Center for Creative and Performing Arts

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The Ballad of Tam Lin

March 29 and 30, 2025

Recital Hall

Salem State Land Acknowledgement

The land occupied by Salem State University is part of Naumkeag, a traditional and ancestral homeland of the Pawtucket band of the Massachusett. We acknowledge the genocide and forced removal of the people of Naumkeag and their kin and we recognize the ongoing colonization and dispossession of Indigenous homelands. We respect and honor the Massachusett tribe and the many Indigenous Peoples who continue to care for the land upon which we gather. We recognize our own responsibility to this land we occupy. We commit to continuously learning and sharing its history and that of the Massachusett and other Indigenous People who have been and remain here. We commit to develop and implement initiatives that work toward repairing the injustices continuously being committed on the Indigenous People of this land. We commit to making our own environmental impact on this land as sustainable as possible. We commit to a renewed and ongoing engagement with the Massachusett and all Indigenous People in and around Salem State.

To learn more about Salem State’s Land Acknowledgement please visit salemstate.edu/LandAcknowledgement.

MUSIC

The Salem State University music and dance department presents

The Ballad of Tam Lin

March 29, 2025

Saturday | 7:30 pm

March 30, 2025

Sunday | 3 pm

Recital Hall

Celebrating 20 years of the music major at Salem State University.

This performance is presented in conjunction with Salem State University’s Center for Creative and Performing Arts.

PROGRAM

Prologue — Lady Margaret

Forbid — Lady Margaret, Thomas Lynn

How the Wind — Lady Margaret

Love, Be True — Lady Margaret

Home — Lady Margaret, The King

An Earthly Knight — The King, Lady Margaret

A Sharp-Tongued Knight — Lady Margaret, A Knight

Fortune’s Fool — Lady Margaret

A Double Rose — Lady Margaret

Nightingale — Lady Margaret, Faerie Queene (in disguise)

Forbid #2 — Lady Margaret

Wormwood – Lady Margaret

Forbid #3 — Lady Margaret, Thomas Lynn

Rhymer — Thomas Lynn

Thomas Lynn Theme — Ensemble

INTERMISSION

I Remember — Lady Margaret, Thomas Lynn

Threnody — Thomas Lynn

Lady Margaret’s Dream — Lady Margaret

A Cold Bed — Lady Margaret

Halloween (Intro) — Lady Margaret

Halloween — Lady Margaret

Forbid #4 — Lady Margaret, Faerie Queene

Queene — Faerie Queene

Never Loved — Lady Margaret, Thomas Lynn

Thomas Lynn Theme (Reprise) — Ensemble

CAST

Molly Pinto Madigan ’13 — Lady Margaret

Alec Hutson — Thomas Lynn

Chaz Smith ’16 — The King

Briana Paquin ’12 — The Faerie Queene

TJ Gansenberg ’11 — A Knight

Elizabeth Anderson ’14 — The Chorus

BAND

PJ Holaday ’14, Chris Bodek ’14, Zach Bridges, Madeleine Downs ’21, Jay DiBiasio, and Sam Margolis

SYNOPSIS

Based on a traditional Scottish ballad, THE BALLAD OF TAM LIN tells the story of a young woman who risks it all to save the man she loves.

The daughter of the king, LADY MARGARET goes out one day to pick roses in the woods of Carter Hall, despite the warnings about a mysterious man haunting the place. As she plucks a double rose, THOMAS LYNN appears out of nowhere. Proverbial sparks fly, and he lays her down with the wild roses blooming around them.

When Margaret wakes up, Thomas is gone, so she rides back home to her father’s hall, where it becomes apparent to everyone that something is amiss. Her father, THE KING, expresses his concern that she might be pregnant and encourages her to seek out the abortifacient wormwood in the woods. She tells him to mind his own business.

But when the FAERIE QUEENE comes to her disguised as a nightingale, convincing her that Thomas Lynn doesn’t love her, she goes back to Carter Hall to find the wormwood.

Thomas appears again and reveals the truth: he’s been kidnapped by the Faerie Queene and is going to be sacrificed by the faeries on Halloween night. He gives Margaret instructions about how to save him.

So, when Halloween night comes and the faeries ride by, Margaret runs to Thomas’ horse and pulls him down. As instructed, she holds him tight as the faeries transform him into a number of fearsome creatures. Finally, they change him back into a man, and Margaret has won.

The Faerie Queene is wild with anger, bemoaning Thomas’ betrayal, but she is powerless to take him. Margaret and Thomas have won, and they are free to be together.

MOLLY PINTO MADIGAN

Hailed for her angelic voice and haunting compositions, Molly Pinto Madigan graduated with a BA in Music from Salem State University, where she was named “Artist of the Year,” as well as receiving the university’s first dual Creativity Award in both Music and Creative Writing. Since her debut as the lead singer for the teen bluegrass band Jaded Mandolin, Madigan has submerged herself in the dark, luscious world of ballads, and her original songs echo with the whisperings of the American and European traditional music, combined with a fresh and modern lyricism. A three-time recipient of Club Passim’s prestigious Iguana Music Fund, Molly just released her sixth studio album, “Romeo and Juliet in the City.” In her free time, Molly enjoys writing novels and competing as a ballroom and Latin dancer.

MUSIC FACULTY

Peter J. Kvetko – chairperson, world music

Mary-Jo Grenfell – music history, orchestra

Philip A. Swanson – music theory, jazz studies

Michael Testa – music technology

ADJUNCT MUSIC FACULTY

Sam Beebe, orchestration, composition, music history, electronic music

Todd Clancy, guitar class

Jean Danton, applied voice

Krystal Demaine, music therapy

Bradley DeMatteo, ethnomusicology

Monica Duncan, applied clarinet

Seychelle Dunn Corbin, applied saxophone

Abe Finch, percussion ensemble, applied percussion

Raymond Gonzalez , guitar ensemble, applied classical guitar, applied songwriting

Alan Hawryluk , applied violin

Max Ignas , applied trumpet

Sanae Kanda , applied piano, music history, piano class, staff accompanist

Steve Lacey, applied jazz guitar, jazz improv ensemble

Cynthia Napierkowski, university band

Eric Christopher Perry, applied voice, voice class, songwriting

Jay Rinaldi, music technology

Andrew Schiller, applied bass

Lynn Shane, community chorus

Marshunda Smith, chamber orchestra

Beverly Soll, women in music history

Robb Taylor, music education, woodwind pedagogy

Eileen Yarrison, applied flute

Holly Zagaria , university chorus, chamber singers, applied voice

20th Anniversary Music Alumni Events

salemstate.edu/arts

March 29, 7:30 pm and March 30, 3 pm

The Ballad of Tam Lin by Molly Pinto Madigan ’13

Recital Hall

April 8, 4:30 pm

SSU Alumni: Views from the Field Songwriting/Composition Panel

Ethnomusicology

Classroom Building 275

April 17, 4:30 pm

SSU Alumni: Views from the Field Songwriting/Composition Panel

Classroom Building 275

April 24, 7:30 pm

Requiem in E minor, op. 1 by Javier Marquez ’08

University Orchestra and University Chorus

Salem High School, 77 Willson Street

Alumni Weekend 2025 – June 6 and 7

June 7, 3 pm

Alumni Choral Event

Recital Hall

A time to sing with some special guest

SSU choral conductors and a time to catch up with old friends!

Visit salemstate.edu/arts for information about these and other arts events . This campus event is open and accessible to all members of the campus community. For accommodations and access information, visit salemstate.edu/access or email access@salemstate.edu..

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