette, twin bed, storage, and a private elevator entrance from the museum. Temporary residents must lead music-related careers and in return for their free stay, they designate 3 hours daily to music coaching upstairs. Public entrance leads into an intermediary space with access to a semi-public bathroom.
Function = form
Direction of applied pressure dictates shape of building.
inspiration
The shape-shifting quality of the H20 Center and its system of running water was inspired by a beating heart.
Samira UmpierreAn attempt at deciphering “water-balloon” slabs.
Flattened topogaphical drawing of the multiple layers of slabs that form the seating, stairs, and other ammenities.
Supervisors: Ari Sklar, Elsa Suarez-Alfonso, Adina Kaufman Summer 2023
Overview of Gallery Artis Fine Arts Gallery in Hollywood, FL
Unveiling Brilliance is a showcasing of Architect, Oscar Sklar’s, career. A physical timeline of his works and creative insight, the idea for this exhibit came from his son and fellow architect, Ari Sklar, owner of SKLARchitecture.
I was heavily involved in the curation of this exhibit, where my duties spanned from cataloging and selecting works to the design and erection of the gallery walls/layout. All marketing flyers and invitations were designed by me.
Workplace timeline
College Portfolio on Display
1980’s Institutional Work
Samira UmpierreOpening night held on July 29 and saw around 100 attendees. The exhibit was open through August 5.
Honoree Biography and Gallery Experiential Route. Background created using Sklar’s thesis drawings and other project outlines.
Flyer handoutInstructors: Karen Fairbanks, Joeb Moore, Michael Schissel
Fall 2022
In collaboration with Tina Wang
Selected sites
Map of selected sites in New York City.
Material Transects takes three core sections through Manhattan to reveal more information about these locations. By layering historical information , we are able to draw focus to the themes of curation and urban displacement , ultimately raising questions regarding ownership and proprietorship in Manhattan.
Samira UmpierreHands and construction equipment are used to represent the influence of the “curator” in the design of these three spaces.
Seneca village and the Lenape people are also represented throughout the three core sections, providing a window into the past of these spaces.
Environments & Mediations Studio
Instructor: Lindsay Harkema Spring 2022
Metamorphosis was designed to generate spatial variety, maximize green spaces , incorporate discrete garden tool storage, and invite the interaction between the exterior and interior of the garden in a fluid, & organic manner.
Samira UmpierreA site analysis of the Community Garden on 111th street and Amsterdam Ave. in Manhattan, New York revealed a lack of concealed storage space and the possibility to expand green areas.
By redesigning the perimeter around the garden to not only function as a protective barrier from New York’s heavy urban fabric, but also as seating , shade and vertical gardens , we can maximize greenscape and create a small oasis in the heart of West Harlem .
Metamorphosis is comprised of stacked planes changing ever so slightly with every iteration to result in a finished product that provides the illusion of shape shifting to its user’s needs.
The shape shifting planes form a number of habitable spaces:
Communal
Garden-facing seating Shade
Street-facing seating
Vertical Gardens
Semi-enclosed benches for privacy
Concealed storage space integrated into the design
Instructors: Thomas Demonchaux, Antoine Santiard, Marcos G. Rojo
TA: Juan Pablo Azares
Spring 2023
Tasked with repurposing Fontaine Saint-Sulpice in Paris, France, Crescendo examines sound and site activity to develop a space tailored to play with your senses.
During a series of site visits similar to those conducted by Georges Perec, I observed peoples’ use of the plaza and measured the duration of their activities and sources of sound. Duration circles to be read counter-clockwise and red color highlights sources of noise.
Rue
Before Saint-Sulpice is a paved square with a few benches around the fountain.
Crescendo hopes to revive the square and turn the fountain into a point of interaction. Landscaping and new paths have been introduced based on common trajectories people take across the square.
Crescendo utilizes three varying wall thicknesses to insulate sound . As you ascend the fountain, noise pollution from the water fall and around the plaza are reduced to provide a space of refuge for visitors. The third level brings you to the very top of the fountain--exposing sounds of the waterfall, an unsusual perspective, and a horizon of the tallest buildings nearby.
Crescendo features a similar double-helix staircase as in Chateau Chambord--revealing nooks within the walls of the top floor and on the exterior ground floor of the 65 foot fountain. This intervention incentivizes visitors to interact with the fountain for longer periods of time.
physical Model
Laser-cut butterboard and paper straws.
Systems & Materials Studio
Instructor: Diana Cristobal Fall 2021
The Three Flutes is the culmination of a semester-long exploration of music and architecture. It functions as a landscape aeolian harp composed of three conical structures.
Situated behind Columbia University Saint Paul’s Chapel and north of the 20 meter-wide ‘CU Law Bridge’, the Three Flutes take advantage of strong wind patterns during New York’s winter months and the Venturi weather phenomenon to produce music.
North side
The use of Corten steel sheets for this proposal alludes to the industrial history of NYC and breaks the rigidity of the classical architecture style commonly seen on Columbia’s campus.
The structures are folded from the same surface. It uses tension and elevated topography to hold the structures and their curving shapes in place.
Physical model
Bristol paper, yarn, butterboard. Some conical structures are connected to the chapel and to each other, this helps maintain a viable relationship between the chapel and sound sculptures.
Basic Drawing Studio
Professor: Naomi R. Safran-Hon Fall 2023