Sakthi Jeeva - Architecture Internship Portfolio

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Jeeva S | 2020-24 Selected works PORTFOLIO PORTFOLIO PORTFOLIO PORTFOLIO
Sakthi

Sakthi Jeeva S

Class of 2025

A student who believes that architecture invariably mirrors one’s observations and experiences, and that balance and consistency are key for anything one does.

Arcot, Tamil Nadu

sakthijeeva.s@care.ac.in | 09585115012

Curriculum Vitae

Education Skills

2006-2018

Vedavalli Vidyalaya

Walajapet

2018-2020

Shrishti Vidyashram

Vellore

2020 - Present CARE School of Architecture

Trichy

Studios and Mentors

Semester 01

Basic Design

Ar.Kartikeya Chhaya, Ar.Arusree Mohanty

Semester 02

Architectural Design I - Living Pod

Ar.Kartikeya Chhaya, Ar.Arusree Mohanty

Semester 03

Rural studio - Marutham Dr.Godwin J Emmanuel

Semester 04

Material studio - Tamil Diaspora

Ar.Balaji Rajasekaran

Semester 05

Housing studio - Utopia

Dr.Shabitha P

Semester 06

Office Studio - Design in Detail

Ar.Mona Pingel, Ar.Keerthana Arun

Semester 07

Institution Design - Reimagining Campus

Dr.Shabitha P

Semester 08

Urban Design Studio - Srirangam

Ar.PVK Rameshwar

Manual Sketching Rendering Model making

Experiences

South Indian Art and Architecture- Lecture

Haribhai V. Desai College, Pune (Online)

Structures & Nature - Discussion

Er.Manjunath B L

Earthen Dome Workshop - Kumbakonam

Ar.Balaji Rajasekaran

2 days Workshop - Housing

Ar.Vishwanath Kashikar

Hyperflow - Winter School 2023

Ar.Balaji R, Ar.Senthil Kumar Doss

C. A. S. T. - Summer School 2023

Ar.Balaji Rajasekaran

Earth Architecture Workshop - Ladakh

Ar.Sandeep Bogadhi (Earthling)

FOAID Expressions - Competition Commendation Award

2021
2022
2023
2023
2023
2023
Digital
AutoCAD SketchUp QGIS Adobe Photoshop Adobe Illustrator Adobe InDesign Enscape Lumion
2022
2022
02
C O N 01 Odyssey Sem 06 02 Handmade Heights Sem 05 03 Offset Sem 07 04 Rural Studio Sem 03 05 Living Pod Sem 02 04 07 09 11 13
T E N T 06 Earthen Dome Sem 04 07 Hyperflow Sem 05 08 C. A. S. T. Sem 06 09 Earth Architecture - Ladakh Sem 06 10 Natakam Sem 07 14 14 15 15 16 03

Odyssey

Pondicherry, India

Semester 06 | Hospitality Design

In collaboration with Studio Naqshbandi, Auroville Mentor : Ar.Mona Doctor Pingel | Ar.Keerthana Arun, Ar.Nirupama Victor Group members : Deepak Kumar J, Iswarya Devi R

Any good design is a sum of good details. The intent of the studio was tounderstand the nuances in design construction and details, to explore the realm where an idea gets transformed into a buildable construction detail. It also includes understanding different proportions and its translation into design.

01

Resort?

A Transition? Hideaway? Escape?

With hundreds of resorts lining the busy ECR, with thousands of cars coming out of the city, Odyssey not only provides an escape from the hustle and bustle of daily life but also serves as a healing retreat. A design that helps to reach from one extreme to the other. This resort serves as a hideaway that takes you to towards the ocean, where one can immerse themselves in the healing power of the sea. A Journey, and not a destination.

04
Site Plan - Cottages
B B 1 2 3 4 5 A B C FIRST FLOOR PLAN 1.BED SPACE 2.TOILET 3.BALCONY 4.CORRIDOR 1 2 6 5 AREA: 60 sq.m A A 1.BED SPACE 2.TOILET 3.PLUNGE POOL 4.PRIVATE COURTYARD 5.BALCONY 6.CORRIDOR AREA: 50 sq.m GROUND FLOOR PLAN A B C 150 200 500 200 250 250 250 250 3 4 B B 1 2 3 4 5 A B C FIRST FLOOR PLAN 1.BED SPACE 2.TOILET 3.BALCONY 4.CORRIDOR 1 2 6 5 AREA: 60 sq.m A A 1.BED SPACE 2.TOILET 3.PLUNGE POOL 4.PRIVATE COURTYARD 5.BALCONY 6.CORRIDOR AREA: 50 sq.m GROUND FLOOR PLAN A B C 150 200 500 200 250 250 250 250 1 2 3 4 A B A B A A 1 2 3 4 5 A B C 1.BED SPACE 2.TOILET 3.PLUNGE POOL 4.PRIVATE COURTYARD 5.BALCONY 1 2 3 4 1 2 5 AREA: 63 sq.m AREA: 50 sq.m A B C GROUND FLOOR PLAN FIRST FLOOR PLAN E:\SEM 6\DESIGN\CAD\cottage\PICS\View 06 E:\SEM 6\DESIGN\CAD\cottage\PICS\View E:\SEM 6\DESIGN\CAD\cottage\PICS\View 150 200 500 200 250 250 250 250 Courtyard View Beach View

Evolution of form.

The use of double-golden proportions for planning results in balanced spaces, particularly crucial for bedrooms.

BEACH VIEW COURTYARD VIEW

05 DATE ODYSSEY. PONDICHERRY COTTAGE NOTES: · All are Dimensions measured · All clarified · All the unless REV. NO: 01 DRW SHEET: SEM DESIGN CARE in Studio
- AA
- BB
02 03 04 05 GROUND FLOOR LEVEL ±00 +210 +270 +305 +515 GROUND FLOOR LEVEL ±00 +210 +270 +305 +515 ODYSSEY. PONDICHERRY NOTES: · All are · Dimensions measured · All clarified · All the unless REV. NO: 01 SEM DESIGN CARE in Studio
- AA
02 03 04 05 +515 GROUND FLOOR LEVEL ±00 +210 +270 +305 +515
SECTION
SECTION
BEACH VIEW COURTYARD VIEW
SECTION
Section - Cottage with beach view
Section - Cottage with Courtyard view
B A A 2100 500 500 500 30 300 500 500 500 1-Billing counter | 2-Buffet area | 3-Dining |4-Outdoor dining | 5-Restroom | 6-Cooking area |7-Preparation area | 8-Dishwashing zone | 9- Storage |10-Service entry Plan 1 2 6 7 3 5 9 10 4 8 Restaurant - Area Built up area - 254.5 sq m Water body - 42.5 sq m Total area - 254.5 + 42.5 = 297 sq m Proportion in design - Golden Ratio Placement of column based on Double-Golden Section AA Section BB B A 500 500 30 1 2 6 7 3 5 9 4 8 ROOF LEVEL ±455 WALL LEVEL ±210 FLOOR LEVEL ±00 GROUND LEVEL Restaurant - Area Built up area - 254.5 sq Water body - 42.5 sq Total area - 254.5 + Section AA Section BB Restaurant - Plan, Section and Isometric View
B B Plan 1-Reception | 2-Washroom and Luggage rack | 3-Storage | 4-Treatment room | 5-Sauna | 6-Bathroom | 7-Meditation space. 1 2 3 4 5 4 6 7 Concept sketches - Section Entry Section BB 1-Reception | 2-Washroom and Luggage rack | 3-Storage | 4-Treatment room | 5-Sauna | 6-Bathroom | 7-Meditation space Section AA GL / FFL ±00 WALL LEVEL ±225 ROOF LEVEL ±435 GL / FFL ±00 WALL LEVEL ±155 ROOF LEVEL ±530 1 3 4 5 06 Spa - Plan, Section and Isometric View

Handmade Heights

Trichy, India

Semester 05 | Housing Design

Mentor : Dr.Shabitha P | Ar.Amirthavarshini

Exploring and re-imagining housing as a live -work environment, an Utopia that balances life - work and improves quality of life. This exploration helped in understanding people-centric design and human behavior in and around the built environment.

It underscores the indivisibility of work and leisure, everyday and special activities, the mundane and the creative actions. The habitants of this housing are those whose occupations are within their home range. They are either people who make things (like food, handicrafts etc) and people who work remotely (technology).

02

Responding to the user group: People who craft baskets or sarees typically reside in communal settings, living alongside others engaged in similar occupations. Providing a familiar quality of space is crucial, as conventional layouts with shared walls and narrow corridors areinadequate for their needs.

Thus, creating corridors resembling streets and semi-open spaces that help them to work and interact better. This also fosters a sense of belonging.

07
Ground floor Plan

Breaking out from conventional housing corridors. Push and pulls provide additional spaces, encouraging activities outside.

Adding more elements of a street. Corridors are not used for movement alone, but also for working, sharing, etc.

“Making housing is like a bird building its nest. You start with a basic house, but you have to let people change it to their own needs.” - Charles Correa

01 02 03

‘8 out of n options’

Providing options for the user to design, expand, adapt to their piece of grid. This will allow people from different economy group, occupation, cultural background to come together.

08

03

Offset

Thillai Nagar, Trichy

Semester 07 | Institution design

Faculties : Dr.Shabitha P, Ar.Monisha Nageshwaran

Re-Envision Campus design in urban context. Re-envision higher education campus that reflects the changing concept of contemporary pedagogy and the expression it takes in relation in the context of Time, People and Place.

Exploration of strategies for designing a campus in an urban setting that caters to, high density vertical built forms and opening up campus life to diverse user groups, culture and social aspects of urban life.

Isometric view

Community

Main roads typically host commercial establishments, while the streets branching off them lead to densely populated residential areas. Edges towards the residences are treated in responding to these buildings.

Community spaces which include public library, open badminton courts, open-amphitheatre, creche are provided. Further, building heights respond to theresidential heights, which in a way merges and doesn’t stand out.

Ground Floor Plan Thillai Nagar Main Road Makkal Mandram

Moving traffic

There are 3 different users, the students, the neighbourhood communities and people who just spend few minutes. Creating spaces that will adapt to all three crowds led to more flexible spaces and also three individual zones.

Moving traffic stop for a quick bite, thus providing commercials, comfortable place to sit, shade is the key. This also give opportunity for a lot of small vendors.

10
Ground floor plan - Commercial zone & Community zone

Rural Studio

Ladavaram, Arcot.

Semester 03 | Rural documentation and context re-design

Mentors : Ar.Dhanasekaran Muthu , Ar.Ramalingam N, Dr.Godwin J Emmanuel

Documentation of the nearby village of Ladavaram, helped in comprehensive understanding of Marutham landform and it’s characteristics.This study also helped in defining the intricate elements of both village andhouse architecture, elucidating how different occupations influencespatial arrangements within households.

Moreover, redesigning residences and spaces around helped in understanding culture of the place, people and it’s influence on built-unbuilt ratio.

04
11
Residence - Exploded Isometric View Rice mill & Residence
Rice mill & Residence

Balasundaram’s Residence

A residential structure integrated with a rice mill to enhance security measures, to accommodate a family reliant on the mill owner for income. Minor adjustments, such as repositioning axes andintegrating additional windows, have been made to

Residence - Isometric View People and Activities
12

Living Pod

Semester 02 | Architectural Design I

Mentors : Ar.Kartikeya Chhaya, Ar.Arusree Mohanty | Ar.Shreeleha

Understanding character of a space/place. Understanding anthropometry and proportions. Exploration of forms and material through carving.

05
13
Final Pod - Front and Back View Section - Across the site

Earthen Dome

Sri Anjaneyam Ayurveda Vaidyasala, Kumbakonam

10 days Hands-on Workshop | CARE x dMac

Mentor : Ar.Balaji Rajasekaran

Hands-on experience helped in gaining greater knowledge about the material property. This workshop was an experimentation of constructing dome with an unusual process. It included bamboo reinforcement which was followed by a thin layer of jute bag material over the reinforcement.

Layers of mud mixed with appropriate amount of coconut fibre and cement were plastered over the jute wrap.

06

Hyperflow

CARE School of Architecture, Trichy

12 days Intensive Workshop - Winter School 2023 Mentors : Ar.Balaji Rajasekaran, Ar.Senthil Kumar Doss

This workshop focused on form finding using bamboo canes and elasticated fabric material. Force and gravity of each iteration led to deeper understanding of load transfer through either compression, tension or mix of both.

07 14

08

C. A. S. T.

CARE School of Architecture, Trichy

8 days Intensive Workshop - Summer School 2023

Mentor : Ar.Balaji Rajasekaran

‘Casting’ as a technique to create shell structures? This workshop emphasized form exploration through the casting of plaster of Paris into stitched and tied fabric. This iterative process facilitated a deeper understanding of material properties. Each result yielded intriguing forms, offering valuable insights into forces and gravity.

Exploring forms sketches and

Earth Architecture - Ladakh

Diskit, Nubra Valley

11 days Hands-on Travel cum Workshop

In collaboration with Earthling, Ladakh

Mentor : Ar.Sandeep Bogadhi | Ar.Maniyarasan, Ar.Keerthana Arun, Ar.Viksha

Every household in Ladakh grow vegetables in their gardens with traditional agricultural practices. Thus, a shelter with rammed-earth walls and thatch roof is erected with the specific aim of providing a designated selling space for villagers to market their healthy vegetables, thereby offering an alternative to informal vending on footpaths and in front of shops.

This workshop served as an eye-opening experience, offering insights into local materials, construction techniques, the significance of local produce, circular economy, and community engagement.

This modest shelter serves as a hub of activity in the market area, providing a space for people to gather, converse, and vend their vegetables Additionally, it accommodates several stray dogs.

15
09

Natakam

Competition - FOAID Expressions 2023 |

Mentor : Ar.Lakshmi Kumaresan | Ar.Rakesh

Team : Azhagumadhavan, Deepak Kumar, Diya Kabeer, Tirth Shroff

Why is it always the 1950s’ pop art? Why is it still the Britain’s pop art? How has Pop Art progressed in contemporary times, and what forms does it currently take in our surroundings?

‘Natakam’ showcases the essence of pop art in various forms, extending be yond just art. It also shows how colour plays a major role in the life of working class from choosing colour of a clip to painting their house.

TARPAULIN

Gandhi Market, Trichy

Exploring the “unnoticed pop” in Tamil Nadu. Interplay of harmony within chaos. Intricate balance and rhythm that characterise the market’s essence. Unspoken understanding of co-existence. Evoking of senses.

Filtered daylight adds vibrance to the market life
10

INSTALLATION

Different sizes of boxes make up the human figures symbolize the inherent chaos within individuals caused by their thoughts and emotions.

Together different-sized boxes form a human figure signifies the harmony achieved within chaos.

Aims to evoke a sense of connection with the market environment, inviting viewers to contemplate the complexities of human existence and the pursuit of harmony amidst the chaos of everyday life.

16
Final Installation - Digital Model
sakthijeeva.s@care.ac.in | 09585115012

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