Tectonic Materiality :: The hall of frames ; re-living Da Vinci's world

DESIGN BOOT-CAMP HYPOTHESIS

01

The ethereal cage

FOUNDATION + MODULE

Rajesh Pratap Flagship Store

Samiha Khan

The BIG Re-think Tectonic Materiality of Interior Elements Master Tutor : Prof. Kireet Patel Studio Tutors: Rishav Jain, Aparajita Basu TA: Jay Odharia, Jhanavi Parikh Master of Interior Design Monsoon 2022 | Faculty of Architecture CEPT University

ID 4030 | Level 4 | PG Program

PID22302

Content

0. About Studio

5

1. Design Boot Camp

7

1.1 Architecture as Architecture Through orthographic drawings 1.2 Interior Design Sensibility Through isometric drawings 1.3 Interior Design Specialisation Through exploded isometric drawings

Module 01 2. Developing the Hypothesis

17

4

The BIG Re-think

Tectonic Materiality of Interior Elements Master Tutor: Prof. Kireet Patel Studio Tutors: Rishav Jain, Aparajita Basu Assistants: Jay Odharia, Jhanavi Parikh

Brief Outline: The Big Rethink is a series of postgraduate interior design studios focused on developing a multitude of notions, approaches, positions and arguments within the interior design field.

This semester, the fourth one in the series, the studio challenges the concept of Tectonic Materiality of interior elements. It offers an opportunity to develop a design position in different contexts by questioning preconceived notions of interior design.

It emphasizes the relationship between Interior elements and tectonic

materiality

through

experience,

organization

and

construction.The studio focuses on representing experiential and ephemeral qualities, planning and organising strategies, detailing and construction techniques, exploring the relationship

Learning Outcomes: After completing this studio unit, the student will be able to: – Ability to develop a systematic argument/position/approach on the interdependence between interior techniques and practice.

– Ability to translate/represent the design argument/position/ approach through 3- dimensional and material based outcomes.

– Ability to organize and evaluate the programmatic and pragmatic potential of derived design position.

– Ability to build a design vocabulary and test it through the selected context (site/program).

5

Decoding layers : architecture as architecture, interior design sensibilities and interior

6

Week 01-04 | Design Boot-Camp

Ex. 01 | Specialisation of sensibilities Knowing Architecture and Interior Sensibilities & Interior Specialisation

Project Information Delhi designed by Studio Lotus architects

Process: understanding the space better The store is designed to be minimal. The need for this approach arises from the typology of the space - a retail store. The space is designed to stand as a subtle backdrop for the clothes on display. The genius in this very simple minimal space is the use of slightly varying configurations of a single barber’s scissors to create a jaali wall for display.

This self on self patterned wall stands as an interesting element, not only providing a neutral backdrop for the designer’s clothes but also to hide building services. This leads to the creation of a box of jaali within the bare envelop of the space.

The colour scheme in addition to the porosity of this inner jaali layer adds more horizontal depth to the otherwise tiny retail store.

Design Boot-Camp

7

Layer 01 :: architecture as architecture :: hand drafting plans and sections of the space as it is to understand the space in depth RAJESH PRATAP SINGH FLAGSHIP STORE | Studio Lotus | Delhi, India The store is designed to be minimal. The need for this approach arises from the typology of the space - a retail store. The space is designed to stand as a subtle backdrop for the clothes on display. The genius in this very simple minimal space is the use of slightly varying configurations of a single barber’s scissors to create a jaali wall for display. This self on self patterned wall stands as an interesting element, not only providing a neutral backdrop for the designer’s clothes but also to hide building services.

This leads to the creation of a box of jaali within the bare envelop of the space. The colour scheme in addition to the porosity of this inner jaali layer adds more horizontal depth to the otherwise tiny retail store.

DETAILS OF EL

1” wide MS flat as fram the jaali ( bolted ont main MS

75x75 mm MS hollow section for main frame ( welded together )

JOIN

Stage 01: Architecture as Architecture Instructions: compose the plans and sections here along with graphical scale, north, section tags and important symbols as per requirement

ARCHITECTURE AS ARCHITECTURE

(Remove this text box from your composition)

MAKING OF THE SP ELEMENTS

1. Structure as a bare shell rectilinear space 2. Lack of external context 3. No natural light or ventilation

LAYER 01 :: CEILING

Exposed ceiling painted HVAC ducts and fire pipe

ORTHOGRAPHIC DRAWINGS

22 pt Avenir Lt Std Font 18 pt Avenir Lt Std Font

INTERIOR DESIGN SPECIALISATION Effective use of rectilinear architectural shell as a stencil for regulating internal space. - line spatial planning + worked on enhancing the linearity and rigid geometry instead of going against the grain of the space.

This is achieved by creating a space within a space ( the jaali box)

The jaalis are divided into three categories depending on the density of their openings. They are arranged next to each other to create an organic perforated plane against the dead wall. The mixing of different levels of porosity help break the monotony of the white jaali plane.

JAALI CONFIGURATIONS

LAYER 02 :: SUSPEN

Fabricated grid of 75X75 suspended from the ceili

LAYER 03 :: WALL

TYPE 05

Sparse density

TYPE 01

Moderate density

Wall painted a neutral colo white. Wall MS fabricated supported from the wall u flat plate anchor bolted to wall

Stage 02 : Interior Design Sensibility Instructions: Compose the isometric line drawings here along with the scale mentioned (Remove this text box from your composition)

TYPE 06

Moderate density

TYPE 02

Moderate density

LAYER 04 :: WALL GR

Fabricated grid of 75X75m hollow MS sections connected to the wall wit similar members - all pain white

LAYER 05 :: JAALI

TYPE 07

Sparse density

TYPE 03

Sparse density

Various jaali patterns mad scissors welded onto a 1” screwed onto the wall gri

LAYER 06 :: FLOOR

22 pt Avenir Lt Std Font

ISOMETRIC VIEW TYPE 08

High density

Trimix concrete flooring - r texture and colour to add white space

TYPE 04

16 pt Avenirdensity Lt Std Font Sparse

The Big Rethink: Tectonic Materiality | Master Tutor: Prof. Kireet Patel | Unit Tutors: Rishav Jain, Aparajita Basu | Unit Assistants: Jhanavi Parikh, Jay Odharia | M.I.D. | Monsoon 2022 |

Layer 02 :: interior design sensibility :: hand drafting the isometric drawing of the space to peel the architecture shell away : understand the interior sensibilities of the project

8

JOINERY OF TO MAIN MEMBERS

FIXING OF MAIN MS GRID TO WALL

OPTIONS SUPP

ong ant

MAKING OF THE SPACE :: STUDY OF ELEMENTS

MATERIAL IDENTIFICATION

Plastered walls & ceiling :: white walls provide a neutral base monochromatic colour scheme

Trimix flooring :: adding visual texture

Square hollow MS sections :: painted white & maintain the neutral theme

Barber’s scissors :: spray painted white : used to make jaalis - they add visual texture while maintaining the neutrality of the space

Lighting 01 :: use of LED profile lighting under the upper horizontal member of the wall grid for flooding the wall ( clothes rack) with light

Lighting 02 :: use of chrome finish industrial hanging lamps with diffuser plate for general lighting

LAYER 01 :: CEILING SLAB

Exposed ceiling painted white with services like

HVAC ducts and fire pipes exposedmaterials and key elements Layer 03 :: decoding the decisions in the project by identifying ORTHOGRAPHIC DRAWINGS used MAKING OF THE SPACE :: STUDY

22 pt Avenir Lt Std Font

OF ELEMENTS

Stage 03 : Interior Design S

18 pt Avenir Lt Std Font

Instructions: Exploded Isometirc of a medium of representation (artistic/ any creative mediu

JAALI CONFIGURATIONS

LAYER 02 :: SUSPENDED METAL RAFTERS

The jaalis are divided into three gories depending on the density eir openings. They are arranged each other to create an organic erforated plane against the dead LAYER The mixing of different levels of01 :: CEILING SLAB Exposed sity help break the monotony of ceiling painted white with services like HVAC ducts and fire pipes the white jaali exposed plane.

Fabricated grid of 75X75mm hollow MS sections, suspended from the ceiling

(Remove this text box from you 75x75 mm MS hollow section for main frame ( welded together )

1” wide MS flat as frame for the jaali ( bolted onto the main MS grid)

Barber’s scissors welded together to form a jaali which is welded onto the MS flat

LAYER 03 :: WALL

C DRAWINGS nir Lt Std Font

Avenir Lt Std Font

TYPE 05

Sparse density

LAYER 02 :: SUSPENDED METAL

TYPE 01

Moderate density

Wall painted a neutral colour white. Wall MS fabricated grid supported from the wall using MS Stage 03 : Interior Design Specialisation flat plate anchor bolted to the wall Instructions: Exploded Isometirc of a project in choosen medium of representation (artistic/ digital/ technical / any creative medium)

RAFTERS Fabricated grid of 75X75mm hollow MS sections, suspended from the ceiling

URATIONS

(Remove this text box from your composition)

LAYER 03 :: WALL Wall painted a neutral colour - white. Wall MS fabricated grid supported from the wall using MS flat plate anchor bolted to the wall

ere TYPE 01

TYPE 06

oderate density

Moderate density

TYPE 02

Moderate density

LAYER 04 :: WALL GRID Fabricated grid of 75X75mm hollow MS sections connected to the wall with similar members - all painted white

LAYER 04 :: WALL GRID Fabricated grid of 75X75mm hollow MS sections connected TYPE to 07 the wall with similarSparse membersdensity - all painted white

TYPE 02

oderate density

LAYER 05 :: JAALI

TYPE 03

Sparse density

Various jaali patterns made with barber’s scissors welded onto a 1” wide metal flat screwed onto the wall grid

LAYER 05 :: JAALI Various jaali patterns made with barber’s scissors welded onto a 1” wide metal flat screwed onto the wall grid

TYPE 03

Sparse density

LAYER 06 :: FLOOR

LAYER 06 :: FLOOR

22 pt Avenir Lt Std Font

Trimix concrete flooring - rugged TYPE 08 concrete texture and colour to Highspace density add depth to the white

Trimix concrete flooring - rugged concrete texture and colour to add depth to the white space

TYPE 04

16 pt Avenirdensity Lt Std Font Sparse

EXPLODED ISOMETRIC 22 pt Avenir Lt Std Font

nir Lt Std Font

TYPE 04 Aparajita Basu | Unit Assistants: Jhanavi Parikh, Jay Odharia | M.I.D. | Monsoon 2022 | PG L4 Unit | Faculty of Architecture | CEPT University 18 pt Avenir Lt Std Font

t Avenirdensity Lt Std Font Sparse

Layer 03 :: study of the tectonics of the space : assembly of the jaali panels and the jaali

Jay Odharia | M.I.D. | Monsoon 2022 | PG L4 Unit | Faculty of Architecture | CEPT University

Design Boot-Camp

Samiha / PID 22302 StudentKhan Name | Code No.

9

Layer 03 :: interior design specialisation :: attempt 01: exploded isometric drawing of the space to explore the interior specialisation in the project

10

Heading Text: 22 pt Avenir Lt Std Font Body DETAILS Text: 18 pt OF Avenir Lt Std Font Heading Text: 22ELEMENTS pt Avenir Lt Std Font Caption Text: 12 pt Avenir Lt Std Font

Body Text: 18 flat pt OF Avenir LtforStd Font ELEMENTS 1”DETAILS wide MS as frame Caption Text: 12 pt (Avenir Lt Std Font the jaali bolted onto the

1” wide MS main flat asMS frame grid)for the jaali ( bolted onto the main MS grid)

Barber’s scissors welded together scissors toBarber’s form a jaali welded together which is welded to form a jaali onto the MS flat which is welded onto the MS flat

75X75 MM MS member struct welded to MS wall 75X75 MM bolted MS member plate anchor to wall struct welded to MS wall plate anchor bolted to wall

MS members welded together - vertical member MS members welded at right welded angle with together - vertical member shorter horizontal members welded at right angle with shorter horizontal members

OPTION 01:: Fabricated grid of 75X75mm OPTION hollow MS 01:: sections, suspended Fabricated grid by of 75X75mm from the ceiling welding hollow MS sections, 75x75mm member onsuspended a MS plate from the ceiling byslab welding anchor bolted to the 75x75mm member on a MS plate anchor bolted to the slab

OPTION 02:: Fabricated grid of 75X75mm 02:: hollow MS sections, OPTION suspended 75X75mm fromFabricated the ceiling grid by of suspension hollow sections, cablesMS attached tosuspended slab and from the ceiling suspension hooked onto theby ceiling grid cables attached to slab and hooked onto the ceiling grid

OPTION 01 OF SLAB SUPPORT OPTION 01 OF SLAB SUPPORT

OPTION 02 OF SLAB SUPPORT OPTION 02 OF SLAB SUPPORT

75x75 mm MS hollow section MS for75x75 main mm frame hollow section ( welded for together main frame ) ( welded together )

JOINERY OF TO MAIN MEMBERS JOINERY OF TO MAIN MEMBERS

FIXING OF MAIN MS GRID TO WALL FIXING OF MAIN MS GRID TO WALL

OPTIONS OF SLAB SUPPORT OPTIONS OF SLAB SUPPORT

INTERIOR DESIGN SPECIALISATION

MAKING OF THE SPACE :: STUDY OF ELEMENTS MAKING OF THE SPACE :: STUDY OF EXPLODED ISOMETRIC ELEMENTS

IdentifyingSPECIALISATION the key purpose & its INTERIOR DESIGN

corresponding design solutions Identifying the key purpose & its To effectively hide retail store corresponding design solutions building services 1.

To effectively hide retail store - this had been achievedbuilding by extending services the jaali grid along the ceiling, creating an achieved envelop for users.

- this had been by its extending the jaali grid along the ceiling, creating 2. To create a contrasting to an envelopelement for its users. display clothing against the dead store wallsto 2. To create a contrasting element display clothing against the dead store - addressed by creation of a minimal grid walls framework with a light jaali patterns the dead monolith adding -against addressed by creation of awall, minimal grid texture and depth thejaali rectilinear framework with a to light patterns against the dead monolith wall,space. adding texture and depth to the rectilinear space.

1.

EXPLODED ISOMETRIC

LAYER 01 :: CEILING SLAB Exposed ceiling painted white with services like LAYER 01and :: CEILING SLAB HVAC ducts fire pipes exposed Exposed ceiling painted white with services like HVAC ducts and fire pipes exposed

LAYER 02 :: SUSPENDED METAL RAFTERS Fabricated grid of 75X75mm hollow MS sections, LAYER 02 :: SUSPENDED METAL RAFTERS suspended from the ceiling Fabricated grid of 75X75mm hollow MS sections, suspended from the ceiling

Place your Exploded Isometric+ Details + Elements Placedrawing your Exploded Isometric+ Detailsformat + Elements here as per the discussed drawing here as per the discussed format

LAYER 03 :: WALL Wall painted a neutral colour LAYER WALL grid white.

Wall03 MS::fabricated supported fromathe wall colour using MS Wall painted neutral flat plateWall anchor to the white.

MS bolted fabricated grid wall supported from the wall using MS flat plate anchor bolted to the wall

LAYER 04 :: WALL GRID Fabricated grid of 75X75mm LAYER :: WALL GRID hollow MS04 sections connected togrid the wall with Fabricated of 75X75mm similar members - all painted hollow MS sections white connected to the wall with similar members - all painted white

LAYER 05 :: JAALI Various jaali patterns made with barber’s LAYER 05 :: onto JAALI scissors welded a 1” wide metal flat screwed wall grid Variousonto jaali the patterns made with barber’s scissors welded onto a 1” wide metal flat screwed onto the wall grid

LAYER 06 :: FLOOR Trimix concrete flooring - rugged concrete LAYER :: FLOOR texture and06 colour to add depth to the white space Trimix concrete flooring - rugged concrete texture and colour to add depth to the white space

Layer 03 :: interior design specialisation :: attempt 02 : exploded isometric drawing of the space to explore the interior specialisation in the project : decoding interior design decisions behind each interior element

The Big Rethink: Tectonic Materiality | Master Tutor: Prof. Kireet Patel | Unit Tutors: Rishav Jain, Aparajita Basu | Unit Assistants: Jhanavi Parikh, Jay Odharia | M.I.D. | Monsoon 2022 | PG L4 Unit | Faculty of Architecture | CEPT University

The Big Rethink: Tectonic Materiality | Master Tutor: Prof. Kireet Patel | Unit Tutors: Rishav Jain, Aparajita Basu | Unit Assistants: Jhanavi Parikh, Jay Odharia | M.I.D. | Monsoon 2022 | PG L4 Unit | Faculty of Architecture | CEPT University

Design Boot-Camp

Samiha Khan |Name PID22303 Student | Code No. Samiha Khan |Name PID22303 Student | Code No.

11

Week 01-04 | Design Boot-Camp

Ex. 02 | Design Optimization Familiarising - “Know it more through - Optimization”

Process of model making The techniques of optimisation in an interior specialisation project were explored in this exercise.

The concepts of a designer are not always based within the materials itself, but often concern other societal observations and are given resonance in a material as the concept is translated from abstract to built form. The reverse methodology of this exercise helped gauge this sensitivity to tectonics of materiality by the designers.

12

Part photo of the boot camp model :: showing movement through the metal frames

Module 01 | Hypothesis Development

13

Process :: showing experimentation with soldering & point welding to recreate the scissor jaalis

Process :: showing stainless steel frames welded as sample with members cut to be assembled

14

Process :: showing experimentation with joining the jaali to the stainless steel frames :

Module 01 | Hypothesis Development

15

ign specialisation

kes

aces

Spaces takes clarity with simple articulation

Tectonics of space depends upon and is enhanced by nature of tectonics and materiality of planes and voids that are part of the space

Tectonics of space is contributed to by emphasis of various elements that are contained within it. A disciplined manner of occurrence and repetition of elements adds variety and character enhancing tectonics.

mono materiality allows attention towards certain other interior elements

Prof. Kireet Patel | Unit Tutors: Rishav Jain, Aparajita Basu | Unit Assistants: Jhanavi Parikh, Jay Odharia | M.I.D. | Monsoon 2022 | PG L4 Unit | FA | CEPT Univers

16

Week 05-06| Module 01

Ex. 01 | Tectonics & Materiality Part 01 | Exploring concepts of Tectonic Materiality

Project Information

beyond design bistro (Delhi)

Process: Stage 01: Identifying projects that define tectonic materiality Stage 02: Detailing and Analyzing projects Stage 03: Analysing the Matrix to arrive at a Hypothesis.

Stage 04: Contextualising the Hypothesis

Module 01 | Hypothesis Development

17

Case Study Analysis Matrix

Project type - Historical era

Synthesis

if tectonics of materiality of basic material is powerfully used, it influences the spatial character

geometry of the arch deeply influences tectonics of the space

curvatures of the arch as well as of other elements makes for a visual movement

Tectonics influences and dynam

The Big Rethink: Tectonic Materiality | Master Tutor: Prof. Kireet Patel | Unit Tutors: Rishav Jain, Aparajita Basu | Unit Assistants: Jhanavi Parikh, Jay Odha

18

Project 1522 - Name The pub, Bangalore Designer: The fadd studio Synthesis

Notion of space is brought about use of a single material in various ways

geometry of the arch deeply influences tectonics of the space

fluid curves of interior elements generates movement within the space

composition of interior elements of varying scales creates visual tensions

rigidity of the arched elements contrasted with the fluid elements, makes for visual relief

juxtaposition of different geometric forms built in the same material avoids monotony

of materiality s the character mics of space

Undulating organic surfaces add to visual quality by creating a sculptural program

Organic surfaces create sense of unity and continuity; and added with textural qualities, also add direction

aria | M.I.D. | Monsoon 2022 | PG L4 Unit | FA | CEPT University

Module 01 | Hypothesis Development

when one material is used in various configurations, to create different interior elements, the universal quality of that material informs the space strongly.

Student | Code No. Samiha Khan Name | PID22302

19

Case Study Analysis Matrix

Project TrilegalName office, Delhi

StudioDesigner: Lotus

Project type - Current modern practices

Synthesis

tectonics of space is essentially informed by volumes that it holds within it

geometry is an essential contributor to tectonic materiality and imparts order to the composition

sense of movement in space is generated by repetition of patterns

use of contrasting elements brings focus to tectonics of space

repetition of a single module in a particular manner adds complexity and depth to the space

achievement of tectonic materiality comes about by juxtaposition of elements of varying textures and geometric attributes

Synthesis

when surface details, planes and volumes have a geometric relationship, it imparts a similar characteristic to the tectonics of the space

cellular divisions of various scales create a sense of enclosure and play in vision of the space

tectonic materiality of cellular divisions along with their geometry creates a unique configuration of space

juxtaposition brings about contrast in the spatial setting, bringing about excitement and a sense of dynamics

Tectonics of interior elements creates a dramatic experience and adds detail and scale.

transparence and porosity of materials allows visual connectivity without hampering functionality

The Big Rethink: Tectonic Materiality | Master Tutor: Prof. Kireet Patel | Unit Tutors: Rishav Jain, Aparajita Basu | Unit Assistants: Jhanavi Parikh, Jay Odharia | M.I.D. | Monsoon 2022 | PG L4 Unit | FA | CEPT University

Case Study Analysis Matrix

composition of modules of interior elements in various sequences results in increased visual cognition.

Student | Code No. Samiha Khan Name | PID22302

Project Name bungalow The Calcutta Designer:Sarkar, Akhil Ranjan Swaroop Dutta

Project type - Historical era

Synthesis

notion of space is defined by relationship of adjacent volumes & characterised by materiality of these volumes

consistent use of arch as an interior element imparts its intrinsic geometric stability to the space

use of different scales and proportions of interior elements enhances visual movements

using symmetry and layering of elements adds complexity in space

hierarchy of tectonics of materials enhances a sense of organization within the space

tectonics of space is influenced by juxtaposition of contrasting forms and textural values

materiality of arch as the primary element stands out as primary focus of language of interiors

Synthesis

Tectonics of space is informed by the character of the primary element of the arch

historic principles of composition incorporating hierarchy, axis, scale and detail enhances tectonics of space

symmetry orders organization of elements in historic settings

contrasting materials help define different volumes and create unique relationships of elements

patterns generated through material tectonics add maximality to space

20The Big Rethink: Tectonic Materiality | Master Tutor: Prof. Kireet Patel | Unit Tutors: Rishav Jain, Aparajita Basu | Unit Assistants: Jhanavi Parikh, Jay Odharia | M.I.D. | Monsoon 2022 | PG L4 Unit | FA | CEPT University

New elements within the historic spatial framework brings about harmony and balance to enrich tectonics of space.

Student | Code No. Samiha Khan Name | PID22302

Case Study Analysis Matrix

Project Name Expensify office, Portland Designer: ZGF studio

Project type - historical era

Synthesis

Tectonics of space is rooted in the materiality of elements that are both historic as well as contemporary

Tectonic materiality of geometric forms gives a clear definition and brings about a seamless fusion of elements

Tectonic materiality of interior elements brings about a sense of visual movement

Tectonic materiality of interior space has been brought about by creation of local symmetries where ever possible Tectonic materiality is heightened by layering interior elements. It has aided in adding complexity to the spatial envelope Tectonic materiality has been achieved by juxtaposition of interior elements of the two different languages; historical and new age leading to an eclectic setting

Synthesis

The notion of space is a result of a restrained mix of the existing interior elements and contemporary additions

Creation of functionality is achieved by design of micro level units of contemporary materials

The relationship between the old and new has been brought about by a careful synthesis

Various scales can be employed to achieve a balance between the elements

Tectonics of space is achieved by creation of a module to bind the two languages

Mono materiality of each detail binds this space together

Use of contrasting languages, contribute to varying scales and proportions and enrich tectonics of space.

The Big Rethink: Tectonic Materiality | Master Tutor: Prof. Kireet Patel | Unit Tutors: Rishav Jain, Aparajita Basu | Unit Assistants: Jhanavi Parikh, Jay Odharia | M.I.D. | Monsoon 2022 | PG L4 Unit | FA | CEPT University

Student | Code No. Samiha Khan Name | PID22302

The Bastian restaurant, Project Name MumbaiDesigner:

Case Study Analysis Matrix

Shilpa Shetty

Project type - interior design specialisation

Synthesis

creation of various sizes of volumes with the larger volume helps to scale the space

breaking down each element into smaller geometric fragments helps achieve scalability and adds detail

scaling interior elements rhythmically brings about cohesive visual movement

multiplicity of elements or maximalism of space helps articulate planes

layering can be used to establish relationship between various elements of the interior

juxtaposition of different textures and patterns of materials help scale the volume

Play of heights adds a rhythmic flow to tectonics of space

Articulation of materials results in local symmetries

Sense of the whimsical is enhanced by use of contrast of elements

Synthesis

Module 01 | Hypothesis Development

Maximalism as a style stands opposed to drawing emphasis to any one interior element

Repetition of one interior module, scaled proportionately, across the space brings about harmony in a scattered composition

Inclusion of a multiplicity of varied elements results into visual cohesion

The Big Rethink: Tectonic Materiality | Master Tutor: Prof. Kireet Patel | Unit Tutors: Rishav Jain, Aparajita Basu | Unit Assistants: Jhanavi Parikh, Jay Odharia | M.I.D. | Monsoon 2022 | PG L4 Unit | FA | CEPT University

Use of layering of interior elements and materials helps achieve human scale

21

Student | Code No. Samiha Khan Name | PID22302

The beyond design bistro, Project Name Delhi Designer:

Case Study Analysis Matrix

Sachin Gupta

Project type - interior design specialisation

Synthesis

Tectonics of space is achieved through repetition of similar elements

Attribute of Geometry aids in modular understanding of space

Articulation of a similar detail helps bind the spatial settings and makes for smooth visual feel

Predominant elements of spatial tectonics creates an identity unique to the space

Attribute of layering is achievable by combinations of various elements in various relationships creating unique experiences Tectonics of materials and of space emerges with clarity when juxtaposed elements or forms either impart consistency to the assembly or make it stand out in contrast to each other Tectonics of space takes its character from articulation of its surfaces and voids

Spaces takes clarity with simple articulation

Synthesis

Tectonics of space depends upon and is enhanced by nature of tectonics and materiality of planes and voids that are part of the space

Tectonics of space is contributed to by emphasis of various elements that are contained within it. A disciplined manner of occurrence and repetition of elements adds variety and character enhancing tectonics.

mono materiality allows attention towards certain other interior elements

repetition of spatial elements on a planar leads to reduction of monotony

achieving an appropriate relationship between solids and voids helps articulate the space

The Big Rethink: Tectonic Materiality | Master Tutor: Prof. Kireet Patel | Unit Tutors: Rishav Jain, Aparajita Basu | Unit Assistants: Jhanavi Parikh, Jay Odharia | M.I.D. | Monsoon 2022 | PG L4 Unit | FA | CEPT University

Case Study Analysis Matrix

Student | Code No. Samiha Khan Name | PID22302

Project Name Designer:

Project wise hypothesis

Synthesis

1522 - The pub, Bangalore when one material is used in various configurations, to create different interior elements, the universal quality of that material informs the space strongly.

Trilegal office, Delhi

The Calcutta bungalow

composition of modules of interior elements in various sequences results in increased visual cognition.

New elements within the historic spatial framework brings about harmony and balance to enrich tectonics of space.

Expensify office, Portland

The Bastian restaurant, Mumbai

The beyond design bistro, Delhi

Use of contrasting languages, contribute to varying scales and proportions and enrich tectonics of space.

Use of layering of interior elements and materials helps achieve human scale

achieving an appropriate relationship between solids and voids helps articulate the space

HYPOTHESIS

22

Patterns resulting out of tectonics of materiality inform scale and proportion of a space

Can patterns resulting out of tectonics of materiality inform the scale and proportion of a space?

Today, most of our interior materials are part of a take-make-waste lost from the economy after the lifespan of those elements is over (usually 5-10 years). This is an enormous loss. The creativity, labour, and energy behind the project is lost. These products, elements and materials can instead be reused by creating a circular economy through design.

High recyclable value of natural materials like timber, steel, terracotta, jutes etc, can add to the circular economy by being reused after the lifespan of the interior element is over. material in the interior space. A material inherently brings with it, its dimensions, textures, grain etc. These attributes in addition to the designer’s way of using the given material creates certain patterns and modules. The hypothesis forms a subset of the larger concern. It aims at understanding if the use of natural materials and their tectonics, the way these materials come together and form patterns in space, bring about a sense of scale and proportion in the space they’re designed for.

It is important to be conscious of the choice of materials. Each material comes with certain attributes, physical, chemical and spatial.

It is important to develop an understanding of a materials potential with respect to the design concept through tangible material explorations. It is through this learning will we as designers be able to look beyond the tiff between tectonics and form and transcend the hypes over new materials as the only means to design ends. “the choice of materials gives evidence to the designers’ views of society and their position within it.” -The Alternative Approach Observation, Speculation, Experimentation in material-design-informing-architecture- by-materiality by Thomas Schröpfer

Design Boot-Camp

23

Content

Historical Practices Through Project Representing An ‘Era’

02

ROLE 01 Reliving history : Da Vinci’s world through materiality

MODULE

The Hall Of Frames

Samiha Khan

The BIG Re-think Tectonic Materiality of Interior Elements Master Tutor : Prof. Kireet Patel Studio Tutors: Rishav Jain, Aparajita Basu TA: Jay Odharia, Jhanavi Parikh Master of Interior Design Monsoon 2022 | Faculty of Architecture CEPT University

ID 4030 | Level 4 | PG Program

PID22302

Content

MODULE 02 Role 01 | Historical Practices Through Project Representing An ‘Era’ 1. Site Attributes Analysis

5 8

Early explorations of the space

3. Final design output

10

Understanding tectonic materiality

3. Critical analysis : montages + inferences Exploration of the hypothesis & reevaluation of Architecture as Architecture, Interior Design Sensibility, Interior Design Specialisation

14

Case Study Analysis Matrix

Project Name Designer: Synthesis

IDENTIFICATION OF ELEMENTS AND QUALITIES OF SITE 1) HORIZONTAL BEAM RAFTERS (WOOD) 2) HORIZONTAL DOUBLE BEAM TIE SUPPORTS (WOOD) 3) MANGALORE TILE (TERRACOTTA ROOF) TEXTURE AND REFLECTIVE QUALITY OF LIGHT 4) OPENINGS IN ARCUATE VOIDS ON ONE WALL SIMPLE RECTANGULAR VOIDS ON OTHER WALL 5) RUSTIC WOODEN FLOORING 6) NATURE OF LIGHT FLOODING IN THROUGH WINDOWS

Synthesis

Analysing the site to identify prominent elements and features :: site view 01 The Big Rethink: Tectonic Materiality | Master Tutor: Prof. Kireet Patel | Unit Tutors: Rishav Jain, Aparajita Basu | Unit Assistants: Jhanavi Parikh, Jay Odharia | M.I.D. | Monsoon 2022 | PG L4 Unit | FA | CEPT University

4

PID22302 / Samiha Khan

Student Name | Code No.

Week 07-08 Module 02 | Role 01 Historical practices through a project representing an ‘era’

Reliving history Recreating Da Vinci’s world through materiality Project Information Site - Kochi Biennale

Process: DICHOTOMY ‘is a division or contrast between two things that are or are represented as being opposed or entirely different.’

It is in the absence of a notion that one learns to appreciate the importance of a thought, idea or an object.

As an academic exploration, the design is guided by the idea of dichotomy. The lack of a certain emotion or presence of a certain dichotomous expression can instill in the user an appreciation for the missing experience. The design however departs from this exploration as the semester moves forward.

In this exercise, Da Vinci’s machines have been curated together based on the ideas they projected.

Module 02 | Role 01 | Historical practices through a project representing an ‘era’

5

Site attributes / qualities of space 1) Vernacular setting 2) Use of local materials like wooden trusses, wooden 4) Traditional construction techniques

Case Study Analysis Matrix

Project Name Designer: Synthesis

IDENTIFICATION OF ELEMENTS AND QUALITIES OF SITE 1) MANGALORE TILE (TERRACOTTA ROOF) 2) INSITU CEMENT FLOORING 3) MANGALORE TILE (TERRACOTTA ROOF) TEXTURE AND REFLECTIVE QUALITY OF LIGHT 4) METAL TRUSS AND ITS GEOMETRIC QUALITY 5) GIGANTIC VOLUME

Synthesis

Analysing the site to identify prominent elements and features :: site view 02 The Big Rethink: Tectonic Materiality | Master Tutor: Prof. Kireet Patel | Unit Tutors: Rishav Jain, Aparajita Basu | Unit Assistants: Jhanavi Parikh, Jay Odharia | M.I.D. | Monsoon 2022 | PG L4 Unit | FA | CEPT University

6

Student Name | Code No. PID22302 / Samiha Khan

Case Study Analysis Matrix

Project Name Designer: Synthesis

IDENTIFICATION OF ELEMENTS AND QUALITIES OF SITE 1) MANGALORE TILE (TERRACOTTA ROOF) 2) INSITU CEMENT FLOORING 3) MANGALORE TILE (TERRACOTTA ROOF) TEXTURE AND REFLECTIVE QUALITY OF LIGHT LIGHT FILTERS IN THROUGH THE MANGALORE TILE EMPHASISING THE TEXTURE OF THE TERRACOTTA TILE 4) METAL TRUSS AND ITS GEOMETRIC QUALITY 5) GIGANTIC VOLUME 6) STRONG SENSE OF HORIZONTALITY CREATED

BY THE BEAM AT THE EAVES OF THE TRUSS 7) GIANT WALLS FOR DISPLAY Synthesis The Big Rethink: Tectonic Materiality | Master Tutor: Prof. Kireet Patel | Unit Tutors: Rishav Jain, Aparajita Basu | Unit Assistants: Jhanavi Parikh, Jay Odharia | M.I.D. | Monsoon 2022 | PG L4 Unit | FA | CEPT University Analysing the site to identify prominent elements and features :: site view 03

Module 02 | Role 01 | Historical practices through a project representing an ‘era’

Student Name | Code No. PID22302 / Samiha Khan

7

Case Study Analysis Matrix

Project Name Designer: Synthesis

Air borne machines Helicopter Wing Ornithopter design

Image 01 process :: early explorations : exploring sand/grit as a Synthesis

The Big Rethink: Tectonic Materiality | Master Tutor: Prof. Kireet Patel | Unit Tutors: Rishav Jain, Aparajita Basu | Unit Assistants: Jhanavi Parikh, Jay Odharia | M.I.D. | Monsoon 2022 | PG L4 Unit | FA | CEPT University

Case Study Analysis Matrix

PID22302 / Samiha Khan

Student Name | Code No.

Project Name Designer: Synthesis

REPRESENTATION OF FLUIDITY BY EXPERIENCING RIGIDITY

textured material with tensile structures as volume modulating TIME BASE MACHINES elements VERGE CLOCK WATER WHEEL WRM DRIVE

Synthesis The Big Rethink: Tectonic Materiality | Master Tutor: Prof. Kireet Patel | Unit Tutors: Rishav Jain, Aparajita Basu | Unit Assistants: Jhanavi Parikh, Jay Odharia | M.I.D. | Monsoon 2022 | PG L4 Unit | FA | CEPT University

Case Study Analysis Matrix

Student Name | Code No. PID22302 / Samiha Khan

Project Name Designer: Synthesis

Image 03 process :: early explorations : modulating space through stone piers with niches WARFARE MACHINES 8

AUTOMATION CART BELT AND PULLET MECHANISM

Image 04 process :: early explorations : drawing from existing elements of the

Caption for the Image

Image 05 process :: early explorations : exploring ways to modulate the ceiling plane in order to prove the hypothesis - altering scale & proportion of space Module 02 | Role 01 | Historical practices through a project representing an ‘era’

9

Through the critical lens : reducing the size of the montages with the design intervention will have on the historic site 10

Through the critical lens : erasing the site from the montages : to understand the interior architecture, interior design, interior decoration and interior installation Module 02 | Role 01 | Historical practices through a project representing an ‘era’

11

12

Module 02 | Role 01 | Historical practices through a project representing an ‘era’

13

14

is used in forms of wooden square logs, wooden planks and

Response to volume :: intervention on the ceilings to modulate Response to space :: intervention designed for user to navigate through the space and interact with ; to alter

Module 02 | Role 01 | Historical practices through a project representing an ‘era’

15

Content

02

MODULE

Vision of Da Vinci through the modern grid

Current modern practices through a project representing a ‘Standardization’

ORGANIZING ‘MATERIALITY’

ROLE 02 The Hall Of Frames

Samiha Khan

The BIG Re-think Tectonic Materiality of Interior Elements Master Tutor : Prof. Kireet Patel Studio Tutors: Rishav Jain, Aparajita Basu TA: Jay Odharia, Jhanavi Parikh Master of Interior Design Monsoon 2022 | Faculty of Architecture CEPT University

ID 4030 | Level 4 | PG Program

PID22302

Content

MODULE 02 Role 02 | ORGANIZING ‘MATERIALITY’ Current modern practices through a project representing a ‘Standardization’

1. Site Attributes Analysis

5

2. Early explorations

7

3. The design response

8

4. Inferences from tectonic materiality

16

Detail plan & section :: to explore how the grid can extend to encompass all interior requirements : space within a space : grid as furniture

4

Week 09-11 Module 02 | Role 02 | Organizing ‘Materiality’ Current modern practices through a project representing a ‘Standardization’

Through the cube Vision of Da Vinci through the modern grid Project Information Site - School of Architecture total area of intervention = 2000 sqmt approx.

Process: The space is designed to enhance the feeling of

the

qualities

these

Da

Vinci

machines

posses.

The space is modulated by a rigid cuboidal module that

the restrictions of the cube, furthering the notion of rigidity.

The cubical volumes are derived from the golden ratio and are modulated in the same spirit to generate volumetric This is an attempt at creating a sense of scale and proportion in the space through these varying grid patterns.

architecture shell. The intervention encompasses all interior requirements including display spaces, accommodation of The grid responds differently to the architecture shell changing levels of porosity near openings to create different spatial experiences as the user navigates through the space.

Module 02 | Role 02 | Organizing ‘Materiality’

5

R = 0.15 M T = 0.30 M W = 1.20 M

37

41 R = 0.15 M T = 0.30 M W = 1.20 M

37 25 24

+4.35M 41

UP

DN

25 24

+4.35M UP

DN

The architecture shell

airborne machine 02-04

SECTION A-A' LONGITUDINAL THROUGH DOUBLE HEIGHT

Initial section development : process work B

R = 0.15 M T = 0.30 M W = 1.20 M

37

41 R = 0.15 M T = 0.30 M W = 1.20 M

37 25 24

+4.35M 41

UP

DN

25 24

UP

+4.35M

DN

time / fluidity based machines

A

A'

time / fluidity based machines

FLOOR PLAN 01 (FF) EXPLORING LOCATION OF DA VINCI MACHINES

6

B'

modulation of space through element

B

airborne machine 01

curating different experiences as the user navigates airborne machines in ascending heights

B'

Process model photos :: exploring the 3rd dimension of the elements Module 02 | Role 02 | Organizing ‘Materiality’

7

8

Section

Detail plan & section :: showing response to air borne machines

Module 02 | Role 02 | Organizing ‘Materiality’

9

10

Module 02 | Role 02 | Organizing ‘Materiality’

11

section

Plan

Detail plan & section :: showing response to Golbloid gear mechanism 12

section

Module 02 | Role 02 | Organizing ‘Materiality’

13

section

Plan

Detail plan & section :: showing response to Double helix mechanism 14

ISOMETRIC DWG OF PLAN 01 showing design response to double helix mechanism

Isometric drawing :: showing design response to double helix mechanism

ISOMETRIC DWG OF PLAN 04 showing design response to verge clock mechanism

Isometric drawing :: showing design response to verge clock mechanism Module 02 | Role 02 | Organizing ‘Materiality’

15

Criteria for selection of ‘Material’ of the high rise site. and mass production.

What ‘Material’ has been used?

Where ‘Material’ has been used?

The grid as the singular interior element has been used throughout the units, to aid interior services etc.

16

1&2 45mm solid wooden section with rebate to receive other members

3" x 3" hollow al. section 3mm thickness

+

45mm solid wooden section with cylindrical member carved to enable a twisting movement

wooden piece with tooth fitted into horizontal al. section for fixity

3

45mm wooden section continued to form the joint

1- Type of members

1 PLAN DETAIL OF HORIZONTAL AL SECTION TO WOODEN CONNECTOR

al section anchor bolted to RCC slab

3 RCC slab

3"x3" C al. channel bolted to slab - to receive vertical member full threaded metal screw - 4mm Ø - 25mm length

2- joinery of vertical member to first horizontal member

wooden piece screwed into al. section for fixity 3"x3" hollow al. section 3mm thickness

1

DETAIL OF VERTICAL MEMBER TO CEILING SLAB JOINERY

3" x 3" hollow al. section 3mm thickness

3 2

wooden piece screwed into al. section for fixity full threaded metal screw 4mm Ø - 25mm length 3"x3" C al. cap - bolted to slab - to receive vertical member RCC slab

3- joinery of vertical member to both horizontal members al section anchor bolted to RCC slab

1

DETAIL OF VERTICAL MEMBER TO FLOOR SLAB JOINERY - 01

3" x 3" hollow al. section - 3mm thickness

3 2

wooden piece screwed into al. section for fixity 3" x 3" hollow al. section - 3mm thickness

4- twisting member type 3 to fit into place - creating a rigid joint

RCC slab

al section anchor bolted to RCC slab

DETAIL OF ASSEMBLY OF WOODEN JOINT

Module 02 | Role 02 | Organizing ‘Materiality’

DETAIL OF VERTICAL MEMBER TO FLOOR SLAB JOINERY - 02

17

Content

02

MODULE

journey of a traditional material

Collaborative practices through a project representing an ‘identity’

MATERIALISING THE INTERIOR SPECIALISATION

ROLE 03 The earthen maze

Samiha Khan

The BIG Re-think Tectonic Materiality of Interior Elements Master Tutor : Prof. Kireet Patel Studio Tutors: Rishav Jain, Aparajita Basu TA: Jay Odharia, Jhanavi Parikh Master of Interior Design Monsoon 2022 | Faculty of Architecture CEPT University

ID 4030 | Level 4 | PG Program

PID22302

Content

MODULE 02 Role 03 | MATERIALISING THE INTERIOR SPECIALISATION Collaborative practices through a project representing an ‘identity’

1. Conceptualisation

5

The spatial experience

2. Tectonics of materiality : stages

10

Tectonics of space through material exploration

3. Play of shadows : exploring light

18

and shadows Through 3D exploration of the interior elements

4. Inferences Understanding materiality and way forward through use of technology

20

View showing the shadows cast by the jaali screens in space

4

Week 12-16 Module 02 | Role 03 | Materialising the Interior Specialisation Collaborative practices through a project representing an ‘identity’

The earthen maze Journey of a traditional material Project Information Site - context less design

Process: conceptualising the space Conceptualising the space The initial notion that guided the design was to maintain the sense of dichotomy - hence a sense of rigidity.

The maze as a design concept was adopted. The space attempt to create the illusion of a maze, the panels designed so to create circulation that inspires the user to meander through the space.

The terracotta jaali panels add the required textural depth to the multiple panels, their varying textures, patterns and colours breaking the monotony of the assembly.

Module 02 | Role 03 | Materialising the Interior Specialisation

5

Charcoal sketch : inside outside

Charcoal sketch : movement

Charcoal sketch : inside outside

Design informed by experience :: charcoal sketches : exploring different aspects of spatial experience such as inside outside relationships, light and shadows, movement, scale and volume

6

Charcoal sketch : light

Charcoal sketch : scale

Charcoal sketch : light

Charcoal sketch : volume

Module 02 | Role 03 | Materialising the Interior Specialisation

7

First response :: perspective view 01 to depict any one experience in space :: depicting scale & movement

8

First response :: perspective view 02 to depict any one experience in space :: depicting scale & movement

Module 02 | Role 03 | Materialising the Interior Specialisation

9

Response 02 :: detailing the perspective : schematic exploration of tectonics of materiality through :: development of the 10

e system of terracotta jaalis panels :: overview Module 02 | Role 03 | Materialising the Interior Specialisation

11

Response 02 :: detailing the perspective : schematic exploration of tectonics of materiality through :: development of the system of terracotta jaalis panels :: part view to show display areas

Response 02 :: detailing the perspective : schematic exploration of tectonics of materiality through :: development of the system of terracotta jaalis panels :: view highlighting circulation 12

Module 02 | Role 03 | Materialising the Interior Specialisation

13

Response 02 :: detailing the perspective : schematic exploration of tectonics of materiality through :: development of the system of terracotta jaalis panels :: view exploring symmetrical interventions for ease of navigation and display

The genesis :: Using maze like patterns to create inside outside relationships within the interior space

Final view 01 :: showing tectonics of assembly of the terracotta jaali panels

The experience of the space The design tries to explore the inside outside relationship of a space. This in an interior setting, gives way for exploring how spaces transition from one display space to the other. The change in the perforations of the jaali panels alter the fabric of the whole space. This helps create a sense of intrigue in the users as they navigate from one display space to the other. This is an attempt at creating a sense of scale and proportion in the space through the jaali panels varying in levels of porosity.

14

Final view 02 :: showing the play of light and shadows and the subsequent textural quality added to the space by the terracotta panels

Module 02 | Role 03 | Materialising the Interior Specialisation

15

Final view 03 :: showing the overall space - terracotta being essentially an outdoor material - exploring textures and colo 16

ours of terracotta in the interior space Module 02 | Role 03 | Materialising the Interior Specialisation

17

View exploring the shadows the terracotta jaali panels cast in the space 18

3D exploration of the space and the interior element

Module 02 | Role 03 | Materialising the Interior Specialisation

19

Criteria for selection of ‘Material’ To explore an unconventional natural interior material ; terracotta bricks as panels What ‘Material’ has been used?

Terracotta brick panels ; opaque bricks, jail bricks, textured surface bricks are explored further through the project. The terracotta bricks are custom made in size to suit interior proportions.

Where ‘Material’ has been used?

Response to volume :: intervention on the ceilings to modulate the volume to emphasise displayed objects and overall user overall experience.

Response to space :: intervention designed for user to navigate through the space and interact with - to alter perception of space.

Criteria for use of ‘Material’ Attempts at exploring 3D printing as a material technique - to develop a new relationship between traditional materials and new age technologies.

How ‘Material’ has been used?

Terracotta as a natural material has an inherent rustic texture. The bricks are woven with metal bars to create a perforated screen. These screens collectively create an indoor outdoor ( space to space ) relationship.

The texture of terracotta and the perforations of the screens impart an inherent character to the space, making a base for the display of the Da Vinci machines. further through the project. The terracotta bricks are custom made in size to suit interior proportions.

20

8mm MS bar welded to base plate 12mm MS hollow pipe as spacer

250x150x50mm terracotta brick panel

8mm MS base plate anchor bolted to floor/ceiling slab

8mm MS bar welded to base plate with threads at end to receive nut for fixing 12mm MS hollow pipe as spacer for certain panels

RCC slab

Detail

DETAIL OF VERTICAL MEMBER TO CEILING / FLOOR SLAB ofJOINERY vertical member to ceiling

DETAIL OF HANGING PANEL END SYSTEM

/

Detail of hanging panel end system

250x150x50mm terracotta brick panel

12mm MS hollow pipe as spacer for certain panels 8mm MS bar piercing (weaving) through bricks on both end acting as main support DETAIL OF SPACERS BETWEEN TILES

Detail of spacers between terracotta tiles to create jaali coarse sand + pebble flooring filling 8mm MS base plate anchor bolted to floor/ceiling slab 3" deep channel with small gravel 8mm MS bar welded to base plate 12mm MS hollow pipe as spacer 10mm full body tile / stone/ terrazzo flooring

DETAIL VIEW OF SYSTEM OF ASSEMBLY RCC slab

DETAIL OF VERTICAL MEMBER TO CEILING / FLOOR SLAB JOINERY

the jaali panel joinery

DETAIL VIEW OF SYSTEM OF ASSEMBLY

Detail view of system of assembly of terracotta bricks

Module 02 | Role 03 | Materialising the Interior Specialisation

21

Forward: In regions of extreme cold the distinction between inner and outer spaces is very sharp. The interior is a trapped insulated space within a weather resistant box that sits in the cold exterior. The architect has to create within the confines of this sharply defined box, the transition of which is simplistic and minimal: the front door. Herein, the exterior and the interior are a pair of opposites existing in a simplistic duality. Seen from Miesian perspective, it is a steel and glass box sitting isolated in the open space.

On the contrary is the manifestation of the spatial built of the warmer climes. The juxtaposition of the closed box and the open space surrounding it is softened by a series of zones with varying degrees and magnitude of safety and security. This continuum from interior to exterior makes for a complex yet interesting journey. The sequence moves from being within the interior space to maybe a veranda then onto a courtyard and then finding oneself under the shade of a tree. Moving further one may find oneself on a terrace covered by a bamboo pergola. One may also move from a room to a balcony and so forth.

The author here has explored this very relationship. The demarcation by physical boundary between the zones is not formal and sharp. Rather it is amorphous and easy. One experiences this transition in a reinforced manner by subtle modulations of light, changing quality of ambient air and views. Thus this transition registers in our senses making it an experiential journey. Elements of nature are involved in making this a robust experience. One sees an exploration of terracotta, an essentially outdoor material, used in a rather interior space, furthering the blurry lines of the indoors and the outdoors. Jaali panels make a maze like experience connecting to form intimate spaces for display.

- Charles Correa 22

Content

Samiha Khan PID22302

The BIG Re-think Tectonic Materiality of Interior Elements Master of Interior Design Monsoon 2022 | Faculty of Architecture CEPT University

ID 4030 | Level 4

samiha.pid22302@cept.ac.in