Sam Graham Interior Design Portfolio

Sam Graham.

Sam Graham.

Hi, I’m Sam Graham. My experience in the building industry began as a kid working with my dad at his small, family-run residential construction company. While my “job” was mostly limited to stacking materials and passing tools to my dad, those years working with him were formative in my decision to pursue a career in design.

My approach to design is driven by the idea that each piece of the design ties back to the whole of an overarching concept. From floor plans to furniture selection, every experience in a space should be reflective of the initial concept.

When determining and incorporating design concepts, I pay strong attention to branding and the identity that the space represents. In college, I created branding identities that would then be integrated into a project. In practice, I work with multiple retail brands and incorporate their brand standards while also challenging the standard’s limits and still being true to the brand’s identity.

In my spare time, I enjoy making things - lamps, furniture, ceramics, floral arrangements - and would enjoy being able to incorporate that into my professional career as well.

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Sam Graham.

Education.

Bachelor of Science, Interior Design CIDA Accredited Minor: Architecture Mississippi State University Starkville, MS Graduation: August, 2019

Contact. samgraham2014@gmail.com 10020 Road 107 Union, MS 39365 601.701.4000

Experience.

Honors and Awards.

1st Place Steelcase Project Scholarship 1st Place Flexsteel Furniture Design Competition Finalist Brasfield and Gorrie Student Competition Bronze Medalist ASID Restaurant Design 3rd Place Curtis Stout Portable Lamp Competition Recipient Kelly Gene Cook Scholarship Recipient Academic Excellence Scholarship Recipient STAR Student Scholarship

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2018 2018 2018 2018 2017 2014-2018 2014-2018 2014-2018

Designer Gensler Intern June 2019 - September 2019 Full Time September 2019 - Present Dallas, TX Produce SD, DD, CD, and CA level design and documentation.

Model space plans in Revit and AutoCAD. Render 3D model presentations and images.

Select and coordinate FF&E. Attend project and client meetings.

Communicate with clients, co-workers, and design reps.

Create design presentations.

Travel.

New York, NY Study Tour Dallas, TX Study Tour Chicago, IL Study Tour Cincinnati, OH Study Tour Savannah, GA Study Tour London, England Paris, France Munich, Germany Lucerne, Switzerland

Affiliations.

2018 2018 2017 2016 2015 2013 2013 2013 2013

Lighting Designer Perkins-Everitt Lighting and Controls May 2018- August 2018 Memphis, TN Generated lighting calculations & distributions.

Participated in client meetings & site visits.

Constructed electronic 3D models in various software programs.

Trained employees on 3D rendering software.

Proposed lighting design for St. Jude’s Children’s Research Hospital’s Diagnostic Imaging Department.

Graphic Designer MSU Center for Distance Education May 2017- May 2019 Starkville, MS Created promotional documents for social media.

Effectively communicated with co-workers about design ideas.

Engineer of social media account.

Student Member, Tau Sigma Delta

Gallery Coordinator Student Member, ASID National Student Member, AIAS National

Chapter Secretary

Beaux Arts Ball Coordinator Shackouls Honors College

2017-2019 2018 2016-2019 2015-2019 2016-2017 2017-2018 2014-2018

Volunteer work.

Volunteer MSU Big Event Community Service Day MSU Children’s Halloween Festival Armstrong Middle School Freedom By Design: Boys and Girls Club Austin Street Center

2016-2018 2016 2017 2017 2019-2020

Software skills.

AutoCAD Revit Lumion SketchUp Rhino AGi32

Photoshop Illustrator InDesign Word Excel PowerPoint

Related courses.

AutoCAD Revit Rhino Rendering Digital Design Drawing I Principle of LEED Assemblages Environments Passive Building Active Building

Interior Design Studio I-VI Architecture Studio IA-IIB Color and Lighting for Interiors History of Interiors I & II History of Architecture I-III Detail and Construction Design Furniture Design Interior Materials and Resources Textile for Interiors Principles of LEED Design I & II

04 Table of Contents.

Product design.

32 Medical.

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09

18

Hospitality.

Corporate.

39

46

Institutional.

Residential.

Product design.

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Graham Chair.

INDIVIDUAL PROJECT / FURNITURE DESIGN Software: Rhino, Photoshop, Illustrator, InDesign The Graham Chair is based on the theory of addition through subtraction. The theory states that reducing components adds value to a form.

In designing the Graham Chair, layers were peeled away from the original conception to achieve the cleanest, most honest form of the design. The mechanics of the chair are exposed, creating a simple, yet complex form. The form that remains accentuates the contrast of the solid and void areas of the piece. The contrast creates a pleasing and light effect, making the Graham Chair a work of usable art.

1st Place — Design Mentorship Program Flexsteel Furniture Design Competition

Through Flexsteel’s Design Mentorship Program, the Graham Chair is currently in production for sale.

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INSPIRATION

Graham Chair.

INDIVIDUAL PROJECT / FURNITURE DESIGN Software: Rhino, Photoshop, Illustrator, InDesign

Rhino Renderings

Process Sketches

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Dimensions

Void.

INDIVIDUAL PROJECT / COLOR + LIGHTING DESIGN Software: Rhino, Photoshop, Illustrator, InDesign Protruding from a thick, concrete mass emerges a thin movable light. This modern, decorative lamp can transform into task lighting and was designed to contrast the ideas of light verses dark and solid verses void. Using the design principles of line and shape, the delicate wooden frame adjacent to the solid concrete block further emphasizes the idea of dissimilarity creating unity.

3rd Place

Curtis Stout Portable Lamp Competition

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DETAILS

Void.

INDIVIDUAL PROJECT / COLOR + LIGHTING DESIGN Software: Rhino, Photoshop, Illustrator, InDesign

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18”

6”

18”

6”

1 1/2”

6”

6”

6”

3”

18”

Front View

Top View

18” 6”

6”

Side View

Process Sketches

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Hospitality.

-Boutique hotel located in downtown neighborhood of Red Hook, NY. -Hotel features restaurant, spa, and rooftop bar.

-Individual branding and conceptual ideas required for each space.

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GROUP PROJECT / STUDIO V RESPONSIBILITIES -Concept development -Space planning -Rendered floor plan -Material and furniture selection -Presentation coordination

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Enlightenment

Catherine de Vivonne’s salon acted as a finishing school for aristocratic women.

Salons provided a pla people to congregat refine conversation.

Early 1700s

The Blue Room

Red Hook Beginnings

Res

Red Hook was one of the earliest settlements of Brooklyn.

Sal gat of N

1821

1636

Se Fondre is designed as a history of Red Hook.

Plush upholstery and ornate details draw inspiration from French salons. A prohibition-style speakeasy pays homage to Red Hook’s 20th century history. Se Fondre’s goal is to promote and nurture the growing artistic community of Red Hook by showcasing the community’s past and present.

Early 1600s

The community of Red Hook, New York evolves to the cultural and social needs of its residents. French settlers influenced the culture of Red Hook after its establishment as a port city. With this came 17th and 18th century salons, fostering a community of enlightenment and knowledge. The philosophy of these salons once again prevailed in Red Hook with 20th century speakeasies. Today, Red Hook fosters the arts, continuing its tradition of unity and advancement.

Prohibition Era

Kentler Drawing Space

Red Hook became one of the busiest ports in the US.

A ban on the production and sale of alcoholic beverages was established in the US.

Offers exhibits that represent emerging national and international artists.

1990s

Red Hook Port

1920

1850

ace for te and

Growing Artistic Community

30,000 speakeasy clubs were in New York City alone.

Red Hook is home to artisans, musicians, and a host of creatives and entrepreneurs.

Present

Speakeasies

Al Capone received his nickname “Scarface” at a local bar in Red Hook.

1925

Al Capone

1917

storation

lons restored as a social thering place at the end Napoleon’s reign.

ROOM LEGEND 1

Lobby

2 The Blue Room 3 The Blind 4 Gym 5 Technology Center 6

1

Blanc & Rouge

2

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GROUN

6 5

ND LEVEL

4 3

EST.

The

2018

SE FONDRE

The Blue Room is inspired by Catherine de Vivonne’s legendary 17th century salon where manners, language, and taste were cultivated for four decades.

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GROUN

D LEVEL

R E D

H O O K , N Y

D N I L B E TH S E

F O N D R E

The Blind’s name and style is inspired by prohibition-era speakeasies. Its underground ambiance gives guests a place to relax with prohibition-era inspired cocktails. It also features an oil painting of Al Capone who received his nickname “Scarface” in Red Hook.

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GROUND

D LEVEL

BEAUTY AND GROOMING

Blanc & Rouge is named after the 18th century cosmetic style of French men and women wearing heavy makeup as a symbol of respectability and class. This space reflects the grandeur of traditional French salons while offering a variety of cosmetic and relaxation services in a private, soothing environment.

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GROUND

D LEVEL

Guest rooms are named for a variety of historically significant figures in aristocratic France. The interior of the room is influenced by rustic prohibition features like an original brick wall and exposed hardwood floors juxtaposed with the charming elements of traditional French style.

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GUEST

T LEVEL

r o o f t o p

b a r

&

l o u n g e

St. Pierre is named for the island Al Capone used to smuggle alcohol from France to New York ports.

Area contains a variety of seating arrangements that support different types of conversation such as a pool lounge, a covered bar, and a vibrant open-air lounge area with a view of the city.

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ROOFTO

OP LEVEL

Corporate.

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-New headquarters for commercial real estate company in Denver, CO. -Designed for alternative work environments to eliminate individually owned work spaces.

-Space occupied by 160 employees with projected growth over next two years.

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America’s 5th greenest city, Denver, Colorado, is home to 200+ parks.

The city embraces sustainability by boosting Eco-conscience hotels and organic restaurants. Denver’s landscape includes 3 key features witnessed in ascending elevation of the city: water, earth and sky.

Areas of focused work reflect earth, water influences social areas, and sky influences meeting areas. Through distinct design features in each space, employees of Next explore each space with a unique representation of the city they call home.

WATER

INDIVIDUAL PROJECT / STUDIO V

Movement

SOFTWARE -Revit -AutoCad -Adobe Photoshop -Adobe Illustrator -Adobe InDesign

Cleanliness

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Relaxation

EARTH

SKY

Focus

Ambition

Warmth

Challenge

Comfort

Exploration

ECOSYSTEM OF ZONES Using ecosystem of zones, workers are provided with a range of settings that support diverse personalities and work styles.

Next’s office is designed using intentional combination of five key spatial zones.

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RESEA

ARCH

NOMADIC ZONE Invites individuals transitioning between projects and tasks, giving individuals everything they need to be productive with easy access to work tools.

RESIDENT ZONE Designed to grow expertise and community, resident neighborhoods support workers who are tethered to technology and have assigned spaces.

RESOURCE ZONE Supports tools and processes necessary for a productive workplace and houses shared materials to support all users on the floor.

MEETING ZONE Designed for deep collaboration, supporting cycles between individual and collaborative modes throughout a project.

SOCIAL ZONE Promotes intentional and chance encounters with coworkers, connecting others to foster a community of innovation.

6

4

ROOM LEGEND 1

Reception / Waiting

2

Virtual Reality

3

Large Conference

4

Medium Conference

5

Work Cafe

6

Bathrooms

7

Outdoor Patio 02

8

Open Office / Work Areas

9

Connect Zone

10

Resource Center

11

Phone / Quiet

12

Wellness Room

13

Shared Private

14

Small Conference / Huddle

15

Outdoor Patio 01

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5

3 2

7

1

RENDERED F

FLOOR PLAN

6

13 12 9

10 11

4

14 8 14 13

8 15

LIGHTING LEGEND Recessed Lamp-Round-LED 4” Recessed Lamp-Round-LED 6” Mika Ceiling Suspended-4230 Downlight-Strip 48” -120V OCL - Nova-Pendent Switch Ceiling Suspend - 74700

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REFLECTED C

CEILING PLAN

WORK CAFE

Ceiling represents waves crashing against a surface, creating a ripple effect. Space is a haven for workers in need of movement or relaxation.

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CONNECT ZONE

Area to meet and converse with workplace community. Warm tones create a friendly, open environment.

COLLAB SPACE

Informal area provides access to a new work posture and view of the office.

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OPEN OFFICE

Custom bench represents the rolling hills of earth. Collaborative space underneath offers a unique meeting experience.

-Flagship customer care center for a coffee manufacturer, distributer, and chain.

-Designed for three main departments: Information Technology, Sales, and Human Resources.

-Created branding that is displayed throughout office space.

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Portland, Oregon’s unofficial mantra, “Keep Portland Weird,” promotes individuality, expressionism, and creativity. Queue, a Portland based coffee shop chain and distributor, encourages these same traits in its employees and in the design for its new call center.

With a vibrant color palette and engaging atmosphere, Queue’s call center is designed for employees to be energized, focused, and engaged. Individual and collaborative spaces are designed with color, texture, culture, environment, and location in mind so each employee will find their sweet spot for focused, driven work.

1st Place — Gold Award

Barefield Workplace Solutions Steelcase Project Scholarship

Color

Texture

INDIVIDUAL PROJECT / STUDIO IV SOFTWARE -Revit -AutoCad -Adobe Photoshop -Adobe Illustrator -Adobe InDesign

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Energize Just as a fresh cup of coffee encourages one to start the day, Queue’s call center incites one’s mind with a variety of textures and colors. Workstations with ability for change of posture keep employees energized throughout the entire day.

Culture

Environment

Location

Focus

Engage

Queue wants employees to be focused and productive throughout the day but also understands that not all people are productive in the same type of environment. Whether it’s at a workstation or in the break room, a Queue employee finds the optimal work zone to stay productive.

Coffee shops provide connection and community.

Queue’s call center strives to encourage a sense of community between its employees as well as its customers. A relaxed, residential environment seen in coffee shops encourages employees to engage with one another on a daily basis.

Human Resources

Break areas used for informal meetings or a place to stretch and rejuvenate.

Information Technology Common Space

Open offices carpeted to account for acoustics.

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LEVEL ONE F

FLOOR PLAN

Coffee and vending areas found throughout office.

Nook provides space for informal meetings individual concentrati

Call Center Common Space

Private/quiet spaces provided for sensitive phone calls or conversations.

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LEVEL TWO F

or ion.

FLOOR PLAN

Lounge areas located throughout the space for employees’ and clients’ convenience.

BREAK ROOM

Influenced by coffee shops’ informal atmosphere and relaxed setting, a variety of seating is available to accommodate every user.

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OPEN OFFICE

Suspended panels used to define open office space. Wooden tones and color scheme produce a welcoming, comfortable environment.

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Medical.

-Renovation of an ambulatory surgery center and clinic.

-Design to increase efficiency and decrease patient wait time.

-Create a seamless patient experience through architecture and thoughtful design.

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Every year thousands of monarch butterflies migrate to Mexico to spend winter months in oyamel fir trees. This natural phenomenon is a miracle of wayfinding and adaptation, and the design for the Sovereign Ambulatory Surgery Center in Charlotte, North Carolina, implements the visual cues from this incredible process as one of the elements of its overall thoughtful, intuitive, and creative design.

Center’s design is monochromatic and utilizes warm tones throughout that are balanced with cooler grays and neutrals. Wayfinding tools include light paths and changes in flooring. Furthermore, the design philosophies of HIPAA and LEAN were considered to ensure patient’s privacy and comfort. The design for the Sovereign Center is completely user focused and encourages growth and migration throughout the space for both patients and employees.

INDIVIDUAL PROJECT / STUDIO VI RESPONSIBILITIES -Concept Development -Space Planning -Furniture and finish selection -Rendered floor plan -Renderings

Energy Wayfinding Cues Bold Colors Directional Patterns

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Empathy

Efficiency

Adequate Storage

LEAN Principles

Comfortable Atmosphere

Smart Room Technologies

HIPAA Compliant

Sustainable Materials

ROOM LEGEND Exam Waiting & Reception Exam Rooms Surgery Waiting & Reception PACU Nurse’s Station Billing Office Staff Area Restroom

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COLOR CODED

D FLOOR PLAN

1 ROOM LEGEND 1

Exam Waiting & Reception

2

Exam Rooms

3

Surgery Waiting & Reception

4

PACU

5

Nurse’s Station

6

Billing Office

7

Staff Area

8

Restroom

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2

8

RENDERED FL

7

4 5

7

8

LOOR PLAN

7

3 6 8

RECEPTION

Light leads users through space and provides positive visual distraction during wait time.

Standing height table with barstools serves as a way to vary posture during stay.

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PACU

Custom partitions between recovery bays filter light while providing privacy for patients. Computers mounted on swivel bases are strategically stationed for optimal access by physicians.

EXAM ROOM

Built-in changing room and clothes rack gives users space to store personal belongings during examination. Customized benches with easy pull-out drawers are used in all areas for personal items.

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EXAM ROOM

Drop door panel hides medical equipment from patient view upon entering exam room. Ambient uplighting in exam rooms promotes warmth and brightens space.

Institutional.

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-Renovation of the Cobb Institute of Archaeology museum and lobby at Mississippi State University.

-Designed for larger and more functional exhibit and storage space.

-Redefined existing branding and museum conceptual design.

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The Lois Dowdle Cobb Museum of Archaeology is an underdeveloped space on the campus of MSU. With proposed renovation, unique location and exhibits of Cobb Museum are highlighted to both students and general public. New museum design embraces darkness, creating a cavelike experience; warm tones and warm lighting enhance guest’s experience of being in an underground museum.

Museum’s floor plan is laid out to guide guests through a series of old world and new world exhibits. While guests are provided a clear path through the exhibit, guests are not restricted to a prescriptive formula to view the museum, allowing for exploration and discovery. Guests exit the museum by ascending to the newly renovated lobby, now featuring an area for students to work or lounge between classes.

Top Five Finalist

Brasfield and Gorrie Student Competition

INTERDISCIPLINARY GROUP PROJECT / STUDIO V Collaborators: Architecture, Interior Design,

Graphic Design, Building Construction Science

RESPONSIBILITIES -Concept development -Space planning -Material and finish selection -Furniture selection -Renderings Sam Graham | Portfolio | 82

Objectives Mystery Adventure Discovery

Execution Minimal Lighting Sand-toned Features Dark Casework

LOCAL SCHOOLS The Lois Dowdle Cobb Museum of Archaeology provides exhibits and related opportunities for outreach education for university community and general public. University and school groups are encouraged to schedule group visits to the museum. Generally, about 2,500 people of all ages visit the museum annually.

KEY NEEDS RELIABILITY Deliver your promised service dependably and accurately.

TANGIBLES Have clean facilities, warm buildings, and friendly staff.

EMPATHY Listen to your customers and pay attention to what they say. Provide personalized care.

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ELEMENTARY Sudduth Grades K-2 Henderson Ward Stewart Grades 3-5 MIDDLE Armstrong Middle School Grades 6-8 HIGH Starkville High School Grades 6-8 PRIVATE Starkville Academy Grades K-12 Starkville Christian Grades K-12

RESEA

AGE

DIVERSITY

In 2016, the median age of people in Starkville, MS was 27. Native born citizens, with a median age of 26, were generally younger than foreign-born citizens, with a median age of 32.

05%

ARCH

80%

15%

Caucasian

57%

African American

36%

Asian

04%

2 or more races

02%

Hispanic / Latino

01%

Lobby Museum Gift Shop Restroom Out of Project

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COLOR CODED

D FLOOR PLAN

OLD WORLD EXHIBITS

Pendant light illuminates interactive map.

Custom podiums display the Cobb’s ever growing historical collection.

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OLD WORLD EXHIBITS

Standing-height custom cases display entirety of artifacts, allowing freedom to move among exhibits.

NEW WORLD EXHIBITS

Seating provided throughout museum for viewing artifacts. Interactive rotating panels with more information about the Cobb await guests at the end of the museum.

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Residential

AD AP T

C O NNE C T

A S S E MBLE

GENSLER SUMMER INTERN

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AD AP T

C O NNE C T

A S S E MBLE

In a 10-week course, we generated creative housing solutions in which residents from all walks of life can have access to expressive building design with a dynamic and flexible interior space that employs a sustainable and resilient development method through the use of mass timber construction.

2019 GENSLER RESEARCH + DESIGN INITIATIVE Collaborators: Architecture, Interior Design, Graphic Design.

G House is a modular and resilient home GENSLER SUMMER INTERN that ADAPTS to the natural evolution of

a

G H O U SE

resident’s

lifestyle

by

VISION STA providing

customizable and convertible living + community spaces.

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RESEAR

E

T H E G H O U S E P R O V IDE S A N IN N O VAT I V E AN D

P E R S O N A LIZ E D H O ME + C O MMU N IT AY-GBHOUSE UI L DCAN ING BE T

E D S AN D TASTE S O E X P E R IE N C E . T H E S E H O ME S A R E E F FNIECI ENT IN

TO BRE AK FROM THE

IN TO MAT E R IA L, DE S IG N , A N D C O N S T R U CT I OANMORE . G TRAN H OSU

HOME BUIL D IN G E XP

C O N N E C T S R E S IDE N T S T O T H E IR C OBUIL MM UN ITY IN D IN G SOFTWARE

ASSE MBL E THE IR ID E A S T R E A MLIN E D A N D F E A S IB LE P R O CE SS WITHO

C O MP R O MIS IN G C O MF O RT.

The G House provides an innovative and

A G House can be tailored to the specific

experience. These homes are efficient

break from the traditional housing industry

personalized home + community-building in

material,

design,

and

construction.

community in a streamlined and feasible process without compromising comfort.

VI S I O N S TAT EM EN T

needs and tastes of any resident looking to into a more transparent and sustainable

V I S ION STAT EM ENT

G House CONNECTS residents to their

RCH

G H OUS E

GENSLER SUMMER IN

home building experience. Our intuitive digital building software allows residents

to swiftly ASSEMBLE their ideal home in any region they choose.

4’ x 4’

4’ x 8’

8’

LIVING ROOM

AD AP T

C O NNE C T

A S S E MBLE

G HOUSE KIT OF PARTS Residents are able to design their home through a series of predetermined kit

KITCHEN

DINING ROOM

of parts to reduce waste and increase

efficiency. Based on the users’ needs, various sizes and configurations are

BEDROOM

selected to create an adaptable and unique dwelling.

GENSLER SUMMER INTERN

BATHROOM

U TILITY

GARAGE

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KIT OF P

’ x 8’

PARTS

8’ x 12’

12’ x 12’

12’ x 16’

16’ x 16’

16’ x 20’

20’ x 20’

BY! AND GOT A DOG! -HOME CAN ADAPT TO THESE

THE G - FAM HAD A B AB Y! AND GOT A D OG!

TIONS.

THA N KFUL LY, THEIR G-HOME CAN AD APT TO THESE LIFE C HANGING ADDITIONS.

EDS

AD AP T

C O NNE C T

A S S E MBLE

THE G - FAM’S NEW NEEDS

FOOT HOME THE G-FAM’S A 2400-NEEDS 2 600 1

SQUARE FOOT HOME

A 2400-2600 SQ FT. home

3 B E DROOM HOME (MAST ER, MASTER, 2 KID’S ROOMS)

AL

2 KID ’S ROOMS)

2 3 bedrooms (master, 2 kid’s rooms) SEPA R AT ION OF SOCIAL AND PRIVATE SPACE 3 Separation of social + private space AND PRIVATE SPACE SEPA R AT ION OF PARENTS AND CHILD REN 4 Separation of parents + children

GENSLER SUMMER INTERN

NTS AND CHILDREN

G H OU S E

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FLOOR P

PLAN

LEVEL 1

LEVEL 2

G HOUSE G House is assembled based on users’ needs and lifestyle. Each home is designed from a kit of parts to reduce waste and increase efficiency of construction.

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